high-potential-season-2-episode-08-the-one-that-got-away-2_480
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
🎥
Short filmTranscript
00:01You give Morgan Guillory a puzzle, she won't stop thinking about it until it's solved.
00:07Hey, any news? We found Roman.
00:09I'm sending you a photo now.
00:10That's not Roman.
00:11I think someone's been on my tail the past few days.
00:13Maybe you should just hide the bag because whoever Roman's running from might not want what's inside getting out.
00:19If we could just keep this between us.
00:21We'll keep the circle small.
00:23Let's run this stack of photos through facial recognition.
00:25Who are you?
00:27I want that backpack.
00:29Well, theft of major artwork.
00:31Painted by Rembrandt in 1645.
00:33The thief wanted this painting for a reason.
00:36Reese just flew and helped us find our missing painting.
00:38I'm an art recovery specialist.
00:40If I can recover the Rembrandt safely, the insurance company can avoid cutting a rather large check.
00:44Do you have any idea who it might be?
00:46Well, the internet seems to think so. Some call him Jean Baptiste.
00:49If we find the young girl, we should be returning it to Miriam Weissman, not the Fosters.
00:54So you go back to the crime scene on your own without a police escort?
00:57But if we didn't, we wouldn't have gotten this.
00:59Detective Karadik and I can handle it from here.
01:01Are you kicking me off the case?
01:03Don't worry, the ransomware will turn up soon enough.
01:06That's our guy! Let's go! He's getting away!
01:09Jean Baptiste might not exist. He could be a myth.
01:12The guard shot him in the left shoulder and he fled empty handed.
01:14I'm down at the museum and you're gonna want to see this.
01:17Our case just got blown wide open.
01:19Our case just got blown wide open.
01:21Go back!
01:23I'll have to go back to the !
01:25We'll go!
01:27That's what we need to do!
01:29We'll be here to see this.
01:31...Masắn!
01:32I'm sure it's done to see this.
01:33I need to take this.
01:34We move, hold it, and say.
01:35I need to work at the museum.
01:37I need to work!
01:39And to deal with the museum,
01:40I can't see that.
01:41I can't see the museum!
01:43This is what we're doing.
01:45Oh my god, oh my god, oh my god, damn it, Mark, dear god, that is not okay, you're big
02:05mad, yo, what's the problem, you scared me, this is where I work, you're sorry, you love
02:10this kind of stuff though, not this kind of stuff, okay, okay, I'm sorry, I just,
02:15couldn't wait to see you, I've been thinking about you all day, all day, oh, most of the
02:19day, thanks, okay, let's go, yeah, let's get out of here, where are my keys, whoa,
02:31and you didn't see anyone leaving the area before you found him, no one, yeah, if she
02:51didn't drop her keys, we might not have even noticed anything, I only predict him anything,
02:55well, does this have something to do with the painting that got stolen?
03:08Morgan, you called her?
03:10Morgan, I did.
03:18Morgan, you remember the museum director, Cyrus Carrow, 48.
03:35Cause of death, blunt force trauma to the back of the head, possibly his own tire iron,
03:39which is missing from his trunk, so, our friend here has a 20 million dollar painting stolen
03:45from his museum, and two days later, he winds up dead, what are the odds those things aren't
03:49connected?
03:50Either he knew something about the theft, or he knew who did, maybe they got to him before
03:54he could get to us, any chance we're looking at Jean-Baptiste?
03:57Not likely, Jean-Baptiste stole paintings from across the world, Cyrus wasn't a traveler,
04:01maybe he and Jean-Baptiste were working together.
04:03Hmm, you think he's the one who called you, set up the ransom?
04:06I didn't recognize the voice, but he did hand me the Polaroid.
04:09So he can't be sure if our Vic was a witness or an accomplice?
04:14When was he killed?
04:15Well, um, Emmy established time of death within the last hour.
04:18Oh, thank God.
04:20It's just good that we got here so quickly.
04:23He was wearing this at the museum.
04:25Yeah, so why would our killer leave a watch worth 200 grand on the ground?
04:29Why go through all that trouble to take it off his wrist just to what?
04:32Forget it?
04:32Well, it's fake.
04:34Yeah, if it was real, the second hand would glide and not jump around when it ticks.
04:38Plus, the engraving's too shallow.
04:39Our text will take a look.
04:41Sounds good.
04:42I'm going to skip out for a little bit.
04:45Everything all right?
04:46Yeah, just kid stuff.
04:47You need a right?
04:49No, I want to walk.
04:59And a bin that needs to be empty.
05:21Sorry, just grab a nice towel.
05:23Made a mess.
05:24That's okay.
05:25I'll get it.
05:25Sure.
05:32Morgan.
05:33Morgan.
05:33What?
05:34You followed me?
05:35You showed up to a crime scene and left two minutes later.
05:37Yes, I followed you.
05:39What the hell's going on?
05:42I think Reese is Jean-Baptiste.
05:45Reese, the art consultant.
05:46No, the peanut butter cup.
05:48Yes, same guy.
05:49Only I don't think he recovers art.
05:50I think he steals it.
05:51Or both, I don't know.
05:52I just know that there is a crate in his room,
05:54and I think our young girl is inside.
05:57It's settled down.
05:58It's a painting.
05:59Um, okay, that's it?
06:01You heard he's got an art crate,
06:03and now you think he's an international art thief?
06:04No, I saw it.
06:05And I also saw a scar on his left shoulder
06:07from a bullet wound,
06:08just like Jean-Baptiste,
06:09in the same spot.
06:11Okay, well, how did you see a scar?
06:13Huh?
06:14The scar.
06:15You said you saw it.
06:19Um.
06:19I can tell you're making a face.
06:22Could you translate that face for me?
06:24Yeah.
06:25Yeah.
06:26You know,
06:27he and I,
06:29we...
06:30Oh.
06:32Oh.
06:32You know what?
06:33It shocked me, too.
06:33I don't know.
06:34Can we move past that part?
06:35We have to rethink this entire investigation.
06:37Okay, well, I think you're being a little dramatic.
06:39No.
06:39Reese has been with us every step
06:40from the heist to the murder.
06:41I understand that.
06:42That's why I need to peek inside that crate.
06:44Morgan, you can't break into someone's room
06:46without a warrant.
06:46You know that.
06:47Obviously, if I find something important,
06:49I'm going to say that I saw it when he invited me in.
06:51That doesn't make it better.
06:51Morgan, now you're just adding perjury
06:53to an unlawful search.
06:55Good point.
06:55I'll jot that down.
06:57Morgan.
06:57What?
06:57What?
07:18What?
07:20What?
07:21Hey!
07:30Well, hello.
07:32Where did you disappear to?
07:34Um, I had to go work on another case.
07:38Oh.
07:39Yeah, I know.
07:40It's like, I wish people would just stop killing each other all the time.
07:44You know?
07:45It's like, it's enough already.
07:47Well, I may head back to my hotel room soon.
07:49Why?
07:52Um, I just, there was so much work to be done over there, right?
07:56I mean, what's going on with that watch?
07:57Remember that watch?
07:59Are you sure everything's okay?
08:01Yeah, yeah.
08:04Because we kind of got interrupted earlier.
08:07We really did.
08:08Maybe, I don't know, we can pick things up where we left off?
08:19Did you find the painting?
08:26I found a painting.
08:27I did not find the painting.
08:28So we have no idea if Risa Jean Baptiste were our killer.
08:31I'm pretty sure he's Jean Baptiste, but we both know he's not our killer because he has an alibi, remember?
08:36Right.
08:37Well, a scar's not enough of a smoking gun, Morgan.
08:40We need more.
08:40Well, I'll find more.
08:42That's how you'll get more that worries me.
08:44You know what?
08:45I don't need this from you right now.
08:47And I don't need Wagner going off on you again, so if you really think Risa Jean Baptiste, we need to bring the captain up to speed.
08:52Absolutely not.
08:53No.
08:54The only thing you need to do is get the captain to bring me back on the case.
08:57And how should I go about doing that, exactly?
08:59Well, you can start by keeping your mouth shut about everything that happened in the hotel room.
09:02Hmm.
09:03Okay, so lie to my captain about where you were and how we know what we know.
09:06Just come up with something that makes sense and makes the captain trust me again.
09:10You're making this harder than it needs to be.
09:15I'm sorry.
09:27So now we need to catch a thief and a murderer.
09:31Detective Carradine, glad you could join us.
09:33Captain.
09:34Guillory, I'm sure you'll find another case in need of your unique talents.
09:39They're going to have questions about the victim at the press conference.
09:46What do we know about Cyrus Caro?
09:47No priors, no kids, unmarried.
09:49Was born in the Philippines and got a master's in sculpture here in L.A.
09:52Cyrus was the museum director for five years.
09:55We looked into all the staff after the heist.
09:57Nothing flagged.
09:58What about his social media?
09:59This was his last post, taking two hours before he was murdered.
10:03Find out where.
10:04What about our ransomer with the tinted windows?
10:06We ran the plates.
10:07The car is registered to a Lou Fowler.
10:09We put a bolo out on the car.
10:11Any connections with Jean Baptiste?
10:12Nothing yet.
10:13We still don't know who he is or if he even exists.
10:15I'm a skeptic, but I'd love to be proven wrong.
10:18And the ransomer hasn't called you again to make any demands?
10:20No, none of my contacts have seen or heard a whisper about the stolen painting on the dark
10:24web or anywhere else.
10:26Maybe it just hasn't surfaced or whoever took it is being real careful.
10:30Great.
10:33So we're looking for an art thief and a car thief who could be the same guy, but the
10:37only suspect we've been able to identify is still Miriam Weissman's grandson.
10:42So will someone find out what he was doing while Detective Karek and I were running every
10:46red in the sand?
10:47My father bought that painting in 1932.
10:50We lived in Krakow.
10:52I was the only one in our family that survived.
10:55When the Nazis came, they took everything.
10:58I think Morgan and I could go by Cyrus' place and see if we could find anything.
11:02Just you, Detective.
11:04Morgan's benched.
11:05Forrester and Osdell, if there's a connection between Cyrus and Jean-Baptiste, I want to
11:09know.
11:10Let's hope we have a hell of a lot more to say the next time I talk to the press.
11:21So what's good around here?
11:23Uh, you can have some of my carrots or somebody else's pretzels.
11:28So this is the consultant's corner, huh?
11:32Where we wait to be called on?
11:34You maybe.
11:34Not me.
11:35I'm out.
11:38Look, about earlier, I truly had no plans.
11:42It's honestly, it's fine.
11:45Got a little carried away.
11:47It's all good.
11:47Okay.
11:51So how's that other case coming along?
11:53You know, the one you had to check on.
11:55Yeah, good.
11:55Really good.
11:56Solved it.
11:57Already?
11:57Yep.
11:58I know.
11:59Some of these cases are tough, you know?
12:01And then some are just kind of open and shut.
12:04Real grab bag here at Major Crimes.
12:08Well, congratulations.
12:09Um, I've given it some thought.
12:20I'm going to go with somebody else's pretzels.
12:22Captain, you got a second?
12:39Later, Detective.
12:40You know how the press gets if we keep them waiting.
12:43I'd like Morgan back on the Jean Baptiste case with me, sir.
12:46Huh?
12:46Would you?
12:47You would, too, if you'd worked as many cases with her as I have.
12:49Where'd you go?
12:55I'm not sure I understand.
12:56Back at the crime scene.
12:57You took off.
12:58Both of you.
13:00I'm finding it hard to keep track of you two.
13:02So I think you worked this one solo.
13:05Captain.
13:08I work with Morgan.
13:09On every case.
13:11And I know what I signed up for.
13:12If she messes up again, it's on me.
13:19You don't care he's around a briefcase and never looks inside.
13:31Morgan, can we focus, please?
13:33Fine.
13:33What did you say to Wagner to get me back on the case?
13:35I spoke to him cop to cop, and he agreed.
13:36Simple as that.
13:39You're not going to let this go, are you?
13:41What do you think?
13:41Look, Wagner knows that you're...
13:44Yeah?
13:44You're a wild card, okay?
13:45But he wants to know everything that's going on with you.
13:48Same goes for me.
13:48If we do that, then we stay on his good side.
13:50But if we keep hiding things from him, it's my ass.
13:53But we are hiding things from him.
13:54I am well aware.
13:56And you need to watch your ass.
13:58Here's, uh, Cyrus' apartment.
14:03Whoa, whoa, whoa, whoa, whoa.
14:07Cyrus live alone.
14:09Someone's in there.
14:11We didn't expect anyone to be here.
14:13We're very sorry for your loss, Emilio.
14:16How long did you know, Cyrus?
14:17Cyrus and I started dating a few months ago.
14:20A friend introduced us right when I arrived from Colombia,
14:23and we just clicked.
14:25He asked me to move in with him almost right away.
14:29When he stopped answering my texts,
14:30I started to worry and came home.
14:33That's when I saw the news.
14:37I'm so sorry.
14:39You know, my partner and I met Cyrus.
14:41He seemed like a very sweet man.
14:44I thought we'd be together forever.
14:47Can you think of anybody who might have wanted to hurt him?
14:49Cyrus, no.
14:51And what do you do for work?
14:53I'm a language instructor for IFLA,
14:56International Foreign Language Assistance Program.
14:58Well, these sure are beautiful.
15:02Oh, yes, thank you.
15:03They're 18th century Italian Baroque.
15:05Oh, I know.
15:06I love the floral motif.
15:09Was Cyrus the collector, or were you?
15:11I started getting Cyrus into antiquing.
15:14We picked those up last weekend at the Rose Bowl Flea Market.
15:17What a find.
15:19This one is so shiny.
15:20What do you use to polish yours?
15:22Sparic oxide?
15:22Uh, I, uh, don't remember what we used.
15:31Uh, some kind of cleaning product.
15:33Why?
15:34Oh, you can use ferric oxide to polish metals.
15:37But if you add a little bit of powdered aluminum to it,
15:41you get thermite, which is a pyrotechnic composition
15:44that can burn up to 4,500 degrees Fahrenheit.
15:48So people use it for things like welding
15:50or making fireworks or grenades.
16:02Yeah, it can even melt glass.
16:04Like the skylight at the museum.
16:07Wait, you think that I had something to do
16:09with the stolen painting?
16:10You know, a byproduct of thermite is, uh, aluminum oxide.
16:14It's this very fine powder.
16:18Yep, that's it.
16:22You know, I think we should dig this conversation
16:24down to the precinct, Emilio.
16:26Emilio!
16:27Hey!
16:28Hey!
16:28Move!
16:35Move!
16:36You know, the thing about stolen vehicles
16:57is they aren't always so reliable.
16:59Out of the car, sir.
17:00Nice and slow.
17:00Hey, it's Arthur.
17:15I gotta take this.
17:16Okay.
17:17I'll go brief Wagner.
17:24Arthur, are you okay?
17:25I don't know.
17:26Things could be better.
17:27What are you talking about?
17:28Some guy, he ambushed me.
17:30He was looking for Roman's backpack.
17:32Ah!
17:33Who's doing?
17:34I got away, but not before he got a few hits in on me, you know?
17:37Oh, my God.
17:38How bad is it?
17:39Yeah, I got a hard head.
17:41I live.
17:42All right, where are you?
17:43I'm getting patched up right now.
17:45Which hospital?
17:46Hospital's asking me questions.
17:48I got my own cut man.
17:49Hey, hold on.
17:49Hey, Harold, give me a second, all right?
17:51Give me one minute.
17:52Thank you, brother.
17:53Oh, my God.
17:55Morgan, listen to me very carefully, all right?
17:58These people are not playing games.
18:01Whatever's in that backpack that Roman gave me to pick up,
18:03they want it, and they want it real bad.
18:07Do they know I have it?
18:08I don't know.
18:09If they do, I damn sure didn't tell them about it.
18:13Okay, this guy, do you think you could identify him
18:15and describe him to a sketch artist?
18:17We talked about this before.
18:19I am not going to the police.
18:21Arthur, you just got attacked.
18:23Who knows when they'll find out I have Roman stuff.
18:25Just tell us where you are.
18:26We can come to you.
18:33Please.
18:37Mr. and Mrs. Foster.
18:38What the hell was that?
18:39Greg and I saw your captain's press conference.
18:41Then you know we're doing everything we can
18:42to find your stolen painting.
18:44Are you?
18:44Because we were beginning to wonder
18:45if you were only interested in getting your face on the news.
18:48If me standing in front of a camera
18:49can help catch a murderer and a thief...
18:51What happened with the ransom note?
18:52We have a suspect in custody,
18:55and I assure you we are working to answer those questions.
18:57Well, it doesn't seem like you have much to show for it.
18:59Mr. and Mrs. Foster,
19:00we know how much the young girl means to you.
19:02Now, I can assure you that Captain Wagner,
19:04as well as our entire team in major crimes,
19:05is doing everything possible to bring her home.
19:07Now, please, let us do our job.
19:09Don't bother.
19:09It's time we hired our own private detective.
19:11I think you've kept us waiting long enough.
19:15You're not listening to me.
19:21You got the wrong guy.
19:22No, we want to believe you, Emilio,
19:23but you did try to get away from us in a stolen vehicle.
19:26Twice.
19:27And then, there's what we found in your apartment.
19:30Items consistent with the burglary.
19:31That's not mine.
19:32Never seen this before.
19:34Then why run?
19:34You see, I think you started dating Cyrus
19:38to get access to his museum.
19:40And then, you did that whole Mission Impossible act.
19:44A theft, a murder, a ransom.
19:47You had the whole thing planned out?
19:49My relationship with Cyrus wasn't perfect,
19:51but I would never hurt him.
19:53Not even for $20 million.
19:55Where did you hide the painting?
19:57I'm not hiding anything.
19:58But you showed up to the ransom.
20:00What, did you get nervous you weren't going to be able to find a buyer?
20:02Because I think you found out about Rees through Cyrus,
20:05and Cyrus found out what you were doing,
20:06and you couldn't have that.
20:08Or maybe he discovered this wasn't the first painting you stole.
20:14I don't understand.
20:15Oh, I think you do, Emilio.
20:16Or would you prefer the name Jean Baptiste?
20:20I only heard about the stolen painting because Cyrus told me.
20:24I'm not answering any more questions.
20:29Fine.
20:30Don't say another word.
20:32But this court order says that you need to let us check
20:35for any identifying marks on your left shoulder.
20:38About this one, cutting an avocado like a jerk.
20:41I'm glad you survived.
20:47What about you?
20:49Scars?
20:50Mm-hmm.
20:51I only have the one.
20:52Pretty sure you've seen it, too.
20:55I don't...
20:55I don't think I have.
20:57Oh, that's hard to believe,
20:58given your powers of observation.
21:00Summer 2010, Florence Art Festival.
21:07Things took a very unpleasant turn.
21:09I mean, I didn't see the gun, but I heard the shot.
21:11Luckily for me, it missed my artery.
21:13He's got a whole collection of them, doesn't he?
21:27That he does.
21:28I served two years in the Colombian army.
21:3527th Jungle Battalion in Pucumayo.
21:37Will you look at the side of his hand?
21:40It's all red.
21:41Why?
21:41You think he banged it up?
21:42No, I think it's ink.
21:44Emilio said he was a language instructor.
21:45He probably graded papers with red ink,
21:47but I didn't see any papers in the apartments.
21:50And what do you do for work?
21:51I'm a language instructor.
21:54Maybe he was doing it in an office.
21:57And maybe that office is used for something
21:58other than just grading papers.
22:00Guys!
22:01Let's go!
22:06She left.
22:07Okay, so we're thinking Emilio
22:19might have had another reason to be here.
22:20Like hiding the painting or the murder weapon?
22:23That's a lot of boxes.
22:24I'll take this room.
22:25All right, let's get started.
22:33Teaching languages could have kept Emilio
22:34hopping from one country to another.
22:36That would be a good cover
22:37for an international art thief.
22:39Okay, there's nothing in here
22:40except the student paperwork.
22:41Same.
22:42What do we have here?
22:44Ooh.
22:45Oh, wow.
22:47I'll call a team to crack it open.
22:55Uh, guys?
22:57Looks like we found Sean Baptiste.
23:06Good afternoon.
23:19I'm Captain Nick Wagner
23:21from the LAPD's Major Crimes Division.
23:24Earlier today,
23:25our detectives arrested
23:26an individual we believe
23:28is responsible for the murder
23:30of Cyrus Caro.
23:31While our investigation
23:33is not complete,
23:35we will soon be returning
23:36the stolen Rembrandt
23:37to its rightful owners.
23:39Are there any questions?
23:42Did you inform the Fosters?
23:43Yep.
23:44We left word for them.
23:45Well, they'll be glad.
23:46There doesn't seem to be
23:47any noticeable damage.
23:49Look who's here.
23:52Detectives.
23:53Ari, Miriam,
23:55what are you doing here?
23:55We came to see the painting.
23:57Morgan invited us.
24:23You Arthur?
24:23You a cop trying to blend in?
24:28I'm a friend of Morgan's.
24:30All right, well,
24:31let me just say what I got to say
24:32so we can get this thing over with.
24:34I'm listening.
24:35There was a dude hiding
24:37in the back of my truck.
24:39I didn't give him what he wanted.
24:40He reached for a blade.
24:41Then we got into it.
24:43You get a look at the gun?
24:44Just a couple of glimpses.
24:46Then we spilled out into the street.
24:47It all happened pretty fast.
24:49Any information helps.
24:52All right.
24:53White dude.
24:5550s.
24:55Lean.
24:56Salt-and-pepper hair.
24:57He had, uh,
24:58this big-ass goatee.
25:00He also had a, uh,
25:02tattoo of some kind of bird
25:03peeking out of his shirt right here.
25:06What are you doing?
25:07We found pictures of some people
25:09in Roman's backpack.
25:10One of the guys was somebody
25:11we couldn't identify.
25:12That the guy?
25:15Yeah, that's the guy.
25:21Then I'm going to need you to come down
25:24to the precinct with me,
25:25make an official statement.
25:26I'm afraid my unofficial statement
25:28is just going to have to stand
25:29for now.
25:29Sorry.
25:30Your life,
25:31your life could be in danger.
25:34What do you want me to do, huh?
25:36You want me to sit in your lobby
25:37until you catch him?
25:38Look, just find the guy, all right?
25:40Put a couple of your people
25:40on Morgan and her family.
25:42Because trust me,
25:43I'm good.
25:45We done here?
25:46All right.
25:47I'm giving you my number,
25:49and you're going to hold on to it.
25:50And I hope you never see this guy again,
25:52but the moment you do,
25:54call me.
25:58All right.
26:06You invited her?
26:07Yes, I did.
26:09You think the Fosters
26:10are going to loan out that painting
26:11anytime soon?
26:12This will be the last time
26:13Mirian Weissman will ever
26:14be able to see it,
26:14not to mention the fact that technically
26:16it belongs to her,
26:17so none of this is fair.
26:18Well, it's our job to enforce the law.
26:20Even when it's not.
26:21Oh, yes.
26:21Thank you for the reminder.
26:23I'm sorry for the quick exit,
26:24but I'm due in Palermo tomorrow.
26:26I have another stolen art piece
26:27that requires my services.
26:29Oh.
26:31Is she a provocative young girl
26:33this time?
26:34Eh, she's a landscape.
26:37Well, Reese,
26:38it would seem that your job here
26:39is done.
26:40Oh, the pleasure's all mine.
26:41Mm-hmm.
26:42And for what it's worth,
26:44I really wish the young girl
26:45was being returned
26:46to Mirian Weissman, too.
26:50You all right?
26:59Yeah.
27:02That's not her.
27:05That's not her.
27:09What do you mean?
27:11She doesn't have my eyes.
27:15My father always loved
27:17that we had the same eyes.
27:20I think she's right.
27:29Karadek, look at the whites
27:29of her eyes.
27:30That's too bright.
27:32In 1645,
27:34painters used chalk mixes
27:35or lead white
27:36that had, like,
27:36a creamy softness to it.
27:38This is brilliant and glaring,
27:39more like a modern titanium white
27:41which didn't exist
27:42for another three centuries.
27:44In 1645,
27:45no one could have painted
27:46with this brightness and clarity.
27:47the materials didn't exist.
27:52I'm sorry for the quick exit,
27:54but I'm due in Palermo tomorrow.
28:01What do you mean it's not her?
28:03Morgan says the one
28:04we found is a fake.
28:05Wouldn't the museum
28:05have authenticated it?
28:07No, not a small museum
28:07like the Harbach
28:08and when it comes
28:09from a reputable collector
28:09like the Fosters.
28:10So we're supposed to believe
28:11she knows just by looking at it?
28:13There's an authenticator on the way,
28:14but I believe Morgan.
28:15Where is she?
28:20You can take the next one, right?
28:22Thanks, Gina.
28:24Well, I'm not normally one
28:25for prolonged goodbyes,
28:27but in this case...
28:28Do you have it?
28:29I'm sorry, what?
28:30Do you have the painting?
28:32Are you serious?
28:33You haven't opened that briefcase
28:34once since you've been here.
28:35What's inside of it?
28:36So that's why you asked me
28:37about my scar.
28:39Because you think
28:39I'm Jean-Baptiste
28:40and then I did what?
28:42Stole the Rembrandt
28:43while no one was looking,
28:44folded it up
28:45and hid it in my briefcase.
28:50I didn't think of one way
28:51we can clear it up.
28:52They're just confidential
28:53client files in there, Morgan.
28:55Nothing else, I assure you.
28:56Right?
28:56There's an unfortunate amount
28:58of paperwork
28:58that goes without recovery.
29:00I bet.
29:00Yeah.
29:01Yeah.
29:06Okay.
29:06As you wish.
29:07I'm sorry.
29:21I really thought the one
29:23we found on Emilio's office
29:24was fake in your...
29:25stole the real one.
29:25I picked up on that.
29:31So you've been playing me
29:32this whole time?
29:37Was any of this real?
29:41No.
29:44It's not real.
29:44Morgan, what is this?
29:53We asked Daphne to pull
29:54the Foster's insurance policy
29:55over the last 10 years.
29:57Now take a look at
29:57what they were insuring in 2019.
30:00That's a lot of art.
30:01Mm-hmm.
30:02Now look what they insured
30:03a few years later.
30:05Only 12 items.
30:06And this year?
30:08Just one.
30:09That's right.
30:09Now what are the odds
30:10that of all the priceless art
30:12that they own,
30:13the one piece that gets stolen
30:14is the only one
30:15that happens to be insured?
30:17I think the art
30:18that I saw at their house
30:19was fake.
30:22Just like the painting
30:23we found.
30:24I tracked down
30:25black market sales
30:26for eight of the pieces
30:27listed on the Foster's
30:282019 insurance writer.
30:29Then we did some more digging.
30:31They're in debt
30:31to some bad people.
30:32So you're saying
30:33the Foster's arranged
30:34for their own painting
30:35to be stolen
30:35for the insurance money?
30:36They loved that painting
30:37so much
30:38they weren't willing
30:39to give it up
30:40even when they went broke.
30:41All right.
30:42Where is this going?
30:44One of them
30:44must have gotten an idea.
30:45Now I don't know
30:46if it was Greg or Linda.
30:48Let's arrange
30:48to have our painting stolen
30:49and return to us
30:50without anyone knowing.
30:52That way
30:52they could keep
30:53both the insurance money
30:54and the painting.
30:56But why give over
30:57the real thing
30:58if you don't have to?
30:59Maybe they didn't.
31:00Maybe the Foster's
31:01had a forgery
31:01made for the museum.
31:03Right.
31:03Probably by the same expert
31:05who forged the other ones
31:06on their walls.
31:06I don't think
31:07they'd want their
31:08beloved painting
31:08getting sliced
31:09out of a frame.
31:10Do you?
31:10So the museum
31:11never had the real painting.
31:12It was all a setup?
31:13That's right.
31:13But nobody robs
31:14a museum for free.
31:15You guys remember the watch?
31:16I think that Greg and Linda
31:18gave Cyrus the watch
31:19as a down payment.
31:21And by the time Cyrus
31:22realized the watch
31:22was a fake,
31:23he'd already stolen
31:24the painting,
31:25making it look like
31:25it was Jean Baptiste
31:26so we wouldn't suspect it.
31:28What he didn't know
31:29was that painting
31:30was fake too.
31:32He decided he wanted
31:33to double cross the Fosters
31:34by putting it up
31:35a ransom.
31:35But when the Fosters
31:37found out,
31:38they confronted him
31:39before he could find out
31:40the painting was fake.
31:41And by that time,
31:42he'd already given
31:43the painting to Emilio
31:44who hid it in his office
31:45believing it was real.
31:47The Fosters
31:48couldn't risk the truth
31:49getting out.
31:50They needed to keep him quiet.
31:51So they killed Cyrus.
31:54Again, I'm not sure which one.
31:56Maybe it was both of them.
31:57Watch, are you kidding me?
31:58Come on!
31:59Again, not sure which.
32:02All right,
32:03we need to bring
32:03the Fosters in
32:04for questioning.
32:09They have a yacht.
32:13The Fosters have a yacht.
32:14I saw a picture of it
32:15at their house.
32:16It was called
32:16the Easy Monet.
32:18If they go out
32:19to ditch the murder weapon,
32:19they could try to get away
32:20with murder and the painting.
32:21Forrester,
32:22go grab Osdale,
32:23go to their house.
32:24Karadek,
32:25how are your sea legs?
32:29You know this place?
32:37Yeah,
32:37a friend Doc's
32:38is bowed here.
32:39That's them.
32:41They're casting off.
32:42Let's go.
32:53Yep.
32:54Yep.
32:55It's real,
32:56or yep,
32:56it's...
32:57The underlayers
32:58are inconsistent
32:59with the pigments
33:00available at the time
33:01the real Rembrandt
33:02was painted.
33:13Mr. and Mrs. Foster,
33:15LAPD.
33:15This is Lieutenant Soto.
33:32I'm being followed
33:33again.
33:35Arthur,
33:36where are you?
33:36I'll send you
33:37a black and white.
33:38I'm just passing
33:39Temple and Grand.
33:40I'm actually
33:41on my way to you.
33:42Maybe this guy
33:42will follow me
33:43all the way
33:43to the station.
33:44Yeah.
33:53Foster's aren't here.
33:54Looks like
33:54they left in a hurry.
33:55And they took
33:55everything of value
33:56with them.
33:57Mm-hmm.
33:57So they're making
33:58a run for it.
33:59All right,
33:59thanks.
34:05So you're sure
34:06it's a fake?
34:07It's the best
34:07I've ever seen.
34:08How did the lady know?
34:10She didn't have her eyes.
34:14Can you see
34:15his license plate?
34:16No, he keeps
34:17weaving in between
34:18the cars.
34:19It's a sedan
34:20of some kind.
34:21Look, this guy
34:21really knows
34:22what he's doing.
34:23Listen, I'll be at you
34:24in about 15,
34:2520 minutes, tops.
34:26All right, well then
34:26just stay on the line
34:28with me until you
34:28get to the precinct.
34:29Look, I'll be fine,
34:30all right?
34:31I'll see you soon.
34:32Arthur.
34:32Arthur.
34:33Arthur.
34:33Arthur.
34:34Arthur.
34:35Arthur.
34:36Arthur.
34:36Arthur.
34:37Arthur.
34:37Arthur.
34:37Arthur.
34:37Arthur.
34:38Arthur.
34:38Arthur.
34:39Arthur.
34:39Arthur.
34:40Arthur.
34:41LAPD, stop this
34:42boat right now.
34:42Right now.
34:43Put the gun down.
34:46Is that a flare gun,
34:47Greg?
34:47You could really
34:47hurt someone with that.
34:48Put it down!
34:49I wish that I could,
34:51but the LAPD has
34:52a few rules
34:52in not dropping
34:53my gun
34:53in a situation
34:54like this
34:54is one of them.
34:55Greg, what are you
34:56doing?
34:56Please stop, okay?
34:57This is not
34:57handling it, honey.
34:58I'm not handling it.
34:59I don't think anyone
34:59else needs to die today,
35:00Greg.
35:00I don't know
35:01what you're talking
35:01about!
35:03Maybe we got it
35:04wrong, but I'm
35:05sure we can work
35:05something out
35:06just to put the flare
35:07gun down.
35:07Honey, please.
35:08It is over, okay?
35:10Where are we
35:10going to go?
35:11How are we
35:11going to live, okay?
35:14Where?
35:19It's back here.
35:28What?
35:29Wait, where did it go?
35:32It was right there,
35:33I swear to God.
35:35Where did it go?
35:36What you got in there?
36:06Would you believe me
36:08if I said
36:09the schoolboy's
36:09trainers?
36:12How'd you know?
36:16She doesn't have
36:17my eyes.
36:20Does it matter?
36:22I'm not a murderer,
36:23Morgan.
36:23Just a thief.
36:24I do recover
36:25art for insurance
36:26companies.
36:27And every once in a
36:28while you just decide
36:29to hang on to one?
36:31So you are
36:32Jean-Baptiste.
36:33You know,
36:33I don't even know
36:34who picked that name.
36:35It wasn't even the
36:35first piece of art
36:36that I stole.
36:37You can complain
36:38to my partner
36:38after he arrests you.
36:46I don't think
36:46you called him yet.
36:48And I'm wondering
36:49if that's because
36:50you don't want
36:50the young girl
36:51going back to Greg
36:52and Linda
36:52any more than I do.
36:53And you know
36:54that I can get her
36:55back where she
36:55really belongs.
36:58You stole the painting
36:59just to give it away?
37:00You expect me
37:01to believe that?
37:03I do.
37:05You're lying.
37:06I'm trying to do
37:07the right thing,
37:08Morgan.
37:09I have no way
37:10of knowing
37:10if you're just
37:11going to keep it
37:11for yourself.
37:12It's true.
37:14I guess you're
37:14just going to have
37:15to trust me.
37:15Believer
37:21took me over
37:24like a fever.
37:27Wait, do you guys
37:28think the Fosters
37:28are going to get off
37:29easy?
37:30The Fosters would
37:31have to have a great
37:32lawyer for that.
37:32I don't think
37:33they can afford it.
37:33But what a risk
37:34though, you know?
37:35If I had that kind
37:35of money, I'd buy
37:36a Malibu mansion
37:37or a WNBA team.
37:38Oh, no.
37:39I'd start my own
37:39animal rescue.
37:41Okay, now I feel bad.
37:42He did that on purpose?
37:43Yeah.
37:43He definitely did.
37:44I'm going to get
37:45more drinks.
37:46He could live
37:46at my animal rescue.
37:48Yeah.
37:48That's true.
37:53Still no sign
37:54of Arthur?
37:55Not yet, Lieutenant.
37:57I'll call again,
37:57but if he doesn't
37:58answer this time,
37:59put a bolo
38:00out on his truck.
38:00You got it.
38:04Hey, heard you guys
38:05do an end-of-the-day
38:06thing here.
38:07Thought I'd find you.
38:09If you're going to
38:09fire me, can I throw
38:10a few more drinks
38:11on this tab first?
38:12Oh, you're not
38:12fired, Morgan.
38:14Too valuable for
38:15your team and to me.
38:18I'm not letting you
38:19go.
38:21Is this how you
38:21apologize?
38:22No.
38:25So what's it like
38:26sitting out on this
38:27arrest?
38:28It's not like you.
38:28Oh, no, I didn't sit
38:29out.
38:29I was kicked out.
38:30But thanks for asking.
38:32It sucked.
38:33Well, don't worry.
38:34He'll be there
38:35on the next one.
38:39Did you hear
38:39about the painting?
38:40I did.
38:41Oz thinks the Foster's
38:42tossed it in the ocean.
38:44At Tracks, they seem
38:45like the kind of people
38:46who are like,
38:46if I can't have her,
38:47nobody can.
38:48Is that really
38:49what you think happened?
38:51I don't know.
38:52I'm just a consultant.
38:52We questioned the yacht's
38:58crew.
38:59One of them said
39:00that they saw a man
39:01in a wetsuit slip over
39:02the side of the boat
39:02holding something.
39:04So I was thinking
39:05maybe it was
39:06Jean Baptiste.
39:09Come on.
39:10I don't think that guy
39:11exists.
39:12Well.
39:12It's my girl.
39:42Don't lie.
39:47My maid on earth.
39:49Ah.
39:51Ah.
39:53Into the sea.
39:56Out of fire.
39:58All that burning.
40:02Into the sea.
40:04Out of fire.
40:06All that burning.
40:10In the sea.
40:11Alpha
40:13All in three
40:41so faster
Be the first to comment