- 1 week ago
A serial killerd who makes his living as an adulty video maker/editor, becomes involved with an artist neighbour. He tries to keep his secret from her, but the police are slowly closing in on him
Category
🎥
Short filmTranscript
00:00:00I
00:02:00Hello?
00:02:01I'm here for the shoot.
00:02:18Is anybody there?
00:02:25Hello?
00:02:27Hello?
00:02:34Hello?
00:02:38Wait.
00:02:39What's your name?
00:02:43What was that?
00:02:45What's your name?
00:02:47Sheila.
00:02:48Sheila Walsh.
00:02:49Sheila.
00:02:50Sheila Walsh.
00:02:51I was scheduled for six o'clock.
00:02:54You look different than your picture.
00:02:57Well, my headshot's about five years old.
00:03:00I really need to get a new one.
00:03:02Uh, don't get me wrong.
00:03:03I didn't mean to say that it looked bad.
00:03:05You look better than your picture.
00:03:08And you are?
00:03:09I'm Michael.
00:03:10Mike.
00:03:11Please sit down.
00:03:12I'm Michael.
00:03:13I'm Michael.
00:03:14I'm Michael.
00:03:15I'm Michael.
00:03:16Please sit down.
00:03:17Why?
00:03:18Why?
00:03:19Why?
00:03:20Why?
00:03:21Why?
00:03:22Why?
00:03:23Why?
00:03:24so uh am i the only one who showed up no just the last one no one else wanted to come this late
00:03:48i had to work at the club till five you said you're a stripper
00:03:52exotic dancer
00:03:56a dancer yes sorry sheila can you look into the camera please and repeat your name
00:04:07sheila walsh i take it sheila that you don't have a problem with
00:04:15nudity the only thing i have a problem with is not paying the rent
00:04:23that's good it's very good
00:04:33can you be sexy for me sheila
00:04:37got any music
00:04:44all right baby
00:04:56no
00:05:03no
00:05:07no
00:05:09no
00:05:13Uh, uh, uh.
00:05:43Hey, what are you doing?
00:06:04God, you look great.
00:06:07Look, are you going to let me unlock the getty?
00:06:09You want to stand out here all night?
00:06:10Well, that might not be such a bad idea.
00:06:12There's nobody around.
00:06:13We could do it right here against the fence.
00:06:19Hey, pal.
00:06:21Take a hike or something.
00:06:22Get lost.
00:06:24Get out of here.
00:06:26You are such an asshole.
00:06:28What did I do?
00:06:29You never know when to shut up.
00:06:30Well, who was that guy anyway?
00:06:31He's my new next-door neighbor.
00:06:33He shoots video.
00:06:34Wow.
00:06:42Come on.
00:06:43Come on.
00:06:46Come on.
00:07:02Come on.
00:07:03Come on.
00:07:04Good morning, Nola.
00:07:28God, you were a great last night.
00:07:31Hey, nice art.
00:07:33See you around.
00:07:34See you around.
00:08:04See you around.
00:08:34See you around.
00:08:35See you around.
00:08:36See you around.
00:08:37See you around.
00:08:38See you around.
00:08:39See you around.
00:08:40See you around.
00:08:41See you around.
00:08:42See you around.
00:08:43See you around.
00:08:44See you around.
00:08:45See you around.
00:08:46See you around.
00:08:47See you around.
00:08:48See you around.
00:08:49See you around.
00:08:50See you around.
00:08:51See you around.
00:08:52You around.
00:08:53See you around.
00:08:54See you around.
00:08:55See you around.
00:08:56See you around.
00:08:57See you around.
00:08:58See you around.
00:08:59See you around.
00:09:00See you around.
00:09:01See you around.
00:09:02See you around.
00:09:03See you around.
00:09:04See you around.
00:09:05See you around.
00:09:06See you around.
00:09:07See you around.
00:09:08See you around.
00:09:09See you around.
00:09:10See you around.
00:09:11See you around.
00:09:12See you around.
00:09:13See you around.
00:09:14And control everything down.
00:09:16All right. Let's see what you got there.
00:09:19Yeah, between the cheeks, too. That's a good one.
00:09:22I've seen it three times myself, you know?
00:09:23God damn right.
00:09:25Hey, happy viewing, eh?
00:09:26Oh, if it ain't the boy Wanda. How you doing, Mikey?
00:09:29What's got for me today?
00:09:30I tell you, I love this shit.
00:09:32You watch. Next week, he'll be in with his wife looking for something with Meryl Streep in it.
00:09:36Love the shit out of this job.
00:09:38Are we alone?
00:09:39Are we alone?
00:09:40Yeah, you and me and 10,000 other videos in here. What do you think?
00:09:44All right!
00:09:46What do you got here? Debbie, Claudia, Lisa, Judy, and what is this?
00:09:52Ooh, Roxanne, eh?
00:09:56Okay, I'll tell you, I can hardly wait.
00:09:59God damn cocksucker.
00:10:01Hey, tell me, Mikey,
00:10:02and these broads here got any, uh, any hairy armpits?
00:10:06What?
00:10:07Hair. Under the arms. You know, hairy bits.
00:10:10No.
00:10:12No.
00:10:13Some guy was in there last week asking.
00:10:14I just thought maybe it, never mind.
00:10:17All right, kid.
00:10:18There you go.
00:10:19Hey, you gonna have one for me next week?
00:10:21Julian, tell me this is going well.
00:10:32Julian, tell me this is going well.
00:10:50Fabulously, darling.
00:10:52I'd hate to think I was doing all this smiling for nothing.
00:10:55Oh, relax, Nola.
00:10:56I handpicked everyone on the list,
00:10:58so your show here would be a raging success.
00:11:01Oh, great, a papered house.
00:11:03Not what I meant.
00:11:04There are some very important people here
00:11:06who love you and your work.
00:11:08Smile.
00:11:09Okay, it's not the money.
00:11:11And you want to look at me?
00:11:13What are you staring at?
00:11:15All right, so anyway, if it's not the money,
00:11:17just go and get yourself another model,
00:11:19because you obviously don't respect me.
00:11:20You or I would.
00:11:21And then we'd pick some.
00:11:23Just kidding.
00:11:25Oh, my gosh.
00:11:26She just spent through this depth of emotion.
00:11:29She definitely shows some promise,
00:11:31but I tend to prefer the neorealists.
00:11:34Don't you?
00:11:35I don't really know that much about painting.
00:11:37No?
00:11:38You don't have to know anything about it.
00:11:41What is it that you like?
00:11:43I'm partial to clowns.
00:11:45Clowns?
00:11:46You know, the ones painted on black velvet.
00:11:54Well, how goes it, Adam?
00:11:55Having a good time?
00:11:56Oh, yeah.
00:11:57Wonderful.
00:11:58You should be proud of Noah.
00:11:59It shows a hint.
00:12:00I sure am.
00:12:01These people are out to lunch.
00:12:04Tell me about it.
00:12:05How long before we even kick them out?
00:12:07Adam, this is my career we're talking about.
00:12:10Yeah, well, I don't have to like it, do I?
00:12:13Noah, great party.
00:12:18Is that everything all right?
00:12:20Adam's just feeling out of his element.
00:12:22God, he's really hitting the bottle, isn't he?
00:12:24I think we just walked in.
00:12:35Late arrival.
00:12:36Hey!
00:12:37Hey!
00:12:38Help!
00:12:39Come in!
00:12:40Come in!
00:12:41Noah wants to make sure everybody sees her paintings.
00:12:44You do like art, don't you?
00:12:46Everybody else here does.
00:12:49I don't know what you're doing.
00:12:51That's okay, pal.
00:12:52Neither do I.
00:12:53Come here.
00:12:54Come here.
00:12:55Come here.
00:12:59There it is.
00:13:00An original Nola Carlisle.
00:13:02What do you think?
00:13:03I think it's very nice.
00:13:08You're right, pal.
00:13:09Not like these other things.
00:13:11Hey, just don't let Nola hear you color stuff nice.
00:13:14Nothing short of brilliant or magnificent will do.
00:13:17Hey, you want a drink or something?
00:13:19No, no, no.
00:13:20Oh, come on!
00:13:21Stay a while.
00:13:22Let me take your bag.
00:13:23No!
00:13:29Another weirdo.
00:13:30Please excuse me for a minute.
00:13:32You know what?
00:13:33There's some people that I want you to meet.
00:13:35Tell them I'll be there in just a second.
00:13:37I've gotta go.
00:13:38Does somebody matter?
00:13:39No.
00:13:40No.
00:13:41No.
00:13:42No.
00:13:43No.
00:13:44No.
00:13:45No.
00:13:46No.
00:13:47No.
00:13:48No.
00:13:49No.
00:13:50No.
00:13:51No.
00:13:52No.
00:13:53No.
00:13:54No.
00:13:55No.
00:13:56No.
00:13:57No.
00:13:58No.
00:13:59No.
00:14:00No.
00:14:01No.
00:14:02No.
00:14:03It was nothing.
00:14:04Well, I still feel like I have to apologize.
00:14:05You see, he's not a big fan of the art scene and he's had a lot to drink.
00:14:08I understand really.
00:14:09Just forget it.
00:14:10It's okay.
00:14:11Um, I'm Nola.
00:14:12Nola Carlyle.
00:14:13Oh, I'm sorry.
00:14:14I'm Michael.
00:14:15Hi.
00:14:16Hi.
00:14:17Hi.
00:14:18Hi.
00:14:19Hi.
00:14:20Hi.
00:14:26Could I come in for a minute?
00:14:47God, look at all this gear.
00:14:48I hope you're insured.
00:14:49This isn't the greatest neighborhood you know.
00:14:50I mean, I don't have to worry, not about burglars anyway.
00:14:51Who wants to rob an unknown artist?
00:14:52But all this.
00:14:53I really like your paintings.
00:14:54Really?
00:14:55Wanna buy one?
00:14:56Just kidding.
00:14:57No, I would if I could afford it.
00:14:58I'd just spend all my money on equipment.
00:14:59Yeah, no kidding.
00:15:00Would you like something to drink?
00:15:01Sure.
00:15:02What you got?
00:15:03Water?
00:15:04Juice, Coke, Diet Coke?
00:15:05Diet Coke.
00:15:06Diet Coke.
00:15:07Diet Coke.
00:15:08Okay.
00:15:09Okay.
00:15:10What's up?
00:15:11What?
00:15:12I'm sorry.
00:15:13Who wants to rob an unknown artist?
00:15:14But all this...
00:15:16I really like your paintings.
00:15:17Really?
00:15:18Wanna buy one?
00:15:19Just kidding.
00:15:20No, I would if I could afford it.
00:15:21I just spend all my money on equipment.
00:15:22Yeah, no kidding.
00:15:23Would you like something to drink?
00:15:24Sure.
00:15:25What you got?
00:15:26Water, juice, Coke, Diet Coke?
00:15:27Diet Coke.
00:15:28Diet Coke.
00:15:29So what do you do with all this stuff?
00:15:32I shoot industrial films, documentaries, training tapes.
00:15:36Really? Does it pay well?
00:15:39Sometimes yes, sometimes no.
00:15:42Thanks.
00:15:46Try not to get your coke over here quick.
00:15:49Oh, sorry. It's okay.
00:15:51We must be excited for you.
00:15:54You gotta travel around, be creative.
00:15:57Well, I don't get a chance to be that creative.
00:16:00I basically just point the camera and shoot.
00:16:04Don't be so hard on yourself.
00:16:06It's not about the subject, it's about how you see it.
00:16:09Any form of self-expression is valid.
00:16:14There you are.
00:16:16Never gonna wonder where the hell you disappeared to.
00:16:19Tell Julian I'll be right there.
00:16:21Tell her yourself.
00:16:22I've had enough of your bullshit for one night.
00:16:24I'm out of here.
00:16:25Adam.
00:16:26Thanks for hiding out with me.
00:16:27I'll see you around.
00:16:28I'm out of here.
00:16:29Thanks for hiding out with me.
00:16:30I'll see you around.
00:16:31I'm out of here.
00:16:32I'm out of here.
00:16:33I'm out of here.
00:16:34You have to leave me.
00:16:35I'll see you around.
00:16:36Come on.
00:18:06So you're a cop?
00:18:13What do you think?
00:18:15Oh, I can get this.
00:18:45You mean to tell me that it just took off when he knew what an important night this was for you?
00:18:51It was my own fault. I ducked out and left him alone. I mean, what was he supposed to do?
00:18:56Noah, stop making excuses for this guy. He's an insensitive asshole. If somebody did that to me, I would dump him in a heartbeat.
00:19:06Yeah, well, that's you. You've always got a million guys knocking down your door.
00:19:10That's because I can't find one that's worth a damn.
00:19:12You know, there are times when Adam can be very sweet.
00:19:16And I'm sure he's going to make a wonderful husband for some yuppie chick.
00:19:20But Noah, does he make a new house?
00:19:23Sometimes.
00:19:24Well, not that much anymore.
00:19:28I'm telling you, just dump him. Dump him. You don't need the aggravation.
00:19:36I don't know. I guess I just don't like the idea of being alone.
00:19:39Oh, that's my Nola. Always playing the suffering artist.
00:19:46Are you ready?
00:19:47Yes.
00:19:48Go.
00:19:49Go.
00:20:09You want to come here for some iced tea?
00:20:23Okay.
00:20:27Oh, that's my next door neighbor.
00:20:35Hi.
00:20:39Are you just getting back?
00:20:46Back?
00:20:47Yeah, I heard you got really late last night.
00:20:49Oh, yeah. Yeah, I got called to do some night shooting.
00:20:53Um, this is my friend Gabrielle. She's a model.
00:20:56This is my next door neighbor, Michael. He shoots video.
00:20:59Hi.
00:21:00Hi.
00:21:00Maybe you two can work together sometime.
00:21:02That'd be fun.
00:21:03Yeah, yeah, maybe.
00:21:05Uh, I'm really in a rush. I've got to go. Please, excuse me.
00:21:09Geez, he sure was friendly.
00:21:15Not.
00:21:19He must have had a real long night.
00:21:20Geez, he must have.
00:21:21Two in one week.
00:21:47Our boy's been busy.
00:21:48Yeah, Hollywood Division just came up with a positive idea of our last victim.
00:21:51And?
00:21:53You were right.
00:21:54She fits the pattern.
00:21:55Sheila Waltz.
00:21:56Stripper, part-time actress.
00:21:58I get the picture.
00:21:59Got an address on her?
00:22:00She had an apartment over on Bronson.
00:22:02Well, let's go check it out.
00:22:04What about this one?
00:22:06The lab boys will take care of her.
00:22:08I hope to God we can get a line on this guy.
00:22:09Yeah.
00:22:11Yeah.
00:22:151-2-4-1-1-2-3.
00:22:192-4-0-1-2-3.
00:22:19I don't know.
00:22:49I don't know.
00:23:20No, no. Come on in.
00:23:22Thanks.
00:23:27After I came over here last night, I've been thinking about you and about all this equipment you have here.
00:23:32And I've been trying to figure out a way to use your video to promote my art.
00:23:39You see, Julie, and that's my agent, she's been trying to get me a real exhibition.
00:23:43She's been taking slides around all the galleries like every other artist does.
00:23:47And I just want to do something different.
00:23:50You mean you wanted to use my camera to make your art come alive?
00:23:54Yeah, your camera and your editing.
00:23:57I don't know.
00:23:58I want to do something, something wild.
00:24:01You mean like an ADO and a paint box and special effects and...
00:24:06Whatever. I'm not the expert.
00:24:08Can you do that kind of stuff?
00:24:09Yeah.
00:24:09Yeah, I can do that and a lot more.
00:24:13I have to warn you, I'm a starving artist and I can't afford to pay much.
00:24:17No, I won't take any money.
00:24:19No, I can't let you do that.
00:24:21Nola, I want to do this for you.
00:24:23And for me.
00:24:24Really, I think it could be a great opportunity for the both of us.
00:24:27Are you sure?
00:24:28Yes.
00:24:30This is great.
00:24:31I'm so glad you're so excited about this.
00:24:33When can you start?
00:24:35Now.
00:24:36Now?
00:24:37Now.
00:24:45Just put that down where you want it.
00:24:46Okay.
00:24:52Okay, now just get ready.
00:24:55Okay.
00:24:58Now, do you use these?
00:25:09Yeah.
00:25:10This and this.
00:25:12Okay.
00:25:13These?
00:25:15Sometimes.
00:25:17Okay.
00:25:18All right.
00:25:18Sit down.
00:25:20No.
00:25:20Okay.
00:25:21All right.
00:25:21That's good.
00:25:24All right.
00:25:25That's so funny.
00:25:30Nothing.
00:25:31I was just thinking about something.
00:25:33Yeah, what?
00:25:35About how I finally got to meet my mysterious next-door neighbor.
00:25:40Mysterious?
00:25:40Well, you never talk to anyone.
00:25:43And I see you coming and going at all hours of the morning.
00:25:46I mean, for all I know, you're an assassin from the CIA.
00:25:48Can you turn that canvas a little more to the left?
00:25:52All right.
00:25:57What's that?
00:25:58It's all right.
00:26:02Okay, now what?
00:26:03Now?
00:26:04We should keep working.
00:26:06All right.
00:26:06We'll get some up in the surgery.
00:26:08All right.
00:26:09You ready?
00:26:10Yeah.
00:26:10All right.
00:26:19Hey.
00:26:20Now you.
00:26:21Show me that face again.
00:26:23Okay.
00:26:23Go ahead.
00:26:24Take it off.
00:26:25Hey.
00:26:25Take it off.
00:26:26That's good.
00:26:27That's good.
00:26:27Take it.
00:26:28No, you paint.
00:26:29No, you paint.
00:26:29Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.
00:26:50Put this on your shoulder.
00:26:51No.
00:26:51Come on, come on.
00:26:52No.
00:26:53Put it on your shoulder.
00:26:53No.
00:26:54It's going to be a little heavy.
00:26:55It's going to be great.
00:26:56All right.
00:26:57All right.
00:26:57Take you.
00:27:07Cut it out.
00:27:08What are you doing?
00:27:26Goddamn bitch died only.
00:27:27Two months' rent, too.
00:27:28Yeah.
00:27:29Nice place you got here.
00:27:30Hey, you like it?
00:27:30I got an apartment available to keep.
00:27:32Furnished, too.
00:27:33Joey!
00:27:34Turn the music down!
00:27:39Penance.
00:27:40There you go.
00:27:41Hey, thanks.
00:27:41We'll lock it up.
00:27:42Yeah, yeah.
00:27:46Hello.
00:27:49Snow Queen.
00:27:50One thing, one thing's for sure.
00:27:52She wasn't killed here.
00:27:55Look, we know this guy's into hookers and strippers.
00:27:59That's the pattern.
00:28:01What we don't know is how he finds him.
00:28:02Chance meetings?
00:28:04Random, maybe?
00:28:05Maybe.
00:28:06But this guy's too methodical for that.
00:28:08He finds him someplace and takes his time killing them.
00:28:12Dumps the body one place, and their cars, when there are cars, turn up somewhere else to wipe clean the prints.
00:28:17That takes some advanced planning.
00:28:20Personal ads?
00:28:23You may not be too far off.
00:28:27Check this out.
00:28:28Oh, you're shooting.
00:28:29Oh, you're doing well.
00:28:42You're doing well.
00:28:43I'm sorry.
00:28:53Bye.
00:28:55Bye.
00:28:56Bye.
00:28:57Bye.
00:28:58Bye.
00:28:59Oh, my God.
00:29:29Oh, my God.
00:29:59How close are we?
00:30:15We're done.
00:30:16Just laying down a little black at the end.
00:30:19Michael, I don't know I'm ever going to thank you.
00:30:22Don't worry about it.
00:30:22It was something that I wanted to do.
00:30:24Still means a lot to me.
00:30:26Leave a message.
00:30:29I'll call you back.
00:30:30Michael, this is Marie.
00:30:32I hope I'm not calling too early.
00:30:33I just wanted to confirm I'll be at the stage around 9.
00:30:36Bye.
00:30:42Michael, what's wrong?
00:30:45Nothing.
00:30:46I just forgot I had a sheet this morning.
00:30:48Oh, God.
00:30:49And I kept up on that.
00:30:50I'm really sorry.
00:30:51That's okay.
00:30:52Don't worry about it.
00:30:52I have to just get ready to go.
00:30:54Okay.
00:30:55How long will the sheet take?
00:30:56I don't know why.
00:30:58Well, I wanted to ask my agent and some friends over for the premiere screening.
00:31:02I was hoping you could make it.
00:31:03I don't know if I can, really.
00:31:06Michael, this is as much yours as it is mine.
00:31:09I could make it another night.
00:31:10No, tonight's fine.
00:31:13Tonight's fine.
00:31:13I'll be...
00:31:137 o'clock?
00:31:147 o'clock.
00:31:19Home machine?
00:31:20Who?
00:31:21That's not important.
00:31:22What we want to know is, did you place this ad?
00:31:28That's a kid.
00:31:30I run him the stage from time to time.
00:31:33Kid.
00:31:35What kid?
00:31:35What kid?
00:31:35What?
00:31:35What?
00:31:40Kid's what I call him.
00:31:42Michael Terrence is his name.
00:31:44How often do you run the stage?
00:31:47Once or twice a month.
00:31:48He's kind of like family.
00:31:50You know, whenever it's not busy, he even has his own key to the place.
00:31:55You wouldn't know if he's coming anytime soon, do you?
00:31:57Well, he called yesterday about coming in this morning.
00:32:10He's running a little late.
00:32:29Frankly, I think you guys are barking up the wrong tree.
00:32:32Why do you say that?
00:32:34Because this kid wouldn't hurt a fly.
00:32:37He walks around here, he's afraid of his own shadow.
00:32:39Oh, Mike.
00:32:43Michael, come on over here.
00:32:44These two gentlemen, detectives, want to talk to you.
00:32:47This is Detective Barry and Lewis.
00:32:51All right.
00:32:52They wanted to ask you a few questions.
00:32:53Thank you very much.
00:32:54We'll take you from here.
00:32:56Okay.
00:32:58Did you place this ad?
00:33:02Yes.
00:33:03Yes, I did.
00:33:03What for?
00:33:05You mean, why do I want the girls?
00:33:07Yeah.
00:33:09I make adult videos.
00:33:11Solo girls, dancing, stripping, that kind of thing.
00:33:15Kind of sleazy, isn't it?
00:33:18What do you mean?
00:33:20Well, that's not exactly family entertainment, is it?
00:33:24Well, there's a market for it.
00:33:25There's nothing illegal about it, is there?
00:33:28It all depends on if that's how you're doing.
00:33:30You recognize this girl?
00:33:34No.
00:33:35You sure?
00:33:36Yeah.
00:33:37Then how come she circled your ad?
00:33:39I don't know.
00:33:41She might have sent me her picture.
00:33:42But it's kind of hard to tell from that photo.
00:33:44I mean, she's dead there, isn't she?
00:33:46No, she's taking a fucking nap.
00:33:49A lot of girls send me their pictures, but I don't always use them.
00:33:53She might have sent me her photo, but I can't tell for sure.
00:33:56If she did, would you still have it?
00:33:58No, I'd throw them out if I don't use them.
00:34:00And you're positive this girl never modeled for you?
00:34:03Sheila Walsh.
00:34:04That name isn't familiar to you at all?
00:34:05These videos you make, what do you do with them?
00:34:11I sell them to a local distributor.
00:34:13And who might that be?
00:34:14Argosy Video on Fountain.
00:34:16A guy named Jake Setzer buys all my stuff.
00:34:20Okay, Mr. Terrence.
00:34:22Thank you for your time.
00:34:24Is that all?
00:34:25That's all for now.
00:34:27We'll be in touch.
00:34:35What do you think?
00:34:41I don't know.
00:34:42He seems a bit nervous, but the old guy said he's always like that.
00:34:46Maybe we can check out the distributor.
00:34:48If she's in any of those tapes, we got our boy.
00:34:51What if she's not?
00:34:52Well, we've got no way to connect him to the Walsh girl, let alone any of the others.
00:34:55I don't know, maybe, but there's something weird about the guy, and I got a feeling about
00:35:00him.
00:35:01He's fucking weird.
00:35:02Well, if he's our boy, we need more than a hunch to nail him.
00:35:05Jesus Christ, what's the idea of leaving me out there with the camera, Rennie?
00:35:29Just leave me alone.
00:35:31Get out of here.
00:35:32Buck, what is your problem?
00:35:34I said, just leave me alone.
00:35:39Oh, God, are you all right?
00:35:40Will you just leave me alone?
00:35:42Just leave me alone!
00:36:04Come on, go.
00:36:10Have a good day.
00:36:13Come on.
00:36:13Come on.
00:36:14Come on,
00:36:22Come on.
00:36:23We'll see you all right.
00:36:53Well, what did you think?
00:36:55I loved it.
00:36:58Nola, if I can't get you a show with that, the entire art world is in a coma.
00:37:02You really did that in one day.
00:37:04Well, Michael did it in less than a day.
00:37:06Oh, man's a bloody genius.
00:37:08Why isn't he here?
00:37:09Yeah, why is that mysterious stranger of yours?
00:37:11Well, he said he tried to come.
00:37:13His shoot must have run long.
00:37:15I really want to meet him.
00:37:16Okay.
00:37:17Adam, what did you think?
00:37:20Well, it looked fine to me, but what do I know about art?
00:37:23All that video work must have cost a fortune.
00:37:26Well, actually, Michael refused to take any money for it.
00:37:29He did all that for free?
00:37:30What do you know?
00:37:31True artist, just like Nola.
00:37:33What he lacks in business sense, he makes up for in talent.
00:37:36I was thinking we could do something more with this, you know, like a multimedia piece.
00:37:41I couldn't do it without Michael.
00:37:42Oh, of course not.
00:37:43The two of you'd work together.
00:37:44You supply the creativity and leave the rest to me.
00:37:47Copy of the tape?
00:37:47Yeah, right here.
00:37:50Sounds great to me.
00:37:51I'll have to talk it over with him, though.
00:37:52Terrific.
00:37:53Gotta go.
00:37:54I gotta go, too, okay?
00:37:55I have an early breakfast meeting tomorrow morning.
00:38:00Listen, when you see Michael, be sure to tell him I'm impressed we are with the work.
00:38:03I will.
00:38:03I will.
00:38:10Bye.
00:38:14Good night, you guys.
00:38:15I can't believe you sometimes.
00:38:25You can't believe me?
00:38:27You're the one who spent all night in the guy's apartment.
00:38:29We were working.
00:38:30According to you.
00:38:31Yeah, right.
00:38:32We had sex right on top of his editing console.
00:38:35That tape just produced itself.
00:38:36At such a bargain price, no less, you must have cut him quite a deal.
00:38:40You make me sick.
00:38:42You have to lower everything to the crudest level.
00:38:44You don't think anyone can feel passion above the waist.
00:38:47Unless this guy's a flaming faggot.
00:38:49You can't tell me that he doesn't want to fuck your brains out.
00:38:51Michael's not like that.
00:38:53He's very sensitive.
00:38:54Oh, and you're saying that I'm not?
00:38:56I'm beginning to wonder if you know the meaning of the word.
00:38:58You are a self-centered, arrogant prick.
00:39:06Noah, I'm sorry.
00:39:07I didn't...
00:39:07Go!
00:39:08Noah, I didn't mean to do that.
00:39:09I'm sorry.
00:39:09What are you...
00:39:10Wake up.
00:39:36We missed you tonight you are um I'm Gabrielle I'm Nola's friend oh yeah yeah I remember hi hi
00:39:55I saw your tape I was impressed thank you thank you very much aren't you gonna invite me in well
00:40:03now's not really a good time oh Michael I'm not gonna bite you unless you ask me you do have a lot of
00:40:24equipment video equipment that is so this is where you work your magic yes
00:40:39all these tapes what's on them um stock footage mostly oh and who are Nicole Diane and Sheila
00:40:52just models oh yeah what kind of models do they model with their clothes on
00:40:58or off so that's it you're a pornographer or should I say a maker of adult videos it's just something I do
00:41:12for money I'm not proud of it you don't have to be ashamed Michael lots of people get their start
00:41:18that way come on show me one how about Sheila she looks interesting no not this one you don't want
00:41:31me to see it because you're in it is that it Michael it can't be that bad and I'm not a prude
00:41:38ooh what do we have here do you use these in your video too Michael sometimes
00:41:56good because I'm not leaving until I see one
00:42:08how about this one I made this one this morning
00:42:38who's the girl it's Marie you think she's pretty yeah what a trashy sort of way
00:43:08what are you doing taping you watching a video do you mind no
00:43:38do you like this
00:43:48I love it
00:43:54isn't that your fantasy
00:43:58make love to both of us
00:44:00oh yeah
00:44:08oh
00:44:14no
00:44:14no
00:44:24Michael Michael is that you
00:44:29Michael
00:44:36more
00:44:56do
00:44:58do
00:44:58do
00:44:59do
00:45:02What is this?
00:45:32It's becoming an everyday occurrence.
00:45:34Yeah, we've got to find this guy in soon.
00:45:38What a waste.
00:45:45Well, well, well, Vinny and Audi's duty.
00:45:47Well, but you kid, look like you got a hat, maybe with a blow dryer.
00:45:50What job you got for me?
00:45:53Just one? What the hell is this bullshit?
00:45:55It's the last one, Jake.
00:45:56Oh, yeah? For how long?
00:45:59For good.
00:46:00I'm not doing it anymore. I'm getting out of it.
00:46:02Oh, really?
00:46:04Well, this wouldn't happen to have anything to do with a little visit I got from the cops now, would it?
00:46:07What cops?
00:46:08Yeah, yesterday, two detectives came in here asking me about you and your tapes.
00:46:12What's the matter, kid? You in some kind of trouble?
00:46:13Huh?
00:46:14No, I'm just quitting, that's all.
00:46:17Well, yeah?
00:46:18What the hell are you going to do now?
00:46:19Well, I'm going to do something that I can be proud of, something respectable.
00:46:26Yeah, right, kid.
00:46:27Well, I'll tell you what, I'll look for you in the next Academy Awards. How's that, huh?
00:46:30Do you want the tape or not?
00:46:33Yeah, sure, I want the tape.
00:46:35What do we got here?
00:46:37Marie, huh?
00:46:38Tell me, kid.
00:46:39She my kind of girl or what?
00:46:41She doesn't have hairy armpits, but I think you'll find her satisfactory.
00:46:43Now, can I have my money, please?
00:46:45All right, all right, hold your horses.
00:46:48I know, kid.
00:46:49I can't believe you're up and quitting like that.
00:46:57Goodbye, Jake.
00:46:59You're making a big mistake, kid.
00:47:01Working out in a sweet deal.
00:47:03A little shit.
00:47:09Hey, wait a minute, you dumb son of a bitch!
00:47:11You're giving me the wrong tape!
00:47:13Ah, you're shit.
00:47:14Choir.
00:47:15Choir.
00:47:15Oh, boy.
00:47:16Oh, boy.
00:47:17Oh, boy.
00:47:17You're doing it.
00:47:17Oh, boy.
00:47:42Oh, boy.
00:47:43Oh, boy.
00:47:43Oh, boy.
00:47:44Let's go.
00:48:14Let's go.
00:48:44Let's go.
00:49:14I'm sorry. I wish I could have been, too. Did they like the tape?
00:49:17Julian loved it. So did Gabrielle.
00:49:20Really?
00:49:21Mm-hmm.
00:49:24Julian thinks that we should work together.
00:49:26She says that we could be L.A.'s hottest multimedia artists.
00:49:30What do you think?
00:49:36I'd really... I'd really like to.
00:49:39Well, I know that you have other stuff to do. I just thought you could do this on the side.
00:49:43No, it...
00:49:44It's not that.
00:49:46Okay. I just thought that you and I...
00:49:52I just need a little spark. I'm having a really rough week.
00:49:58Are you okay?
00:50:01You sure?
00:50:02Yeah.
00:50:06Do you have a fight without him?
00:50:09You could call it that.
00:50:14Well, I'm...
00:50:15I'm sure it'll be okay.
00:50:17I don't know much about relationships, but if there's anything I could do...
00:50:25Michael, you are so sweet.
00:50:28Thank you for being so concerned about me.
00:50:30You are so different from him.
00:51:00It's hard to put into words.
00:51:18I was wondering why some people are allowed to be happy while others are chosen to suffer.
00:51:27It's an odd thing to say.
00:51:29What made you think about that?
00:51:34I think about it a lot.
00:51:37Why some people are blessed.
00:51:40And others are cursed.
00:51:45I never bought into the idea that there was some all-powerful being that was in charge of our lives.
00:51:54I think we're all free to choose.
00:51:59That's what you'd like to believe.
00:52:05Maybe some people are.
00:52:06But some people are born into certain situations they didn't ask for.
00:52:18Michael, what's wrong?
00:52:22Is it me?
00:52:23Is it something I said?
00:52:24Is it something I did?
00:52:28Then...
00:52:28Then what?
00:52:29What is it?
00:52:29You have to understand.
00:52:44Sex has always been very difficult for me.
00:52:50Difficult?
00:52:50One day, many years ago, my mother picked me up from school early to take me to a doctor's appointment.
00:53:16Tindy.
00:53:29Oh, you too?
00:53:31Dover.
00:53:34Oh!
00:53:35Oh!
00:53:35Oh!
00:53:36Oh!
00:53:38Ooh!
00:53:39Ooh!
00:53:39Bye!
00:53:40Ooh!
00:53:40God!
00:53:40Ooh!
00:53:42Ooh!
00:53:42Ooh!
00:53:43Ooh!
00:53:43Ooh!
00:53:45Oh my god.
00:53:54Michael, I'm so sorry.
00:54:09Andrin.
00:54:15Good morning. How are you?
00:54:17You haven't heard.
00:54:20About what?
00:54:21Sit down, darling.
00:54:34You have such lovely hands for an artist.
00:54:39It's bad, Nola.
00:54:41Gabrielle was murdered night before last.
00:54:51What?
00:54:55How?
00:54:56They say she was suffocated, somehow.
00:55:02It must have happened right after we left your place.
00:55:07I asked her if she wanted to go for a nightcap and talk about your wonderful work.
00:55:12But she said she had something else to do.
00:55:15If she'd gone with me, she'd be alive.
00:55:18Why would someone want to do that to her?
00:55:28Oh, the police don't seem to know, or they're not telling. I don't know.
00:55:33Nola, I gave them your name and your address. They may want to talk to you, too.
00:55:37She was so good.
00:55:53She was so beautiful.
00:55:56Nola, you shouldn't be alone right now.
00:56:07No, I'll be fine.
00:56:16It's just life and death, darling.
00:56:20That's all.
00:56:23That's all.
00:56:23I love you.
00:56:53Hey, surprise, what the hell happened to you?
00:57:08You blow dry and take a shit on you?
00:57:10What do you want, Jake?
00:57:11You gonna invite me in or what?
00:57:14Nice toilets you got here.
00:57:16You know, kid, I gotta tell you something.
00:57:18I knew something was going on with you the minute the cops showed up,
00:57:20but, uh, I gotta admit, I had no idea how goddamn big it was.
00:57:25I don't know what you're talking about.
00:57:26Oh, I see.
00:57:28Suppose you meant to give me this tape of you and the lovely, uh, Gabriel?
00:57:32You know, kid, you gotta be more careful.
00:57:34You gotta make sure you put the right tapes in the right box.
00:57:42What do you want from me, Jake?
00:57:43Aw, come on, kid, knock off the bullshit.
00:57:45Now, look, I came by to make a little business proposition for you.
00:57:48Now, in case you haven't heard, there's a hell of a market out there for this kind of shit.
00:57:52Now, granted, it's illegal and underground, but, uh, very profitable.
00:57:56You know what I'm saying?
00:57:58What are you talking about?
00:58:01Come on, kid, cut out this shit.
00:58:04Look, you've had all the fun making the tapes.
00:58:06Why don't you let somebody else enjoy them, huh?
00:58:08I mean, Christ, the girls sure as hell can't complain.
00:58:10Come on, what do you say, kid?
00:58:11I'll even split the profits with you.
00:58:13No, no, I won't do...
00:58:14Now, look, you little cocksucker.
00:58:16As far as I can see, you really don't have a choice in the matter.
00:58:18So either you cooperate with me so we can make a lot of sweet goddamn money,
00:58:21I'm gonna turn your ass over to the police.
00:58:23In case you forgot, they don't gasp people anymore.
00:58:25They just put little shits like you away for a long goddamn time.
00:58:28As far as I can see, a little sweet thing like you'd be pretty goddamn popular in prison.
00:58:33Come on, kid, what do you say?
00:58:34You're gonna spend the next 50 years here like being a pig boy in Sing Sing, do you?
00:58:38No.
00:58:40All right.
00:58:42What do you say, you pop that puppy in there, we think again, huh?
00:58:47You know, I gotta add it to you, kid.
00:58:49I didn't think you had it, didn't you?
00:58:52As a matter of fact, you gotta be more careful where you get your girls the next time, you know?
00:58:55You gotta afford getting your sweet little ass busted.
00:58:57Okay.
00:58:59Out there, just give you easy.
00:59:01You take your camera and your cute little ass out and make some more.
00:59:03Business, kid, supply and demand, supply and demand.
00:59:09I have some more right over there.
00:59:11Go get them.
00:59:12Let's go take again, huh?
00:59:16Goddamn it, kid, this is great.
00:59:19Look at her face.
00:59:20We're gonna make a fortune.
00:59:24Goddamn it.
00:59:28Jake?
00:59:29Yeah?
00:59:29Do you play baseball?
00:59:31Huh?
00:59:33Michael?
01:00:01Michael, it's me, Nola.
01:00:02What's that?
01:00:06Michael?
01:00:12Michael?
01:00:18Michael?
01:00:25Are you okay?
01:00:28Michael?
01:00:29Uncle, are you okay?
01:00:34Yeah, why?
01:00:35Where'd all this blood come from?
01:00:38Oh, I was moving some equipment and I spilled some prop blood.
01:00:41It's pretty gross, huh?
01:00:43Are you okay?
01:00:45Come on, come on a seat.
01:00:53Do you want to talk to me about something?
01:00:59Michael, it's Gabrielle.
01:01:01What about her?
01:01:06She, uh...
01:01:08Night before last.
01:01:13Can you just excuse me for one second?
01:01:17I'll be right back.
01:01:29I'll be right back.
01:01:52So now you know.
01:02:06Michael, you killed her.
01:02:09Why?
01:02:11Why?
01:02:12Why did I kill her?
01:02:14Why did I kill any of them?
01:02:18I don't know.
01:02:19Oh, my God.
01:02:24You're sick.
01:02:26You need help.
01:02:28Oh, come on.
01:02:30It's a little late for that.
01:02:32Just like it's a little late for them.
01:02:34It's a little late for us.
01:02:37Would you like something to drink?
01:02:41Michael, no.
01:02:43Why don't you sit down and I'll explain it all to you.
01:02:45No.
01:02:45Come on, go ahead, sit down.
01:02:49Sit down.
01:03:11Never wanted to stop before.
01:03:14I didn't have a reason to.
01:03:16Tell him that you.
01:03:33But now that's all changed.
01:03:35Can you hand me that tape, please?
01:03:42Michael, no.
01:03:45Hand me the tape.
01:04:01No!
01:04:01No!
01:04:02You can either make this easy or you can make it difficult.
01:04:07It depends on you.
01:04:18It could never be the same now that you know.
01:04:25Michael.
01:04:27It's me, Nola.
01:04:28I'm still the same.
01:04:36I just want to help you.
01:04:37I won't let anyone hurt you.
01:04:38I promise.
01:04:40You promise.
01:04:43You promise.
01:04:45How can you promise?
01:04:48How can anyone promise me?
01:04:51Huh?
01:04:52Nola, it's Adam.
01:05:00Nola?
01:05:04Michael, don't please.
01:05:08Don't you remember last night?
01:05:10Doesn't it mean anything to you?
01:05:13Seems like such a long time ago.
01:05:14No.
01:05:15But it wasn't.
01:05:19Don't you understand?
01:05:20I just want to help you.
01:05:23Just let me go.
01:05:25No.
01:05:45Nola!
01:05:48Nola!
01:05:51Open up my car.
01:05:52I know she's in there.
01:05:54Nola!
01:05:55Nola!
01:05:56Nola!
01:05:57Nola!
01:05:58Nola!
01:05:59Nola!
01:06:00What the fuck?
01:06:01Nola!
01:06:02Nola!
01:06:03Nola!
01:06:04Nola!
01:06:05Dick!
01:06:06No!
01:06:07No!
01:06:08No!
01:06:10Ah!
01:06:11Get your blood on my new floor!
01:06:13Ah!
01:06:14Oh!
01:06:15I'm not.
01:06:16You're not.
01:06:17You're not.
01:06:18You were.
01:06:19I'm not.
01:06:20I'm not.
01:06:21You're not.
01:06:22I'm not.
01:06:23Oh!
01:06:36Busy, busy day.
01:06:53No, Oma. I'm sorry, but Adam just won't be joining us today.
01:07:23No, Oma.
01:07:43Los!
01:07:46Everybody, you all right?
01:07:48He's a lion.
01:07:50I told you there was something weird about this Terrence guy.
01:07:53Let's brace this puke.
01:08:03I made them all watch what happened to him.
01:08:05After all, it was only fair.
01:08:13After all, they deserved it.
01:08:18Every last week...
01:08:20Will you quit trying?
01:08:28Underneath, they're all just a bunch of evil, lustful bitches!
01:08:34Police!
01:08:41Police!
01:08:42Open up!
01:08:44Thank God.
01:08:45Copy.
01:08:53Spirit, Spirit!
01:08:54Mary!
01:08:56Mary!
01:09:24Mary!
01:09:56Get away from the edge of the roof!
01:09:57Do it now!
01:09:59No!
01:10:09No.
01:10:17Michael, no!
01:10:20No!
01:10:21No!
01:10:25No!
01:10:51No!
01:10:53No!
01:10:55No!
01:10:57No!
01:10:59No!
01:11:01No!
Comments