- 2 days ago
Second Episode of Series 1.A Chairman is found dead on his bed at a Conference.The Police Coroner though thinks he died elsewhere and the body was placed there.The Actors still getting into their characters but it's a enjoyable view.
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00:00I'll be right back
00:30guitar solo
01:00guitar solo
01:30guitar solo
01:59guitar solo
02:01and there was
02:03fine on the way of coal
02:04now you don't put coal in the garage
02:06no
02:07you don't
02:09well anyway
02:10he wanted to know where this coal come from
02:13so he's sitting right
02:15so I thought you ought to know
02:18Senator
02:18no one else does yet
02:19I hope
02:20so that's why I didn't appear
02:23how's his wife
02:25she's been looked after
02:26and there's a doctor on his way
02:28are you going to announce it?
02:32yes I better wait for a while
02:33fine
02:34leave it to me
02:35I thought I told you to stay away
02:56I promise not to gatecrash the dinner
02:58and I decide who comes into this hotel and who doesn't
03:00look I am an accredited journalist at the conference
03:02whatever arrangements you've made with the conference organizers
03:05or the individuals don't apply here Miss Rush
03:07so please
03:08oh I can't find my own way out
03:11take her up
03:31who is it
03:33Sir Edward Lister
03:34Charity Bitware
03:35his wife found him
03:37I'm Peter Castle
04:06Sir Edward's personal assistant
04:08good evening
04:08is his wife still next door?
04:11yes
04:12they're preparing another room for her
04:13did he suffer any pain?
04:19no no no
04:19all the signs of a sudden cardiac arrest
04:21out like a light
04:23when she found him
04:27was he where he is now?
04:28on the bed?
04:30nothing was touched
04:31as far as I know
04:31I came straight here
04:34from my room when she phoned
04:36something bothering you doctor?
04:39no no no
04:40I'll have a word with her now
04:42I'll have a word with her now
04:43I'll have a word with her now
04:55I was seen in the foy
04:55let's get away
04:56now take a few sips of that
05:04make you feel better
05:05he hadn't had any other attacks
05:21there hadn't even been any warnings
05:24it's a cruel thing isn't it
05:27when you just get the one
05:29and you're gone
05:30very sorry
05:32the other room is ready for you now
05:38well I must complete my examination
05:45I'll look in on you later
05:47thank you
05:48thank you
05:49thank you
05:56you're okay
06:01you're okay
06:01you're okay
06:01MUSIC CONTINUES
06:28Dr Lejeune, get me the police, would you? Bureau des Etrangeries.
06:33MUSIC CONTINUES
06:38MUSIC CONTINUES
06:40MUSIC CONTINUES
06:47MUSIC CONTINUES
06:51That was a super night.
06:54That's what a lovely day.
06:57For the fabulous prize tonight, Mr Lucky Nover 52.
07:03CHEERING AND APPLAUSE
07:14CHEERING AND APPLAUSE
07:20MUSIC CONTINUES
07:25What a time!
07:31Oh, dear, I hope he's not coming over.
07:42Hello, Debbie. Hello, Charlie.
07:45Do any bit for charity? A duty and a pleasure.
07:49Shouldn't you be eating brown rice? Please go away.
07:52Or buy a ticket for the raffle I put up after the prize.
07:56No, thanks, Charlie. I'd hate to win something else of yours.
08:04You're not still at it, are you, Dennis? Yeah.
08:07You're like a chimney out there. Yeah, still at it, Jim.
08:12Director of the Overseas Famine Foundation.
08:14Oh, it was. Hey, they don't stint themselves, do they?
08:17My God. Luxury suites.
08:22It's no wonder some charities cost as much to run as they dole out.
08:26Well, luxury is much good to him now, is it?
08:28So why do you call in the bureau?
08:30Eminent visitor.
08:32Something odd?
08:34Well, you said it was just a heart attack, didn't you?
08:36Yeah, natural cause. There's no doubt about that.
08:38But, er, it's uncommon for a dead man to walk.
08:43You what?
08:44I don't think he died on the bed.
08:46His wife does.
08:48I think he was put there.
08:50Why?
08:51It's too neat, too arranged.
08:53He's lying pretty much as he was when I arrived,
08:55except for the front of his shirt.
08:57He'd have thrashed around a bit, Jim, you know?
09:00Suppose he collapsed out there?
09:02Or in the bathroom?
09:03And then he dragged himself back here?
09:05And then climbed onto the bed, straightened out his clothes,
09:08brushed his hair and decided to call it a day.
09:11That's the trouble with you police doctors.
09:13You're too damn clever by half, aren't you?
09:15Anyway, there'll be a report in the morning.
09:17Meanwhile, fresh scratches on his shoes,
09:20and being dragged along, perhaps.
09:22Well, not across this carpet, I imagine.
09:25Blue paint smudge, trouser leg there.
09:30You talk to his wife?
09:31Briefly.
09:32You tell her your theory?
09:33No, she's still shocked.
09:36Who called you?
09:37Would you believe it, the vicar.
09:38Who?
09:39A young cleric on his charity staff about an hour ago.
09:42But it was the wife who found the body, wasn't it?
09:44Well, apparently, when she came upstairs from the dinner.
09:46So she attended the dinner, but he didn't.
09:48Well, he's not changed for dinner, has he?
09:50Anyway, I've made the necessary arrangements.
09:52See you, what, first thing in the morning?
09:54Yeah, yeah, right.
09:55Edward left the hotel at six.
09:56He said there was a delegate he wanted to talk to privately.
09:57Have you any idea who that might have been?
09:58We've no idea at all.
09:59We'd finished the day's business at the conference,
10:00and I assumed his only other engagement to be the function here at the hotel.
10:03He was looking forward to it.
10:04It was a local charity event.
10:05But he didn't get back here in time.
10:06Look, is this really necessary?
10:09Sadly, whatever time he returned, he's dead.
10:13Lady Lister's hardly in a fit state to be able to...
10:14It's all right, Peter.
10:16I don't quite understand your reason.
10:17this.
10:18Oh, you are going to be here later.
10:19but he didn't get back here in time look is this really necessary sadly whatever time he returned
10:28he's dead lady lister's hardly in a fit state it's all right peter but i don't quite understand
10:35your reason for asking hotel deaths have to be notified didn't you think of popping upstairs
10:41earlier to see if anything was wrong i phoned the suite twice i left the dinner before the
10:49speeches that'll be about 10 o'clock wouldn't it why wasn't a doctor called till one hour later
10:55can't it wait when i came up i didn't go straight into the bedroom the door was open and the lights
11:04were off i never guessed i sat on the couch and i watched the television program about tahiti
11:15if only i'd gone in there sooner i might have saved his life
11:20no there was nothing you could have done
11:24as you can think about it
11:29and then it's better than the day
11:31we're going to be able to get to the end of the day
11:33but it's a bit of a stranger
11:35i'm talking to you
11:36but you can see you
11:37i'm not going to be able to get to the end of the day
11:39but it's not going to be able to get to the end of the day
11:41yes
11:42You're not down to nicking hubcaps, I hope.
12:07Pity your old heap hasn't got any.
12:09Where's Debbie?
12:10Yes, she's staying on for the dancing.
12:12I'm getting too old.
12:13The do's still going on, is it?
12:14Yeah, of course.
12:15Look, just why are you prowling around that car?
12:17Who does it belong to?
12:18A man of impeccable taste and flawless character.
12:21Nobody you'd know, Charlie.
12:24Everybody's got flaws, Jim.
12:26I mean, look at you.
12:27You're a policeman.
12:31I can't think how they managed before autopsies were invented.
12:36Do you know what the word means, Jim?
12:38It means seeing for yourself.
12:40Well, I think we can be a little more precise this morning.
12:43The body was definitely moved, then, was it?
12:46That and a good bit else.
12:49What the bloody hell's going on?
12:51Why wasn't I told?
12:52Keep your voice down, Barney.
12:54Show some respect.
12:55Where's the report?
12:56It should have been on my desk first thing.
12:57Look, it's only ten minutes after first thing.
12:59Look, when I ask for something to be done, I expect results.
13:03It's my neck that gets it in the end, right?
13:05So what's all this about?
13:07Sir Edward didn't die in, or even on, his own bed.
13:11But he could have in somebody else's, though.
13:13He was dressed after death.
13:15How do you make that out?
13:17Lower shirt button in the wrong buttonhole.
13:19The way his tie knot was tied, he was probably dressed in a hurry.
13:23Ooh, and sand inside both his shoes.
13:25Meaning he walked on a beach?
13:27Meaning he didn't put his own shoes back on again.
13:29Usually shake the sand out, don't you?
13:31Actually, I usually take my shoes and socks off myself.
13:35It was a habit of a lifetime, you know?
13:37Anything else?
13:38It's possible he was in a scuffle.
13:41Slight bruise on the knuckle, consistent with a punch.
13:45Some bruising on the chest.
13:47Well, that could have resulted from attempts to revive him.
13:49Sniff it.
13:51Sniff it.
13:54Mm-hmm.
13:55Affront.
13:59What does Lady Lister say?
14:01She doesn't know the body's been moved yet.
14:02She was so upset to be told last night.
14:04She'd be more than upset to find out he died in somebody else's arms.
14:07If he was having a bit on the side.
14:09It's obvious he was with another woman.
14:11They had a row, triggered off his heart attack.
14:14She panicked, dressed him, somehow lugged him back to the hotel.
14:17Big girl.
14:19Well, she got help.
14:21You sure you couldn't be mistaken?
14:22Couldn't this attack have been induced by something else?
14:25Fear?
14:26Sexual exertion?
14:27No, there's no evidence of sexual activity.
14:29You can't have got that far.
14:31There'll be a fast pillar of respectability and all that.
14:34Well, so am I.
14:36You know, my wife tells me that I fancy school girls.
14:38She's wrong.
14:39I fancy big girls.
14:41Well, cherchez la femme, mes amis, and your mystery will be solved.
14:45Oh, thanks, Dennis.
14:46All right.
14:47Where are you off to?
14:49I want to talk to the assistant again before I tackle the wife.
14:52Remember what I said.
14:53Keep me in the picture.
14:58Must be a good man to have on your team.
15:00Only temporarily.
15:01Hmm?
15:02His leg won't stand up to him.
15:04Well, that's a matter for the chief and the committee.
15:06Mind you, we've got another medical coming up, so we'll have to wait and see, won't we?
15:09Excuse me, mademoiselle.
15:22What about the accommodation you've got me?
15:24Jim, how are you?
15:25Très bien.
15:26Et toi?
15:27Ha, ha, ha, run off my feet.
15:30So what's wrong with the farmhouse?
15:31Nothing.
15:31Only I hadn't seen you for a week to thank you.
15:34And you promised to help me with the decorating.
15:35It's this charity thing.
15:39They keep chopping and changing.
15:42What are you doing here?
15:43I'm looking for the British famine delegate, Peter Castle.
15:46Where's the priest?
15:47Yeah.
15:47I was told I'd find him in the main hall.
15:49I saw him earlier.
15:51They're all very shaken this morning because they both died.
15:54You heard?
15:54Yeah, I heard.
15:58The first session has been delayed till after lunch.
16:01Out of respect.
16:02Sir Edward was such a nice man.
16:07Charmant.
16:07Find older men attractive, do you?
16:09Well, you know, we French girls often do.
16:13Hmm.
16:13I remember that.
16:14He behaved like a perfect English gentleman.
16:17Ah, fancied you, did he?
16:19Why do you ask?
16:20I'll tell you after lunch.
16:25One, two, testing, testing.
16:27One, two, three, testing.
16:28One, two, three, testing.
16:30Lady Lister's staying with the senator for a few days,
16:32if you're looking for her.
16:33I assume I want to see.
16:34One, two, three, testing.
16:34Ah.
16:36Testing.
16:37One, two, three.
16:38One, two, three, testing.
16:41About the arrangements.
16:43Sorry?
16:45For flying Sir Edward's body home.
16:46Well, that's not strictly my province,
16:48but I think you'll have to wait a few days yet.
16:50Why?
16:52Clearing sticks a little longer in Jersey.
16:54You make it sound like customs.
16:55Yes.
16:57Miss Castle, I need your help.
16:59As his deputy...
17:00Assistant.
17:02Sorry.
17:03Assistant.
17:05Look, this is a little delicate, but I have to ask.
17:08Next to his wife, you must have been closest to him.
17:15Was he playing around?
17:17Having an affair?
17:19Channel Islanders are very direct.
17:21Was he?
17:21He was a socialiser.
17:25It was part of his job.
17:28Did he socialise, then, with any particular woman when you were over here?
17:31Look, I can quite understand newspapers trying to dig up the dirt.
17:35There are even journalists attending this conference who'd like to stir things up to the charities,
17:38but why you?
17:41We think there was a woman with Sir Edward when he died.
17:43I find this offensive.
17:48Did he spend any time with any particular woman?
17:52I was his assistant, not his keeper.
17:56So you wouldn't know?
17:56I wouldn't regard it as my concern.
17:59And you could have no reason for covering things up?
18:01Why on earth should I want to?
18:04Keep enough appearances?
18:06For the sake of the charity?
18:07Or the wife?
18:09Keep her away from the truth?
18:11He had a heart attack and he died.
18:14Isn't that enough?
18:18Edward loved it here.
18:22He liked it rather more than me, I am afraid.
18:25I prefer Yorkshire, where I come from.
18:31Oh lovely, thank you.
18:32Would you take milk?
18:38Yes, please.
18:40Thanks.
18:44You've had a busy life.
18:46Yes.
18:48Yes, we did.
18:54Something tells me you know exactly how it was.
18:56boring for us while doing good to others.
19:03Well, isn't that what a policeman's lot is all about?
19:07A few months ago, I would have agreed with that.
19:09Things have changed a bit now, though.
19:14Why, um, why did you want to see me again?
19:19We don't think your husband died where he was found.
19:21We don't think your husband died where he was found.
19:25You can talk.
19:36Mom!
19:36What?
19:43Bloody hell.
19:51Hello? Give me the manager.
20:03Yes, quickly. Tell him it's urgent.
20:06I don't understand what you're saying.
20:09Someone brought my husband's body back to the hotel.
20:12I don't... I don't believe it.
20:15That's what it looks like.
20:16But why?
20:18Perhaps the circumstances.
20:20What circumstances?
20:21Panic.
20:23Embarrassment.
20:24I'm sorry you're not making sense.
20:27It's a fair assumption he was undressed when he died.
20:29Someone else put his clothes on him after that.
20:34I'm sorry.
20:36But I had to tell you sooner or later.
20:38Berserac, would you take a phone call?
20:41Apparently it's very urgent.
20:43Excuse me.
20:50I'm not asking you why you find it necessary to submit Lady Diana to this Berserac.
20:58But I trust you'd be in a position to justify yourself, should the need arise.
21:03The phone's in there.
21:04I'm sorry.
21:19We had quite a job finding you.
21:33As you can see, it's a hell of a mess.
21:34It was all right an hour ago.
21:36You were here, were you?
21:37Mr. Castle was in here working. I brought him some coffee.
21:40Must have come and gone by the fire escape.
21:46What were they after?
21:49I've no idea.
21:50Come on, what's it all about?
21:56I've told you, I don't know.
21:59Sir Edward was planning to produce a minor earthquake at the conference tomorrow
22:02with a highly controversial document.
22:05It concerns the misuse of charity money by a Central American government.
22:09They could have been after that, I suppose.
22:11Many people know about that?
22:13Quite a few.
22:14He was lining up support for a crucial vote to stop money going there.
22:17Where is the document?
22:21It's in my briefcase.
22:25Everything must stay exactly as it is, all right?
22:27Right.
22:27And what's next?
22:40What?
22:42What do you remember?
22:43What do you remember?
22:44What do you remember?
22:45It's up to me.
22:46What are you remember?
22:46What do you remember?
22:48There it is.
22:49I know.
22:50What do you remember?
22:50Nothing Vors 신� zamanings.
22:50Okay.
22:51What do you remember?
22:52Yeah.
22:52How do you remember?
22:53It was a 큰 jar.
22:54Right.
22:55Here it is.
24:02Sergeant Budrak.
24:16Sergeant Budrak.
24:17Sergeant Budrak.
24:23Do you have any questions?
24:32Jim?
24:53Look at you.
24:58You haven't started drinking again.
25:01Not bloody likely.
25:02What have you been up to? Why are you just sitting there?
25:08Need a pair of trousers.
25:18All right, all right.
25:21They'm a bit sure, but they'll do.
25:23You mean they actually let you play golf, at least?
25:25They're all comedians in that golf club.
25:26Oh, so you don't overdress then?
25:29Would you like something to eat?
25:29No, thanks, sir.
25:31But I'll have the phone when it's free.
25:32Okay.
25:35I'm sure I need hardly remind you,
25:37Sir Edward was highly respected and chairman of a leading charity.
25:40If his name is smeared in any way, I...
25:42It's at fault my officer for pursuing his inquiries, Mr. Castle.
25:46Though he might have been more tactful, I agree.
25:49What we're trying to say is, if you're satisfied as to the cause of his death, why can't that be an end to it?
25:56He's a decision higher up, I'm afraid.
25:57I have already spoken to the senator.
26:00So I understand.
26:02But we do have our procedures.
26:07You saw Bergerac this morning, I understand.
26:10Yes.
26:11Has he recovered?
26:12Recovered?
26:13I offered to take him to hospital.
26:15He slipped on a fire escape and injured his leg.
26:25Bureau des étrangères?
26:26Oh, it's you, Jim.
26:29What?
26:30No, no, he's got visitors.
26:32Guess who?
26:34Fine, he didn't agree, did he?
26:37All right.
26:38Look, get an alert out for me, will you, quick.
26:40It's a beige Cortina.
26:42Registration J63767.
26:45All right?
26:45Thanks, Charlie.
26:46Bye.
26:48What are you wearing those trousers for?
26:50You go on like that and our lunch is off.
26:52Are you all right?
26:54Yeah, yeah.
27:22Come on, let's try the air.
27:32Cool.
27:33Come on, let's try the air.
27:52Almost finished now.
27:58Haven't felt a thing.
28:00Good.
28:01Good.
28:22Excuse me.
28:31Hello?
28:33Yes.
28:34Yes, he's still here.
28:36No, no, it'd be rather difficult for him to come to the phone right now.
28:40Yeah.
28:41Yes, I'll tell him.
28:42Okay, bye-bye.
28:44That was your bureau.
28:46Dr Lejeune wants to see you urgently.
28:49How long do they have to stay in?
28:51Oh, five minutes or two.
28:53Oh, great.
28:56I hear you acupuncturists are tackling smoking and drinking.
29:00Yeah.
29:01Why, have you got a problem?
29:02No, I don't smoke.
29:03Don't drink either now.
29:05Sometimes, though, it's touch and go.
29:07Like today.
29:08Well, why don't you join Alcoholics Anonymous?
29:11I did.
29:12I already have.
29:13I'm even helping others now.
29:15Well, there's a chance you'll be all right, then.
29:17Yes, I must have overlooked it.
29:21He wasn't wearing his watch.
29:23And he usually did.
29:25There you see, the faint, almost permanent indentation.
29:28The hair's worn off the wrist.
29:30A metal strap, I should say.
29:31I didn't notice it was missing.
29:34Does it matter?
29:36It could do.
29:37I thought your bureau were going to leave us alone now.
29:39Nobody's told me that.
29:41What sort of watch did your husband wear?
29:45He was a member of Parliament in the early 70s.
29:48When he retired, his constituency presented it to him.
29:52It was gold.
29:53Was it inscribed?
29:55Yes.
29:55Good, that should help us.
29:58Are you quite sure it isn't in the hotel bedroom?
30:00Well, I'm certain we've checked that.
30:03Then I'm afraid I can't help you.
30:04Are you all right?
30:34Never better.
30:36Oh, you mean the trousers?
30:37I mean the leg.
30:39Minor collision.
30:40No problem.
30:42I thought we agreed to keep in touch.
30:44Well, that's what I'm doing.
30:45Bad timing.
30:46I'm going to Guernsey.
30:47I'll see you when I get back.
30:49Yes, you.
30:51And get rid of that car of yours.
30:52It's against regulations.
30:58Mm, right.
30:59Thanks.
31:00I'll pass it on.
31:04Wow.
31:09One more crack out of you.
31:11I wasn't going to say a thing.
31:12Good.
31:12I'm mad about checks, only they're not very slim.
31:15That was a call for you.
31:17The beige cortina's been picked up.
31:18They're holding two people.
31:20Where are they?
31:21Airport.
31:21Man and a woman.
31:22He's the man you chased.
31:24Who's the woman?
31:24A journalist.
31:25He's a photographer.
31:26They work for some fringe magazine in London.
31:28On my way.
31:29Oh, almost forgot.
31:32You put that on the stolen list right away, would you?
31:34And I'll love you forever.
31:35I don't know which is busier.
31:36You or your trousers.
31:37Sam, you're back.
31:56Uh, about an hour.
31:57She walked up to me and she asked me to dance.
32:12I asked her her name and in a top-brown voice she said,
32:15Lola, L-O-L-A, Lola, Lola, Lola, Lola, Lola.
32:23Well, I'm not the world's most physical guy, but why'd she squeeze me tight?
32:33She nearly broke my spine, oh, Lola, Lola, Lola, Lola, Lola.
32:41Well, I'm not dumb, but I can't understand why she walk like a woman,
32:46talk like a man, oh, Lola.
32:51Confident, pal.
32:52Aren't they?
32:53Yeah.
32:54Josie Rush, George Murrell.
32:57Quite a bundle of them, Mr. Doctor.
32:59They say anything.
33:01Recognised journalists, freedom of the press, all that stuff.
33:04Oh, and a string of four-letter words.
33:06Makes you wonder if she is a writer.
33:07She's a hard bitch.
33:09Is she tough enough to carry a body up a fire escape?
33:11Quite her, run her own.
33:13Together, maybe.
33:15Did you know it was that serious?
33:18Girls will be boys and boys will be girls.
33:21It's a mixed up, mumbled up, shook up world.
33:24It's up, my Lola.
33:26La, la, la, la, la, la.
33:28Well, I left long just a week before, and I'd never ever kissed a woman before, but Lola's
33:38my...
33:38What are you charging us with?
33:45Breaking and entering, followed by assault, and that's just for starters.
33:49Look, I just went up to that room to photograph a document, not to steal it.
33:52Journalists sometimes have to work that way.
33:54And what were the sordid tactics you employed before that?
33:56Look, we came over here to get an exclusive on the famine charity fiddle.
33:59Part of a wider story about wasting third world money.
34:02Prepare to go a long way, won't you?
34:04I don't know what you mean.
34:06Don't you?
34:07You're just as crazy as the pigs on the mainland.
34:11Mireille, if you use that word again, I will step on your cameras, your hands, and then
34:15your head, and I will smile while I'm doing it.
34:19Jim.
34:19You put out a check for a missing work?
34:27Yes.
34:28Bloke tried to sell it half an hour ago.
34:30If the dealer only got notification after the visit, he'd already turned it down.
34:34Damn it.
34:34It's all right.
34:35He knows the guy.
34:37Thanks.
34:49Paradise Beach Hotel.
35:14What?
35:18No, not me.
35:19Listen, listen.
35:21I don't know anything, okay?
35:24Good job.
35:42You, Nino?
35:44Si, Nino.
35:45Nino Mandar.
35:48I'm very busy, aren't you?
35:49No, the tourist season doesn't begin at this end of the island for another month, eh?
35:55You got many rooms?
35:57Si.
35:57You want to rent one?
35:58No.
35:59Have you got time?
36:00Si.
36:00You got a watch for sale?
36:04Yes, sir?
36:05Please, start with the watch and then tell me the rest of the story.
36:07I was paid 30 pounds to rent the room for one night.
36:10No questions.
36:11Please, you won't tell the manager.
36:12It was a private deal.
36:13Who paid her the money?
36:14Sir Edward?
36:14Sir Edward who?
36:15The man who died.
36:16Honest, I know nothing about that.
36:18But you had his watch.
36:19I found it after they had gone.
36:22So who rented the room?
36:23A girl.
36:24Who?
36:24Well, she never told me her name.
36:26Well, she blonde.
36:27About five foot two.
36:27Slight build.
36:28I'm not sure.
36:29Oh, come on.
36:29You can do a damn sight better than that.
36:30See, see, see.
36:31That sounds like her.
36:40Maybe, isn't she?
36:41No, I just took up the linen and tidied up.
36:43That's how I find the watch.
36:50You put this in here, didn't you?
36:51See it, sir.
36:57And you haven't been in here since this morning?
36:58Oh, I was working in the bar.
37:00I heard cars, but I was paid by the look.
37:02Where's the manager?
37:03He's away on holiday.
37:04He's due back tonight.
37:05I've been in charge of this place for a week.
37:07Let's have your passport.
37:09Why have you split us up?
37:11You're going to take my ciggies away?
37:15Handbag.
37:16Why?
37:24No perfume?
37:25I've run out.
37:26And you didn't get any here in Jersey, where it's cheap.
37:29You were in rather a hurry.
37:30Yeah, yeah, I bet you were.
37:31I just belong to you.
37:33Never use a stone.
37:36Will you stop sniffing my handbag?
37:39Let's stop messing about, shall we?
37:42You tell me what really happened.
37:44You got Lister into that room to blackmail him, didn't you?
37:46Isn't that the idea?
37:48Catch him with his pants down and force the details of that document out of him.
37:52You were with Lister when he died.
37:53Oh, I kept trying to get an interview.
37:56And then you had another idea.
37:57Who suggested the hotel?
38:00I don't know anything about any hotel.
38:02I didn't meet him and I didn't have him.
38:04Well, somebody did.
38:06Was you, wasn't it?
38:07With your photographer friend waiting in the wings.
38:10Take a nice picture of you two.
38:12Put the pressure on.
38:12You've got a dirty mask.
38:14I want the truth.
38:14And you think you know all the answers.
38:17Why do they say it's journalists who always twist things?
38:21Sir Edward pegged out on you.
38:23In bed.
38:25Is that right?
38:26We had nothing whatever to do with his death.
38:28Yes, we wanted the story.
38:29No, we didn't kill him.
38:31Did I say you did?
38:32You'd obviously like to.
38:33Somehow you got Lister into that room.
38:36Then things went wrong.
38:38Morel came in to take the photograph.
38:40There was a row.
38:41Then the unpredictable.
38:43Lister had a heart attack.
38:44You were nervous.
38:45You were scared.
38:46But you managed to get him into the car.
38:47You drove him back to the hotel.
38:49And you lifted him up the fire escape.
38:52Why didn't you steal the document then?
38:54Or couldn't you find it?
38:57I think there's something you ought to know.
38:59What?
39:00Rush is only my maiden name.
39:02I'm married.
39:03To the man you've got next door.
39:06And we're not into that kind of thing.
39:10I think George would let me whore for his story.
39:31Hello.
39:32Well, what do you think?
39:36Great.
39:36I never afford it.
39:38Just a little more work and it'll be quite chic.
39:41Now that is exactly what I don't want it to be.
39:45Do you want me to help?
39:49Oh, I see you have company.
39:51Yes, you're upstairs.
39:51Daddy!
39:52Daddy!
39:52Daddy!
39:52Daddy!
39:53Daddy!
39:54Daddy!
39:55Daddy, guess what I found?
39:56It's funny drawing your granddad.
39:57Hello.
39:58You're Kim, or two?
39:59Yes, hello.
39:59Kim, this is Francine.
40:04We already met when I painted your grandfather's portrait.
40:16Would you like to keep one?
40:18Yes, please.
40:19I didn't know you were a friend of Daddy's.
40:21Francine has very kindly let me rent this place.
40:24Now, am I going to go on sloshing paint, or shall we get to the hamburgers?
40:27Do you also love her wife?
40:31Summer ships?
40:32Thanks.
40:33No trouble.
40:34Except when she sits down to supper.
40:35Hey, which reminds me, I promised your mum you'd be home straight after dinner.
40:39It's gone three o'clock.
40:40Can't I spend the whole weekend with you two?
40:43Not just yet.
40:44When I finish the decorating, all right?
40:45Come on, let's go.
40:47Don't forget the sketch.
40:49Go and choose one.
40:50Yeah.
40:53She's very nice.
40:54Very grown-up.
40:55All girls are.
40:57From ten upwards.
41:01By the way, you never explain these items.
41:04Oh, that's evidence.
41:05Of what?
41:06The other woman.
41:08Who?
41:09Wish I knew.
41:11More than one woman, surely.
41:12What?
41:13Oh, no.
41:14No, they're all the same brand.
41:16Take a look.
41:17Maybe, but not the same lipstick.
41:19Or on this tissue.
41:23You don't have a painter's eye for colour, Jim.
41:39You don't have a painter's eye for a look.
41:41Why, please?
41:42Oh, no.
41:43I don't know.
41:44Just the opposite.
41:45Get this all going, the blood pumping.
41:47I don't want to end up like this.
41:49Is that why you're at the hotel?
41:50Yeah.
41:51I thought so.
41:52Hello, Puppet.
41:53Hey, come on, what have you got there?
41:54It's a present from Grant Dean, the artist lady.
41:56Oh, yes, it is.
41:58Daddy's living in her studio.
42:00I'll go and put this to my room.
42:03Isn't it a bit soon?
42:05What?
42:06You know what I mean. She's only a child. It's not right to let her see that side of your life.
42:10And to think someone just accused me of having a dirty mind.
42:13You take her for the day, you take responsibility for her, too.
42:16Debbie's your daughter, Kim is mine.
42:18Now, you get that straight, or I will go for custody.
42:22What were your history?
42:26Phone for you.
42:35Thanks.
42:37Caller says it's urgent. You rang your new place and a woman answered.
42:41Yes, my French maid. She wears frilly knickers.
42:46Jim, it's Roger. I'm in trouble.
42:50Alcoholics anonymous, remember?
42:52How bad is it?
42:54Couple of drinks.
42:56I've had a bit of a thrash already.
42:58Well, don't you have any more?
43:00Is your wife there?
43:01Sister.
43:02Tell her to make you a cup of tea.
43:04I'll be right over.
43:06I poured the rest down the sink.
43:18How are you feeling?
43:19Bloody awful. What do you think?
43:20Oh, come on, Rog. It was only a slip. Could be worse.
43:24Fatal for his job, though. He said two drinks. He meant two-thirds of a bottle.
43:29You got any more stashed away?
43:30No.
43:31Hey, bloody ass.
43:32Roger.
43:33No.
43:34You know what I do for a living, don't you?
43:35You know what I do for a living, don't you?
43:36You know what I do for a living, don't you?
43:37You know what I do for a living, don't you?
43:41What the fuck?
43:42Is it?
43:43Oh, I'll tell you.
43:44Taktik is, along with your senses, the inside.
43:45You can't get any more than what you thought I was doing.
43:46I don't know what you thought I was going to do.
43:47That's why it's done.
43:48It's hard to taste.
43:49I'm a battery.
43:50Let's get into the water.
43:51You can get a battery.
43:52I'm a battery.
43:53I don't know if I don't have battery.
43:54I'm a battery.
43:55It's a battery.
43:56A battery.
43:57That's me.
43:58You're not, a battery.
43:59A battery.
44:00But this is almost two-thirds of a bottle.
44:02You got any more stashed away?
44:04No.
44:05Hey bloody ass.
44:07Roger.
44:08No.
44:09You know what I do for a living, don't you?
44:11Let's go.
44:34Throw it away, Jim.
44:36If you don't, I will.
44:37You do it.
44:46I'm very grateful to you, Jim.
44:48You know how it is.
44:50Well, that's the point.
44:51You can sponsor me if the need arises.
44:53Football, would you believe?
44:56Southampton went two down with a penalty,
44:58and I had to have one.
44:59You went two down when you got the bottles, didn't you?
45:01He's right.
45:03Good of you to come.
45:03That's all right.
45:05Your day off, is it?
45:06Well, sort of.
45:07Speaking as a policeman,
45:08I wouldn't try driving that cab of yours.
45:10Right.
45:11Busy are you?
45:12What are you working on?
45:13Lister case.
45:14You're not.
45:16She was in my cab the night he died.
45:19I recognised her from the papers.
45:21I wasn't half in the state.
45:23Of course, I know why now.
45:26You sure it's the same night?
45:27Yeah, I picked her up from the charity dude,
45:30took her to the Paradise Beach.
45:31What time was that?
45:33I don't know.
45:33About ten, I suppose.
45:34As I left the dinner, the woman phoned me.
45:39She said my husband had had a collapse of some sort.
45:44She gave me the address, and I called a taxi,
45:47because he'd taken the car.
45:50He was dead when I got there.
45:52in that horrible room, and naked.
46:02It was quite clear what had been.
46:05I'd always known about his affairs, but I pretended not to.
46:10He was so sordid.
46:20So degrading.
46:24Anyway, then I phoned Peter.
46:26Mr. Castle.
46:27I'm not sure I'd been able to have got through these last few days,
46:31except for him.
46:33Was it his idea to move Sir Edward's body?
46:36No.
46:38No.
46:38When he arrived, he tried to urge me to phone the police.
46:43I...
46:43I wouldn't.
46:44And then Peter said we should dress him,
46:49and...
46:49I'm not sure whose idea it was to take him back to the hotel,
46:54but...
46:56it seemed the right thing to do.
47:00Ironic, really.
47:02What is?
47:03Peter helping me to cover up what, in a way, he'd caused.
47:07You see...
47:12Edward needed me.
47:16He depended on me.
47:20And then...
47:22Peter got the job as his assistant,
47:24and...
47:25everything changed.
47:28In what way?
47:33More...
47:34meetings, more...
47:37conferences.
47:39Without you?
47:41Yes.
47:45I don't want to press this,
47:47but the woman who phoned you,
47:49did she say who she was?
47:54Who'd you?
48:04Excuse me.
48:05Yeah?
48:05Can I help you?
48:06Yeah, I'd like a word with Nino.
48:07Oh, you would, would you?
48:09So would I.
48:09I've only been off a week,
48:10and I left him in charge,
48:11and the place has got no rack and ruin.
48:13So quickly, huh?
48:14Oh, it's the bloody high ties, isn't it?
48:16You know, I've never liked them.
48:17Not since the war,
48:18but, I mean, you don't have much options,
48:19right, do you?
48:19What about Nino?
48:20Eh?
48:21Well, yeah, that's what I'm trying to tell you.
48:22He's not there.
48:23He's scarpered.
48:24I mean, look at this vestibule.
48:25He's going to spend me a month
48:26to get this put right,
48:27and I've got folk coming in,
48:28you know, bookings and all that.
48:28You got any idea where he is?
48:31Eh?
48:32Well, he'd probably have worked in Napoli by now.
48:33He's not that far.
48:34I've got his passport.
48:35You what?
48:37Please.
48:39Oh.
48:40Oh, it's like that, is it?
48:41Yeah.
48:41Been a naughty boy, has he?
48:43What's he been up to,
48:43when he went there,
48:44mucking things up, eh?
48:45If you knew he was still on the island,
48:47where would you look for him?
48:48I'll tell you, I might try.
48:50He's a long shot man,
48:51I'm not sure,
48:52but if you find him,
48:53you'll put one in for me,
48:54right?
48:54Yeah.
48:54There's this club in St Elliot.
49:24Oh, I ordered a bottle of wine.
49:45Ah, no thanks, not for me.
49:47You stick to it, I'll have the water.
49:50So, you think you know who the woman was, then?
49:52I thought that's what you wanted to ask me about.
49:58No.
49:59But I still think there's something you have to tell me.
50:02Really?
50:03What about?
50:05Went to a certain nightclub tonight.
50:08Talked to Nina.
50:13Oh.
50:15You could have saved us a great deal of trouble.
50:16People are so ready to misunderstand.
50:22Perhaps you should try being honest with them.
50:25You believe in live and let live, then, Sergeant?
50:27Oh, I do.
50:29And I also believe in die
50:31and let's have an explanation for the dying.
50:33So tell me about it.
50:39I know you had a very personal relationship
50:41with Sir Edward,
50:43apart from being his assistant.
50:44Yes.
50:50The truth is,
50:51I'm a promiscuous person.
50:54Something Edward never accepted.
50:57In our trips abroad, I...
51:00Well,
51:01it never meant anything
51:02any more than it meant here.
51:05I met Nina one evening in a club.
51:08He suggested the Paradise Beach.
51:10Somehow, Sir Edward found out
51:13and followed me there.
51:16He burst into the room
51:17and started shouting.
51:20And I, uh...
51:21suddenly knew something
51:22was terribly wrong.
51:25He fell down on the floor
51:26and he couldn't breathe.
51:27I knew he was having a heart attack.
51:33We tried everything.
51:35Nothing worked.
51:37It was very frightening.
51:40Nina wanted to run.
51:42But I decided
51:43the only thing to do
51:45was to make it look decent.
51:47For Diana's sake.
51:48As if he had been with another woman?
51:51Yes.
51:53Jersey does have a reputation
51:54for being rather square.
51:55That could be.
51:58But that wasn't your reason, was it?
52:01You don't have to believe me.
52:03And I don't, Mr. Castle.
52:04You're not concerned
52:05about Lady Diana.
52:07It's your own name
52:08that bothers you.
52:11I drove back to the hotel.
52:15Nino got the girl
52:15to phone Diana
52:16and the rest you know.
52:21Will you tell her?
52:24There's no point.
52:25But if any of this gets out,
52:27I could lose my job.
52:29And it's rough enough for me already.
52:31All right?
52:35Will you be resigning?
52:38Is there any choice?
52:40No, not really.
52:47Goodbye, Mr. Castle.
52:50Goodbye.
52:50Goodbye.
52:55Goodbye.
52:57Bye.
52:57Goodbye.
52:57What was that all about?
52:59None of your business.
53:01Man to man talk.
53:02Giving you some advice, was he?
53:05A little extra knowledge, yeah.
53:06Bye.
53:06Bye-bye.
53:08Bye-bye.
53:10Bye-bye.
53:10Bye-bye.
53:10Bye-bye.
53:11Bye-bye.
53:11Bye-bye.
53:12Bye-bye.
53:12Bye-bye.
53:12Bye-bye.
53:13Bye-bye.
53:13Bye-bye.
53:13Bye-bye.
53:15Bye-bye.
53:15Bye-bye.
53:16Bye-bye.
53:16Bye-bye.
53:16Bye-bye.
53:16Bye-bye.
53:18Bye-bye.
53:19Bye-bye.
53:19Bye-bye.
53:20Bye-bye.
53:20Bye-bye.
53:22Bye-bye.
53:23Bye-bye.
53:23Bye-bye.
53:23Bye-bye.
53:24Bye-bye.
53:25Bye-bye.
53:25Bye-bye.
53:25Bye-bye.
53:26Bye-bye.
53:27Bye-bye.
53:27Bye-bye.
53:27Bye-bye.
53:28guitar solo
53:58guitar solo
54:28guitar solo
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