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TVTranscript
00:00Hello sir. Hello. What are you doing in the camera?
00:23Are you a parent? Yes, they are outside the door.
00:28Yes.
00:30What do you mean by the fear of fear in the temple?
00:34It's necessary to be in the temple.
00:37Okay, okay. Let's go.
00:42Where are you going?
00:43The bathroom.
00:44What is it?
00:45Playing tennis.
00:46Are you going to go, brother?
00:48Come on, come on. Come on.
00:50What are you doing? Why are you going to come together?
00:53Sir, you don't understand.
00:56Look, what is it that we are afraid of
00:58that if we are going to go inside and go inside,
01:02then it is necessary that we are going together.
01:05Because what is it that we are dealing with?
01:08Your character is dealing with.
01:10Yes.
01:12Sir, you are not ashamed. Why are you complaining?
01:15You keep social distancing.
01:17I don't like social distancing.
01:19I don't like social distancing.
01:21What is the problem?
01:23You are men.
01:24We are men.
01:25We are both.
01:26It is one gender.
01:27You have to have me.
01:28Shut up!
01:29I don't know.
01:30I don't understand this.
01:31I don't understand this.
01:32You go.
01:33You go here.
01:34Okay, sir.
01:35Look, let's do this.
01:36Let's do this.
01:37Let's do this.
01:38Let's do this.
01:39Let's do this.
01:40Let's do this.
01:41Let's do this.
01:42Let's do this.
01:43Let's do this.
01:44Fantastic.
01:45Let me fix the first time.
01:49What have you got here?
01:51Why are people who haveu było i tti se�� for?
01:54At this point,
01:56Then I want to make sure to other friends.
02:01What will you tell where you are going?
02:03What will you tell the rals?
02:05What will you tell you?
02:06We will get married yet but I will come to our return.
02:10You won't believe that.
02:12You won't go here.
02:14Niki, you won't.
02:16Niki, you won't.
02:18You won't.
02:20I won't.
02:36What's inside?
02:38You won't.
02:40We have been very proud of them.
02:42But they have not been prepared.
02:44We have been out of the door.
02:46We have been out of the door.
02:48Tewaariji, you don't have to be a good job.
02:50We have been very happy.
02:52What are you doing?
02:54I don't know if you are listening to your story.
02:56What will you have to do?
02:58They know.
03:00I'm afraid that guests will give us
03:02our resort to one star.
03:04If it happened,
03:06if it happened,
03:08it will be your responsibility.
03:10What will happen?
03:12What will happen?
03:14But what will happen with it?
03:16What will happen with it?
03:18Because it's gone to the bathroom
03:20to the bathroom.
03:22He looked great.
03:24He looked great to see you in the bathroom.
03:25I saved it.
03:26Fun fact Girl na 思いは、
03:28I believe that the dokumentが
03:30done 개봉で遇ったら
03:32だからレタ expect PHONEの
03:33ほうら、
03:34一つでは、
03:36何動作があるのが見えてきました。
03:37Oh
03:58Babi Jai, you dance
04:01is more than a drink
04:03If you make a dance, it becomes a heartache.
04:09And this heartache is your dance.
04:14I'm sorry, but I have to.
04:26Aabharputi Ji!
04:28Why are you giving me the gift?
04:30We have to study our work!
04:33They love me even to hear the声,
04:35They also act like me and sing in a song.
04:37We feel the voice of a song and sing in a song.
04:43I'm sorry, Mark Zaria says...
04:45I know them all around today.
04:46We shall all��.
04:56Soon as I came along the air,
04:58like if they're blue and orange,
05:00we'll be as if they wilt.
05:02Tiramate
05:11Tiramate
05:15Tiramate
05:22You know me
05:52Oh
06:04Guys
06:06Today's fight is going to be one time again.
06:11As we know in the first round,
06:13Tillu was a girl in the first round.
06:15Now, let's see
06:17Who is a girl in the first round?
06:20Come on, let's start the game.
06:35Oh my god
06:43Apelie, after this, you won't be a girl.
06:46If we will get you,
06:48You will become a girl.
06:52Oh my god
06:53Your mind is bad.
06:54Leave your baby.
06:56I will not be your girl.
07:02Alright friends,
07:03Let's play the game.
07:05Let's play the game.
07:06Let's play the game.
07:07Oh my god
07:11Let's play it with my girl.
07:12Bély, Bély, Dullard.
07:13Oh my god
07:14Yeah
07:16Yeah
07:17Bély
07:18Bély, Dullard.
07:19Bély, Dullard.
07:20Bély, Dullard.
07:21Peli, Peli, throw up!
07:23Peli, throw up!
07:34Peli, Peli, throw up!
07:36Peli!
07:39Peli, Peli!
07:41Peli, Peli, Peli!
07:43Hey, Jaye, toh nakli hai go.
07:45Peli, Peli!
07:49Hey, Mal Khan!
07:50Mere 20 rupiah bhi tuhnne duba diye.
07:52Kiyo Anurak?
07:55Hmm...
07:56Hum ko toh lagta hai ke...
07:57Ab tak woh bhutni bhabi ji, woh mehman ko noch chuki hoongi.
08:03Tiwari ji, thudasa, thudasa effort daalte na...
08:06Toh...
08:07Woh mehman nushre se bach jata.
08:09Tani, kya ho raha ho?
08:10Bhabi ji, kya kar saktethe?
08:12Nuh di hume khadar diya!
08:14Ye ek haarev insaam ki line.
08:16Kya karna taa matlab kya karna taa?
08:18Jaatei vahhan pe...
08:19Pajaa ke pad pakar lietei uske.
08:20Kaya teh, mujhe nahane diya fresa.
08:22So simple.
08:23Aray se dekh ke es ke anndar ki chupi hevaniyat ko phechan liya ho ga usne.
08:29Iska chera dekh ke hi samajh gya ho ga...
08:31Ki ye bhod bada dabo chu hai.
08:34Chach, please, language.
08:37But sir, chach is right, sir.
08:39Aap dabo chu bhi hai aur bhi chu bhi, sir.
08:42Chach, chach, aap ka zindi ke parisi hi haadse ka raag alapte raihengye aap?
08:47Chach, banyang.
08:48Tune chis haiwaaniya simp.
08:54Chach, please, don't be overdramatic here.
08:56Okay.
08:58Chik, am dekh ke aate hain kis haal mein hain.
09:01Hello, sir.
09:02Hello.
09:03Hello, sir.
09:04Hello.
09:05Hello, sir.
09:07Okay, okay.
09:12Oh, sorry.
09:24Aap loog mujhe is tarah se kiyo dekh rahe hain?
09:27Sir, are you okay?
09:29Haa?
09:30I am okay.
09:31Mager yeh, yeh okay nahi hai.
09:35In ka ilaj kara hai hai.
09:36Ori, humare saadh dhane ke liye utaholay hua ja rahe tha.
09:39Harichi.
09:40You're so pathetic.
09:41You're so repulsive.
09:42You're so repulsive.
09:43Mujhe gina rih hai hain aap se chih.
09:44Sir, kaha hai na, woh aapke softie ke liye aapke sath na anna chahate thay.
09:49Hey!
09:50Hey!
09:51Hey!
09:52Hey!
09:53Hey!
09:54Hey!
09:55Hey!
09:56Hey!
09:57Hey!
09:58Hey!
09:59Hey!
10:00Hey!
10:01Hey!
10:02Hey!
10:03Hey!
10:04Hey!
10:05Hey!
10:06Hey!
10:07Hey!
10:08Hey!
10:09Hey!
10:10Hey!
10:10Well, no!
10:11Is there not!
10:12Also, I didn't come with a very quiet and calm down.
10:15To ensure their musicфord isокоants banned,
10:19well the piano.
10:20Oh, actually, my knowledge of Sangeet today.
10:23I know, I know, I know.
10:25To ensure these people on the piano that are студented,
10:27you said the next time they don't tea.
10:31Is there too fun?
10:34If I stay in school,
10:37...to come out and get out of the way out.
10:56Okay?
11:06Okay?
11:07We're going to have tea in the morning.
11:11Have a lovely day, sir.
11:16It's amazing.
11:17Bhutani Bhavi Ji hasn't done anything with them.
11:20I mean, we've got to pay attention to them.
11:23Bhutani Bhavi Ji hasn't opened any anger.
11:25We'll have to pay attention to them.
11:28It's another matter.
11:29Tell me, when was this happened to the guest?
11:34Two nights before.
11:35And that day, you played the piano?
11:39I was playing tonight.
11:42And tonight, there's nothing else.
11:45And when you played the piano, Bhutani Bhavi Ji hasn't done anything.
11:51It's happened.
11:52Anita Ji has happened a lot.
11:54When we were playing, we were going to keep going.
11:57Wow.
11:58What a freak.
11:59She was dancing like a live one.
12:02She was dancing very well.
12:06She came in the middle.
12:09What was she saying, Bhavi Ji?
12:10I wanted to say that when Bhutani Bhavi Ji doesn't play the piano.
12:19There's some connection.
12:20There's some connection between the piano and the piano.
12:23And they'll play the piano and play the piano.
12:25I don't know.
12:26I don't know, Bhavari Ji.
12:27I don't know about this.
12:28I feel like there's a relationship between the piano and the Bhutani Bhavi Ji.
12:32When it's playing, there's nothing else.
12:35I feel like we're dancing with Bhutani Bhavi Ji.
12:36I feel like we're dancing with Bhutani Bhavi Ji.
12:44Big Bhutani Bhavi Ji.
12:58How would you show this?
13:03At that point, Walt 1997 will grow better.
13:06What about you?
13:07What about you?
13:08All you're gonna get to your piano.
13:09Biggs.
13:11Yeah.
13:11We're gonna get to catch you.
13:11You're gonna get to catch the trun какая.
13:13Hey, why are you eating sweet?
13:17Why are you eating sweet?
13:19Actually guys, I killed Peely yesterday...
13:22...and I'm going to make your daughter.
13:24I'm eating sweet.
13:28Any problem with you?
13:29It's 7th birthday. I don't know where the guest is.
13:32Don't eat sweet. You're going to eat sweet.
13:35You're going to eat Peely.
13:37Shh.
13:38I'm...
13:39My son, my son, my son.
13:43You're a big man.
13:44You're a sweet man.
13:46You're sweet.
13:48You're in this place.
13:50You're in my next place.
13:52You're in this place, brother.
13:53If you like someone like this...
13:55...you like me and tell me.
13:57We'll sit here and take him.
13:58You're talking about this.
13:59What do we say about this?
14:00We're going to ask you something.
14:02You didn't break me down my head.
14:06Why are you doing that?
14:08What's going on?
14:09When you have gas, I'm looking for Niko.
14:12Have you seen it?
14:17Yes.
14:19We will take a bite.
14:23Okay, yes.
14:25We will take a look.
14:28Okay, yes.
14:30What?
14:34Okay, yes.
14:36You see?
14:37You see?
14:38Oh, that's a cutie.
14:41I mean, cutie figure.
14:44It's here.
14:46I'm a little bit.
14:49You work in the resort.
14:51You don't know who you are in the resort.
14:53Is it a woman or a woman?
14:54You can see a woman.
14:55We can see a woman.
14:57If there are no ladies or ladies,
14:59you will tell them.
15:01That's it.
15:02It's the same thing.
15:04You have one thing.
15:06I love this.
15:09Positive.
15:10You boys are very positive.
15:11My pleasure.
15:12My pleasure.
15:13I love this.
15:14I love this.
15:15My God.
15:16I'm a man.
15:19Come back to the salon.
15:20I'll take my class in the haveli.
15:23What are you doing?
15:24You're doing it.
15:25You're doing it.
15:26You're doing it.
15:27You're doing it.
15:30Wow.
15:31It's so old.
15:33But no one is looking for watching.
15:35What's the thing?
15:36No one's winning.
15:37No one is wrong.
15:38You're doing it.
15:39No one's cheating.
15:40No one is.
15:41No one has to end up.
15:42It's a fault.
15:43It's a fault.
15:44It's no one's cheating.
15:45It's a fault.
15:46You're done.
15:47Yeah, go net go net. Go net. Go net. Go net.
16:00Oh, I can't.
16:03Sir.
16:04You're crazy. Why are you making a man with a man?
16:07What's your voice?
16:08I'm not making a man. I have to make a man with a man with a man with a man.
16:15Why?
16:17Because this is a man with a man.
16:19And they follow it very seriously.
16:21I don't follow.
16:23Who will you follow? Sir.
16:26Then you can't go. There's no need. Sir.
16:30What a man with a man.
16:32This is a man.
16:33If you have a man with a man,
16:36there are very heavy chances that you can go out of this world.
16:41Go, mate. Shake your cola, shake your cola.
16:44Shake your cola, shake your cola.
16:47Go, mate.
16:49Give it up.
16:50Where are you still going with a man?
16:52Why did you come to the guest?
16:53Are you not even here?
16:54Anita said that she drank a lot with a man.
16:58How did the guest get up?
16:59She needs to be able to do something.
17:00She needs to be able to materially lose.
17:01She's on the other side.
17:02Where are you still going?
17:03Is that right?
17:05Where did he stay, Vibhu?
17:08Why didn't he come to the guest?
17:10Anita said that he didn't come.
17:12He took the guest and took the toast.
17:15He took the toast.
17:17He took the toast.
17:19Come on.
17:20Come on.
17:21Come on.
17:22Come on.
17:23Come on.
17:24Come on.
17:25Come on.
17:26What?
17:27It's a strange place.
17:29The anchor says,
17:307-8 days ago.
17:32No, no, no.
17:33And you say,
17:357-8 days later.
17:37What?
17:38And what will I get to hear?
17:40Sir,
17:41we want to request you.
17:43Keep it.
17:44Keep it.
17:45Keep it.
17:46Just ignore them fully.
17:48Everyone does.
17:49You go to the room.
17:51If you don't need anything,
17:53then you save a minute.
17:55We will come.
17:57Huh?
17:58Are you talking about room service?
18:02Yes.
18:03If you don't have to wait for a while,
18:05then someone will come to help you.
18:07That's what she's saying.
18:08That's what she's saying.
18:09Right.
18:10Okay.
18:11I'll take a little bit of water.
18:13I'll take a little bit of water.
18:17What's that?
18:18What's that?
18:19What's that?
18:20What's that?
18:21What's that?
18:22What's that?
18:23What's that?
18:24What's that?
18:25How deep is it?
18:26It's a Nana.
18:27Oh, Bhutti Bhabi Ji.
18:28This is not the king of Switzerland.
18:32Both of Switzerland.
18:33Switzerland kings?
18:35Yes.
18:36Both of them.
18:37She's so cute, man.
18:40She's super cute.
18:42Bhabi Ji, you don't have to call Switzerland kings.
18:44It's siblings.
18:45Really?
18:46Okay.
18:47But one minute.
18:48Why are we taking attention?
18:50We have a way to stop the Buddha.
18:53No.
18:54Vibhu will play the piano,
18:55and they won't come.
18:56Simple.
18:57Oh, yeah.
18:58Anita Ji.
18:59No, no.
19:00If you play it,
19:01we won't play it.
19:02Then we'll play it.
19:03Then we'll play it.
19:04Huh?
19:05If Bhabi Ji,
19:07you can't be able to stop this resort.
19:10Come on, Bhabi Ji.
19:12We'll play it.
19:13Okay, okay, okay.
19:14We'll play it.
19:15That's okay.
19:16When will I play it?
19:18When will I play it?
19:19When will I play it?
19:20When will I play it?
19:21When will I play it?
19:22When will I play it?
19:23I will play it.
19:24I have this also.
19:25We'll keep the guest's room outside of the bathroom.
19:29We'll put the duty on the bathroom.
19:31He'll give attention that he's going to play it.
19:33And as he goes,
19:34he'll give us a phone.
19:35And then you'll say,
19:36I'll play it.
19:37Wow.
19:38So, we haven't been told that this is a nightmare.
19:41What a joke is.
19:43What a joke is.
19:45What a joke is.
19:46Like this?
19:47Beauty and brain of perfect example.
19:50If you're mad, you're a missile.
19:52You're a bad man.
19:54You're a bad man.
19:55Your bad man.
19:57You're a bad man.
19:58You're a bad man.
19:59You're a bad man.
20:01And if you're a bad man,
20:02If Yudhan is yours, then it's mine.
20:04Babi Ji said, it's very annoying.
20:06But it's annoying.
20:08But you, you are good for nothing.
20:11Oh my God.
20:12Oh my God.
20:13Be quiet.
20:14Be quiet.
20:15Look, where are we going?
20:17We have to pay attention to the guest.
20:18They don't want to go to the guest.
20:20Right?
20:21We call Mal Khan.
20:23Oh my God.
20:25Mal Khan, come here.
20:27Where are we going?
20:30Where are we going?
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