ಅರ್ಜುನ್ ಜನ್ಯ ನಿರ್ದೇಶನದ ಶಿವರಾಜ್ ಕುಮಾರ್ ಉಪೇಂದ್ರ ಹಾಗೂ ರಾಜ್ ಬಿ ಶೆಟ್ಟಿ ನಟನೆಯ 45 ಸಿನಿಮಾ ಹಿಂದು ರಾಜ್ಯದ್ಯಂತ ಬಿಡುಗಡೆಯಾಗಿದ್ದು ಒಳ್ಳೆಯ ಓಪನಿಂಗ್ ಕೂಡಪಡೆದುಕೊಂಡು ಮುನ್ನುಗ್ಗುತ್ತಿದ್ದು ರಿಲೀಸ್ ಆಗಿ ಐದು ದಿನಗಳು ಕಳೆದಿದೆ ಈ ಸಂದರ್ಭದಲ್ಲಿ ಈ ಸಿನಿಮಾದ ನಿರ್ದೇಶಕ ಅರ್ಜುನ್ ಜನ್ಯ ಅವರು ಅವರು ಫಿಲ್ಮಿ ಬೀಟ್ ಜೊತೆ ಸಿನಿಮಾದ ಕುರಿತು ಇಂಟರೆಸ್ಟಿಂಗ್ ಮಾಹಿತಿಗಳನ್ನ ಎಕ್ಸ್ಕ್ಲೂಸಿವ್ ಆಗಿ ಹಂಚಿಕೊಂಡಿದ್ದಾರೆ
“The film 45, directed by Arjun Janya and starring Shivarajkumar, Upendra, and Raj B. Shetty, has been released across the state and has received a good opening, continuing its successful run. Five days have passed since its release. On this occasion, the film’s Director Arjun Janya has shared interesting information about the movie exclusively with Filmi Beat.
#45PDirectorArjunJanya #DirectorArjunJanya #45Film #45Review #45KannadaMovie
#Sandalwood #KannadaCinema45 #Upendra #RajBShetty #ArjunJanya #HattrickHero #RealStarUpendra
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~HT.188~PR.30~ED.33~
“The film 45, directed by Arjun Janya and starring Shivarajkumar, Upendra, and Raj B. Shetty, has been released across the state and has received a good opening, continuing its successful run. Five days have passed since its release. On this occasion, the film’s Director Arjun Janya has shared interesting information about the movie exclusively with Filmi Beat.
#45PDirectorArjunJanya #DirectorArjunJanya #45Film #45Review #45KannadaMovie
#Sandalwood #KannadaCinema45 #Upendra #RajBShetty #ArjunJanya #HattrickHero #RealStarUpendra
Also Read
'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
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~HT.188~PR.30~ED.33~
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NewsTranscript
00:00I didn't date all of those heroes.
00:04I didn't date Arjun Janyi.
00:07I was a legend of Arjun Janyi.
00:10I didn't get to see him in the same level.
00:13He was out of the world.
00:16I was in the first place.
00:19But I didn't get to see him as a director.
00:22I didn't get to see him as a writer.
00:25But I didn't get to see him as a writer.
00:33I was a writer and I was a writer.
00:40But I didn't get to see him as a writer.
00:44But my father was Shiva.
00:48He didn't get to see him.
00:50He was a writer.
00:56He was a writer.
00:58I didn't get to see him as a writer.
01:01I was a writer.
01:05I didn't get to see him as a director.
01:08If you want to see him as a writer, that's the best Indian cinema.
01:13That's what it is, that's what it is.
01:15But it's the same thing.
01:16Almost at the same level.
01:21I don't know from where they are blaming only Canada film.
01:24I don't know if you want to see him as a writer.
01:29Hello, how are you going to beat the film?
01:31My name is Eshwan.
01:3245 cinema, multi-star cinema.
01:35This is the most important thing.
01:38So at this time, we will talk about a team.
01:41But the director doesn't have any questions.
01:44But now there will be clarity.
01:47So we will talk about some questions.
01:49How are you going to talk about Arjun?
01:51Hello, sir.
01:52Hello, sir.
01:52How are you, sir?
01:53I am good, sir.
01:53Yes, the first cinema is the first film.
01:55He doesn't have to talk about the film.
01:56The cinema is the first release of the film.
02:00You have to talk about the film, sir.
02:02It is clear and complete.
02:02You have to talk about it?
02:03Yes, it is.
02:04Okay, I will tell you, sir.
02:07Arjun Janney is a beautiful song.
02:11He is a magical composer.
02:14You have to talk about the magical director.
02:17I am good, sir.
02:18I am good at this film.
02:20I am good at the film.
02:22I am good at the film.
02:24But in the first time.
02:24I am good at the film.
02:26I am good at the film.
02:26But in the first time, if you were to talk about the first direction, I would say that the risk is no more than anything.
02:38I think that there are many films that are all the time.
02:42I think that there are many films that are still in the world,
02:45and there are many films that are still in the world.
02:49Where are you starting from?
02:52Do you want to start with the direction?
02:54No, actually, I don't know how to start the director.
02:59I don't know how to do it.
03:02I was talking about the COVID time.
03:06I think that Shiva is very unique and unique.
03:11If you can't conceive it, you can direct it.
03:16Okay, that's why Shiva is saying that you are not a director.
03:19I do not have a field work.
03:23You can't do any action, you can't do any action, you can't do any action, you can't do any action.
03:28You can't do any action, you can't do any action.
03:30I am a director, and I am a previsual.
03:35So, two and a half hours of cinema, you can create the complete graphics, music, DTS.
03:42That's why the producers, the heroes, we took the call.
03:47That's the beginning of the day, you are a director.
03:49You know, when you talk about musicals, you are a director, you are a director.
03:54You are a subro, a senior, you are a director.
03:57What's the difference between the director?
03:59Do you have an idea, do you have any ideas, technically?
04:04No, no, there is a 150 films on the music.
04:09Every director can say, what's the dentist?
04:11So they didn't write anything correctly, but they are not LAUGHed, they are not being conceived.
04:16No, no, no, no, no, no, no, no.
04:18So they are much more mixed, they don't have any ideas.
04:21So, it's mostly a mix of things.
04:25If you look at the cinema, first of all, it's called Garudapurana.
04:31It's called a documentary or something.
04:35It's called a glimpse. It's called a graphic.
04:40But, if you look at the cinema, first of all, it's got a lot of interest.
04:44If you look at the topical interest, it's not going to talk about it.
04:50What is Garudapurana?
04:53Do you have a lot of knowledge about it?
04:57What about Garudapurana?
05:00This film is called Garudapurana.
05:04It's called a personal ritual.
05:07So, what do I do?
05:09It's called the Parmantak Boomi.
05:12It's called the Brahmin.
05:16But, in the world, we are going to talk about it.
05:19We are going to talk about it.
05:21So, we are going to talk about it.
05:23But, the human being is still the connection.
05:30The, unfortunately, I'm not going to talk about it.
05:35We are going to talk about it.
05:37But, when we see that an example, it's called a human being.
05:40But who went to us and asked for our help?
05:45That help is in 45 days karma.
05:49In 45 days, we were able to do that.
05:53So, when we were able to do that help,
05:56we were able to do that.
05:59So, in our film, we were able to do that.
06:04The first time we went to us,
06:06we were able to do the first visit in Yemen.
06:09We were able to do the first visit.
06:11We were able to do the first visit in Yemen.
06:15We had a case of investigation.
06:17In that case, we were able to do that.
06:19We were able to do it in 45 days.
06:21We were able to do it in Yemen.
06:23That is the short we have kept in the beginning.
06:27So, in this commercialization,
06:29we were able to do it in the same way.
06:31We were able to do it in the same way.
06:33I was able to do it in this world.
06:35we were able to do it in the same way.
06:37We were able to do it in the same way.
06:39We were able to do it in the same way.
06:41If you drink a drink in 45 days, I will take 45 days of time.
06:45If you drink a drink then I will take 45 days of time.
06:49So, that way I will take the same way in parallel.
06:52Travels are all about to get a travel.
06:54When you see a person in the next year,
06:56a soul is born in the earth.
06:58The soul is born in the earth,
07:00the soul is born in the earth, in the dead body.
07:03And it becomes a soul to get the soul.
07:06Like I am living a earth and I can't get inside.
07:11Confirmation and cremation process.
07:15At that time, you can cut the whole thing, you can cut the whole thing.
07:21Metaphorically, you can cut the whole thing.
07:24So, in the center, you can make all your karma correct.
07:29You can help me here.
07:31At one moment, God is born.
07:33God is born in the soul.
07:36One moment, one chance.
07:38That's correct.
07:40In our film, when he comes to the soul,
07:43God is born in the soul.
07:46God is born in the soul.
07:50God is born in the soul.
07:53God is born in the soul.
07:55But, the soul is born in the soul.
07:58But, the father of the soul is Shiva.
08:01He is not born.
08:02He is born in the soul.
08:04So, everything is parallel.
08:09What I want to say is that the Quran is Gen Z kids.
08:15So, the kids are born in the soul.
08:17In the 90's, 80's,
08:19He is born in the soul.
08:21He is born in the soul.
08:22He is born in the soul.
08:23He is born in the soul.
08:24Oh, I have a mother of the soul.
08:26Hope.
08:26So, the mothers are born in the soul.
08:30so so here is the fact that we are looking at the
08:37first thing we are talking about
08:39this is the one that is happening in the fourth century
08:44In this example that I am talking about it
08:47which is the one who is listening to the
08:51this life and the other people can't talk about it
08:56Gada Pranath Prakara, the Atma is not a travel. We need to help that travel.
09:03We need to reach that travel. We need to reach that travel.
09:10We need to reach that travel.
09:14Gada Pranath Prakara.
09:16Why are you saying this?
09:18We are all self.
09:22We are a good self.
09:29But what I would say,
09:32Mr. Allah Swami is being your God.
09:36He has to reach that.
09:38He has to reach him and it is your father and father.
09:41He is eating and eating.
09:47He has to make him.
09:49No.
09:50It's a bad place.
09:51And it's all that.
09:53That's not the way.
09:54And then, it's all that bad.
09:56You know, it's a bad place.
09:58If you compare that concept with the same concept,
10:00you know, the picture is like,
10:02you know, the picture is like,
10:03the picture is like,
10:05you know, that's not right.
10:07But the picture is like,
10:08the picture is like the picture is like.
10:10So, there's just a way to grow.
10:11It's a way to grow.
10:15You know, that's a way to prevent those.
10:17I think that's why I'm not aware of the things that are coming from me personally.
10:25It's clear that you have health issues, other issues.
10:29Everyone has clarity, roots.
10:32That is also there.
10:33If you're going to eat the crustacean,
10:36you don't have any food.
10:39That's all.
10:40What's your personal experience?
10:41I think it's true.
10:43What's your own experience?
10:44Do you have any relationship with this?
10:46No, this is my personal experience.
10:48In my case, all the karmas are our gurus.
10:51Okay.
10:52So, my personal experience is my personal experience.
10:57So, what do you think about this?
11:00In my case, I don't have to talk about this.
11:03But I don't have to be a director.
11:05I don't have to be a writer.
11:07I don't have to be a writer.
11:09I don't have to be a writer.
11:11I don't have to be a writer or a writer.
11:13In my case, I understand my stories.
11:15Not enough.
11:16Just know how I got a story and joust and you hire someone.
11:21I am really good at watching the story.
11:23But you have to be a part of the process.
11:25You have to be a part of the stars,
11:27and the others have to be a part of the story.
11:29So, you look at them.
11:31You look at them.
11:33They are a few days.
11:35The result of you, as you ask for a minute,
11:37I have to tell you something special about it.
11:39No sir, I didn't have a date with all the heroes.
11:45I didn't have a date with Arjun Janyi.
11:48I didn't have a date with Arjun Janyi.
11:52First of all, I had a preparation and pre-visuals.
11:58First of all, I had a film.
12:04You didn't have an act.
12:06No, not pre-visuals.
12:08Pre-visuals, graphically, will create a film.
12:12Visuals, completely.
12:14So, the visuals will create and music will create.
12:17In the cinema theatre, you will not have a face.
12:21It will be a black and white product.
12:26There will be a difference between me and my friends.
12:29You won't have a discussion.
12:32It won't be a film.
12:33This is the scene in the film.
12:36If there's shots together,
12:38everyone will be talking about.
12:40So, there's no discussion.
12:42Sir, it's a music journey. It's a cinema journey. It's time for 3 years.
12:46You've missed the music. You've missed the songs.
12:51It's how it's balanced. It's how it's balanced.
12:57I'm going to stop everything.
12:59It's time for you, sir.
13:01It's time for you. It's time for you.
13:04It's time for you. It's time for you.
13:07Music, creativity, music, creativity.
13:13It's time for you.
13:16I don't know what to do.
13:20I've done a complete preparation for you.
13:24I've done a 100% performance.
13:29I've done a 100% performance.
13:32I've done a 100% performance.
13:36How did you get your voice?
13:38I've done a 100% performance.
13:41Your voice is the same.
13:44Your voice is tired.
13:46Your body is tired.
13:50Your mind doesn't get your voice.
13:53I don't know. It's time for you.
13:56It's time for you to relax.
13:59Okay. Okay.
14:00Okay.
14:01Graphics is the same.
14:03It's time for August 15th.
14:06So, the graphics is late.
14:08So, the graphics is the same.
14:10You've watched the same film as a technical film.
14:13And the same film is the same.
14:17There are expectations.
14:19It's time for you to relax.
14:22You know what?
14:22And then, you know what?
14:23Definitely, the graphics are the same.
14:26I've done the same.
14:27I've watched the same film.
14:28I have watched the same films.
14:31I've watched the same film as a full film.
14:33I've watched the same film as a full film.
14:34extensions, lighting, extra touch, fight, but it is completely fantasy.
14:41Anacondas, buffaloes, pots, everything is created, everything is lot of CG and the world is created.
14:53Documentary is a documentary, so documentary is made of the tone.
14:59It will not be more realistic, because it is a documentary what he is watching.
15:05At the same level, it is made of the complete CG in the last 20 minutes.
15:11Where we have so much of a lot of de-aging work, action, everything is done.
15:19So, this is the 7 minutes.
15:23What is the climax?
15:25This is the 7 minutes. Extraordinary shots. Extraordinary visions.
15:29That is what we can achieve at this time.
15:32That is what we can achieve at the same level of CG.
15:35It was out of the world, which we did.
15:39But, in Canada, it is one time.
15:43We have to give their fans on time.
15:51It is the budget.
15:53The budget is one limitation.
15:55If you are here, you can see the cinema.
15:58So, you can see one of them.
16:00You can see the budget for the cinema.
16:05You can see the graphics.
16:06You can see the time.
16:08You can see the luxuries.
16:11The time, production, luxury, etc.
16:14We do not know all of them.
16:16I am the first director.
16:19But, there is no chance.
16:21The luxuries are going to squeeze in the box.
16:26If you have the best in the box,
16:28You have to keep the spectrum,
16:29a place like me, my producer,
16:32and some butterflies will not be leaving me.
16:34So, you can see the fact that my body is happening.
16:36I don't know how long you have done my CG in the last 20 minutes.
16:39I am the best in the last 40 minutes at that.
16:42But, I am the best in the moment.
16:43If I am the best, I am the best.
16:46The end of my life is no sacrifice.
16:47Okay, so we're going to see you now.
16:49I'm going to see you now.
16:51We're going to see you now.
16:52Yes.
16:53We're going to see you now.
16:54Okay, okay.
16:55And since you were talking about health, you were talking about the best time.
16:58So you were talking about the best time.
17:00Did you have any compromise for the director?
17:02No, sir.
17:04I really don't want to be very frank.
17:07I don't know if you were talking about the best time.
17:12But if you were talking about the best time.
17:14I don't blame anyone.
17:16But if you were talking about the best time.
17:18If you were talking about the best time in Kannada cinema.
17:23But we have created one of the good things, best things that we can do.
17:29Because if you were talking about the best time.
17:33And it is unique on the separate vein.
17:36And I don't want to mention other film's name.
17:38All of them are the same.
17:40Correct.
17:41I don't know from where they are blaming only Kannada film.
17:43I don't know from where they are blaming only Kannada film.
17:45I don't know from where they are blaming only Kannada film.
17:47I don't know from where they are blaming only Kannada film.
17:51I don't know from where they are blaming only Kannada film.
17:53I don't know from where they are blaming only Kannada film.
17:58I don't know from where they are blaming only Kannada film.
18:05I don't know from where they are blaming only Kannada film.
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