- il y a 1 jour
Girl Missing (1933) is a classic drama that follows characters navigating unexpected and puzzling events. The story explores themes of problem-solving, resilience, and determination while highlighting how the characters work together to overcome challenging situations. With engaging storytelling, vintage cinematic style, and memorable performances, Girl Missing provides a captivating character-driven experience filled with intrigue and suspenseful moments.
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Art et designTranscription
00:00:00Sous-titrage MFP.
00:00:30...
00:01:00No.
00:01:05One little kiss never killed anybody.
00:01:08But you've been a gentleman so far.
00:01:10When I brought you to Palm Beach, I had no idea of being a gentleman.
00:01:13I want to make love to you in the very worst way.
00:01:21Why, Mr. Van Juicen, you've shocked me.
00:01:23You've kept me in the icebox for three weeks now.
00:01:26This is the first chance I've had to be alone with you.
00:01:28But Kay may come in any minute.
00:01:30Oh, hang Kay.
00:01:32She's a pest.
00:01:34I'm sorry I took her along.
00:01:36But she's been like a sister to me.
00:01:38And you've been like a father.
00:01:39But I don't feel fatherly.
00:01:44I feel...
00:01:45That's it.
00:01:48I'm getting impatient.
00:01:51Haven't I been good to you?
00:01:52Yes.
00:01:52Didn't I take care of you girls when you show flopped in New York?
00:01:55Yes.
00:01:55What were you?
00:01:56A couple of chorus girls on the rocks.
00:01:57I brought you to Palm Beach for a vacation.
00:02:00I spent a lot of money on you.
00:02:01What do I get?
00:02:03Nothing but promises.
00:02:05Why, Mr. Van Juicen.
00:02:07And that's another thing.
00:02:09From now on, I want to be called Kenneth.
00:02:12All right.
00:02:13Kenneth.
00:02:17That's better.
00:02:19I want to be called Kenneth.
00:02:21And I want kisses.
00:02:23And I want more than kisses.
00:02:25And no more promises.
00:02:27Well, give me time to think.
00:02:28This is so sudden.
00:02:30You can think about it afterwards.
00:02:32But Kay's sure to come in.
00:02:34If she does, I'll wring her neck.
00:02:36Come on.
00:02:38One big kiss.
00:02:42Well, you're in a couple of fine ones trying to ditch a pal.
00:02:48How are you?
00:02:49We looked for you at the dance.
00:02:51We thought you'd left.
00:02:52You know, sometimes I think you don't like me.
00:02:54Why, I'm very fond of you, my dear.
00:02:56Oh, that's swell.
00:02:57Because you don't know how much your friendship means to me.
00:03:00That's true.
00:03:00He really doesn't.
00:03:02I can guess.
00:03:03Oh, you're a sweet old potato.
00:03:06Hey, my dogs are barking.
00:03:09Hey, June, get a lot of this.
00:03:11Do you recognize the pen of that female?
00:03:12Well, that's dumb Daisy.
00:03:31She was in the chorus with us last year.
00:03:33Yeah, until the management discovered she had two left feet in her mind wooden track.
00:03:36Gold digger, huh?
00:03:38I never had any use for gold diggers.
00:03:41Yeah, anybody can see that.
00:03:42You're too smart.
00:03:43Any man who lets a girl make a fool out of him deserves it.
00:03:46You said it.
00:03:47But I hate to see this particular cookie get away with it.
00:03:49Well, children, old lady Kay is going to hit the hay.
00:03:53You better grab a few inks yourself, kid.
00:03:54That midnight jewelry is beginning to show under the eyes.
00:03:57I am tired.
00:03:58I'll be in in a minute.
00:04:05No, Kenneth.
00:04:07Not now.
00:04:10I'll wait for you until she falls asleep.
00:04:13Then we'll have a little midnight supper in my room.
00:04:15Champagne and everything.
00:04:17Maybe.
00:04:18I mean business.
00:04:20You may not realize it, but there's something of the caveman in me.
00:04:24That's what I'm afraid of, Kenneth.
00:04:27Remember, one hour.
00:04:30No more.
00:04:33Or else.
00:04:47Papa, try monkey shines again?
00:04:48And how?
00:04:50I don't know how I'm going to keep on stalling.
00:04:52Leave it to me.
00:04:53I know how to handle that, old bozo.
00:04:55I wish you hadn't gotten me into this.
00:04:56There's so much more rest for working for a living.
00:04:59Oh, working for a living is old-fashioned.
00:05:01But then, on the other hand, so starving to death.
00:05:03Dumb Daisy hit it lucky, didn't she?
00:05:05Grabbing off a handsome young millionaire.
00:05:07And I think of it, I could bite a battleship in two.
00:05:10And here we have to put up with an old balloon tire like Kenneth.
00:05:13He said one hour.
00:05:26What'll I do?
00:05:27Don't dream that you did.
00:05:28Hot shit.
00:05:54Huh.
00:05:55Huh.
00:05:56Yeah.
00:05:57Hmm.
00:06:05It's funny dear old Kenneth didn't join us for breakfast.
00:06:08Maybe he's angry about last night.
00:06:10Tell him you had a headache.
00:06:11Tell him you couldn't find your way in the dark.
00:06:13Do you suppose he'll raise a fuss?
00:06:15One foot worry in.
00:06:17Inside of two minutes, I'll have him wrapped around your little finger.
00:06:19Come on.
00:06:27Kenneth.
00:06:28Oh, Kenneth, dear.
00:06:36Well, that's funny.
00:06:38Where can he be?
00:06:42Where's Mr. Van Dusen?
00:06:44He checked out early this morning.
00:06:45Checked out?
00:06:46There's a note on the dresser.
00:06:49It might be for you.
00:06:56That's for us, all right.
00:06:57It says for the G.D. sisters.
00:06:59I don't know whether he means gold or gives her another well-known word.
00:07:02Hmm.
00:07:02Looks like Santa Claus has gone back up his chimney.
00:07:27What now?
00:07:30There's an old saying.
00:07:31When one fish gets away, bait your hook for another one.
00:07:33I don't quite get you.
00:07:35You're the bait.
00:07:37Before the sun sinks in the good old west, we'll hook another fish.
00:07:39Come on.
00:07:40But the next one may be tougher to stall off.
00:07:42What are you kicking about?
00:07:43Haven't I always run interference for you?
00:07:44On with the uniform, kid.
00:07:46We're going hunting.
00:07:46We're going hunting.
00:08:16Now, there's a hot prospect.
00:08:27Look, look.
00:08:28He's smiling at us.
00:08:36Hello, honey.
00:08:37Hello, Henry.
00:08:40Well, I'll be a horse's pin feathers.
00:08:42Would I like to own him?
00:08:44I'll be a horse's pin.
00:08:45Hmm.
00:08:46Dumb Daisy certainly tumbled into the sugar barrel.
00:08:49Oh, Henry, you have no idea how strangely I feel.
00:08:52Why, it seems only yesterday I was making a little dress for her first real party.
00:08:56And tomorrow I'm going to lose my little daughter.
00:08:59You're not losing your daughter, Mrs. Bradford.
00:09:00Uh, mother, I mean.
00:09:02You're gaining a son.
00:09:03Hey.
00:09:04I wonder if Daisy's good for a touch.
00:09:06It won't do any harm to say hello and wish you luck.
00:09:08Come on, mother.
00:09:09We're going to miss the polo matches.
00:09:10Oh, yes.
00:09:11We must hurry.
00:09:14Daisy, isn't this delightful?
00:09:16Well, I'm so glad to see you.
00:09:18We were terribly happy about your engagement.
00:09:21I'm very sorry, but I don't seem to remember you.
00:09:24Are you sure we've met?
00:09:26Come, dear.
00:09:27We'll be late.
00:09:27Why, that moth-eaten little skirt.
00:09:33Snubbed by a Class B Corrine, right out in public.
00:09:37Mammy, am I going to get even with her one of these days?
00:09:39Did you hear that crack?
00:09:41Are you sure we've met?
00:09:43Calm down, dear mother's thinking.
00:09:45How much money have you got?
00:09:50Thirteen dollars.
00:09:51That's a lucky number.
00:09:52Well, I've got thirty-seven dollars and eighty-five cents.
00:09:54Making a grand total of fifty between us.
00:09:56Not counting the small change.
00:09:57Sounds simple.
00:09:58All we need is six hundred and fifty dollars more.
00:10:00Right, girl, and we're going to get her, too.
00:10:01What do you think of that?
00:10:02I'm listening.
00:10:03Make it good.
00:10:04Trot out your gambling clothes, sister.
00:10:05We're going to the casino tonight and put fifty dollars on my nose to win.
00:10:09We might as well be broke as the way we are.
00:10:10Oh, it's our only chance.
00:10:11You do the praying and I'll handle the dice.
00:10:13Come on.
00:10:13Okay.
00:10:24Shoot ten.
00:10:27Get hot dice.
00:10:30Keep mom out of jail.
00:10:31That's it.
00:10:33Seven a winner?
00:10:34Yippee!
00:10:34It's a natural.
00:10:35Seven a winner.
00:10:36Let her rise.
00:10:41Burn my clothes.
00:10:42Here I come.
00:10:45Craps you lose?
00:10:46Snake eyes.
00:10:47Wouldn't that cross your grandmother's take?
00:10:49Sell my dice.
00:10:50Twenty on the line.
00:10:50Be good to me, Bones.
00:10:55Roll up those seven big black eyes.
00:10:57Hatch!
00:10:58Give it at a seven.
00:10:59Leave it lay.
00:11:00I'm coming up for more punishment.
00:11:02Come on, dice.
00:11:03Sizzle up for your great big sister.
00:11:05Hatch!
00:11:06Deck them up, big boy.
00:11:06I'm going to clean you out of house and home.
00:11:08I'm going to own this joint before the night's over.
00:11:10Okay, will you please stop?
00:11:11You've won seven hundred dollars already.
00:11:13Lay off of me, will you?
00:11:13Can't you see I'm winning?
00:11:15I'm going to mop up, I tell you.
00:11:16But you might lose.
00:11:17I remember where we'd be.
00:11:18How can I lose?
00:11:19This is my lucky night.
00:11:20You got me almost crazy.
00:11:21Just once more.
00:11:22Double or nothing.
00:11:24Double or nothing.
00:11:25Fourteen hundred dollars and I'll buy champagne.
00:11:27I'll buy enough champagne to take a bath in.
00:11:29Come on, dice champagne for Mama.
00:11:33Snake eyes.
00:11:34Fire is out.
00:11:41Come on, kids.
00:11:43I'll buy you a bottle of pop.
00:11:46Well, no matter how you look at it, 85 cents is still 85 cents.
00:11:49I'll buy you a drink.
00:11:49What do you have?
00:11:50I'll take poison.
00:11:51Me too.
00:11:51I'll have a little lemon soda in mine.
00:11:57Seven hundred bucks in one lump.
00:11:59But she wanted champagne.
00:12:00Oh, cheer up.
00:12:01It's against the law to drink champagne.
00:12:02Oh, I never wanted champagne.
00:12:03What are you kicking about?
00:12:04You're not going to get any.
00:12:05What'll it be, girls?
00:12:06Two lemon sodas.
00:12:09Well, what's wrong with this picture?
00:12:11If it isn't the old caller at himself.
00:12:13Hello, Raymond.
00:12:14Oh, are you okay?
00:12:15I didn't know you were in town.
00:12:16Don't you read the society news?
00:12:17No.
00:12:18Hey, you remember Raymond Fox, don't you, June?
00:12:19Yeah, I remember him.
00:12:20The champion heartbreaker of Times Square.
00:12:22I haven't broken yours yet.
00:12:25You must have broken Daisy Bradford.
00:12:27She's marrying another man.
00:12:27Did you know about it?
00:12:28No, I haven't heard.
00:12:29The gigolo business must be good these days
00:12:31when you lose track of your own sweetheart.
00:12:33I always thought it was pretty serious between you and Daisy.
00:12:35She's a good kid, but you know how it goes.
00:12:37People drift apart.
00:12:39Who's she marrying?
00:12:39Ah, and this will hand you a hawk rob.
00:12:41She palmed Henry Gibson.
00:12:44He's so rich, they say he wears platinum collars.
00:12:46They're going to be married tomorrow.
00:12:47I'm glad Daisy's getting a break.
00:12:48Well, I'm not.
00:12:50You should have seen her giving us the rents this afternoon.
00:12:52Made believe she never knew us.
00:12:54Pat, she was afraid we might tip her off to her society millionaire.
00:12:57Pam, that's not such a bad idea, now that I think of it.
00:12:59Meaning what?
00:13:00Meaning we're dead broke with a $700 hotel bell barking at our shins.
00:13:03The guy she's going to marry might be glad to pay for a little information
00:13:06that keep him from marrying the wrong girl.
00:13:07He thinks she's strictly society instead of second row chorus.
00:13:10You wouldn't do a thing like that.
00:13:11You're not a stoolie.
00:13:12No, just hungry.
00:13:18Gee, I hate to see a couple of swell gals like you in such a tough fix.
00:13:21Tell me what I'll do.
00:13:22I'm holding my breath.
00:13:23I'll settle your hotel bill tomorrow and put you on a train from New York.
00:13:26The man's lost his mind.
00:13:28We accept your offer kind, sir.
00:13:29Do you have to go tomorrow?
00:13:30Well, otherwise you might get the idea this is a pension and I'd have you on my hands.
00:13:35Sold.
00:13:35We'll take the afternoon train.
00:13:37Now, don't go gumming up Daisy's good luck.
00:13:39She never did you girls any harm.
00:13:40Okay, never meant that.
00:13:41Well, come on.
00:13:42I'll take you to your hotel.
00:13:49Good evening, Mr. Hendricks.
00:13:50Oh, Joe.
00:13:52Who is that fellow?
00:13:56I don't know, sir.
00:13:58I'm seeing him someplace.
00:14:00Me and Manhattan.
00:14:06Maybe we shouldn't have sent our bags downstairs.
00:14:08It's 20 minutes to train time and Raymond hasn't shown up with the money.
00:14:11Do you suppose he's pulled a fast one on us?
00:14:12You never can tell.
00:14:13He's just the type.
00:14:17Hello?
00:14:18Yes?
00:14:20Oh, he is.
00:14:21That's fine.
00:14:22Yes, I'll be right down.
00:14:25Raymond?
00:14:25No, he's sent his chauffeur with the money.
00:14:26He's waiting in the lobby.
00:14:28Can you imagine him having a chauffeur?
00:14:29Oh, who hasn't?
00:14:31We haven't.
00:14:31Look in your stocking around Christmas time.
00:14:33You'll find one.
00:14:34Let's go.
00:14:35Not until I'd powder my nose.
00:14:36Okay.
00:14:37I'll go down and square the bill.
00:14:38Meet me out in front and step on it.
00:14:39Yeah.
00:14:48Miss Kay Carter?
00:14:49The one and only.
00:14:50Mr. Raymond Fox sent me.
00:14:51I already paid the bill.
00:14:52If you want me to give you the train tickets.
00:14:54Oh, thank you.
00:15:03Down, please.
00:15:05Up.
00:15:05I said down.
00:15:09I beg your pardon, but this elevator's going up.
00:15:13Just a moment.
00:15:16When I first looked at you, I thought you were a gentleman.
00:15:18And when I first looked at you, I thought you were very pretty.
00:15:21And I still do.
00:15:23Down, please.
00:15:24I've got to catch a train.
00:15:25Wait a minute.
00:15:26I've got to get married, and I'm late now.
00:15:29That's your hard luck.
00:15:30Serves you right.
00:15:31Do you think being married to me would be so unpleasant?
00:15:34It might be, unless we have separate things.
00:15:35You're a very interesting girl.
00:15:39Thanks.
00:15:40You can have my vote, too.
00:15:41Well, it seems as if I just can't resist a beauty in distress.
00:15:44We'll take the young lady down.
00:15:46Yes, sir.
00:15:54I hope you miss your marriage.
00:15:55I hope you miss your train.
00:15:57But now we're going up.
00:15:58Hey, say, where the Dickens have you been?
00:16:07Did you think the railroad was going to build a track right to the hotel for you?
00:16:09I've been in conference with Mr. Gibson.
00:16:11He didn't want to let me go.
00:16:13You better get your head examined.
00:16:14You're beginning to imagine things.
00:16:15Come on, I've got a taxi waiting.
00:16:20To the station, brother, and give it the gas.
00:16:22Yes, ma'am.
00:16:22And how did you just enjoy the trip, Mrs. Mediokiri?
00:16:49G.K., I'm terribly sorry, but it wasn't my fault.
00:16:54Well, I guess there's no use arguing about it.
00:16:57Say, boyfriend.
00:16:58Hey, we missed the train.
00:16:59When does the next one leave?
00:17:01I'm afraid there's no accommodations on the night train.
00:17:03You'll have to wait till tomorrow afternoon.
00:17:05That's fair.
00:17:06Fix us up, will you?
00:17:07I'll be glad to.
00:17:08Well, pick them up tomorrow.
00:17:09Okay, miss.
00:17:10I guess we'd better find a cheap hotel for the night.
00:17:12The treasury's pretty low.
00:17:14Well, that's life for you.
00:17:16Daisy's and clover, and we're out in the weeds.
00:17:18Hope Gibson gets wise to her.
00:17:21I can't forget that snub.
00:17:23Are you sure we've met?
00:17:24Don't you worry, baby.
00:17:25I'll get you a millionaire yet.
00:17:27It's too late to get the one I want.
00:17:28Who's that?
00:17:30Oh, you wouldn't know.
00:17:32I can guess.
00:17:33So that's the way it is, huh?
00:17:35In a large way.
00:17:36I don't know why, but all of a sudden I've got a funny feeling right down here.
00:17:41Yeah, I know.
00:17:42Like indigestion.
00:17:58Well, this is about our size, I guess.
00:18:00Just about now they're throwing rice at Daisy.
00:18:03Oh, forget her.
00:18:03And him, too.
00:18:04I never saw you act this way before.
00:18:06After all, you only met him once, in an elevator.
00:18:09You can't do much in an elevator.
00:18:11But darling, we can't run away like this.
00:18:13What will everyone think?
00:18:14They'll think it's romantic.
00:18:15Well, I can't spend our honeymoon and a wedding gown.
00:18:17You don't realize what a thoughtful husband you have.
00:18:19I sent all your things on ahead with your maid.
00:18:20I sent all your things on ahead with your maid.
00:18:22I sent all your things on ahead with your maid.
00:18:23I sent all your things on ahead with your maid.
00:18:24Well, I can't spend our honeymoon and a wedding gown.
00:18:26You don't realize what a thoughtful husband you have.
00:18:28I sent all your things on ahead with your maid.
00:18:29I think I'll have to stop and get some gas, dear.
00:18:35Good.
00:18:36I'll stop in and phone Mother.
00:18:37Good.
00:18:38I'll stop in and phone Mother.
00:18:44How many, sir?
00:18:45Fill it up.
00:18:46How many?
00:18:47Sir, fill it up.
00:18:55How many?
00:19:00How many, sir?
00:19:02Fill it up.
00:19:07Qu'est-ce qu'il y a de l'autre?
00:19:12Fill it up.
00:19:25$1.30.
00:19:27Oui.
00:19:29Oui, c'est bon.
00:19:31Le soleil est.
00:19:33Oui, c'est bon.
00:19:34Le jouant?
00:19:35C'est bon.
00:19:41Deuxiure.
00:19:42C'est bon.
00:19:44C'est bon.
00:19:45Votre.
00:19:46Tu as le plus est?
00:19:47Oui, c'est bon.
00:19:48Leshantins?
00:19:49Oui, c'est bon.
00:19:51Il y a des !
00:19:55Leshantins du?
00:19:56Oui, c'est bon.
00:19:57Ils ont de l'air.
00:19:58Ils ont des l'air.
00:25:06Sous-titrage Société Radio-Canada
00:25:36C'est parti !
00:26:06Oh, Daisy !
00:26:08Oh, Julie !
00:26:18Yes, sir ?
00:26:20Yes, sir ?
00:26:22Will you call me a moment, please ?
00:26:30Where is Mrs. Gibson ?
00:26:32Ain't she in bed ?
00:26:34I can't find her any place !
00:26:36Lose me !
00:26:37I ain't been out of here but a couple of minutes !
00:26:38That's strange !
00:26:40I'll phone the click !
00:26:42Hello !
00:26:44Did Mrs. Gibson come down to the lobby ?
00:26:46Oh, I know !
00:26:48I haven't seen her, sir !
00:26:50I can't understand it !
00:26:52Will you please come up here and bring the house detective ?
00:26:54Right away !
00:26:56You mustn't be upset, Mr. Gibson !
00:26:57Most likely she'll be back in a moment !
00:26:58But where could she have gone ?
00:27:00People don't just disappear in a flash !
00:27:02Her clothes are all here !
00:27:03You say she had a headache !
00:27:04Well, the most natural thing for her to do was to go outside and get some fresh air !
00:27:06Let's have a look around the balcony !
00:27:07I've already looked !
00:27:08The balcony runs clear around the building !
00:27:09Let's check again !
00:27:10All right !
00:27:11You stay here, Julie !
00:27:12In case she comes back through the corridor !
00:27:13Yes, sir !
00:27:15Uh-huh !
00:27:16What's this ?
00:27:17Well, that's the gardener's ladder !
00:27:18He must have been trimming the vine !
00:27:19Mm-hmm !
00:27:20Maybe so !
00:27:21But I think we'd better take a look around the garden anyway !
00:27:22All right !
00:27:23Let's see !
00:27:24Let's see !
00:27:25Let's see !
00:27:26Let's see !
00:27:27Let's see !
00:27:28Let's see !
00:27:29Let's see !
00:27:30Let's see !
00:27:31Let's see !
00:27:32Let's see !
00:27:33Let's see !
00:27:34Let's see !
00:27:35Let's see !
00:27:36Let's see !
00:27:38Let's see !
00:27:39Let's see !
00:27:40Let's see !
00:27:41Let's see !
00:27:42Let's see !
00:27:43Why !
00:27:44Why !
00:27:45There's someone in that swing !
00:27:46Let's find out if he's seen anything !
00:27:59Why !
00:28:00It's Mr. Hendricks !
00:28:02Oh, c'est Mr. Hendricks.
00:28:17He's dead.
00:28:22I wonder if this has anything to do with my wife's disappearance.
00:28:26Good evening.
00:28:27Good evening.
00:28:27I'm Detective Chief MacDonald from Palm Beach.
00:28:30Oh, yes, Mr. MacDonald.
00:28:31Will you go up to Mr. Gibson's suite?
00:28:32Number 10.
00:28:33See what you can find out here.
00:28:36Just tell me what you know from the beginning.
00:28:38Well, all I know is that Mr. Gibson telephoned me from suite 10.
00:28:41Told me his wife was missing.
00:28:43I got the house detective and we went upstairs.
00:28:45What time was that?
00:28:47About 10 o'clock.
00:28:48Why, that's absolutely ridiculous.
00:29:04She didn't leave voluntarily.
00:29:05I'm sure of that.
00:29:06Did you have any sort of quarrel with Mrs. Gibson?
00:29:09Well, nothing you could call a quarrel.
00:29:11She was a bit tired and nervous and wanted to rest.
00:29:13So she went to bed?
00:29:14Yes.
00:29:15And that's the last you saw of her?
00:29:17Well, she just vanished while I was out of the room.
00:29:19I don't know how to describe it.
00:29:21Well, we'll try our best to find her for you, Mr. Gibson.
00:29:24Meanwhile, I'll inquire into the Hendricks killing.
00:29:27Find anything, Crawford?
00:29:28Nothing yet, Chief.
00:29:29This is a puzzler.
00:29:30I'm not surprised at Hendricks' death, but I can't quite link it with Mrs. Gibson's disappearance.
00:29:36You know Hendricks?
00:29:37Quite well.
00:29:38He was on the inside of several big rackets down here.
00:29:40You said your wife spoke to Hendricks.
00:29:42How do you suppose she came to know a man like him?
00:29:44Oh, through her father.
00:29:45Her father gambles quite a bit, she told me.
00:29:47Shall I check up with Wagner?
00:29:49Go ahead.
00:29:50All right.
00:29:50I'll see you outside.
00:29:52It might be a good idea to talk to her father.
00:29:55I'd suggest that you drive into Palm Beach right away.
00:29:57I have a hunch we'll find the answer to both these cases there instead of here.
00:30:02Very well, Chief.
00:30:03Oh, and don't forget, I'm offering a substantial reward for any information leading to the safe return of my wife.
00:30:08Fine.
00:30:09Good night.
00:30:10Good night.
00:30:14You don't know anyone with whom she might have communicated?
00:30:18No.
00:30:18No, there was no one.
00:30:20If she were in a position to communicate with anyone, surely she would have let us know.
00:30:24Oh, my poor baby.
00:30:26There, there, my dear.
00:30:28Don't start crying again.
00:30:29As these gentlemen say, she's probably quite safe.
00:30:32How well did you know Mr. Hendricks?
00:30:34Only slightly.
00:30:34I went to his place a few times.
00:30:36And you've no idea who might have killed him.
00:30:38I can't possibly imagine.
00:30:40Well, I guess that's about everything for the present.
00:30:43We'll let you know if anything develops.
00:30:45If you think of anything that might help us, phone it in right away.
00:30:48I shall, naturally.
00:30:49Well, good night.
00:30:50Good night.
00:30:50Good night.
00:30:51Good night.
00:30:51Good night.
00:30:51Good night.
00:30:52Good night.
00:30:53Good night.
00:30:54Good night.
00:30:55Good night.
00:30:56Hendricks murdered.
00:30:58Can you beat that?
00:30:59Now what are we going to do?
00:31:00I don't know.
00:31:01Suppose you figure it out.
00:31:02You always know all the answers.
00:31:03But who do you think could have done it?
00:31:05A mug like Hendricks is liable to be bumped off any time.
00:31:09I knew that if Daisy had to depend on her own brain, she'd be a flop.
00:31:13Yes.
00:31:13Without your powerful mind, I guess we'd all be pretty well sunk.
00:31:17I'm brainy enough to know when to run for cover.
00:31:19Let's start packing.
00:31:20They'll grab us directly if we make a move.
00:31:23Listen, if I had a nervous breakdown over Daisy's disappearance, I could go to a New York sanitarium and they wouldn't get wise.
00:31:29If they ever get you under observation in a sanitarium, they'll probably keep you there.
00:31:33Well, I probably feel right at home after being around you.
00:31:35Now what's happened?
00:32:05They must mean you.
00:32:35Kade, Kade, listen, wake up.
00:32:40Oh, you would just when I was in the middle of a swell dream.
00:32:45Dumb Daisy has been kidnapped.
00:32:46Huh?
00:32:47No kidding.
00:32:47When?
00:32:48Last night.
00:32:49Oh, what of it.
00:32:50Soon as they got a look at her in broad daylight, they probably took her back.
00:32:54You ever been out to breakfast?
00:32:55I was having coffee when a newsboy came in with an extra.
00:32:58Where did it happen?
00:32:59At a place called Blue Moon Inn.
00:33:01There was a murder there, too.
00:33:02A man named Hendricks was found stabbed to death.
00:33:04Oh, a murder, too.
00:33:05Oh, I knew that Daisy would get mixed up in something one of these days.
00:33:09Well, serves her right, the little snob.
00:33:10But here's the interesting part.
00:33:12Her husband is offering $25,000 reward for her return.
00:33:17I can get him six lacquer for $10 apiece.
00:33:21I got it.
00:33:21What?
00:33:22A big idea.
00:33:23Raymond.
00:33:23Yes, what about him?
00:33:24That guy Raymond's worth 25 grand was.
00:33:26I wouldn't have him as a gift.
00:33:27Maybe yes, maybe no, but wherever he is, Daisy's not far away.
00:33:30Maybe you're right.
00:33:31I never thought about it.
00:33:32Hop over at the phone and see if Raymond's checked out of his hotel.
00:33:35Yeah.
00:33:38Garden Hotel, please.
00:33:40I got another bright idea.
00:33:42Instead of taking the afternoon train, we'll get a refund on our tickets and stay here.
00:33:45$25,000 is a lot of money.
00:33:47Yes, sir.
00:33:48But suppose we miss out?
00:33:50Hello?
00:33:51Can you tell me if Mr. Raymond Fox is in?
00:33:54He did?
00:33:55No.
00:33:56No message.
00:33:56Thank you.
00:33:57He checked out last night.
00:33:58What did I tell you, Daisy and Raymond?
00:34:00I'll call the police.
00:34:01You will not.
00:34:02There's $25,000 big round dollars on the line, and I'm not going to divvy up with the cops.
00:34:06We're going to see Gibson in person.
00:34:07But Gibson will notify the police.
00:34:08Sure he will.
00:34:09But we'll notify him first, and thereby hangs the reward.
00:34:12Dumbbell.
00:34:13The paper said he was back at the Royal Palms Hotel.
00:34:15He's directing the search from there.
00:34:16So well.
00:34:17We'll ankle over and give him the lowdown on his little girlfriend, Daisy Daisy.
00:34:20I'll be dressed in a minute.
00:34:21Hurry.
00:34:21We're still trying to get some trace of her.
00:34:25My hunch is to follow through on the Henrik's angle.
00:34:28I can't attach the same importance as you do to Henrik's death.
00:34:31If he were in on the kidnapping, why should he have been murdered?
00:34:33That's what we're trying to find out.
00:34:35Did anybody know that you and Mrs. Gibson were going to the blue moon last night?
00:34:38No one except Mr. and Mrs. Bradford.
00:34:40I didn't know it.
00:34:41Why, of course, Alvin.
00:34:42Didn't I tell you?
00:34:43Well, you must have known it.
00:34:45Daisy stopped at the gasoline station and telephoned you.
00:34:47What about it?
00:34:48Did she telephone you?
00:34:49Why, yes.
00:34:50Sometimes, Alvin, I think you're losing your memory.
00:34:53I distinctly remember mentioning it.
00:34:55Huh?
00:34:56I guess you did.
00:34:57The excitement of the past 24 hours has mixed me all up.
00:35:01Well, if we don't find her soon, I should lose my mind.
00:35:04You must really try to calm yourself, my dear.
00:35:06I'm sure no harm will come to her.
00:35:14Hello?
00:35:16Yes?
00:35:18Just a moment.
00:35:20Two young ladies downstairs who say they must see you at once concerning your wife.
00:35:24Good.
00:35:24Have them come up.
00:35:26Will you kindly show them up, please?
00:35:28Thank you.
00:35:31You'd better talk to them alone.
00:35:33I'll listen from the next room.
00:35:35If you don't mind, I'd rather you'd leave.
00:35:36Oh, Henry, a little favor.
00:35:44I came away in a hurry.
00:35:46I left my checkbook at home.
00:35:47Oh, certainly.
00:35:47Glad to.
00:35:48How much do you need?
00:35:49Oh, just a couple of hundred.
00:35:51Oh, it's a pleasure.
00:35:55Thanks.
00:35:56I just wanted to stop and get a few things on the way home.
00:35:59You let me know immediately, Henry, if there's any news.
00:36:02The moment I hear anything.
00:36:10Goodbye.
00:36:10Goodbye.
00:36:11You had a lot of crust asking him for money.
00:36:19What will he think of us?
00:36:20What else could I do?
00:36:21Mine broke.
00:36:22Oh, how do you do?
00:36:24And another thing.
00:36:25What in the world made you say you didn't know the days he had phoned?
00:36:27I didn't know it.
00:36:29Well, neither did I.
00:36:30But I wish you'd learn to keep your mouth shut.
00:36:31Who are you talking to?
00:36:32Oh, how do you do, Mr. Eric Fultz?
00:36:49Daisy's Fultz.
00:36:50Yes, she can have him.
00:36:50And they can have her.
00:36:51Come on.
00:36:54Well, let's start by getting acquainted.
00:36:56I'm Kate Curtis and this is June Dale.
00:36:58I had the pleasure of an elevator ride with you.
00:37:00Oh, yes, I remember now.
00:37:02We read about what happened and we thought we ought to talk to you.
00:37:05Oh, well, that's very kind.
00:37:07I shall be extremely grateful for any information you can give me.
00:37:10Well, now, before we tell you anything, Mr. Gibson,
00:37:12that is, before we tell you anything about our idea of what happened,
00:37:15we've got to let you know that Daisy was not on the up and up.
00:37:17I beg your pardon?
00:37:18She's trying to tell you that your wife wasn't exactly the person she let you think she was.
00:37:22I don't think I understand.
00:37:23I know you don't.
00:37:24You see, this popular society, Bud,
00:37:26who the paper said was well-known in London and on the continent,
00:37:28was a chorus girl.
00:37:29A chorus girl?
00:37:30But don't take it too hard.
00:37:31She wasn't a chorus girl, really.
00:37:33She got her salary under false pretenses.
00:37:36Well, just what are you trying to imply?
00:37:38That your wife was not kidnapped,
00:37:39and we think we can tell you how to find her.
00:37:41Well, if you're attempting to...
00:37:43Well, of all the absurd things I've ever encountered,
00:37:46do you think you can get money from me in this ridiculous way?
00:37:49Hey, listen, you offered this reward,
00:37:50and we're trying to help you out.
00:37:51Now, if you don't like that, go fry an egg.
00:37:52Now, Kay, don't fly off the handle.
00:37:54I am off the handle.
00:37:55Let this bird figure it out for himself.
00:37:56Wait a minute.
00:37:57Now, just a moment.
00:37:57Just a minute, girls.
00:37:59You want to tell us about it here,
00:38:01or shall we go to headquarters?
00:38:02Suit yourself, Sherlock.
00:38:04Gee, your idea sure turned out swell.
00:38:07Now we're pinched.
00:38:08I don't see any reason for taking this young lady along.
00:38:11I'm sure she's all right.
00:38:12Oh, I see.
00:38:13I'm the horse thief.
00:38:14I stole your wife.
00:38:14Oh, thank you just the same, Mr. Gibson.
00:38:16But if they take my friend,
00:38:18you've got to take me too.
00:38:19All right, let's go.
00:38:20These girls have something to tell us
00:38:31about the Gibson affair, Chief.
00:38:33Good.
00:38:34Sit down, girls.
00:38:36What's your name?
00:38:38How many times do I have to go over that?
00:38:41They got it downstairs,
00:38:41and your flat foot got it at the hotel.
00:38:43We're Kay Curtis and June Dale,
00:38:45professionally known as the Lanigan Sisters.
00:38:47And if you're not excited over that,
00:38:48you're pretty cold-blooded.
00:38:49Next, Kay, don't get tough.
00:38:50I don't have to get tough.
00:38:51I am tough.
00:38:52Now, what is it you birds want to know?
00:38:53You don't win a thing, sister,
00:38:55taking that attitude.
00:38:56Well, talk to me.
00:38:57I can tell you anything you want to know.
00:38:58You say you know Mrs. Gibson.
00:39:00We don't know anything.
00:39:01We tried to help Gibson,
00:39:02and he didn't have sense enough to appreciate it.
00:39:04If you think we're mixed up in this racket,
00:39:05you're crazy.
00:39:06We just made a good-hearted mistake,
00:39:07and we don't want anything more to do with it.
00:39:10Well, that's just dandy.
00:39:11Only what you want
00:39:12and what you're going to get
00:39:13is slightly different.
00:39:14Now, if you know anything about this case,
00:39:16we want to know what it is.
00:39:17All right, here it is.
00:39:20The Gibson bride was a fake.
00:39:22She worked with us in the chorus,
00:39:23and we thought the tip might be worth something.
00:39:24Oh, your chorus, girl.
00:39:25If you don't believe it,
00:39:26she saved all our programs.
00:39:28Two ladies of the chorus
00:39:29lounging around at Palm Beach,
00:39:31but not mixed up in any racket.
00:39:33How interesting.
00:39:34We didn't say we weren't mixed up in any racket.
00:39:36We said we weren't mixed up in this racket.
00:39:38Well, girls, just what is your racket?
00:39:40Shall I tell him, Kay?
00:39:41You can bear the shame of it.
00:39:43Our racket was a nice old gentleman who got lonely.
00:39:46His name is Kenneth Van Duce.
00:39:48Where is he now?
00:39:49We don't know.
00:39:50He got disappointed in love
00:39:51and left without saying goodbye.
00:39:53All we had to remember him by
00:39:54was a big hotel bill.
00:39:55Who paid that?
00:39:56We met a man we knew in the casino.
00:39:58He took care of our bill
00:39:58and paid for our railroad tickets.
00:40:00What's his name?
00:40:01Now you're getting down the cases.
00:40:03His name is Raymond Fox
00:40:04and he's Daisy's ex-Jellybean.
00:40:05Jellybean?
00:40:06Sure, you know, boyfriend.
00:40:08Oh.
00:40:09And that's why we went to see Daisy's new husband.
00:40:12We thought Raymond might happen to know
00:40:13what happened to Daisy.
00:40:14Just what put that idea in your head?
00:40:16Well, Raymond knew we had the lowdown on Daisy
00:40:17and he seemed pretty anxious to get us out of town.
00:40:19When we telephoned the hotel this morning,
00:40:21he checked out.
00:40:21Hmm.
00:40:23Crawford, better take a detail.
00:40:24Canvass all the hotels,
00:40:25find this Raymond Fox and bring him in.
00:40:27Okay, Chief.
00:40:29Meanwhile, we'll hold you girls in the matron's ward
00:40:32until we find out if your story is true.
00:40:34I always knew you were jailbait.
00:40:39Hey, you know, but I think...
00:40:41Please don't think.
00:40:42One more thought out of you
00:40:43and we'll be electrocuted.
00:40:44What do you mean?
00:40:45This life of leisure
00:40:46isn't all he's cracked up to be.
00:40:48I wish I was back in the course where I belong.
00:40:51You know, June,
00:40:52sometimes I almost suspect
00:40:54you got an honest streak somewhere in your system.
00:40:56That's about all there is to tell.
00:40:58The girls had an old chump on the string
00:40:59and they said he ran out on them.
00:41:01They were broke and I felt sorry for them.
00:41:03I'd known them slightly in New York
00:41:05and I thought they were a couple of nice kids.
00:41:07That sounds reasonable.
00:41:09Now tell me,
00:41:09just why did you check out of your hotel last night?
00:41:13He found out all about that.
00:41:14Yeah, that part of it's okay, Chief.
00:41:16He had an argument with the manager over the service
00:41:18and just moved to another hotel.
00:41:20I checked his store in both places
00:41:22and it's on the level.
00:41:27Come over here.
00:41:30Are these the girls
00:41:31whose hotel bill you paid?
00:41:32Yeah.
00:41:33A lot of thanks I get for it.
00:41:35As I remember it,
00:41:36you said this gentleman
00:41:37seemed anxious to have you leave the city right away.
00:41:40He didn't exactly get down on his knees
00:41:41and beg us to stay.
00:41:42Well, I felt if they hung around town
00:41:43they might be trying to make another touch.
00:41:45I'm sorry we took your money in the first place
00:41:47but I intend to pay it all back.
00:41:50Yeah, I can imagine.
00:41:52Why didn't you take the train yesterday
00:41:53if your tickets were bought?
00:41:55The engineer wouldn't wait for us.
00:41:56He seemed in a rush about something.
00:41:57Just how well did you know Mrs. Gibson?
00:42:00Quite well at one time.
00:42:01We used to clown around together in New York
00:42:03but I haven't seen her in over a year.
00:42:05Did you try to communicate with her anytime
00:42:07while you were in Palm Beach?
00:42:08No, I feel friendly towards the girl
00:42:10but there hasn't been anything between us in a long time.
00:42:13Your story seems perfectly straight, Mr. Fox.
00:42:16I can't see any reason for detaining you further.
00:42:18Thank you, Chief.
00:42:19You know where to find me if I can be any help.
00:42:21Fine.
00:42:22I guess you girls can run along too.
00:42:26Oh, just a little parting advice.
00:42:29No one ever got in trouble
00:42:31by minding their own business.
00:42:37Well, you're a couple of swell numbers
00:42:40trying to get me into a jam
00:42:41after I do a favor for you.
00:42:43Take a tip.
00:42:44They're still running trains out of Palm Beach.
00:42:46There's one leaves this afternoon
00:42:47and if I were you, I'd take it.
00:42:52Maybe you better take it.
00:42:53We sort of like the climate here.
00:42:55Now, Kay, we're being unfair.
00:42:57Raymond only tried to be nice to us.
00:42:59Yeah, and what did I get?
00:43:00Don't worry, you've still got it coming.
00:43:01Maybe I'm haywire
00:43:02but I can't seem to stir up any gratitude towards that guy.
00:43:06There's Mr. Gibson's suite on the second floor.
00:43:09His lights are on.
00:43:10Yeah, he's up there pacing back and forth
00:43:12just aching to give away 25,000 cartwheels.
00:43:15And here we sit saying no dessert.
00:43:16What are you staring at?
00:43:33The guy that just got out of their car.
00:43:36That's Raymond Schoffer.
00:43:37Well?
00:43:38He's going to the Royal Pond garage.
00:43:41I wonder what he's up to.
00:43:42Now, listen, nosy.
00:43:44We just had one narrow escape from going to jail.
00:43:46That's enough.
00:43:49I'm going to check up on that baby
00:43:50as soon as I finish eating.
00:43:52Every time you get an idea,
00:43:53I see jail bars closing around us.
00:43:56Huh?
00:43:56I see jail bars closing around us.
00:43:57I see jail bars closing around us.
00:43:58I see jail bars closing around us.
00:43:59I see jail bars closing around us.
00:44:00I see jail bars closing around us.
00:44:01I see jail bars closing around us.
00:44:02I see jail bars closing around us.
00:44:03I see jail bars closing around us.
00:44:04I see jail bars closing around us.
00:44:05I see jail bars closing around us.
00:44:06I see jail bars closing around us.
00:44:07I see jail bars closing around us.
00:44:08I see jail bars closing around us.
00:44:09I see jail bars closing around us.
00:44:10I see jail bars closing around us.
00:44:11I see jail bars closing around us.
00:44:12I see jail bars closing around us.
00:44:13I see jail bars closing around us.
00:44:14I see jail bars closing around us.
00:44:15I see jail bars closing around us.
00:44:16I see jail bars closing around us.
00:44:17I see jail bars closing around us.
00:44:18C'est parti. Nous allons voir la voiture.
00:44:29Bonne nuit.
00:44:31Bonne nuit.
00:44:36C'est ce que c'est Gibson.
00:44:39Je me suis dit.
00:44:41Est-ce qu'il y a quelque chose à dire?
00:44:43Je pense que c'était quelque chose à dire.
00:44:45C'est parti.
00:44:56Bonne nuit.
00:44:57C'est parti.
00:44:58Je suis désolée.
00:45:00Je suis désolée.
00:45:02Je ne peux pas attendre.
00:45:10C'est Palisade View.
00:45:12C'est parti.
00:45:13C'est parti.
00:45:14C'est parti.
00:45:15C'est parti.
00:45:17C'est parti.
00:45:18C'est parti.
00:45:20C'est parti.
00:45:21C'est parti.
00:45:22C'est vrai que vous connaissez le gars qui a fixé la voiture un moment à l'heure?
00:45:28Non, mais il a un note de Mr. Gibson qui m'a permis de travailler sur la voiture.
00:45:31Je l'ai ici.
00:45:36Il y a quelque chose de malheureux.
00:45:38Il me semble que c'est un faux.
00:45:39Tu devrais aller dans la voiture et aller avec le Gibson avant que c'est trop tard.
00:45:42Je suis en train de partir.
00:45:44Si vous avez besoin de votre travail, vous devriez nous prendre la voiture.
00:45:46Elle n'est pas le cas. Vous êtes obligé d'être dans un drôle.
00:45:49Je devrais avoir vu ça.
00:45:51Je ne sais pas où il va.
00:45:54Il a dit qu'il va pour Palisade View.
00:45:55Je sais où il va.
00:46:21Je ne sais pas où il va.
00:46:24Je ne sais pas où il va.
00:46:25Je ne sais pas où il va.
00:46:28Je ne sais pas où il va.
00:46:30Je ne sais pas où il va.
00:46:33Je ne sais pas où il va.
00:46:35Je ne sais pas où il va.
00:46:38Je ne sais pas où il va.
00:46:40Je ne sais pas où il va.
00:46:43Je ne sais pas où il va.
00:46:45Je ne sais pas où il va.
00:46:48Je ne sais pas où il va.
00:46:50Je ne sais pas où il va.
00:46:51Je ne sais pas où il va.
00:46:52Je ne sais pas où il va.
00:46:53C'est parti.
00:47:23C'est parti.
00:47:53C'est parti.
00:48:23C'est parti.
00:48:25C'est parti.
00:48:27C'est parti.
00:48:29C'est parti.
00:48:31C'est parti.
00:48:33C'est parti.
00:48:35C'est parti.
00:48:37C'est parti.
00:48:39C'est parti.
00:48:41C'est parti.
00:48:43C'est parti.
00:48:45C'est parti.
00:48:47C'est parti.
00:48:48C'est parti.
00:48:49C'est parti.
00:48:50C'est parti.
00:48:52C'est parti.
00:48:54C'est parti.
00:48:56C'est parti.
00:48:57C'est parti.
00:48:58C'est parti.
00:48:59C'est parti.
00:49:00C'est parti.
00:49:01C'est parti.
00:49:02C'est parti.
00:49:03C'est parti.
00:49:04C'est parti.
00:49:05C'est parti.
00:49:06C'est parti.
00:49:07C'est parti.
00:49:08C'est parti.
00:49:09C'est parti.
00:49:10C'est parti.
00:49:20C'est parti.
00:49:21C'est parti.
00:49:27E, A few minutes ago, Mrs. Bradford said your daughter was born in Newark, New Jersey, and
00:49:31you told us her birthplace is Buffalo.
00:49:34I must have been thinking of another daughter.
00:49:35Mrs. Bradford said her daughter was an only child.
00:49:38Et une autre chose, quand nous avons demandé des marques d'identification,
00:49:43Mrs. Bradford disait que votre fille avait une marque sur la droite et que vous avez pensé que c'était juste sur la tête.
00:49:50Vous le savez pas.
00:49:52Mais ça a été pas assez. Je vais l'enlouer.
00:49:55Juste un minuit.
00:49:56Non même pas un minuit.
00:49:58Nous allons dire la vérité.
00:50:00Crofford, take notes.
00:50:01Vous parlez sensibilement.
00:50:03Vous connaissiez Hendricks très bien, non?
00:50:06Je m'enlouer.
00:50:08Je me suis dit, je me suis dit, je suis dit.
00:50:10Je sais.
00:50:11Je ne sais pas.
00:50:12Toute la tête et la main, je m'enlouerais.
00:50:15Vous étiez m'enlouerais.
00:50:17Il s'est passé six weeks avant il s'engagé nous.
00:50:18Il s'engagé vous et votre husband.
00:50:20Je m'enlouerais.
00:50:21Il s'est juste un homme actuel pour le faire pour le travail.
00:50:24Un homme actuel ?
00:50:25Je m'enlouerais, j'ai joué le monde en Shakespeare.
00:50:27Je m'enlouerais avec Mansfield, Georges Arliss et Sir Henry Irving.
00:50:30Je m'enlouerais.
00:50:31Il s'enlouerais.
00:50:32Il s'enlouerais.
00:50:33Il s'enlouerait.
00:50:34Il s'enlouerait.
00:50:35Il s'enlouerait.
00:50:36Il s'est qu'enlouerait.
00:50:37Moi, en Memphissement, Ténie,
00:50:38quand je m'enlouerais eu,
00:50:39il s'enlouerait,
00:50:40et j'enlouerait la plupart d'entre eux que je t'avais.
00:50:42Ils ont dans le boule.
00:50:43Oui, elles ne l'ont pas de plaisir.
00:50:45C'est une blague des mots.
00:50:46J'enlouerais,
00:50:47les paris-s'enlouerais.
00:50:48J'enlouerais.
00:50:49Tape, en fait.
00:50:51J'ai hâte de nous, Daisy, le Ham et moi-même.
00:50:54Il m'a donné le monde pour nous pose comme une famille.
00:50:57Hendricks savait que Gibson était un jeune homme riche,
00:50:59et il m'a dit qu'il nous a cultivé.
00:51:00Et c'était son son plan.
00:51:02As soon as Daisy m'a donné,
00:51:03nous devons faire des evidence pour un scandale,
00:51:05un divorce et un grand financement.
00:51:07Et c'est tout.
00:51:09Donc, c'est pourquoi vous mordiez Hendricks.
00:51:12Le deal s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il s'il.
00:51:18Non, non, non, she t'ul l'heure.
00:51:20All we know is we were hired so Hendricks could shake down Gibson.
00:51:23The next thing we heard was Hendricks was murdered.
00:51:26Then they started sending us threats.
00:51:28We hadn't any idea what it's all about.
00:51:30We didn't know what to do or which way to turn so we decided to run away.
00:51:33Sounds reasonable.
00:51:35However, you're under arrest for the time being.
00:51:38Crawford, put these people under charge of criminal conspiracy.
00:51:42OK, Chief...
00:55:27We're past the deadline now
00:56:33Elle a fait que la planche.
00:56:35Il y a un peu de tête.
00:56:37Il n'y a rien à faire de la sorte.
00:56:39Il n'y a rien à faire de la sorte.
00:56:41Il y a un peu de coffee.
00:56:43Il me semble.
00:56:45Je suis le step-child.
00:56:47Tout le monde est mal.
00:56:49Encore.
00:56:51Oh, bonjour.
00:56:53C'est une bonne réconciliation, vous avez fait son ?
00:56:55Oui, non ?
00:56:57C'est la grande idée de vous rapportez votre vie ?
00:56:59Je ne sais pas, je ne sais pas.
00:57:01Oh, that, oh, that.
00:57:02Well, that was just a part of a little plan
00:57:04to see if my wife would show up.
00:57:05Well, it worked.
00:57:06She's on her way back.
00:57:07I knew it, what'd I tell you?
00:57:09Where? How is she?
00:57:10Tell me about it.
00:57:11She was picked up on an old deserted road
00:57:12near Palisade View by a farmer
00:57:14who turned her over to the police.
00:57:16They're bringing her in now.
00:57:17Well, can I see her?
00:57:18She'll probably be in the chief's office
00:57:19by the time we get there.
00:57:21And by the way,
00:57:22you two young ladies better come along.
00:57:24There's a couple of things
00:57:25the chief would like to straighten out.
00:57:27What exactly happened?
00:57:28Was she harmed or hurt in any way?
00:57:31Now, Mrs. Gibson,
00:57:32please try and calm yourself.
00:57:34It's very important
00:57:35that we have your account of what happened.
00:57:37I don't know exactly.
00:57:39It was also terrible.
00:57:40Yes, I know.
00:57:41It must have been.
00:57:42But I'd like to get as detailed
00:57:44a statement as possible.
00:57:45Well, you see, I'd gone in to lie down.
00:57:49I had a headache.
00:57:50Then I stepped out on the balcony.
00:57:52I thought the night air might help me.
00:57:54Two men grabbed me.
00:57:55They jumped at me out of the darkness.
00:57:57That's the last thing I remember
00:57:58until I came to and found myself
00:58:00in a wretched little shack with no windows.
00:58:02I stepped to the door and looked out.
00:58:05There were two roughly-dressed men
00:58:06sitting there on guard
00:58:07just outside the door.
00:58:08You two girls wait here
00:58:09until I call you.
00:58:12Mr. Gibson, sit down there, please.
00:58:14And then what happened?
00:58:16The men drank heavily all night
00:58:18and fell into a drunken sleep.
00:58:20I slipped out
00:58:21and managed to find the highway
00:58:22where I walked for several miles
00:58:23until a farmer came along in the car.
00:58:25Could you find that shack again?
00:58:27I don't know.
00:58:30It was dark
00:58:31and I was running and stumbling.
00:58:34It was all very confusing.
00:58:35Just when did you first hear
00:58:37of your husband's death?
00:58:39When we came into town
00:58:41a few minutes ago.
00:58:42The newsboys were selling extras.
00:58:46It was a terrible blow.
00:58:49Mrs. Gibson,
00:58:50I'm sorry,
00:58:51but I don't believe
00:58:52one word of your story.
00:58:54Well, how dare you say such a thing?
00:58:55Why should I lie?
00:59:01Right in here, Mr. Gibson.
00:59:05Henry.
00:59:06Daisy.
00:59:07Are you all right?
00:59:08I thought you were dead.
00:59:10It was all a mistake.
00:59:11I'm glad you're safe, dear.
00:59:13Take that chair, Mr. Gibson.
00:59:14I would like to ask my wife
00:59:15a few questions.
00:59:16This case has reached a point
00:59:17where I must do the questioning.
00:59:19Mr. Gibson,
00:59:21your wife tells me
00:59:22that she escaped from kidnappers
00:59:23in the general neighborhood
00:59:24of Palisade View.
00:59:26You drove to Palisade View
00:59:27last night alone,
00:59:29didn't you?
00:59:29Yes, I did.
00:59:30Why?
00:59:31Well, I was informed
00:59:32my wife was being held for ransom.
00:59:34I was told to bring
00:59:35$50,000 in large bills
00:59:36and drive to a certain point
00:59:37at Palisade View.
00:59:38Well, why didn't you let us
00:59:39know about that before?
00:59:41Well, I was told
00:59:42that if I informed the police,
00:59:43my wife would be murdered.
00:59:44I see.
00:59:46Well, we'll come back
00:59:47to that later.
00:59:47Mr. Gibson,
00:59:49are you aware of the fact
00:59:51that your parents-in-law
00:59:52were frauds?
00:59:53A couple of theatrical people
00:59:54who were paid by Hendricks
00:59:56to masquerade as the mother
00:59:57and father of your wife?
00:59:58What?
00:59:59That's a lie.
01:00:00You mustn't believe him, Henry.
01:00:05I want to convince Mrs. Gibson
01:00:07it would be wise
01:00:09for her to begin
01:00:09telling the truth.
01:00:12Are you her mother?
01:00:14Who, me?
01:00:14I certainly am not,
01:00:18thank heavens.
01:00:18Are you her father?
01:00:20I never was
01:00:20and I never will be.
01:00:22Well, Mrs. Gibson,
01:00:24how about it?
01:00:26I'll have to admit
01:00:27they're not my real parents,
01:00:29but the rest of my story
01:00:30is true.
01:00:31I agreed to let them
01:00:32pose as my mother and father
01:00:33so you'd think
01:00:34I'm mounted to something.
01:00:35I knew you'd ask
01:00:36who my parents were.
01:00:38I'm only an orphan,
01:00:39a nobody.
01:00:40This is quite a shock.
01:00:42I hardly know what to say.
01:00:43Well, here's a question.
01:00:44another little shock.
01:00:46It may enlighten you
01:00:47to know that Jim Hendricks
01:00:48was the ringleader
01:00:49in arranging your courtship
01:00:50and marriage,
01:00:51all with the object
01:00:52of obtaining money from you.
01:00:54Well, how do you know that?
01:00:55The Bradfords
01:00:56were kind enough to confess.
01:00:58You may go now.
01:01:00The jailer will be waiting
01:01:01for you right in there.
01:01:02Now, Mr. Gibson,
01:01:14I have a report
01:01:15from two of our
01:01:16motorcycle officers
01:01:17that your automobile
01:01:18had been tampered with
01:01:19and that you deliberately
01:01:20drove it over a cliff
01:01:21last night.
01:01:22I'd like to know about that.
01:01:25Well, two young ladies,
01:01:27who you probably know about,
01:01:28caught up with me
01:01:29on the road
01:01:29and warned me.
01:01:30So I wrecked the car
01:01:31on the theory
01:01:32that whoever wanted me killed
01:01:34would show up at the scene.
01:01:35We'll soon find out
01:01:36how these two young ladies
01:01:38knew so much.
01:01:39Miss Dale,
01:01:40Miss Curtis.
01:01:49How did you girls
01:01:50find out about
01:01:51Mr. Gibson's car?
01:01:52Oh, thank you.
01:01:53I believe I will
01:01:53have a chair.
01:01:56You were saying?
01:01:56I wasn't saying anything.
01:01:58I was asking,
01:01:59how did you find out
01:02:00about Mr. Gibson's car?
01:02:01Well, there's no use
01:02:02in my telling you anything.
01:02:03Tried to get you
01:02:04to listen to me
01:02:04the last time we were here
01:02:05and you acted
01:02:05like a dog catcher.
01:02:06This is a serious matter
01:02:07and I'd advise you
01:02:08to give me any information
01:02:09you have.
01:02:10Well, then you tell him, June.
01:02:11There's something about me
01:02:12that makes him bark.
01:02:13We saw Raymond Fox's chauffeur
01:02:15going into the Royal Palmer's
01:02:17garage last night.
01:02:18We went in
01:02:19and found him fooling
01:02:19around Mr. Gibson's car.
01:02:21But how did you know
01:02:21the car was being damaged?
01:02:23Feminine suspicion.
01:02:25Raymond Fox's day
01:02:25is his old New York boyfriend.
01:02:27He's the gigolo
01:02:27I've been trying
01:02:28to put your wires to
01:02:29because I got a feeling
01:02:30he's at the bottom
01:02:31of the whole mess.
01:02:32That's a lie.
01:02:33Raymond had nothing
01:02:33to do with it.
01:02:34He doesn't know
01:02:34a thing about it.
01:02:35Oh, no.
01:02:37Now, Mrs. Gibson,
01:02:38since you won't tell me
01:02:40what happened,
01:02:40I'll tell you.
01:02:42You and your former
01:02:43sweetheart, Raymond Fox,
01:02:44were preparing to elope
01:02:45from the Blue Moon Inn.
01:02:46Hendricks,
01:02:47who had financed you
01:02:48and your bogus father
01:02:49and mother,
01:02:49got wise.
01:02:51You quarreled with Hendricks
01:02:52over the smashing
01:02:52of his scheme
01:02:53to get hold
01:02:54of Gibson's fortune.
01:02:55During the quarrel,
01:02:56your sweetheart
01:02:56killed Hendricks.
01:02:58That's it, isn't it?
01:02:59No.
01:02:59You don't believe
01:03:00that rubbish,
01:03:00do you, Henry?
01:03:01There's only one way
01:03:02Raymond Fox could have known
01:03:03we were at the Blue Moon Inn.
01:03:04You must have telephoned him
01:03:05when we stopped
01:03:06at the gasoline station.
01:03:07That may go on.
01:03:08With Hendricks out of the way,
01:03:10your sweetheart
01:03:11started a reign of terror
01:03:12against your phony parents
01:03:14to drive them
01:03:15out of the affair,
01:03:15which he succeeded in doing.
01:03:17Then he tried
01:03:18to get these two girls
01:03:19out of town
01:03:19so the coast would be clear.
01:03:21There was only one thing left,
01:03:23to have your husband
01:03:25killed accidentally
01:03:26so you as his widow
01:03:28could return
01:03:28and claim his estate.
01:03:30Lies, lies.
01:03:31Everything you've said
01:03:32is a lie.
01:03:33Everybody's turned against me.
01:03:35Now I'm going to spill
01:03:35the lowdown.
01:03:36I'm going to tell
01:03:36what really happened.
01:03:38You're trying to pin
01:03:38the murder of Hendricks
01:03:39on Raymond Fox.
01:03:40I love him.
01:03:41I admit it.
01:03:41And he loves me.
01:03:43I'm not going to let you
01:03:44or anybody frame him.
01:03:47Until now,
01:03:48I was going to protect
01:03:48Henry Gibson
01:03:49in spite of what
01:03:50he tried to do to me.
01:03:51I knew nobody
01:03:52would believe me against him.
01:03:53He's wealthy.
01:03:53He has position.
01:03:54Everything's on his side.
01:03:55But Henry Gibson
01:03:56never loved me.
01:03:57He married me
01:03:57for only one reason,
01:03:58so he could come
01:03:59into his fortune.
01:04:00He told me on our wedding night
01:04:01that he couldn't come
01:04:02into his money
01:04:02without getting married.
01:04:03And he didn't need me
01:04:04any longer,
01:04:05so he tried to get me
01:04:05out of the way.
01:04:06He drugged me
01:04:07with a glass of brandon
01:04:08and a white pill.
01:04:09You don't know
01:04:09what you're saying.
01:04:10Go on.
01:04:10Tell the rest.
01:04:12I dimly remember
01:04:13being carried out
01:04:14of my room
01:04:14by two men.
01:04:16They were hired
01:04:17by Mr. Gibson.
01:04:18Ask him where he went
01:04:19after he left me.
01:04:20He won't dare tell you,
01:04:21but I know.
01:04:22I wasn't entirely unconscious.
01:04:24Hendricks interfered
01:04:25when he saw me
01:04:25being carried to a car
01:04:26by those two men
01:04:27and Gibson killed him.
01:04:28Gibson killed Hendricks.
01:04:30Well, this is an outrage.
01:04:32She's trying to put
01:04:32the blame on me
01:04:33to protect her lover.
01:04:34She's lying.
01:04:35Mr. Gibson wouldn't
01:04:35harm anyone.
01:04:36Daisy's been a liar
01:04:37all her life
01:04:38and she just set
01:04:38a new world's record.
01:04:39This is a serious charge,
01:04:41Mrs. Gibson.
01:04:42Have you any way
01:04:43of proving
01:04:44what you say
01:04:44is true?
01:04:45Yes.
01:04:46Julie, my colored maid,
01:04:47was there in the room.
01:04:48She saw Mr. Gibson
01:04:48give me that drink
01:04:49with the drug in it.
01:04:50That's one thing
01:04:51we can check on.
01:04:54Yes, sir.
01:04:55That's the way it was.
01:04:56She says she had a headache
01:04:57and he make her
01:04:58take a glass of something
01:04:59with a white pill.
01:05:00What was said at the time?
01:05:02I asked him
01:05:03if he thinks
01:05:04she ought to take it
01:05:05and he said
01:05:05it wouldn't hurt her.
01:05:06And how did she act
01:05:08after she'd taken it?
01:05:09She lay down on the bed
01:05:10and seemed to go
01:05:11right to sleep
01:05:12as if she was doped.
01:05:14All right, Julie.
01:05:15You can go into
01:05:16the next room
01:05:16and wait.
01:05:17Yes, sir.
01:05:18Well, it was only aspirin.
01:05:19I swear to that.
01:05:20My wife's story
01:05:21is utterly false.
01:05:22It's too bad,
01:05:23Mr. Gibson.
01:05:24Your wife's story
01:05:25and the maid's corroboration
01:05:26call for a thorough investigation.
01:05:29I'll have to place
01:05:30both you and your wife
01:05:30under technical arrest
01:05:31in connection
01:05:32with the murder
01:05:32of Jim Hendrix.
01:05:34Under arrest?
01:05:34Yes, until we determine
01:05:35the facts in the case.
01:05:37And we've booked
01:05:38these two girls
01:05:39for further investigation, too.
01:05:41But, Chief,
01:05:41my wife's story's so flimsy.
01:05:43You must realize it's false.
01:05:44That is for a judge
01:05:45and jury to decide.
01:05:47Crawford,
01:05:48take these girls away.
01:05:53Put up your hands, Chief.
01:05:54Reach for the ceiling, Crawford.
01:05:55You too, Daisy.
01:05:56Up with them
01:05:57or I'll shoot.
01:05:58If I'm going to
01:05:58jail, I'm going
01:05:59for something big.
01:06:00Now, listen, you dumb bells.
01:06:01I'm going to run
01:06:01this show for a while.
01:06:02You're letting yourself
01:06:03in for an awful lot
01:06:04of trouble, young lady.
01:06:05Am I?
01:06:06Well, that's my business.
01:06:07I'm not going to stand by
01:06:07and see you pin the murder
01:06:08of Hendrix on all of us.
01:06:10Dumb Daisy knows who did it
01:06:10and I know how to get it
01:06:12out of her.
01:06:12You wouldn't dare,
01:06:13shoot.
01:06:13You're bluffing.
01:06:14You're going to do
01:06:14as I say
01:06:15or I'll turn you
01:06:15into a sieve.
01:06:17Lock those doors,
01:06:17June.
01:06:18Make it snappy.
01:06:18Yeah.
01:06:20Grab this phone.
01:06:22Are these connecting phones?
01:06:23They can be hooked up.
01:06:24Well, plug yourself in.
01:06:25and you're going
01:06:26to get an earful.
01:06:28Hook this phone up
01:06:29with Station 12.
01:06:30Now, you get Raymond
01:06:31on the line.
01:06:32I don't know where he is.
01:06:33Oh, yes, you do.
01:06:35Go on
01:06:35or it'll be just too bad.
01:06:40Get me 03120, please.
01:06:42Oh, so she does
01:06:43know where he is.
01:06:44You bet your neck
01:06:45she knows.
01:06:45And when you get him
01:06:46on the phone,
01:06:47you repeat after me
01:06:47the things I tell you to.
01:06:49And sister,
01:06:50you better not slip up.
01:06:52Yes?
01:07:02Now, you say,
01:07:02is everything all right, dear?
01:07:05Hello, Raymond?
01:07:07And sister's Daisy.
01:07:09Is everything all right, dear?
01:07:10Sure, almost packed.
01:07:12Ready to take it on the lam.
01:07:13Say, the police believed
01:07:14your story.
01:07:14You're cinched
01:07:15to get Gibson's money.
01:07:16You're phoning
01:07:16from a drugstore downtown.
01:07:18I just left
01:07:19at the police station.
01:07:21Yes, and they believed me.
01:07:22I'm phoning
01:07:22from a drugstore.
01:07:23That's swell.
01:07:25I told you it'd work.
01:07:26You're worried
01:07:26about that knife
01:07:27he used on Hendricks.
01:07:28Is he sure
01:07:28there were no fingerprints?
01:07:32I've been worrying
01:07:32about that knife.
01:07:35Could there have
01:07:35been any fingerprints?
01:07:36Not a chance.
01:07:38I wore gloves.
01:07:40Say, listen.
01:07:41Don't be asking me
01:07:42questions like that
01:07:42over the phone,
01:07:43you little sap.
01:07:44Tell him to wait
01:07:44where he is.
01:07:44You're on your way
01:07:45to see him.
01:07:46Yes, I'll be careful.
01:07:47Just wait there.
01:07:48I'm coming right over.
01:07:49Bye.
01:07:50And batter is a batter.
01:07:52Where's his hideout?
01:07:54Quick, no stalling.
01:07:55He's at Beech Grove.
01:07:56Apartment number 200
01:07:57born in the name
01:07:58of Johnson.
01:08:00Crawford, take a squad
01:08:01of men and bring
01:08:01Raymond Fox in.
01:08:03And don't take
01:08:03any chances with him.
01:08:04Okay.
01:08:07Thanks for the use
01:08:08of your bean shooter, Pop.
01:08:10It's too bad
01:08:11you're a woman.
01:08:12You'd make a great copper.
01:08:17Don't worry, little boy.
01:08:18I'll buy you some bullets
01:08:19for your birthday.
01:08:22Just in case of a tie.
01:08:27It won't be long now,
01:08:28darling.
01:08:29I'll be waiting.
01:08:30Hey, what about me?
01:08:30You know, I'm pretty
01:08:31nice folks, too.
01:08:34I saved it
01:08:35for the last minute.
01:08:40$25,000!
01:08:41You earned it.
01:08:42And I got it.
01:08:43All right.
01:08:45Goodbye, sweetheart.
01:08:46I'll be back in six weeks.
01:08:48Goodbye.
01:08:49Goodbye.
01:08:50Bye.
01:08:50I'll be back in six weeks.
01:08:57I'll be back in six weeks.
01:08:57I'll be back in six weeks.
01:08:58Bye.
01:08:58Bye.
01:08:58Bye.
01:08:59Bye.
01:08:59Bye.
01:08:59Bye.
01:08:59Bye.
01:09:00Bye.
01:09:00Bye.
01:09:01Bye.
01:09:01Bye.
01:09:01Bye.
01:09:01Bye.
01:09:02Bye.
01:09:02Bye.
01:09:02Bye.
01:09:02Bye.
01:09:03Bye.
01:09:03Bye.
01:09:03Bye.
01:09:04Bye.
01:09:04Bye.
01:09:04Bye.
01:09:04Bye.
01:09:04Bye.
01:09:04Bye.
01:09:04Bye.
01:09:05Bye.
01:09:05Bye.
01:09:05Bye.
01:09:05Bye.
01:09:06Bye.
01:09:06Bye.
01:09:06Bye.
01:09:07Bye.
01:09:07Bye.
01:09:07Bye.
01:09:07Bye.
01:09:08Bye.
01:09:08Bye.
01:09:08Bye.
01:09:09Bye.
01:09:09Bye.
01:09:09Bye.
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