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00:00Hello one and all,
00:02one of the three episodes of Adventuring Party.
00:04I'm your humble GM, Brennan Lee Mulligan.
00:05With me as always are our Dusty Do-Gooders.
00:07Say hi, Dusty Do-Gooders.
00:09Hi, Dusty Do-Gooders.
00:12One more, one more.
00:13It's evolving over here.
00:14Yeah.
00:15I love it.
00:16Oh no, teeth.
00:17Is that a tooth?
00:18Let's see our awesome little boons,
00:21our little jammies here.
00:22We got the grenade by Ryder Dunagan
00:23and we got the music box by Charles Weissen
00:25and Jesse Herron.
00:26Sick, sick.
00:28What are our little powers associated with them?
00:31I, with a Glitter Bomb,
00:33I'm gonna be reading for about seven minutes.
00:35When you make an everyday challenge check,
00:37use this glitter-filled hand grenade
00:39to cause all of your dice to explode
00:41regardless of the number rolled.
00:42In other words, roll all your dice again
00:44and add the number rolled to the total.
00:46So that makes me think if I rolled a d20,
00:48I could roll the d20, the d8, the d10 and whatever, or no?
00:52I think what it means is if you're rolling
00:53post-apocalyptic mayhem, you would roll both d20s again.
00:56If you're rolling a normal check,
00:58you would roll the check again.
00:58It basically lets you get one free,
01:00like roll this die and add it to your ultimate roll.
01:04Yeah, and then there's a version
01:06for post-apocalyptic mayhem
01:08that lets me double the rolls I get from adversity tokens.
01:12Cool, love that, very fun.
01:14And we got our sweet little music box.
01:16Music box.
01:17Once per session, you can play the music box
01:19for another character to allow them to re-roll a failed check
01:22without taking burnout.
01:24Ooh, love that.
01:25So it's a bit of a redo.
01:27It's a bit of a mulligan there, a bit of a re-roll, yes.
01:29Oh!
01:29That's really cool.
01:30Everybody gets one.
01:32Everybody gets one.
01:33Some people get two.
01:34Whoa.
01:35What could it mean?
01:36The episode was a delight, gang.
01:39Episode two.
01:39Solid ep.
01:40Heartbreaker.
01:41Heartbreaker.
01:42Heartbreaker.
01:43It was really sweet, like every single piece of it,
01:45like from the top to the bottom,
01:46everyone was doing sweetie stuff.
01:47Yeah, holy smokes.
01:48Also like, you know, I'm expecting the real stuff to drop,
01:52the real heart stuff to drop.
01:54Yeah.
01:55But so soon, and so seamlessly, crazy.
01:57Which also leads me to believe
01:58that that's not even the hard stuff,
01:59which is making me, like worried.
02:01That's fair.
02:02I did sort of think like, oh, this will work.
02:04I'll just say summer twice, and then the town will fix itself.
02:09Well, that's what I love about our little,
02:11we haven't gotten deep into using the clocks system in this,
02:14but sort of like filling up our do-do-do-do-do.
02:18But like filling up where it's like, OK, yes, talk to Thagomizer,
02:22but like maybe you're only halfway there.
02:26Maybe there's not a.
02:27Oh, yeah, because you have a clock now.
02:28I have a clock.
02:29You have a thag clock.
02:30You have a thag clock.
02:30Your thag clock is half.
02:31Very thaggy clock.
02:32And then you do have a clock?
02:34Not yet.
02:34Let's go out the riddle pit.
02:37That's the only clock I know, baby.
02:38What the?
02:40Wow.
02:41But not really a nurse clock.
02:43But that's what you mean?
02:43Like some of these people that we're talking to are.
02:46Yeah.
02:47But there will be an official moment when you're like,
02:48start a clock for that person.
02:50Yes.
02:50I think the clock, I think on that 26 warmth check,
02:54the clock for Claudine is started.
02:56But I haven't told you how far along it is yet.
02:59I'll bite.
03:00What's a clock?
03:00Yeah, so what do you, yeah, thank you.
03:02What are we talking about?
03:03There's a function here.
03:04It's basically just a funny little way of measuring progress.
03:07When something is harder to do than you can do in one room.
03:10Oh, I thought this was clip art.
03:11And really, these are, I would say these are gauges.
03:14I thought this was set deck, beautiful set deck.
03:16Right.
03:17It's like kind of a way to like check in with,
03:19you are where you are.
03:23Yeah, where you are.
03:23Yeah, yeah, yeah.
03:24Yeah, absolutely.
03:24Yeah.
03:25Yeah.
03:26I love that.
03:26Yeah.
03:27Chris Martin.
03:28I feel like you'd need some kind of scientist.
03:30The, I loved that.
03:33Oh, that Claudine, I love that.
03:38I love that.
03:38Are you even human?
03:39I am Brennan Lee Mulligan and I love that.
03:41I do love that.
03:41I'm Brennan Lee Mulligan and I love that.
03:43I'm Brennan Lee Mulligan and it's all yellow.
03:46And it's all yellow.
03:48There was a band called Coldplay and they,
03:52are they still touring for music?
03:53Yeah.
03:54It's the biggest band in the world, man.
03:55If you really listen, you can hear the generation,
03:57the bells are ringing.
03:58What's that?
03:59Nothing.
03:59I don't know if they're the biggest band in the world.
04:01The generation.
04:02Isn't that what that was?
04:03I hear the generation.
04:04Oh, it is.
04:06We gotta go back to the start.
04:07Here we go.
04:08Brennan, so Parcel kind of, kind of lore plopped this idea of the cause of a bug exploding,
04:19question mark.
04:20A big bug.
04:21Yeah.
04:22Is that canon or is that just Parcel being Parcel?
04:24I know, I loved that.
04:25Wait, which line was this that, remind me of this again?
04:28So, when Poppy was having a discussion with Parcel about the history heap.
04:36Yes.
04:36And collecting nonfiction versus fiction stuff.
04:40Oh, yes, Parcel, so that was a joke.
04:44That was a bit.
04:45That was a joke, okay.
04:46The joke is that Parcel is the nonfiction to your fiction.
04:50Oh, absolutely.
04:51Is sort of like the stem to your humanities kind of vibe.
04:57So, the idea of being extremely officious and pragmatic and serious and then being like, we have to stop with the funny business and get back to finding out which bug blew up the world.
05:08It's the Cogsworth to the Lumiere.
05:10Yes.
05:11For the Disney gays out there.
05:13Yes.
05:14And I'll have all you know, I wrote down, a bug blew up the world.
05:17So, I will be crossing that out of my notes.
05:20It felt really important.
05:21It felt really important.
05:22I was like, that was all handed and that's my plan.
05:24You just never know if that's a joke or if they're telling the truth.
05:28You never know with Parcel, you don't know if they're joking.
05:30We met several other weird bugs.
05:32Yeah.
05:33That's true.
05:34We did.
05:34Yes.
05:35Also, okay, the termite, the horse-sized termite, do you think, George, do you think that was the cause of all of that?
05:43Of the trees?
05:44Oh, the trees falling down.
05:45I think through deduction, that's what I'm feeling is to be true.
05:49Which means.
05:50But I don't know what Justin Sheffield's deal is.
05:53Which we know is shady.
05:55He's up to no good.
05:57Pretty shady guy.
05:58Right?
05:58He has a normal name, so he's shady as well.
06:00He feels outside of time.
06:01Right, exactly.
06:02That's kind of what it seems like to me.
06:04Even in Burnin's performance, everyone got a cute voice except for Justin Sheffield.
06:10Justin was pretty normal.
06:11Pretty normal.
06:12So mid.
06:13Could he be from the before times?
06:16Huh?
06:17From the before times.
06:19What if his face is on a coin somewhere?
06:22Whoa.
06:23You know what I mean?
06:24His face is on a coin somewhere.
06:25Wow.
06:26Well, do you think Justin Sheffield is working with, I'm sorry, what's the name of the little
06:29bug child?
06:30Ash.
06:31Ash.
06:32I don't think so.
06:33Because Ash controls George.
06:34Well, I was curious if George was working with Ash and it's just being kind of like big
06:37brother vibes and like bit the generator down or something like that.
06:40What I learned in the swamp that I didn't get to learn is there was a crack test tube in
06:43there and then a hole in the bottom.
06:44Oh, yeah.
06:45But it seemed like that maybe was related to.
06:46Related to George and Ash and all them being by the swamp.
06:49But there's nothing in the test tube.
06:51Oh, yeah.
06:52Nothing in there.
06:53I don't see maybe what was outside of it is what was in it.
06:56Yeah, that's what, yeah.
06:57Love the swerve.
06:58Talk about day one in the dome and curveball with sudden flashback to Uncle Puss.
07:05That was light speed, Kimia.
07:08That was so funny to be little baby Tess.
07:10Had to.
07:11Had to.
07:12It was so cute.
07:13So cute.
07:14Just right in the genre.
07:16We'll be together forever.
07:17Oh my god.
07:18I love the idea that you were so small so that means you aged until you were around 26 and
07:23then you stopped aging and it's been like 100 years.
07:26Capped out.
07:27Love it.
07:28I fucking love that.
07:29God, the golden age of 26.
07:31Yeah.
07:32The hottest you'll ever be.
07:33The hottest?
07:34Actually, wait, hold on.
07:35This was really our kind of like, it felt like our Mos Eisley cantina in the Star Wars thing
07:40of like getting to the big place with the fun stuff going on where everyone's like, and we also get to
07:44see everyone in their exact pocket, right?
07:48Yeah.
07:49Like, scouting mission to irradiated place where you won't get dissolved because you're a
07:54super bug, or like setting up the dome and trying to see what's wrong with the vibe of this place,
08:02what's going on culturally.
08:03Stopping someone, asking the first date questions.
08:05Yeah.
08:06Who are you?
08:07Who are you?
08:08The antenna nails.
08:09What do you do?
08:10What's a day in the life of...
08:11Super sweet little newborn babes, and Kokomo's like skin to skin, there's just like,
08:17whose superpower is just being the most vital person in the Gladlands.
08:21I mean like technically, the technical definition of vital, like vitality.
08:25Yes, there is life coursing through him.
08:27Life coursing through him, and this wonderful funeral scene.
08:30It was so beautiful.
08:31That was really nice.
08:32Good way to go out.
08:33Really cool.
08:34Ass bullet tooth.
08:35The ass bullet tooth.
08:36Yeah, that ass bullet tooth.
08:37Just getting to have it.
08:38You being like actually excited about it, I was just like, curveballed right to the heart.
08:43Just being like, no, this is actually really beautiful.
08:45I'm just like, oh, this is so cool.
08:47It has like death doula energy, or kind of like bringing levity and care.
08:51Of course.
08:52Like a beautiful statue, also.
08:53Yeah, yeah, and kind of the dancing that I provided here and there.
08:57Of course.
08:58But it's so funny to me.
08:59Just kind of trying to learn.
09:00Because you like have a hard time sort of, Hugi has a hard time like connecting with human beings,
09:07but sort of that transition moment, you were so, there was a grace there that I didn't see.
09:12D20 charm, D4 warmth, what's that about?
09:15Well, I have an idea behind it, I don't, I think maybe I want to hold on to it for a little bit.
09:20But I do have like, I do, I do think that that is like very, there is like, I think like,
09:26of like a very specific tie, like for that reason, but I'm sure we will get to it.
09:32Cool, cool, love it.
09:34Does that have anything to do with Prince Diana?
09:36Well, you know, I'm just sort of saying, she was the people's princess.
09:43I want it so bad.
09:44And who says die?
09:45I want it so bad to use these for your role when you were realizing maybe someone won't be there to provide the care for you.
09:53I want it so bad.
09:55It didn't, I didn't have enough of them to move the needle.
09:58Yeah.
09:59And so that was just pretty brutal.
10:01But it's too early, it's too early.
10:03Yeah.
10:04By the way, how many, how many boo-boos do we have left?
10:07There's someone, touche.
10:08Two, two, two.
10:09Yes.
10:10One, zero, okay.
10:12So that is, we said two, two, two, and one is seven.
10:16Yeah.
10:17Zach's going rogue.
10:18Ooh.
10:19Whoop, whoop.
10:20Up to 11, hell yeah.
10:21Yeah.
10:22What happens when it fills up?
10:23What happens when we get to zero?
10:24Sprays out.
10:25Or when it fills up?
10:26When it fills up, the Gladlands are maximally like harmonious and loving and safe and cooperative
10:36and, you know, all six of their virtues are like capped out essentially.
10:43So, you know, there's a cap on how well any given part of the Gladlands can be doing if the bummerometer is high or if the goo goo is low.
10:51If we get to 16, can we have a pizza party?
10:54Yeah, please.
10:55Unfortunately, if we get to 16, we must have a pizza party.
10:59P-I-Z-Z-A, give me pizza.
11:04Oh my god, you wild.
11:06P-I-Z-Z-A.
11:08Wait, wait, we don't have the rights to that.
11:10That's Coldplay's biggest song.
11:16Yes.
11:17In terms of, I wanna ask you, in terms of creating this town, because we sort of created it in the first adventuring party, how quickly did you come up with the aesthetic of it?
11:31Yeah.
11:32Because you were able to lay out the deal so quickly.
11:38That's really nice of you to say.
11:40There's a lot of incredible work, wonderful narrative design and writing this season from one of the best game players and authors in the world, Maisie Veselac, who we absolutely love.
11:51Maisie!
11:52I would love to Maisie, who's like a lot of the, basically I was talking and I was like, this season is like post-apocalyptic, you know, in the world of like, The Road, Waterworld, Mad Max, that post-apocalyptic genre, but in a kind of place where my escapist fan, the big thesis of this for me is, what if the place that is always depicted as our ultimate nightmare, which is like post-apocalypse, always the fucking sword of Damocles over your head, people talk about that.
12:20And what if that place was filled with people that all wanted to make life good and believed in helping?
12:27And there was no insane, tyrannical hoarder of resources and no groups of people dedicated to wanting other people to be deprived of things that everybody could share and there'd be enough for everyone.
12:45What if that? And it really was a thing of like, oh, the doom that, the thing that is bad is a thing that exists right now, which is people in the world who want other people to have less than they have.
12:58And if you lived in a fucking wasteland with everybody who was looking out for each other, maybe that would be a little slice of heaven.
13:04Yeah.
13:05And so going to this genre that's the thing we're supposed to be the most afraid of and making it a place that would be lovely to be was the point.
13:12And then to say, we're gonna give it these Paddington, Frog and Toad-esque like problems, which is like the work of being kind and loving is hard.
13:21And there are all these conundrums and things to figure out. How do we say goodbye to people we love?
13:25How do we have a chili cook off where we want this guy to win because he really loves it and we want this person to win because she's a little fucking badass who actually makes incredible chili?
13:34And how do you do it? What do we do to get Claudine help? We can't she like that.
13:39And that was such a beautiful moment too, Jacob, of the thing where you go like, I think about that a lot, especially as a whether you're talking about dealing with children or other adults, where you go, I never want to be some like,
13:54whatever comfort I'm providing has to be for the person and not relieving tension from this interaction.
14:03If you have like a little screaming kid, I feel like for me the biggest thing to do is be like, this cannot bother me.
14:10Like this, I have to be okay with this. And to not be like, whoa, how are we gonna resolve the way your distress is making me feel?
14:19You know what I mean? Like, it's a very, uh,
14:23Will Smith, Jada Pinkett Smith situation.
14:26Get your wife's name out of your mouth.
14:29Are you sort of getting towards a get your wife's name out of your mouth?
14:32That was the whole thing.
14:33Okay, explain.
14:34For Jada Pinkett Smith's 40th birthday party, Will Smith planned this like huge elaborate thing and she's like, I just want it to be like us and my friends.
14:41And he was like, right, but this big party is showing what a great husband I am and like is like, it's a celebration of you and I'm doing all this for you.
14:47And she's like, I didn't ask for that.
14:49I didn't want that. That's not what I wanted or needed.
14:51You're fulfilling you, not me.
14:53Yes.
14:54Or your desires.
14:55Did you read this somewhere?
14:56Nope.
14:57Uh, you just know.
14:59I just thought about it and I was like, oh, that's right.
15:01You're their au pair.
15:02I listen to a podcast about like.
15:04The red table.
15:05Podcasts are spoken books.
15:06And red table talk.
15:07The, uh.
15:08Fuck, dude.
15:09Whoa.
15:10Uh, they are not.
15:11Um, uh, the, uh, there's a thing in that like problem solving world though that is like, uh, uh, wanting to have problems that are big macro problems and problems that are micro problems.
15:26You go like, oh, this one, like this guy misses his friend or like this family feels a need to like perform this funeral quickly when they don't actually have to.
15:37And then the bigger thing of like, everybody here is stressed and overwork.
15:41These signs are like, as you guys.
15:44So in other words, it was a lot of having pre established, pre established writing and prompts and characters and stuff like that.
15:51And then in the previous adventuring party, when you guys assigned these, it was like me basically reordering, recontextualizing, moving some challenges off of rock glob, moving some other things that I'd written for other places and that Maisie written for other places onto rock glob.
16:05Uh, and going like, okay, ultimate resilience.
16:09Like, which is important that like Claudine is good at her job.
16:14These babies are okay.
16:15We're resilient.
16:16We're hanging on.
16:17And it's just that everybody is fucking miserable.
16:21Warmth is at four, right?
16:23Uh, and so it was, it was thinking about big problems, medium problems, small problems, and how the caravan can go take care of them.
16:30We also had two pieces of burnout.
16:32Hoogie and Connor both had a little bit of burnout.
16:34Ooh, right.
16:35Um, uh.
16:36And there's what, there, we can't ever get rid of it.
16:40You can, but it is a, like, at that first level, it's almost hard to notice.
16:47Because a d6 is not that much better than a d4, right?
16:50So it's like, but if you burn out more, now your d8's gone, and then your d10, it starts to get really, really noticeable.
16:57So for our purposes, uh, also you can't help out with a burned out die.
17:02Oh.
17:03Yay.
17:04Oh, shoot.
17:05Um, uh, so that's intense.
17:06Okay.
17:07I can't help with creativity, and you can't help with resilience.
17:10So where'd you guys burn out, and what, and what?
17:12I'm burned out in creativity.
17:13Okay.
17:14I'm burned out in resilience.
17:15Of course.
17:16Okay.
17:17Um, so for you guys, you, uh, uh, if you, you guys can tell me, that first level of burnout, it doesn't have to be that extreme, but something that would help your character get back online.
17:30And it's very much like a creative call within your sphere, but it should be something that other, that you can't sort of necessarily just do by yourself.
17:39In the sphere of the thing that we've, like, it would be in the resilience camp that I would need something to be healing, or no?
17:46Potentially, but I actually do leave that editorially up to you.
17:49Like, maybe, maybe it's just fucking rest, or maybe, you know, it's just like, uh, uh, or something along those lines.
17:55But it definitely needs to get more hefty the more dice you've burned through.
17:58Can we sleep on that?
17:59Sleep on it.
18:00Okay, yeah.
18:01Hell yeah, sleep on it.
18:02Um, uh, but yeah, I loved this funeral scene.
18:05I loved the, the bullet, the chain of his butt, and it was a very fun character, the idea of, like, this one character who died was, like, ornery, which is the one thing you're not supposed to be in Rock Lab.
18:15They have, what, they have their, their D12 in Charm, and it's like, uh, it's like, no, this guy was a big ol' jerk, but, you know, he was...
18:24Probably what killed him.
18:25Probably what killed him.
18:26He jumped out of that boat, tried to take a swing at somebody.
18:28Drowned.
18:29Made a lead.
18:30Shot to the bottom.
18:31Tough.
18:32Um, we...
18:33It's fun, because it's the type of person that's, like, not immediately missed, and people are kind of like, oh, okay, but then sort of as you realize the patchwork of the town without him, it's just like, oh, man.
18:41Like...
18:42Yeah.
18:43Well, I think about that all the time, too.
18:45There's a very funny, I feel like I know people in my life that are this, that are, like, charmless, even if they're very good-hearted people.
18:54Because I remember one person was, I was talking to a friend about, that kind of became that little speech, where a person was like, hey, but they're true blue.
19:01When, when the chips are down, when push comes to shove, when it's really all on the line, they come through.
19:06And I remember saying, that's true, but so much of life is that not everything is on the line.
19:13Yeah.
19:14And in those moments, this person makes life kind of hard and sad and challenging.
19:19Uh, I wish they were better at the trivial shit.
19:21Yeah.
19:22Because a lot of time is spent trivial.
19:24Uh, we're talking about, we're just talking about quantity.
19:26You know, like, uh, and that, that feels like a funny challenge with that.
19:30And maybe a little thing for those people that are like, I might be rough around the edges, but I'm there when it counts.
19:35And you're like, you should sand those edges down a little bit.
19:37I don't know if that's good enough, man.
19:38I don't know if that's good enough.
19:39Kind of a pill.
19:40Kind of a pill.
19:41I gotta be me, though.
19:43I gotta be me.
19:44Oh, yeah, man.
19:45I gotta be me.
19:46And I gotta be somewhere else.
19:49You're gonna be, like, super helpful twice, is what it sounds like.
19:52I mean, that's what I'm hearing.
19:53And if you knew the real him, you'd get it.
19:55You'd get it, man.
19:57Ugh, tough.
19:58Um, uh, yes.
20:00I have a question.
20:01Yeah.
20:02Sure.
20:03We've become so orderly that I'm freaking out now.
20:06I can be crazy.
20:07You're not like this?
20:08No, I love it.
20:09It's great.
20:10You go to something crazy?
20:11You go to something crazy?
20:12Do we ever see you without your, um, mask?
20:14Well, I saw it.
20:15Yeah.
20:16I think it's rare because my thought process on, like, Hoogie's face is that it is, like,
20:22that, like, just, like, almost translucent skin.
20:25It's so, like, pale.
20:26And then also probably, like, very, very light eyes.
20:29So it's, like, the mask almost acts as, as well as, like, it's sort of, like, stopping, like, smoke and sand and stuff like that.
20:35And physically, like, smoke when it's coming out.
20:38It also kind of acts as sunglasses.
20:40Mm-hmm.
20:41So it is just, like, literally, like, I'm wondering if there's, like, a little bit of, like, a transitional lens.
20:45Something we have in common.
20:46Sure.
20:47Sort of that's how we connect.
20:48You can have that.
20:49No, no, no, no, no.
20:50It's not mine anymore.
20:51No, it's fine.
20:52It'll pop out.
20:53So there's no transitional lens in mine, actually.
20:54It'll pop out.
20:55It could just be goggles.
20:56But, yeah, it just, yeah, it could be just, like, something.
20:58But, like this.
21:00What was the question?
21:01No, you answered it.
21:03Well, because, like, you seem to operate with the mask on for most of the time you're with us.
21:11And I don't know if that was as a way for you to, like, protect your identity from us.
21:15Or, like, not show vulnerability or anything like that.
21:18I think it's probably a bit of that.
21:20Like, I do think, like, probably in those moments of the.
21:23This is how tall I am.
21:26This is how tall I am.
21:28Lost him.
21:29So small.
21:30What'd you say?
21:31Lost him.
21:32Oh, Zach.
21:33Help me.
21:34I do think, personally, like, it is one of those things where it just is sort of like.
21:39Tiny like that.
21:41It's sort of like a protection mechanism.
21:43Uh-huh.
21:44But also, like, during the service is probably the only time, like, when dealing with the body, it's only the dead that are seeing Hoogie, like, truly without the mask.
21:52There's been some incredible visuals thus far.
21:55Tess riding the fucking surfboard up the sandstorm.
21:57Oh, yeah.
21:58And the idea of Hoogie putting a long hand in that, like, furnace room as this, like, death bird is just very.
22:06It's great.
22:07It's great, Vish, for this setting.
22:08Uh, Jacob, you had a question.
22:10I just rose my hand because Oscar did.
22:12I dig that.
22:13And I just was trying to, like, make it a little less orderly, a little crazy.
22:17Mm-hmm.
22:18We kind of did that.
22:19Are we pitching the next one today?
22:21We're not pitching the next time today.
22:22We're gonna pick up in Rock Glove next week.
22:23It feels like we have more to do in Rock Glove.
22:25We have unfinished business in Rock Glove, for sure.
22:27Oscar.
22:28I have a question for Wysocki.
22:30Are you a human?
22:31Is Kokomo a human that has been mutated or a creature that's been mutated?
22:36With a lot of skin.
22:37Do I have to answer that?
22:38Or a dog.
22:39Oh, okay.
22:40You don't have to answer.
22:41I don't know.
22:42To be honest, it's not a really satiating answer.
22:45I don't know.
22:46I think he's, like, an entity.
22:47Already.
22:48Oscar, do you have a question?
22:49Already.
22:50I do.
22:51Yeah.
22:52Question for Quinn.
22:53Your cage.
22:54Uh-huh.
22:55Is there, like...
22:57Like, what kind of cage is it?
22:59Is it, like, a boxy cage?
23:00Bird cage?
23:01Is it, like, a...
23:02A classic golden bird cage?
23:03Classic.
23:04Classic bird cage shape.
23:05I see.
23:06So, like this.
23:07You know?
23:08But is there, like, a little...
23:09Let me answer this four different times, and depending on the art, we'll use that take.
23:12Okay.
23:13So, it's a circular cage.
23:14Okay.
23:15So, it's a square, perfectly square cage.
23:17This one...
23:18It's a bird cage classic.
23:20Mmm.
23:21It's really just a bunch of bars.
23:23Um...
23:24Just...
23:25We needed one catch-all.
23:26Can I do a follow-up?
23:27Yes.
23:28Okay.
23:29Right there in the front.
23:30What...
23:31Because typically you think bird cage...
23:32I'm thinking...
23:33There's a little tiny hole.
23:34Well, beyond just the door, it's just like...
23:36That's not, like...
23:37Like, I'm thinking you could probably, if you wanted to, like...
23:39Oh, no, no.
23:40No, no, no.
23:41Much thicker than that.
23:42It's like...
23:43Almost like drawbridge.
23:44Think, like, that...
23:45Right.
23:46Level of...
23:47Yeah, right there in the front.
23:48Me?
23:49Um...
23:50Does it have a little key?
23:52To open it.
23:53Does have a little key.
23:54Oh!
23:55Whoa.
23:56Whoa.
23:57Plop.
23:58Yeah, right there.
23:59Could you do another take describing it, like the one in the movie 13 Ghosts?
24:02Great.
24:03Um, it's just like the one in 13 Ghosts.
24:06Which was...
24:07Sorry, Ed.
24:08Yeah, right there in the back.
24:09Me?
24:10Um...
24:11I think I just need some more details to make sure that you've seen the movie.
24:16Uh, Ali, uh, note from our Lorekeeper Skysmith, um, uh, the cage can be whichever one Ali wants,
24:23and in fact, I will need the clarity on which exact one it is.
24:25Because Art hasn't done it yet.
24:27Okay, great.
24:2813 Ghosts.
24:29So it's just like the one in 13 Ghosts.
24:30So a plexiglass thing holding it.
24:32It's absolutely not like that.
24:33Okay, so this one is like...
24:34It's not plexiglass in 13 Ghosts.
24:35It's not plexiglass at all.
24:36I think a drawbridge was bent into the shape of a classic birdcage.
24:41So raw iron, almost like window bars, but I've bent them and it's a sealed cage that just
24:48kinda like sits right here.
24:49Yeah, right there in the middle.
24:50I've seen it.
24:51Um, I just wanted to let you know that I will try to fix you.
24:55Wait, what?
24:56What'd you say?
24:57Crushed it.
24:58I.
24:59Will.
25:00Try.
25:01Oh, okay.
25:02That was Viva La Vida.
25:05Hanging out here with you guys?
25:08Paradise.
25:09Yeah.
25:10Yeah!
25:11I was hoping it'd be a new one.
25:12Cool.
25:13Beautiful, and that's all for this episode.
25:16Brennan said enough.
25:19What about...
25:20Mr. Brideside over here.
25:21Sparks.
25:22What about Sparks?
25:23Brennan said, my daughter's apple.
25:25Apple, I drive you away.
25:28Chris, my daughter's name is Apple.
25:30Nobody said it was easy.
25:33That's all for this adventuring party.
25:35We'll see you next time.
25:37Chile!
25:38Chile cook up.
25:39Chomp, chomp, chomp, chomp, chomp.
25:40Time to get Chile.
25:41I love that.
25:42Chile, Chile.
25:43I love that.
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