ಗತವೈಭವ ಒಂದು ಮುಂಬರುವ ಕನ್ನಡ ಫ್ಯಾಂಟಸಿ-ಡ್ರಾಮಾ ಚಲನಚಿತ್ರವಾಗಿದ್ದು, ಸಿಂಪಲ್ ಸುನಿ ಅವರ ನಿರ್ದೇಶನದಲ್ಲಿ ನವೆಂಬರ್ 14, 2025 ರಂದು ಬಿಡುಗಡೆಯಾಗಲಿದೆ. ಈ ಚಿತ್ರದಲ್ಲಿ ಆಶಿಕಾ ರಂಗನಾಥ್ ಮತ್ತು ದುಶ್ಯಂತ್ ಮುಖ್ಯ ಪಾತ್ರಗಳಲ್ಲಿ ನಟಿಸಿದ್ದಾರೆ. ಈ ಕಥೆ ನಾಲ್ಕು ಕಾಲರೇಖೆಗಳನ್ನು ಒಳಗೊಂಡಿದ್ದು, ಪೌರಾಣಿಕತೆ, ಇತಿಹಾಸ ಮತ್ತು ಆಧುನಿಕ ಪ್ರೇಮಕಥೆಯನ್ನು ಒಟ್ಟುಗೂಡಿಸುತ್ತದೆ. ಪ್ರೇಮ, ವಿಧಿ ಮತ್ತು ಪುನರ್ಜನ್ಮದ ವಿಷಯಗಳನ್ನು ದೃಶ್ಯಾತ್ಮಕವಾಗಿ ಆಕರ್ಷಕವಾಗಿ ಚಿತ್ರಿಸಿರುವ ಈ ಚಿತ್ರ ಪ್ರೇಕ್ಷಕರ ಮನಸ್ಸು ಗೆಲ್ಲುವ ನಿರೀಕ್ಷೆಯಿದೆ. ಇನ್ನು ಸಿನಿಮಾ ತಂಡ ಫಿಲ್ಮಿ ಬೀಟ್ ಗೆ ಎಕ್ಸ್ಕ್ಲೂಸಿವ್ ಇಂಟರ್ವ್ಯೂ ನೀಡಿದ್ದಾರೆ
Gatha Vaibhava is an upcoming Kannada fantasy-drama film directed by Simple Suni, releasing on 14 November 2025. It stars Ashika Ranganath and Dushyanth in lead roles. The story spans four timelines, blending mythology, history, and modern-day romance. With rich visuals and strong music by Judah Sandhy and B J Bharath, it promises a grand cinematic experience. The film explores themes of love, destiny, and reincarnation in a visually striking way. Regarding this, Gathavaibha team has given exclusive interview with Filmibeat
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ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc
ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
00:06In Telugu, Tamil, I think there's a lot of demand.
00:14If you want to be a hero, you'll become a hero.
00:18Every year, you'll become a hero.
00:20It's difficult for you to do with this job.
00:25I'm looking for Brahma, short cinema, martial arts, gymnastics.
00:30I'm not a hero, it's 24 hours of training.
00:35If you want to be a character, you'll call me a normal one.
00:39You prefer to make a new one.
00:42He's wearing a script too.
00:44Please, please.
00:51Why are you talking about the easy industry?
00:53Easy.
00:54It's not easy to create cinema, it's not a hero.
00:57If you don't want to create cinema, it's not a hero.
01:01It's not a cinema.
01:02It's not a hero.
01:03It's not a cinema background.
01:06So, if you have your own topics, you can't use any limited time.
01:11The first question, I asked if you want to come to school and you can't go to school,
01:17you can't go to school, you can't go to school, you can't go to school.
01:30I was ashamed to go to school and I was told that my mother was a man.
01:40that's why I love you.
01:43You are the one that is a common belief.
01:46If you know that, you are a really good person.
01:50You are the one who starts to be in the next part.
01:52This is the most important thing.
01:57Name, fame, fame, fame.
01:58This is the advantage of you.
02:01You can show your own character.
02:04You can show your own character analysis.
02:07You can show your own creative process.
02:09I think there's a lot of frustration, there's a lot of people, there's a lot of pressure, there's a lot of tension, there's a lot of pressure, there's a lot of tension, there's a lot of tension.
02:21So with maturity, I will change a little bit.
02:26I don't know the story.
02:29And for me, my friends are heroes, we've been able to become a hero for years.
02:39I have been able to become people today and be as a hero.
02:44And for me it's time to be as a hero for years.
02:48I never experienced it before.
02:51It's time for years to know about what's going on in the late months.
02:55I'm making drama, short cinema, martial arts, gymnastics.
03:00Therefore, I'm being kicked.
03:05I am being kicked.
03:09I'm being kicked.
03:15I'm almost able to do targets.
03:16This time, there are 100 films, 120 films, 350 films.
03:21There are no analysis.
03:22In the cinema, there was a place drop in the cinema.
03:28Act 3 was open.
03:30There was an emotional angle.
03:35There was a character analysis.
03:37There was a character arc.
03:39There was a little bit of a writer.
03:42There was a little bit of a flaw.
03:44There was a camera angle.
03:48There was a short division.
03:49There was a little bit of a light.
03:51What was the technology?
03:52When you were in the camera, it was important.
03:53I called the camera.
03:55You looked at the camera.
03:57I would like to look at the camera.
04:02You looked at the camera.
04:05I looked at the camera for a point.
04:07You looked at the camera, but then you looked at the camera.
04:12I was thinking, you look at the camera and there was a lot of reinforcements.
04:17You look at the white shot,
04:20You don't need an establishment shot.
04:22Take a look at mid shot, take 2 shots, take a look at close up.
04:27Keep in mind, let's talk about technical research.
04:29Everyone makes a good point for you to see a good job.
04:33If you are using a technique, you are using a good job you can see a good job.
04:39You can try on the analysis of the tech tasks.
04:40You can focus in lighting, you can work with other units, the gym.
04:45You have to talk about technical research.
04:46You can do anything.
04:47Then you know, if you want to go over there for the job.
04:49See, if there are technicalities of acting, you don't have to do a bare level of performance.
04:59You don't have to work with the minute details.
05:03I try to hone my skills, technical and script analysis.
05:09I try to hone my skills, technical and script analysis.
05:11I try to do a short reverse screenplay.
05:15I try to do a single job of acting and acting.
05:21I try to make it work with the cinema.
05:24I try to make all the scenarios of the cinema.
05:28I try to make all the scripts and make them work.
05:30I try to make all the skills and skills.
05:35That's the first time I try.
05:38That is very interesting part of it.
05:42I was like, I'm going to discuss it first.
05:49I'm like, I don't know.
05:53So, I'm going to talk to you.
05:57I'm going to talk to you later.
06:01So, I'm going to give you an input.
06:03Because I'm going to give you a highlight.
06:07If you don't have any notes, you can open it.
06:11Those notes are positive and negative.
06:14Like he said,
06:16He's in tone, character arc.
06:20He's writing, highs and lows.
06:23He used to make sure.
06:25He was a detailed research on each and everything.
06:28Probably that is why someone has knowledge in the cinema.
06:34And obviously, you know,
06:37Theatrali work maadadhu, drama kaad maadadhu,
06:39cinema dalhi work maadadhu,
06:41Thumbane vetya saayde.
06:42So, there was a lot of learning for him throughout the process also.
06:45Cinema shooting time alhi.
06:46Ishteh kalth kondhu, drama alhi, theater maadkond bandhidhu.
06:50First cinema alhi vandhu, practical set alhi work maadhu atmosphere alhi.
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