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00:00:00Vielen Dank.
00:00:30Vielen Dank.
00:01:00Vielen Dank.
00:01:30Vielen Dank.
00:02:00Vielen Dank.
00:02:30Vielen Dank.
00:03:00Vielen Dank.
00:03:30Vielen Dank.
00:04:00Vielen Dank.
00:04:30Vielen Dank.
00:05:00Vielen Dank.
00:05:30Vielen Dank.
00:06:00Vielen Dank.
00:09:00Vielen Dank.
00:09:30Vielen Dank.
00:09:59The history of monastic life is as old as the history of the human race.
00:10:06I think the whole history of shamans is a history of a kind of proto-monasticism where someone
00:10:13in the tribe has clearly has clearly,
00:10:42and the past, and I, I'm God, I'm God,
00:11:12Vielen Dank.
00:11:42Vielen Dank.
00:12:12Vielen Dank.
00:13:12Vielen Dank.
00:14:12Vielen Dank.
00:14:42Vielen Dank.
00:15:12Vielen Dank.
00:15:42Vielen Dank.
00:16:12Vielen Dank.
00:16:42Vielen Dank.
00:17:12Vielen Dank.
00:18:12Thank you.
00:19:12Thank you.
00:19:14Thank you.
00:19:16Thank you.
00:19:18Thank you.
00:19:48I went out.
00:20:18Thank you.
00:20:48Thank you.
00:21:18Thank you.
00:21:48Thank you.
00:21:50Thank you.
00:21:52Thank you.
00:21:54Thank you.
00:21:56Thank you.
00:21:58Thank you.
00:22:00Thank you.
00:22:02Thank you.
00:22:04Thank you.
00:22:06That was...
00:22:08That was...
00:22:09That was...
00:22:10That was the reaction.
00:22:12Thank you.
00:22:42Thank you.
00:22:44Thank you.
00:23:12Thank you.
00:23:42Thank you.
00:23:44Thank you.
00:23:45Thank you.
00:23:47Thank you.
00:23:49I think you...
00:23:51Thank you.
00:23:52Thank you.
00:23:53Thank you.
00:24:15All of us know that the most essential things in life are exactly what we can't express.
00:24:23Our relation to faith, our relation to love, our relation to death, our relation to divinity.
00:24:31So I think silence is the resting place of everything essential.
00:24:35For the first, I don't know how many hundred thousand years of human life, when we were out on the savannah or learning about the forest, silence was essential to our survival.
00:24:57So silence is our natural milieu, and the farther we get away from silence, the more we lose our humanity.
00:25:05I want you to answer the questions.
00:25:16I want you to answer the questions.
00:25:18Was there junk insurance?
00:25:19I'm giving you an opportunity here.
00:25:21This is how you need.
00:25:22I'm giving you an opportunity.
00:25:24This is how you need to ask it.
00:25:25I'm doing the interview here, Dana.
00:25:27We weren't there.
00:25:28There was a grand jury with 23 people.
00:25:29American individualism now has become more and more associated with our right and our almost social obligation to impose our will on the world,
00:25:40to get out our thoughts, to not hesitate, to not be shy.
00:25:43This is like a card trick that you've seen ten times.
00:25:46In race after race.
00:25:46Bottom line is, in race after race.
00:25:47And after the third card trick.
00:25:50In race after race, Democrats are ahead of Republicans.
00:25:52And one of the Mark Udall isn't winning over women in Colorado.
00:25:56There is such an intense, overwhelming drive to contribute our little ricocheting response to this soul-crushing dig of the moon.
00:26:05You're not running over me.
00:26:06You're not going to filibuster.
00:26:08Dana, you're not going to filibuster.
00:26:10I'm not going to let you do it.
00:26:11I'm not going to let you filibuster.
00:26:12Let me answer your question.
00:26:13You asked me earlier.
00:26:14I'm going to go back to this question.
00:26:35Throughout Japanese history, there has been an appreciation of softer, quieter registers of being.
00:26:55One of the most signal instances of this is really in relationship to the tea ceremony.
00:27:07One of the most important masters, Senrekyu, lived at a time of incredible martial activity among different samurai groups.
00:27:35And part of his interest in developing the tea ceremony in the ways that he did was to cultivate an appreciation for silence and silences relationship to a more pacific environment in general.
00:27:52And part of his interest in developing the tea ceremony in the tea ceremony in the tea ceremony in the tea ceremony in the tea ceremony.
00:28:22Musik
00:28:26Musik
00:28:30Musik
00:28:34Musik
00:28:38Musik
00:28:42Musik
00:28:52Musik
00:28:58Musik
00:29:06Musik
00:29:10Wenn das so ist, dann ist es, dass die Reaktion, die nicht nur eine平atische Welt, die in der OCHAS-Sitz existiert.
00:29:23.
00:29:36Silence allows everybody to have equal platform and equal voice,
00:29:41because if nobody's talking, nobody's dominating.
00:29:53.
00:30:23Silence is a sound, and I think it's a sound with many qualities.
00:30:35.
00:30:44And I think if we start to cultivate an appreciation of silence
00:30:47as the precious thing it is, and enjoy it for a few minutes a day,
00:30:52then it gives us a proper relationship with sound, with noise, with our own sound.
00:30:58It allows us to be much more balanced in the way that we relate to the world,
00:31:01much more conscious.
00:31:07When we throw around the term of silence,
00:31:11we may, in the first instance, imagine that we're seeking some kind of absolute quiet,
00:31:16but very, very few people look for that.
00:31:18What we're looking, I came to believe, is really more for a kind of balance in our environment.
00:31:24It's the particular balance of sound and quiet that maximizes our perceptual awareness of where we are.
00:31:34,
00:31:40,
00:31:41,
00:31:43,
00:31:47,
00:31:49,
00:31:50,
00:31:53,
00:31:55,
00:31:57,
00:31:59,
00:32:01,
00:32:03,
00:32:08,
00:32:12,
00:32:13,
00:32:14,
00:32:15,
00:32:16,
00:32:17,
00:32:18,
00:32:19,
00:32:20.
00:32:21,
00:32:22.
00:32:24.
00:32:25Das war ein bisschen ...
00:32:27... das ...
00:32:29... das ...
00:32:31...
00:32:41... die ...
00:32:48Der erste Superintendent
00:32:50...
00:32:51... Harry Carstens
00:32:53Er war sehr bewusst, dass die solitude und die quietude von diesem Ort.
00:32:59Und er hat eine interessante Quote in 1924,
00:33:02wo er sagte,
00:33:04»There is much to learn by those who understand
00:33:08the language of the great silent places.«
00:33:23Herr K四v ciento –
00:33:26» binary coasts it —
00:33:28»
00:33:30Alec –
00:33:31»
00:33:32»
00:33:35»
00:33:36»
00:33:41«
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00:33:44»
00:33:45»
00:33:46«
00:33:53often times i make measurements that can be as low as
00:34:22Das ist 13-14 dB in der Wintertime und in der Summertime ist es in der 20-25 dB range.
00:34:33Als die Background-Level decreases, dein Listening-Area increases.
00:34:39In einem wirklich stillen Moment,
00:34:41du hast eine Situation,
00:34:42wo du sehr groß ist, acoustisch.
00:34:46Du kannst diese sehr minutee Sounds von weit entfernt.
00:34:51Und es gibt dir dieses incredible sense of space,
00:34:54dieses Openness.
00:35:10So, you know, we exist in the world,
00:35:12and to be able to explore that world
00:35:14with unbroken attention,
00:35:16I think that's one of the things that both silence
00:35:18and like an intact soundscape
00:35:21protects that sort of exploration.
00:35:24Exploration.
00:35:54Untertitelung des ZDF, 2020
00:36:24Untertitelung des ZDF, 2020
00:36:54Untertitelung des ZDF, 2020
00:37:24Untertitelung des ZDF, 2020
00:37:26Untertitelung des ZDF, 2020
00:37:27Untertitelung des ZDF, 2020
00:37:30Es ist ein situationales Bewusstsein. Es ist ein Richtiges von Being.
00:37:35Es ist ein Tapping-Into.
00:37:37Das ist eine große Show, die all around you ist.
00:37:46Hier ist das Harry.
00:37:48Die
00:37:49Die
00:37:55Insel sind sehr kalt.
00:37:58Diese sehr kaltelte Fluminze offert
00:38:01tremendous Möglichkeiten für lyser,
00:38:03aber sie sind auch die größte Ressourcen der Möge.
00:38:08Natürlich sind wir die physischen Beings,
00:38:11die wir in diesen Ort sind,
00:38:13um zu funktionieren und zu hören,
00:38:15und zu hören, zu hören, zu hören, zu hören, zu hören.
00:38:24Wenn wir wirklich loszunutzen mit unseren SENSEN,
00:38:26mit unserer Kapazität für deep listening,
00:38:30glaube ich, dass wir ein großer Teil von uns sind,
00:38:33sicherlich von den Tiere, die wir früher waren.
00:38:37Es ist einfach wie unsere Muskeln.
00:38:39Und wenn es passiert über die Zeit, über die Generationen,
00:38:42dann kann es nicht leicht werden.
00:38:48Wir verlieren unsere Verbindung mit dem Welt,
00:38:50durch unsere SENSEN,
00:38:51glaube ich, wäre eine terrible Verlust.
00:38:53Und alle wissen das.
00:38:54Ich meine, die Prospekt,
00:38:55zu werden blinden oder deafen,
00:38:57glaube ich, wäre verrückt für die meisten Menschen.
00:39:00Aber in Wahrheit,
00:39:01es könnte passieren,
00:39:02in einem viel mehr subteligen Weg, bereits.
00:39:12UNTERTITELUNG
00:39:22Ich bin in der Tat von 700 Millionen Jahren in der Natur.
00:39:28In den letzten Jahren ist das die Stadt der Mordel-Mordel-Mordel-Mordel.
00:39:34Er hat sich in die Stadt von Städten nach dem Stadtteile genutzt.
00:39:42Aus dem sogenannten Stadt der Svoboy-Noraisen-Karab.
00:39:46Der schwarzen Räu-Noraisen ist mit einem großen Geräum.
00:39:55Die schwarzen Sie in der Verkauf des Erkaufs ist,
00:39:58was die Verkaufs von vielen Jahren nicht verändern.
00:40:02Das ist wie ein bis zum Jahr, bis zum Jahr und bis zum Jahr,
00:40:05in den Verkaufs der Erkaufs-Noraisen-Jur-Noraisen.
00:40:08Die Verkaufs-Noraisen-Jur-Noraisen-Jur-Noraisen-Jur-Noraisen-Jur-Noraisen-Jur-Noraisen-Jur-Noraisen-Jur-Noraisen.
00:40:11Das ist jetzt die Welt der Menschen, die sich in der Gesellschaft entwickelt hat.
00:40:25Man ist, wenn man an der遺ste Ebene ist,
00:40:31dass man eine静ige環境 ist.
00:40:41Musik
00:41:11このような自然の静けさなんですね
00:41:27今までの森の良さ、自然の良さというのは
00:41:34行くと気持ちがいい、あるいはリラックスする
00:41:37そういう経験的なものだったんですね
00:41:40でも実際はそれは予防医学なんです
00:41:42昨日の渋谷での座っているところです
00:42:10まさに森の持っている効果という
00:42:26ヒーリング効果というのは、予防医学的効果なんですね
00:42:30病気を治すんではなくて、リラックスして免疫能を正常にして
00:42:37病気にならない方にする
00:42:39病気になるのです
00:42:48病気になるのです
00:42:59What is central to this whole situation we live in, is silence, and that the sounds
00:43:10that we notice are merely bubbles on the surface of silence that burst.
00:43:29The voice of silence ends
00:43:36What is central to this whole situation?
00:43:40The voice of silence ends
00:43:45What is central to this whole situation?
00:43:52Und gleich.
00:44:22Silence doesn't really exist. Silence is sounds.
00:44:31If I stop talking, for instance, now we hear the sounds of Sixth Avenue.
00:44:40Sound is affecting our brainwaves, our heart rate, our breathing, our hormone secretions.
00:44:46All of our physical rhythms are being affected by sound outside us all the time.
00:44:50A sudden noise, for example, so anybody watching that probably had a little shot of cortisol, fight-flight hormone.
00:44:58And that happens to us a lot in cities.
00:45:02On the other hand, if you imagine surf, that would calm you down.
00:45:06In fact, even send you to sleep. Many people will go to sleep to surf.
00:45:10So physiologically sound affects us. That's the first way.
00:45:13Second is psychologically changes our mood, our feelings. Music does that.
00:45:17So do other things like birdsong.
00:45:20The third way sound affects us is cognitively, so you can't understand two people talking at the same time.
00:45:29We've got a huge storage space in our brain, but the auditory input channel is quite limited in its bandwidth.
00:45:36Roughly 1.6 human conversations.
00:45:38Of course, we have no earlids.
00:45:39And therefore, if we're in an office and we hear somebody talking, and they're taking up one of our unpleasant sounds, it doesn't leave us with much bandwidth.
00:45:47We'll just move away from unpleasant sounds to our little internal voice, where we're trying to write something.
00:45:50We're always working with this, and the final way sound affects us is behaviourally.
00:45:56We'll move away from unpleasant sound. We'll move, if we can, towards pleasant sound.
00:46:00Here in London, they have about 140 tube stations with classical music playing in them now, because the research has shown that classical music reduces vandalism.
00:46:13If you put pounding music on and you're driving, then suddenly you'll drive faster.
00:46:18That kind of behavioural change happens to us all the time.
00:46:20Sound is a physical phenomenon, right?
00:46:36And when the sound hits the ear, the ear physiologically picks up the sound, brings it to the brain, and the sound is identified.
00:46:46Mama.
00:46:47When does it become noise? That's a different part of the brain.
00:46:50That's a part of the brain says, you know, this particular sound is intruding on what I'm trying to do.
00:47:04This is unwanted, unpleasant sound.
00:47:16It is official. Arrowhead Stadium is again the loudest outdoor stadium in the world.
00:47:20Fans reached 142.2 decibels, beating the Seattle Seahawks fans, who previously had that record.
00:47:27To put this amount of noise in perspective for you, it is more than a jet engine, and far more than the human pain tolerance of the ear,
00:47:35which is why the Chiefs passed out about 36,000 earplugs, but that's only enough for half of all these people that were inside tonight.
00:47:42I came to feel that one way of articulating the presence of noise is to think about sound that gets inside of you,
00:48:00and for the time it's there, dominates all of your perceptual apparatus.
00:48:03It might be bad or it might be good, you might be in the mood for it or not, but it's consuming you.
00:48:08It's taking over your heartbeat or at least taking over your attention.
00:48:11The Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the Chiefs of the
00:48:41Almost everybody knows that education is very, very, very important, but with the train passing by every, like, two minutes, you can't hear some things that could be very, very important to know when you grow older.
00:49:05For schools, the internal maximum that the city recommends is 35 decibels. It's routinely over 85. With the windows closed, when the windows are open, it's routinely in the 90s, and this school doesn't have any air conditioning, so in August and September and May and June, those windows have to be open or it's unbearable in the classrooms.
00:49:35When people make decisions in noise, and this has been shown again and again, their decisions are reactive.
00:50:00Noise is a huge issue because it constantly envelops everything we do. It surrounds us.
00:50:15There's technical elements, devices, pumps, alarms, physical environment, in combination with humans that make mistakes.
00:50:24We see very clearly anxiety, delays in decision-making, errors in receiving information, errors in transmitting information, errors in calculations of medication dosages, and a whole series of other downstream problems because of confusion caused by the overall external noise.
00:50:46Mumbai is the loudest city in the world, according to an official statement of the Central Pollution Control.
00:51:16We have a whole range of festivals in India. We have a whole range of festivals in India. We call them traditional, but traditionally we didn't have loudspeakers.
00:51:25I could say in terms of decibel levels, but I think I should just say that if you were to stand right next to a jet engine for a long period of time,
00:51:43that's what your house would be like for at least three months during the festival season.
00:51:48And people can't bear it. People in hospital, there have been instances of people who have died due to heart attacks.
00:51:54The Supreme Court of India first took notice of noise when a ten-year-old girl was raped during a festival and her screams couldn't be heard because of the noise.
00:52:08If you look at what's happening today, I think we're in a kind of frenzied echo chamber.
00:52:23Visually, it's busier. Acoustically, it's busier and louder.
00:52:29You just want to go buy a sweater and you're bombarded with live music.
00:52:32There are decibel ratings in New York in restaurants of 90 now.
00:52:36You're screaming at somebody from a foot away to be heard.
00:52:46Technically, in those New York restaurants, all the waiters should be going around with hearing protectors on.
00:52:53Obviously, when you move to New York, you're moving to a loud city.
00:52:56It's the biggest, most vibrant city in the country. It's famously loud. It famously never sleeps.
00:53:01But what has seemed to happen over the years, what has changed, is noise has become more ubiquitous.
00:53:08And we seem to be almost desensitized to it.
00:53:13Do you want to ask the neighbor, is that sound?
00:53:16Oh, yeah, is that the thumping?
00:53:18Yeah, I'm doing something.
00:53:23Why should we always be stimulated or more and more stimulated so it reaches fever pitch?
00:53:28And what happens? Where do you go next?
00:53:31There is a tinier and tinier space for reflective thought.
00:53:38The planes start at 6 or 3 in the morning.
00:53:41They usually stop at midnight, but sometimes they go to 2 or 3 in the morning.
00:53:47I did not sign up for this kind of noise.
00:53:52Nobody did.
00:53:54They are making these precision lanes in the sky.
00:53:59Right now, that lane is over my house.
00:54:02Five years from now, it's going to be over your house,
00:54:04because those lanes are going to be multiplied tenfold, twentyfold, fiftyfold.
00:54:10Recent research, building on a foundation of really now almost 50 years of research, has suggested that there are more serious health effects related to noise.
00:54:26Hypertension, of high blood pressure, and even more recently, there is a very convincing effect of particularly transport noise, road traffic noise, on a risk of cardiovascular disease, heart attacks, myocardial infarction, and even death from noise.
00:54:45Noise kills. And that's right.
00:54:46This is what we have shown, that noise causes heart disease.
00:54:50People don't die from one day to another because they visit a noisy area.
00:54:56If the noise stress becomes chronic, if it's persistent over many years, all of a sudden you may have a heart attack due to the chronic stress.
00:55:06You don't get used to it. You cope with it.
00:55:09Something in your brain is having to go, I'm not listening to that. I'm still not listening to that. I'm definitely not listening to that. And it takes effort.
00:55:18Somewhere there's mental effort going on to screen it out.
00:55:28That's 102 decibels going out.
00:55:34That's 107 decibels kicking.
00:55:36Ichosto, ich habe zu Arrivet haben, aber knew ich darf wen.
00:55:37Ich habe mich nicht vor, ich meine Möhm aber auf einmal.
00:55:47Ich habe mich noch nicht gefeاثert.
00:55:51Ich werde oops the same der Gefonaise.
00:55:55Ich kann mich nicht cochän sein.
00:55:59Ich mache mich gerade тok.
00:56:02Ich habe общем die declared, mich schön aus, dass die Gefonaise hat gut.
00:56:06Ich denke...
00:56:36The question that is on everyone's mind is why I'm doing this.
00:56:44I could say that it's merely a response to something like a culture that's more concerned about material things and leisure and less with reflection and introspection.
00:57:02I could say that it has something to do with some inner turmoil of my own, that it's me trying to figure out my life.
00:57:23Honestly, nothing quite seems to do it for me.
00:57:28I'm not really sure why I feel that I need to do it.
00:57:34I have this feeling that it has a lot of potential to be something really meaningful for me and hopefully for other people.
00:57:58I have this feeling and I can't wait until I give up.
00:58:04I can't wait until I'm going to do it, because I feel that I'm getting to the doctor's body and your other person.
00:58:08I have this feeling until I get to the doctor's body for me and my little girl.
00:58:12I'm never sure why I can't wait until I get to the doctor's body.
00:58:15Musik
00:58:45Musik
00:59:15Silence returns us to what is real. This is how I see it.
00:59:45Silence is a journey into the wilderness and into the dark.
00:59:52You can't be sure what you're going to encounter there, and I think many people are rightly
00:59:55wary of silence because we use noise as a distraction and an evasion.
01:00:03Silence is a journey right into the heart of your being.
01:00:10If you allow silence to circulate, particularly among people, what you're going to discover
01:00:15is that your mind becomes aware of what the truth is.
01:00:21And sometimes truth is not that sugar-coated.
01:00:28Sometimes you have to face the truth that things are not going the way that you might want,
01:00:34and that you're losing or you're failing, or they are.
01:00:41You might feel out of control because when silence circulates, it makes you aware that
01:00:46you're not that in control of anything, really.
01:00:48So it puts people against a wall and says, this is you, and you're human, and you're existing
01:00:54right now, and this is your reality. Do you like it?
01:00:59I guess that I would argue in defense of pursuing the experience regardless that we have such
01:01:17a deficit of that kind of encounter in our lives right now. We have so little that is opening
01:01:24out onto something larger. We tend to have substituted human experience
01:01:29with technological experience. We think all this noise and artifice is human, but it's not.
01:01:40It takes us away from what is human. There's nothing wrong with it, but we tend to live via our ingenuity
01:01:51instead of being our own truth.
01:01:57So much in the ways that we exist, particularly our forms of digital connectivity, take us out
01:02:03of ourselves all the time, all the time, and that's a different kind of desert, and ultimately
01:02:11to me, it's a much more frightening desert, because that's a desert in which our individual
01:02:17self is just obliterated in a circuit of constant, very, very surface-level communication with others.
01:02:27The information revolution came without a manual, and I think we are all noticing that machines can give
01:02:35us pretty much everything except a sense of how to make discerning use of machines, and that at some level
01:02:41we have to go offline to collect ourselves to begin to know how to navigate the ever more complicated
01:02:47and accelerating online world. In the 21st century, I think the need for silence is more urgent than it's ever been.
01:02:55There tends to be a big technological discussion about computers and whether they're good or they're bad,
01:03:01I think that's sort of a silly discussion. But there should be a discussion about how much time you spend in the
01:03:07real world and how much time you withdraw, and I think that's going to be a very significant predictor
01:03:12of the earlier onset of dementia and other declines in aging than has ever happened before.
01:03:20The first time I started to think about how much time you do is to live in the world.
01:03:43Eine Art, die wir uns für die Erkrankung haben, und die Menschen bleiben, die wir uns für uns verletzten,
01:03:47und die Menschen weißt.
01:03:55Das war ein, der ich mir wundet, dass ich das für uns für die Arbeit des Erkrankungsgesseine stand der Erkrankung habe.
01:04:00Das ist die Erkrankung, die wir uns für uns für uns über die Erkrankung haben.
01:04:13Wir haben weniger Silenz, und das bedeutet, dass die Farbe der Geräusche mehr konstant und perversive ist.
01:04:29Diese Veränderung zu einer konstanten Entzündung in einer Band der Geräusche, das zu viel ist,
01:04:36ist wirklich was uns verrückt.
01:04:40Wir bauen diese Stadt, willy nirly, die Tire noise, Diesel sound, das kind of stuff ist all around uns, all die Zeit.
01:04:52Architecture, zu großartig ist, ist die visual impacte.
01:04:57So, es ist die visual impacte der Fassade, es ist die visual impacte der großen Publikum.
01:05:02Es ist wirklich nicht über die User Experience, es ist wirklich nicht über die Perceptual-Comfort,
01:05:06es ist wirklich nicht über die User-Preferenz.
01:05:09In den USA, architects trainen für fünf Jahre, und sie spenden einen Tag auf Sound in fünf Jahre.
01:05:14Es ist kein Wunder, dass sie völlig ocular sind.
01:05:17Wenn Sie einen Architekt, was er arbeitet, dann wird sie ein Bild.
01:05:20Menschen sprechen zwischen 55 und 65 Dezember, und oft die Heating- und Cooling-System in ein Bildung ist louder.
01:05:28Das ist absolut nicht ein Argument für überall zu sein, oder überall zu sein,
01:05:33oder dass es eine Panacea-Magic-Soundscape ist, oder dass wir die Bürger in 1984-Zombie-State machen wollen.
01:05:41Wenn wir alle zusammenarbeiten, mit dem Sound designieren können,
01:05:44wir haben eine große Perfusion von tollen Sound zu genießen,
01:05:48wie wir eine große Perfusion von Furniture zu genießen können.
01:05:52Und in der gleiche Weise, wir haben ein Millionen Soundscapes,
01:05:55das man kann, oder downloaden, oder streamen.
01:06:10So, Quietmark ist die neue Programme von der UK's Noise Abatement Society,
01:06:14das die quietest, high-performance, low-noise Technologie,
01:06:18über über 35 Kategorien von Produkt-Designen,
01:06:21und auch Lösungen zu Unwanted Noise.
01:06:23Alles, von home appliances, Aeroplanen, Cars,
01:06:27zu der Art, wie wir bauen, mit Materialien zu bauen.
01:06:31Ich denke, dass wir, letztendlich, konsumers wollen mehr peace und quiet.
01:06:35Und wir haben einen Punkt,
01:06:38wo wir so viele unglaubliche Technologien in uns helfen können,
01:06:43wie eine Technologien-Golden-Age.
01:06:46Aber die Geräusche von diesen Maschinen
01:06:48hat fast zu viel für uns wirklich zu tun,
01:06:51und wir wissen nicht wirklich, was wir haben.
01:07:00A lot of Sachen sind diese Zeit,
01:07:03ohne eine Wunschung zu verstehen.
01:07:06Wir haben alle zusammengefasst,
01:07:09es ist eine Cacophonie,
01:07:11es ist nicht eine Symphonie.
01:07:13Wir haben die Schrauben gewonnen,
01:07:15wie wir es zeigen können.
01:07:17Wir haben die Schrauben der Schrauben
01:07:20mit der Schrauben
01:07:33der Schrauben-Anercoheck-Gamber gemacht.
01:07:36Wir haben viel Erfolg in modifizieren die Materialien, die in der Fahrt benutzt werden,
01:07:43um eine sehr quiete und relazende Atmosphäre in der Fahrt zu bekommen.
01:07:49Es ist nicht nur die Design, außerhalb der Appliance, es ist nicht nur die User Interface,
01:08:07sondern auch die gesamte Package und die Sound ist sehr, sehr wichtig für die gesamte Package.
01:08:12Es ist nicht nur die Decibels, sondern auch die Qualität der Sound.
01:08:18Das ist nicht nur das, was wir measureieren können.
01:08:21Wir hoffen, dass wir unsere Erhöhung durch unsere Flugzeuge reduzieren,
01:08:25durch unsere Flugzeuge, für die Menschen in unseren Nachrichten,
01:08:28bis zum 75 Prozent, bis 2020.
01:08:48herbe матische Musik
01:09:15Das war's.
01:09:45Silence is available to everyone and it is never too late to seek silence.
01:10:10It isn't true that it's a rich man's plaything.
01:10:15If you really want to learn the work of silence, then you will use your ingenuity to find a
01:10:21place and a time for that silence.
01:10:24All of us have changed in the time since 433 was first made in the early 50s.
01:10:45We have less confidence now in time as it goes into the future.
01:10:55We wonder, for instance, how long the future will be.
01:11:01We don't take for granted that it will be forever.
01:11:06We wonder whether we've, you might say, we wonder whether we have ruined the silence.
01:11:17Thank you.
01:11:18Thank you.
01:11:19Thank you.
01:11:20Thank you.
01:11:21Thank you.
01:11:22Thank you.
01:11:23Thank you.
01:11:24Thank you.
01:11:26Thank you.
01:11:27Thank you.
01:11:33433 has been performed all over the world.
01:11:40in all kinds of circumstances, some of them very casual.
01:11:53some of them, like Carnegie Hall, very formal.
01:12:11But people now respect this piece.
01:12:14People sit very quietly for it.
01:12:17It's as though, without knowing anything about Cage's history and why he came to this realization,
01:12:24it's as though people get a piece of that realization themselves.
01:12:29Oh yeah, it's 4 minutes and 33 seconds of meditation in which everyone is silent together.
01:12:38It's the most extraordinary thing to be in a place where it's being performed.
01:12:45What you feel is the entire audience just listening to absolutely everything that happens.
01:12:52You just sense this breathing organism of people in this place sharing this moment.
01:13:00Well, that's one of the most extraordinary performances I've ever experienced here in the Barbican Hall.
01:13:194 minutes and 33 seconds by John Cage.
01:13:244 minutes and 33 seconds by John Cage.
01:13:265 minutes and 33 seconds by John Cage.
01:13:275 minutes and 33 seconds by John Cage.
01:13:315 minutes and 33 seconds by John Cage.
01:13:325 minutes and 33 seconds by John Cage.
01:13:335 minutes and 33 seconds by John Cage.
01:13:345 minutes and 33 seconds by John Cage.
01:13:355 minutes and 33 seconds by John Cage.
01:13:366 minutes and 34 seconds by John Cage.
01:13:376 minutes and 34 seconds by John Cage.
01:13:386 minutes and 34 seconds by John Cage.
01:13:396 minutes and 34 seconds by John Cage.
01:13:406 minutes and 34 seconds by John Cage.
01:13:416 minutes and 34 seconds by John Cage.
01:13:426 minutes and 34 seconds by John Cage.
01:13:436 minutes and 34 seconds by John Cage.
01:13:447 minutes and 34 seconds by John Cage.
01:13:457 minutes and 34 seconds by John Cage.
01:13:467 minutes and 34 seconds by John Cage.
01:13:487 minutes and 34 seconds by John Cage.
01:13:507 minutes and 34 seconds by John Cage.
01:13:527 minutes and 34 seconds by John Cage.
01:13:53Untertitelung des ZDF, 2020
01:14:23If we could all learn the work of silence, we'd take an awful lot of pressure off of our planet.
01:14:31There wouldn't be this constant seeking, seeking, seeking for something else to fill up that empty space,
01:14:37when what will fill up the empty space is actually going into the empty space.
01:14:49We do need to adjust our environment.
01:14:53We also need to learn to be able to be silent and to draw on the wellspring of silence
01:14:59when the environment isn't conducive to silence.
01:15:04In a world of movement, stillness has become the great luxury.
01:15:14And in a world of distraction, it's attention that we're hungering for.
01:15:19And in a world of noise, silence calls us, like a beautiful piece of music on the far side of the mountains.
01:15:26It's not some kind of exoticism, esoteric practices in a coded language.
01:15:42It's as simple as shifting your attention from the things that cause noise in your life
01:15:48to the vast interior spaciousness, which is our natural silence.
01:15:53It's this process of ungrasping.
01:16:05It's the process of opening your hand.
01:16:08It's the process of unclenching a fist.
01:16:10It's the process of ungrasping.
01:16:36Amen.
01:17:06Amen.
01:17:36Amen.
01:18:06Amen.
01:18:36Amen.
01:19:06Amen.
01:19:36Amen.
01:20:06Amen.
01:20:36Amen.
01:21:06Amen.
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