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00:00THE CITY IN BRAZIL
00:30THE CITY IN BRAZIL
01:00THE CITY IN BRAZIL
01:29THE CITY IN BRAZIL
01:31THE CITY IN BRAZIL
01:33THE CITY IN BRAZIL
01:35THE CITY IN BRAZIL
01:37THE CITY IN BRAZIL
01:43THE CITY IN BRAZIL
01:47THE CITY IN BRAZIL
01:49People of African origin fought for freedom, resisted slavery, and organized themselves into quilombos (maroon communities).
01:59Were "capitães do mato" (slave hunters) hired by plantation owners to attack quilombos (maroon settlements)?
02:17Our country is proud today to be a great mix of peoples.
02:28This is Brazil's great cultural treasure.
02:31But, unfortunately, in the history of the struggle for freedom and against slavery, there have often been dramatic scenes.
02:38THE CITY IN BRAZIL
02:40THE CITY IN BRAZIL
02:42THE CITY IN BRAZIL
02:44BATO IS COMING TO THE TROOP!
02:46They're going to attack our Quilombo!
02:48THE CITY IN BRAZIL
02:50THE CITY IN BRAZIL
02:52THE CITY IN BRAZIL
02:54THE CITY IN BRAZIL
02:56THE CITY IN BRAZIL
02:58The women go with the children to the cat!
03:00And what about the men?
03:02The men stay behind to fight!
03:04Go!
03:06Go!
03:08Go!
03:10I want to be with you, my father!
03:12With you, my father.
03:13No, Juliana.
03:15You have to run away, my daughter.
03:16No.
03:17Listen, father.
03:18Do everything to be happy.
03:20Obey your father.
03:21Now it's going to happen.
03:22Go with God.
03:24Go, go.
03:29Wide, you know, you understand?
03:30We'll only leave here dead.
03:33It's better to surrender than to die.
03:35It is better to die and be free than to live to be a slave.
03:42We'll arrest those who are here, and then we'll hunt down those who fled into the woods.
04:04That brunette who ran away to the woods is missing.
04:07Go after her, let's go.
04:09Take the dog out to sniff.
04:11Let's go, let's go.
04:12Let's go, let's go.
04:42No!
04:44No!
04:58No!
05:00No!
05:07There!
05:09Father, my father, my father, my father.
05:21Now we're going to take all these people away.
05:23Come on, come on, come on, come on, come on with the black guys pulling.
05:26Let's go, quickly, come on, take it away.
05:32Come on, everyone, come on, quickly.
05:35Now set fire to the quilombo.
05:39What is this?
06:06Come on, I lost those teeth.
06:10I see her breasts.
06:14And what about this one?
06:17Show me your breasts here.
06:20And what about this one?
06:20I see her breasts.
06:23Look at those hips!
06:24What a pair of legs!
06:27Top-quality breeder.
06:29Who will bid higher?
06:30I'll give you a thousand réis.
06:31It's not enough.
06:32Who will bid higher?
06:33Compadre comendador.
06:36A small fortune is not enough to describe such beauty.
06:40I'll give you one and a half contos de réis.
06:42That's not enough either.
06:43Look at that breeder!
06:45If my friend doesn't get sick, I don't care.
06:48I was very taken with the mulatto woman.
06:53I'll give you two contos de réis.
06:59If the Commander insists, I'm not going to be the one to tire myself out, but...
07:02She is yours.
07:04Sold to the knight for two thousand réis.
07:07My name is Miguel.
07:20I am the foreman of Commander Almeida, who just bought you.
07:26Don't worry, I'll take good care of you.
07:30What is your name?
07:31Julian.
07:32Julian.
07:37What happened, Juliano?
07:56It's headquarters.
07:58And hunger.
08:00I haven't eaten anything for three days.
08:03Catch, catch, pass.
08:07What happened, Juliano?
08:16Sir Commander!
08:23Sir Commander, the slave Juliana is very weak from hunger.
08:27With your permission, sir, I would like to take her from my back to the farm.
08:32You can carry it on the back.
08:33But if any other black man falls, shoot him and leave the bullet in the path of his shoulders.
08:40Sir?
08:40Life for a Black person is hard, hard like what?
08:48Life for a Black person is hard, hard like what?
08:53I want to die at night, to kill myself in an ambush.
08:58I want to die from a whipping if you, black woman, leave me.
09:03Life for a Black person is hard, hard like what?
09:08How difficult is life for a black person?
09:13My love, I'm leaving this land.
09:17Life is hard for black people, isn't it?
09:23There's nothing there, daughter.
09:24Life for a Black person is hard, hard like what?
09:25Life for a Black person is difficult, isn't it?
09:29Juliana goes to work as a domestic servant.
09:34Help the girl leave, Francisco.
09:35Yes sir.
09:36He comes.
09:37He comes.
09:40Let's go.
09:41Let's go.
09:43Ready.
09:45The rest goes to the fields.
09:47Come on, quick.
10:11Oh, God is delicious, you know?
10:15It was the best thing in my life to marry a woman.
10:19Oh, God.
10:20Yes, my friend.
10:22Looking that good, she'll probably end up serving in the master's bed.
10:33A gift, Edrudes.
10:35To help you with household chores.
10:37It wasn't necessary.
10:39Since the husband insists.
10:41Do you know how to cook?
10:43I know, ma'am.
10:44I'll call someone to show him the kitchen and the slave quarters.
10:47Francisco!
10:51Oh, Francis!
10:53Francisco!
10:57My wife always takes a nap after lunch.
11:00While she's having a party, we're having a party.
11:05Did you understand?
11:07And don't even try to disagree with me.
11:11Because I know I can be very good when I want to be.
11:13But very strict when necessary.
11:20This is Francisco.
11:21Foreman of our farm.
11:23He will show you the slave quarters and then the kitchen.
11:27The slave quarters are the slave quarters.
11:29If I wasn't sure the Commander wanted you, I'd show you what a real name means.
11:48Joaquina?
11:50Yes.
11:52This is the new slave.
11:54Juliana?
11:56Joaquina will show you the job.
11:58See you later.
12:00When the boss gets tired of you, I'll get you.
12:04I'm going to get you.
12:06Let's go.
12:07Let's go.
12:08Disgusting.
12:14I don't know who is worse.
12:15Whether it's this one or the commander.
12:18One worse than the other.
12:20The only good thing here is somiguer.
12:23The overseer.
12:24I know who it is.
12:26He helped me a lot in getting the road here.
12:32If it weren't for him, I don't think I would have been able to endure it.
12:56I come from Benin.
13:20I came.
13:22I was born free in Africa.
13:25My father was a king.
13:28My mother was a queen.
13:34You might think not.
13:37But I am the son of a king and a queen.
13:42Dudu, what a smell!
13:45Eru que chee Dudu.
13:48Black people are not slaves.
14:00The black man is enslaved.
14:03But one day...
14:05The black man will be free.
14:08The black man will be free.
14:10The black man will be free.
14:15The black man will be free.
14:18Viggo!
14:40Viggo!
14:44Viggo!
14:48Mrs.
14:53Put an end to this degrading party.
14:56I want everyone out in the fields very early in the morning.
14:59Except for the new girl, Juliana.
15:02Tell her to go to the tank very early and alone.
15:07That's all, sir.
15:09That's all for now.
15:11And now put an end to this drumming.
15:14This is really getting on my nerves.
15:17Thanks.
15:47Here you go, you little rascal.
15:52The commander asked you to stop this drumming, but there's no need to do this.
15:57Don't look sad, because you can continue with the party.
16:03We're just going to speak a little more quietly, avoid making noise, so as not to bother people.
16:08from the big house.
16:10If you, Juliana, feel any danger, you run inside the house and look for the lady.
16:36Gertrude, because she's the only one you can rely on, understand?
16:41Help.
16:42Yes, because only she has the strength to confront the commander.
16:46So, in case of any danger, Juliana, you should seek out Mrs. Gertrude.
16:51Help.
16:52I'm asking for help.
16:53I'd rather die than be that drooling pig's wife.
17:00Your ashes, as long as you like.
17:01So now, you're with her...
17:03If, now, it's going to be mine, black woman.
17:04No, for God's sake.
17:05Leave me alone.
17:06Who is hiding it?
17:07You either want it the easy way or you want it the hard way.
17:08Love, for God's sake...
17:09No!
17:10Stop yelling, you black woman...
17:11Love.
17:12That's all I needed, a slave, it would cause scandals.
17:13No.
17:14You're going to be mine now, my black girl.
17:17No, for God's sake, leave me alone.
17:19The choice is yours, whether you want it the easy way or the hard way.
17:21My love, for the love of God, no!
17:24Stop yelling, you black woman.
17:25My love.
17:26That's exactly what I needed.
17:27A slave and a revéscanda.
17:30Come here, come here.
17:44What happened, girl?
18:05He attacked me.
18:07I think it's a lady.
18:10The slave girl was frightened.
18:12Like the capybara.
18:13Like a capybara?
18:15Hey?
18:18Go back to your business, girl.
18:20That capybara won't attack you again, no way.
18:24And you, my husband, please come in.
18:27Come in, I need to talk.
18:40Get out, Joaquina.
18:42You too, Leôncio.
18:43I want to speak privately with your father.
18:46Let's go.
18:47And she cries.
18:48It wasn't a capybara at all.
19:01Unless you now call yourself Commander Capybara.
19:06She has the audacity to confront me.
19:08Has he lost respect?
19:10If my own husband doesn't respect himself.
19:15Chasing after a slave girl in the woods while his wife is at home.
19:19And what are you going to say?
19:21She was distractedly in the middle of a thicket, where the master himself probably ordered the slave to stay alone, chasing butterflies.
19:29And then the slave spotted a capybara and screamed.
19:33I ran when I heard the scream.
19:36And I saw the capybara.
19:37Ah, you saw the capybara.
19:39Well, since you insist on lying, let me tell you that I'm more scandalous than she is.
19:44The next time I catch you chasing after a slave girl, you can be sure I'll leave you.
19:51You wouldn't have the courage.
19:53Yes I have.
19:54I really do.
19:55I'm going back to my father's house.
19:57And imagine how good it will be for your business when I spill the beans and everyone finds out about your misfortunes.
20:05Don't insult me, Almeida.
20:07Don't provoke me.
20:09And as for that slave, she's not going to stay at home, doing housework, no.
20:13She's too beautiful.
20:15He's going to work in the fields.
20:16All day.
20:17From sunrise to sunset.
20:19You missed the best opportunity of your life, girl.
20:22I am a rich man.
20:24You could have been my sweetheart.
20:26Everything would be great.
20:27I could even grant him his freedom.
20:30But no.
20:31He preferred to defy his master, didn't he?
20:34Now he'll get a little older working in the fields.
20:36That's so she'll learn never to disobey me again.
20:41Miguel.
20:43Be tough on her.
20:48Did you hear me?
20:50Don't worry, you tormentor.
20:52I will take care of her as you wish.
20:53Let's go.
21:00Bye, bye.
21:30Bye, bye.
22:00Bye, bye.
22:30Goodbye.
23:00Goodbye.
23:02Goodbye.
23:32Goodbye.
24:02Bye, bye.
24:32Goodbye.
25:02Goodbye.
25:04Bye, bye.
25:06Bye, bye.
25:08Goodbye.
25:10Bye, bye.
25:12Bye, bye.
25:14Bye, bye.
25:16Bye, bye.
25:18Bye, bye.
25:20Bye, bye.
25:22Bye, bye.
25:24Bye, bye.
25:26Bye, bye.
25:28Bye, bye.
25:38Bye, bye.
25:40Bye, bye.
25:42Bye, bye.
25:44Bye, bye.
25:46Bye, bye.
25:48Bye, bye.
25:50Bye, bye.
25:52You are expecting my child.
25:55Daughter.
25:56It's going to be a girl, I know it.
25:59And how do you know?
26:00I think I dreamt it.
26:04If it's a girl, I want her name to be Isaura.
26:09I'm just sad that she's going to be a slave just like me.
26:12No.
26:13I will buy your freedom.
26:16You'll see.
26:17Do you think you can do it?
26:18I have some money saved up.
26:19The things I've been saving my whole life aren't much, really.
26:23But it should be enough to buy your euphoria ticket.
26:28God willing, Miguel.
26:33That's all the money he has, sir.
26:36That's five thousand réis.
26:38I need to buy a slave from you.
26:41It needs?
26:42And why is it necessary?
26:45Because she took a liking to me, sir,
26:47And she's expecting my child.
26:49And which black woman did you get pregnant?
26:53Juliana, sir.
26:57Naughty black woman.
26:59Would I have the courage to surrender to you?
27:02No, sir, commander.
27:04It wasn't indecency, it was...
27:07She was love.
27:08Because I don't sell it.
27:10Absolutely not, I'm not selling.
27:12But more than twice, sir,
27:13The price you paid for it is...
27:15Not for any amount of money in the world.
27:17I'm not selling.
27:17But why, my husband?
27:19Has this woman only brought trouble to our home?
27:22Sertude, the price of slaves increases every day.
27:26And each day it also becomes more difficult to bring cranes from Africa.
27:30Moreover, he wants to buy two items for the price of one.
27:35Two, sir.
27:37Why two?
27:37The child that is about to be born is the daughter of one of my slaves.
27:42Therefore, by right, she is my slave as well.
27:45Out of love for my son, I have the pity of a poor father who does not want his son to be born and grow up in slavery.
27:50You're very gullible, Miguel.
27:53Who guarantees that this child is yours?
27:56The black woman could have rubbed against anyone in that slave quarters.
27:59No, Juliana only slept with me because she only liked me, sir.
28:03But that's very presumptuous of you.
28:08Well, you're fired.
28:10Gather your pennies and get out of my farm.
28:13I'm going, Juliana, more certain than night follows day, I'll be back to get you.
28:29Precision.
28:31Sir, from today onwards, you are the new foreman of my farm.
28:38Nice to meet you, Commander.
28:39Go.
28:43This won't stay like this.
28:59The commander won't forgive me because I didn't want to stay with him.
29:03I even picked up Miguel's son.
29:05I'm warning you, my daughter, that he's going to try to do something cowardly to you.
29:09Nothing remains.
29:10Tomorrow the whip will sing in the fields.
29:14I'm going to rip the skin off of you.
29:17Follow me, Juliana.
29:18So you're going to take me?
29:19Shut up, you fool, shut up!
29:21Shut your mouth!
29:23Shut your mouth!
29:23Shut your mouth!
29:30Shut up!
29:30No!
29:31No!
29:32No!
29:33No!
29:34No!
29:35No!
29:36No!
29:37No!
29:38No!
29:39No!
29:40Alright, ladies and gentlemen.
29:41Here is the slave girl that the master sent inside.
29:44No!
29:45No!
29:46No!
29:47Miracle!
29:48No no!
29:49He must be dying!
29:51Let's go!
29:57What do you want from me?
30:00I want to know why you elected him, sir?
30:03And she went to bed with that poor, miserable overseer?
30:07Because he is good.
30:10Your master is not.
30:12And how do you know if I'm good or not?
30:15Didn't you prove it to me?
30:21Help!
30:22Help!
30:23If you try it with me again, it's the force that causes me pain.
30:26I swear to you I'll cut off the part of your body you like best.
30:31And you like it the most!
30:32It's not that you know.
30:33Either that child you're expecting will be born soon.
30:38Ah!
30:39Ah!
30:40Ah!
30:41Ah!
30:42Ah!
30:43Ah!
30:44Ah!
30:45Ah!
30:46Ah!
30:47Ah!
30:48Ah!
30:49Ah!
30:50Ah!
30:51Ah!
30:52Ah!
30:53Ah!
30:54Ah!
30:55Ah!
30:56Ah!
30:57Ah!
30:58Ah!
30:59Ah!
31:00Ah!
31:01Ah!
31:02Ah!
31:03Ah!
31:04Ah!
31:05Ah!
31:06Ah!
31:07Ah!
31:08Ah!
31:09Ah!
31:10Ah!
31:11Ah!
31:12Ah!
31:13Ah!
31:14Ah!
31:15Ah!
31:16Ah!
31:17Ah!
31:18Ah!
31:19Ah!
31:20Ah!
31:21Ah!
31:22Ah!
31:23Ah!
31:24Ah!
31:25Take a deep breath, hold it, and push.
31:31Look at the head, look at the head.
31:34It's being born, it's being born.
31:48She, she turned to me.
31:51My daughter's name will be Isaura.
31:57That was the name her father gave her.
31:59I'm a nobody, like I'm just a nobody.
32:02I'm crazy.
32:03You've lost a lot of blood, you need to rest.
32:14I'm going to the city.
32:16The soirée, at the home of the Baroness of Vitória.
32:19Look, is my husband sure he doesn't want to come with me?
32:22I have a terrible migraine.
32:25I'm not in the mood for a literary gathering.
32:27But enjoy, enjoy.
32:29Okay, thank you, I'll be right there.
32:38Commander.
32:40The slave gave birth.
32:42Excellent.
32:44Place it on the trunk.
32:46But now what?
32:46The child has just been born.
32:48As soon as my wife goes out through that gate,
32:51I want to see the black woman on the whipping post.
32:54Go.
32:54Yes yes.
32:58No!
33:00She won't be able to take it!
33:02She lost a lot of blood, so fix it!
33:06Order, sir.
33:07She won't be able to take it!
33:12She lost a lot of blood!
33:15From heaven!
33:18Oh my God!
33:21Oh my God, no!
33:22You won't be able to take it!
33:23You won't be able to take it!
33:27You won't be able to take it!
33:27Oh my God, I can't take it anymore!
33:28No, no, no, no, no, no, no.
33:58No, no, no, no.
34:28No, no, no, no, no, no, no.
34:58No, no, no, no, no, no.
35:28No, no, no, no, no.
35:58No, no, no, no, no, no.
36:00No, no, no, no, no.
36:02No, no, no, no, no, no.
36:12They say slaves have no soul, I don't believe that.
36:19Juliana, if your spirit can hear me, please accept my request for forgiveness now.
36:25Where is the child?
36:29The child is a girl.
36:31The child is a girl.
36:35The child is a girl.
36:37I think Ana gave her the name Isaura.
36:53Isaura.
36:54Isaura.
36:55Isaura.
36:56Isaura.
36:57Isaura is a beautiful name.
36:59Oh my God.
37:00Oh my God.
37:01Poor baby.
37:02Oh my God.
37:03Poor baby.
37:04So young.
37:05She has already lost her mother.
37:07She is crying.
37:09We'll need to find her a wet nurse.
37:16Isaura.
37:18Isaura.
37:19Isaura.
37:20You wretch.
37:22Damn you, Commander João.
37:24May God forgive me.
37:26But I swear that no matter how much time passes, I will avenge the death of my Juliana.
37:31It's understandable, a small one.
37:34The commander always has a gun on his belt.
37:37And the farm is full of thugs.
37:40And how is my daughter, João?
37:42Luiz Aldo.
37:43AND.
37:44That's great.
37:45Juliana said that it was Grandma MC who gave her the name.
37:47And my beloved Juliana's daughter is beautiful.
37:49And my beloved Juliana's daughter is beautiful.
37:52AND.
37:53That's great.
37:55Juliana said that it was Grandma MC who gave her the name.
37:58And my beloved Juliana's daughter is beautiful.
38:02Juliana.
38:05And yes.
38:06AND.
38:07He takes after his father.
38:09Clarinha, Clarinha.
38:11And who's going to breastfeed her, João?
38:14A young woman who has just given birth.
38:17A little over a month.
38:32What kind of love?
38:45A mature urn?
38:47Our!
38:50Saint Michael, did you take a good risk up there?
38:54Saint Michael, your commander knows that Varmicê is here and is killing him.
38:58I needed to see my daughter, João.
39:00Look, look, it's Joaquina's mother, João's friend.
39:05She looks like her father.
39:08And I want to take her with me.
39:10No, Saint Michael, no.
39:12Isaura is a slave's life, a slave herself.
39:15If Varmicê runs away with her, he'll become an outlaw.
39:17He's going to be married to an animal.
39:19And the commander won't rest until he has him arrested.
39:22And that's not all.
39:23She is being breastfed.
39:26And so Getrude swore that she would raise her like a daughter.
39:30When she grows up, you can buy her.
39:34You're right.
39:35I can't live with Isaura like a fugitive.
39:39But I will try to buy my daughter's freedom, my friend João.
39:43Isaura, I swear.
39:44I swear.
39:45I swear.
39:46I swear that you, you will not be free.
39:51I swear you will be free.
39:52I swear you will be free.
39:58I swear you will be free.
39:59I swear you will be free.
40:00I swear you will be free.
40:01I swear you will be free.
40:02I swear you will be free.
40:03I swear you will be free.
40:04I swear you will be free.
40:05I swear you will be free.
40:06I swear you will be free.
40:07I swear you will be free.
40:08I swear you will be free.
40:09I swear you will be free.
40:10I swear you will be free.
40:11I swear you will be free.
40:12I swear you will be free.
40:13I swear you will be free.
40:14I swear you will be free.
40:15I swear you will be free.
40:16Didn't I tell you to stay away from my land?
40:25I brought more money, sir.
40:28I worked very hard to achieve this.
40:30I want to buy my daughter's freedom.
40:32How much money do you have there?
40:35Seven thousand réis, sir.
40:37It's not enough.
40:39That's far more than one would ask for a slave of her age, sir.
40:42Because my wife and I thought you were too attached to that girl.
40:46For the good that you feel, for your son, sir commander.
40:52Maybe if you bring me double, I might consider it.
40:56Double? That's too much, sir. I'll be a while.
41:00That's your problem.
41:03Go ahead.
41:16Miguel.
41:19Commander, he ordered a shot to be put in BC, if he had the courage to show up around here.
41:24Calm down, Francisco.
41:26I only came here to ask for help for my daughter, Mrs. Gertrudes.
41:31Put down your weapon, Francisco.
41:34The commander is not here.
41:36And in his absence, I'm the one in charge here.
41:38I've come to see your daughter, Mr. Miguel.
41:44Maria, bring the child.
41:48Sir.
41:51I came to ask you to let me buy my daughter's freedom.
41:55I have seven thousand réis to buy the girl's freedom, sir.
41:59But the businessman said he doesn't want to sell because of the lady.
42:03The thing is, I swore I would personally take care of Isaura's education.
42:08I would be very pleased if you were to educate Isaura, but it would be even better if I could...
42:13to buy my daughter.
42:15Mr. Miguel.
42:17I never had a daughter.
42:19I always dreamed of raising a girl.
42:22It may seem selfish of me, but I've become so attached to little Isaura.
42:27I wouldn't want to have to part ways with her so soon.
42:31When the commander is not there, you can turn around at will and see your daughter.
42:38I promise I will give her an education fit for a lady, not a slave.
42:43I also promise that before I die, Isaura will be free.
42:51Maybe even when she's still a girl.
42:54I'm counting on your goodwill, sir.
42:57Sir, go with him.
43:01Sir, go with him.
43:01Come here, come here, walk through a garden in bloom, calling the animals "love."
43:17Your mouth was shining, amen.
43:23Come, I wanted you, come, I wanted you, and I still want so much more.
43:28Even greater than immensity itself.
43:31It comes even bigger than the immensity that still exists.
43:34Hi Isaura, congratulations.
43:37Ten years.
43:39Thanks.
43:40I loved the dress that the bridesmaid gave me.
43:42It looked beautiful on you.
43:44But let's get back to your lesson.
43:49Congratulations, Isaurinha.
43:50What beautiful handwriting.
43:53You're already writing very well.
43:55Women don't need to read.
43:58Much less a slave.
44:01What dress is that?
44:02My godmother gave it to me for my birthday.
44:05So I can look pretty at the party.
44:06Ah, income.
44:09The little slave girl is now going to be a source of income.
44:12And he goes to a soirée.
44:14Leave the girl alone.
44:15Because he's not going to any party.
44:18You'll only go if you're going to see it.
44:22Go, change your clothes like a slave.
44:24Go now.
44:25And back again, like a chintz print.
44:30Get one thing straight in your head.
44:33She is a slave.
44:34She is not your daughter.
44:37She is not your daughter.
44:38She is not your daughter.
44:39She is not your daughter.
44:40She is not your daughter.
44:41She is not your daughter.
44:42She is not your daughter.
44:43She is not your daughter.
44:44I no longer want Isaura as a slave.
44:49Give her freedom, girl.
44:51Please.
44:52It's what I want most in life.
44:56No.
44:58Why grant freedom to a slave raised with such care?
45:02With such care and attention to detail?
45:04Isaura is a slave who knows how to read and write.
45:08Sewing, playing the piano.
45:10All that's missing is for her to speak French.
45:11But it's to give me pleasure, Almeida.
45:15No.
45:17If she's already like that, raised as a daughter,
45:20Imagine if you were free.
45:22Disorder to know that your place is in the slave quarters.
45:25If you don't do what I'm asking you to do,
45:27I am ready to deny myself to the Lord.
45:29For the rest of my days.
45:31Deny me?
45:32Yes.
45:33Dare you refuse me?
45:34Yes.
45:36Don't force me, Almeida.
45:37Don't force me.
45:39Otherwise, I'm leaving this house and never coming back.
45:41You wouldn't have the courage?
45:43I have.
45:44Of course I do.
45:45I am your husband.
45:46I have my rights.
45:47But if I want Isaura free.
45:50You too.
45:50But not now.
45:54Let's hope she's an adult.
45:56May it be marriageable age.
45:58Otherwise, he'll think you're a member of the family.
46:01Is this a promise, my husband?
46:04AND.
46:07Now...
46:09A kiss.
46:11Isaura, the commander promised
46:28that when you are old enough to get married,
46:32He will give you your freedom.
46:34Great.
46:35This means I won't be a slave my whole life.
46:38No.
46:41But I still have a long way to go before I get married.
46:44Who knows?
46:45Perhaps you'll marry well, young lady.
46:55Leon registered from the capital.
46:59Don't come for these holidays.
47:01He preferred to stay there.
47:03He says he's going to take advantage of the time to study.
47:05Well, if it's about studying...
47:07Not at all.
47:09He must be out partying.
47:09At 18 years old,
47:12All he wants to do is party.
47:14He doesn't even care about us anymore.
47:20The commander was sad, godmother.
47:23I can play some really cheerful music.
47:25To make him happy?
47:27Touch, Isaura.
47:28Very cheerful.
47:30aeva.
47:32The kamo.
47:32LDHR no Group,
47:33aeva.
47:34attack.
47:35Eva.
47:35Eva.
47:35Eva.
47:36Eva.
47:36Eva.
47:37The ua.
47:37Eva.
47:37The light in your eyes
48:06It's a star guiding me.
48:13Lighting the way
48:18Bringing hope
48:21From a beautiful tomorrow
48:25Love is the most beautiful flower.
48:30That is born from the sparkle in your eyes.
48:36The spring that gushes from the earth
48:42That waters the lilies
48:45It flows into the sea.
48:48The spring that gushes from the earth
48:54That waters the lilies
48:57And it makes me dream.
49:00Isaura
49:03How beautiful, Isaura!
49:05But I find this song very sad.
49:10I wish you would sing something more cheerful.
49:13This song is very sad.
49:16I wouldn't want him to sing it again.
49:19Whoever listened
49:21One might think you are unhappy.
49:24And Isaura
49:25You have a life.
49:27Enough to make many free people envious.
49:29He had an excellent education.
49:32Something that many ladies of the court did not have.
49:34And besides, she's so beautiful.
49:37I'm just a slave.
49:39You're complaining about your luck.
49:42Isaura
49:43Not me, godmother.
49:45I just wanted to say
49:47That's because
49:47Despite once again
49:50The lady already said
49:51That I will be free
49:52I know my place.
49:53Isaura
49:55Isaura, Isaura
49:57Are you in love with someone?
49:59Not me, godmother.
50:03I don't even think about it.
50:05So what?
50:07It's nothing to be ashamed of.
50:08Don't worry.
50:10Don't worry.
50:11Soon, very soon
50:12You will have your freedom.
50:14Look
50:14The commander already promised me.
50:17All that's left is to fulfill it.
50:19Gertrudes
50:20I'm so angry.
50:27That I am capable of exploding
50:29But what happened, Almeida?
50:30That scoundrel Leôncio
50:32Our son deceived us.
50:33But what did Leôncio do?
50:35All the money I spent on him years ago
50:37Everything thrown away
50:38Our son dropped out of school.
50:42Leôncio?
50:43But how is that possible?
50:45And he even left behind a huge debt in the capital.
50:47I just received this collection letter.
50:50But I found out
50:51That he is in a hotel.
50:52On a campus with a lost
50:54Ah, but I'm going to teach that scoundrel a lesson.
50:57Oh, if I go
50:58Do nothing.
51:06That you might regret later.
51:07Please
51:08I'm going to get rid of my son.
51:09From that tramp's bed
51:11By force
51:11Leoncio
51:33Leoncio
51:35Speak, Tomásia.
51:40You love me?
51:41I love.
51:43Forever?
51:46Forever.
51:48Really?
51:50I swear, Tomásia.
51:56I am pregnant.
51:59Pregnant? That can't be.
52:01This is what happens when a man and a woman do what we do.
52:05How long has it been?
52:07Three months already.
52:09And why didn't you tell me before?
52:11Because I wanted to be sure.
52:12What a trip!
52:14And what now?
52:16Weren't you happy?
52:17No. This could not have happened.
52:20But did you swear you were going to get married?
52:22But I'm not going, Tomásia.
52:25He just promised me eternal love.
52:27I lied.
52:29Scoundrel!
52:31Are you going to leave me abandoned while I'm pregnant?
52:33After all the promises you made me?
52:38Get one thing straight, Tomásia.
52:40I'm not going to marry you.
52:43And why not?
52:44Because you are poor.
52:46Because his father died burdened with debt.
52:48And because you and your mother don't even have a place to fall dead.
52:51Done.
52:53And I don't even know if that child is mine.
52:56To me, you're nothing but a tramp.
52:57Scoundrel!
52:59This won't stay like this!
53:04So this is how you are studying in the capital.
53:11Who is this?
53:13My father.
53:15Pleased to meet you, sir/commander.
53:17My train.
53:19Scoundrel.
53:19Calm down, Dad.
53:20I should shoot him in the face like a slave.
53:23To teach him a lesson.
53:25I can explain.
53:26Explain what?
53:28Who squandered all the trust I gave him?
53:30The hope of seeing him graduate as a doctor?
53:32In drinking, gambling, and women?
53:34My father knows very well that I have absolutely no aptitude for being a doctor.
53:38Naughty girl.
53:40Shameless.
53:41His mother and I, under the illusion that our son was at the court in the capital,
53:46training to become a doctor,
53:48and found him here,
53:50stuck in the arms of a tramp.
53:52"No, you're not calling me a tramp, that offends me."
53:54A woman with a single guy in a hotel room, what is she if not a tramp?
53:58A woman in love, sir commander.
54:01I gave myself up out of love for your son.
54:03Hoping that Leôncio also loved me when he swore to marry me.
54:06That's a lie, Dad.
54:07This woman is crazy.
54:08He seduced me.
54:09He made me a thousand promises.
54:12And now he wants to break our commitment.
54:15And why, Leôncio?
54:16Why did I lose my father?
54:18Why did my family run out of money?
54:20Is it only the dowry, the gold, that interests him?
54:24What?
54:24He promised to marry like a complete idiot, a poor fool.
54:27But that's what I was explaining to that young lady, Dad.
54:30There will be no wedding.
54:32You could easily fool a fool like that.
54:37But not to me.
54:37If you're trying to pull a fast one, attempting to force my son into marriage, you're very mistaken.
54:44Sir, I am pregnant with your child.
54:48No.
54:49My heart skipped a beat.
54:51It's stuck.
54:52Here.
54:52Leôncio, Leôncio, Leôncio, Leôncio, that wretched woman is expecting your child.
54:57You're going to be a grandfather.
54:59And I will be the mother of your grandchild.
55:00Leôncio, Leôncio, answer.
55:03Reply.
55:03This moth is telling the truth.
55:06She says she's pregnant, but how am I supposed to know if the child is mine?
55:09Scoundrel, coward.
55:10I'm leaving, Tomásia.
55:14And never raise your hand to me again, or you'll regret it.
55:17Do you treat me this way because I'm a woman?
55:21If my father were here, he would never treat me this way.
55:24Let's talk on the way home, Dad, because it's impossible here.
55:27I'm tired of this woman.
55:29Goodbye, Mrs. Tomásia.
55:31I hope I never see him again.
55:36Take care, miss.
55:39Like father, like son.
55:42Scoundrel.
55:44Immoral.
55:44How can they abandon a pregnant woman?
55:49Expecting a child of your own, blood of your blood.
55:53This won't stay like this.
55:55This won't stay like this.
56:06Come, I wanted you, come, I wanted you.
56:09And I still want so much more.
56:13Greater than the immensity of peace.
56:16A king greater than the sun.
56:25What is Eico going to do?
56:37And there
56:42And there
56:42THE CITY IN BRAZIL
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