00:00So, ILS ma'am a Swaggart?
00:02Yes, I am a Swaggart.
00:04Yes, sir.
00:06We want to ask you,
00:08you should be able to do this in today's convocation.
00:10Today, the graduates of Vishnigwood,
00:12the graduates of Vishnigwood,
00:14the graduates of Vishnigwood,
00:16and we have enjoyed it.
00:20Today,
00:22there have been 300 students
00:24who have graduated from Vishnigwood,
00:28in which there are
00:30filmmaking, acting,
00:32producer, director,
00:34actors,
00:36musicians,
00:38design, animation,
00:40fashion,
00:42MBAs, all kinds of students.
00:44Because in Vishnigwood,
00:46the graduates of Vishnigwood,
00:48the graduates of Vishnigwood,
00:50the graduates of Vishnigwood,
00:52the graduates of Vishnigwood,
00:54the graduates of Vishnigwood,
00:56now,
00:58we have a single commission.
01:00The biggest thing of this
01:02convention was that
01:04every year,
01:06the master award was granted,
01:08which was made to Indian cinema
01:10and a Bengali superstar
01:12was granted to Indian cinema.
01:14It was not the Hindi cinema,
01:16but theCU cinema is made to be an Indian.
01:18So, we need to be able to do this in this country, in Tamil, Tamil, Tamil, Tamil, Tamil, Punjab, Punjab, Gujarat, Gujarat, Gujarat and Gujarat.
01:35So, we need to be able to do this in this country.
01:52So, we need to be able to do this in this country.
02:03So, how do you enrich your filmmaking and filmmaking?
02:12I was a graduate of FRI.
02:15I was a director of acting and I taught a lot about it.
02:20I taught a lot about it.
02:22I taught a lot about it.
02:24I taught a lot about it.
02:26I taught a lot about it.
02:28I taught a lot about it.
02:30I taught a lot about it.
02:33Then I taught a lot about it.
02:35I taught a lot about it and I taught a lot about it.
02:37Then we studied about it.
02:39Then we studied about it.
02:40Then we considered a distributor.
02:41Then we could have opened a theater.
02:42Then we opened a wrestling world film school because those kids who come to Bombay
02:47didn't understand where to go, where to go, where to go, where to go, where to go,
02:52where to go, where to go, where to go, where to go, where to go, where to go, where to go, where to go.
02:55So we said here to go, here for 2-3 years, connect with industry, connect with experts,
03:01connect with them and practice with them and then we will go into industry.
03:06This was the purpose of wrestling.
03:08Sir, in today's cinema, there is a trend of classic songs and films of recreation.
03:14So you have made a film maker who has made timeless music and made a timeless film.
03:18Do you see this trend in nostalgia or in creative risk?
03:22I think whatever the creative work is, they are in their own time and in their own era.
03:31In Taipei whatever it is,
03:35I will tell you a lot.
03:37Pillai to Sow I mean a big fan,
03:39the film…
03:40ItжoBlackhen skilled target.
03:41We arrived at N America,
03:43we were a film by Meaguru when we was about 400,
03:47you know the film.
03:48The film plays in the film.
03:49You also have from
03:50saw my Pop culture.
03:51The film was bothitious film.
03:52What?
03:53So this is how many directors, directors, writers, and writers are changing.
04:02So cinema is also changing.
04:08People are changing, time is changing, issues are changing,
04:15and that is changing.
04:18And the expression, narratives are changing.
04:22If you look now in the literature,
04:24it is not the 90s or 80s narrative.
04:27It was the 70s, 80s, 90s, and 2010.
04:31After that, it was digital.
04:34And so many facilities and formats were made.
04:38There is also a drama,
04:40a series, a television series.
04:43So children have a great experience.
04:46Little stories, big stories, everything.
04:48So cinema is not individual.
04:50But what's the right and the story name?
04:51This is a 반 adventure.
04:53So film has been given at 30,000 years.
04:55I am learning how it did not get any relationship,
04:56some of this film's work.
04:57So I don't know.
04:58It has been just a long time for you.
04:59I am learning how much of this film is connected.
05:00I am learning how to become a founder,
05:01and I am learning,
05:02I am learning how to become a partner,
05:03and trying to become a partner.
05:04It has been a long time for us.
05:05I have trained in the life.
05:06But we don't know how to become a partner.
05:08We don't know how to become a partner.
05:09In the 1950s there was an action film in Kameran and I was watching a lot of action films in the 1970s.
05:16Then in the 1970s there was an action film in the 1960s.
05:23In the 1970s there was an action film in the 1960s.
05:28Then karma came.
05:30Then how many action films were made?
05:33Then in the 1990s there was a love story.
05:36In the 1970s there was a trend scene.
05:39Then people go away and they need something else.
05:43Love stories, action stories means crows.
05:47Crows means betrayal.
05:49Betrayal means anger.
05:51So today the time is like this.
05:55People have a crush and anger.
05:58So they are in action films and more films.
06:02Because at this time the situation has increased.
06:11So how do I do it?
06:14So there is a lot of competition.
06:17There is a lot of competition.
06:19We have to get more money.
06:21Love stories, love stories, love stories, love stories, the way things are coming.
06:24What can we do today?
06:26So how do you do that?
06:27Bozu and lots of people,
06:28work the way.
06:29Take care of others like this,
06:30Even my extraordinary first五十 December.
06:31For there comes.
06:32We will not become more land and more dest emoc Fasasasas in the 1970s.
06:33Even that one also do watch the same things.
06:34But it's a space that's not really become society.
06:35And we don't.
06:36To find it, after that one's a much more고
06:38We must make the same things.
06:40तर बहुं से तो प्यूसरा कोई फार्मूला नहीं कि आजकरमीए हिए, जो चल रहा है, उससे थोड़ा अलग बन आएंगे तो जादा चले.
06:47तर आपके एरा में, एक्शन के साथ-स consideration, emotion भी equally strong होती थे तो क्यों आपको भते है
06:54You see, that in the actions that you don't have the emotions, or even a backseat?
07:00It is that people who are watching the social media.
07:03Our parents were laughing, they were laughing, they were laughing, they were laughing, they were laughing, they were thinking about it.
07:10So, the emotions have become the person's expression as the person.
07:13Today, we have been learning about the same feeling.
07:16We show some emotions in the other way.
07:19So, we don't see emotions in the other way, we don't see emotions.
07:22Your parents are crying and crying.
07:24I will see.
07:26Now, someone says how will it feel?
07:28I can do it.
07:30Emotions will always be the same.
07:32If a person is the emotion,
07:34if there is an error then there will be any pain.
07:36Sir, you have seen golden faces and disruption,
07:40so what should you teach about failure and patients today?
07:44I want to say the students today
07:46that when you see a different dynamic,
07:48you will have different dynamics.
07:50You should be talented to be a student, so you should just have a student.
08:02You will get a new technology, new narrative, new character, new knowledge, new issues.
08:09Don't do that.
08:11You should be a talented person, to tell sophisticated stories, emotional stories.
08:25In that way, your spiritual growth is important.
08:28If your talent growth is a spiritual growth, it is an economic growth.
08:34Art is not all about economics. Art comes first, economics comes second.
08:40The film industry is a progressive space, but it is also about communal undertones.
08:57What do you think the industry is insulated in society?
09:05So, I got into it in the Naappur and in Delhi I studied in a school.
09:08And now Hamanook is got our national school.
09:10This is something I had in the eighth class.
09:13There was a major issue.
09:16When I was in college and went to the gym, there was also a major issue.
09:18Communal harmony is what is the subject.
09:21This alone remains as a human power.
09:24and communal disturbance, student disturbance, student unrest
09:29displacement topics are over the last year and will continue with this.
09:36You have to have an issue that if you have to believe it, then it means that it means that it means it, it means that it means nothing.
09:43Those who are affected are, their work are working.
09:47Those who have to do politics, they do politics.
09:50It is a real thing.
09:52It is a real thing.
09:54What is the purpose?
09:56But the people who work with are the people who work with will do it.
10:00Because these things are from thousands of years, from second years.
10:04It is not today.
10:06It is a human being.
10:08It is a human being.
10:10It is a master.
10:12It is a father.
10:14It is a mother.
10:16Sir, many times young actors and young singers,
10:20these things come out of mental health and public breakdowns.
10:24People put on social media,
10:26saying that we are from social media.
10:30Do you think actors' pressure is more visible or more visible?
10:36Yes, it is more visible.
10:38Because in the first time,
10:40there was only a newspaper.
10:42There was no newspaper.
10:44There was only 15% of the population of the city,
10:48there was a newspaper.
10:50Either on the radio station,
10:52or on the other station,
10:54or on the TV news.
10:56Now,
10:58there is no real man here.
11:02There is no man here.
11:04There is no man here.
11:06There is no man here.
11:08There is no man here.
11:10He is living here.
11:12There is no man here.
11:14But now,
11:15the life changed
11:17Now, its vibration went far.
11:19In the first time,
11:20there was no such thing.
11:22In the first time,
11:23there was this same karma.
11:25There was a man here.
11:27The American and theppa were hanging on each other.
11:29The drivers and the people,
11:31the locals were still out and are right.
11:33These are the rooks of the people,
11:34but they are now and are still doing it.
11:36Mr. Sir,
11:37Wessling Boards 19th Convocation, sir, many 25 years ago, sir, what message do you want to give students to you?
11:44I want to give this opportunity to accept the world, to respect the world, to make it possible to make it possible in the skill development, make it possible to make it possible.
11:56And all challenges, don't be afraid, move forward with fear and fear. And to accept the change, whether it is technology, whether it is AI, whether it is something else.
12:12You should come to a story with your heart. Thank you.
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