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La Promesa – Capítulo 768 | Drama Completo en Español
En este nuevo capítulo, las tensiones continúan aumentando y los secretos amenazan con salir a la luz. Las decisiones tomadas por los protagonistas pueden cambiar el rumbo de la historia, mientras las relaciones se ponen a prueba y los conflictos se intensifican.
Un episodio lleno de drama, emociones profundas y momentos decisivos que mantienen al espectador completamente enganchado.
📺 Ideal para los seguidores de series dramáticas en español, con historias llenas de intriga, conflictos familiares y giros inesperados.
🎬 Un capítulo clave dentro de una trama marcada por el misterio y la pasión.
En este nuevo capítulo, las tensiones continúan aumentando y los secretos amenazan con salir a la luz. Las decisiones tomadas por los protagonistas pueden cambiar el rumbo de la historia, mientras las relaciones se ponen a prueba y los conflictos se intensifican.
Un episodio lleno de drama, emociones profundas y momentos decisivos que mantienen al espectador completamente enganchado.
📺 Ideal para los seguidores de series dramáticas en español, con historias llenas de intriga, conflictos familiares y giros inesperados.
🎬 Un capítulo clave dentro de una trama marcada por el misterio y la pasión.
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TVTranscripción
00:00This is your seat, Curro.
00:08If he sits down, I'm leaving.
00:10Curro is my son.
00:11He has every right in the world to sit at this table.
00:14In fact, more than some of those present.
00:18I know, from Doña Pía, that you have already received the letter from the bishopric
00:21telling him when he has to report to his new destination.
00:24That might be the reason,
00:26But I don't know what the letter says, to be honest.
00:28because I haven't opened it.
00:29Weren't you talking to Pedro de Arteaga?
00:31Yes, I have spoken with Don Pedro de Arteaga.
00:33I told him you're the most unsociable person in all of Andalusia
00:35because you don't want to go to their party.
00:37I don't want to go.
00:38And you shouldn't insist.
00:39I'm going to keep insisting until I convince you.
00:41We are on her side, we love her.
00:43Key flame.
00:44Yes, yes, after how things are with Teresa Armando,
00:47You can count on another approval.
00:49I tell them the same thing I told Doña Leocadia,
00:52I need to think about it.
00:54Why not?
00:55Wasting time at the first opportunity that comes their way.
00:58Look, I already told you that I expected professionalism from you.
01:01and that their relationship would affect their work.
01:04And doesn't it?
01:05Already.
01:06My mother is crushing me by saying she wants to help me.
01:08And now it seems that Doña Margarita also wants to help me,
01:10But it turns out she's hiding everything from me too.
01:12Angela, listen to me.
01:15My aunt won't stop until she prevents that wedding.
01:17What did you think I was going to return to without any more information?
01:20Information or another hoax?
01:21What if I told you that it's your son's name and where he lives?
01:25Oh, and the money you pay your mother to keep her quiet.
01:29I don't have to put up with your rudeness.
01:32Then I suppose you won't want to read the confession of your supposed commander.
01:35It's very interesting.
01:41You see, I loved the part where he talks about how he contacted him
01:47and what he paid him for pretending to be a soldier.
01:51Damn it, I already did it!
01:52Please.
01:53Don't make yourself look foolish, Margarita.
01:55I'm warning you.
01:56Don't worry, nothing has to happen.
01:58Your secret can remain your secret.
02:00So what?
02:01Should we cancel that wedding once and for all?
02:05I haven't done anything.
02:06I have no reason to leave.
02:08Yes, I have done it.
02:10And it was a very serious lie.
02:12If you leave this palace never to return,
02:15In return, I will remain silent.
02:19You don't want to open that letter, do you?
02:21And she doesn't want to open it because it tastes as good as I do.
02:24What he fears is that he will be told he has to leave.
02:27If you don't dare to read it,
02:31Give it a try.
02:41But Teresa wasn't to blame.
02:43I've already told you.
02:44It's because of Vera and the other maids who are making her life impossible.
02:48Are you sure that's the reason?
02:50Could it be that you like it?
02:52And that you're having something with her?
02:53That?
02:57Teresa, please.
03:03But where did he get such nonsense?
03:05From nowhere.
03:07It simply strikes me as odd that you forgive him for all the mistakes he makes.
03:10Is that not it either?
03:13No?
03:14Do you defend her tooth and nail?
03:16I'm not defending her.
03:17If I stand up for her in front of everyone else.
03:19It's nothing personal.
03:21It's because I know what he's doing for this house.
03:23And what is he doing for this house?
03:24He is working tirelessly to fulfill the duties required by his position.
03:29And she is receiving criticism from all sides instead of recognition.
03:33Well, that sounds to me like he's doing his duty.
03:36And that's not all.
03:38Believe me, I understand what's going on better than anyone.
03:42Enlighten me.
03:42When I arrived as a butler at this house, nobody downstairs liked me.
03:48Everyone had the revered Rómulo Baeza in mind.
03:52And they assumed that he would replace his colleague Ricardo Pellicer.
03:56Yes, yes, I remember.
03:58Well, then you'll also remember how hard it was for me to put them all in their place.
04:02Yes, but you didn't make the mistakes that are being made now because of Teresa.
04:08That will be fixed.
04:11You seem very confident.
04:13It's a matter of time and trust.
04:16But how could you even think there's another woman in my life after everything we've been through, Leocadia?
04:21Well, it doesn't seem so far-fetched to me.
04:26After spending my whole life following you around the world.
04:30Loving you despite your rudeness.
04:32Despite the fact that you have made it clear to me time and time again that for you this was just a game.
04:38Even so, and after all, I'm still here.
04:40And I'll stay here.
04:42Always by your side.
04:44However you want.
04:47I only want you, Leocadia.
04:51Perhaps to try and convince you completely, I should come to your bedroom tonight and give you all the explanations you deserve.
05:09Stop by before dinner.
05:11That way we'll have more time to talk.
05:13Before dinner.
05:14It's risky, Leocadia.
05:15To please me, you will take that risk.
05:21To please you, I will do whatever it takes.
05:26I'll go.
05:28Of course I'll go.
05:28I don't know if I can tell you about the things that have happened since I saw you.
05:48The lights that have danced through our garden.
05:53New rumors between the heart and the walls.
05:57In the promise, there will be particles of love in motion.
06:05There will be secrets that will never come out.
06:09It will be as beautiful as the flight of an airplane.
06:13In the promise.
06:14In the promise, goodbyes are like shreds on the ground.
06:22Even the flowers will dance in their own way.
06:26Tightrope walkers between fear and passion.
06:30And we're like a jump on the count of three.
06:36We are love when we live, there has been death.
06:40A long road ahead.
06:45In the promise, it will be a matter of luck.
06:49We're like a jump on the count of three.
06:52We are love when we live, there has been death.
06:57A long road ahead.
07:01In the promise, it will be a matter of luck.
07:11But how can it be that they don't send me anywhere?
07:14That means the mission they had been assigned has been suspended.
07:20Suspended?
07:23Read it yourself.
07:25We were going to assign him to a deep area of the Amazon.
07:31Belonging to the southern zone of Venezuela.
07:34But the harsh weather and serious problems with the natives make the trip inadvisable.
07:39For now, stay where you are.
07:42Fulfilling the obligations that I had been entrusted with until now.
07:47Then I'm not going anywhere.
07:50At least for now.
07:52And what is he happy about?
07:54I know I shouldn't be happy about something like this.
07:58But this delay is a breath of fresh air for me.
08:02They're giving me more time.
08:04More time for what?
08:05To continue torturing themselves over María Fernández.
08:08That girl is going to be a mother, and not necessarily with you.
08:11I know, Petra.
08:13Well, it doesn't seem like it.
08:15Accept it once and for all.
08:19I'll try.
08:21I really do try.
08:23But it hurts so much.
08:24It can't stay like this forever, father.
08:28I was convinced that leaving was the only option left to me.
08:34But that's not the case.
08:34It was the best thing that could have happened to him.
08:39Well, it seems that's not going to be the case.
08:43Believe me.
08:44This news is not good at all.
08:47However much you may feel that way now.
08:49I understand that he wants to stay so he can continue seeing María Fernández.
08:54Even from afar.
08:56But that...
08:58That will slowly destroy it.
09:01Like a slow torture.
09:03But...
09:04Father.
09:05Don't make it harder for yourself.
09:10So what do I do, Petra?
09:11What I do?
09:13I'm completely lost.
09:15He has no choice but to distance himself from María Fernández.
09:19Oh, Alonso.
09:23I really wanted to talk to you alone.
09:25And even more so after learning about the gesture you made.
09:28Gesture?
09:29You need to be more specific, sister-in-law.
09:31Well, when you allowed Curro to sit at the table with everyone.
09:35It's a heroic gesture, and I'm not exaggerating.
09:37Heroic?
09:38Exactly, I'd say.
09:39"Heroic" seems excessive to me.
09:41Well, I don't think so.
09:43Especially knowing the position you held.
09:45You can't deny that it was a great feat.
09:46What I won't deny is that news travels fast in this palace.
09:51But whatever, I don't care what people say.
09:54The only thing that matters to me now is that Curro returns to the place he should never have left.
09:58Well, I completely agree with you on that.
10:01And also, since this will have annoyed Lorenzo and Leo Cadia, I congratulate you twice over.
10:06Being on the opposite side to those two is always being on the right side of history.
10:11You're incorrigible.
10:12Well, and you're being too cautious.
10:14What do you mean?
10:16Well, it's about time Lorenzo calmed down.
10:19And someone should tell Leo Cadia that she's not the lady of this house.
10:22It's not that simple.
10:23Well, nobody said it was.
10:26And at the risk of being repetitive, I'll say it again, you shouldn't have given him so much power.
10:31I know.
10:32You're right, I was wrong.
10:35But he saved us, the Luján family, at our worst moment.
10:37And I wanted to thank him for it.
10:39Lorenzo, there are plenty of ways, there are ways to say thank you.
10:42Yes, there are.
10:43Of course there are.
10:45The problem is that I didn't realize he was taking advantage of the situation.
10:49to cross boundaries that did not belong to him.
10:53And I understand that it gradually gained ground, right?
10:57Sergio Cadia is very civil when he wants to be.
11:00More than it seems.
11:02Now I'm trying to correct that mistake, although it's difficult.
11:06Well, you'll get it.
11:08Alonso, I'm sure.
11:09You just have to stand firm.
11:11Thanks, sister-in-law.
11:16Why don't you stay for dinner tonight?
11:24Alright?
11:25My ears are deceiving me.
11:27Did you say okay?
11:28Yes, you heard perfectly.
11:30Although she sits at the table with us, Leocadia.
11:33Well, he can't change his mind.
11:36Furthermore, I have a feeling this dinner will be very entertaining.
11:39You wouldn't believe the mess we've had this morning, Doña Pia.
11:55But it's been that bad...
11:56Unacceptable.
11:59Unacceptable.
11:59Mr. Ballestero made Carlos and me stand at attention, like candles, come on.
12:03A row that takes your breath away.
12:05But what happened, Maria?
12:07Good night.
12:09Once Carlos and I made a gesture of affection between us without a witness, it turned out that there was a witness after all.
12:14And not just any witness.
12:16Mr. Ballestero himself.
12:17But what have you done, you silly fools?
12:19Nothing, nothing.
12:21This, Doña Pia.
12:23A.
12:24Oh my God.
12:25And the worst part is that Carlos and I were just talking about that.
12:29That everyone sees us as strange and that we have to make our own way as a couple.
12:33And on the first try, boom!
12:36We crashed into the tree.
12:38A tree dressed as a butler.
12:40Well, that's bad luck, yes.
12:42It's not bad luck, Doña Pia.
12:43It's bad luck.
12:45And this isn't going to work.
12:47Maria, don't say that.
12:48Of course it's going to work.
12:49But what you have to do is...
12:51So relax a little, because it's impossible like this.
12:54And how am I supposed to relax, Mrs. Pia?
12:56Well, look, to begin with, Maria, you have to act more naturally.
13:02Doña Pía, if you know that I am more natural than a garden lettuce that I don't know how to be any other way, it can be seen from afar.
13:07But you both have to be, especially when you're together.
13:12And how is that done?
13:14Look, now that you're no longer under pressure to tell everyone you're dating,
13:18Well, you have to put aside the criticism and what others think.
13:20and focus on cultivating your relationship so that it sustains itself in some way.
13:28I've forgotten how to do that.
13:30But that's the easiest thing to do, Maria.
13:32What you need to do is focus on getting to know each other a little better.
13:34But giving you a reasonable amount of time, of course.
13:38Time, time precisely what we don't have much of, Doña Pía.
13:41Look, Maria, I know, it's true that in part, in part, it was only my fault.
13:46Yes, because I've been rushing you and I've emphasized that you should tell everyone that you're pregnant.
13:51And this also requires some calm, but within the time limits we have.
13:56Calm down, you say.
13:57Maria, if you like each other, please.
13:59You understand that better than I do.
14:00Of course.
14:02Otherwise, what happened on the day of the festival wouldn't have happened.
14:05What you need to do is look within yourselves to see what you saw in the other person.
14:09so that the spark may ignite.
14:12It wasn't just a spark, Doña Pia.
14:14It was the anise.
14:15And the dances.
14:18Well, whatever it was.
14:20That's it.
14:20We have to recover it.
14:21Yes it's true.
14:22Good.
14:23Okay, that's the spirit.
14:24We have to try, Maria.
14:25Try until the end.
14:26That said, if it can be done without witnesses present, all the better.
14:35Without witnesses.
14:40But can anyone tell me what all those clothes are doing there?
14:42Those sheets had to be hung outside, not in the yard.
14:45Please take them.
14:47Come on!
14:52Teresa, tell me, Mrs. Arcos.
14:54Well, I just wanted to let you know that I'm available for anything you need this afternoon.
15:00And I also wanted to thank you for continuing to honor your commitment not to overload me with work so that I can take care of the shelter.
15:09You're welcome, Mrs. Arcos.
15:10And since you're free, I'd like you to do me a favor.
15:15Clear.
15:16What is it about?
15:17Look, Mrs. Margarita is going to stay for dinner.
15:19And I would like him to have everything he needs.
15:22That's what it will be like.
15:23If there's anything specific you need me to do now...
15:27Well, she told me that she had left an evening dress here the last time she was at the palace.
15:31Would you mind looking for it?
15:32Of course not.
15:33I suppose it's in the attic.
15:37I'll go get him so he's on time.
15:39Wait a moment, Mrs. Arcos.
15:41I would like to tell you something.
15:44What's wrong, Teresa?
15:45Is...
15:47It's a complicated matter.
15:52But I know that...
15:54Doña Leocadia has offered him his old position.
15:58There's no need for me to say anything, Mrs. Arcos.
16:02I just want you to know that...
16:04If he accepts it, I'll understand.
16:08He truly has every right in the world to regain his former position.
16:15And on my part, there will be no complaints or objections whatsoever.
16:20I say this from the heart, Doña Petra.
16:23I want you to know that you have my utmost respect.
16:27And with all my help to...
16:29To facilitate the changeover.
16:31Thank you for your words, Teresa.
16:39And your generosity.
16:45And now I'm going to look for Doña Margarita's dress to see if I have time to have it ready for tonight.
16:50Thank you,
17:19Why did you take so long? The coffee's going to get frosty.
17:29Well, I've been having fun cutting... this.
17:36Toño, but it's beautiful.
17:38Well, like you.
17:45I couldn't like them more.
17:47I'm glad, and it's been a long time coming to cut all these flowers.
17:52But they're wild, aren't they?
17:54That's precisely why. I had to take quite a walk to find them.
17:59You shouldn't have bothered.
18:01No, well, it's no problem at all. Besides, I'm in a really good place right now.
18:07Why do you say that?
18:09Well, life looks different when you don't have the pressure of that commander.
18:14Don't say it to her so nicely.
18:19The fact is, we can breathe easy.
18:22And also to enjoy ourselves and spend a little more time together, right?
18:26What a job, what you call work, until Manuel reactivates the licenses.
18:31We don't have any.
18:32Yes, indeed. Yes, it's safe to say that everything is perfect.
18:40Almost perfect.
18:44You're referring to that damned issue with my uncle Nazario, aren't you?
18:47But it is true that now that we no longer have Commander Rivero snooping around here, Manuel might be able to take up that matter again.
18:55I'm just tired of this topic, Toño.
18:58Do you know that I'm willing to give up whatever it takes to be with you?
19:02Well, we're adults now, aren't we?
19:04We don't have to go around asking everyone for permission.
19:08Yes, yes, the theory is all well and good, but then practice is another thing.
19:12I already told you.
19:14Whatever happens,
19:17I choose you.
19:18Even if I have to give up everything.
19:20Do you love me?
19:24Of course I love you.
19:25And I love you.
19:27Yeah?
19:29That's it, no more talk.
19:31Okay, but don't get mad at me either.
19:32It's not that I'm angry, it's just that I'm tired of there always having to be a hint of pessimism in our relationship.
19:38It's true that our relationship has always been a bit complicated, and we have to accept that.
19:44I think my uncle will eventually give in.
19:48Besides,
19:50You're going to be rich
19:51And that argument is always convincing.
19:55Yes, but it's not something to be taken lightly either.
19:57In the end, I don't belong to a noble family, Nora.
20:00I practically come from the creek and your uncle knows that.
20:04I don't care.
20:07The opinion that counts is my own.
20:10And I'm clear on that.
20:12I love you.
20:15And I'm willing to give everything for you.
20:17Toño, a bright future awaits us.
20:22We don't need any title to be happy.
20:25Why don't you sit down?
20:37Why don't you sit down?
20:51Because I've been sitting down all day.
20:56My butt is asleep.
20:58I needed to stretch my legs a little.
21:00I can imagine you have a lot of work.
21:03My eyes even hurt.
21:05But at least I already have a draft ready with all the debts we are going to settle with Doña Leocadia.
21:11I'm sure my mother will be very happy.
21:14We'll have to see about that.
21:15You've already heard the latest one.
21:17No, I've been locked up all afternoon.
21:20What happened?
21:22Your aunt Margarita is staying for dinner.
21:26You're joking.
21:27I swear.
21:29Really?
21:30And I understand that you haven't spoken to her yet, right?
21:34That's how it is.
21:35Unfortunately.
21:36In fact, I don't even know how to interpret his decision to break his own rule of not sitting at the same table with Doña Leocadia.
21:44This uncertainty is killing me.
21:46I swear, I just don't understand all the mystery surrounding Doña Margarita.
21:49If you want to help us, why haven't you told us anything yet?
21:51Maybe he hasn't found the right moment.
21:52But how come she hasn't found the right moment?
21:54Curro spends the whole afternoon at the palace.
21:56Angela, we need to try to stay calm.
21:58I try, I work.
21:59I swear I'm trying.
22:00But if your aunt has failed, I want to know now.
22:02Lower your voice.
22:03We just don't know if I've done well or badly for him.
22:06Until we talk to my aunt, there's no point in losing our tempers.
22:09Don't know.
22:09I don't know if it works or not.
22:11What I do know is that if Doña Margarita has failed and hasn't achieved anything, I will achieve it.
22:16I will do anything to prevent that wedding because I do not intend to marry Don Lorenzo.
22:20Of course not.
22:21You won't, don't worry.
22:22I am more confident than ever.
22:24And I'm willing to do anything crazy.
22:27Angela.
22:28You know I'll do it?
22:29Yes I know.
22:33Because I experienced the consequences of that firsthand.
22:37So I ask you, please, not to rush into anything.
22:44Until we talk to my aunt and she tells us something concrete, we have to try to stay calm.
22:50Yes I know.
22:56Yes, yes, yes, I know you're right.
22:59Furthermore, I have to admit that I feel a little more at ease regarding the captain.
23:04Why's that?
23:05Well, because we had arranged to meet today to review the wedding invitations and he hasn't said anything about it.
23:10And obviously I'm not going to remind him.
23:17What's happening?
23:18Nothing.
23:21Leave it.
23:22I know you too well, Curro.
23:25What were you thinking about?
23:28What if the fact that my Aunt Margarita is staying for dinner with us tonight has something to do with that?
23:33With the invitations?
23:35Yet.
23:37Something may be moving.
23:41And I don't know if it will be good or bad.
23:45But we'll find out tonight.
23:48What a joy, huh?
23:51Let Mrs. Margarita stay for dinner.
23:53Yes, that's very good news.
23:54What I don't understand is why Mrs. Locadia tells us to cut slices of oranges to accompany chickens.
24:03Very strange, isn't it? It's just that he's going through that phase, isn't it?
24:06No, not strange. It's one of its subtleties.
24:09What do you mean, subtlety?
24:09Well, putting oranges on the chicken is a very Doña Locadia way of reminding Doña Margarita where she comes from.
24:19So, the orange seller, right? Of course, as the marchioness used to call her.
24:22Exactly.
24:24And do you think Mrs. Margarita is going to notice?
24:26Of course he's going to notice.
24:28Doña Margarita is not a fool.
24:31And although it's a very subtle way of being like Doña Locadia, it's also very hurtful.
24:35That damned thing is really bad, isn't it?
24:37Hi, how are you? Well, we couldn't leave without giving you a goodbye kiss.
24:47Look Simona, they've even brought us flowers.
24:49No, no, the flowers aren't for you, they're for them.
24:52But don't worry, I'll come back another day and bring each of you a bouquet.
24:57Are you going home now?
24:59Yes, the truth is that we haven't had much work today.
25:02Oh, and why is that?
25:04Because Commander River has finally left.
25:07Really?
25:08And have Don Manuel and he reached a good agreement?
25:11Yes, he's finally given the green light to that engine thing.
25:15Yes, yes, in the end he approved everything and signed all the documentation at once.
25:27Why those mischievous smiles?
25:31Well, now Don Manuel can talk to his uncle Nazario.
25:37Son, she has to intercede for you.
25:43Of course, finally, huh? We thought that day would never come.
25:47In theory, yes, he would now be freer and could do it, but it's something that Enora and I are no longer worried about.
25:54And how come it doesn't worry him?
25:57Because nothing can stop what we have.
26:01Oh, look, how cute they both are. Go on, give him a little kiss.
26:06Andela, don't put him in that predicament.
26:08But what a squeeze, look how crazy they both are. Come on, a little kiss, a little kiss.
26:12There you go, that's it. Things are going well, huh? I'll do the next one after that if I want.
26:26Am I interrupting?
26:27No, no, no, not at all.
26:29I just wanted to ask if you were coming down for dinner.
26:38Oh, well.
26:41I think so.
26:43I'll benefit from being socialized a bit, even if it's just with family.
26:46Although I don't think I'm the best company.
26:50Oh my God. No, don't say that. And especially not you.
26:54Although, well, to be very honest, I would say that I've noticed something different about you lately.
27:06A different me?
27:07Yes. Yes, like quieter, more absent.
27:11I would venture to say perhaps something sad.
27:14Let's say in my natural state
27:17Life hasn't made it easy for me either, so I can't just walk around smiling in the hallways.
27:24Of course, I understand.
27:26But I do hope that my move to New York had nothing to do with that change of mood of his.
27:33Well.
27:35It does have something to do with that, I won't deny it.
27:39Is that for real?
27:39Look, I completely understand that this is a great job opportunity for you. Of course.
27:51But I find it impossible not to think about my children.
27:56In their children.
27:57Forgive me, but I don't understand what your children have to do with my new job.
28:00What do you mean, no?
28:03Look, if you go to America, Martina will go with you.
28:09And she has become a sort of mother to them.
28:14Then you will understand that as a father I am afraid that they will feel orphaned again.
28:17Of course, I understand perfectly.
28:22But as you rightly said, it's an opportunity you can't refuse.
28:27It's not only good for me, but also for Martina.
28:30Think about it, in New York it's a dream.
28:34In New York, Martina will first be able to visit her cousin Leonor.
28:38Then you can live in a big city, start all over again.
28:42Yes, yes.
28:43And you don't need to convince me.
28:46I understand him perfectly.
28:48I'm even happy for both of them.
28:51But anyway, she asked me and I was honest with her, that's all.
28:55And as a father, I'm afraid.
28:57That's all.
28:59Of course I understand.
29:01And she did very well to share this with me.
29:03But you'll see, everything will be alright.
29:06Hopefully.
29:06Anyway, I'll see you at dinner then.
29:14Yes, that's how it will be.
29:16Good?
29:41Will you tell me what it is you wanted to talk about?
29:43From this.
29:49What is it?
29:51A few days ago I asked Curro to make a detailed list of the contributions that Leocadi had made to the promise.
29:59So that's what I've been so busy with lately.
30:02It seems to surprise you.
30:04No.
30:06I'm surprised that she didn't want to tell me anything, that's all.
30:08We wanted to be discreet.
30:11That only the essential people knew.
30:14And this is the result?
30:16Not quite.
30:18This is a first estimate.
30:20We will have the final figure soon.
30:23And believe me, it's already scary.
30:25How much are we talking about?
30:26It's a very large amount.
30:30You'd better see it for yourself.
30:42Father, this is a lot of money.
30:43I know.
30:45But it's only fair to return it.
30:47It's the price of our peace of mind.
30:48As soon as Curro has the exact figure, I deduce that he will speak with Doña Leocadia.
30:56That's how it is.
30:58It won't be easy.
30:59No.
31:00It will be a complex conversation.
31:03We will negotiate the payment terms.
31:05Although I'm confident I can give him at least half when the harvest season is over.
31:10The rest will have to wait.
31:16You won't have to wait that long.
31:18With what I earned from the sale of the first engine that Don Luis manufactured, I have enough to cover that half, maybe even a little more.
31:26You're sure?
31:28Yeah.
31:29Furthermore, having passed the inspection, I am not worried about parting with cash.
31:33Have you gone through the inspection process?
31:35Didn't he know anything?
31:36All good?
31:37Yes, father, everything is fine.
31:39As I said, with the new engine we're going to recover that liquidity very soon, so...
31:44Manuel, that money could change many things.
31:48Let me run the numbers.
31:55We will pay at least half of that debt and...
31:58We will then negotiate the payment terms for the rest of the money.
32:04I don't want to owe that woman anything, Father.
32:06So the sooner we start paying, the better.
32:11Yes, Manuel, but it's also true that gratitude is a sign of good breeding.
32:18Even though we are now returning the favor, we cannot forget that he extended a helping hand when we needed it most.
32:23Father, the important thing now is to pay off this debt.
32:26There will be time for thanks later.
32:28You're right.
32:32Let's settle the accounts.
32:34There will be time for everything else later.
32:45Very well, miss.
32:46Well, I think I understand everything.
32:48Tomorrow the dress will be ready just as she asked, and...
32:51Don Jacobo will also have his tuxedo.
32:53Well, that would be everything.
32:55I'm sure the party guests will be dazzled by you.
33:01Is something wrong?
33:04Yes, that's true.
33:06I'm a little worried about Don Manuel.
33:09Because of my cousin?
33:10What's wrong with him?
33:12Well, he was quite firm when I told him about the party.
33:16He told me he wouldn't be attending.
33:19Look, and I imagine I didn't tell you in the best way, right?
33:25He can be so grumpy when he wants to be.
33:28The truth is that he was a bit abrupt when I told him that I could have a tuxedo ready in case he changed his mind.
33:36Well, just ignore him, Teresa.
33:38Of course he's going to attend, even if I have to carry him myself.
33:42And if you don't want to choose your suit, well...
33:44Well, you choose.
33:46You have much better taste than him.
33:50That's how it will be, miss.
33:52He will have his own tuxedo ready.
33:56Don Jacobo would not want to bother you.
33:58But I don't know if you need anything before I get started on Miss Martina's accessories.
34:02No, no, no. Thank you.
34:04This is almost done.
34:05That...
34:06Martina, I have to give it to Mr. Ballesteros before dinner.
34:10See you there?
34:11If you'd like, I can deliver it to you.
34:13No, no. I appreciate it, but...
34:15I want to do it personally because it has to leave tomorrow urgently.
34:20Is it that important?
34:22Yeah.
34:23Yes, it's for the New York company.
34:25And why are you writing to them?
34:27Because I have asked them to let me join as soon as possible.
34:28Well, we can wait a little while, can't we?
34:37No, Martina.
34:39That can't be because this isn't a pleasure trip.
34:41It's a business trip and I think we need to show interest and initiative.
34:45Seriously, there's such a rush.
34:47And I think the sooner we leave, the better.
34:49Besides, you don't want to arrive as soon as possible so you can settle in and get to know everything.
34:53to reunite with your cousin Leonor.
34:56Yeah.
34:57Yes of course.
34:58Perfect.
34:59Well, as I said, see you at dinner.
35:09Miss, is everything alright?
35:11She seems a little restless.
35:16No, it's just that when we talk about that trip to New York, I'm overcome with a terrible fear.
35:24Let it be known that it was you who wasn't very focused.
35:44How are you?
35:51Are you calmer now?
35:54More relaxed.
36:00Every day I have less patience than this.
36:04Nothing, I'll be the way I want.
36:05I used to help you unload those frustrations on me.
36:14Maybe I didn't have so many before.
36:18But now it seems like everything is going wrong for me.
36:21What exactly do you mean?
36:27Well, to begin with, I've ruined everything for you, you useless Rivero.
36:36They've discovered it.
36:37Uncovered.
36:41I'm sorry, but I don't know what you're talking about.
36:44You don't understand anything.
36:47Rivero is not a commander.
36:50He's an imposter.
36:52An imposter I hired to prevent Manuel from licensing the engine.
36:55But how would I know that if you don't tell me anything?
36:59I'm not telling you anything because you've been neglecting me lately.
37:04Where is your loyalty, Christopher?
37:07Hey?
37:08Before, I didn't need to ask you for it.
37:11Don't say that, please.
37:14It doesn't matter anymore.
37:16It doesn't matter.
37:19Manuel has discovered everything.
37:22The truth about Rivero?
37:23Yeah.
37:25He made her sign a confession.
37:30And he's given me an ultimatum.
37:33Or I walk away from the promise,
37:36or he tells his father everything.
37:38The marquis will not believe him.
37:40Don't be so sure, Christopher.
37:44The marquis has been very suspicious of me lately.
37:48And the last thing I need right now is that conceited guy.
37:51thinking more about the rope with his threats.
37:54I didn't think it would go this far.
37:55But it seems he's not the only one who wants to drive me crazy in this palace.
38:01Who exactly are you referring to?
38:07To that orange seller.
38:09To Margarita.
38:11Tonight I have to share a table with her.
38:14With that arrogance.
38:17And with Curro's bastard, too.
38:19We must remain calm, Leocadia.
38:22Margarita's thing will only be for tonight.
38:23And with respect to the other two.
38:29Speaks.
38:31They are the children of the marquis.
38:34And?
38:35It is not advisable to force her to take sides between you and them.
38:39He will always side with his own blood.
38:40No.
38:47Alonso owes me a lot.
38:49I should be grateful.
38:51Less and less, Leocadia.
38:54And soon, their gratitude will be almost symbolic.
38:57What do you mean?
38:58It appears that Curro has already prepared a draft with the quantified debt.
39:06It is not difficult to guess that they will soon be looking for salt.
39:21Can't you see?
39:24Everything goes wrong for me.
39:28I'll call him there.
39:37Hello good.
39:37Hello.
39:41Oh, sorry.
39:44Yes, be careful.
39:46Lest Don Cristóbal come along and think we're flirting.
39:49Or let him think what he wants.
39:51If I get another dressing-down, let's see who's going to serve the bosses.
39:54Well, the truth is I don't know how we're going to get to know each other well.
40:01Why do we spend all day working?
40:03Well, we'll have to do it without stopping work.
40:06I've already decided to try it.
40:09The key lies in...
40:12To find that spark.
40:14From the night of the festival.
40:15Spark.
40:18With all that we drank, it was more than just a spark that ignited me.
40:21Oh, how simple you are, Carlos Pordío.
40:23My way of getting your word out would be.
40:26Come on, don't get angry.
40:29Let's see.
40:31Let's recap.
40:32How did you and I get started?
40:35Well, we already knew each other from before.
40:37From a point of view.
40:37What I knew about you wasn't very good, dear.
40:43You were a hummingbird to me.
40:46Well, you're not far behind either.
40:48On the day of the party, you approached me.
40:51Well, yes.
40:52I admit it.
40:53I wanted to have a good time.
40:56Is something wrong?
40:58No.
40:59Nothing.
41:01But boy, did we have a good time.
41:04Well yes.
41:05Too much.
41:06And it wasn't good.
41:08I don't want you to think I do that with just anyone.
41:11Talk nonsense, Maria.
41:14We both know that...
41:16Aniseed doesn't help us keep a cool head.
41:19Yes, but after that neither of them looks for the other.
41:23So that's a sign that there wasn't much interest.
41:28Well, until I started working at the promised place.
41:32And we've gotten along well since I joined.
41:34TRUE?
41:35Yes, at first I did, but then you found out about the baby.
41:38And you ran away.
41:40Don't go back to that, Maria, please.
41:43You know it was an impulse that caught me by surprise.
41:47Yes, it was a bad reaction.
41:51But it was also something instinctive.
41:53And besides, now I'm here.
41:56Ready to face whatever comes.
41:59I don't plan to leave you alone.
42:00That sounds better.
42:05That sounds better.
42:05To be honest, our relationship isn't exactly something to brag about, is it?
42:31Well, no.
42:35The truth is, no.
42:37Although it's not that bad either.
42:39We had to start somewhere.
42:43Well said.
42:45I think exactly the same.
42:47Let's really try.
42:48Let's give it a try.
42:58Oραia.
42:59oloch
43:00What's going on?
43:02That's what happens.
43:05будем insisting.
43:05Resist Bajardo.
43:06Continued.
43:07Because it made me feel better.
43:07Only for случай, me ou Stillo.
43:07Bajardo?
43:08Hello, Maria.
43:08What's going on?
43:08Hello, Maria, the 21st power.
43:09Are you aware of what's happening?
43:11The first 3-γο ensuring, mega when it comes to preventing hair loss.
43:14And some, in fact, have they?
43:15Solísse?
43:16For?
43:16Face in vírtoca?
43:16What a little truth!
43:17Is that what's happening?
43:17What is there a day that we days?
43:18What do we generate in those?
43:18Excuse me, ma'am. I thought it was Mrs. Villamil who called me. Dinner will be ready shortly.
43:33I know. Teresa has given me her office so that you and I can talk more calmly.
43:38When I suggested you return to your position as housekeeper, I told you myself that there was no rush.
43:52Unfortunately, everything has its limits, Petra. A reasonable amount of time has passed and I still haven't received a response.
44:00That's why I'm here. What do you say? Do you want to return to your position as housekeeper?
44:08Go back to leading the handmaids? Be by my side, under my protection, with all the privileges that entails?
44:21May I sit down, ma'am?
44:24Of course.
44:33Your proposal fills me with satisfaction, ma'am.
44:37And above all, it has helped me recover something I had lost.
44:42Self-confidence.
44:45Something essential for a position like this, without a doubt.
44:48I sincerely thank you for your generosity.
44:52So,
44:54That's a yes.
44:55You're damaged goods.
45:02And you're not in a position to perform the duties of a housekeeper in a palace like this.
45:09Unfortunately, no.
45:14What do you mean, no?
45:15I cannot accept the position, ma'am.
45:21And may I know the reason?
45:23Because it wouldn't be good for me either.
45:26Not for you either.
45:26I don't follow you, Petra.
45:29What's that about?
45:32It's because you said it yourself, ma'am.
45:36I am damaged goods.
45:39And at my age, the most I can aspire to is...
45:42Work a little more and earn a decent retirement.
45:45Alright.
45:50Go away.
46:01Valdita sea.
46:15Are you alright, Mr. Arcos?
46:22Yeah.
46:23Very good, perfectly.
46:26Well, I saw that earlier I was in Teresa's office talking to the lady and...
46:32I was wondering if you wanted something specific from me.
46:37Well.
46:39Nothing that half a shovel doesn't already know.
46:40Doña Leocadia has offered me my old job as a key-maker.
46:48AND?
46:50Like what?
46:52What did he tell you, Mr. Arcos?
46:56I rejected it.
47:00But how can he have rejected it?
47:02Because?
47:04The reason is irrelevant.
47:07And if you don't mind, let's leave it at that.
47:11Sure, yes.
47:12Excuse me, however you like.
47:19By the way.
47:22Do you know that Father Samuel is not leaving anymore?
47:25But what do you mean, no?
47:27Or what does he hear?
47:29But his departure was imminent.
47:31Have you already received a letter from the bishopric?
47:33Well, it turns out that letter wasn't an order to send him on missions, not at all.
47:41But what was it for then?
47:43Apparently there have been problems at their destination and the trip has been postponed indefinitely.
47:49That?
47:51Oh.
47:52And how did he take it?
47:55Too good, I'd say.
47:57Too good?
47:58But he knew he had no other choice but to leave.
48:01Well, it turns out he's now very relieved not to have to leave.
48:04And that's what worries me.
48:10Father Samuel has very mixed feelings.
48:13Deep down he knows that leaving would be best for him, for Maria, and for Carlos.
48:19But it is also true that it is very difficult to fight against one's own feelings.
48:23And right now, what the father would like most of all is to be close to Maria.
48:32He was even afraid to open the letter; I had to read it myself because he didn't dare.
48:38You should have seen the look on his face when he realized he didn't have to leave.
48:44This is not good, Mr. Arcos.
48:46It's not good for him or anyone else.
48:49No, it isn't.
48:53And I confess that I am afraid, Mr. Arcos.
48:56Afraid of what?
48:57Fear of what Father Samuel might do if he stays in this house.
49:00What does he mean?
49:02Well, it's not the first time he's told me that he doesn't know if he'll be able to resist telling Maria how he feels about her.
49:09I feel the same as you.
49:11And we should do something.
49:13Because they shouldn't end up together.
49:15Mr. Arcos, we cannot stand idly by.
49:18We can't.
49:23Auntie, you don't know how happy I am that you decided to share the table with us tonight.
49:35The pleasure is all mine, nephew.
49:36Also, I have to say that this chicken is delicious.
49:39That touch of orange is a great idea, isn't it?
49:41I'm glad you like it.
49:42Don't tell me it was your idea.
49:46A small, unimportant detail.
49:48I wanted you to feel at home.
49:50Well, you've hit the nail on the head.
49:52No one knows better than you how to feel at home.
49:55Even if the house isn't yours.
49:59Okay, since we're talking about living away from home.
50:02Martina Jacobo, where are you at with your trip to New York?
50:06We don't have an exact date yet, but I've already made myself available to the company.
50:10So, well, whenever they deem it appropriate and let us know, we'll head there.
50:19I think it's a very smart move, Jacobo.
50:24And I think the trip to New York is going to be an unforgettable experience for both of us.
50:28What I didn't expect was that the captain would be so quiet tonight.
50:46Especially because she had told me she was glad I was there.
50:49Because I wanted her to hear something very important that I had to tell the family.
50:52Isn't that right?
50:58Well, since we're all here, I don't see any reason to postpone it any longer.
51:17I want to officially communicate
51:18that I intend to break off my engagement with Angela.
51:28The time has come for everyone to know the truth about the chef's dismissal.
51:55You will not speak to Vera.
51:56I tell him...
51:56No!
51:57I'll do it.
52:01That's what's appropriate.
52:03You got what you wanted.
52:05Please leave me alone.
52:09Now you're trying to make me believe you've cancelled your engagement just to please me?
52:14Forgive me if I keep my reasons to myself.
52:16I know Lorenzo is a slippery guy and I fear that in the future he may get away with this too.
52:20I give you my word that it won't be like that.
52:22Much as he may dislike it, it is not a burden he can so easily rid himself of.
52:27I have to be honest about my feelings, Petra.
52:29Of course not.
52:30You are still a priest of Christ.
52:32What does it matter?
52:34I'll let her decide.
52:35Petra, I don't care about anything anymore.
52:38Absolutely everything.
52:40That's exactly how I feel, Jacob.
52:42I'm happy.
52:43I feel like singing, laughing, going out, feeling the sun on my face, celebrating this.
52:48Hey, well I have an idea.
52:51You scare me.
52:52Are you coming with us to Don Pedro Arteaga's party?
52:55And what about work that can't be denied?
52:57You are a creepy viper.
53:00A two-bit crook.
53:01Please.
53:02And Ocadia, control that fishwife's tongue.
53:05And enjoy it, enjoy your defeat.
53:07I will do it.
53:08Martina, but I don't know what I'm going to wear.
53:10I don't even know if Curro has a tuxedo.
53:12Well, those are minor problems.
53:13Now the important thing is to convince Manuel to join us.
53:16Ah, so you were serious about forcing him.
53:18Well, of course.
53:19I mean, look, he can't keep saying no to every party he's invited to.
53:24She's mourned long enough, hasn't she?
53:26She needs to get her life back.
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