Ancient Aliens - Special Presentation - S01E07 - Alien Codes and Messages [2022] - video Dailymotion

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Ancient Aliens - Special Presentation - S01E07 - Alien Codes and Messages [2022]

Transcript

00:00:00Massive figures that can only be seen from the sky.

00:00:10The geoglyphs were only really revealed once aircraft got up into the air.

00:00:17Mysterious symbols that recur again and again.

00:00:21There is a message for us that we have been missing all this time.

00:00:25And complex mathematical principles encoded within elaborate crop formations.

00:00:32What in the world is making these patterns and why?

00:00:36Could hidden messages exist all around us?

00:00:40And if so, have they been left by an otherworldly civilization?

00:00:45These are messages from elsewhere.

00:00:48And elsewhere, in my opinion, means of extraterrestrial origin.

00:00:55There is a doorway in the universe.

00:01:01Beyond it is the promise of truth.

00:01:05It demands we question everything we have ever been taught.

00:01:11The evidence is all around us.

00:01:14The future is right before our eyes.

00:01:18We are not alone.

00:01:21We have never been alone.

00:01:25Saudi Arabia, 2004.

00:01:38While exploring the ancient lava fields of Herat Kaibar,

00:01:42amateur archaeologist Dr. Abdullah Al-Sayed

00:01:45comes upon a number of what appear to be stone walls,

00:01:50each approximately three feet high.

00:01:53From the ground level, Dr. Al-Sayed concludes

00:01:57that the structures have no discernible pattern or purpose.

00:02:00That is, not until four years later,

00:02:06when he obtains satellite photos of the very same area.

00:02:11What he sees astounds him.

00:02:15There, detectable from the sky,

00:02:17are a vast collection of more than 400 stone enclosures.

00:02:21Known to the local Bedouin as the works of the old men,

00:02:25these mysterious structures are quickly examined

00:02:29and are revealed to stretch for hundreds of miles.

00:02:33They were within what's referred to as a lava field of activity

00:02:38and are generally described either as kites

00:02:42or as gates,

00:02:46which are more rectalinear forms of them.

00:02:52And there are literally hundreds of these.

00:02:55In fact, they stretch all the way from Saudi Arabia

00:02:59right the way across to Jordan and into Syria.

00:03:03They're kind of like angular pyramids

00:03:07almost going off into the distance, like runways,

00:03:10widening at one end and being short at the other end.

00:03:13Although no record exists

00:03:15indicating when these structures were built,

00:03:18who built them, or why,

00:03:20the predominant theory among mainstream archaeologists

00:03:24is that they were constructed for hunting purposes

00:03:27many thousands of years ago.

00:03:30What we think they are

00:03:32are prehistoric hunting sites

00:03:34where gazelle and other animals

00:03:35would be driven into the enclosure

00:03:37and then on the outsides of the enclosure

00:03:40pits were dug

00:03:41and the animals would fall into the pits.

00:03:44The kites, when you visit them on the ground,

00:03:46are really hard to find.

00:03:49In the air you get the whole pattern.

00:03:51There are literally thousands of them

00:03:53and they must have been in use for thousands of years.

00:03:57And why did they fall into disuse?

00:03:59That's an answer we haven't yet got.

00:04:02Although the theory that the stone structures

00:04:04were used for hunting purposes is compelling,

00:04:07ancient astronaut theorists argue

00:04:09that if these structures were really used for hunting gazelle,

00:04:13the walls would have needed to be more than three feet high,

00:04:16since a gazelle can leap more than ten feet into the air.

00:04:21Instead, they suggest that because the structures

00:04:24are only viewable from the air,

00:04:26they should be considered geoglyphs.

00:04:29A geoglyph is just basically a drawing on the landscape,

00:04:33usually quite large scale.

00:04:35Most geoglyphs are in deserts

00:04:37and in deserts you get a phenomenon

00:04:39which we call desert varnish.

00:04:40It's just a natural dark patina

00:04:42that builds up on the surface.

00:04:44So if you move the dark parts to one side,

00:04:47expose the lighter soil or sand underneath,

00:04:49that is one way of making a drawing.

00:04:51The second basic technique is to use the dark stones

00:04:56and pile them together to make shapes.

00:05:00Geometric shapes, animal shapes or whatever.

00:05:03And the third basic technique is simply a combination of the two.

00:05:06You move things to one side to expose lightness,

00:05:09you use the dark stones to make patterns,

00:05:11so you get a very nice combination of the two.

00:05:13In recent years, thanks to modern technology

00:05:16and particularly satellite photographs,

00:05:18there has been an explosion in new discoveries

00:05:20of geoglyphs that we didn't know about before.

00:05:24The interesting fact about all of these

00:05:27is that they point towards the sky.

00:05:31And what might this tell us?

00:05:33Well, the first thing is that many of the geoglyphs

00:05:37that we know today were only discovered

00:05:40once aerial surveys started in around the 1920s.

00:05:45All of them were only really revealed

00:05:48once aircraft got up into the air.

00:05:51And this tells us something very, very important.

00:05:55Most geoglyphs really only make sense from above.

00:05:59It therefore seems that they would be messages

00:06:02to something non-human, something up there.

00:06:04When the now-legendary Nazca Lines of Peru

00:06:08were first discovered in 1926,

00:06:11they were considered a unique phenomenon.

00:06:14But now, with the benefit of satellite imagery,

00:06:18thousands of ancient geoglyphs

00:06:20are being found all over the world.

00:06:22In Kazakhstan,

00:06:24in the southwestern United States,

00:06:27in the Atacama Desert of Chile,

00:06:30and in Bolivia.

00:06:31Almost everywhere around the world

00:06:35we find what are known as geoglyphs,

00:06:38whether they be the Nazca Lines in Peru,

00:06:42British geoglyphs,

00:06:44to those in the Middle East.

00:06:46They're something that are virtually universal

00:06:49around the world,

00:06:50and they have been appearing for many hundreds of years.

00:06:53But why would ancient people,

00:06:56in so many different locations around the world,

00:06:59all be making signs

00:07:01that can only be seen from above?

00:07:03We don't know for sure

00:07:05what ancient peoples were trying to communicate

00:07:07through geoglyphs,

00:07:08but the most important thing

00:07:10is the amount of time and effort

00:07:11that went into building them.

00:07:13They're not quick sketches.

00:07:15They're, many of them,

00:07:16whole community projects.

00:07:17And the time that you spend working along

00:07:20is time not spent gathering food,

00:07:22not spent defending your land.

00:07:25It's time not spent looking after your children.

00:07:27So the first thing that they communicate

00:07:30is to the community itself

00:07:32what is important to the community.

00:07:35But could there be another,

00:07:37even more incredible explanation?

00:07:39Is it possible that these ancient geoglyphs

00:07:43were created not for a terrestrial purpose,

00:07:46but for an extraterrestrial one?

00:07:49Ancient astronaut theorists say yes,

00:07:52and suggest further clues can be found

00:07:55by examining similar shapes and symbols

00:07:57that occur on a much smaller scale.

00:08:00Geoglyphs are gigantic size versions

00:08:04of what we know as petroglyphs,

00:08:07the most obvious being the rock art

00:08:08that we'd see on surfaces of stone rock

00:08:11around the world

00:08:12that date back many, many thousands of years.

00:08:16Petroglyphs are images carved into stones

00:08:18or incised or hammered away.

00:08:21They occur all over the world,

00:08:24from Australia up through Asia,

00:08:26Europe, Africa, through the Americas.

00:08:31Perhaps more intriguing

00:08:33than the petroglyphs themselves

00:08:34are the eerie similarities between them

00:08:37and their geoglyphic siblings.

00:08:39We see certain symbols recurring again and again.

00:08:44There are many geometric forms.

00:08:47These take the form of spirals,

00:08:51of concentric rings,

00:08:53and other more rectilinear or abstract designs.

00:08:57They're something that are virtually universal

00:09:00around the world.

00:09:00Is it possible that the thousands

00:09:04of mysterious petroglyphs and geoglyphs

00:09:07found throughout the world

00:09:08were intended to be a form of communication

00:09:11between early humans

00:09:13and extraterrestrial visitors?

00:09:17Ancient astronaut theorists believe

00:09:19that proof of such a profound idea

00:09:21does exist,

00:09:23and it can be found

00:09:24by examining an ancient story

00:09:26associated with one of the oldest petroglyphs

00:09:29ever discovered.

00:09:35Northwest Nevada, 2013.

00:09:39In the dried-up bed

00:09:40of what was once Winnemucca Lake,

00:09:43researchers take carbonate samples

00:09:45from a series of recently discovered

00:09:47limestone boulders.

00:09:49They are covered with what appears

00:09:51to be ancient carvings.

00:09:53Some of the petroglyphs

00:09:55are believed to be depictions

00:09:56of ancient shipping techniques,

00:09:59but others are much more difficult

00:10:01to identify.

00:10:04Even more mysterious

00:10:06is the fact that the local Paiute people

00:10:08say the petroglyphs were not created

00:10:11by their ancestors,

00:10:12but by a race of giants.

00:10:15The Paiutes said that initially

00:10:18they did not create petroglyphs

00:10:20that an ancient race

00:10:23called the Setiqa did.

00:10:26The Setiqa was a race of giants

00:10:29that was said to have been

00:10:31white, complected,

00:10:34having red hair,

00:10:35and well over seven foot tall.

00:10:38The Paiutes explained that

00:10:39these giants lived on the lake,

00:10:41in Pyramid Lake,

00:10:42on floating cities.

00:10:45And each Paiute legend

00:10:47has their own versions

00:10:49of how petroglyphs

00:10:49were originally created,

00:10:51but they remain to this day

00:10:53unaware now

00:10:55of what a lot of that language was,

00:10:59like most tribes in the world.

00:11:02Samples of the petroglyphs

00:11:03were taken to the University of Colorado

00:11:05at Boulder,

00:11:07where scientists performed

00:11:08a series of radiocarbon tests

00:11:10to determine their age.

00:11:13The results are astonishing,

00:11:15and reveal the petroglyphs

00:11:17were etched between 10,500

00:11:20and 14,800 years ago,

00:11:23making them the oldest petroglyphs

00:11:26ever found in North America.

00:11:28When we look at petroglyphs

00:11:30with their incredible spirals,

00:11:32the doorways,

00:11:33the strange beings that are featured,

00:11:34the stories that are told,

00:11:36it suggests that they all have an origin

00:11:38with extraterrestrials themselves.

00:11:42Could the petroglyphs found

00:11:43at Winnemucca Lake

00:11:44really have been created

00:11:46by an ancient race

00:11:47of extraterrestrial giants?

00:11:50If so,

00:11:52what were they intended

00:11:52to represent?

00:11:54A map indicating

00:11:56their planet of origin?

00:11:57Or was it an alien form

00:12:00of hieroglyphics

00:12:00which, when deciphered,

00:12:02could teach us profound lessons

00:12:04about mankind's past?

00:12:07Perhaps further clues

00:12:08can be found

00:12:09by examining

00:12:10the most mysterious geoglyphs

00:12:12of all.

00:12:14Incredible markings

00:12:15that are invisible

00:12:16to the naked eye.

00:12:23Palpa, Peru.

00:12:25December 2017.

00:12:29Researchers use

00:12:30state-of-the-art drones

00:12:31to photograph the famous

00:12:33Nazca lines

00:12:34with high-resolution cameras.

00:12:37This is new technology

00:12:38being employed

00:12:39to search the landscape

00:12:41and to try and find

00:12:43what the human eye

00:12:45has not been able to notice

00:12:46and not even from airplanes.

00:12:49What the researchers find

00:12:51amazes them

00:12:52as the HD camera

00:12:54reveals dozens

00:12:55of additional geoglyphs

00:12:56that had never been seen before.

00:12:59They include

00:13:00a huge serpent

00:13:01and also

00:13:04a giant fish

00:13:05both of which

00:13:07are cosmic symbols.

00:13:11The thing is

00:13:12with some of the figures

00:13:13found in Palpa

00:13:14they think they could be older

00:13:15than some of the Nazca figures

00:13:17because they're on hillsides

00:13:18and it's known

00:13:19that the Paracas culture

00:13:20who were around

00:13:21before the Nazca

00:13:22going back to

00:13:23probably 800 BC

00:13:25or even earlier

00:13:26does suggest

00:13:27that there was more cultures

00:13:28than just the Nazca people

00:13:30creating these effigies

00:13:31and lines

00:13:31in that part

00:13:32of the whole Nazca region.

00:13:35More geoglyphs?

00:13:37Created by culture

00:13:38stretching back

00:13:39nearly 3,000 years?

00:13:42But who were they?

00:13:44What were they trying

00:13:45to communicate?

00:13:47One has to wonder

00:13:48why did our ancestors

00:13:51create these things

00:13:53if they can only be appreciated

00:13:55from the air?

00:13:58Because here's the thing

00:14:00sometimes it has been proposed

00:14:02that the Nazca lines

00:14:04were crests

00:14:06of different tribes

00:14:08of different societies

00:14:10but if I were a society leader

00:14:13and I had my crest

00:14:14created on the ground

00:14:15but I could not see it

00:14:18I would not be very happy

00:14:19with that

00:14:20that many of them

00:14:21can only be seen

00:14:22from the air

00:14:23that suggests to me

00:14:25that many of the geoglyphs

00:14:27were in fact created

00:14:29in order to contact

00:14:32someone up there.

00:14:34The ancients

00:14:35were trying to represent

00:14:37that which they believe

00:14:39was coming

00:14:39from the cosmos

00:14:41and that they themselves

00:14:43were trying to communicate

00:14:44or make the link

00:14:46with these cosmic beings.

00:14:51For ancient astronaut theorists

00:14:53the link between

00:14:54the Nazca lines

00:14:55and extraterrestrial communication

00:14:57is an obvious one.

00:15:00They believe ancient man

00:15:02would have no reason

00:15:04to make such detailed

00:15:05and elaborate representations

00:15:06of life on Earth

00:15:07unless they were trying

00:15:09to communicate with someone.

00:15:12They also cite

00:15:13recent images

00:15:14recorded on Mars

00:15:15as evidence

00:15:16which supports

00:15:17their claims.

00:15:19Certainly

00:15:20the photographs

00:15:21that have been taken

00:15:22by the Mars orbiters

00:15:24and the landers

00:15:26and the rovers

00:15:27would suggest

00:15:28there are actually

00:15:30geoglyphs

00:15:31on Mars.

00:15:33These geoglyphic formations

00:15:35are structural

00:15:36like we see

00:15:37with the American Indians

00:15:38the mound builders

00:15:39those type of formations

00:15:40we're also finding

00:15:43pictographic images

00:15:44like the face on Mars

00:15:45which have facial features.

00:15:48We have wonderful pictures

00:15:50of the surface of Mars

00:15:51and definitely

00:15:52on the surface of Mars

00:15:54we have some stone circles.

00:15:56Now nature

00:15:57does not create

00:15:58stone circles.

00:15:59Nature could make

00:16:00one stone circle

00:16:02but not three

00:16:03or four put together.

00:16:04of particular interest

00:16:08to researchers

00:16:09is a recently discovered

00:16:11geological anomaly

00:16:12that strongly resembles

00:16:14a species of bird.

00:16:16In 2002

00:16:17a member of the

00:16:19Cedonia Institute

00:16:19discovered a parrot formation

00:16:21in the R.G.

00:16:22basin area of Mars.

00:16:24After two geologists

00:16:26and three veterinarians

00:16:27one being an avian specialist

00:16:29examined the formation

00:16:30they confirmed

00:16:31that the parrot formation

00:16:32had over 17 points

00:16:34of anatomical correctness

00:16:35all adhering

00:16:36to the proper shape

00:16:37size and orientation

00:16:38to a real parrot.

00:16:40The same motif

00:16:42can be seen

00:16:42on a copper plate

00:16:43produced by the

00:16:44Hopewell Indians

00:16:45that features

00:16:46the same type

00:16:47of parrot formation

00:16:48with an upraised wing.

00:16:52Could the mysterious

00:16:53parrot shaped formation

00:16:54on the surface of Mars

00:16:56really offer a link

00:16:57to the thousands

00:16:58of geoglyphs

00:16:59found here on Earth?

00:17:01And if so

00:17:02does it offer evidence

00:17:04that extraterrestrials

00:17:05have been using them

00:17:07as a form of communication

00:17:08with humans

00:17:09for thousands of years?

00:17:12Ancient astronaut theorists

00:17:14say yes

00:17:15and believe

00:17:16that the various

00:17:17geoglyphic depictions

00:17:18of animals

00:17:19humans

00:17:19and birds

00:17:20may not have been intended

00:17:22as mere artwork

00:17:23but as a form

00:17:24of language.

00:17:27A team of researchers

00:17:40from Yale University

00:17:41and the Royal Museums

00:17:43of Art and History

00:17:43in Brussels

00:17:44make an historic find.

00:17:47While exploring

00:17:48this ancient city

00:17:50they discover

00:17:51a number

00:17:51of rock art carvings

00:17:53which after closer

00:17:54examination

00:17:55date back

00:17:56an estimated 5,200 years

00:17:59making them

00:18:00the oldest

00:18:01monumental

00:18:01Egyptian hieroglyphs

00:18:03ever discovered.

00:18:05Using combinations

00:18:06of various shapes

00:18:07and symbols

00:18:08including representations

00:18:10of humans

00:18:10and animals

00:18:11hieroglyphics

00:18:13is regarded

00:18:13as a highly

00:18:14sophisticated

00:18:15writing system

00:18:16where every symbol

00:18:17and combination

00:18:18of symbols

00:18:19has a specific meaning.

00:18:21when we look

00:18:23at the hieroglyphs

00:18:25of ancient Egypt

00:18:26they seem to have

00:18:27come from nowhere.

00:18:29No one knows

00:18:30where they came from

00:18:31no one knows

00:18:32who they really

00:18:33were designed for

00:18:34or for their purpose

00:18:35they just appeared

00:18:36out of nowhere.

00:18:37So where did these

00:18:38come from?

00:18:39Were they sort of

00:18:39just divinely inspired?

00:18:42Was there some

00:18:42other reason?

00:18:43Was there some gods

00:18:44that emerged

00:18:45and arrived

00:18:46and presented them

00:18:47with this information?

00:18:48The term hieroglyphics

00:18:51literally means

00:18:52holy writing

00:18:53and ancient

00:18:54Egyptian texts

00:18:55say it was a gift

00:18:56given to them

00:18:57from the god Thoth.

00:19:00There are legends

00:19:01from all over the world

00:19:02that sky gods

00:19:05have come down

00:19:07to earth

00:19:07and given information

00:19:10of science

00:19:12and learning

00:19:12and also communication

00:19:14and of language

00:19:15to people

00:19:16and early language

00:19:19and alphabets

00:19:19are these symbols.

00:19:25We're here

00:19:26in Luxor Temple

00:19:27and the hieroglyphs

00:19:31here are so interesting.

00:19:35Most people would think

00:19:36that ancient Egyptian

00:19:37hieroglyphs

00:19:37is more like emojis

00:19:38and symbols

00:19:40where the sun

00:19:41and the cow

00:19:42would meet the sky

00:19:44and this picture

00:19:45of the sky

00:19:45it's not pictures

00:19:46next to each other.

00:19:47It's a proper language.

00:19:50It's a language

00:19:51that has such precision

00:19:52that people

00:19:53from all over the world

00:19:55can translate it

00:19:57with the same exact meaning.

00:20:00All this language

00:20:01was from

00:20:03the god of knowledge.

00:20:04That's what ancient Egyptians

00:20:05believed.

00:20:06The god Thoth

00:20:07gave them

00:20:07the language

00:20:08with all it has.

00:20:09and the kings

00:20:11then used it

00:20:12to also communicate

00:20:13with their gods.

00:20:15Ancient Egyptian kings

00:20:16knew for a fact

00:20:16that their gods

00:20:17understood hieroglyphs.

00:20:21As described

00:20:22in the pyramid texts,

00:20:25ancient Egyptian

00:20:25religious texts

00:20:26that date back

00:20:27more than 4,000 years,

00:20:30a meteoric iron object

00:20:31called the Benben stone

00:20:33was reported

00:20:34as having descended

00:20:36from the heavens

00:20:36like a firebird.

00:20:38Even Egyptologists

00:20:42agree

00:20:43that this type

00:20:44of a shape

00:20:45descended from the sky

00:20:47and made a controlled landing.

00:20:53The Benben stone

00:20:54opened

00:20:54and people

00:20:56walked out.

00:20:57The first creator gods.

00:20:59Now,

00:21:00when I hear

00:21:01a story like this,

00:21:02I wonder

00:21:03if this thing

00:21:05may have been

00:21:05some type

00:21:06of a craft

00:21:07because it is

00:21:08very reminiscent

00:21:09of the top module

00:21:12of an Apollo rocket.

00:21:15The Benben came

00:21:16with hieroglyphic

00:21:17inscriptions on it

00:21:18and it was

00:21:19the first form

00:21:20of hieroglyphic language.

00:21:22The gift

00:21:23from the gods.

00:21:24This

00:21:24was the language

00:21:26of the gods.

00:21:27Did an otherworldly

00:21:29spacecraft

00:21:30bring the language

00:21:32of hieroglyphics

00:21:33to the people

00:21:33of ancient Egypt

00:21:35thousands of years ago?

00:21:38And if so,

00:21:39could there be

00:21:40a connection

00:21:41between hieroglyphs

00:21:42and the various

00:21:43individual figures

00:21:44of animals,

00:21:46shapes,

00:21:46and symbols

00:21:47found in the world's

00:21:48petroglyphs

00:21:49and geoglyphs?

00:21:50It would seem

00:21:52that these petroglyphs

00:21:53and geoglyphs

00:21:54are ultimately

00:21:55part of this

00:21:57universal language

00:21:58that's the forerunner

00:21:59of hieroglyphic

00:22:01and pictographic

00:22:01languages too,

00:22:02like the Chinese

00:22:03for example.

00:22:05When we're really

00:22:06able to understand

00:22:07these geoglyphs

00:22:08and petroglyphs,

00:22:09we may find

00:22:10that there is

00:22:10a message for us

00:22:12that we have been

00:22:12missing all this time.

00:22:15One day,

00:22:15hopefully,

00:22:16we will find

00:22:17that knowledge

00:22:17and know that message.

00:22:20If hieroglyphs

00:22:22actually represent

00:22:23a type of

00:22:24ancient alien language,

00:22:26could their

00:22:27earliest examples

00:22:28exist carved

00:22:29into rocks

00:22:30and etched

00:22:30in desert sands?

00:22:33And if so,

00:22:34just what were

00:22:35our ancestors

00:22:36trying to convey?

00:22:38Perhaps further

00:22:38clues can be found

00:22:39by examining

00:22:40our own attempts

00:22:42to communicate

00:22:42with unknown

00:22:43intelligences

00:22:44in the cosmos.

00:22:50Arecibo Observatory,

00:22:53Puerto Rico,

00:22:54November 16, 1974.

00:22:59Early pioneers of SETI,

00:23:01the search for

00:23:02extraterrestrial intelligence,

00:23:04aimed the world's

00:23:05largest radio telescope

00:23:06at a cluster of stars

00:23:0825,000 light-years away

00:23:11to send a transmission

00:23:13out into the cosmos.

00:23:14The coded signal

00:23:17consists of binary digits,

00:23:20zeros and ones,

00:23:22that form a message

00:23:23designed to notify

00:23:25other potentially advanced

00:23:26beings of our existence.

00:23:29This message into space,

00:23:31it was encoded

00:23:32in what's called binary code

00:23:33because it's the simplest around.

00:23:36Listen,

00:23:36we're trying to send

00:23:36a message to the aliens,

00:23:38and because you don't know

00:23:40anything about them,

00:23:41you have to make this

00:23:42as obvious as possible.

00:23:46Now,

00:23:46here's the message

00:23:47over here

00:23:48that was actually sent

00:23:49in 1974,

00:23:50and it starts off

00:23:51with teaching the ABCs

00:23:52to the aliens.

00:23:53Well, not ABCs,

00:23:54the 1, 2, 3s,

00:23:55because right up here

00:23:56are the numbers

00:23:57from 1 to 10,

00:23:58but in binary.

00:24:00And anybody

00:24:00who has thought

00:24:01about binary

00:24:02should be able

00:24:02to figure that out,

00:24:03including the aliens.

00:24:05Right underneath that

00:24:06is this funny thing here

00:24:08has the numbers

00:24:091, 6, 7,

00:24:11and so forth.

00:24:11Those are the

00:24:12atomic numbers

00:24:14of the elements

00:24:15that make up our bodies,

00:24:16hydrogen,

00:24:17carbon,

00:24:18nitrogen,

00:24:19oxygen,

00:24:20and phosphorus.

00:24:22The coded message

00:24:23also contained

00:24:24information

00:24:25about our DNA,

00:24:26the figure of a human,

00:24:30a graphic of the solar system,

00:24:32and a graphic

00:24:33of a radio telescope.

00:24:38For decades,

00:24:40SETI scientists wondered,

00:24:41if their cosmic message

00:24:43would ever be received

00:24:44or answered.

00:24:46Then,

00:24:47nearly 27 years later,

00:24:49there appeared to be

00:24:51a response.

00:24:56Hampshire, England,

00:24:58August 2001.

00:24:59Next to the

00:25:04Chilbolton Radio Observatory,

00:25:06two crop formations

00:25:07appeared in a field.

00:25:10Both were unlike

00:25:11any other ever found.

00:25:14They were both pixelated,

00:25:16meaning that

00:25:17when you're on the ground,

00:25:18you couldn't perceive

00:25:19what the crop circle was,

00:25:20but it went from the air,

00:25:22you could readily identify

00:25:23the pattern.

00:25:24One of the crop formations

00:25:27that appeared

00:25:27at Chilbolton in 2001

00:25:29was a face,

00:25:31but the other one

00:25:32was far, far more interesting

00:25:33because it greatly resembled

00:25:37the message

00:25:38that had been sent

00:25:41in 1974.

00:25:47There were very, very subtle

00:25:49differences

00:25:50between the two.

00:25:52They looked identical,

00:25:53but when you actually

00:25:54looked at them,

00:25:55the differences

00:25:56gave a key

00:25:58that seemed to be

00:26:00almost like

00:26:01an answer.

00:26:03One of them

00:26:04was the fact

00:26:05that the human being

00:26:06that we sent out,

00:26:07when it came back,

00:26:08it had what appeared

00:26:09to look like

00:26:09some kind of grey alien

00:26:10with a large head

00:26:11and a small body.

00:26:14It also had

00:26:14a different system

00:26:15of planets,

00:26:16which is suggesting

00:26:17it's a different

00:26:18solar system,

00:26:18and also had

00:26:19a different DNA sequence

00:26:21as well.

00:26:23And so,

00:26:23just these three things

00:26:24really caught my attention

00:26:25because either

00:26:26it was a brilliant hoax,

00:26:28it was actually

00:26:29a message

00:26:30that came back

00:26:31and was a response

00:26:32to that original

00:26:32SETI message

00:26:33way back in the 1970s.

00:26:39And all of these

00:26:41suggested to the

00:26:42crop circle community

00:26:43and the media

00:26:44that we really

00:26:45had received

00:26:46a reply.

00:26:47to the

00:26:49Arecibo message

00:26:50of 1974.

00:26:53Can we see it

00:26:54as a reply?

00:26:55Yes, indeed,

00:26:56it was.

00:26:57But actually,

00:26:58who created it

00:26:59and their exact purpose

00:27:01will remain a mystery.

00:27:05Some think

00:27:06the reply

00:27:07may have been

00:27:07to tell us

00:27:08that we are

00:27:09on the right track,

00:27:10communicating

00:27:11in the universal

00:27:12language of the cosmos,

00:27:14binary code.

00:27:15A German mathematician,

00:27:19Gottfried Leibniz,

00:27:20is credited

00:27:21with defining

00:27:22binary code

00:27:23in the 17th century.

00:27:26In turn,

00:27:27Leibniz

00:27:27is said to have

00:27:28credited his inspiration

00:27:30to the 5,000-year-old

00:27:32Chinese text

00:27:32of I Ching,

00:27:34an ancient oracle code

00:27:35used to communicate

00:27:37divine guidance.

00:27:38The I Ching

00:27:39is a kind of

00:27:41cryptic oracular

00:27:42inscription

00:27:43that you're

00:27:44supposed to decipher,

00:27:45and it was

00:27:46heavily used

00:27:47in divination

00:27:48in early China.

00:27:50The numerical

00:27:50symbols or values

00:27:52are actually

00:27:52tied to

00:27:54a semi-mythical

00:27:55figure

00:27:56by the name

00:27:56Fuxi

00:27:57who is

00:27:59perhaps

00:28:00the earliest

00:28:02legendary ruler

00:28:03of China.

00:28:05The history

00:28:06or origin

00:28:07of the I Ching

00:28:08is very interesting

00:28:09because

00:28:10it is said

00:28:11that this knowledge

00:28:12was imparted

00:28:14on Fuxi

00:28:14by an otherworldly being.

00:28:20According to

00:28:22ancient Chinese myth,

00:28:24Fuxi lived

00:28:24around 3,000 B.C.

00:28:27He and his sister

00:28:28were the sole survivors

00:28:29of a great flood,

00:28:30and together

00:28:31they repopulated

00:28:32the earth.

00:28:34And it was said

00:28:35that one day

00:28:36he was on

00:28:37the Yellow River

00:28:38and a water dragon

00:28:40appeared to him,

00:28:42and on the back

00:28:44of this water dragon

00:28:45was revealed to them

00:28:46the eight trigrams.

00:28:49These eight trigrams

00:28:51are the foundation

00:28:52of the I Ching.

00:28:54They are made up

00:28:54of a series

00:28:55of broken

00:28:56and unbroken lines,

00:28:57a distinct binary code.

00:29:01Fuxi was given

00:29:04the information

00:29:05of the I Ching,

00:29:08what was essentially

00:29:08a binary code.

00:29:12It's basically proven

00:29:14that this kind

00:29:15of mathematical

00:29:16binary code

00:29:18is what is going

00:29:19to drive

00:29:19all computers

00:29:21in the future.

00:29:22and this is something

00:29:23that extraterrestrials

00:29:25on other planets

00:29:26and other galaxies

00:29:27must also be using.

00:29:29Some have surmised

00:29:31that the idea

00:29:33for the binary code

00:29:34was gleaned

00:29:35from the I Ching.

00:29:36It's a very curious thing,

00:29:39especially the idea

00:29:40that the basics

00:29:42of the I Ching

00:29:44was imparted

00:29:46by another type

00:29:48of being.

00:29:51Could the I Ching

00:29:52have been an attempt

00:29:54by extraterrestrials

00:29:55to set up

00:29:56a common communication

00:29:57language with mankind?

00:30:00Might this also

00:30:02support the notion

00:30:02that the crop circles

00:30:04in Chilbolton

00:30:05are an actual

00:30:06alien response

00:30:07to the signal

00:30:08that SETI sent

00:30:09out into the cosmos

00:30:10in 1974?

00:30:13And have extraterrestrials

00:30:15been leaving messages

00:30:16here on Earth

00:30:17for us to discover

00:30:18for thousands of years?

00:30:22Ancient astronaut theorists

00:30:23say yes

00:30:24and point to evidence

00:30:26that crop circles

00:30:27are not just

00:30:28a modern day phenomenon

00:30:29but have been appearing

00:30:31for centuries.

00:30:37Tour in Italy,

00:30:39June 23rd, 2015.

00:30:44Pilot Silvio Sirotto

00:30:45reports that

00:30:46while flying over

00:30:47a wheat field

00:30:48directly in the flight path

00:30:49of the local airport,

00:30:51he spotted

00:30:52a mysterious design

00:30:53seemingly pressed

00:30:54into the crops.

00:30:58Investigators are baffled

00:30:59as to how the design

00:31:01could have been created

00:31:02without any detection

00:31:03in such a high traffic area.

00:31:06To date,

00:31:07it remains a mystery.

00:31:09But it is only one example

00:31:11of a strange phenomenon

00:31:13that has been going on

00:31:14for decades

00:31:15and possibly much,

00:31:17much longer.

00:31:20Over 10,000 crop formations

00:31:22have been found worldwide.

00:31:25They have been reported

00:31:26in over 50 different countries

00:31:28and on nearly every continent

00:31:30on Earth.

00:31:33Commonly known

00:31:33as crop circles,

00:31:34the formations

00:31:36are designs

00:31:36pressed down

00:31:37into fields.

00:31:40They range

00:31:41from small circles

00:31:42to elaborate pictograms

00:31:44hundreds of feet across.

00:31:46They have been found

00:31:49in various crops

00:31:50including wheat,

00:31:53barley,

00:31:54oilseed rape,

00:31:55and corn.

00:31:57And they've been making

00:31:58worldwide headlines

00:32:00since the mid-1960s.

00:32:04One of the first

00:32:05in 1966,

00:32:07it was Tully,

00:32:08Queensland, Australia.

00:32:09A farmer heard

00:32:11a buzzing sound

00:32:12and literally saw

00:32:14this big,

00:32:15round,

00:32:15maybe 30 feet diameter,

00:32:17craft disc

00:32:19rising up

00:32:20out of what

00:32:20essentially

00:32:21was marshy,

00:32:22reedy ground.

00:32:24And it goes up

00:32:25and disappears

00:32:26and left behind

00:32:27the circle.

00:32:30Beginning in Tully,

00:32:31Australia,

00:32:32there seems to be

00:32:32a kind of a smattering

00:32:33of these circular impressions,

00:32:35relatively simple

00:32:36but in several locations

00:32:38around the world.

00:32:391960s,

00:32:4070s,

00:32:4180s,

00:32:42liberal sprinkling

00:32:43of circles,

00:32:451990,

00:32:46bang,

00:32:46and the whole thing

00:32:47goes planet-wide.

00:32:52By 1991,

00:32:54over 2,500 formations

00:32:56had been reported

00:32:57across 23 different countries.

00:33:01As an investigative reporter

00:33:03who began

00:33:04about three decades ago

00:33:06trying to get to the bottom

00:33:07of this phenomenon,

00:33:09I remember getting

00:33:10these photographs

00:33:11and reading

00:33:12that there were

00:33:13no footprints.

00:33:17No one was walking around

00:33:19because if they had,

00:33:21we would have seen

00:33:22broken stocks.

00:33:24Everybody was raising

00:33:25this question,

00:33:26what in the world

00:33:27is making these patterns

00:33:29and why?

00:33:31They had scientists

00:33:32and meteorologists

00:33:33in the fields

00:33:34and it was really fascinating.

00:33:36People really got into

00:33:38in a big, big way.

00:33:42Nobody knew what to make

00:33:43of this.

00:33:45Politicians, scientists,

00:33:47the UFO community,

00:33:49everyone was scratching their heads

00:33:51and saying,

00:33:51what's going on here?

00:33:52what is this?

00:33:53Some people thought

00:33:54that it was extraterrestrial.

00:33:56Others thought

00:33:57it was a meteorological

00:33:59phenomenon of some sort.

00:34:01And other people said,

00:34:02well, it must be a hoax.

00:34:04On September 9th, 1991,

00:34:11two retirees

00:34:13from the English countryside,

00:34:15Doug Bauer

00:34:15and Dave Chorley,

00:34:17came forward

00:34:18with an admission

00:34:19that they were behind

00:34:20the crop formations.

00:34:22Using nothing more

00:34:24than a board

00:34:24and strings,

00:34:26the hoaxers

00:34:26demonstrated

00:34:27their technique

00:34:28for pressing down

00:34:29the crop

00:34:30to form a design.

00:34:32I won't forget

00:34:34when the news came

00:34:35that there were

00:34:37these two men

00:34:38saying they were

00:34:40responsible

00:34:40for the crop formations.

00:34:43And immediately,

00:34:44because of all the work

00:34:46that I had been doing

00:34:46was, well,

00:34:47they weren't traveling

00:34:49to 23 nations.

00:34:52Number one.

00:34:53Number two,

00:34:54they were off kilter.

00:34:56They were not GMOs.

00:34:57Metric.

00:34:58And for those of us

00:34:59who have been

00:35:00in real crop formations,

00:35:02there's just no comparison.

00:35:05Doug and Dave,

00:35:07the men that conned the world,

00:35:08that was the headline

00:35:08in our local newspaper here.

00:35:10And these two men

00:35:11came forward,

00:35:12said, we've done it all.

00:35:13We've made all the crop circles

00:35:14since 1976.

00:35:17Everything.

00:35:18Most people pretty much

00:35:19swallowed that hook,

00:35:20line,

00:35:21and sinker.

00:35:23There are some theories

00:35:25that Doug and Dave

00:35:26were just government stooges

00:35:28that the plan

00:35:30was to bring

00:35:32the whole subject

00:35:33into disrepute,

00:35:34to discredit it,

00:35:35and to make the media

00:35:37just go away.

00:35:39But could it be

00:35:40that there is more

00:35:41to the crop circle phenomenon

00:35:43than a modern-day hoax

00:35:45orchestrated by pranksters?

00:35:47Ancient astronaut theorists

00:35:49say yes

00:35:50and suggest

00:35:52that crop formations

00:35:53are not,

00:35:54in fact,

00:35:55a modern phenomenon

00:35:57at all,

00:35:58but can be traced back

00:35:59hundreds of years.

00:36:02There's a report

00:36:04from the year 815

00:36:06of the Bishop of Lyon

00:36:08a warning,

00:36:09notifying another priest

00:36:11who is going to take over

00:36:12his parish

00:36:13that the locals

00:36:14are involved in something

00:36:16he considers devil worship.

00:36:19They're gathering seeds

00:36:21in a flattened circle

00:36:22of the crops

00:36:23and using them

00:36:24in fertility rituals.

00:36:29There are some

00:36:30very strange accounts

00:36:31in the 1600s.

00:36:33One of the original scientists,

00:36:36Dr. Robert Plott,

00:36:37reported seeing crop circles

00:36:39appearing on his land

00:36:42in Staffordshire, England

00:36:43and he actually

00:36:45drew diagrams

00:36:46of what he was seeing.

00:36:49We also have

00:36:50the infamous legend

00:36:52in the 1600s

00:36:53of the so-called

00:36:54mowing devil.

00:36:57One of the first

00:36:58crop circles

00:36:59ever reported

00:37:00was a mowing devil

00:37:02that was in England

00:37:03going through

00:37:04the wheat fields.

00:37:07There's actually

00:37:08a woodcut

00:37:09that shows

00:37:11what for all intents

00:37:12and purposes

00:37:12looks like

00:37:13a crop circle

00:37:14but has this

00:37:15black creature

00:37:16that just runs around

00:37:18with the horns

00:37:18so the idea

00:37:19was in folklore

00:37:20that something

00:37:22or someone

00:37:23laid down

00:37:24this formation

00:37:25in a wheat field

00:37:26and that goes back

00:37:28all the way

00:37:28to 1678.

00:37:32Some even have suggested

00:37:33that there may be

00:37:34a description

00:37:35of a crop circle

00:37:36in the Dead Sea Scrolls.

00:37:39In the Dead Sea Scrolls

00:37:41is a cryptic reference

00:37:43to a light

00:37:44that leaves

00:37:45a mark

00:37:46on the ground.

00:37:49Interpreters

00:37:49ask is it possible

00:37:51that the marks

00:37:52on the land

00:37:52specifically

00:37:53on the barley

00:37:54and the lentil

00:37:55are crop circles?

00:37:58Is it possible

00:38:00that crop circles

00:38:01have appeared

00:38:02for hundreds

00:38:03if not thousands

00:38:04of years?

00:38:05and if so

00:38:07could it be

00:38:09that while

00:38:09some of these

00:38:10formations

00:38:10have been exposed

00:38:12as hoaxes

00:38:12many others

00:38:14are connected

00:38:15to other

00:38:15worldly beings?

00:38:18Perhaps

00:38:18further clues

00:38:19can be found

00:38:20by exploring

00:38:21eyewitness accounts

00:38:22of the crop circle

00:38:24phenomenon.

00:38:25Salisbury, England

00:38:30July 7th

00:38:322007

00:38:33Local paralegal

00:38:36and crop circle

00:38:37researcher

00:38:38Gary King

00:38:38spends the night

00:38:40camping out

00:38:41on Knapp Hill

00:38:42an area

00:38:43known for sightings

00:38:45of mysterious orbs

00:38:46and other

00:38:47strange occurrences.

00:38:48It was the 7th

00:38:51of July

00:38:512007

00:38:52so because it was

00:38:53a kind of

00:38:53an auspicious

00:38:54date

00:38:54the 7th

00:38:55and 7-7

00:38:55we decided

00:38:57we'd come here

00:38:57I came here

00:38:58with my girlfriend

00:38:58to do a night watch

00:38:59so we arrived here

00:39:00and about 3 o'clock

00:39:01in the morning

00:39:01we had a big

00:39:02white flash of light

00:39:03which completely

00:39:04encompassed the sky

00:39:05and about 20 minutes

00:39:08after that

00:39:08we looked

00:39:09and we could see

00:39:09this crop circle

00:39:10laid out in front of us.

00:39:13The field it appeared in

00:39:15was this field here

00:39:16to the right

00:39:16that's yellow now

00:39:17it was actually in wheat

00:39:18the year that it occurred

00:39:19but they rotate the crops

00:39:20and it started

00:39:22from way back

00:39:23near those trees

00:39:24and came over

00:39:25the brow of this hill

00:39:25and it was absolutely enormous.

00:39:30The crop formation

00:39:32extended 1,033 feet long

00:39:35and 490 feet wide.

00:39:40The over 2 acre design

00:39:42contained 150 individual circles

00:39:45the largest

00:39:47164 feet across.

00:39:51I've no idea

00:39:52what made it.

00:39:54What I do know though

00:39:55is that people with boards

00:39:56didn't make this.

00:40:01Gary King's experience

00:40:02is just one of many

00:40:04first-hand

00:40:05accounts of designs

00:40:11that mysteriously appear

00:40:13in a short period of time.

00:40:18It is documented

00:40:19that there are

00:40:20approximately 70 cases

00:40:21of people having

00:40:23an eyewitness sighting

00:40:24of the formation

00:40:25of a crop circle

00:40:26where they are literally

00:40:27standing there in the crop

00:40:29and it just spontaneously

00:40:31forms in front of them.

00:40:33There is a loud

00:40:35tweeting sound

00:40:36in a lot of cases

00:40:37and then this sort of

00:40:39crackling electrostatic

00:40:40charge on the crops

00:40:41and then you just watch

00:40:43as almost like

00:40:44an oriental fan

00:40:45is unrolling.

00:40:47Just poof.

00:40:48The crops just fold down

00:40:49in a matter of

00:40:50three seconds

00:40:51it's all finished.

00:40:53Crop circle researchers

00:40:54cite that many

00:40:55of these eyewitness accounts

00:40:57include sightings

00:40:58of strange lights

00:41:00in and around

00:41:01a formation.

00:41:04I myself

00:41:05have seen several

00:41:07and they are astonishing

00:41:09in their brightness.

00:41:11We are dealing

00:41:13with intelligent plasmas

00:41:16that are sending

00:41:17and receiving information

00:41:18for another intelligence

00:41:21of unknown origin.

00:41:23Orbs of light

00:41:28are a commonly

00:41:29associated phenomenon

00:41:31with crop circles

00:41:32and this goes

00:41:33all the way back

00:41:33to the story

00:41:34of the mowing devil

00:41:35in 1678.

00:41:39The sighting of lights

00:41:40is often associated

00:41:42with these phenomena

00:41:43and they do seem

00:41:44to suggest something

00:41:45we don't understand.

00:41:49The ghost lights,

00:41:50the will of the wisp sightings,

00:41:51represented some

00:41:53force of nature

00:41:54we had not entirely

00:41:56acknowledged

00:41:56or given sufficient

00:41:57respect to.

00:41:58Some mystery

00:42:00that we need

00:42:01to come to grips with.

00:42:04It could be

00:42:05an actual craft

00:42:06or it could potentially

00:42:07be something like

00:42:08the stylus

00:42:09from an extraterrestrial hand

00:42:11that is somewhere

00:42:12far away

00:42:13but this light

00:42:14is the projected form

00:42:15of a technology

00:42:16being used

00:42:17from the safety

00:42:18and comfort of space.

00:42:21Just what purpose

00:42:25do crop circles serve?

00:42:27Are they

00:42:28an interstellar code?

00:42:31Or could they be

00:42:32extraterrestrial messages

00:42:33left for humans

00:42:35to study

00:42:35and decipher?

00:42:37Winchester, England

00:42:44August 15, 2002

00:42:46A crop formation

00:42:50bearing the image

00:42:52of what appears

00:42:53to be a gray alien

00:42:54emerges in a wheat field.

00:42:59At the bottom right

00:43:00corner of the image

00:43:01is a disc-shaped object

00:43:03containing what some

00:43:05believe to be

00:43:06binary code

00:43:07a computer language

00:43:09consisting of

00:43:10ones and zeros.

00:43:14There was a crop formation

00:43:16that unmistakably

00:43:18looks like

00:43:19an extraterrestrial

00:43:21proverbial gray

00:43:22with the almond eyes

00:43:24and the triangular

00:43:25shaped head

00:43:26and there's also

00:43:27at the bottom

00:43:27there seems to be

00:43:28a computer disk

00:43:29and what looked like

00:43:31binary code.

00:43:32The message

00:43:35allegedly says

00:43:36beware the bearers

00:43:38of false gifts

00:43:40and their broken promises

00:43:41much pain

00:43:43but still time.

00:43:45There is good out there

00:43:46we oppose deceivers

00:43:48conduit closing.

00:43:52It was warning

00:43:54humanity

00:43:55about the deceivers

00:43:57about dangers.

00:43:59it essentially shows

00:44:03that they're trying

00:44:04to somehow

00:44:05communicate with us.

00:44:08So the idea

00:44:08is

00:44:09that perhaps

00:44:11some of these crop circles

00:44:13indeed

00:44:13are messages

00:44:15from elsewhere

00:44:16and elsewhere

00:44:18in my opinion

00:44:19means

00:44:20of extraterrestrial origin.

00:44:22Could it be

00:44:26that some crop formations

00:44:27serve as a medium

00:44:29for extraterrestrial

00:44:31communication?

00:44:33Many crop circle

00:44:34researchers

00:44:35say yes

00:44:36and suggest

00:44:38further evidence

00:44:39of this can be found

00:44:40by examining

00:44:41the advanced

00:44:42astronomical

00:44:43scientific

00:44:44and mathematical

00:44:45equations

00:44:46contained within them.

00:44:48one formation

00:44:51had everyone

00:44:52baffled

00:44:52and people

00:44:53were saying

00:44:53well what is this?

00:44:55Then a mathematician

00:44:56had a look at it

00:44:57and said wait a minute

00:44:58that's a representation

00:44:59of pi

00:45:01and it's correct

00:45:02down to 10 decimal places.

00:45:05It's a representation

00:45:06of pi

00:45:07in a geometric sense.

00:45:09It's kind of interesting

00:45:10because the way

00:45:11you get pi out of it

00:45:12is the lengths

00:45:14of the different

00:45:14arcs

00:45:15in each segment

00:45:15and what happens

00:45:17is there's these

00:45:17little notches

00:45:18in the spiral

00:45:19that let you know

00:45:20you're at the end

00:45:20of an arc.

00:45:21So you actually

00:45:22have to measure

00:45:23the arc lengths

00:45:24as you go around

00:45:25and their lengths

00:45:26give you the digits

00:45:27of pi

00:45:27and there's a little

00:45:28circle to give you

00:45:29the decimal point.

00:45:30So it's a really

00:45:31interesting example

00:45:32of using geometry

00:45:33as a code

00:45:34for representing

00:45:35digits and numbers.

00:45:38It just shows

00:45:39the level of knowledge

00:45:40and mathematical knowledge

00:45:42geometric skill

00:45:44that goes into

00:45:45making these things.

00:45:47many of the most

00:45:49famous crop circles

00:45:50actually derive

00:45:52from fractal patterns.

00:45:55The Mandelbrot said

00:45:57the Julia said

00:46:01to make these

00:46:03you have to have

00:46:05knowledge of math.

00:46:06Mathematics is of course

00:46:08the universal language.

00:46:10If we ever encounter aliens

00:46:12they're not going to speak

00:46:13English or French

00:46:14or German

00:46:15we'll speak

00:46:15and we'll communicate

00:46:16via mathematics.

00:46:19Could crop circles

00:46:21as some believe

00:46:22be an attempt

00:46:23from an alien civilization

00:46:25to reach out

00:46:26and communicate

00:46:27with us?

00:46:31If extraterrestrials

00:46:32are leaving messages

00:46:33for humanity

00:46:34within crop circles

00:46:35why aren't they being studied

00:46:38by government agencies?

00:46:39according to ancient

00:46:42astronaut theorists

00:46:43it's very possible

00:46:44that they are.

00:46:46And as evidence

00:46:47they point to NASA documents

00:46:50that suggest

00:46:51ancient rock art

00:46:52could actually be a form

00:46:53of alien communication.

00:46:59Washington DC

00:47:01May 2014

00:47:03NASA researchers

00:47:06in conjunction

00:47:08with SETI scientists

00:47:09publish a manual

00:47:10enlisting archaeologists

00:47:12and anthropologists

00:47:13in the search

00:47:14for evidence

00:47:15of extraterrestrial

00:47:16communication.

00:47:20The 300 page document

00:47:22entitled

00:47:23Archaeology, Anthropology

00:47:25and Interstellar Communication

00:47:27details means

00:47:28and methods

00:47:29beyond binary code

00:47:31and radio signals

00:47:32that scientists

00:47:33should consider

00:47:34as potential communication

00:47:36from extraterrestrials.

00:47:40Singled out in the document

00:47:41are rock art

00:47:42and carvings

00:47:43including

00:47:44the Neolithic petroglyphs

00:47:46of Northumberland, England.

00:47:49Although the document

00:47:50does not directly attribute

00:47:52the art

00:47:52to extraterrestrials

00:47:54it does propose

00:47:55the possibility

00:47:56that it could be tied

00:47:57to otherworldly

00:47:59communication.

00:48:01Throughout the world

00:48:03there are petroglyphs

00:48:05and other rock art

00:48:06that are actually

00:48:08quite similar

00:48:09all over the earth.

00:48:12We have to wonder

00:48:13if there's not

00:48:14some parallel

00:48:16that's going on.

00:48:18I think that we have

00:48:19to start looking

00:48:20at these symbols

00:48:22and ask

00:48:24how did it originate

00:48:26and from where.

00:48:27Roswell, New Mexico

00:48:35September 4th

00:48:372004

00:48:38While tracking deer

00:48:42in the desert

00:48:43just 11 miles

00:48:44from the famous

00:48:45Roswell crash site

00:48:46Robert Ridge

00:48:47came across

00:48:48an object

00:48:49sticking out

00:48:50of the sand

00:48:50a small

00:48:53triangular shaped rock

00:48:54that is completely

00:48:55uniform in color

00:48:56and has a circular

00:48:58design on top

00:48:59of it

00:48:59that isn't etched

00:49:00into the rock

00:49:01but actually

00:49:02protrudes from it.

00:49:07I thought it was

00:49:08really cool

00:49:08when I first

00:49:09picked it up

00:49:10then got it

00:49:12to the truck

00:49:13brushed it off

00:49:14and then I was like

00:49:15you know

00:49:16in awe

00:49:17and I was like

00:49:19pinching myself

00:49:20what is this

00:49:21I thought it was

00:49:22very unique

00:49:23and very special

00:49:24right off the get go

00:49:25and I still do.

00:49:28The Roswell rock

00:49:29as it has come

00:49:30to be known

00:49:31measures roughly

00:49:32one and a half inches

00:49:33thick

00:49:33by two inches wide

00:49:35meticulously etched

00:49:37out of the face

00:49:38of the triangular stone

00:49:39are circles

00:49:40and crescents.

00:49:43Robert Ridge

00:49:43is convinced

00:49:44that this symbol

00:49:45is meant to convey

00:49:47a message

00:49:47and after studying

00:49:49the rock

00:49:50he discovered

00:49:51an uncanny correlation

00:49:52between the symbols

00:49:54and the magnetism

00:49:55of the stone.

00:49:57We found the rock

00:49:59has magnetic properties

00:50:00a friend of mine

00:50:01kept hounding me

00:50:02about it

00:50:03and he finally

00:50:04brought a magnet

00:50:05of his own

00:50:05and said

00:50:07here

00:50:07do this

00:50:08so

00:50:09we did

00:50:10and

00:50:10we found out

00:50:12that it has

00:50:12it's pretty cool.

00:50:15but with all

00:50:30the strange qualities

00:50:31that the Roswell rock

00:50:32possesses

00:50:33what researchers

00:50:34find most fascinating

00:50:36is that the design

00:50:37protruding from its surface

00:50:38has also been found

00:50:40in England

00:50:41nearly 5,000 miles away.

00:50:46The pattern

00:50:47of the sun and moon

00:50:48inside a circle

00:50:49that we see

00:50:49on the rock

00:50:50is precisely

00:50:52the same

00:50:53as what we see

00:50:55in a crop circle

00:50:56formation

00:50:56dating to 1996

00:50:58in southern England.

00:51:02The crop circle

00:51:03appeared

00:51:04eight years

00:51:05before Robert Ridge

00:51:06discovered

00:51:06the Roswell rock

00:51:08a fact

00:51:09that has led

00:51:10some to suggest

00:51:11the rock

00:51:12is simply

00:51:12a man-made copy.

00:51:15One of my best friends

00:51:16said

00:51:17it looks like

00:51:18a hippie

00:51:18made it

00:51:18and threw it out

00:51:19in the desert.

00:51:21So

00:51:21I wanted to

00:51:22examine it

00:51:23we did

00:51:23a 3D

00:51:25CAT scan

00:51:26of the rock

00:51:26and that's how

00:51:28we found out

00:51:29it hasn't been painted

00:51:30this hasn't been

00:51:31stuck to the top

00:51:32of the rock

00:51:33it's not an applique

00:51:34it's a part of the rock

00:51:35it doesn't have

00:51:36a magnet inside.

00:51:39Ancient astronaut

00:51:40theorists

00:51:40also contend

00:51:41that if someone

00:51:43had made the rock

00:51:44as a hoax

00:51:44it's unlikely

00:51:46they would have

00:51:46left it half buried

00:51:47in the middle

00:51:48of the desert

00:51:49where it may

00:51:50never be found.

00:51:51But what has

00:51:52truly convinced

00:51:53Robert

00:51:53and many others

00:51:54that the rock

00:51:55is not a man-made

00:51:57fabrication

00:51:57is a comparison

00:51:59that was done

00:52:00under a microscope

00:52:01between the

00:52:02Roswell rock

00:52:03and a sandblasted

00:52:04replica.

00:52:07We started

00:52:08looking at it

00:52:09under magnification

00:52:10it blew me away

00:52:13and I was like

00:52:15wow

00:52:16what is this?

00:52:19It's proven

00:52:20to be everything

00:52:21I thought it was

00:52:22so far

00:52:23in my opinion.

00:52:28One of the first

00:52:29researchers

00:52:29to investigate

00:52:30the connection

00:52:31between the

00:52:32Roswell rock

00:52:33and the crop

00:52:33circle in England

00:52:34was investigative

00:52:36journalist

00:52:36Linda Moulton Howe.

00:52:38She is convinced

00:52:40that within the design

00:52:41is a message.

00:52:43If we are dealing

00:52:45with advanced

00:52:46intelligences

00:52:47and you assume

00:52:49that throughout

00:52:50the universe

00:52:51all solar systems

00:52:52all galaxies

00:52:54there have to be

00:52:56some will call them

00:52:57baselines

00:52:58moons

00:52:59suns

00:53:01and skies

00:53:02would be the

00:53:03common denominator.

00:53:04Something is trying

00:53:07to teach us humans

00:53:09about astronomy

00:53:11the moon

00:53:13and the sun

00:53:14and the tracking

00:53:14of the symbols

00:53:16this is reflecting

00:53:18past

00:53:19present

00:53:20and future

00:53:21and that comes

00:53:22back to

00:53:23what is on

00:53:25that rock.

00:53:28Well

00:53:28some people would say

00:53:30that that is

00:53:31a date.

00:53:32A date?

00:53:33But why?

00:53:35Could there be a message

00:53:36encoded in the design

00:53:38on the Roswell rock

00:53:39that reveals some significant

00:53:41turning point

00:53:42that lies ahead

00:53:43for mankind?

00:53:47It could be

00:53:48that the exotrestrials

00:53:50responsible

00:53:51for making crop circles

00:53:52which is I believe

00:53:54that's what's happening

00:53:54actually generated

00:53:56this rock

00:53:57created this

00:53:59near the Roswell crash

00:54:01so as to

00:54:02get us asking

00:54:03the right questions.

00:54:05A little breadcrumb here

00:54:06and a little breadcrumb there

00:54:08and we're being brought

00:54:09closer and closer

00:54:10to the truth.

00:54:12Is it possible

00:54:16that the design

00:54:17that appears

00:54:17on the Roswell rock

00:54:18and in the crop formation

00:54:20in England

00:54:21is actually an attempt

00:54:22by extraterrestrials

00:54:24to communicate

00:54:25with humankind?

00:54:27Ancient astronaut theorists

00:54:29say yes

00:54:29and they suggest

00:54:31that further proof

00:54:32of alien contact

00:54:33can be found

00:54:34in the mantras

00:54:36and mandalas

00:54:37of ancient India.

00:54:42Aum

00:54:48is a sacred sound

00:54:50in the eastern religions

00:54:52of Hinduism

00:54:53Buddhism

00:54:54and Jainism

00:54:56Hindu concept

00:55:01of cosmic sound

00:55:02is simply Aum

00:55:03Aum

00:55:05is made of

00:55:06three letters

00:55:07A

00:55:08U

00:55:09and M

00:55:10those three letters

00:55:12combined

00:55:12makes the sound

00:55:14Aum

00:55:14and the whole universe

00:55:18resonates

00:55:19with the sound

00:55:20Aum

00:55:21Aum

00:55:23was not just found

00:55:25in Hinduism

00:55:26and Vedic tradition

00:55:27it's very much

00:55:28used in Buddhism

00:55:29it's utilized

00:55:31in Jainism

00:55:32and also in Sikhism

00:55:33as well

00:55:34and it is

00:55:35the most common

00:55:36and most sacred

00:55:37of all mantras

00:55:38in all of these traditions

00:55:40The concept of Aum

00:55:43first appears

00:55:44in the Vedas

00:55:45the religious texts

00:55:46that form the foundation

00:55:48of Hinduism

00:55:49according to the texts

00:55:51specific vibrations

00:55:53created through

00:55:54ritualistic chanting

00:55:55singing

00:55:56and prayer

00:55:56can provide

00:55:57a direct connection

00:55:58between humans

00:56:00and the gods themselves

00:56:02The importance of sound

00:56:05in Hinduism

00:56:06and Buddhism

00:56:07is very

00:56:09very vital

00:56:10without sound

00:56:14you cannot

00:56:15pronounce a mantra

00:56:17mantra

00:56:19mantra is

00:56:19combined words

00:56:21made into

00:56:22invocation

00:56:23As described

00:56:26in the Vedic texts

00:56:27the gods

00:56:28provided humankind

00:56:29with a visual aid

00:56:30to remember

00:56:31these sacred sounds

00:56:32elaborate patterns

00:56:33called mandalas

00:56:35Mandalas

00:56:38are mnemonic devices

00:56:39used to aid

00:56:41meditation

00:56:42often in tandem

00:56:44with chanting

00:56:46what's interesting

00:56:47is that

00:56:48in Hindu temples

00:56:49we have

00:56:51a visual representation

00:56:52of mandalas

00:56:55so what they're doing

00:56:57is they're essentially

00:56:58translating sound

00:57:00into visual patterns

00:57:02in modern technology

00:57:05these are called

00:57:06Kladni patterns

00:57:07in 1787

00:57:12German physicist

00:57:13Ernst Kladni

00:57:14known as

00:57:15the father of acoustics

00:57:16published his seminal work

00:57:18Discoveries

00:57:19in the Theory of Sound

00:57:21in it

00:57:22Kladni describes

00:57:23an experiment

00:57:24that shows

00:57:25how vibrations

00:57:26can create

00:57:26exotic geometric shapes

00:57:28we've got this thing

00:57:31called the

00:57:31Schladni plate

00:57:32after the scientists

00:57:34who invented it

00:57:35it's a thin metal plate

00:57:37like a sounding board

00:57:38and we've got a transducer

00:57:40attached to the bottom of it

00:57:42and they spread sand

00:57:43over the top of this plate

00:57:45and we start playing

00:57:47certain tones

00:57:47and those sand particles

00:57:53start to bounce around

00:57:54and dance around

00:57:55and they start to form

00:57:56these mathematical

00:57:57circular patterns

00:57:59and as we move up

00:58:03through these frequencies

00:58:04the sand

00:58:05goes into kind of

00:58:06a chaos

00:58:06in between state

00:58:08and then it arrives

00:58:09at this next pattern

00:58:10and the higher

00:58:14the frequency you go

00:58:15the more these patterns

00:58:19become more complex

00:58:20in the 1960s

00:58:30Swiss scientist

00:58:31Hans Jenny

00:58:32was experimenting

00:58:33with Kladni patterns

00:58:35when he noticed

00:58:35an extraordinary connection

00:58:37Jenny tried it with Ohm

00:58:40and it generated

00:58:45an image of

00:58:46a circle

00:58:47with a dot

00:58:48in the middle

00:58:48that itself

00:58:49is actually

00:58:50very interesting

00:58:50because the most

00:58:52fundamental elements

00:58:53of any mandala

00:58:55will usually be

00:58:56a circle

00:58:57with a dot

00:58:58marking the cosmic center

00:58:59today

00:59:01the patterns

00:59:03made by frequencies

00:59:04are known

00:59:04as cymatics

00:59:06in modern technology

00:59:08we are able

00:59:09to create

00:59:10visual representations

00:59:12of sounds

00:59:14what is remarkable

00:59:16is that

00:59:16we see the same

00:59:18patterns

00:59:19in Hindu temples

00:59:21in ancient

00:59:22Indian structures

00:59:23at the Sari

00:59:27Ranganatha

00:59:28Swami temple

00:59:29in southern India

00:59:30are 40 ornate statues

00:59:32carved from monolithic

00:59:33columns

00:59:34the statues

00:59:36depict leaping animals

00:59:37and above them

00:59:38vimanas

00:59:39vehicles that

00:59:40according to ancient

00:59:41Hindu texts

00:59:42were flown

00:59:43by the gods

00:59:44the word

00:59:47vimana

00:59:48in ancient

00:59:50Vedic texts

00:59:51means

00:59:52flying machines

00:59:54in Hinduism

00:59:56this clearly

00:59:56established

00:59:57that the gods

00:59:59come down

00:59:59from the sky

01:00:00using vimanas

01:00:02in the temple

01:00:03of Srirangal

01:00:04these carvings

01:00:06show

01:00:06many different

01:00:08types

01:00:08of vimanas

01:00:09and what's really

01:00:14unique is that

01:00:15under

01:00:16these vimanas

01:00:17we are able

01:00:18to see some

01:00:19very interesting

01:00:21patterns

01:00:22of mandalas

01:00:23some researchers

01:00:25believe

01:00:26these mandalas

01:00:27represent more

01:00:28than just

01:00:29an artistic flourish

01:00:30according to legend

01:00:33each type

01:00:34of vimana

01:00:35can be activated

01:00:36with a specific

01:00:38type of

01:00:39mandala

01:00:40if we crack

01:00:41this visual

01:00:43code

01:00:43if we crack

01:00:44this cymatic

01:00:45pattern

01:00:45we might actually

01:00:47unlock the secret

01:00:49to power

01:00:50these vimanas

01:00:52could it really be

01:01:02that mandalas

01:01:03hold within them

01:01:04an alien code

01:01:05a code

01:01:07utilizing harmonics

01:01:08and vibrations

01:01:09to unlock

01:01:10advanced communication

01:01:11and possibly

01:01:13even engineering

01:01:14principles

01:01:14ancient astronaut

01:01:16theorists

01:01:17say yes

01:01:17but they suggest

01:01:19alien messages

01:01:20have gone well

01:01:21beyond

01:01:22symbols

01:01:22and figures

01:01:23and are found

01:01:24encoded

01:01:25into the designs

01:01:26of our most

01:01:28sacred structures

01:01:29London, England

01:01:351971

01:01:37after years

01:01:40of studying

01:01:41ancient

01:01:41philosophical

01:01:42teachings

01:01:43relating to

01:01:44the Egyptian

01:01:44mystery schools

01:01:45author

01:01:46John Michel

01:01:47unearths

01:01:48evidence

01:01:48of an

01:01:49ancient code

01:01:50a numerical

01:01:52and geometric

01:01:53code

01:01:53seemingly

01:01:54embedded

01:01:55not only

01:01:56in the sacred

01:01:56structures

01:01:57of ancient

01:01:57Egypt

01:01:58but also

01:01:59in the Hebrew

01:02:00world

01:02:00and in the plans

01:02:02for the heavenly

01:02:03city

01:02:03of New Jerusalem

01:02:05John Michel

01:02:07was a scholar

01:02:08he was a mystic

01:02:09he was a genius

01:02:09and a very

01:02:10very prolific author

01:02:11he had an incredible

01:02:12understanding

01:02:13of earth

01:02:15geometry

01:02:15and geography

01:02:16but what

01:02:19John Michel

01:02:19is most famous

01:02:20for

01:02:21is the New

01:02:22Jerusalem

01:02:22diagram

01:02:23by carefully

01:02:26examining

01:02:26the physical

01:02:27description

01:02:27of New

01:02:28Jerusalem

01:02:29in Revelation

01:02:3021

01:02:30Michel

01:02:31uncovered

01:02:32a sacred

01:02:33design

01:02:34at the core

01:02:35of Michel's

01:02:36diagram

01:02:36is the squaring

01:02:37of the circle

01:02:38and the division

01:02:39of the circle

01:02:40into equal sectors

01:02:41a zodiac wheel

01:02:43and the positioning

01:02:44of 12 gates

01:02:46to the heavenly

01:02:46city

01:02:47three on each

01:02:48side of the square

01:02:49representing

01:02:50the 12 tribes

01:02:52of Israel

01:02:52this is also

01:02:54a geometric figure

01:02:55and John Michel

01:02:57claimed that

01:02:58this would be

01:02:59how the New

01:03:01Jerusalem

01:03:01was to be built

01:03:03in the future

01:03:04and that all

01:03:06this was encoded

01:03:07in revelations

01:03:09in a mathematical

01:03:10geometric way

01:03:12in his book

01:03:14The Dimensions of Paradise

01:03:15Michel proposed

01:03:17that this sacred

01:03:18geometry

01:03:19represented

01:03:20the order

01:03:20of the universe

01:03:21ancient astronaut

01:03:24theorists suggest

01:03:25that this exact

01:03:26same geometrical

01:03:27concept

01:03:28can be found

01:03:29halfway around

01:03:30the world

01:03:31in Nazca, Peru

01:03:32here in the desert

01:03:38among the many plant

01:03:40and animal glyphs

01:03:41is a geometric design

01:03:43that looks much different

01:03:44from the rest

01:03:45of the Nazca lines

01:03:46it is called

01:03:47the Sun Star

01:03:49and Cross

01:03:50The Nazca Sun Star glyph

01:03:54is one of the most

01:03:55interesting glyphs

01:03:56to be seen

01:03:57at Nazca

01:03:58and in fact

01:03:59because it's

01:04:00in a remote area

01:04:01of the Palpa Valley

01:04:02it's not actually seen

01:04:03by many tourists

01:04:04but it is by far

01:04:06the strangest

01:04:08and most mathematically

01:04:09precise

01:04:10of all

01:04:12of the diagrams

01:04:13at Nazca

01:04:14The Sun Star

01:04:16and Cross glyph

01:04:17is a precisely

01:04:18formed star polygon

01:04:20made of two squares

01:04:21surrounding

01:04:22a perfect circle

01:04:23all sharing

01:04:24the same center

01:04:25and diameter

01:04:26inside the grid

01:04:28are wheels

01:04:29within wheels

01:04:29and squares

01:04:30within squares

01:04:32the design

01:04:33mirrors not only

01:04:35New Jerusalem's

01:04:36sacred geometry

01:04:36but also offers up

01:04:38yet another connection

01:04:40When you look at it

01:04:43it's very obviously

01:04:45what is called

01:04:46a mandala

01:04:47or a yantra

01:04:50in ancient India

01:04:51or Tibet

01:04:52what a mandala

01:04:55yantra glyph

01:04:57is doing

01:04:58in remote desert

01:04:59of Peru

01:05:00is very interesting

01:05:03It's a very sacred symbol

01:05:07it's this idea

01:05:09of being connected

01:05:10with the realm

01:05:12of the gods

01:05:13and then we have to

01:05:15once again

01:05:15ask ourselves

01:05:16well what was

01:05:17the realm of the gods

01:05:19It's very interesting

01:05:21to note

01:05:22that seen

01:05:23from the sky

01:05:24it is very similar

01:05:26not identical

01:05:27but very similar

01:05:28to for example

01:05:30the layout

01:05:31of the temples

01:05:32at Borobudur

01:05:34The Buddhist temple

01:05:36of Borobudur

01:05:37lies over 11,000 miles

01:05:40west of Nazca

01:05:41in Indonesia

01:05:42and is laid out

01:05:43with a series

01:05:44of precise circles

01:05:46within a platform

01:05:47of perfect squares

01:05:48One has to wonder

01:05:53if somehow

01:05:54all these sites

01:05:55are connected

01:05:56because

01:05:56that is what

01:05:57the ancient astronaut

01:05:58theory excels in

01:06:00that people

01:06:01in our ancient past

01:06:03were not isolated

01:06:05they had contact

01:06:07with each other

01:06:08in the end

01:06:09there is

01:06:10an extraterrestrial connection

01:06:12Is this something

01:06:16that was taught

01:06:17by the ancients

01:06:19from one culture

01:06:20to the rest

01:06:21and they incorporated

01:06:22these divine cities

01:06:24these new Jerusalems

01:06:25or is this something

01:06:26that may have been

01:06:27given to us

01:06:28by some divine intelligence

01:06:30Is it possible

01:06:33that the new Jerusalem design

01:06:35the sun star

01:06:37and cross of Nazca

01:06:38the temple

01:06:39of Borobudur

01:06:40and other geometric

01:06:42structures around the world

01:06:44are encoded

01:06:45with similar

01:06:46mathematic

01:06:47and geometric principles

01:06:48and if so

01:06:50are they part

01:06:52of an alien message

01:06:53that is meant

01:06:54not only to inform us

01:06:55of our celestial origins

01:06:57but to guide us

01:06:58towards a reconnection

01:07:00Perhaps a key

01:07:02to understanding

01:07:03the relevance

01:07:04of this sacred code

01:07:05can be found

01:07:07by examining

01:07:08the astrological alignments

01:07:09of mysterious sights

01:07:11throughout the world

01:07:13Isolated in the Pacific Ocean

01:07:19more than 2,000 miles

01:07:21off the coast of Chile

01:07:22lies one of the most

01:07:24mysterious places

01:07:25on Earth

01:07:26Easter Island

01:07:27This tiny landmass

01:07:31is home

01:07:31to nearly 900

01:07:32monolithic stone statues

01:07:34carved out of volcanic rock

01:07:372,564 miles

01:07:43to the east

01:07:44isolated 7,000 feet

01:07:46above sea level

01:07:47are the ruins

01:07:48of a mysterious lost city

01:07:50of the Inca

01:07:51called Machu Picchu

01:07:52And 10,742 miles away

01:07:58on the opposite side

01:07:59of the world

01:08:00lies Mohenjo-Daro

01:08:02a site

01:08:03where ancient astronaut

01:08:04theorists believe

01:08:06a nuclear explosion

01:08:07may have occurred

01:08:08in the distant past

01:08:10Curiously

01:08:19as discovered

01:08:20by researcher

01:08:21Jim Allison

01:08:21these three sites

01:08:23fall in a straight line

01:08:25around the center

01:08:26of the Earth

01:08:27and with just

01:08:29a minor margin of error

01:08:30it also runs

01:08:31through a number

01:08:32of other mysterious

01:08:33ancient sites

01:08:34We have the Giza Plateau

01:08:39We have Nazca

01:08:41We have Angkor Wat

01:08:43in Cambodia

01:08:44All of these

01:08:45extraordinarily important

01:08:47powerful sacred places

01:08:48were all built

01:08:49in a straight line

01:08:51Now this cannot

01:08:52be an accident

01:08:53This cannot be

01:08:55a coincidence

01:08:56The line

01:08:59also encompasses

01:09:00the ancient

01:09:00Sumerian city

01:09:01of Ur

01:09:02the ruins

01:09:04of Petra Jordan

01:09:05and Persopolis

01:09:07the capital city

01:09:08of ancient Persia

01:09:10There are all

01:09:11these different sites

01:09:12that seem to line up

01:09:14even if it's

01:09:15a minute degree

01:09:16of deviation

01:09:17it's never a massive

01:09:18distance

01:09:19from that line

01:09:20How is it

01:09:26that so many

01:09:27important ancient sites

01:09:28across the globe

01:09:29all follow this line?

01:09:31What could possibly

01:09:33explain this coincidence?

01:09:35This is bizarre

01:09:37because only a people

01:09:39capable of flight

01:09:41or at least

01:09:42being able to look

01:09:44at maps

01:09:45would be able

01:09:46to do such a thing

01:09:47Could it be

01:09:48because some of those

01:09:50points were in fact

01:09:52places where our

01:09:53ancestors made contact

01:09:55with extraterrestrials?

01:09:56There has to be

01:10:00something important

01:10:01in the location

01:10:03in the geography

01:10:04in the geometry

01:10:05that indicated

01:10:06to our ancestors

01:10:07that this is

01:10:08sacred ground

01:10:09that this is

01:10:10a powerful place

01:10:12to put these

01:10:13sacred sites

01:10:14Ancient astronaut

01:10:20theorists say

01:10:21evidence of

01:10:22extraterrestrial

01:10:23intervention

01:10:23can also be found

01:10:25by looking at

01:10:26how early humans

01:10:27aligned their

01:10:28most important

01:10:29sites with the stars

01:10:30At the Giza Plateau

01:10:33in Egypt

01:10:34the layout

01:10:35of the three

01:10:35great pyramids

01:10:36aligns perfectly

01:10:38with the belt stars

01:10:39of the constellation

01:10:40Orion

01:10:41Orion's belt

01:10:46is made up

01:10:46of two bright stars

01:10:47and a third

01:10:49dimmer star

01:10:50which is offset

01:10:51a bit to the left

01:10:52it's exactly

01:10:54what you see

01:10:54on the ground

01:10:55two large pyramids

01:10:56in alignment

01:10:57with the third

01:10:58pyramid

01:10:59offset

01:10:59it looks like

01:11:01they wanted

01:11:02to build stars

01:11:03on the ground

01:11:03if you like

01:11:03Also aligned

01:11:07with these stars

01:11:08are the ancient

01:11:09city of Teotihuacan

01:11:11in central Mexico

01:11:12the Hobie villages

01:11:17in the American

01:11:18southwest

01:11:18and the Thornborough

01:11:23Hengins

01:11:24a Neolithic

01:11:25landscape complex

01:11:26in northern England

01:11:27Could it be

01:11:31merely coincidence

01:11:32that so many

01:11:33ancient cultures

01:11:34throughout the world

01:11:35that presumably

01:11:36had no contact

01:11:37with each other

01:11:38all built

01:11:39their most important

01:11:40sites

01:11:40by using

01:11:41celestial alignments

01:11:43look

01:11:48this is not

01:11:49something

01:11:50that can be

01:11:50explained away

01:11:51as a coincidence

01:11:52it's time

01:11:55for us

01:11:55to responsibly

01:11:56take a look

01:11:57at what we're

01:11:57really seeing

01:11:58and understand

01:11:59that there is

01:12:00a worldwide

01:12:01intelligent

01:12:02highly mathematically

01:12:04precise plan

01:12:05behind these

01:12:07designs

01:12:07the idea

01:12:10that even

01:12:11ancient buildings

01:12:12are encoded

01:12:15with information

01:12:16and that where

01:12:17they sit

01:12:17on the planet

01:12:19is also

01:12:20part of

01:12:21an intricate

01:12:22code

01:12:23is a fascinating

01:12:24idea

01:12:25and one that

01:12:26we're just

01:12:27beginning to

01:12:28understand

01:12:28could it be

01:12:35that the curious

01:12:36location

01:12:36and alignments

01:12:37of ancient

01:12:38sacred sites

01:12:39were actually

01:12:40meant to serve

01:12:41as a form

01:12:41of communication

01:12:42but if these

01:12:45alignments

01:12:45are meant

01:12:46to convey

01:12:47messages

01:12:47from an

01:12:48otherworldly

01:12:48intelligence

01:12:49much like

01:12:50the mysterious

01:12:51images

01:12:51and symbols

01:12:52found

01:12:53throughout the

01:12:53world

01:12:54just what

01:12:55might these

01:12:56messages be

01:12:57perhaps further

01:12:59clues can be

01:13:00found

01:13:00by examining

01:13:01our own

01:13:02attempts

01:13:02to communicate

01:13:03with future

01:13:04generations

01:13:05and protect

01:13:06them

01:13:06from grave

01:13:08danger

01:13:08Kanda

01:13:14the Republic

01:13:16of Macedonia

01:13:17there

01:13:19isolated

01:13:20on a hill

01:13:21in the middle

01:13:21of a vast

01:13:22step

01:13:22sits a giant

01:13:24geoglyph

01:13:24depicting a

01:13:25symbol known

01:13:26as the

01:13:27cosmic egg

01:13:27according to

01:13:30ancient mythology

01:13:31it is the

01:13:32great egg

01:13:33of the universe

01:13:34from which

01:13:35a powerful

01:13:36deity

01:13:36is often

01:13:37hatched

01:13:38or born

01:13:38the concept

01:13:41of the cosmic

01:13:42egg

01:13:42is universal

01:13:43but what's

01:13:44so interesting

01:13:45is that

01:13:46a multinational

01:13:47team

01:13:47who have been

01:13:48investigating

01:13:49this site

01:13:50have come

01:13:52to the conclusion

01:13:53that it's

01:13:54orientated

01:13:55towards

01:13:56the constellation

01:13:57of Cassiopeia

01:13:59Cassiopeia

01:14:00represents

01:14:01the queen

01:14:02of heaven

01:14:02in addition

01:14:04to the alignment

01:14:05of the egg

01:14:06with the Cassiopeia

01:14:07constellation

01:14:08many scholars

01:14:09believe

01:14:10that the symbol

01:14:11contained in the egg

01:14:12represents that

01:14:13of the cosmic god

01:14:14sae

01:14:15he represents

01:14:17the all-seeing god

01:14:19macedonian myth

01:14:21says that the god

01:14:22sae

01:14:23was the child

01:14:24of the great

01:14:25cosmic mother

01:14:26and the supreme

01:14:27god father

01:14:28while there are

01:14:29various theories

01:14:30as to who made

01:14:31the cosmic egg

01:14:32geoglyph

01:14:33and why

01:14:33ancient astronaut

01:14:35theorists agree

01:14:36on one point

01:14:37that this geoglyph

01:14:39like the thousands

01:14:40of others

01:14:41found all

01:14:42across the world

01:14:43was intended

01:14:44to be more than

01:14:45simply a work of art

01:14:46or indicate

01:14:47a place of worship

01:14:48it was intended

01:14:51to communicate

01:14:52something of great

01:14:53possibly

01:14:54intergalactic

01:14:55importance

01:14:56it would seem

01:14:58that extraterrestrials

01:15:00arrived on earth

01:15:01and then taught humans

01:15:03the meanings

01:15:03of these symbols

01:15:05and then humans

01:15:06then used

01:15:07these symbols

01:15:08to try and contact

01:15:10the extraterrestrials

01:15:11themselves

01:15:11either as giant

01:15:13geoglyphs

01:15:14on the ground

01:15:15to even just

01:15:16petroglyphs

01:15:17on the rocks

01:15:17ancient astronaut

01:15:24theorists suggest

01:15:25that the notion

01:15:27that petroglyphs

01:15:28and geoglyphs

01:15:28could represent

01:15:29a form of communication

01:15:31taught to humans

01:15:32by alien visitors

01:15:33is supported

01:15:34by our own

01:15:35relatively modern

01:15:36science of semiotics

01:15:38it is the study

01:15:41of signs

01:15:42and symbols

01:15:43mankind

01:15:43will need to use

01:15:45when trying to

01:15:45communicate

01:15:46not only

01:15:47with future generations

01:15:48but with

01:15:49extraterrestrials

01:15:51pictographs

01:15:52pictographs

01:15:52are more than

01:15:52pretty simplistic

01:15:53pictures

01:15:54they are in fact

01:15:55another way

01:15:55of communicating

01:15:56entirely

01:15:57not only on earth

01:15:58but in a

01:15:59spacecraft

01:16:00sent to deep space

01:16:01to communicate

01:16:03perhaps with

01:16:04beings we have

01:16:05no idea about

01:16:05how they speak

01:16:06right

01:16:07or make

01:16:07signification

01:16:08in 1991

01:16:13the united states

01:16:15department of energy

01:16:16assigned two teams

01:16:18of experts

01:16:18to the task

01:16:19of devising

01:16:20a marking system

01:16:21for the waste

01:16:22isolation pilot plant

01:16:24or WIP

01:16:24a nuclear waste

01:16:27facility

01:16:27located in the

01:16:28salt beds

01:16:29of the Delaware

01:16:30basin

01:16:3026 miles east

01:16:32of Carlsbad

01:16:33New Mexico

01:16:33the project

01:16:37attempted to find

01:16:38ways of communicating

01:16:39the hazard of the plant

01:16:41to humans living

01:16:42in the distant future

01:16:43humans

01:16:45who may have

01:16:46developed entirely

01:16:47new languages

01:16:48or other forms

01:16:49of communication

01:16:50one prominent

01:16:55member of the project

01:16:56was space artist

01:16:57and science journalist

01:16:59John Lomberg

01:17:00Lomberg

01:17:03had previously

01:17:04worked on

01:17:04NASA's

01:17:051977

01:17:06Voyager mission

01:17:07helping to determine

01:17:09what sounds

01:17:09and images

01:17:10should be included

01:17:11on a pair of

01:17:12golden discs

01:17:13being sent

01:17:14into deep space

01:17:15they put together

01:17:18a panel

01:17:18of people

01:17:19from a

01:17:20wide variety

01:17:21of backgrounds

01:17:21including me

01:17:24as an artist

01:17:24and as somebody

01:17:25who had experience

01:17:26trying to communicate

01:17:27with extraterrestrials

01:17:29the idea being

01:17:30was

01:17:31if we come up

01:17:32with a way

01:17:32of communicating

01:17:33with extraterrestrials

01:17:35then communicating

01:17:37with humans

01:17:3710,000 years

01:17:38or a half a million

01:17:39years away

01:17:40should be a piece

01:17:41of cake

01:17:41through their research

01:17:46the teams

01:17:46determined

01:17:47that simple images

01:17:48are the most

01:17:49universally

01:17:49recognized

01:17:50but some

01:17:52can only be understood

01:17:53when paired

01:17:54with other images

01:17:55we knew that

01:17:57there were certain

01:17:58elements of human art

01:17:59that had appeared

01:18:00so widely

01:18:01that you could assume

01:18:03everybody would understand

01:18:04them

01:18:04and they were

01:18:05the comic strip

01:18:06the idea of a series

01:18:08of images

01:18:09where first this happens

01:18:10and then this happens

01:18:11and then this happens

01:18:12you find that all over

01:18:14from ancient Egypt

01:18:16to the plains tribes

01:18:18to the bayou tapestry

01:18:20the idea of telling

01:18:21a story with pictures

01:18:22seems to be something

01:18:23that everybody knows

01:18:24so we used

01:18:26so we used

01:18:26the linear story

01:18:28and the stick figure

01:18:29to try to explain

01:18:31the meaning

01:18:31of symbols

01:18:32like the

01:18:33poison symbol

01:18:34or the nuclear

01:18:36radiation trefoil

01:18:37or the do not

01:18:38sign

01:18:38none of these

01:18:41are universal

01:18:41but they're easily

01:18:42explained with a little

01:18:43comic strip

01:18:44the whole of written

01:18:48human history

01:18:48is only 5,000 years old

01:18:50it's only by the most

01:18:52incredible efforts

01:18:53that we're able to read

01:18:54the earliest human languages

01:18:55so trying to guess

01:18:57how people are going

01:18:57to understand things

01:18:5810,000 years from now

01:18:59requires incredibly

01:19:00imaginative thinking

01:19:01symbols are universal

01:19:04and thus

01:19:06when we're looking

01:19:07at hieroglyphs

01:19:08or petroglyphs

01:19:10or rock

01:19:11or geoglyphs

01:19:13we have to also

01:19:15recognize

01:19:17that there are

01:19:18universal symbols

01:19:19we may look at

01:19:21them today

01:19:22and not be aware

01:19:23of exactly

01:19:24what they mean

01:19:25just possibly

01:19:27some of them

01:19:29could have been

01:19:30influenced

01:19:31by external sources

01:19:33non-terrestrial

01:19:35intelligences

01:19:36perhaps even

01:19:38extraterrestrials

01:19:39these messages

01:19:41potentially contain

01:19:43tremendous knowledge

01:19:45for humanity

01:19:45it could be something

01:19:47very simple

01:19:47like point yourselves

01:19:48at this particular

01:19:49star system

01:19:50or meet us

01:19:52at this particular

01:19:52time and place

01:19:53and just imagine

01:19:54if we don't get

01:19:56that message

01:19:56and don't make

01:19:57that meeting

01:19:58or don't look

01:19:59to that particular

01:19:59star system

01:20:00humanity

01:20:02could be in the balance

01:20:03could it be

01:20:06that the petroglyphs

01:20:07and geoglyphs

01:20:08found all over the world

01:20:09are not only

01:20:11examples

01:20:11of how early humans

01:20:13communicated with each other

01:20:14but their attempt

01:20:16to replicate

01:20:17a more sophisticated

01:20:18form of

01:20:19extraterrestrial language

01:20:21ancient astronaut

01:20:23theorists

01:20:24say yes

01:20:25and believe

01:20:26the evidence

01:20:27can be found

01:20:27by investigating

01:20:29UFO encounters

01:20:30in which witnesses

01:20:31reported seeing

01:20:32hieroglyphic writing

01:20:33on alien spacecraft

01:20:35Rendlesham Forest

01:20:42Suffolk County, England

01:20:44December 26th

01:20:461980

01:20:47near an airbase

01:20:50leased to the

01:20:51United States Air Force

01:20:52by the RAF

01:20:54strange lights

01:20:55are reported

01:20:56on the horizon

01:20:57two U.S. servicemen

01:21:00are dispatched

01:21:01to the site

01:21:01to investigate

01:21:02what they believe

01:21:03could be a possible

01:21:05downed aircraft

01:21:06some U.S. servicemen

01:21:10at a base

01:21:11called Woodbridge

01:21:12saw a strange light

01:21:14over the forest

01:21:15and went to investigate

01:21:17and in a clearing

01:21:20came across

01:21:21this landed craft

01:21:23one of them

01:21:25saw

01:21:26these strange

01:21:27sequence

01:21:28of symbols

01:21:28upon the side

01:21:29of it

01:21:30and the object

01:21:32then

01:21:33rose up

01:21:34and disappeared

01:21:36out of sight

01:21:37what were

01:21:40these hieroglyphs

01:21:41were we meant

01:21:42to see them

01:21:42were we meant

01:21:43to record them

01:21:44there are

01:21:46some

01:21:46very

01:21:47famous

01:21:48cases

01:21:49of

01:21:50hieroglyphs

01:21:51being seen

01:21:52on the side

01:21:53of

01:21:54what appeared

01:21:55to be

01:21:55flying saucers

01:21:56or UFOs

01:21:57another UFO incident

01:22:00where hieroglyphs

01:22:01were seen

01:22:01on the side

01:22:02of a strange craft

01:22:03took place

01:22:05at Kecksburg

01:22:07in Pennsylvania

01:22:08on December 9th

01:22:121965

01:22:12a fireball

01:22:14was seen

01:22:14streaking through

01:22:15the skies

01:22:16of Michigan

01:22:17and Ontario

01:22:17and then

01:22:18crashing

01:22:19in Pennsylvania

01:22:20and this became

01:22:23known as

01:22:23the Kecksburg

01:22:24UFO

01:22:25but what they said

01:22:27that they found

01:22:28on this

01:22:29bell-shaped object

01:22:31were strange

01:22:32hieroglyphic writing

01:22:33all along

01:22:34the base

01:22:35very similar

01:22:37to the early

01:22:38pictographs

01:22:39and petroglyphs

01:22:41and geoglyphs

01:22:42that we find

01:22:43all over the world

01:22:44could the details

01:22:46of these

01:22:47and other UFO reports

01:22:48provide proof

01:22:50that the geoglyphs

01:22:51and petroglyphs

01:22:52found all across

01:22:53the world

01:22:54were actually inspired

01:22:55by alien encounters

01:22:57in the distant past

01:22:58I believe that one day

01:23:02we will break

01:23:02the entire code

01:23:03of the ancient language

01:23:05locked away

01:23:06in the petroglyphs

01:23:08geoglyphs

01:23:08and even megaliths

01:23:09of the world

01:23:10and in it

01:23:11we may find

01:23:12information

01:23:13that is vital

01:23:14to mankind

01:23:15we may find

01:23:18that there is

01:23:18a message for us

01:23:19that we have been

01:23:20missing all this time

01:23:22one day

01:23:23hopefully

01:23:23we will find

01:23:24that knowledge

01:23:25and know

01:23:26that message

01:23:26it may be

01:23:29that there is

01:23:29a sort of

01:23:30metaphysical

01:23:31time lock

01:23:31or a timeline

01:23:33for us to fully

01:23:33understand

01:23:34what those messages

01:23:35are

01:23:36is there evidence

01:23:41of contact

01:23:42from alien visitors

01:23:43all around us

01:23:44hidden

01:23:45in plain sight

01:23:46could ancient

01:23:48rock carvings

01:23:49massive geoglyphs

01:23:51and even

01:23:52modern day

01:23:53crop circles

01:23:53contain important

01:23:55information

01:23:55left for humankind

01:23:57to decode

01:23:58perhaps extraterrestrials

01:24:01have been

01:24:02communicating with us

01:24:03all along

01:24:04and once we are able

01:24:07to decipher the messages

01:24:08we will have the key

01:24:10to reuniting

01:24:11with our ancestors

01:24:12in the stars

01:24:14and once we are

01:24:17there something

01:24:18we will have

01:24:19we will have the key

01:24:20to Damage

01:24:21and Armage

01:24:21and K

01:24:37do jornell

01:24:37of had been

Ancient Aliens - Special Presentation - S01E07 - Alien Codes and Messages [2022]

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