High Potential Season 2 Episode 8
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Short filmTranscript
00:00What's wrong?
00:02Hey, any news?
00:03We found Roman.
00:04I'm sending you a photo now.
00:05That's not Roman.
00:06I think someone's been on my tail the past few days.
00:08Maybe you should just hide the bag,
00:10because whoever Roman's running from
00:11might not want what's inside getting out.
00:14If we could just keep this between us,
00:16we'll keep the circle small.
00:18Let's run this stack of photos through facial recognition.
00:20Who are you?
00:22I want that backpack.
00:24Well, theft of major artwork.
00:26Painted by Rembrandt in 1645.
00:28The thief wanted this painting for a reason.
00:31Rhys just flew and helped us find our missing painting.
00:33I'm an art recovery specialist.
00:35If I can recover the Rembrandt safely,
00:37the insurance company can avoid cutting a rather large check.
00:39Do you have any idea who it might be?
00:41Well, the internet seems to think so.
00:42Some call him Jean Baptiste.
00:44If we find the young girl,
00:46we should be returning it to Miriam Weissman, not the Fosters.
00:49So you go back to the crime scene on your own
00:51without a police escort?
00:52But if we didn't, we wouldn't have gotten this.
00:54Detective Keredick and I can handle it from here.
00:56Are you kicking me off the case?
00:58Don't worry, the ransomware will turn up soon enough.
01:01That's our guy! Let's go!
01:03He's getting away!
01:04Jean Baptiste might not exist.
01:06He could be a myth.
01:07The guard shot him in the left shoulder,
01:08and he fled empty-handed.
01:09I'm down at the museum,
01:10and you're gonna want to see this.
01:13Our case just got blown wide open.
01:15Has noças to being locked.
01:17There's someone hidden control.
01:18No, we can't see this.
01:19The Wave tą fire is behind its head.
01:20Then right in the end.
01:21How is to ABOUTGET?
01:22Well it's already closed.
01:23Insert the報導 from the next one to the other.
01:24Still lost.
01:25Let's go out Humanity or even started.
01:26They discovered an naked face,
01:27with his floating gun our fire.
01:28Turn back up to the Houca clock.
01:29We need to get here.
01:34Look at this.
01:35The homeless victim has processed animals.
01:36Oh, my God!
01:37Oh, my God!
01:38Oh, my God!
01:39Damn it!
01:40Lark!
01:41Dear God!
01:42That is not okay!
01:43You're big mad!
01:44Yo, what's the problem?
01:45You scared me this way!
01:46I work!
01:47Are you sorry?
01:48You love this kind of stuff.
01:49You love this kind of stuff.
01:50I work!
01:51Are you sorry?
01:52You love this kind of stuff.
01:53No.
01:54No.
01:55No.
01:56No.
01:57No.
01:58No.
01:59No.
02:00No.
02:01No.
02:02No.
02:03No.
02:04No.
02:05No.
02:06Not this kind of stuff, okay?
02:08Okay.
02:09I'm sorry.
02:10I just couldn't wait to see you.
02:11I've been thinking about you all day.
02:13All day?
02:14Oh, most of the day.
02:16Mmm.
02:17Thanks.
02:21Mmm.
02:22Okay, let's go.
02:23Yeah, let's get out of here.
02:24Where are my keys?
02:26Whoa.
02:36Okay, let's go.
02:37Okay, let's go.
02:38Okay, let's go.
02:39Okay, let's go.
02:40Okay, let's go.
02:41Okay, let's go.
02:42Okay, let's go.
02:43And you didn't see anyone leaving the area before you found them?
02:45No one.
02:46Yeah, if she didn't drop her keys, we might not have even noticed anything.
02:49I don't have been digging anything.
02:51Oh, does this have something to do with the painting that got stolen?
03:03Morgan, you called her?
03:05I did.
03:27You remember the museum director?
03:29Cyrus Caro, 48.
03:30Cause of death.
03:31One forced trauma to the back of the head.
03:33Possibly his own tire iron, which is missing from his trunk.
03:36So, our friend here has a $20 million painting stolen from his museum and two days later he winds up dead.
03:43What are the odds those things aren't connected?
03:45Either he knew something about the theft or he knew who did.
03:48Maybe they got to him before he could get to us.
03:50Any chance we're looking at Jean-Baptiste?
03:52Mmm, not likely.
03:53Jean-Baptiste stole paintings from across the world.
03:55Cyrus wasn't a traveler.
03:56Maybe he and Jean-Baptiste were working together.
03:58Hmm.
03:59You think he's the one who called you, set up the ransom?
04:01I didn't recognize the voice, but he did hand me the Polaroid.
04:04So he can't be sure if our Vic was a witness or an accomplice?
04:08When was he killed?
04:10Um, ME established time of death within the last hour.
04:13Oh, thank God.
04:14It's just good that we got here so quickly.
04:18He was wearing this at the museum.
04:20Yeah, so why would our killer leave a watch worth 200 grand on the ground?
04:24Why go through all that trouble to take it off his wrist just to what?
04:27Forget it?
04:28Well, it's fake.
04:29Yeah, if it was real, the second hand would glide and not jump around when it ticks.
04:33Plus, the engraving's too shallow.
04:34Our text will take a look.
04:36Sounds good.
04:37I'm gonna skip out for a little bit.
04:39Everything all right?
04:40Yeah, just kid stuff.
04:42You need a ride?
04:44No, I wanna walk.
04:46Yeah, I wanna walk.
04:47You have a walk.
04:48You have a walk.
04:49Pea and open your eyes will be clear.
04:52Chill out.
04:53Tduction.
05:03Crazy voice of my heart.
05:08And a bin that needs to be emptied less often.
05:17Sorry, just grab a nice towel.
05:18Made a mess, so.
05:19That's okay.
05:20I got it.
05:20Sure.
05:25Morgan.
05:28Morgan.
05:29What?
05:29You followed me?
05:30You showed up to a crime scene and left two minutes later.
05:32Yes, I followed you.
05:34What the hell's going on?
05:35I think Rhys is Jean-Baptiste.
05:40Rhys, the art consultant.
05:41No, the peanut butter cup.
05:43Yes, same guy.
05:44Only I don't think he recovers art.
05:45I think he steals it.
05:46Or both.
05:47I don't know.
05:47I just know that there is a crate in his room,
05:50and I think our young girl is inside.
05:52It's settled down.
05:53It's a painting.
05:54Um, okay, that's it?
05:56You heard he's got an art crate,
05:58and now you think he's an international art thief?
05:59No, I saw it.
06:00And I also saw a scar on his left shoulder from a bullet wound,
06:03just like Jean-Baptiste, in the same spot.
06:06Okay, well, how did you see a scar?
06:08Huh?
06:09The scar.
06:10You said you saw it.
06:14Um.
06:16I can tell you're making a face.
06:17Could you translate that face for me?
06:19Yeah.
06:20Yeah.
06:21You know,
06:21he and I,
06:24we...
06:25Oh.
06:27Oh.
06:27You know what?
06:28It shocked me, too.
06:29I don't know.
06:29Can we move past that part?
06:30We have to rethink this entire investigation.
06:32Okay, well, I think you're being a little dramatic.
06:34No.
06:34Reese has been with us every step from the heist to the murder.
06:36I understand that.
06:37That's why I need to peek inside that crate.
06:39Morgan, you can't break into someone's room without a warrant.
06:41You know that.
06:42Obviously, if I find something important,
06:44I'm going to say that I saw it when he invited me in.
06:46That doesn't make it better.
06:47Morgan, now you're just adding perjury to an unlawful search.
06:50Good point.
06:51I'll jot that down.
06:52Morgan.
06:52Morgan.
06:52Morgan.
06:53Morgan.
07:23Hey.
07:25Well, hello.
07:26Where did you disappear to?
07:29Um, I had to go work on another case.
07:33Oh.
07:34Yeah, I know.
07:35It's like, I wish people would just stop killing each other all the time.
07:39You know?
07:40It's like, it's enough already.
07:42Well, I may head back to my hotel room soon.
07:46Why?
07:48Um, I just, there was so much work to be done over there, right?
07:51I mean, what's going on with that watch?
07:53Remember that watch?
07:54Are you sure everything's okay?
07:56Yeah.
07:57Yeah.
07:59Because we kind of got interrupted earlier.
08:02We really did.
08:03Maybe, I don't know, we can pick things up where we left off?
08:19Did you find the painting?
08:21I found a painting.
08:22I did not find the painting.
08:23So we have no idea if Risa Jean Baptiste were our killer.
08:26I'm pretty sure he's Jean Baptiste, but we both know he's not our killer because he has
08:30an alibi, remember?
08:31Right.
08:32Well, a scar's not enough of a smoking gun, Morgan.
08:35We need more.
08:35Well, I'll find more.
08:37That's how you'll get more that worries me.
08:39You know what?
08:40I don't need this from you right now.
08:42And I don't need Wagner going off on you again, so if you really think Risa Jean Baptiste,
08:46we need to bring the captain up to speed.
08:47Absolutely not.
08:48No.
08:49The only thing you need to do is get the captain to bring me back on the case.
08:52And how should I go about doing that, exactly?
08:54Well, you can start by keeping your mouth shut about everything that happened in the hotel room.
08:57Hmm.
08:58Okay, so lie to my captain about where you were and how we know what we know.
09:01Just come up with something that makes sense and makes the captain trust me again.
09:04You're making this harder than it needs to be.
09:15I'm sorry.
09:16So now we need to catch a thief and a murderer.
09:26Detective Carradine, glad you could join us.
09:28Captain.
09:29Guillory, I'm sure you'll find another case in need of your unique talents.
09:38They're going to have questions about the victim at the press conference.
09:41What do we know about Cyrus Carroll?
09:42No priors, no kids, unmarried, was born in the Philippines and got a master's in sculpture here in L.A.
09:47Cyrus was the museum director for five years.
09:50We looked into all the staff after the heist, nothing flagged.
09:53What about his social media?
09:54This was his last post, taken two hours before he was murdered.
09:58Find out where.
09:59What about our ransomer with the tinted windows?
10:01We ran the plates.
10:02The car is registered to a Lou Fowler.
10:04We put a bolo out on the car.
10:06Any connections with Jean Baptiste?
10:07Nothing yet.
10:08We still don't know who he is or if he even exists.
10:10I'm a skeptic, but I'd love to be proven wrong.
10:13And the ransomer hasn't called you again to make any demands?
10:15No, none of my contacts have seen or heard a whisper about the stolen painting on the dark web or anywhere else.
10:21Maybe it just hasn't surfaced or whoever took it is being real careful.
10:27Great.
10:27So we're looking for an art thief and a car thief who could be the same guy, but the only suspect we've been able to identify is still Miriam Weissman's grandson.
10:37So will someone find out what he was doing while Detective Karek and I were running every red and sand?
10:42My father bought that painting in 1932.
10:46We lived in Krakow.
10:47I was the only one in our family that survived.
10:50When the Nazis came, they took everything.
10:53I think Morgan and I could go by Cyrus' place and see if we could find anything.
10:57Just you, Detective.
10:59Morgan's benched.
11:00Forrester and Osdell, if there's a connection between Cyrus and Jean Baptiste, I want to know.
11:05Let's hope we have a hell of a lot more to say the next time I talk to the press.
11:16So what's good around here?
11:18Uh, you can have some of my carrots or somebody else's pretzels.
11:23So this is the consultant's corner, huh?
11:27Where we wait to be called on?
11:29You maybe, if not me.
11:30I'm out.
11:33Look, about earlier, I truly had no plans.
11:37It's honestly, it's fine.
11:40Got a little carried away.
11:42It's all good.
11:44Okay.
11:46So how's that other case coming along?
11:48You know, the one you had to check on.
11:50Yeah, good.
11:51Really good.
11:51Solved it.
11:52We're ready.
11:53Yep, I know.
11:54Some of these cases are tough, you know, and then some are just kind of open and shut.
11:59Real grab bag here at Major Crimes.
12:03Well, congratulations.
12:05Mm-hmm.
12:07Um, I've given it some thought.
12:09I'm gonna go with somebody else's pretzels.
12:17Captain, you got a second?
12:34Later, detective.
12:36You know how the press gets if we keep them waiting.
12:38I'd like Morgan back on the Jean Baptiste case with me, sir.
12:41Huh?
12:41Would you?
12:42You would, too, if you'd worked as many cases with her as I have.
12:49Where'd you go?
12:50I'm not sure I understand.
12:51Back at the crime scene.
12:52You took off.
12:54Both of you.
12:54I'm finding it hard to keep track of you, too.
12:58So I think you work this one solo.
13:00Captain.
13:03I work with Morgan.
13:04On every case.
13:06And I know what I signed up for.
13:07If she messes up again, it's on me.
13:23You know, he carries around a briefcase and never looks inside.
13:26Morgan, can we focus, please?
13:28Fine.
13:28What did you say to Wagner to get me back on the case?
13:30I spoke to him cop to cop, and he agreed.
13:32Simple as that.
13:32You're not going to let this go, are you?
13:36What do you think?
13:36Look, Wagner knows that you're a wild card, okay?
13:41But he wants to know everything that's going on with you.
13:43Same goes for me.
13:44If we do that, then we stay on his good side.
13:45But if we keep hiding things from him, it's my ass.
13:49But we are hiding things from him.
13:50I am well aware.
13:51And you need to watch your ass.
13:53Here's Cyrus' apartment.
13:58Whoa, whoa, whoa, whoa, whoa.
14:02Cyrus lived alone.
14:04Someone's in there.
14:06We didn't expect anyone to be here.
14:09We're very sorry for your loss, Emilio.
14:11How long did you know, Cyrus?
14:12Cyrus and I started dating a few months ago.
14:15A friend introduced us right when I arrived from Colombia,
14:18and we just clicked.
14:20He asked me to move in with him almost right away.
14:24When he stopped answering my texts,
14:25I started to worry and came home.
14:28That's when I saw the news.
14:29I'm so sorry.
14:34You know, my partner and I met Cyrus.
14:37He seemed like a very sweet man.
14:39I thought we'd be together forever.
14:42Can you think of anybody who might have wanted to hurt him?
14:45Cyrus, no.
14:46And what do you do for work?
14:48I'm a language instructor for IFLAB,
14:51International Foreign Language Assistance Program.
14:53Well, these sure are beautiful.
14:55Oh, yes, thank you.
14:58They're 18th century Italian Baroque.
15:00Oh, I know.
15:02I love the floral motif.
15:05Was Cyrus the collector, or were you?
15:06I started getting Cyrus into antiquing.
15:09We picked those up last weekend at the Rose Bowl Flea Market.
15:12What a find.
15:14This one is so shiny.
15:16What do you use to polish yours?
15:17Ferric oxide?
15:17Uh, I, uh, don't remember what we used.
15:26Uh, some kind of cleaning product.
15:28Why?
15:29Oh, you can use ferric oxide to polish metals.
15:32But if you add a little bit of powdered aluminum to it,
15:36you get thermite,
15:37which is a pyrotechnic composition
15:39that can burn up to 4,500 degrees Fahrenheit.
15:43So people use it for things like welding
15:45or making fireworks or grenades.
15:57Yeah, it can even melt glass.
15:59Like the skylight at the museum.
16:02Wait, you think that I had something to do
16:04with the stolen painting?
16:05You know, a byproduct of thermite is aluminum oxide.
16:10It's this very fine powder.
16:11Yep, that's it.
16:17You know, I think we should dig this conversation
16:19down to the precinct, Emilio.
16:21Emilio!
16:22Hey!
16:23Hey!
16:30Move!
16:31You know, the thing about stolen vehicles
16:52is they aren't always so reliable.
16:54Out of the car, sir.
16:55Nice and slow.
16:55Hey, it's Arthur.
17:10I gotta take this.
17:11Okay.
17:12I'll go brief Wagner.
17:19Arthur, you okay?
17:20I don't know.
17:21Things could be better.
17:22What are you talking about?
17:23Some guy, he ambushed me.
17:25He was looking for Roman's backpack.
17:28Who's there?
17:29I got away, but not before he got a few hits in on me, you know?
17:32Oh, my God.
17:33How bad is it?
17:34Yeah, I got a hard head.
17:36I live.
17:37All right, where are you?
17:38I'm getting patched up right now.
17:40Which hospital?
17:41Hospital's asking me questions.
17:43I got my own cup, man.
17:44Hey, hold on.
17:44Hey, Harold, give me a second, all right?
17:46Give me one minute.
17:47Thank you, brother.
17:48Morgan, listen to me very carefully, all right?
17:53These people are not playing games.
17:56Whatever's in that backpack that Roman gave me to pick up, they want it, and they want
17:59it real bad.
18:02Do they know I have it?
18:03I don't know.
18:04If they do, I damn sure didn't tell them about it.
18:08Okay, this guy, do you think you could identify him and describe him to a sketch artist?
18:12We talked about this before.
18:14I am not going to the police.
18:16Arthur, you just got attacked.
18:18Who knows when they'll find out I have Roman stuff.
18:20Just tell us where you are, we can come to you.
18:28Please.
18:32Mr. and Mrs. Foster.
18:33What the hell was that?
18:34Greg and I saw your captain's press conference.
18:36Then you know we're doing everything we can to find your stolen painting.
18:39Are you?
18:39Because we were beginning to wonder if you were only interested in getting your face on
18:42the news.
18:43If me standing in front of a camera can help catch a murderer and a thief...
18:46What happened with the ransom note?
18:47We have a suspect in custody, and I assure you we are working to answer those questions.
18:52Well, it doesn't seem like you have much to show for it.
18:54Mr. and Mrs. Foster, we know how much the young girl means to you.
18:57Now, I can assure you that Captain Wagner, as well as our entire team in major crimes,
19:01is doing everything possible to bring her home.
19:02Now, please, let us do our job.
19:04Don't bother.
19:05It's time we hired our own private detective.
19:06I think you've kept us waiting long enough.
19:09You're not listening to me.
19:16You got the wrong guy.
19:17No, we want to believe you, Emilio, but you did try to get away from us in a stolen vehicle.
19:21Twice.
19:22And then, there's what we found in your apartment.
19:25Items consistent with the burglary.
19:26That's not mine.
19:28Never seen this before.
19:29Then why run?
19:29You see, I think you started dating Cyrus to get access to his museum, and then you did that whole Mission Impossible act.
19:39A theft, a murder, a ransom.
19:42You had the whole thing planned out?
19:44My relationship with Cyrus wasn't perfect, but I would never hurt him.
19:48Not even for $20 million.
19:50Where did you hide the painting?
19:52I'm not hiding anything.
19:53But you showed up to the ransom.
19:55What, did you get nervous you weren't going to be able to find a buyer?
19:57Because I think you found out about Rees through Cyrus, and Cyrus found out what you were doing, and you couldn't have that.
20:03Or maybe he discovered this wasn't the first painting you stole.
20:09I don't understand.
20:10Oh, I think you do, Emilio.
20:12Or would you prefer the name Jean Baptiste?
20:15I only heard about this stolen painting because Cyrus told me.
20:19Like, I'm not answering any more questions.
20:22Fine, don't say another word.
20:27But this court order says that you need to let us check for any identifying marks on your left shoulder.
20:33About this one, cutting an avocado like a jerk.
20:37I'm glad you survived.
20:42What about you?
20:44Scars?
20:45Mm-hmm.
20:46I only have the one.
20:47Pretty sure you've seen it, too.
20:50I don't...
20:51I don't think I have.
20:52Oh, that's hard to believe, given your powers of observation.
20:58Summer 2010, Florence Art Festival.
21:02Things took a very unpleasant turn.
21:04I mean, I didn't see the gun, but I heard the shot.
21:06Luckily for me, it missed my artery.
21:17Oh.
21:18He's got a whole collection of them, doesn't he?
21:22I bet he does.
21:23I served two years in the Colombian army.
21:3027th Jungle Battalion in Pucumbaya.
21:32Will you look at the side of his hand?
21:35It's all red.
21:36Why?
21:36You think you banged it up?
21:37No, I think it's ink.
21:39Emilio said he was a language instructor.
21:40He probably graded papers with red ink, but I didn't see any papers in the apartments.
21:45And what do you do for work?
21:46I'm a language instructor.
21:49Maybe he was doing it in an office.
21:52And maybe that office is used for something other than just grading papers.
21:55Guys!
21:56Let's go!
21:56She left.
22:12Okay.
22:13So we're thinking Emilio might have had another reason to be here.
22:15Like hiding the painting?
22:17Or the murder weapon?
22:18It's a lot of boxes.
22:19I'll take this room.
22:20All right, let's get started.
22:21Let's go!
22:22Let's go!
22:22Let's go!
22:23Let's go!
22:23Let's go!
22:23Let's go!
22:24Let's go!
22:24Let's go!
22:25Let's go!
22:25Let's go!
22:26Let's go!
22:26Let's go!
22:27Teaching languages could have kept Emilio hopping from one country to another.
22:30That would be a good cover for an international art thief.
22:33Okay, there's nothing in here except the student paperwork.
22:35Same.
22:36What do we have here?
22:38Ooh!
22:39Oh, wow.
22:40I'll call a team to crack it open.
22:49Uh...
22:50Guys?
22:51Guys?
22:52Looks like we found Sean Baptiste.
22:53Looks like we found Sean Baptiste.
22:58Looks like we found Sean Baptiste.
22:59Looks like we found Sean Baptiste.
23:00Looks like we found Sean Baptiste.
23:13Good afternoon.
23:14I'm Captain Nick Wagner from the LAPD's Major Crimes Division.
23:18Earlier today, our detectives arrested an individual we believe is responsible for the murder of Cyrus Caro.
23:27While our investigation is not complete, we will soon be returning the stolen Rembrandt to its rightful owners.
23:33Are there any questions?
23:34Are there any questions?
23:35Did you inform the Fosters?
23:37Yep.
23:38We left word for them.
23:39Well, they'll be glad.
23:40There doesn't seem to be any noticeable damage.
23:42Mm.
23:43Look who's here.
23:44Detectives.
23:45Ari.
23:46Miriam.
23:47What are you doing here?
23:48We came to see the painting.
23:51Morgan invited us.
24:12You Arthur?
24:13You a cop trying to blend in?
24:14I'm a friend of Morgan's.
24:15All right, well, let me just say what I gotta say so we can get this thing over with.
24:28I'm listening.
24:29There was a dude hiding in the back of my truck.
24:32I didn't give him what he wanted, he reached for a blade, then we got into it.
24:37You get a look at the gun?
24:38Just a couple of glimpses, then we spilled out into the street.
24:41It all happened pretty fast.
24:43Any information helps.
24:45All right.
24:48White dude.
24:4950s.
24:50Lean.
24:51Salt-and-pepper hair, yet, uh, this big-ass goatee.
24:54He also had a, uh, a tattoo of some kind of bird peeking out of his shirt right here.
25:00What are you doing?
25:01We found pictures of some people in Roman's backpack.
25:04One of the guys was somebody who couldn't identify.
25:08That the guy?
25:10Yeah, that's the guy.
25:15Then I'm gonna need you to come down to the precinct with me, make an official statement.
25:20I'm afraid my unofficial statement's just gonna have to stand for now, sorry.
25:24Your life, your life could be in danger.
25:28What do you want me to do, huh?
25:30You want me to sit in your lobby till you catch him?
25:32Look, just find the guy, all right?
25:34Put a couple of your people on Morgan and her family.
25:36Cause trust me, I'm good.
25:39We done here?
25:40All right.
25:41I'm giving you my number, and you're gonna hold on to it.
25:44I hope you never see this guy again, but the moment you do, call me.
25:52All right.
25:54You invited her?
26:02Yes, I did.
26:03You think the Fosters are gonna loan out that painting anytime soon?
26:06This will be the last time Mirian Weissman will ever be able to see it.
26:09Not to mention the fact that technically, it belongs to her, so none of this is fair.
26:12Well, it's our job to enforce the law, even when it's not.
26:14Oh, yes. Thank you for the reminder.
26:16I'm sorry for the quick exit, but I'm due in Palermo tomorrow.
26:20I have another stolen art piece that requires my services.
26:23Oh.
26:25Is she a provocative young girl this time?
26:28Eh, she's a landscape.
26:31Well, Marisa, it would seem that your job here is done. Thank you.
26:34Ah, the pleasure's all mine.
26:36And for what it's worth, I really wish the young girl was being returned to Mirian Weissman too.
26:41You all right?
26:54Yeah.
26:56That's not her.
27:00That's not her.
27:04What do you mean?
27:06She doesn't have my eyes.
27:10My father always loved that we had the same eyes.
27:21I think she's right.
27:23Karadek, look at the whites of her eyes. That's too bright.
27:27In 1645, painters used chalk mixes or lead white that had like a creamy softness to it.
27:32This is brilliant and glaring, more like a modern titanium white which didn't exist for another three centuries.
27:38In 1645, no one could have painted with this brightness and clarity. The materials didn't exist.
27:42I'm sorry for the quick exit, but I'm due in Palermo tomorrow.
27:55What do you mean it's not her?
27:57Morgan says the one we found is a fake.
27:59Wouldn't the museum have authenticated it?
28:01No, not a small museum like the Harbach and when it comes from a reputable collector like the Foster's.
28:04So we're supposed to believe she knows just by looking at it?
28:07There's an authenticator on the way, but I believe Morgan.
28:10Where is she?
28:13You can take the next one, right?
28:16Thanks, Gina.
28:18Well, I'm not normally one for prolonged goodbyes, but in this case...
28:22Do you have it?
28:23I'm sorry, what?
28:24Do you have the painting?
28:26Are you serious?
28:27You haven't opened that briefcase once since you've been here. What's inside of it?
28:30So that's why you asked me about my scar.
28:33Because you think I'm Jean Baptiste and then I did what?
28:36I stole the Rembrandt while no one was looking.
28:39Folded it up and hid it in my briefcase.
28:45I can think of one way we can clear it up.
28:47They're just confidential client files in there, Morgan.
28:49Nothing else, I assure you.
28:50Right?
28:51There's an unfortunate amount of paperwork that goes without recovery.
28:54I bet.
28:55Yeah.
29:00Okay, as you wish.
29:06I'm sorry, I...
29:16I really thought the one we found in Emilio's office was fake and you...
29:19So the real one, I picked up on that.
29:26So you've been playing me this whole time?
29:28Was any of this real?
29:35No.
29:38It's not real.
29:46Morgan, what is this?
29:47We asked Daphne to pull the Foster's insurance policy over the last ten years.
29:51Now take a look at what they were insuring in 2019.
29:53That's a lot of art.
29:55Mm-hmm.
29:56Now look what they insured a few years later.
29:59Only 12 items.
30:00And this year?
30:02Just one.
30:03That's right.
30:04Now what are the odds that of all the priceless art that they own,
30:07the one piece that gets stolen is the only one that happens to be insured?
30:11I think the art that I saw at their house was fake.
30:16Just like the painting we found.
30:18I tracked down black market sales for eight of the pieces listed on the Foster's 2019 insurance writer.
30:23Then we did some more digging.
30:25They're in debt to some bad people.
30:26So you're saying the Fosters arranged for their own painting to be stolen for the insurance money?
30:30They loved that painting so much they weren't willing to give it up even when they went broke.
30:35All right.
30:36Where is this going?
30:37One of them must have gotten an idea.
30:39Now I don't know if it was Greg or Linda.
30:41Let's arrange to have our painting stolen and returned to us without anyone knowing.
30:45That way they could keep both the insurance money and the painting.
30:49But why give over the real thing if you don't have to?
30:53Maybe they didn't.
30:54Maybe the Fosters had a forgery made for the museum.
30:56Right.
30:57Probably by the same expert who forged the other ones on their walls.
31:00I don't think they'd want their beloved painting getting sliced out of a frame, do you?
31:04So the museum never had the real painting?
31:06It was all a setup?
31:07That's right.
31:08But nobody robs a museum for free.
31:09You guys remember the watch?
31:11I think that Greg and Linda gave Cyrus the watch as a down payment.
31:15And by the time Cyrus realized the watch was a fake, he'd already stolen the painting,
31:19making it look like it was Jean Baptiste so we wouldn't suspect him.
31:23What he didn't know was that painting was fake too.
31:26He decided he wanted to double cross the Fosters by putting it up for ransom.
31:30But when the Fosters found out, they confronted him before he could find out the painting was fake.
31:35And by that time, he'd already given the painting to Emilio, who hid it in his office, believing it was real.
31:41The Fosters couldn't risk the truth getting out.
31:44They needed to keep him quiet.
31:45So they killed Cyrus.
31:47Again, I'm not sure which one.
31:50Maybe it was both of them.
31:51Watch, are you kidding me?
31:53Come on!
31:54Again, not sure which.
31:56Alright, we need to bring the Fosters in for questioning.
31:59They have a yacht.
32:04The Fosters have a yacht.
32:08I saw a picture of it at their house.
32:10It was called the Easy Monet.
32:12If they go out to ditch the murder weapon, they can try to get away with murder and the painting.
32:15Forrester, go grab Osdill, go to their house.
32:18Karadek, how are your sea legs?
32:21You know this place?
32:31Yeah, a friend Doc's his boat here.
32:33That's them.
32:35They're casting off.
32:36Let's go.
32:38Yep.
32:39Yep.
32:40It's real?
32:41Or yep, it's...
32:42The underlayers are inconsistent with the pigments available at the time the real Rembrandt was painted.
32:56Here's your Mrs. Foster, LAPD.
33:09This is Lieutenant Soto.
33:10I'm being followed again.
33:12Arthur, where are you? I'll send you a black and white.
33:15I'm just passing Temple and Grand.
33:16I'm actually on my way to you.
33:17Maybe this guy will follow me all the way to the station.
33:18Let's go.
33:19Let's go.
33:20Let's go.
33:21Let's go.
33:22Let's go.
33:23Let's go.
33:24Let's go.
33:25Let's go.
33:26Let's go.
33:27Let's go.
33:28Let's go.
33:29Let's go.
33:30Arthur, where are you?
33:31I'll send you a black and white.
33:32I'm just passing Temple and Grand.
33:34I'm actually on my way to you.
33:36Maybe this guy will follow me all the way to the station.
33:47Yeah.
33:48The fosters aren't here.
33:49Looks like they left in a hurry.
33:50And they took everything of value with them.
33:51Mm-hmm.
33:52So they're making a run for it.
33:53All right, thanks.
34:00So you're sure it's a fake?
34:01It's the best I've ever seen.
34:03How did the lady know?
34:06She didn't have her eyes.
34:09Can you see his license plate?
34:11No, he keeps weaving in between the cars.
34:13It's a sedan of some kind.
34:15But this guy really knows what he's doing.
34:17Listen, I'll be at you in about 15, 20 minutes, tops.
34:20All right, well, then just stay on the line with me
34:22until you get to the precinct.
34:23Look, I'll be fine, all right?
34:25I'll see you soon.
34:26Arthur.
34:30The LAPD, stop this boat right now.
34:36Right now!
34:37Put the gun down.
34:40Is that a flare gun, Greg?
34:41You could really hurt someone with that.
34:42Put it down!
34:43I wish that I could, but the LAPD has a few rules
34:46and not dropping my gun in a situation like this is one of them.
34:49Greg, what are you doing?
34:50Please stop, okay?
34:51This is not your fault.
34:52I'm handling it, honey.
34:53I'm not handling it.
34:54I don't think anyone else needs to die today, Greg.
34:55I don't know what you're talking about!
34:58Maybe we got it wrong,
34:59but I'm sure we can work something out.
35:00Just put the flare gun down.
35:01Honey, please.
35:02It is over, okay?
35:03Where are we gonna go?
35:04How are we gonna live?
35:05Okay?
35:06Where?
35:07It's back here.
35:08What?
35:09Wait, where did it go?
35:10It was right there.
35:11I swear to God.
35:12Where did it go?
35:13Where did it go?
35:14Where did it go?
35:15Where did it go?
35:16Where did it go?
35:17Where did it go?
35:19Where did it go?
35:20Where did it go?
35:21Where did it go?
35:23What? Wait, where did it go?
35:27It was right there, I swear to God.
35:30Where did it go?
35:53What you got in there?
36:02Would you believe me if I said a schoolboy's trainers?
36:07How'd you know?
36:11She doesn't have my eyes.
36:15Does it matter?
36:17I'm not a murderer, Morgan.
36:18Just a thief.
36:19I do recover art for insurance companies.
36:22And every once in a while you just decide to hang on to one?
36:26So you are Jean-Baptiste.
36:28You know, I don't even know who picked that name.
36:30It wasn't even the first piece of art that I stole.
36:32You can complain to my partner after he arrests you.
36:41I don't think you called him yet.
36:44And I'm wondering if that's because you don't want the young girl
36:46going back to Greg and Linda any more than I do.
36:48And you know that I can get her back where she really belongs.
36:51You stole the painting just to give it away?
36:56You expect me to believe that?
36:58I do.
37:00You're lying.
37:01I'm trying to do the right thing, Morgan.
37:04I have no way of knowing if you're just going to keep it for yourself.
37:07It's true.
37:09I guess you're just going to have to trust me.
37:10Wait, do you guys think the Fosters are going to get off easy?
37:25The Fosters would have to have a great lawyer for that.
37:27I don't think they can afford it.
37:28But what a risk though, you know?
37:30If I had that kind of money, I'd buy a Malibu mansion or a WNBA team.
37:33Oh, no.
37:34I'd start my own animal rescue.
37:36Okay, now I feel bad.
37:37He did that on purpose.
37:38Yeah.
37:38He definitely did.
37:39I'm going to get more drinks.
37:41He could live at my animal rescue.
37:43Yes.
37:43That's true.
37:45As I go.
37:48Still no sign of Arthur?
37:50Not yet, Lieutenant.
37:51I'll call again, but if he doesn't answer this time, put a bolo out on his truck.
37:55You got it.
37:59Hey.
38:00I heard you guys do an end of the day thing here.
38:03Thought I'd find you.
38:04If you're going to fire me, can I throw a few more drinks on this tab first?
38:07Oh, you're not fired, Morgan.
38:09Too valuable for your team.
38:11And to me.
38:13I'm not letting you go.
38:16Is this how you apologize?
38:17No.
38:21So what's it like sitting out on this arrest?
38:23It's not like you.
38:23Oh, no.
38:24I didn't sit out.
38:24I was kicked out.
38:26But thanks for asking.
38:27It sucked.
38:28Well, don't worry.
38:29He'll be there on the next one.
38:34Did you hear about the painting?
38:35I did.
38:36Oz thinks the Foster's tossed it in the ocean.
38:39At Tracks, they seem like the kind of people who are like,
38:41if I can't have her, nobody can.
38:43Is that really what you think happened?
38:46I don't know.
38:47I'm just a consultant.
38:51We questioned the yacht's crew.
38:54One of them said that they saw a man in a wetsuit slip over the side of the boat holding something.
38:59So I was thinking maybe it was Jean Baptiste.
39:04Come on.
39:05I don't think that guy exists.
39:07Well...
39:08It's my girl.
39:37My baby.
40:07I'll find all I've been.
40:37I'll find all I've been.
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