- 4 hours ago
First broadcast 28th September 1980.
With Bodie having shot a suspected drug smuggler outside the flat of witness Ann Holly to save Doyle, Ray consoles her, and they become lovers, intending to marry.
Gordon Jackson - George Cowley
Martin Shaw - Doyle
Lewis Collins - Bodie
Patricia Hodge - Ann Holly
William Russell - Charles Holly
Ray Ashcroft - Turner
Christopher Guard - Tony
Val Pringle - Buzz (as Valentine Pringle)
Peter Holt - Marli
Peter Godfrey - Vicar
Kirstie Pooley - Secretary
Peter Burton - Conroy
Philip Anthony - Butler
Josie Grant - Barmaid
Beverley Keys - Girl in the club
With Bodie having shot a suspected drug smuggler outside the flat of witness Ann Holly to save Doyle, Ray consoles her, and they become lovers, intending to marry.
Gordon Jackson - George Cowley
Martin Shaw - Doyle
Lewis Collins - Bodie
Patricia Hodge - Ann Holly
William Russell - Charles Holly
Ray Ashcroft - Turner
Christopher Guard - Tony
Val Pringle - Buzz (as Valentine Pringle)
Peter Holt - Marli
Peter Godfrey - Vicar
Kirstie Pooley - Secretary
Peter Burton - Conroy
Philip Anthony - Butler
Josie Grant - Barmaid
Beverley Keys - Girl in the club
Category
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TVTranscript
00:00Captions by GetTranscribed.com
00:30There he is.
00:53Hey, you're mine.
01:00You're mine.
01:30Okay, love, don't be frightened.
01:41Just go back inside, please.
01:43Look out!
01:43Look out!
02:13Look out!
02:43There he was.
02:48It's unfortunate.
02:50I wanted him alive, I told you.
02:51Yeah, well, that's about all you did tell us.
02:53What were we following him for anyway?
02:55To observe a report.
02:57The last thing I wanted was any shooting.
03:00Oh, yeah?
03:01Well, why didn't you tell him that?
03:02He had a .38 on door.
03:03What was I supposed to do?
03:04Aye.
03:04Do you want a lift?
03:08Yeah.
03:11Hey.
03:13See you later.
03:14Are you all right?
03:29It's our job.
03:38What?
03:39You're hired to kill people?
03:41Yeah, that's right.
03:43We get paid for it.
03:44Look, it was him or me, you know.
03:45I just came to see if you were all right.
03:47Yes, I'm fine.
03:49No, you're not.
03:53Have you got any drink?
03:54Scotch, brandy, anything?
03:55Do you make a habit of pushing people around?
04:03Only when necessary.
04:10Drink it.
04:12Drink it.
04:17All of it.
04:23I suggest you lie down or something or call.
04:25You are capable of making suggestions, then.
04:27Yeah, look.
04:27Who are you, anyway?
04:29Doyle.
04:30My name's Ray Doyle.
04:32And you kill people, do you?
04:33You've had a bad shock, you know.
04:35You could start crying, shaking, anything.
04:37You should really...
04:38No, I'm perfectly in control, thank you.
04:39And I'm not the crying type.
04:41No, maybe you're not.
04:43Yeah, well, I might want to send flowers with a card.
04:45You know, it's not every day I kill someone I don't know.
04:48His name was Conroy.
04:49Walter John Conroy.
04:52None of this for you, I assume, while you're on duty.
04:54Well, actually, I could really use a drink, thank you.
04:58I'm never off duty.
05:01That must be a treat for your girlfriend.
05:06A tip that he knows a man who's into a lot of dirty business.
05:10Ah, sort of business, eh?
05:11Maybe.
05:13Or maybe some run-of-the-mill criminal matter to be passed over to the boys in blue.
05:18Now, we may never know.
05:19I was shocked, actually.
05:22But what else am I supposed to think?
05:24I'm pushed back against the door, gun fires, and a man gets killed.
05:27I pushed you up against the door to save you getting hurt, and a man got killed because
05:30he was just about to kill.
05:32It's like they say.
05:33Pays you money, he takes your choice.
05:35And you have.
05:36Eh?
05:36Well, CI5.
05:39You volunteered because you wanted it.
05:42Well, I wasn't press-ganged into it, if that's what you mean.
05:49Listen, eh, thanks for the drink.
05:55It's all part of the service.
05:58Ah, I didn't get your name for my report.
06:02Anne Holly.
06:04Anne Holly.
06:04What's the verdict?
06:13Conroy was a pro.
06:15Clean as a whistle.
06:16What, no book of matches with nightclub name on them?
06:18Forensics went over him with a fine tooth comb.
06:21Yeah, and?
06:22Not much.
06:23Except that he must have liked Italian food.
06:26Traces of Italian food.
06:27Down his toe.
06:28On his shoes.
06:29Both shoes deep in the welts.
06:31But he waded in pasta.
06:32Mm-hmm.
06:33Don't think you'd get that from the restroom, eh?
06:36But you might if you were invited into the kitchen.
06:38Sounds like Doyle's job.
06:39Here's the one with the Italian contacts.
06:41Mm-hmm.
06:41Maybe you'd like to gamble.
06:46Smoke.
06:47Italian kitchen where it all happens, you know?
06:49When you get your shoes full of spaghetti.
06:52Hey, never tell me how you got on.
06:54Eh?
06:55With that bird, the apartment block.
06:57Ah.
06:58She's a toughie.
06:59Oh, yeah?
07:00What do you mean?
07:00Mind of her own.
07:02Determined.
07:02Thought it wasn't a mind.
07:03You were interested in me.
07:04Just went back to see if she was all right, all right?
07:07Oh, yeah.
07:08Anyway, she doesn't like the other sort.
07:09Sounds interesting.
07:11Bit of a challenge, anyway.
07:13Yeah.
07:14Hey, pull over.
07:21Hey, Tony!
07:22I'm looking for Benny.
07:29Yeah, well, Benny ain't here, is he?
07:31Well, I can see that, Tony.
07:33You know where I can find him.
07:34Me?
07:35How would I know?
07:36Tony, if I say you know, you know.
07:39Yeah, well, eh...
07:41Maybe the Napoli, eh?
07:43The Napoli?
07:44Yeah, yeah, the Napoli.
07:45That's where he'll be.
07:46Tony!
07:49Are you carrying?
07:50Me carrying?
07:51You know me, Mr. Doyle.
07:53Yeah, I know you, Tony.
07:54So why are you so nervous?
07:55Nervous?
07:56I ain't nervous.
07:58Why would I be nervous, eh?
08:00Tell him.
08:01Yeah?
08:02Benny had a run here at the Napoli last year.
08:04He hasn't been there since.
08:21He hasn't been there.
08:27Hello, Luigi's the restaurant.
08:28Hello?
08:29Hello?
08:32Look at him!
08:35Luigi's Charkham Street.
08:36Right
08:48Brody
08:59Teddy
09:06I'll get an ambulance.
09:21Comatoes.
09:23Ten percent chance.
09:26Well, he really hurt him, didn't he?
09:28Why? A warning would have been enough for Benny. He was scared of his own shadow.
09:31Why'd he have to go and beat him to pieces?
09:33Hey, it's just a job.
09:36Yeah, what a job.
09:39Come on, you need a drink and some female company.
09:43No, I just want to go home.
09:49Maybe she was right about us.
09:51Eh?
10:01Cheers.
10:03Cheers.
10:05Cheers.
10:07So you just happened to be in the area?
10:09No, I wanted to see you again.
10:12I understand. It's a human frailty. We all need to be loved.
10:16Oh, you can see that I might be human then?
10:18It's just about, yes.
10:20Yeah, well, I did want the company. That part's true anyway.
10:22I should have thought that was the last thing you needed.
10:24You don't like me, do you?
10:25I don't know you.
10:26No, you don't. It doesn't stop you making snap judgments, sir, does it?
10:29What do you mean?
10:30Look, I understand that you're upset by what you saw, but that's not unique, you know. Anybody would be.
10:34I'd like to explain how I feel about it.
10:38I'm sorry. I am prepared to listen.
10:42Great. Let's have dinner, then.
10:45I'm hardly dressed for dinner.
10:46Neither am I, so it'll just have to be spaghetti back at my place, won't it?
10:49I'll open a bottle of wine.
10:50You're steamrolling me again.
10:52All right, I'll rephrase that.
10:54Would you do me the inestimable pleasure of dining with me, please?
11:00Yes.
11:09I'll open a bottle of wine.
11:19Some records in the corner, if you want music.
11:21I was looking at the books.
11:22I don't see any of our titles.
11:24Eh?
11:25I work for a publisher.
11:27Reading manuscripts, you know.
11:28Sorting the wheat from the chaff.
11:29Oh.
11:30We've got something in common, then.
11:31Hmm?
11:32It's what I do.
11:35Sort the wheat from the chaff, yeah.
11:37No, there's a difference.
11:38You destroy the chaff.
11:41Oh, come on. Let's have a truce, eh?
11:44I mean, too much agro, you know.
11:45It affects my cooking.
11:50Well, sir?
11:53Well, I'm not going to be the one that tells him.
12:04Hey, there you are.
12:05Mmm.
12:06That looks terrific.
12:07Yeah.
12:08Spaghetti a la Benny.
12:10Benny?
12:11Who's Benny?
12:12Oh, it's just a guy on them.
12:14Did I say the wrong thing?
12:15No, it's all right.
12:16It's a friend of mine who got hurt this morning.
12:18Come on.
12:19I'm sorry.
12:20Yeah.
12:21Was it an accident?
12:22No, it wasn't an accident.
12:23You did mean it, didn't you?
12:25About needing company.
12:26Oh, yeah, sure.
12:27Pretty girl.
12:28Always welcome here.
12:30Is Benny a close friend?
12:32Yeah, I like him.
12:33I caught him stealing apples from the barrow when I was a copper.
12:35He was just a kid, so I kicked his backside, rid him the riot attack and set him on his way.
12:40He helped me a lot after that, you know, keeping his ear to the ground.
12:42What, you mean there's an informer?
12:44Hmm, well, technically.
12:46I mean, he never received or expected any kind of payment for it.
12:49I call him my undercover man.
12:52He loved that.
12:53He really loved that.
12:54I mean, he thought he was some kind of secret agent, you know.
12:57Bit simple.
12:59I don't know, maybe he was just an informer.
13:01Nobody's just in anything.
13:03So what happened to him?
13:06I need a touch more parmesan, don't you?
13:12You're a paradox.
13:14You're much more complex than I imagined.
13:16I'm well.
13:19Yeah?
13:23Yeah?
13:24How are you here?
13:25Yeah, hang on.
13:29My boss.
13:30Ah, sorry to disturb you, Doyle.
13:35Can we talk?
13:36Yes, sir.
13:37Excuse me.
13:39Sorry.
13:44I'm sorry, Doyle.
13:45I know you liked Benny.
13:47It's all part of the job.
13:49Anyway, he was just an informer, wasn't he?
13:52Yeah.
13:55And he spoke before he died.
13:57Dumbo.
13:59That mean anything?
14:01No.
14:02Jumbo.
14:03That meant something big.
14:05Benny likes using coats.
14:06I thought it was Dumbo.
14:08But anyway, something big.
14:10And he said, the Christmas man.
14:12Christmas man?
14:14Are you sure?
14:15Yeah, of course I'm sure.
14:16Christmas man, no.
14:17But something big, eh?
14:20All right.
14:22Oh, Benny will be sending a wreath, of course.
14:26Of course.
14:27Of course.
14:28Yes.
14:39How did he take it?
14:40Ah, he's not easy to read.
14:43Who's the girl?
14:45Girl?
14:46Red head, green eyes, petite.
14:48Well, he's got her in there.
14:51The crafty, randy old toad.
14:54Oh, she sounds like the girl that he met at the flats, you know, when I shot Conroy.
15:05He looked pretty grim.
15:09That mate of mine, Benny,
15:13is dead.
15:17I'm sorry.
15:24I've been like this about it.
15:26I mean, he wasn't my brother or anything.
15:28Well, you care.
15:31That's pretty rare these days.
15:32Yeah, it's also pretty stupid in my job.
15:39Hey.
15:41I know a place where we can dance.
15:43And be the best dressed people on the floor.
15:45What else?
15:47Well, question going back,
15:55Oh, miss your planet.
15:59Alright.
16:00Bye, guys.
16:02Alright.
16:06Alright.
16:07I'm gonna give up water,
16:08sozer's clear.
16:10And I came up with water,
16:12you know
16:13You're a bit of a paradox yourself, you know.
16:19Cheek to cheek with a dreading fuzz.
16:21I made a reappraisal.
16:23I know.
16:24I decided anyone who can make a spaghetti like that can't be all bad.
16:43Come on, do yourself a favour, I'll break your arm.
17:13Come on, don't get out!
17:21I'm okay.
17:22What are you doing?
17:23You've got nothing on me.
17:25I've done nothing.
17:26Nothing, no.
17:27What are you wrong for?
17:28I thought you were hijackers.
17:29Hijackers?
17:30I have to pass the command, Marley, turn round the face.
17:32You know my face, don't you?
17:34Yeah.
17:34Now I do show up.
17:35I didn't recognise you, okay?
17:36I've done nothing, I tell you.
17:37I never thought you had done nothing.
17:40No?
17:40Then what'd you break my arm for?
17:42I'm sorry about that.
17:43I'm looking for Tony.
17:44Tony?
17:45Yeah, Tony Arnelli.
17:46I thought you might point me in the right direction.
17:48That's all you wanted, Tony?
17:49That's all I wanted, Tony, yeah?
17:50Doyle!
17:51What?
17:52No, no.
17:58Oh, very nice.
17:59Oh.
18:01Did you give you anything on Tony?
18:03No, you know Tony, he's dropped out of sight.
18:05Well, we've got all units working on it.
18:07We'll find him.
18:07How'd you get on last night with your date?
18:13Cowley's got a slack mouth.
18:15Well, maybe he didn't know it was a secret.
18:17It was the girl from the apartment block, wasn't it?
18:20Yeah.
18:22And?
18:24And?
18:25Well, how'd you get on?
18:27It was okay.
18:29That means you didn't.
18:30It means it was okay.
18:31Oh, come on, I know you.
18:33When you score, you get that little twinkle in your eye, don't you?
18:37Anyway, if you want some expert advice, mate, I'm your man.
18:40Oh, well, thanks very much.
18:41Anytime.
18:42Let me know.
18:50Hello.
18:51Hello, Ray.
18:52You alone?
18:53Yeah.
18:53Yeah, come in.
18:54Come in.
18:54Come in.
19:01Look at that.
19:08Hey?
19:10I've just come around to invite you out for a drink.
19:12Wait.
19:12All right.
19:13But, uh, what time are you due back in the window?
19:15Oh, look at that tie.
19:17Will you?
19:17Yeah, listen, mate.
19:18The place I'm going to dinner, the one that you're in with that one.
19:21Don't be embarrassed.
19:22I'm not embarrassed.
19:24You bought a cat?
19:26I was just figuring out who you are.
19:27You're the guy who murdered Vaudeville, aren't you?
19:29Oh, it's your aftershave?
19:30Yeah.
19:31Oh, never mind.
19:35Ah, you look absolutely ravishing, mate.
19:37Aye.
19:37Why don't you help yourself to a drink?
19:39Nah, I'm fine.
19:48What the hell are those?
19:50Hey, now, look.
19:52It's going over the top a bit, innit?
19:54Listen, mate, seriously.
19:56Doesn't he know your night runs to two hot dogs back at the Odeon, eh?
19:59I mean, flowers.
20:01I've never had to use flowers.
20:02Oh, well, you've never met a girl like Anne, yes, have you?
20:10So, Captain, I haven't found out what I'm running for at all.
20:14Van was full of stolen furs.
20:16You should be so lucky.
20:20It's powerful, of course.
20:21You start digging in the dirt, you're bound to find some worms you weren't looking for.
20:26You're much more relaxed.
20:28A little more relaxed.
20:29Tell me about your day.
20:30Oh, terrible.
20:31You know that horror stories are in.
20:33When I was reading the day, it was like a baby.
20:39I'm sorry, mate.
20:40I thought you were somebody else, you know what?
20:41Okay?
20:51I'm sorry.
20:52We're looking for somebody, and I thought maybe...
20:53You never switch off, do you?
20:55I do.
20:56I have.
20:56Right now.
20:56Where do you want to eat?
21:16Chinese, Indian, Italian?
21:18Sandwiches?
21:19No, let's...
21:20Don't let's eat.
21:22All right.
21:23Let's just stay here and talk.
21:24Okay.
21:25I want to dive in and wrestle a duck.
21:31Uh, listen, Ray.
21:32Hmm?
21:35I might be going abroad.
21:37They've offered me a job at the New York office, and I said I'd let them know.
21:40When?
21:41End of the month.
21:46Is it what you want?
21:48I suppose it's a marvellous opportunity.
21:51I don't know.
21:52I...
21:52I don't know.
21:55I've been involved before, you know.
22:02I was engaged once.
22:05And I broke it off.
22:06In the end, because I suppose I felt he didn't really need me.
22:11Not really.
22:13I need you.
22:15You've only known me a few days.
22:17Seven days, yeah.
22:18That means it's serious.
22:26I've got to go.
22:26Look, um, take the keys to my car, will you?
22:29No, I'll get a cab.
22:30Please, take the keys to my car and give me it back tonight, all right?
22:33I'll talk then.
22:39Take care.
22:40Oi!
22:49Bad time you introduced us, isn't it?
22:51You can pull me down here.
22:52I'm disappointed in you, mate.
22:54I mean, you know, team spirit, share and share alike.
22:56Yeah, not this time.
22:58Anyway, we found your mate, Tony.
23:00Good.
23:17It's the top floor first on your right.
23:18All right, we'll take it from here.
23:20It's a filthy hole.
23:21Mind you, don't tread in something.
23:22I didn't get that from Honest Toil.
23:52You've got to be joking, kid.
23:57We've got guns.
23:59Even Bruce Lee can't deflect bullets.
24:13Looks easier on the movies, doesn't it?
24:18You know what I'm thinking of now?
24:20Do you know I can see?
24:23Benny!
24:25He looked just like he'd been thrown over a balcony.
24:29Now, he was onto a big one.
24:31A jumbo.
24:32A jumbo what?
24:35I don't know.
24:38You saw what happened, didn't you, Bodie?
24:39Yeah.
24:40We bust in, he got scared, and he went right over the edge.
24:43Nothing we could do, poor fellow.
24:45A shipment, that's all I know!
24:49Drugs?
24:50Yeah, maybe.
24:51Yeah, yeah, drugs!
24:54How's it coming in?
24:56Ship or courier?
24:57Jumbo's got to be a plane, hasn't it?
24:59Is that mine?
25:00Is it a plane?
25:00Yes, yes!
25:01Good, good, good, good, good.
25:02Come on, stand up.
25:05All right.
25:05Now, try...
25:06Listen.
25:07Try this one.
25:09Christmas, man.
25:11Hey?
25:12Christmas, man.
25:15Christmas, man!
25:17All right, mate.
25:19Hey!
25:20He doesn't know.
25:22Let's give him a cowly.
25:24What's got into you, Doyle?
25:26You normally have to pull me off.
25:28Is it this bird or something?
25:29It's not just Benny, is it?
25:31Is she not coming across?
25:32Knock it off!
25:35Well, maybe she is.
25:37Next thing you know, you'll be telling me you're going to marry her.
25:39Yeah, well, I might just do that.
25:50He isn't going to tell us anything.
25:52Because he doesn't know anything, right?
25:54Yeah, that's what I figured.
25:55Small timer.
25:56Oh, never mind.
25:57Drug drop, we can give him and it to the drug squad, can't we?
26:00No, they killed Benny.
26:02Doyle's informant.
26:03Which makes them ours.
26:05What have we got?
26:07Well, it's a big drop.
26:08Coming in by plane.
26:11Probably a private jet, do you reckon?
26:13Private planes don't get past radar.
26:15And when they land, they have to be accounted for.
26:17No, it'll probably be Heathrow, Gatwick.
26:20Yeah, well, it'll be soon.
26:21Tony, the street loud, is getting a bit jittery.
26:24May not know the who or the when,
26:26but he certainly knows it's coming soon.
26:27Ah.
26:28Well, that's Doors, Forty.
26:30I'll put him out in the streets undercover.
26:32Yeah, well, you better be quick about it, sir.
26:33He's going to stick out like a sore thumb in his morning suit.
26:36What's that supposed to mean?
26:37Oh, nothing, maybe.
26:39And I think spring's come a bit early for him this year.
26:42That girl?
26:43Yeah.
26:44A bit tasty, mind.
26:45And you think it's serious?
26:46Mm.
26:48Well, no, it's just a passing fancy, but...
26:50But what?
26:52Well, he may not be pulling the rope,
26:53but he's certainly hearing those bells.
26:55Well, that's your job.
26:58Hey?
26:59To check her out.
27:01Oh, come on, Doyle's girlfriend!
27:03Would have to be checked out if he wants to marry her.
27:06No operative can marry without my permission.
27:09I didn't know that.
27:09It's in the small print.
27:11And anyway, it's not ever likely to affect you, is it?
27:15Yeah, well, we don't know he's going to get married yet, do we?
27:17Well, when he does, if he does,
27:19I'll be able to smile benevolently and say yes, won't I?
27:22Check her out.
27:25Don't believe you could smile benevolently.
27:27Yeah, I'll make it a laughing gear on that.
27:34Mm.
27:34Well, that's pretty good, isn't it?
27:35Yeah.
27:37Is your father still alive?
27:39Uh, well, I...
27:41I think so.
27:42Yes, no-one's told me otherwise.
27:44Mm.
27:45Do you mind?
27:46Not at all.
27:47What did he do?
27:49Um, development of some kind.
27:51Property, I should imagine.
27:53I see.
27:54There you are.
27:57You want to know about Mr. Holly?
28:00That's right.
28:00He's been a pillar in this parish.
28:02Absolute pillar.
28:04Not a regular churchgoer, you understand, but interested.
28:08Contacts in high places.
28:10Well, don't we all?
28:13For the fete last year, he organised a flying display.
28:17This year, it's a mini circus.
28:19I do hope the elephants don't...
28:22No, I find it gratifying, Mr.
28:24Cowley.
28:25A cowley.
28:25I find it gratifying his good works and not to go unnoticed.
28:30A profile, you say?
28:31Yes, in depth.
28:32Well, thanks for your help.
28:33I speak to Mr. Holly now.
28:35First on the left, you say?
28:36You're at the bottom.
28:36You can't miss it.
28:38Charming house.
28:39But he's away today.
28:42But he's away today.
28:42But he's away today.
28:43Bling, what are you with me?
28:44Good.
28:46Bye.
28:55Bye.
28:55Woo.
28:59Bye.
29:02Okay.
29:04Bye.
29:04Bye.
29:04Bye.
29:05Bye.
29:06Bye.
29:09morning is mr holly at home i'm sorry sir mr holly's not at home
29:26ah who shall i say call oh don't bother i'll call later thanks
29:39come on in darling the door's open anything you say sweetheart all right mate yeah i thought you
30:04were and she's coming to dinner boy what's all this then what you're doing all the cooking now
30:09yeah i am i'll let you into a secret actually she can't cook yeah i know it's only fault i can
30:18find another yeah have you been lad said you're on a special assignment oh it's just routine
30:23check-up job anybody i know no i think so it's good isn't it yeah it's great you want to stay
30:31to dinner say no wouldn't if i could mate i'm not a gooseberry you know fine you know i was thinking
30:37between her and her dad's a bit strange not keeping in touch isn't it i think a wealthy man i want to
30:42look after his daughter how do you know he's wealthy hmm property development sounds like money to me
30:49mate so she's not bitter about him then never mentions him it is serious between you two isn't
30:57i mean deadly serious beautifully serious but what do you want i missed you every time i see that ugly
31:06face it makes me feel so incredibly handsome see you mate have a nice time bon appetit give my love to
31:14i will careful they're still a bit tacky oh thanks thanks kirsty trust everyone but cut the cards
31:25an old chinese proverb hey they're a bit good these aren't they ought to take it out
31:30yeah sir recognize him now how could he be involved with someone crooked honest men have become unwittingly
31:39involved with crooks before oh for his sake what's it gonna take to satisfy you just keep on looking
31:44bogey i knew he was okay when i talked to that vicky you know never underestimate vickers they know what
31:50they're talking
31:50what's it gonna take to see you soon
31:57i've seen this guy before
31:59will this take long no not long anyway we've got a date haven't we
32:14I'll see you soon.
32:31Hello.
32:35Well?
32:36Shut the door.
32:44I'm not listening to any more of this!
32:49You...
32:51Checking up.
32:53Did you tell us? Did you bog my bedroom?
32:56He checked on her father, Charles Holley.
32:58I don't want to know!
32:59And you've got to hear what he found.
33:01You've got to assess it for yourself.
33:03I've taken outside Holley's house.
33:05What's this?
33:06I haven't seen her father for years.
33:08How did you meet her?
33:09You know, damn well, though, I met her.
33:11We were chasing Conroy and he were...
33:15Ah, come on! That's ridiculous!
33:17He just ducked into the nearest cover. He was with me!
33:20Which just happened to be the block Ann Holley was living in.
33:22And he just happened to be on her floor.
33:24No!
33:25Conroy links to Tony and Benny.
33:28You remember Benny.
33:30And this man links them to her father.
33:32All tenuous links, nothing proven, I admit that.
33:35But would you leave it at that, Doyle, would you?
33:38She doesn't know anything. She's not involved, sir. I know her.
33:41You haven't answered my question. What would you do?
33:43There's something else.
33:46The Christmas man.
33:48Holly?
33:49No.
33:50No!
33:51You can believe what you're like!
33:52I don't have to listen to it, I don't have to believe it!
33:54I'll resign!
33:56You can't!
33:58You can't because you're already under suspension.
34:01Since when?
34:02Since 30 seconds ago.
34:04Okay.
34:06Doyle.
34:07I.D. and armory.
34:08I.D. and armory.
34:10I.D.
34:12I.D.
34:13I.D.
34:14I.D.
34:15I.D.
34:16I.D.
34:17I.D.
34:18I.D.
34:19I.D.
34:20I.D.
34:21I.D.
34:22I.D.
34:23I.D.
34:24I.D.
34:25I.D.
34:26I.D.
34:27I.D.
34:28I.D.
34:29I.D.
34:30I.D.
34:31I.D.
34:32I.D.
34:33I.D.
34:34I.D.
34:35I.D.
34:36I.D.
34:37Are you all right?
34:38Yeah, I'm fine.
34:40I.D.
34:41I.D.
34:42I.D.
34:43I.D.
34:44I.D.
34:45I.D.
34:46I.D.
34:47I.D.
34:48I.D.
34:49I.D.
34:50I.D.
34:51I.D.
34:52I.D.
34:53Want some?
34:54Nuts of them monkeys.
34:56Forgive me for living.
35:10I.D.
35:14David Bailey know about you?
35:18It's Charles Holly inspecting the weeds.
35:22The roses.
35:25Oh, that's Charles Holly and his secretary.
35:26Her name's Penny McKay, no record.
35:30Ah, with ex-chief constable Supply.
35:34And that's the vicar paying a call.
35:37Ah, there's Mrs. Talmadge,
35:38The local ladies' committee for, well, you name it.
35:43A game with group Captain Vincent. Have to play golf.
35:47See, these are the kind of people you trust with your 18-year-old
35:49nymphomaniac sister, sir.
35:51Put up that last one again.
35:52What, golf with a groupie?
35:56No. Blow it up for that section there.
36:01More.
36:03More.
36:05Doyle.
36:09The stupid...
36:10More than that.
36:11Could be a big operation brewing here, Bodie.
36:14If he fouls it up.
36:16Let me talk to him, sir.
36:18I'm a free agent.
36:19I'm a citizen.
36:21On suspension or not, you're still with CI5.
36:23There's nothing free about that, mate.
36:25You get in our way.
36:27Well, you just won't be allowed to get in our way, all right?
36:30You'll see to that person here, will you?
36:32You think I enjoyed doing what I did?
36:34Eh?
36:35You think I got a kick out of it?
36:36What are you supposed to be doing out there, anyway?
36:38What are you hoping to achieve?
36:39I was nosing about.
36:40Oh, yes.
36:41Raymond Doyle, the one-man army super cop,
36:43gonna solve everything where our resources failed, eh?
36:45Just get your brains back in your skull, mate,
36:47and stop leaving them where that bird's put them.
36:49That's better.
36:50You feel better now, don't you?
36:51All right.
36:52Well, I suppose one has to make these sacrifices for a mate now and again?
37:06She's not involved.
37:07I know.
37:08You never bothered to ask me, though, did you?
37:12Listen, Ray, I like Anne, okay?
37:15And I think she's too good for you, mate.
37:18I'm sorry.
37:19Don't be.
37:20Well, do me a favour.
37:21Start using your intelligence.
37:22And what's that supposed to mean?
37:23Well, Anne's under suspicion.
37:24And who's in the best position to fare it?
37:25That's lousy.
37:26It's realistic.
37:27I can't!
37:28Well, you'll have to, mate.
37:29Because sooner or later there's gonna be a warrant.
37:31Well, at least you're gonna be kind.
37:32You're gonna be trying to prove her innocence.
37:34He looks happy.
37:35Perhaps he's looking forward to Christmas.
37:37Sure, didn't you?
37:38I'm sorry, Ray.
37:39Well, I don't know.
37:40I'm sorry, but I've ever had to be, but I'm sorry.
37:42I'm sorry.
37:43I've had to be in the dark.
37:44I've had to be in the dark.
37:45I've had to be in the dark.
37:47You can't be in the dark.
37:48I can't be in the dark.
37:49I'm sorry.
37:50I've had to be in the dark.
37:52I can't.
37:53I can't.
37:54Well, you'll have to, mate.
37:55Because sooner or later there's gonna be a warrant.
37:57Well, at least you're gonna be kind.
37:59I'm sure you don't want to come with me.
38:03Better learn sometime, you know.
38:07Eggs, sugar, kirsch. What else?
38:11Bananas.
38:15Banana flambe without bananas. Come on.
38:20Bananas.
38:26I won't be long.
38:29There.
38:53Forgot my purse.
38:59I won't be long.
39:03Hi. How's it going?
39:05Ah, we're very unpopular with the airport authorities.
39:07Checking every passenger, every piece of baggage.
39:10The flight delays are stacking up.
39:12What about you?
39:13Oh, just an ordinary average day.
39:16I met the spade.
39:18The black gentleman.
39:20Barbers.
39:21Two hours with a girlfriend.
39:22Bedding shop.
39:24One hour with another girlfriend.
39:25And the tailors.
39:26Oh, and half an hour with another girlfriend.
39:27An ordinary average day.
39:29Yeah, well, it must be all this soul food, so...
39:33I've told you about the men before I met you.
39:35I've told you everything.
39:37If there's anything else you want to know, you've only to ask.
39:41Don't ever do that again.
39:43I'll never do that again.
39:46I'll never do that again.
39:49I don't know.
40:19This is the one you're not supposed to see.
40:33Oh, embarrassing.
40:35Yeah, we've changed a bit since then, haven't you?
40:38I'm glad to say.
40:40That's my mother.
40:41Oh, yeah.
40:43Well, she's pretty, isn't she?
40:44See where you get it from.
40:45This is us on the beach in Mallorca.
40:53Us on another beach.
40:57Us on another beach.
41:00Oh, this is my father.
41:02It's the only one I've got of him, actually.
41:04I don't know how old he is there.
41:05In his 20s, I think.
41:07It's when he was still with the RAF.
41:08I don't know what this one is.
41:14Yeah, lovely.
41:16There's plenty more.
41:17Yeah, well, if we look at them all now, what are we going to do on those long, dark, cold winter evenings?
41:21We'll think of something.
41:23Yeah, I'm sure we will.
41:24Oh, Ray.
41:27I do love you.
41:30Oh.
41:32I think it's tonight, then.
41:33Tonight, within the next 24 hours here.
41:36There we are, lover.
41:38Thanks, darling.
41:42And what's all this for?
41:43It's a map of the area around Holly's house.
41:47Huh?
41:49Well, have you got an idea, man?
41:51No, it's just something the vicar said.
41:52The vicar of Holly's village, you know.
41:56Well, what did he say?
41:58I just remember him telling me that Holly organized a flying display for a fate of his.
42:02Now, I've seen some of these displays, sir.
42:04Oh, so have I.
42:05I know, but correct me if I'm wrong.
42:07Now, with radar at low level, there's a limit, right?
42:09I mean, at the last minute, it could actually disappear off the screen.
42:11Am I right?
42:12Mm-hmm.
42:13Well, my theory is, let's say two of these planes from the display,
42:16both of the pilots trained for it, were flying really close together.
42:20In fact, their wings would be overlapping like that.
42:22They'd probably register on radar as one plane.
42:24That's right.
42:25At the last minute, one of them peels off.
42:26The one carrying the drop?
42:27Yep.
42:28Goes right under the radar, lands secretly.
42:30The other one carries on, lands officially.
42:31It's checked and found clean.
42:32By God, Bodie, I think you've hit it.
42:34Well, I don't know, but look at this.
42:36There's a couple of hills here.
42:38That's creating a little valley.
42:40Probably big enough for a light aircraft.
42:42Certainly screening for the radar, anyway.
42:44Well, stick it out.
42:45Move in a task force and get over there ourselves, then.
42:47I'm coming with you.
42:50Hold in, you Conroy.
42:52I've just seen a photograph of them.
42:54They were in the RAF together.
42:56RAF?
42:57It's morning.
43:22Thought he'd like to know.
43:23Oh, thanks.
43:25Morning.
43:26Yeah, well, technically, anyway.
43:28Well, some nightclubs are still open at this time.
43:307-1 to Alpha.
43:39Coming.
43:40I can't see anything, but there's a car just started up around the back of the house.
43:46Moving away.
43:51Your direction, I'd say.
43:52Right.
43:54Hey, do you think that...
43:55Shh.
43:58That way, sir.
44:00There's another one.
44:04A daylight drop?
44:06A private plane in broad daylight.
44:09Less suspicious.
44:10Air traffic control.
44:12Come in.
44:13Oh, I might have your aircraft.
44:15Alpha Victor 909.
44:16Course for Biggin Hill, shortly to enter our area.
44:19I'll patch you through.
44:21Biggin Hill, this is Alpha Victor 909 at flight level 7-0, heading 279.
44:27ETA Biggin in 10 minutes.
44:28Alpha Victor 909, Biggin Hill.
44:32We have contact.
44:33Maintain heading and height.
44:37They're getting damn close.
44:38Borey, you were right.
44:46Bet I'm right about everything else as well.
44:50All units.
44:51Bandit is coming down.
44:53Do not move.
44:53Repeat.
44:54Do not move.
44:55Let them come to us.
44:56I don't.
45:01Yeah, and they're not far away either.
45:03Open the doors, unload the cargo, say what?
45:0730 seconds.
45:08Yeah?
45:09Get a lot of drugs in a small suitcase.
45:13Let one, just one, come our way.
45:16Sounds like both of them are coming our way.
45:18No.
45:20Dollar.
45:21Let him.
45:29Let him.
45:32Let him.
45:41Toil.
45:42Go.
45:43Hold it.
46:00Come on!
46:13Come on!
46:43Come on!
47:13You can't charge me until...
47:14We're not charging you, not just now.
47:18We'd like to talk first.
47:22Tell us about Anne.
47:25Come on, what about her?
47:27Who the hell are you talking about?
47:28Your daughter. You remember your daughter?
47:30Oh, yes, Anne.
47:31Yeah, that Anne.
47:32So how's she involved?
47:34Involved?
47:35I haven't seen her for years.
47:37Conroy has.
47:38Conroy.
47:38Come on, you knew Conroy.
47:41Of course I knew him.
47:42So what's he doing running in and out of that apartment block?
47:44Her apartment block.
47:45Which apartment block?
47:47Where?
47:47Kensington.
47:48Stamford Court.
47:52Does she still live there?
47:53Yes, I suppose she must.
47:57He'll have inherited it from her mother.
48:01I bought two flats there years ago by way of investment.
48:05When we split up, she kept one.
48:06The other was sold to Conroy's sister, I think.
48:13She married, I don't know her name.
48:15That's why he was going there.
48:17I suppose.
48:18Is it important?
48:20Yeah, very important.
48:21Hey.
48:25Come on, Anne.
48:26Come on, Anne.
48:28Anne!
48:29I thought she was listening.
48:32Come on, Anne.
48:34Just leave them.
48:36What the hell's going on here?
48:41I had to.
48:42I had to be sure.
48:43Do you understand that?
48:44No, I do not understand, Ray.
48:46I gave you my word.
48:48I thought you trusted me and loved me.
48:50I do.
48:51Not enough.
48:52I never thought you were involved in that.
48:54Never once.
48:54But you checked me out, didn't you?
49:01Oh, I was foolish enough to think that you could change.
49:06It wouldn't work, Ray.
49:10It could never work.
49:13I'm one thing and...
49:15Well, you're exactly what you are.
49:19Anne.
49:20Bye, Ray.
49:20Bye, Ray.
49:36Moody.
49:39Yeah, I know.
49:40Never come between a man and his woman.
49:42What about a man on his own who's taking a bit of stick?
49:45I've got a proverb for that.
49:46I've got a man on his own.
50:06Bye.
50:07¶¶
50:36¶¶
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