Mira el Capítulo 757 de La Promesa, emitido el lunes 19 de enero de 2026.
🔥 Resumen del Capítulo 757: La tensión en el palacio de los Luján alcanza su punto máximo. Un comandante del ejército (Sebastián Rivero) llega por sorpresa para darle una noticia devastadora a Manuel: no puede vender ni una sola licencia más de su motor sin aprobación militar, poniendo en riesgo todo su negocio. Mientras tanto, Ángela, desesperada por su inminente boda forzada con el capitán Lorenzo, descarga su frustración contra Curro. Esto empuja a Curro a plantarse ante el Marqués Alonso con un ultimátum definitivo: exige recuperar su estatus en la familia inmediatamente o habrá consecuencias. Por otro lado, Martina intenta acercarse a Adriano tras su beso, pero él la rechaza, complicando aún más su situación con Jacobo. Y en las cocinas, la ausencia de Lope sigue destrozando a Vera.
📌 Detalles de la Serie:
Título: La Promesa
Capítulo: 757
Fecha de emisión: 19 de Enero de 2026
Género: Drama, Romance, Época
Personajes Clave: Manuel, Jana, Curro, Alonso, Lorenzo, Martina.
🔔 Suscríbete al canal para no perderte ningún avance ni resumen de La Promesa.
Aviso Legal: Este video es un resumen/review con fines de entretenimiento. Todos los derechos pertenecen a RTVE y Bambú Producciones.
#LaPromesa #LaPromesaCapitulo757 #LaPromesa19Enero #ManuelYJana #Curro #SeriesTVE #NovelasEspañolas #LaPromesaAvance #RTVE
🔥 Resumen del Capítulo 757: La tensión en el palacio de los Luján alcanza su punto máximo. Un comandante del ejército (Sebastián Rivero) llega por sorpresa para darle una noticia devastadora a Manuel: no puede vender ni una sola licencia más de su motor sin aprobación militar, poniendo en riesgo todo su negocio. Mientras tanto, Ángela, desesperada por su inminente boda forzada con el capitán Lorenzo, descarga su frustración contra Curro. Esto empuja a Curro a plantarse ante el Marqués Alonso con un ultimátum definitivo: exige recuperar su estatus en la familia inmediatamente o habrá consecuencias. Por otro lado, Martina intenta acercarse a Adriano tras su beso, pero él la rechaza, complicando aún más su situación con Jacobo. Y en las cocinas, la ausencia de Lope sigue destrozando a Vera.
📌 Detalles de la Serie:
Título: La Promesa
Capítulo: 757
Fecha de emisión: 19 de Enero de 2026
Género: Drama, Romance, Época
Personajes Clave: Manuel, Jana, Curro, Alonso, Lorenzo, Martina.
🔔 Suscríbete al canal para no perderte ningún avance ni resumen de La Promesa.
Aviso Legal: Este video es un resumen/review con fines de entretenimiento. Todos los derechos pertenecen a RTVE y Bambú Producciones.
#LaPromesa #LaPromesaCapitulo757 #LaPromesa19Enero #ManuelYJana #Curro #SeriesTVE #NovelasEspañolas #LaPromesaAvance #RTVE
Categoría
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CortometrajesTranscripción
00:00If I were in your place, ma'am, I wouldn't let my daughter marry someone like that cop captain.
00:13Angela is an intelligent, perfectly normal woman, of sound mind, but she will end up losing her mind if she consummates her marriage with that man.
00:23Mrs. Arcos, regarding what you mentioned, that you need help, count on me.
00:30And with me. The cook of the promise, we are at your service.
00:36Thank you so much for your support during the AIDS crisis, for this new stage of the shelter under the care of Mrs. Arcos.
00:41What a brave woman.
00:42Why has he thrown Enora out of this palace without any explanation? This is not the traditional hospitality of the Luján family.
00:48Enora.
00:49I want this to be the last time something like this happens. Enora will stay in this house for as long as I deem appropriate.
00:54I understand why you did it.
00:56Alonso, this is a huge misunderstanding.
01:00Thank you for seeing things differently and changing your mind.
01:05Actually, do you know that it was Hadrian who opened my eyes?
01:08Adriano?
01:10Yes, yes, yes. I had a conversation with him and he made me appreciate how wonderful you are.
01:16Well, I propose, for example, talking to Mrs. Candela and Mrs. Simona.
01:20Because they could teach us to make better use of food.
01:24I think it's a great idea.
01:25And with a small investment we could also make meals to sell.
01:28Something cool that would provide us with income.
01:32Alright.
01:33I won't be the one to take away our hope.
01:35It was a beautiful reconciliation.
01:39A sincere conversation.
01:40A conversation with the heart.
01:42Well, there's no need to go into detail.
01:43I suppose you'll want to keep that conversation private, right?
01:46Oh, no.
01:47No, on the contrary.
01:48If what I want to do is shout it from the rooftops.
01:51This list corresponds to foreign companies that might be interested in obtaining a license for our engine.
01:57And these brands?
01:59Yeah.
02:01Well, we've identified the companies that we think might be most interested in the engine.
02:06I'm impressed.
02:07It's incredible.
02:09I'm back.
02:10Does that not matter?
02:11Too late.
02:12Because?
02:13Because instinct is what reveals the most about people.
02:15And yours was to run away and hide under your mother's clothes.
02:19Maria, I already told you I was shocked.
02:20Besides, I already told you that I don't need anyone in my life.
02:23Well, I haven't volunteered to be there either.
02:24Don't get your hopes up.
02:26I'm the first to be glad that Angela didn't lose the Oremos.
02:29It's not pleasant to marry a crazy woman twice.
02:35And now that Angela is well, we can resume our wedding plans with complete peace of mind.
02:42Sebastián Rivero, commander of the Spanish army's aviation corps.
02:45And how can I help you, Commander?
02:47I want to see Don Manuel de Luján.
02:49I need to discuss an important matter with him that requires the utmost discretion.
02:54Please go and get it.
02:55And tell him I need to see him immediately.
02:58Because this could cost him his business.
03:03Let me get to the point, Don Manuel.
03:05We have received news that you are negotiating the manufacture of your engine with several companies in the country.
03:10Yes that's how it is.
03:13These companies in particular, right?
03:15Yeah.
03:25Although not with some anymore.
03:28They've backed down.
03:30I'm aware of it.
03:30And haven't you considered the reason why they didn't want to do business with you?
03:34Yes, absolutely.
03:37I suspect there are people who don't want to see my business prosper, so they've pulled some strings.
03:41You're wrong.
03:44What we have are responsible business owners who know how they are going to operate.
03:47Much more responsible than you.
03:48Excuse me, Commander, but I don't understand why you said that.
03:54Several of the companies you contacted that have backed out usually work for the Spanish army.
04:00Good.
04:05And what does my relationship with them have to do with it? I don't work for the army.
04:08Thank God.
04:10Because you, sir, have been skipping a very important step.
04:13Which?
04:14I am not aware.
04:15I see it now.
04:17All materials and products from those companies that work for the military must first receive our approval.
04:25I wasn't aware.
04:27Well, if he wants to dedicate himself to this world, he should be.
04:31There is a system that must be respected.
04:33The lives of army members are at stake.
04:35My engine is reliable, commander.
04:38I would never put any life at risk.
04:41I want to believe you are sincere, but in the army we don't take things for granted, we verify them.
04:45Good.
04:48I understand your point of view.
04:50He must not only understand it, he must abide by it.
04:53Any engine that can be used in the army must receive our approval.
04:59So I understand that until it passes their inspection I can't make any moves.
05:06That's how it is.
05:07I see that he's starting to understand.
05:08Similarly, I deduce that all those companies or factories that do not sell parts to the army do not have to go through its control.
05:16All of them, Don Manuel.
05:18All.
05:21For now, all the licenses you are negotiating will have to wait until you give the green light to your engine.
05:27And how long does that take?
05:32I can't give you a specific date. We have a lot of work to do.
05:35Commander.
05:37Commander.
05:39We're talking about me having to shut down my company for the duration of its approval.
05:45We will not allow that engine to be manufactured until we have verified its safety and it has passed technical inspection.
05:51I don't know if I can tell you about the things that have happened since I saw you, the lights that have danced through our garden, the new rumors between the heart and the walls.
06:20In the promise there will be particles of love in motion, there will be secrets that will never come out there.
06:32It will be as beautiful as the flight of an airplane.
06:38In the promise, goodbyes are like shreds on the ground, even the flowers will dance in their own way.
06:48In the promise, goodbyes are like shreds on the ground, even the flowers will dance in their own way.
06:50The promise, the farewells are shreds on the ground, even the flowers will dance in their own way.
06:52The promise, the farewells are shreds on the ground, even the flowers will dance in their own way.
06:53We're like a jump on the three
06:58We are love when life or death is at stake.
07:02A long road ahead
07:07In the promise, it will all come down to luck.
07:11We're like a jump on the three
07:15We are love when life or death is at stake.
07:19A long road ahead
07:23In the promise, it will all come down to luck.
07:27The psychiatrist said it clearly.
07:36That wedding could be harmful to Angela.
07:38I highly doubt he said that.
07:40Are you calling me a liar?
07:41No, I'm calling you an exaggerator.
07:43Well, you can ask Leocadia if you don't believe me.
07:46The doctor stated that Angela is perfectly sane.
07:50But she might go crazy if she marries you.
07:52And that man who is a psychiatrist or a fortune teller
07:55How can you know how our marriage will go?
07:58Bad, Lorenzo, it's going to go badly
07:59Angela doesn't love you, does she?
08:02That's how it is
08:03And the captain knows perfectly well my feelings towards him.
08:06Let's see, all of us who are here
08:07We know that getting married for love is a big deal.
08:09It's a vulgarity typical of the rabble
08:11Besides, it's ridiculous that you're coming at me with that.
08:14You who married Manuel off for money
08:16Or are you going to deny it?
08:19Precisely because I did it, I know I made a mistake
08:21And I don't want it to happen again.
08:22I'm fed up with nonsense
08:25I'm fed up
08:27Say what you will, Angela and I
08:30We're getting married
08:32This wedding has been announced
08:34And this family cannot afford the shame of backing down.
08:37This family or you?
08:40How is this possible?
08:42Now even a third-rate brat can have an opinion
08:44What's happening?
08:46I'm leaving
08:47I've arranged to meet some friends
08:50And I assure you they are much more fun company than you.
08:53We'll all benefit if you take a break.
08:55I suppose you don't want to come
08:57I'm going to tell my friends that the wedding is still on.
09:01It would be good if you were there
09:03He knows perfectly well that I don't want to spend a single second with you.
09:08Very good
09:09You'll have time to get used to my company.
09:13When you are my wife
09:14And then I'm not going to allow those insolences.
09:17I forgot
09:20I want you to tell your mother
09:23That tonight when I return
09:25The three of us are going to meet.
09:27So that?
09:31Brother-in-law, you're not among those three people.
09:33My future mother-in-law, my fiancée, and I
09:36We have a wedding to organize.
09:39First, we would have to choose a date.
09:40I think that would be fine in a month.
09:44Which do you prefer? Saturday or Sunday?
09:47You don't care, do you?
09:49I'll choose it myself.
09:49And this time
09:51Everything will be alright.
09:52Here, Carlos
10:07Where does the chloroform go?
10:14Leave it there with the rest of the crazy barrier products
10:16Okay, let go
10:18Well, they'll be fine here in the courtyard.
10:20Because it will give them fresh air
10:21But be careful that the sun doesn't shine directly on them.
10:23It bothers them
10:24I'll do it however you say, don't worry.
10:26I'm going to step out to the patio for just a second.
10:28There are babies and I want to see them
10:29I want to see the babies too.
10:35Very well, my love
10:37It's Andrea, you like this lovely little bit of sunshine.
10:39How are these beauties?
10:41Do you want to get it?
10:42Oh yes, please
10:44Yeah
10:44Goodbye, come with me
10:45Very good
10:46Now, because they have eaten
10:47But first
10:48Well, let's see, Santos is already getting the hang of it.
10:51This business of taking care of children
10:53Well, the cooks are very busy.
10:56They always tell me when I go downstairs with the children.
10:58Let them know
10:59Sure, I'll let them know right now.
11:02Carlos, do you want to sleep with Rafaela?
11:05No, no, no
11:08Come on, Carlos
11:11They won't break
11:13No, no, really no
11:16Besides, I'm not good with children.
11:19I'd better get back to my work
11:22And you, Maria?
11:27Do you want to hold it?
11:28Me, of course
11:29Yes of course
11:30She's coming, my precious one
11:32Look at the sight
11:38And why instead of calling the cooks
11:41Shall we take them to the kitchen in a moment?
11:43If they want to take them, of course.
11:45We'll bring them back in a jiffy
11:47Right?
11:48There's no need to bring them in too quickly either.
11:51TRUE?
11:52No, no, it's not necessary
11:53Let the cooks enjoy the little ones, of course.
11:56Well, that's what I said then.
11:59Come on, Maria, let's go
12:01Come on?
12:02Let's see what it has?
12:04I have my precious one left.
12:05Good, bad, holy
12:08Break
12:09Can I too?
12:14Yes please
12:15What a day we're having!
12:19They are, well, they are my children and I love them madly
12:24But
12:24We're exhausted today
12:28Do you really think they realized we wanted to pass it on to someone else?
12:33No, no, I don't think so at all.
12:34They were delighted to hold the children
12:37They come out on top
12:38And so do we.
12:39Well, we need to do it more often.
12:42Do you hear that?
12:52The fact that?
12:54The silence
12:55A very prodigious and rare thing these days
12:59Listen, look
13:02Oh
13:06No, no, I think compassion
13:24Come on, it's time for dinner.
13:53Does that need to be colder now, or should we look for the keeper?
13:56What? Go figure, we're always last. In the end, the soup's cold, the meat's tough...
14:02Every day we prepare food for everyone, and when it's our turn, we're left with the leftovers.
14:07Are you the...
14:07Oh!
14:08Calm down, calm down. I don't want to hurt them.
14:10Who are you?
14:11Yes, yes, yes. Who are you? Who are you doing here?
14:13I'm Prudencio. Mrs. Petra told me to wait here while she did some chores.
14:17Did you come with Petra?
14:19Yes. Yes, yes. And I think we're going to talk to you.
14:21Does he speak? He speaks about what?
14:24From a plan we have for the shelter.
14:27Oh... You live in the shelter?
14:30Yes. Yes. It's my home now.
14:32Yes, yes, yes.
14:34And what's that plan you have with Doña Petra?
14:40She wants you to teach me how to cook.
14:42Teach you?
14:44What about you, will you cook for me at the shelter?
14:47I don't know, maybe. Since we don't have any money, she wants me to teach her some cheap recipes that are really filling. Do you know any?
14:55Yes, there are some. Those that contain little meat and a lot of legumes.
14:59But you're a bit of a nuisance now, aren't you? You should be standing in front of the stove, right?
15:03It's about knowing the basics, but hey, the idea is to get every last bit of juice out of any little bone left lying around the kitchen so we can eat something.
15:10Well, I could have taught you that, Doña Petra, because she's been a housekeeper and she knows a lot about saving money.
15:16But he doesn't know anything about cooking.
15:18No, the truth is that he's not very good at it, I mean, he doesn't have a clue.
15:21She also wants you to teach me a recipe to sell at the village market, so we can raise some money for the shelter.
15:27There are many things I want us to teach you, Doña Petra.
15:31I learn quickly.
15:32But they mutate, we're very tired.
15:34It's so late and we haven't had dinner.
15:36Yes, she brought me here because she knows that after dinner they'll stay here for a while to chat. If we can make the most of it.
15:57Are you retiring already?
15:59Yes, I am. Yes, what I don't understand is how you're not already in your bedroom.
16:04Why was I waiting for you?
16:09Me?
16:10Yes. I thought we could do something together tonight.
16:15Ugh, Martina, I don't know. We had talked about not going out so much, about doing more things, you know, just you and me.
16:24And besides, have you seen what time it is? If we leave now for Luján, everything will be very closed when we arrive.
16:28But who said we were going to Luján?
16:32Nobody.
16:35I had thought of a quiet plan that only involved watching carefully.
16:43Look?
16:46I'm not sure what you mean. What do you want to look at?
16:51Well, those stars that have been shining in the sky for thousands or millions of years.
16:57To the stars. Do you want to look at the stars?
17:00You've always told me you can point out all the constellations that exist, and I think this is a very good night for you to teach me.
17:09So, do you know if the sky is clear?
17:11It's completely flat.
17:14Well, it's a very good night because we also have a new moon.
17:17That's why I had thought of it.
17:19But it's going to be very cold. It might even freeze in the end.
17:22And that's why I've prepared some blankets.
17:25And I've put a very good bottle of wine in a basket to warm us up.
17:30But there's something you haven't thought of.
17:33I haven't thought about where we can see the stars.
17:37Well, there might be a lot of humidity in the gardens, but we can go to the top of the tower.
17:43Because the views there will be spectacular, and we'll also be protected from the wind by the battlements, right?
17:48Great.
17:50Go get your coat and I'll get mine and we'll go upstairs.
17:59Doña Petra told me that you can teach me how to make croquettes with the leftover stew.
18:03Well, technically. But come on, Mrs. Petra.
18:05He also knows that if there's one thing we lack here, it's time, right?
18:08He is aware.
18:10That's why he told me to come when you're working. That way I can keep an eye on you.
18:14That you are in our kitchens in our daily lives?
18:17That's what he told me. And that I'm sure I'll learn a lot in a week.
18:21Let's see if Doña Petra shows up here soon, we're going to say a few words to her.
18:24Isn't that right, Simona?
18:25Yeah.
18:34Mr. Ballester, that's what you're doing here at this hour.
18:36That can help a lot.
18:37I don't have the pleasure.
18:48I don't think I know him.
18:51Is...
18:54He is Prudencio and he lives in Father Samuel's refuge.
18:57And he lives there and you can find out what he's doing here at this time.
19:02Mrs. Petra brought it.
19:04She wants us to teach her how to cook.
19:09Teach him.
19:10And where, if I may ask?
19:11Right here.
19:13Doña Petra wants me to watch them while they make their stews.
19:17No, no, no.
19:18They already have enough work in the kitchen without adding one more.
19:22Excuse me, you're the butler of the house, aren't you?
19:25That's how it is.
19:26Because?
19:27Because Mrs. Petra told me that you had promised to help the shelter.
19:32TRUE.
19:33But we will have to find another way that does not involve upsetting the workers who made the promise.
19:38Please, my intention is not to bother anyone.
19:40I'm sorry.
19:41Having a person from the East here is very common.
19:43Please follow me.
19:45Are you going to fire me?
19:47No.
19:48I'm simply going to accompany him to the exit.
19:50Come on.
19:57No.
20:03You know what I'm saying?
20:04Which is better?
20:06I hate to say it, but I didn't want that boy here in our kitchens.
20:11And it's not because he looks like a thug.
20:15I don't understand how Mrs. Petra came up with such a crazy idea.
20:18Now, when Christopher gives a bone, huh?
20:21Look at that, for once it hasn't worked out and I don't have a heart, huh?
20:27The captain said the wedding was still on.
20:32And that we had to set a date for a month from now.
20:35A month!
20:36I know, Angela, I know. You've told me three times, honey.
20:39And I'm going to repeat it to you again, because you've dragged me into this hell.
20:43Yes, yes, yes.
20:45There's no point in getting worked up, please.
20:50How informal.
20:52You know what? I'm not waiting any longer. I'm going to sleep.
20:59Well, obviously me too. I'm not going to risk being alone with him.
21:09Well, well, well, well.
21:12Mother and daughter are here. That's what I like to see. Let them wait.
21:23Come on, stay.
21:25Should they bring them? No, better yet, some liqueurs.
21:29I think you've had enough to drink, Lorenzo.
21:31And all I want is to finish this meeting as soon as possible and go to sleep.
21:39What's the rush, isn't it?
21:41How nice it is to have a good conversation in good company.
21:46Right, darling?
21:49Let's make a long story short, Lorenzo.
21:51Alright.
21:56I want us to set a date for the wedding.
21:59The final one.
22:01OK?
22:03I don't think it's the right time.
22:04And even less so in your state.
22:07In my state.
22:10As if a couple of drinks could make a seasoned soldier like me beautiful.
22:14Come on.
22:15Let's get down to business; these things need to be finalized as soon as possible.
22:19Neither my daughter nor her wedding are things.
22:22We are?
22:24We're certainly feeling sensitive today, aren't we?
22:30Of course your daughter is not a thing.
22:34She is a beautiful young woman.
22:37She's going to become my wife, right?
22:40Let's be clear.
22:42Lorenzo.
22:45Lorenzo!
22:47This is a complete mistake.
22:49But what do you say now?
22:51Well, I don't think it's a good idea for my daughter to marry a guy like that.
22:54that he doubts his sanity and that he also allows himself the luxury
22:58to call a psychiatrist to examine her.
23:00I was just worried about her classroom.
23:02Yes of course.
23:03That's why you wanted to see her in a sanatorium, right?
23:05Not only do I not think it's not good for her,
23:08It's not in your best interest either.
23:10Oh yeah? And how? How does that work?
23:13Lorenzo, what good is it to you to marry a woman who doesn't love you?
23:18It's not going to make you happy.
23:21When there's something outside, there are hundreds of beautiful girls.
23:25I'm sure they would be eager to marry you.
23:28You're right, you're right.
23:34The truth is, it's a moving speech.
23:41So you're willing to...
23:45Should we postpone, even momentarily, the wedding?
23:50No.
23:51No, darling, the wedding is going to happen.
23:58And this time everything is going to be alright.
24:01TRUE?
24:05Okay, go find a calendar.
24:07I'm going to see if I can get some incompetent person in this house to serve me a drink.
24:11No.
24:12No.
24:13No.
24:17No.
24:21No.
24:22No.
24:24No.
24:25No.
24:26No.
24:27No.
24:29No.
24:31No.
24:33Where is?
24:35But what is all this?
24:38Hey, I spent ages organizing this yesterday, so now you're just going to leave it all messed up.
24:41Ordering?
24:42Yeah.
24:43I would rather say that what you did was turn it upside down.
24:45Because I can't find anything.
24:46Perhaps it's because you don't know how to search.
24:48Huh?
24:49Well, you find me the lavender soap, for example.
24:51Go away.
24:53We left it on this shelf.
24:55Which shelf? Ready?
25:02Wait, didn't we leave the lavender soap here?
25:04Oh, yes, next to the rosemary soap.
25:07See? I was right.
25:08No, I'm not saying Vera didn't leave it where it was. What I doubt is that you didn't move it.
25:12But why would I do such a thing?
25:14Because that's what you do, Carlos. You complicate everything.
25:16Look, I'm doing my job well, so don't go accusing me of things that aren't my fault.
25:19Stop, please.
25:21Who ordered that? You did.
25:23Who's messing everything up, Carlos? You too.
25:25But that's not the case.
25:27The shouting is there. That's what I hear from the patio.
25:28What's up, dude?
25:29Well, it turns out that ever since he tidied things up, the lavender soap is nowhere to be found.
25:33I have the lavender soap.
25:36Doña Leocadia wanted him to take a bath with her.
25:39If I had known, I would have told him to bathe with a different soap.
25:42Well, if he saw that there were no pills left, he should have let us know so we could buy more.
25:47No, no, no. I was instructed to arrange this. I don't want an inventory or for me to order anything.
25:51That's true. That's what they told us.
25:52Well, if you had any sense you'd realize that when something is lacking you have to buy more.
25:58Enough already! Please.
26:00You're arguing over a bar of soap. Do you realize that?
26:02Tell that only to Maria, who is the one who started shouting.
26:04I'm not yelling at you!
26:05Maria!
26:07Hey, we have to be a little tolerant of other people's mistakes, okay?
26:10That we can all make mistakes.
26:12Or we can't be wrong.
26:14And when Mr. Ballesteros sees this, he won't be as understanding as I am.
26:18And now to work. All three of us.
26:23All three? What do you mean, all three?
26:26I haven't yelled at anyone.
26:27And I think you're dragging me into the middle of an argument between these two that doesn't affect me at all, Doña Pia.
26:34Well, there it is. There's what you've achieved.
26:37When I explained the performance of our engine to him, he seemed very interested.
26:53But what's the name of that company?
26:55The British and Colonial Airplane Company.
26:58But don't they know how to speak in Christian?
27:01English, rather.
27:03In other words, the English in Great Britain are interested in licensing our engine.
27:08Yes. And if this goes well, other foreign companies will also be interested in doing the same.
27:13And the best part is that when Don Lisandro and Doña Leocadia find out, they won't be able to do anything to stop it.
27:19And does Manuel know this?
27:21That?
27:24What do I need to know?
27:26Tell him.
27:28Well, yesterday I was making some calls and I got the contact information for a representative of a very important factory in the United Kingdom.
27:36And are they interested in the engine?
27:38Yes, it's the British and Colonial Company or something like that. They're an important British company.
27:43Well, we have a feeling this is just the beginning. We need to keep selling the engine throughout Europe.
27:49No.
27:53What we need to do is stop contacting companies for the time being.
28:00By?
28:01I received a visit from an army commander.
28:08Apparently, they have to review and approve our engine before we can market it.
28:16But I'm telling you, if we don't work for the army.
28:19No, not us.
28:21But several companies we've contacted do, so we're going to have to pass their technical inspection.
28:27That's why some of the companies we were going to do business with have backed out.
28:31Yeah.
28:33According to the commander, they acted responsibly because they knew how to act in these cases.
28:38But can't we work only with companies that have nothing to do with the military?
28:42Yes, but that doesn't guarantee we'll avoid inspection.
28:49And it also doesn't guarantee that they won't halt production.
28:52What if we focus only on foreign companies?
28:56Spanish laws cannot be applied to us in these cases.
28:59I know.
29:01But it seems like too much of a risk to me.
29:03They could accuse us of going against the interests of the country.
29:06Or worse, they could accuse us of being traitors to the country.
29:10Already.
29:12So, we're going to sit idly by until the army says something.
29:19I'm afraid so.
29:21Wait a minute. Who's supposed to have sent that commander here?
29:25And why does it appear when things seemed to be going well for us?
29:29Could Doña Leocadia have something to do with all this?
29:35Don't know.
29:38But I assure you, I'm going to find out.
29:42I don't know if your hot flash will pass.
29:43If you want me to make you an infusion, that is, you'll pay me back.
29:57No, no, water is fine.
30:00Do you want some pasta to get rid of that bad aftertaste?
30:03No, thank you. What I need is to not see María Fernández and Carlos again for a good while.
30:08And don't scold me for no reason.
30:11Has something happened, Vera?
30:14Yes. Yes. Maria is furious with Carlos and had a row with him. Then Doña Pia came and gave the three of us a good dressing-down.
30:22Come on, I wasn't to blame for anything, as always. The innocent suffer for the guilty.
30:26Well, I'm sure that Doña Pía will apologize when she realizes that some of your things are in it.
30:29I just can't take it anymore.
30:31But, woman, no. Did Doña Pia scold you to make you act like this?
30:34No. No, Mrs. Candela. It's just that I haven't been able to get through the last few days and everything is affecting me a lot.
30:41It's because of López.
30:47Of course it's because of him. I can't help but think he's working at the Duke of Carvajal and Cifuentes' palace.
30:54In a place where he doesn't want to be too far from here and besides, I've missed him a lot.
31:00Well, all things considered, I suppose someone will pay for that man.
31:03It's not Consuelo, Doña Candela.
31:05No, I just wanted to see the bright side.
31:07Well, it's no use. And all because Teresa did nothing to stop it.
31:11But we all miss López. But what does she gain by tormenting you?
31:16I mustn't forget the anger I feel towards Teresa. That's it.
31:36What? Looking for something to read?
31:38No. I've come to drop off a book I've read to my children and then I'm leaving.
31:42Ah. And what is it?
31:43That?
31:44Platero and I. By a certain Juan Ramón Jiménez.
31:48He doesn't talk about much. About a man, his donkey, and his daily life in the village. It's alright.
31:54Well, I don't think it's the most appropriate reading material for such young children.
31:59I'll look for another one later.
32:00No, if you'd like, I can help you. You know, I used to read stories to my little cousins when they came to visit.
32:05So let's see...
32:08What do we have here?
32:11Excuse me.
32:13Sorry, I'm just a bit tired. Martina and I were up until very late last night.
32:19He knows I wanted to see the stars with him. He asked me to...
32:22So I pointed out the constellations I knew, and in fact we went up to the top of the tower to see them.
32:29A good place to see the stars.
32:30Yes, yes. And Martina planned it wonderfully. She brought a blanket, she brought a good wine.
32:37Blanket and wine.
32:41A toast?
32:43Sure. You do it.
32:47I.
32:50I don't have to think about it much.
32:55By André and Rafaela.
32:58The two lights of my life.
32:59And mine.
33:01They are the ones who have united us.
33:03Yeah.
33:04No.
33:22Anyway, the thing is that Martina and I were stargazing until very late, and that's why I'm so sleepy now.
33:29No, it's best if I leave you alone. You can take a nap.
33:33No, no, no. I'll take a nap later.
33:36But the fact is that...
33:39It was a wonderful night.
33:41Adriano, the sky was so clear. We could see all the stars. We even saw a shooting star.
33:47Know?
33:48Let's see if you can guess what wish I made.
33:50No.
33:51I have no idea.
33:52Come on.
33:53Go for it, it's obvious.
33:56Wouldn't it be better to just leave it alone?
33:58They say that if you talk about your desires, they will be aggravated.
34:01Well, yes.
34:02Yes, yes, yes. That's absolutely true.
34:04But the fact is, it was one night...
34:06Splendid.
34:09Good.
34:11Well, I'll take this book.
34:13Green's Stories.
34:14Well, you know what? It's just that...
34:17Thinking that perhaps these stories are a bit gruesome for such young children.
34:20It doesn't matter. They won't understand anything.
34:22No, no. Don't worry. We'll find the perfect story.
34:25But I was thinking...
34:28It's not paradoxical, Adriano.
34:31The fact that?
34:32Well, in the end, the kiss that that wretch stole from my fiancée has made us closer than ever.
34:42I don't know. It's hard for me to put it into words like this, but it's almost like...
34:48As if that kiss were a blessing for the couple.
34:51Every cloud has a silver lining.
34:57Well, I'm leaving because this saint is alone with my children and I would like to help him.
35:01But listen, no, I didn't come here to choose a book.
35:03No, I'll find another one, another day.
35:05I make sure that in this house, however important it may be, Lope is not treated as well as he is here.
35:22But the older one doesn't have a very good reputation.
35:25If Lope does a good job, which he surely will, everyone will treat him well.
35:30I'm going to study with my Fahel.
35:31I'm going to study with my Fahel.
35:37Vera runs away from me like the plague.
35:40In the end...
35:43They already have menu proposals for the next few days.
35:46Sharp.
35:47We've had a lot of work and haven't had time to sit down.
35:51A lot of work.
35:52But there hasn't been any special event, and I haven't given them any more work either.
35:56It's no small feat to make breakfast, lunch, and dinner for the whole house.
35:59And a snack, huh? We forgot about the snack.
36:01Sometimes the gentlemen ask us for things in the middle of the afternoon.
36:03So no, we haven't had time to think about the menus.
36:06I'm sorry, Teresa.
36:07Alright.
36:09But I need the proposals for tonight.
36:11Tomorrow I have the meeting with Mrs. Leocadia and I have to introduce them to her.
36:14We are aware of it.
36:15Well, find some space, please.
36:17Well, I'm running late.
36:24I'm going to the village.
36:32Have you noticed how quiet this man has been lately?
36:34He was standing there.
36:35A palm tree.
36:36Yeah.
36:55Doña Leocadia, are you embroidering a trousseau for your daughter?
36:59My daughter has had her layette ready for a long time.
37:04Ah, yes.
37:05What she doesn't have is the desire to get married.
37:10Have you come to talk about my family's affairs?
37:15No.
37:17No, of course not.
37:19Furthermore, I'll be frank with you. I'd prefer you focus on tackling rather than doing more harmful things.
37:26How to try to ruin my business.
37:29Not again.
37:30That's what I should be saying, right?
37:32Trying to ruin me again.
37:35What are you saying?
37:37I have never lifted a finger against you.
37:40So the soldier who came to the promise has nothing to do with you.
37:44Which military officer are you talking about?
37:45By Sebastián Rivero.
37:47From the aviation corps.
37:50Do you know him?
37:51No.
37:52I don't have the pleasure.
37:58Look, he's come to the palace to inspect my engine.
38:03And while we're at it, shut down my business in the meantime.
38:08No, I don't know him.
38:09But you know what?
38:10Even without knowing him, I'm starting to like him.
38:12It's quite a coincidence that he's coming right now, don't you think?
38:15Well, as far as I know, Manuel, the world of aviation is very small.
38:18He's probably found out about your schemes.
38:22Anyway, why don't you ask your Uncle Lorenzo?
38:25Perhaps he does know him.
38:26I'll ask him.
38:28I'll definitely ask him.
38:29And I'll also ask that soldier if he knows you.
38:31I've already told you no.
38:32But you know what?
38:35I'm glad things aren't looking good for you.
38:41I expected nothing less from you.
38:45Oh, by the way.
38:48I want to warn you.
38:50This is nothing more than a setback, I assure you.
38:53My company will succeed.
38:56Despite you.
38:59Sure?
39:00From what you're saying, rather than moving forward, it's going downhill.
39:05Honestly, Prudencio, don't worry about what Don Cristóbal told you last night.
39:19He was very curt and kicked me out of the promise.
39:23That's just the way men are.
39:25You're like that with everyone.
39:26Oh really?
39:27I'm going to help.
39:29Alice.
39:31Please take this with you.
39:33In the background.
39:35Thank you.
39:36Welcome, Antonio.
39:37Thank you.
39:39It had been a long time since I'd been here.
39:43Yes, I imagine.
39:45There is...
39:47There is...
39:48There is...
39:49There is...
39:50There is...
39:51There is...
39:52There is...
39:53There is...
39:55There is...
39:56There is...
39:57There is...
39:58There is...
39:59There is...
40:00There is...
40:01There is...
40:02There is...
40:03There is...
40:04There is...
40:05There is...
40:06There are many more people than before.
40:08Yeah.
40:09Unfortunately, each time...
40:10More powerful people are arriving who have nowhere to take refuge.
40:15I don't know if...
40:16If I know anyone who's around here.
40:19You don't know how this works, Toño.
40:21Some come, others go.
40:24Well, tell me, Mrs. Petra.
40:26Why did he want me to come this way?
40:28Well...
40:29You already know that...
40:31Father Samuel is going to stop running the shelter.
40:33Yes, yes, yes.
40:34My mother told me.
40:35Well, I suppose he also told you that...
40:39Now I'm the one who's going to run it.
40:41Yeah.
40:42I'm aware of it too.
40:44The thing is, Toño, no...
40:46There are no rooms.
40:48And I had thought that...
40:50Perhaps your mother and Doña Candela, well...
40:53They could teach these poor people how to cook hearty and inexpensive meals.
40:58And also something that could be sold at flea markets.
41:01Yes, yes.
41:02Clear.
41:03It's not badly done.
41:05The problem is that Don Cristóbal has said that something like that could not be done.
41:08I promised myself.
41:10Already.
41:11I understand.
41:12But I don't really know what all that has to do with me.
41:20Well, Toño, you...
41:22You know this place better than anyone.
41:25Yeah.
41:26I spent a long time here.
41:29And how...
41:30Doña Simona is your mother and you have that close relationship with Doña Candela,
41:34I thought you might be able to give me some ideas for...
41:36so that this can move forward.
41:40Come in, Jerónimo.
41:42Jerome.
41:45Toño, this is Prudencio.
41:47My right hand, here in the shelter.
41:50And he is Toño.
41:52He lived here for a while, in the shelter.
41:56And he is the son of Doña Simona, one of the cooks of the promise.
42:00Ah.
42:02Prudencio met your mother last night.
42:05Uh-huh.
42:06I didn't know.
42:09Did something happen to my mother?
42:12It's not...
42:13Simply put...
42:14I felt like they both looked at me with contempt.
42:16But of course, one wears the clothes one wears.
42:18I understand.
42:20No, no, excuse me for saying so, but that surprises me a lot.
42:22My mother is not one to judge by appearances.
42:25It may be, but that's what I felt.
42:29I continue.
42:31No, no, no.
42:37Sit down.
42:38No.
42:42Ah!
42:46Damn it!
42:47Chaos.
42:48And that bad temper?
42:52I've pricked myself.
42:55It definitely has nothing to do with Manuel.
42:58We just crossed paths and he seemed angry.
43:03Have you argued again?
43:04No, not me.
43:05But it's true that he was in a bad mood.
43:07It seems someone from the army came and told him they wanted to check his engine, and he's blaming me.
43:15And you have nothing to do with it?
43:17Please, Alonso.
43:18You too?
43:19I just don't know what to think anymore.
43:21You're always arguing.
43:23I'm trying to keep the peace, but you're making it very difficult for me.
43:26Of course, now it's going to be my fault that the atmosphere in this house is the way it is.
43:29Partly, yes.
43:31You, in particular, have done little to bring peace to the promise.
43:55Oh!
43:56A disgrace.
44:00But make sure they don't get their clothes dirty.
44:04Are you OK?
44:07Well no.
44:08I'm not well.
44:09And you don't even do me the favor of not leaving the firewood wherever you please, I almost cracked my skull.
44:12Hey, I didn't leave anything here, okay?
44:14Yeah, whatever you say.
44:16As if I didn't see you a little while ago with the firewood.
44:18Yes, but I've taken it up to Mrs. Leocadia's room.
44:20That basket isn't mine; I was in there polishing shoes.
44:23And a load of rubbish, Carlos.
44:24I'm telling you no.
44:25But what's going on here?
44:27We can hear you from far away.
44:29Well, this boy left a basket of firewood lying around and I tripped over it, and now I might have to wash everything again.
44:35Maybe not.
44:36The lava, Miss Fernandez.
44:39And I don't want to hear them argue again, I'm fed up with them.
44:42Don Cristóbal, it wasn't my fault. That basket isn't mine.
44:45That's a lie, Don Cristóbal.
44:47It's not mine.
44:48Enough is enough!
44:49I don't want to say another word.
44:51You, take those clothes and wash them again, Miss Fernandez.
44:55And you arrive with your work, Mr. Castejón.
45:07But can you tell what day before these two are at each other's throats all day long?
45:12I don't know, they've always gotten along well but lately they've been at odds.
45:15We need to be vigilant.
45:18I don't understand how two co-workers can get along like that.
45:21What should prevail is harmony, not what we have just witnessed.
45:25I really don't know how they can love each other so badly.
45:28Neither do I.
45:30They should be helping each other instead of insulting each other, shouldn't they?
45:35Okay, I'm going to...
45:37I'm going to continue with my tasks.
45:39Yes, yes. And me.
45:42I'm going to continue with my tasks.
46:03Step by step.
46:13And that face?
46:15Has something happened to the captain?
46:18Yes, we've had a meeting with my mother about the wedding date.
46:21Yes, I already heard it.
46:24That you had a meeting last night.
46:28He has already told you when he wants you to get married.
46:32Yes, he said that... that in about a month.
46:35But this time it's been different, Curro. Because this time my mother has made an effort.
46:42She really tried to convince him that this wedding was a mistake, but no. He didn't listen, as always.
46:48Your mother...
46:50I can imagine the energy he's put into trying it.
46:55Look, Angela.
46:56If she wanted to stop this, she would.
47:00No.
47:02No, I don't work. My mother isn't putting in more effort precisely because she wants to avoid a scandal.
47:07A scandal that I remind you would affect this house and your family.
47:11No, Angela. Your mother doesn't care about this house.
47:14And don't forget that it was she who gave her blessing to your marriage.
47:19She is the main culprit behind this cursed wedding.
47:21And I am the main victim.
47:24Don't you forget that.
47:28Forgive me.
47:30I know this whole thing is driving you crazy.
47:34I don't know.
47:37But the truth is... everything was much easier in the cabin, wasn't it?
47:41The cabin...
47:44Curro, the cabin was a bubble that couldn't last, do you understand?
47:49What were you trying to do?
47:50Stay there for the rest of your life while shooting anyone who came near?
47:53All I know is that I felt free there.
47:56But here...
47:58I'm a puppet, Angela.
48:00I can't do anything unless someone tells me to.
48:03We're back to square one.
48:06I'll keep serving, and you'll have to marry that undesirable man.
48:09And you say it like that.
48:13That's all.
48:15You're not willing to do anything to change that.
48:18And what else do you want me to do?
48:19I've already spoken to my father.
48:20Well, I don't know, I don't know, Curro, but something.
48:22Anything rather than stand idly by while the woman he supposedly loves goes off to marry a monster.
48:28Look, I understand that you're completely hurt.
48:31But don't stop it with me, please.
48:32Well, do something.
48:34That?
48:35What do you want me to do?
48:36Curro, you're always complaining about your fate.
48:39You're always blaming others for everything that happens to you.
48:42Do you realize?
48:43Yes that's fine.
48:44You spoke with your father.
48:45And?
48:46Tell me, what?
48:47What have you achieved?
48:48If you do nothing.
48:49You didn't even come to talk to me.
48:51after learning that he had had that meeting with my mother and the captain.
48:55Curro, I had to come myself.
48:57Because it's not easy at all.
48:59Nothing is easy, Curro!
49:02But standing up for yourself doesn't mean staying locked up in a cabin.
49:06It's about facing problems.
49:08We could make croquettes with the leftover chicken.
49:15The lady said it once, it's a burger, huh?
49:18But how are you going to emulate something so delicious?
49:19Go on, son!
49:20What are you doing here at this hour?
49:24What are you doing here at this hour?
49:25Hello.
49:26Well yes.
49:27Yes, that's what I'm here for.
49:28And also with the idea that they help them prepare some food that they can then sell.
49:31Look, son, we'd like to.
49:32But Don Cristóbal has said that we cannot do that here.
49:33I know, I know.
49:34I know, I know.
49:35But I thought maybe we should do it.
49:36What are you doing here at this hour?
49:39Hello.
49:40Well, I spent the afternoon at the shelter and after being there I wanted to come and see them.
49:47So, you're into that idea of Doña Petra's that we should teach the miners how to cook, right?
49:52Well yes.
49:53That's what I'm here for.
49:54And also with the idea that they help them prepare some food that they can then sell.
49:58Look, son, we'd like to, but Don Cristóbal has said that we can't do that here.
50:02I know, I know.
50:03But I thought maybe they could do it there, at the shelter.
50:06In some free time they have.
50:08I didn't want you to come either, we had a lot of time, you know?
50:10Besides, we don't know anyone there.
50:12Come on, please, don't give me such weak excuses.
50:15They'll have some free time.
50:17And there they meet Prudentius.
50:19I already know what's been through here.
50:21Very good.
50:22And on top of that, there's that Prudencio guy.
50:23Yes, it's there.
50:24Because?
50:25What's happening?
50:26Mother, what did she think I looked like when I arrived at the shelter?
50:33You should have seen me.
50:35What's wrong with you?
50:37I thought they would be delighted to be able to collaborate with a good cause.
50:41The people there need it, I assure you.
50:44And especially to someone like Prudencio.
50:46They can't even imagine the life that poor man has had.
50:50I lost his wife.
50:52And to her newborn son.
50:56He was so desperate that he even tried to take his own life.
51:00Oh my God!
51:02Yes, but fortunately they saved him.
51:04And now he has found a new home in the shelter.
51:07That's why she needs that to stay, Mother.
51:10Everyone there needs your help.
51:12Okay, we said we would help and we will.
51:16We'll see how we organize ourselves, but something has to be done.
51:21Please, I thank myself.
51:29I wanted to talk to you.
51:34Of course, I work.
51:36What's wrong? It's because of Angela. Don't worry. The doctor already said so. She's of sound mind.
51:40Yes, yes. We've already solved a problem that should never have existed.
51:44But Angela's wedding is still on.
51:47Do you know that I've tried to convince Lorenzo in every way possible?
51:52I have offered him a quarter of the promise.
51:54I don't know. I don't know.
51:58It's not related to my job.
52:00It is Leocadia who decides about Angela.
52:02And Lorenzo is putting a lot of pressure on right now.
52:04They are protecting themselves from the scandal that would erupt if the wedding were cancelled.
52:08The scandal?
52:09The scandal is that this case with Angela is undesirable.
52:13I completely agree with you.
52:16But it's not in my power to prevent it.
52:20TRUE.
52:23But there is something that is within his control.
52:27The fact that?
52:28That I stop wearing this uniform.
52:34Son, we've already talked about that.
52:37We must hold back. We must be patient.
52:38Yeah.
52:40And I have remained silent.
52:41I didn't protest.
52:42Because you told me to wait.
52:44But I don't know what we're waiting for.
52:49It can't be yet.
52:50Of course it can be.
52:53I want to regain my status.
52:55And I want to do it now.
53:04There's a Spanish army commander involved in the promise, and you're unaware of it.
53:10I'm telling you the truth. I don't know that man.
53:13Why would I want to subject your engine to an inspection?
53:15I thought it might be some kind of retaliation.
53:18Retaliation for what?
53:19For example, for being completely opposed to their wedding.
53:22Be careful.
53:23It's difficult to give deadlines in these matters.
53:25I understand.
53:26And in the meantime, do you plan to stay somewhere specific?
53:29I'll be staying, of course, in the Promise. I prefer to stay in the service area and eat in my room.
53:35I know you blame everything on Teresa. And you should try to put yourself in her shoes.
53:39I see it as complicated, Father. Not to say impossible.
53:42There's always something to hold on to. And that's better than encouraging others to rebel against it.
53:46Prepare something to sell in the village. That way we can raise some money.
53:50Have you thought of anything?
53:51We thought you might have a proposal.
53:53I have been thinking about it and I've come up with something that I think might work.
53:57Just spill it already. Don't keep us waiting.
53:59Churros! Just like the ones in Madrid.
54:01And you're not going down to eat with everyone?
54:03If the captain of the forest is going to be there and he's not my favorite person to share bread with, then...
54:08But hey, all the more reason for you to come down and eat.
54:11No, what? Why?
54:12Because that way you and I can present a united front against him.
54:15I'm surprised you want to make a common front with me when it's impossible for you and me to be in the same room, isn't it?
54:21When I finally mustered up the courage to tell Carlos the truth, he stormed off like a coward.
54:27And now I'm supposed to greet him in the hallways.
54:30No, Maria. No, I'm not saying that.
54:32What I want is for you to ease up a little and not keep tripping him up.
54:35If they put it on themselves, Mrs. Pira.
54:37Maria, if you continue down this path, Don Cristóbal is going to fire him.
54:40I'm getting used to rejection for real.
54:42It's funny that he says that, because I'm incapable of getting used to it.
54:46Get used to what?
54:48To their rejection.
54:49Lisandra and the Royal Household agreed that Curro could stay in this house on the condition that he served as the maid.
54:56How long are we going to let the Duke of Carvajal and Fuentes dictate how we have to live?
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