- 4 days ago
The heirs to a Georgetown manor learn that their family property is a breeding ground for the supernatural.
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Short filmTranscript
00:00:00Satsang with Mooji
00:00:30Mooji
00:01:00Mooji
00:01:29Let's go.
00:01:59Let's go.
00:02:29Let's go.
00:02:59Isn't it beautiful, Sarah?
00:03:08Come on.
00:03:09I can't wait to see it inside.
00:03:11Oh, Ruth, it's beautiful.
00:03:24It's fantastic.
00:03:26When was it built?
00:03:27Oh, late 1700, early 1800, I think.
00:03:31Oh, there's a terrible draft over here.
00:03:38This house isn't as well built as it look...
00:03:41Oh, what a shame.
00:03:44Probably the work of the appraiser.
00:03:46Cousin Hattie must have spun in her grave.
00:03:48Oh, beautiful floors.
00:03:54Heat works.
00:03:55We won't freeze.
00:04:00Oh, Sarah, come and look at this beautiful table.
00:04:03Oh, Ruth, the kitchen.
00:04:07Oh, Ruth, it's...
00:04:09I'm going to go upstairs.
00:04:11Oh, Sarah, here.
00:04:13Take these with you.
00:04:23Ruth, I found my room.
00:04:26I recognized it like I've been in it before.
00:04:28Come look.
00:04:31Come look.
00:04:31I started to knock, but the door just swung open.
00:04:52I'm Pat McDougall, your nearest neighbor.
00:04:55I saw your car parked outside and stopped to bid you a neighborly welcome.
00:04:59Oh, well, please, come in.
00:05:02I'm Ruth Bennett.
00:05:04You just arrived.
00:05:06Welcome.
00:05:08I, uh, teach anthropology at the university.
00:05:11Oh, well, then you'll want to meet my niece, Sarah.
00:05:13She's enrolled for the next semester.
00:05:15We'll be glad to have her.
00:05:18Ruth?
00:05:20Oh, this is my niece, Sarah Dunning.
00:05:22Sarah, this is Professor McDougall, our neighbor.
00:05:27Hello.
00:05:29I love this place.
00:05:30Yes, it is lovely.
00:05:33I assume you inherited it.
00:05:36These old places are seldom put up for sale.
00:05:38Well, it really was quite a surprise.
00:05:41Hattie Campbell was my cousin, but I didn't know her very well.
00:05:44I visited her here once when I was a young girl, and I, well, I guess she just took a shine to me.
00:05:53I've always had a strange sort of affinity for this place.
00:05:56You knew Hattie?
00:05:58Only did not do.
00:06:00I often tried to invite myself in, but she was adept at discouraging visitors.
00:06:06Still, I knew it would look like this.
00:06:09I must have dreamed about it.
00:06:11You both must come and see the kitchen.
00:06:14Would you like to see the kitchen?
00:06:16Yes.
00:06:18We belong here.
00:06:19I just know we do.
00:06:23Oh, how lovely.
00:06:26And electricity.
00:06:27With all this antiquity, I didn't expect it.
00:06:31Look at that pewter collection.
00:06:33Ah.
00:06:36Oh, it is handsome.
00:06:38Plenty of cupboard space.
00:06:40They sure are empty.
00:06:41Then it's lucky you're having dinner in my place tonight.
00:06:43Oh.
00:06:44Are we?
00:06:45Oh, no.
00:06:46Oh, yes, I insist.
00:06:47It's too late for you to drive back for supplies.
00:06:49Besides, some of the more interesting local people will be there tonight.
00:06:52I think it would be a good idea for you to know them.
00:06:54Well, that's very kind of you.
00:06:56You know, we have very cool autumns here.
00:06:59See?
00:07:01It's quite a draft.
00:07:02I'll check these doors and windows for you, otherwise you'll never get the house warm.
00:07:05Oh, no.
00:07:06I'll see you at seven.
00:07:09And I think I know a young man for you, to save you from boredom.
00:07:14You weren't kidding about Sarah, the young man, and the boredom, were you?
00:07:19I think they've forgotten we're here.
00:07:21Stans?
00:07:22Stans all right.
00:07:24He's a thorn in my academic side, but your bright students always are.
00:07:29You say good morning to him, and he gives you an argument.
00:07:32But you like him, don't you?
00:07:33Oh, yeah.
00:07:34From a safe distance, across that gap.
00:07:38Looks like he decided to take charge of Sarah.
00:07:41And he may just succeed.
00:07:44I think this is what Sarah has been looking for.
00:07:47Why she left home and came here with me.
00:07:49Which leaves us with an inescapable paradox, right?
00:07:54Right?
00:07:55Oh, I'm sorry.
00:07:59They look so right together, don't they?
00:08:02Ruth and Pat.
00:08:04He seems much nicer.
00:08:05Nicer?
00:08:06Here, in his own house.
00:08:07Well, maybe I am hypocritical.
00:08:11Ruth's had enough trouble with the wrong man.
00:08:13She needs the right one for a change.
00:08:15And why did you leave home?
00:08:17Oh, I didn't.
00:08:18I'm on leave from the Department of Agriculture, Washington, D.C., Executive Secretary.
00:08:22I'll stay a while, and then decide whether to go back or look for work here.
00:08:29No encumbrances, then?
00:08:33Not now.
00:08:35I think I know who that is.
00:08:39Come on, give me moral support.
00:08:41I know you wouldn't mind.
00:08:50Tom, and how are you?
00:08:52Hello, Henry.
00:08:53Hello, there it is.
00:08:54Rachel, dear, how are things at the auxiliary?
00:08:56Oh, dearie, it's so good to see you.
00:08:57Things are fine.
00:08:58Why don't you come around sometime?
00:09:00Maybe I will.
00:09:03You're Ruth Bennett.
00:09:04The Campbell House.
00:09:06When Pat told me you've been invited tonight,
00:09:08I just couldn't resist coming to meet you.
00:09:10Oh, Pat, this is an improvement.
00:09:14Yes, I understand Cousin Hattie wasn't too friendly.
00:09:17I, um, don't mean your cousin, dear.
00:09:20Oh.
00:09:21But you are going to be friendly, aren't you?
00:09:23Oh, I do hope so.
00:09:25Ruth, this is my Aunt Delia,
00:09:27who thinks she needs no introduction,
00:09:29and her friend Sylvia Walt.
00:09:31Forgive me for crashing the party,
00:09:33but you know I've been longing to see the Campbell House.
00:09:35Would you tell me all about it?
00:09:37Am I really going to see the inside?
00:09:40Your cousin was most...
00:09:41Why did you bring her along?
00:09:44She insisted.
00:09:45What could I do?
00:09:46Oh, Sylvia does the most wonderful seances,
00:09:50and she's writing a book about our local haunts.
00:09:54Do you know I've never been to a seance?
00:09:56Here's your opportunity.
00:09:58It would be fun, Ruth.
00:10:00Maybe Ruth doesn't want to have a seance.
00:10:02Oh, yes, I do.
00:10:03It's just that, well, the house has been closed for such a long time, and...
00:10:07Well, all right.
00:10:10But would you give me a week or so, you know, to sort of clean up?
00:10:13Of course we will.
00:10:15And we'll all come, won't we?
00:10:16All six of us.
00:10:17I'm not sure I can make it.
00:10:21Well, I bet.
00:10:23I think you're afraid.
00:10:25No.
00:10:27But in my line of work, you do pick up knowledge of these things.
00:10:31Witchcraft, black magic, spiritism.
00:10:33And a miss if they can work on the susceptible mind.
00:10:39It's hardly parlor entertainment.
00:10:41Now, who said anything about entertainment?
00:10:44We're very serious.
00:10:46We'll be there, dear.
00:10:48He will, too.
00:10:56This house is like an iceberg, almost finished.
00:10:59Just finished.
00:11:03This house is like an old man.
00:11:08A faithful chaperones.
00:11:11Oh.
00:11:14Ruth, where do you see what we found in this old junk shop?
00:11:17Hi, Pat.
00:11:18Let's put it over here in the mantelpiece.
00:11:25Isn't it perfect for this house?
00:11:26Handsome-looking fellow, isn't he?
00:11:28I think Sarah fell in love with him.
00:11:29Oh.
00:11:30Pat?
00:11:33Isn't he beautiful?
00:11:42Well?
00:11:51Pat.
00:11:54What's the matter?
00:11:56I don't know. I'm a little dizzy.
00:11:59It's nothing.
00:12:00Go wash up. I'll get you a drink.
00:12:03It's a housewarming present from us.
00:12:12Thank you, both of you. It's perfect.
00:12:14Now, let's get ready for dinner.
00:12:15All right.
00:12:26And please...
00:12:28Come home.
00:12:34Let's get ready for dinner.
00:13:21Help me!
00:13:51Help!
00:13:55Help!
00:13:59Help!
00:14:05Please!
00:14:11Help!
00:14:25Help!
00:14:35Please!
00:14:37Help!
00:14:39Help!
00:14:41Help!
00:14:43Help!
00:14:45Help!
00:14:47Help!
00:14:49Help!
00:14:51Help!
00:14:53Help!
00:14:55Help!
00:14:57Help!
00:14:59Help!
00:15:01Help!
00:15:03Help!
00:15:05Help!
00:15:07Help!
00:15:09Help!
00:15:11Help!
00:16:13Sarah, it's all right. I'm here.
00:16:23What happened?
00:16:25The painting.
00:16:26Did you drop it?
00:16:40No. I was out in the kitchen.
00:16:45I came down for some milk.
00:16:48I heard a sound and I ran in here and there it was.
00:16:50But how could you...
00:16:55Oh, Ruth, it's ruined.
00:16:58Oh, maybe not. Maybe I can have it repaired.
00:17:00I'll take it into town tomorrow and see.
00:17:03Ruth, it was so weird.
00:17:05Ruth, it was so weird.
00:17:09Speaking of weird things...
00:17:12Did you hear someone out in the garden calling?
00:17:16Calling for someone or a pet, maybe, called Andy?
00:17:21Just now?
00:17:23Who'd be way out here looking for a pet in the middle of the night?
00:17:27I guess I just dreamed it.
00:17:35Maybe we shouldn't have a seance in this house after all.
00:17:38Come in. You're way early.
00:17:52We thought we could help out.
00:17:54Well, now that you're here, I did forget to fix the fire.
00:17:57Stan, would you mind the wood is after?
00:17:58Bless you.
00:17:58Now, the kitchen.
00:18:02Oh, what a lovely surprise.
00:18:10Do you have an opener?
00:18:11Uh-huh.
00:18:15Does Madame Sylvia approve of spirits before a seance?
00:18:19I do as a necessity.
00:18:21Could I have two glasses?
00:18:22Uh-huh.
00:18:28Uh-huh.
00:18:29Uh-huh.
00:18:30Uh-huh.
00:18:37Tastes good.
00:18:40You look good.
00:18:43Oh, I tried.
00:18:44Hard.
00:18:49You smell good.
00:18:58You smell good.
00:19:10Oh, no.
00:19:16I, uh, I need some matches for the fireplace.
00:19:18I'll get the latches for the fireplace.
00:19:26I'll get them for you.
00:19:32What's wrong?
00:19:34Nothing. I just dropped a glass.
00:19:36Please light the fire.
00:19:49Ruth, I'm sorry.
00:19:52I don't know what happened.
00:19:55That's all right, Pat.
00:19:56Don't worry about it.
00:20:05Sylvia,
00:20:07why didn't we invite the ghost to dinner?
00:20:09Now, don't be flip-packed.
00:20:10There should always be a skeptic.
00:20:12Now, let's all sit down together.
00:20:14Will you turn the light out, Mr. Whitman?
00:20:16And then come back and complete the circle.
00:20:21Is there something against spirits working in the light?
00:20:24Pat.
00:20:26Spirits take strength from the dark.
00:20:29Perhaps that's the natural law of their world.
00:20:33We need air to breathe, don't we?
00:20:38Now,
00:20:40let's join hands.
00:20:46And be silent.
00:21:05I shall try to summon my guide.
00:21:16Are you there?
00:21:25Are you there?
00:21:26She can't come to us.
00:21:31Something...
00:21:35Something's blocking her way.
00:21:37She can't come to us.
00:21:39Something...
00:21:40Something's blocking her way.
00:21:55Do you feel the chill in the room?
00:21:58Do you feel the chill in the room?
00:21:59Do you feel the chill in the room?
00:22:02Feel the chill in the room.
00:22:32I don't know.
00:23:02Oh, no.
00:23:27Turn on the lights!
00:23:29Sarah, are you all right?
00:23:33Yes.
00:23:42It's ruined.
00:23:56He's dead.
00:23:59He's dead.
00:24:02He's dead.
00:24:03He's dead.
00:24:04He's dead.
00:24:05He's dead.
00:24:06He's dead.
00:24:07He's dead.
00:24:08He's dead.
00:24:09He's dead.
00:24:10I'maw.
00:24:13Ah, no!
00:24:14Ah!
00:24:15Oh, my God.
00:24:45Oh, my God.
00:25:15Oh, my God.
00:25:19Sarah.
00:25:21No.
00:25:23No.
00:25:29Please, help me.
00:25:33Help me.
00:25:34Oh, Sarah, darling.
00:25:37You're dreaming.
00:25:38Wake up.
00:25:53No.
00:25:55Sarah.
00:25:59No, Sarah, no.
00:26:01No.
00:26:11Sarah.
00:26:12No.
00:26:14No.
00:26:14Sarah.
00:26:16No.
00:26:17Oh, shit.
00:26:18Let's go!
00:26:48Sarah!
00:26:52Sarah. Sarah.
00:26:56Oh, Sarah.
00:27:10Look. And this morning, it was as if nothing had taken place.
00:27:14She didn't show a sign of remembering anything at all.
00:27:18The painting, the seance, her attack on me, nothing.
00:27:20She's never done anything like this before?
00:27:22Oh, no, no, no. At least not before the seance.
00:27:24Now, it started then. Something happened then.
00:27:26And that wasn't Sarah up in the hallway last night.
00:27:29Now, wait.
00:27:31You're describing a classic incident of schizophrenia.
00:27:35Yes, a seance may have had something to do with it,
00:27:37but only as a psychological trigger for a condition that already existed.
00:27:41Oh, yes, but there are other things.
00:27:44Such as?
00:27:46Well, the wind, the sound, these bruises...
00:27:50Pat.
00:27:52How do I explain being attacked by my young niece who fought like a madman?
00:27:58Ruth, I don't know.
00:28:00But if she is schizophrenic, that could explain her strange behavior.
00:28:06And her attack on you.
00:28:08Well, I can't believe that.
00:28:10No. No, she's always been so well-adjusted. So have I.
00:28:15We've had a very special affection for each other since the day she was born.
00:28:21Well, don't let that affection blind you to what's really happening.
00:28:24Maybe Sarah needs professional help right away.
00:28:27Let her stay to dinner. I'd like to talk to her.
00:28:31Well, yes, of course, if you think it would...
00:28:33Oh, that must be Sarah.
00:28:36It's dark early.
00:28:48Oh, is it cold out there?
00:28:52Stan, Pat.
00:28:53It's so nice to be here, where it's warm.
00:29:05I don't know what I like best about Sherry, the color or the taste.
00:29:09Maybe both.
00:29:11Yes.
00:29:22Wow, you did it again, Ruth.
00:29:24Another delicious dinner.
00:29:26Thank you, Pat.
00:29:27You're always so compliment...
00:29:33Me.
00:29:35Please.
00:29:37Help.
00:29:39Sarah.
00:29:40No, no, no.
00:29:41Not Sarah.
00:29:43Sarah.
00:29:44It's happening again.
00:29:45Help.
00:29:46Who are you?
00:29:47What's your name?
00:29:48Help.
00:29:49Help me.
00:29:50Please help.
00:29:51What do you want us to do?
00:29:52Help.
00:29:54Put her on the couch.
00:29:57No, I'm all right.
00:29:59I'm just so tired.
00:30:07Ruth, believe me.
00:30:08We've got to get her to something right away.
00:30:10Last night, she attacked you.
00:30:11Tonight.
00:30:14I know one of the head men at St. Elizabeth's.
00:30:16I could call him right now.
00:30:17St. Elizabeth's?
00:30:18It's a psychiatric clinic.
00:30:20Which is exactly what she does not need right now.
00:30:24Look, I didn't want to tell you this before, but I saw...
00:30:28I actually saw another face over Sarah's during the seance.
00:30:35You saw it too, didn't you?
00:30:37Well, didn't you?
00:30:39I...
00:30:40I thought I saw something.
00:30:42Sarah doesn't have the history of a schizo.
00:30:45This started at the seance.
00:30:48I think she's possessed.
00:30:50Possessed?
00:30:51The only thing she's possessed by is a second personality that's trying to take over.
00:30:55And where did that personality suddenly come from?
00:30:58Our own mind, where it's always been.
00:31:00Dormant until now.
00:31:01Man, it's got another voice, another face.
00:31:04You put her in the clinic right now and you're gonna do her permanent psychic damage.
00:31:09Do you want me to call St. Elizabeth's?
00:31:11Hey!
00:31:12You look like guilty conspirators.
00:31:16It gave us quite a shock.
00:31:18Are you all right?
00:31:24Okay, Ruth.
00:31:26We'll put it off for a couple of days.
00:31:28Here, I guess you can use this.
00:31:31No, thank you.
00:31:33I never touch spiritus beverages.
00:31:43You all look so strange.
00:31:45I don't know why I said it.
00:31:46It was only a silly joke.
00:31:51It's no joke.
00:31:53It's all tied up in this house.
00:31:55Something violent happened here.
00:31:57Something tragic.
00:31:59Otherwise, why would this spirit be earthbound?
00:32:03So many people lived here.
00:32:05And died.
00:32:07But mostly Campbell's.
00:32:09And it must have been a young girl like Sarah.
00:32:11And she isn't gonna leave Sarah until she gets what she wants.
00:32:16Now, what we've gotta do is find out who she was and what happened to her.
00:32:20We say these things so matter-of-factly.
00:32:26Is all this really happening?
00:32:29There may be more happening than you're aware of.
00:32:32The other night, before the seance, when he kissed you.
00:32:37While you and Pat weren't alone in this room.
00:32:39There was...
00:32:43Something.
00:32:45It passed over, Pat.
00:32:46I saw it in his face.
00:32:48He's a good guy.
00:32:49He wouldn't have treated you that way, you know?
00:32:52I know.
00:32:54I know.
00:32:56All right, where do we start?
00:32:57The attic is crammed full of diaries, papers, but I wouldn't know where to begin.
00:33:03Why don't we check out the hall of records?
00:33:06Birth, death certificates, where we might find something.
00:33:16I guess we should have started in the house.
00:33:19As I said, that attic is jammed to the rafters with junk and I...
00:33:22Oh, by the way, what time are we supposed to meet Sarah and Pat?
00:33:25They should be in the square by now.
00:33:27I'll go.
00:33:31I'll go.
00:33:33I'll go.
00:33:35Hi.
00:33:37Any luck?
00:33:39No.
00:33:41All records prior to 1795 were destroyed by a fine.
00:33:43Where's Sarah? Didn't she get a ride with you?
00:33:45One of her classmates said she'd drop her off.
00:33:47Then she must be at the house.
00:33:49It would be dark soon and I said I'd be home.
00:33:51I'm not sure.
00:33:53I'm not sure.
00:33:54You two, don't worry.
00:33:55I don't want her in that house alone after dark.
00:33:56I don't care how silly you think it is.
00:33:57I'll drive you there no matter how silly I think it is.
00:33:59Please, hurry.
00:34:01All right, but we can't make it before nightfall. It's almost an hour's drive.
00:34:03It's almost an hour's drive.
00:34:04It's almost an hour's drive.
00:34:05It's almost an hour.
00:34:06I don't care.
00:34:09You should have to run a truck.
00:34:10No matter how silly I think it is.
00:34:11I'm not sure how silly I think it is.
00:34:13I'll drive you there don't matter how silly I think it is.
00:34:14Please, hurry.
00:34:15Let's go.
00:34:45There aren't any lights on in the house at all.
00:34:49Maybe she stopped off somewhere.
00:34:52Shh. Listen.
00:35:05Did you hear that?
00:35:15It's faltered from the inside.
00:35:26Try the side, Joe.
00:35:36I can't turn it.
00:35:38Let me try.
00:35:45Pat, hurry!
00:35:47Farrah?
00:36:06Don't touch me.
00:36:08Are you all right?
00:36:09How did this get on the floor?
00:36:28What happened?
00:36:29I don't know.
00:36:49It came through the air.
00:36:53It's all right, Sarah.
00:36:55It's all right.
00:36:57But we're getting out of this house.
00:36:58I'll get rid of it.
00:36:59I'll suffer.
00:37:00I don't...
00:37:00No!
00:37:01I can't leave.
00:37:04I won't.
00:37:05It'll never be over if I go.
00:37:08But, Sarah, that's all that has happened.
00:37:10No, you go if you want to.
00:37:13I can't leave.
00:37:14I can't explain it, but I know I mustn't.
00:37:19Ruth, don't worry.
00:37:20I'll stay here tonight.
00:37:21I'll stay, too.
00:37:53Pat, why do you not buy the explanation of toxic noses or any of that logical thing.
00:37:57It was a mystical phenomenon.
00:37:59Will you just listen?
00:38:01When people are under strain, like all of us have been, there must be logical explanations
00:38:06for what may appear to be your mystical phenomenon.
00:38:10Be honest, can't you?
00:38:12You heard that voice out there.
00:38:13You heard it.
00:38:14Admit it.
00:38:14I thought I heard it, but the wind was blowing and we were all excited.
00:38:17Oh, boy, do you have a wide open mind with the proof right there.
00:38:21Would you two be quiet?
00:38:22I bet you're awake, Sarah.
00:38:31Ruth, I'm sorry.
00:38:34I'll be in Sarah's room if you need me.
00:38:36Thank you, Pat.
00:38:37Ruth, would you mind if I get a start on the attic?
00:38:39All right.
00:38:41All right.
00:38:42Good night.
00:41:43No.
00:41:47Dan, this thing just happened.
00:41:50I left this book on the table.
00:41:51It was on my way to bed.
00:41:52When suddenly I couldn't move.
00:41:55I could not move.
00:42:00The cellar door opened.
00:42:02Suddenly the house was filled with wind.
00:42:05There was a loud crash.
00:42:06When I turned around, this book was in the fire burning.
00:42:09Oh, come on, Stan.
00:42:11I tell you, something is trying to stop us.
00:42:14Every time we get close, something happens.
00:42:16Some strange manifestation takes place.
00:42:20Look at this book.
00:42:22It's a diary of the year 1780.
00:42:24Who wrote it?
00:42:25I couldn't tell.
00:42:26I couldn't tell.
00:42:26It was too faded.
00:42:27But the address is a local one.
00:42:31I don't care what's in there or any place else.
00:42:34We are leaving this house right now.
00:42:36Dan, take Sarah upstairs to my room.
00:42:52You and I will sleep in the dead.
00:42:53Okay.
00:43:03I hope you'll find it comfortable here.
00:43:05Oh, we will.
00:43:07We will.
00:43:09I like the sound of that.
00:43:18Pat, after class tomorrow,
00:43:20would you go back to the house with me?
00:43:22I'd like to really go through that attic.
00:43:27Ruth, I don't think you and Sarah
00:43:28should go back to that house.
00:43:30Oh, please, Pat, please.
00:43:34All right.
00:43:42Stan.
00:43:46I'm scared.
00:43:50Why?
00:43:52Do you think I'm crazy?
00:43:57Do you think I'm crazy?
00:44:00Of course not.
00:44:02It has nothing to do with you.
00:44:07Look.
00:44:08It's all tied up with that house.
00:44:10It's all tied up with that house.
00:44:18I'm glad you stayed.
00:44:22Sarah.
00:44:23No.
00:44:29I know you like me.
00:44:32And I...
00:44:32But everything's happening.
00:44:36It's so strange.
00:44:45Do you understand?
00:44:46Of course.
00:44:49Just remember something.
00:44:51Whatever happens, I'll always be right here.
00:44:52I'm glad.
00:44:58I'm glad.
00:45:10Good night.
00:45:13Good night.
00:45:14Good night.
00:45:14Good night.
00:45:25Good night.
00:45:25Oh, my goodness.
00:45:27Where did we start?
00:45:30All the attic are all alike.
00:45:32Fascinating junk shops.
00:45:33Well, there must be something around here to give us a clue.
00:45:40That isn't it.
00:45:41Find anything?
00:45:42Nothing.
00:45:48Oh, Ruth, come here.
00:45:49Hmm?
00:45:49Look.
00:45:50No writing desk.
00:45:52Oh.
00:45:52Oh, it's locked.
00:45:55Oh, try and open it.
00:45:57Because these things are usually jammed with papers and diaries and all sorts of things.
00:46:02Mm-hmm.
00:46:04Oh, good.
00:46:10Well, try here.
00:46:17Nothing.
00:46:19Sometimes they have secret compartments.
00:46:22You usually have a catch.
00:46:24If I can find it, it'll be easy.
00:46:28Yeah, here.
00:46:30Oh.
00:46:33Oh.
00:46:34Oh.
00:46:37And here, there's something.
00:46:39Looks like an old scroll.
00:46:41This could be the key we're looking for.
00:46:50It says that the...
00:46:52House has been remodeled several times.
00:46:55Oh.
00:46:56Here's something that Hattie has underlined.
00:46:59At which point in late 1780, she seems to have simply vanished.
00:47:06Who did?
00:47:07Well, wait, wait.
00:47:08Let me go back.
00:47:11Right now.
00:47:12Um.
00:47:12The writing has faded.
00:47:15Oh.
00:47:15Martha Campbell, age 23, wife of General Douglas Campbell, died in childbirth.
00:47:23The child, a daughter, lived and cared for her father and all his needs until she was 20.
00:47:30At which point, in late 1780, she seems to have simply vanished.
00:47:36And that's when old Campbell became a recluse.
00:47:39Uh.
00:47:41Oh, yes.
00:47:42Down here, Hattie states that old Campbell came to be known as crazy because he would stand in the garden alone at night.
00:47:53A, uh, a calling for his daughter's return.
00:47:58Wait a minute.
00:47:59What was that voice calling?
00:48:01What was the daughter's name?
00:48:03Well, it isn't listed.
00:48:05Hattie seems to have left it out, wouldn't you?
00:48:07No.
00:48:08We can look it up in the Bible.
00:48:10Oh, Stan, be careful of those pages.
00:48:12I will.
00:48:12I'll be very careful.
00:48:13Here it is.
00:48:25Yes, here's the general.
00:48:28His wife, Martha.
00:48:30There's another name underneath that's been inked out.
00:48:33Well, that's why Hattie left it out.
00:48:35It's marked out.
00:48:37It's stricken out.
00:48:39Her father must have disinherited her.
00:48:42I wonder what she did.
00:48:43Well, I don't suppose we'll ever know.
00:48:45Without her name.
00:48:47Pat, do you have a knife or something?
00:48:48Yeah.
00:49:04Ah.
00:49:06Amanda.
00:49:12Amanda.
00:49:13Amanda.
00:49:21Amanda.
00:49:23Mandy.
00:49:26Andy.
00:49:30Amen.
00:49:33Ami.
00:49:34Ami, come home.
00:49:36Something happened.
00:49:37She vanished, and the old man wanted her back.
00:49:39He still does.
00:49:40Of course.
00:49:41Now what we've got to do is find out what happened.
00:49:43What happened?
00:49:43Ami.
00:49:44Ami, help.
00:49:46Ami, please, help.
00:49:53Please, help.
00:49:55Ami.
00:49:56Help.
00:49:56How?
00:49:57How can we help you?
00:49:58To return to your father?
00:49:59No.
00:50:00Came here.
00:50:00Not my viktig for this animal now.
00:50:07Hate.
00:50:07Hate.
00:50:08Hate.
00:50:08Hate.
00:50:09Hate.
00:50:09Hate.
00:50:10Hate.
00:50:10이 잘� Colleen.
00:50:11tx427210210192302102101.
00:50:12Creator No.
00:50:13No.
00:50:14Hate.
00:50:14No.
00:50:15Hate.
00:50:16't-
00:50:17Hate.
00:50:18Hate.
00:50:19Hate.
00:50:19Hate.
00:50:24Hate.
00:50:25Love.
00:50:27She seems to be able to reach her anywhere, and I thought she'd be safe here.
00:50:32I'm afraid you're right.
00:50:34Well, it's going to be stopped. It's got to be.
00:50:37How?
00:50:39Exorcism. We've got to get rid of her.
00:50:42I'm going to ask Sylvia Wall for another seance.
00:50:57Let us sit as we were before.
00:51:19Let's join hands.
00:51:20This time, as we should have done before, we ask protection from the other side.
00:51:38We call upon you.
00:51:41All loving spirits come here and be with us tonight.
00:51:43We call upon you, all loving spirits, to be with us here tonight.
00:51:59No.
00:52:01No, help me. Help me!
00:52:03We call upon you, all loving spirits, to be with us here.
00:52:33No, let's go!
00:52:49Keep holding hands!
00:52:53Don't! Don't break the circle!
00:52:55No!
00:52:55Keep holding hands!
00:53:23Leave me!
00:53:25It touched me!
00:53:43Something evil, overpowering.
00:53:48I'm sorry, but I can't stay here. I can't be of any use, do you?
00:53:52Oh, please.
00:53:55Please. Take my word for it.
00:54:00This is a terrible place.
00:54:02Get out.
00:54:03I beg of you.
00:54:05Get out of this house!
00:54:09Will you be all right?
00:54:10Any drive?
00:54:13Yes, thank you.
00:54:14Let me see you to your car.
00:54:17I'm sure that cellar door was closed securely. No wind could have blown it open or something did.
00:54:29What is it? What are you talking about?
00:54:31The cellar.
00:54:33Well, I'll come over in the morning and have a look down there.
00:54:35No, Pat.
00:54:36No. No, Pat.
00:54:36Not you. Please don't.
00:54:37What?
00:54:38I don't know. I can't explain it, but please don't.
00:54:41She's right, Pat.
00:54:43But I can come back.
00:54:45Tomorrow afternoon.
00:54:48You want to come along?
00:54:50Well,
00:54:51Well, let's go.
00:54:55Let's go.
00:54:55Well, let's go.
00:55:25Well, let's go.
00:55:55Well, let's go.
00:56:19Here we go.
00:56:23Bye.
00:56:24Bye.
00:56:24Bye!
00:56:24Bye.
00:56:24This cellar seems to be pretty new.
00:56:28Well, the house was remodeled several times.
00:56:32When you came down here before,
00:56:35did you see anything strange?
00:56:38No, but of course I wasn't looking for anything strange.
00:56:42That is nothing specific.
00:56:46Wait a minute.
00:56:54These stone walls must be the foundation for the original house.
00:57:08So why timber back here?
00:57:13The foundations, the stone foundations,
00:57:16have to go on all the way under the living room.
00:57:19It looks as if the rest of the cellar has been sealed off.
00:57:25I wonder why.
00:57:36Ruth, would you clear off those shelves for me?
00:57:38All right.
00:57:51Hold this for me, would you?
00:57:54What are you going to do?
00:57:57I'm going to try and break through this wall.
00:57:59With that?
00:58:00I can't but try.
00:58:04I can't wait to show Ruth what we found.
00:58:06They should be home by now.
00:58:07Do you think they discovered anything in the cellar?
00:58:09I doubt it.
00:58:10Nothing as important as what we came up with.
00:58:17Ruth, come and take a look.
00:58:19Grab that flashlight.
00:58:20All right.
00:58:21Look at that.
00:58:22There's an old doorway.
00:58:23Oh.
00:58:24I'm not having much luck with this wood.
00:58:25It's almost petrified.
00:58:26Well, Stan, why don't you quit?
00:58:27It's getting sore, eh?
00:58:28Yeah, besides, I need better equipment than this.
00:58:29Come on.
00:58:30Let's go.
00:58:31Here.
00:58:32Hello, groundhogs.
00:58:33Ready discoveries.
00:58:34Pat, what are you doing here?
00:58:35Where's Sarah?
00:58:36She's out in the car.
00:58:37We stopped by my place first.
00:58:38But when you weren't there, we decided this wouldn't keep.
00:58:41What wouldn't keep?
00:58:42Sarah and I spent the afternoon going through stacks of old newspapers.
00:58:44Maybe our friend Amy was a guy who was a guy who was a guy who was a guy who was a guy who was a guy who was a guy who was a guy who was a guy.
00:58:50Hey, Discovery's.
00:58:51Pat, what are you doing here?
00:58:52Where's Sarah?
00:58:53She's out in the car.
00:58:54We stopped by my place first, but when you weren't there, we decided this wouldn't keep.
00:58:57What wouldn't keep?
00:58:59Sarah and I spent the afternoon going through stacks of old newspapers.
00:59:03Maybe our friend Emmy was guiding us.
00:59:05It could have taken weeks to find this.
00:59:08It's from a public notice placed by General Douglas Campbell, November 3, 1780.
00:59:13It's addressed to his beloved daughter, Amanda, and it implored her to return to her home
00:59:18and the love of her grieving father.
00:59:21She's eloped with one Anthony Doyle, captain of the Army of Independence,
00:59:26who has long worked to seduce her not only from her loving duty to her father,
00:59:30but from her faith.
00:59:32Seduce her from her father?
00:59:34Mm-hmm. And from her faith.
00:59:37It must have been the end of the world for the old man.
00:59:39Come on, let's get back to Sarah.
00:59:41We find anything?
00:59:43Yeah, an old doorway that's boarded over.
00:59:45We're gonna find some tools.
00:59:48We've gotta get her out of here.
00:59:59I'll get her out of that door!
01:00:08I'll get her out of that door!
01:00:18Father, no, Father, don't hurt him.
01:00:30Ruth, get her out through the kitchen.
01:00:42Pat?
01:00:47Pat?
01:00:49It's me, Stan.
01:00:55Pat?
01:01:06Pat, you're hurting me.
01:01:07Pat, you've been taken over, but just listen to me.
01:01:12Stan, Stan, we're all locked in.
01:01:15Stan, Stan, we're all locked in.
01:01:24Stan, Stan, we're all locked in.
01:01:35Keep her away from him.
01:01:36Stan, we're locked in.
01:01:37Stan, we're locked in.
01:01:37Stan, we're locked in.
01:01:38Stan, we're locked in.
01:01:39Stan, we're locked in.
01:01:40Stan, we're locked in.
01:01:41Stan, we're locked in.
01:01:41Stan, we're locked in.
01:01:42Stan, we're locked in.
01:01:43Stan, we're locked in.
01:01:44Stan, we're locked in.
01:01:45Stan, we're locked in.
01:01:46Stan, we're locked in.
01:01:47Stan, we're locked in.
01:01:48Stan, we're locked in.
01:01:49Stan, we're locked in.
01:01:50Stan, we're locked in.
01:01:51Stan, we're locked in.
01:01:52Stan, we're locked in.
01:01:53Stan, we're locked in.
01:01:54Stan, we're locked in.
01:01:55Come on, come on.
01:02:15Pat, no!
01:02:25Pat, Pat, darling.
01:02:55You've been possessed by the general all along, Pat.
01:03:06I first saw it when you and Ruth were in the kitchen.
01:03:11What we have to do now is find out what happened in that house,
01:03:14what really happened.
01:03:15Perhaps we saw what happened tonight.
01:03:19It looked as if the general, not you, Pat,
01:03:22but the general tried to kill someone.
01:03:24Pat, hypnotize me.
01:03:30Make Ammy come.
01:03:32I have a feeling. I know that it's right.
01:03:36I'm not afraid, not of her.
01:03:39I feel a sadness, a sympathy for her.
01:03:43I want to help.
01:03:44No, no, Pat, please don't.
01:03:46This sympathy, it could be a surrender to a final possession.
01:03:49What we want is down in that cellar behind that wall.
01:03:56Oh, I can't bear the thought of any of us going back into that house.
01:03:59Ruth, we've got to.
01:04:03Look, maybe if we go back first thing in the morning.
01:04:05Sarah?
01:04:06Anthony found out.
01:04:21Found out what?
01:04:22Father.
01:04:23Father.
01:04:27Traitor.
01:04:30Planted with British.
01:04:33Anthony found that out and told the general he knew.
01:04:38Yes.
01:04:39The night.
01:04:42The night we were to leave.
01:04:45The night you were lobed.
01:04:47Told him.
01:04:49Told him.
01:04:53Terrible.
01:04:55Terrible.
01:04:56Terrible.
01:04:57No.
01:04:59No.
01:05:01Not dead.
01:05:05Not dead.
01:05:08Not dead.
01:05:10Not dead.
01:05:10I'm going back first thing in the morning.
01:05:27You can't do it alone.
01:05:28I'll go with you.
01:05:29You can't go back.
01:05:30Ruth, I must.
01:05:32Besides, it'll be broad daylight.
01:05:34I'm going.
01:05:36I want to go.
01:05:37I must.
01:05:38If the answer is there in the cellar,
01:05:40whatever has to be settled,
01:05:42it must be settled between the general and Ami.
01:05:44I know it.
01:05:46I feel it.
01:05:49If you want this to end,
01:05:51I must be there so Ami can speak.
01:06:10Ruth.
01:06:14Look, just keep this handy.
01:06:16It's mace.
01:06:17The general tries to take over Pat again,
01:06:19spray it in his eyes.
01:06:20It won't hurt him,
01:06:21but it will stop him.
01:06:22It's mace.
01:06:22It's mace.
01:06:22It's mace.
01:06:23It's mace.
01:06:23It's mace.
01:06:24It's mace.
01:06:24It's mace.
01:06:25It's mace.
01:06:25It's mace.
01:06:25It's mace.
01:06:26It's mace.
01:06:26It's mace.
01:06:27It's mace.
01:06:27It's mace.
01:06:28It's mace.
01:06:28It's mace.
01:06:29It's mace.
01:06:29It's mace.
01:06:30It's mace.
01:06:30It's mace.
01:06:31It's mace.
01:06:31It's mace.
01:06:32It's mace.
01:06:32It's mace.
01:06:33It's mace.
01:06:33It's mace.
01:06:34It's mace.
01:06:34It's mace.
01:06:35It's mace.
01:06:35It's mace.
01:06:36It's mace.
01:06:37How's it going?
01:06:39Hello, Susie.
01:06:56We broke him through.
01:07:00Let's go.
01:07:02Come on, give me your hand.
01:07:07Hold it.
01:07:28What's that in the corner?
01:07:30Just the root of a tree.
01:08:00Don't worry, we're gonna need you.
01:08:02Don't worry.
01:08:04Don't worry.
01:08:05Don't worry.
01:08:06More Publisher.
01:08:08Don't worry.
01:08:09If you have to go to the doctor,
01:08:10don't worry.
01:08:11Don't worry.
01:08:12If you have a bottle of clothing,
01:08:14don't worry.
01:08:15Can you stay in the bathroom?
01:08:17You might not trust me.
01:08:19Yes?
01:08:20I'm holding this inside.
01:08:21Let's go.
01:08:51Oh, my God.
01:09:21Please take it away.
01:09:51It was Doyle's watch.
01:10:16The general must have killed him that night, murdered him with that poker, and buried
01:10:21him here.
01:10:23Pat?
01:10:41Ruth, quick, get the mace.
01:10:43Sarah, open the door.
01:10:51We'll see you next time.
01:10:53I'll see you next time.
01:10:55Oh, my God.
01:11:25No, it is of no use, Father. None of thy crimes are known.
01:11:30Thou hast fingered here too long to protect thy black secret,
01:11:34as have I, to make it known it is over.
01:11:40Go. Find whatever poor rest thou canst. Leave me in peace.
01:11:48Go! Go!
01:11:55Go!
01:12:25It's all right, Pat. It's all right.
01:12:27I feel at peace now.
01:12:33Amy eloped with Anthony Doyle.
01:12:35The notice in the newspapers.
01:12:37But that was a lie.
01:12:40How can you elope with a dead man?
01:12:42Amy's comb.
01:12:56From the grave.
01:13:00She must have tried to defend Doyle.
01:13:02And the old man killed them both.
01:13:04And all because he couldn't bear the thought of her loving someone else.
01:13:08And for 200 years, Amy's been waiting for Sarah just till somebody could find out the truth.
01:13:16Well, we've done what Amy wanted.
01:13:20Let's leave them in peace.
01:13:38Please.
01:13:48Forgive me, Amy.
01:13:50Forgive me.
01:13:52Dear God.
01:13:54Please, forgive me.
01:14:08Father, if I can call these foolishness.
01:14:09I'm only one fan of you.
01:14:10I am not alone.
01:14:11We are here to see you.
01:14:12My name is Christopher.
01:14:13I am not alone.
01:14:14We love you.
01:14:15I am 우리.
01:14:16I am not alone.
01:14:17I am not alone.
01:14:18To me, my name is Christopher.
01:14:19I am not alone.
01:14:20I am alone.
01:14:21I am alone.
01:14:22I am alone.
01:14:23It's my own with her.
01:14:24I am alone.
01:14:25I am alone.
01:14:26You are a miracle.
01:14:27I am alone.
01:14:28I am alone.
01:14:29I am only chwilakant.
01:14:30I am sorry.
01:14:31I am alone.
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