ಮೊದಲನೇ ಬಾರಿ ನಾಯಕ ನಟನಾಗಿ ಕಾಡ ನಟರಾಜ್ ನಟನೆ ಮಾಡುತ್ತಿರುವ ಕರಿಕಾಡ ಸಿನಿಮಾ ಬಿಡುಗಡೆಗೆ ಸಿದ್ಧವಾಗಿದ್ದು ನಾಯಕಿಯಾಗಿ ನಿರೀಕ್ಷಾ ಶೆಟ್ಟಿ ನಟನೆ ಮಾಡುತ್ತಿದ್ದಾರೆ. ಕೆ ವೆಂಕಟೇಶ್ ನಿರ್ದೇಶನ ಈ ಸಿನಿಮಾಕ್ಕಿದ್ದು, ಈ ಚಿತ್ರದ ಬಗ್ಗೆ ಚಿತ್ರತಂಡ ಕೆಲವೊಂದಷ್ಟು ವಿಚಾರಗಳನ್ನು ಎಕ್ಸ್ಕ್ಲೂಸಿವ್ ವಾಗಿ ಫಿಲ್ಮಿಬೀಟ್ ಜೊತೆ ಮಾತನಾಡಿದ್ದಾರೆ.
The film “Karikaada”, which marks Kaada Nataraj’s first outing as a lead actor, is all set for release. Niriksha Shetty plays the female lead in the movie, which is directed by K. Venkatesh.
Ahead of the release, members of the film’s team spoke exclusively to Filmibeat, sharing interesting insights and details about the movie.
-------------------------------------------------------
#KarikaadaInterview #KarikaadaMovieInterview #KaadaNatarajInterview #NirikshaShettyInterview
#KarikaadaKannadaCinema #Sandalwood #KannadaMovies #NewKannadaMovie
#HeroDebut #FilmibeatExclusive #MovieInterview #MovieUpdates
Also Read
'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc
ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
~HT.188~PR.30~ED.35~CA.174~
The film “Karikaada”, which marks Kaada Nataraj’s first outing as a lead actor, is all set for release. Niriksha Shetty plays the female lead in the movie, which is directed by K. Venkatesh.
Ahead of the release, members of the film’s team spoke exclusively to Filmibeat, sharing interesting insights and details about the movie.
-------------------------------------------------------
#KarikaadaInterview #KarikaadaMovieInterview #KaadaNatarajInterview #NirikshaShettyInterview
#KarikaadaKannadaCinema #Sandalwood #KannadaMovies #NewKannadaMovie
#HeroDebut #FilmibeatExclusive #MovieInterview #MovieUpdates
Also Read
'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc
ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
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NewsTranscript
00:00We have a lot of people who are judging, who are judging, who are judging and who are judging.
00:10Because at the dubbing time, it looked very, very touching.
00:15The first thing I think about is that this is history.
00:31Tulu is a very different genre from what Kari Kada is.
00:35There were beautiful hunting scenes.
00:37There were climaxes, suspense, thrilling and adventures.
00:43The theaters were full.
00:45There was no content.
00:46There was no content.
00:48That enacting was easier than BD saving.
00:52Kada!
01:01Hello, I'm going to beat the film.
01:02I'm Ashvan.
01:03His movie is the title.
01:07The title is the title.
01:10The thread of the glimpse.
01:12The name of the book author is the title.
01:17To start talking about the title,
01:18on the title,
01:19it's a title.
01:23In this film,
01:24we've been ready.
01:27The title is ready.
01:29Welcome.
01:30Hello.
01:31How are you?
01:33Thank you madam.
01:35Thank you madam.
01:39First of all, if you have a title,
01:41you will be able to catch the title,
01:43you will be able to start the title.
01:45After that,
01:47you will be able to see a glimpse
01:49and see what it is.
01:51What is the name of Nativity?
01:53First of all,
01:55what is the title?
01:57The name of Kari Kari,
01:59the name of Kari is the hero character.
02:01The name of Kari is the elephant.
02:03He's the elephant.
02:05The elephant is the animal part
02:07and it's the human part.
02:09There's nothing about Kari Kari.
02:11He's the hero character.
02:13He's the title for Kari Kari.
02:16He was the title for Kari Kari to be able to opt.
02:19From the claim to different from one angle,
02:21only about human being.
02:23What is it like a secret?
02:25It's not a secret, it's true that you can go to the forest or by the Ellipse.
02:33The wild boar is a very common thing.
02:37If you don't know about the forest, you know about the forest, it's a day or night,
02:47and you know about the desert, everything is different.
02:52The people would become able to get another man and go and get a good job.
02:57They would be able to get an aero-st simples meal at home.
03:04The people wouldn't do anything.
03:07They would be able to to help the start of the family,
03:10and then the man with his hands would be able to help.
03:13They would have left to touch the front,
03:15or maybe the sound would be able to get people.
03:17They would be able to do something.
03:19They would have to work with their disabilities,
03:21If you hit a bomb, you hit a bomb.
03:25If you hit a sound, you hit a bomb.
03:29If you hit a bomb, you hit a bomb.
03:33If you hit a bomb, you hit a bomb.
03:36These are all different ways.
03:38If you hit a bomb, you hit a bomb.
03:43Nice, nice, nice.
03:45Yes, now, are you interested in it?
03:47Yes, I am.
03:49He was a small fan.
03:51He was a art movie.
03:53He was a Tid movie.
03:55He was a art movie.
03:57So, it was first.
03:59If you did film a film, you did casting a cast?
04:03He didn't say that.
04:05He didn't say that.
04:07He didn't say that.
04:09He also got a reference for Tulu cinema.
04:13So, first, commercial film is Kari Kada.
04:17in the film, this big picture?
04:20I have seen the picture in Kanaka.
04:21There is a house on the Hollywood,
04:23the house, the house, the house,
04:26and the house.
04:27The house has been haunted,
04:30so there is a very beautiful character.
04:31There are people who are not coming to the house,
04:33there are also people who are out there,
04:35they are out there in the film,
04:38and they are out there in the film,
04:40there are those characters.
04:41They are beautiful and they are beautiful.
04:43And the other story is a back story and the other one is a spotlight.
04:48So it's very beautifully written. So, most probably that was the main reason I...
04:53How does the Hulli Slang do you have in the cinema?
04:55Slang? Almost...
04:57Do you think you've been a part of this?
05:00Actually, I'm a part of it.
05:03I'm a part of it.
05:05I'm a part of it. It's a part of it.
05:07But if you have a part of it, you'll find a part of it.
05:13You've never been any favorite.
05:15Favorite, the part is the part of it.
05:18It's not a part of it.
05:20That's not a part of it.
05:22It's not, not a part of it.
05:24You have to write down the instructions.
05:26Okay.
05:27How do you read it?
05:29How do you read it?
05:31Is it a part of it?
05:33He's a part of it.
05:35That's a word. Actually, it's not a meaning.
05:38But I can't take that word.
05:42So, I can't take that word.
05:45I can't take that word.
05:48No, it's not.
05:50It's not a word.
05:52Okay.
05:53Okay.
05:54Okay.
05:55Okay.
05:56How did you say the story of the film?
05:59How did you say the title of the film?
06:03No.
06:05It's a title of the film that I have in the first place.
06:08It's not a title of the film.
06:09We had it all in the world.
06:11We had all friends.
06:13Goosla!
06:15Goosla!
06:16Goosla!
06:18Goosla!
06:20Goosla!
06:24Goosla!
06:26Goosla!
06:28Goosla!
06:30Goosla!
06:32quien lean, un tariq, yana un tariq.
06:35Ka-daq yana aq.
06:38Dengan, un tariq gele Early world-tip.
06:41ijn aq.
06:41Farka-yaq-yaq yana, un tariq-yaq yana antyap.
06:45Yana aq.
06:46Yana aq.
06:46Yana aq.
06:47Yana merg.
06:48Yana aq.
06:49Yana aq.
06:49Yana antyap.
06:50Yana antyap.
06:52Yana antyap.
06:54Yana aq.
06:55Yana.
06:57Yana antyap.
07:01Yana antyap.
07:01So that's when I was living, I would like to meet my students.
07:05And then they would like to have a forest, they would like to have people who come,
07:08and will have a garden to have them.
07:12Iому have been living that and then how to know.
07:14In this movie, I had mentioned this,
07:18and some evenings, peace and peace of mind.
07:21I often have these exhibitions in 1990s,
07:23and we are doing behavior too.
07:25But we are doing a lot of this,
07:26and friends in a village,
07:28So, when I meet my friends, I would like to meet my friends.
07:31Kusla, Battery, Moose, Pilla.
07:35There are so many characters.
07:37Every character has no other character.
07:39So, I would like to meet them as a friend.
07:42Nice, nice.
07:43What's your name in cinema?
07:47It's not a pet name.
07:49It's not a pet name.
07:51It's not a pet name.
07:53It's not a pet name.
07:55It's not a pet name.
07:57It's not a pet name.
07:59I don't like to mention it.
08:01So, it's not a pet name.
08:03Kanaka is a very beautiful name.
08:05It's a pet name.
08:07It's a pet name.
08:09It's a pet name.
08:11It's a pet name.
08:13It's a pet name.
08:15It's not a pet name.
08:17After the Kanada cinema,
08:19it's a pet name.
08:21It's a pet name.
08:23Because, when it comes to cinema,
08:25it's a pet name.
08:27What's your name?
08:29What's your name?
08:31Normally,
08:33I normally use a glamour to film cinema.
08:37So, I have to see the acting scope.
08:39So, I see if there is an acting scope.
08:43So, in particular,
08:45that is the main reason
08:47that I am making a story.
08:49There is a very beautifully written character.
08:53There is a story line.
08:55There is a screenplay.
08:57There is a lot of time here.
08:59There is a character.
09:01There is a character.
09:03There is a character.
09:05There is a character.
09:07So, that is the main reason I look for
09:09while selecting.
09:11So, Tulu is a very different genre
09:15from what Karikada is.
09:17So, Karikada is an acting scope.
09:19So, that is the main point I look for in the movies.
09:23So, that is the main point I look for in the movies.
09:25So, who is in Kalagatta?
09:27In the 1990s.
09:29In the 1990s.
09:31So, you said that,
09:33you have to know that
09:35there is a lot of things that are not happening.
09:37I was thinking about that.
09:39In the 1990s, I was thinking about that.
09:41In the 1990s,
09:43I was thinking about that.
09:45I was thinking about that.
09:47It was about two to three kilometers.
09:49It was about the mountains.
09:51It was about the western gardens,
09:53and it was about the mountains.
09:55It was about the mountains.
09:57It was about the mountains,
09:59and it was about the mountains.
10:01It was about the mountains.
10:03They first had any disease in the forest.
10:05There were no more people that were killed.
10:07They could kill me.
10:09They could try to kill me for a forest.
10:11It wasn't about that.
10:13Which is why it would be used by this,
10:15and this was the whole set of people to be hunting
10:17and the whole set of people.
10:19It is a set of people.
10:21If they come to work, they will be able to talk about the story.
10:29That's why we are in the commercial, in the little Hollywood style, in detail, hunting scene.
10:37That's why we are not able to do that.
10:40Okay, and casting is one of our people.
10:44You can tell us about new comers, in-ondashto casting, and experience.
10:50What do you think about it?
10:52We don't have to do everything.
10:56We don't have to do everything.
10:58We don't have to do everything.
11:01We don't have to do everything.
11:05We don't have to do everything.
11:09We don't have to do everything.
11:14Definitely.
11:18So, we don't have to do everything.
11:22We don't have to do everything.
11:25It's not important.
11:26The first thing, the way they take the dialogs.
11:29The other thing, the dealing with is a pettigake,
11:33everything, everything.
11:37I don't know if it's a good person, but I'm the one who's guiding them.
11:44I was surrounded with all these seniors.
11:48I had a help.
11:50By saying that, I don't know if it's a good person.
11:55They help me.
11:57Yes, we can adapt to the cinema.
12:07Yes, yes.
12:08And I've already talked about casting,
12:11and I've already talked about it.
12:12So, I've already talked about the casting.
12:14I've already talked about the combination of the dialogue.
12:16I've already talked about the takes.
12:18Who's the time?
12:20That's the answer.
12:22That's the one dialogue I've asked.
12:25No, it's not.
12:27Actually, I've already talked about the scene.
12:35I think it's the same dialogue.
12:38I don't know why.
12:40I don't know why.
12:42I don't know why.
12:44I don't know why.
12:45I don't know why.
12:46I don't know why.
12:48I don't know why.
12:50I think,
12:51I don't know why.
12:52Then I asked my BD for the match box.
12:54It was a scene in the bike.
12:57I don't know why.
12:59If I was driving on a bike,
13:00I had to drive this in the bike.
13:01I think we've also taken more time.
13:03We've taken more time.
13:04Yes, yeah.
13:05So, I mean,
13:06we've already taken more time.
13:07Yes, yes.
13:08That's cool, right?
13:09Yes, yes.
13:10Okay.
13:11That's why I was like,
13:12They are like, no, it is not looking good at all.
13:15It's okay, it's not like a birthday.
13:19Sachi, it's not like a chain.
13:22Sometimes, when you talk about it,
13:25when you talk about it in your personal life,
13:27when you talk about it in the cinema,
13:29you don't have to worry about it.
13:31But when you talk about it,
13:33you don't have to worry about it.
13:36So, when you talk about it,
13:38you don't have to worry about it.
13:40You don't have to worry about it.
13:42You don't have to worry about it.
13:44So, that is on you, how you research it,
13:46how you do it.
13:48How did you start BD?
13:50Actually, I didn't start BD.
13:52No, I didn't start BD.
13:54I didn't start BD.
13:56I didn't start BD.
13:58I didn't start BD.
14:00Actually, I tried to enact him how he does that.
14:04So, that enacting was easier than BD saving.
14:09Yes.
14:11In the cinema,
14:13and the stars in the cinema,
14:15and the promotion of the audience,
14:19and the newcomers,
14:21and the newcomers,
14:23and the content,
14:25and the young people,
14:27and the theatre,
14:29and the other people,
14:31and the other people,
14:32and the other people,
14:33and the other people,
14:34and the other people.
14:35Actually, the content is coming.
14:37It's all about what you give them.
14:41It's all about what you give them.
14:43So, we are giving a very nice content.
14:53So, we are giving a very nice content.
14:55So, we are giving a very nice content.
14:57It's a very connecting story.
14:59It's all about the screenplay,
15:01and the background score.
15:03It's all about the song,
15:05which has beautifully come out.
15:07It's all about the richness.
15:09It's all about the richness.
15:11The teaser is also very promising.
15:13So, we have put full efforts.
15:15We have put full efforts.
15:17We have made a lot of work.
15:19But,
15:20the content is better.
15:22So, we have made a lot of work.
15:24So, we have made a lot of work.
15:25That's guaranteed.
15:26Yes, yes.
15:27So, I think,
15:29our Rathuni song is going to be done.
15:31We have made a lot of work.
15:33We have made a lot of work.
15:34We have made a lot of work.
15:35So,
15:36the old song is not only two songs.
15:39Everyone has released it.
15:41It's not only one song,
15:43but,
15:44the songs are not only two songs.
15:46We have made a lot of work.
15:47We have made a lot of work.
15:48It's a great song.
15:50It's a fantastic song.
15:51It's a composer.
15:52And,
15:53they have any romantic song.
15:56Yeah.
15:58We have made 3 songs.
16:01They have made every class.
16:03They have no class.
16:04They have many classes.
16:06And,
16:07they have different classes.
16:08So,
16:09The response that we are getting is really amazing.
16:12What we are saying is that we are definitely getting content.
16:19I believe only is content.
16:22Our team's strength is a beautiful song.
16:26Chashanshagishagiri, BGM, screenplay, etc.
16:32Beautiful hunting scenes.
16:36Climax, suspense, thrilling, adventures.
16:41There are many elements.
16:43Sometimes we ask questions about this.
16:47We always have a confusion.
16:51We have to think about what we need to decide.
16:55So, that's a good idea.
16:57The audience is definitely a great soul.
17:05There is no doubt about it.
17:07As I mentioned earlier,
17:10we are going to change the graph.
17:12We are going to change the graph.
17:14We are going to change the scope.
17:16We are going to change the scope.
17:18We are going to change the acting skills.
17:22We are going to change the scope.
17:23How can you prove to your space?
17:26Throughout this film,
17:29throughout...
17:31I am not sure about it.
17:33I have got screen time.
17:37There is no screen time, but there is space for screen time, so that's where it comes from.
17:45So that space is where we have to enact our emotions and our reactions and our dialogue reactions.
17:54So that is why I am telling that we have time for enacting it.
17:59We have to react because we have time to react.
18:08So Venki has done a beautiful work in screenplay.
18:12There is no doubt, no one percent doubt.
18:15Because in my dubbing time, it looked very, very touching.
18:22And our emotions are so beautiful.
18:26So that will be very connecting to the audience also.
18:28So you have to react to the emotions.
18:31We have some presence of screen time.
18:34And there is a beautiful character in the cinema.
18:39There are not only the scenes in the screen.
18:41It is not here actually.
18:43There is a spotlight and importance.
18:48So that is why I can say that you have to react to the screenplay.
18:52So you have to react to the scene in the mood.
18:56Nice, nice.
18:57Now we have to react to the Juggla Gunty and the Hale.
19:02How about the Juggla Gunty?
19:04How about the Juggla Gunty?
19:06Okay, they do not have the actresses.
19:08What of his film.
19:09They do not have a picture of the movie.
19:10And you have to react to the movie only.
19:13So no one knows the interview.
19:14And mostly I want to talk to the movie and I will be ignoring the movie,
19:16like ten to eighty percent of the audience.
19:18And I don't know.
19:19So, I don't know.
19:23What's your name?
19:26You're doing the dialogue along the way.
19:29There's dialogue.
19:30That's because I told them,
19:31you're not saying anything.
19:33I don't know.
19:34I said nothing.
19:35You're not saying anything.
19:36You're not saying anything.
19:39So, if you're going to get a glimpse,
19:41it's like that character.
19:43You're saying nothing.
19:45You're not saying anything.
19:48It's a lot of us, but it's a lot of us, but it's a lot of us, so it's a lot of us.
19:54Sequence.
19:55Yes, yes, yes.
19:56It's ready for the 6th February release.
19:59It's a commercial first cinema.
20:01So generally, what did you like to hear about it?
20:03It's been a lot of efforts to make a movie.
20:06It's been a lot of beautiful moods.
20:08It's been a lot of excitement.
20:11It's been a long time for us.
20:14Because one of the Kushi Vichara 5 languages released, that is the plus point.
20:20And Kanada cinema is technically rich cinema.
20:26So the audience is like this, so the audience is like this.
20:32The audience is like this, so the audience is like this.
20:35The audience is like this, so the judge is like this.
20:38So I guarantee that we can make a movie power packed.
20:44We can enjoy it 100%.
20:45We can make a movie theater.
20:48We can make a movie worth.
20:50If you don't have to waste it.
20:53No.
20:54It's 100%.
20:55We can make a movie in the movie.
20:58We can make a movie fulfilled.
21:00So we can make a movie in the movie.
21:02And friends, family, family, family, friends.
21:04They can enjoy cinema.
21:06They can enjoy it.
21:08And maybe maybe,
21:09maybe aged people,
21:10or maybe aged men,
21:12or youngsters,
21:14so even they will enjoy it.
21:16So it is a complete,
21:18power packed movie.
21:20This experience,
21:21OTT,
21:22or mobile ghost.
21:23Please,
21:24Kai Bedi.
21:25Theatric band.
21:26Background score.
21:28Shashankara.
21:29Background score.
21:30That is also very beautifully done.
21:32You have done it.
21:33You have done it.
21:34And you have done it.
21:35So you have done it.
21:36So you have done it.
21:37Theatral experience.
21:38You have done it.
21:39So you have done it.
21:40Theatric band.
21:41We can make cinema support.
21:46And my first film,
21:47All the Best and Thail.
21:48Thank you so much.
21:49So,
21:50Roar Madi.
21:51Thank you so much.
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