High Potential - Season 2 Episode 8
**********----------**********
✨ Welcome to Crime TV Show ! ✨
Your ultimate destination for the most heart-stirring dramas and romances from around the world! 💕🌏
📺 Here, we bring you:
Romantic series that melt your heart ❤️
Boy Love (BL) dramas full of passion and emotion 🌈
The hottest K-dramas, J-dramas, C-dramas & Thai series 🎬🔥
💌 Join our growing community of drama lovers! Don’t just watch—feel every story, connect with fans, and never miss an update.
***********----------**********----------**********----------************
#RomanceDrama #BLSeries #AsianDramaLovers #crimetvshowusa #moviedramaes23 #crimetv #showusa
**********----------**********
✨ Welcome to Crime TV Show ! ✨
Your ultimate destination for the most heart-stirring dramas and romances from around the world! 💕🌏
📺 Here, we bring you:
Romantic series that melt your heart ❤️
Boy Love (BL) dramas full of passion and emotion 🌈
The hottest K-dramas, J-dramas, C-dramas & Thai series 🎬🔥
💌 Join our growing community of drama lovers! Don’t just watch—feel every story, connect with fans, and never miss an update.
***********----------**********----------**********----------************
#RomanceDrama #BLSeries #AsianDramaLovers #crimetvshowusa #moviedramaes23 #crimetv #showusa
Category
🎥
Short filmTranscript
00:00What's wrong?
00:02Hey, any news?
00:03We found Roman.
00:04I'm sending you a photo now.
00:05That's not Roman.
00:06I think someone's been on my tail the past few days.
00:08Maybe you should just hide the bag,
00:10because whoever Roman's running from
00:11might not want what's inside getting out.
00:14If we could just keep this between us,
00:16we'll keep the circle small.
00:18Let's run this stack of photos through facial recognition.
00:20Who are you?
00:22I want that backpack.
00:24Well, theft of major artwork.
00:26Painted by Rembrandt in 1645.
00:28The thief wanted this painting for a reason.
00:31Rhys just flew and helped us find our missing painting.
00:33I'm an art recovery specialist.
00:35If I can recover the Rembrandt safely,
00:37the insurance company can avoid cutting a rather large check.
00:39Do you have any idea who it might be?
00:41Well, the internet seems to think so.
00:42Some call him Jean Baptiste.
00:44If we find the young girl,
00:46we should be returning it to Miriam Weissman, not the Fosters.
00:49So you go back to the crime scene on your own
00:51without a police escort?
00:52But if we didn't, we wouldn't have gotten this.
00:54Detective Keredick and I can handle it from here.
00:56Are you kicking me off the case?
00:58Don't worry, the ransomware will turn up soon enough.
01:01That's our guy! Let's go!
01:03He's getting away!
01:04Jean Baptiste might not exist.
01:06He could be a myth.
01:07The guard shot him in the left shoulder,
01:08and he fled empty-handed.
01:09I'm down at the museum,
01:10and you're gonna want to see this.
01:13Our case just got blown wide open.
01:15The guard shot him in the right shoulder.
01:17Even If you're just gonna be scared,
01:18you won't be scared.
01:19He's getting terrified.
01:20This is like a warning.
01:21You've got to be scared.
01:22We've got to be scared.
01:23You're going to be scared.
01:24You're going to be scared.
01:25The guard shot him out of nowhere.
01:26Who'd be scared of his death?
01:27And he took it?
01:28You're going to be scared.
01:29He's going to be scared.
01:30He's gonna take the mind.
01:31I'm going to be scared.
01:32You're gonna go to the castle.
01:33I'm going to be scared.
01:34I'm going to be scared.
01:35I'll be scared of my eyes.
01:37Oh my God!
01:39Oh my God!
01:41Damn it!
01:43Mark!
01:45Dear God!
01:47That is not okay!
01:49You're big mad!
01:51Yo, what's the problem?
01:53You scared me! This is where I work!
01:55I'm sorry. You love this kind of stuff, though.
01:57Not this.
01:59I'm sorry. You love this kind of stuff, though.
02:01Not this.
02:03I'm sorry. You love this kind of stuff, though.
02:05Not this kind of stuff, okay?
02:07Okay, I'm sorry.
02:09I just couldn't wait to see you.
02:11I'm thinking about you all day.
02:13All day?
02:15Oh, most of the day.
02:17Thanks.
02:21Okay, let's go.
02:23Yeah, let's get out of here.
02:25Where are my keys?
02:27Whoa.
02:35And you didn't see anyone leaving the area before you found them?
02:45No one.
02:46Yeah, if she hadn't dropped her keys, we might not have even noticed that.
02:49They only been digging anything.
02:51Well, does this have something to do with the painting that got stolen?
02:55Morgan, you called her?
03:05I did.
03:07I did.
03:27You remember the museum director?
03:29Cyrus Caro, 48.
03:31The cause of death.
03:32One forced trauma to the back of the head.
03:33Possibly his own tire iron, which is missing from his trunk.
03:36So, our friend here has a $20 million painting stolen from his museum,
03:41and two days later, he winds up dead.
03:43What are the odds those things aren't connected?
03:45Either he knew something about the theft, or he knew who did.
03:48Maybe they got to him before he could get to us.
03:50Any chance we're looking at Jean-Baptiste?
03:52Not likely.
03:53Jean-Baptiste stole paintings from across the world.
03:55Cyrus wasn't a traveler.
03:56Maybe he and Jean-Baptiste were working together.
03:58Hmm.
03:59You think he's the one who called you, set up the ransom?
04:01I didn't recognize the voice, but he did hand me the Polaroid.
04:05So he can't be sure if our Vic was a witness or an accomplice?
04:08When was he killed?
04:10Um, ME established time of death within the last hour.
04:13Oh, thank God.
04:15It's just good that we got here so quickly.
04:18He was wearing this at the museum.
04:20Yeah, so why would our killer leave a watch worth 200 grand on the ground?
04:24Why go through all that trouble to take it off his wrist just to what?
04:27Forget it?
04:28Well, it's fake.
04:29Yeah, if it was real, the second hand would glide and not jump around when it ticks.
04:33Plus, the engraving's too shallow.
04:34Our text will take a look.
04:36Sounds good.
04:37I'm gonna skip out for a little bit.
04:39Everything all right?
04:40Yeah.
04:41Just kid stuff.
04:42You need a right?
04:44No.
04:45I want to walk.
04:46You could get a see.
04:47That's why we're the first person out.
04:48The most highly final message.
04:49I really liked to have a look.
04:50You might be happy.
04:51That's why we have one of them.
04:52How do you think?
04:53When I read the book?
04:54Let's do it.
04:55And a happy story.
04:56Oh.
04:57You might be happy to have a look.
04:59You're welcome.
05:01You're welcome.
05:02I mean, I love you.
05:03You are welcome.
05:04You're welcome.
05:05I'm a-
05:05I'm a-
05:05I'm a-
05:05A.
05:06I'm a happy woman.
05:07You and I'm a happy man.
05:09I'm a happy man.
05:10And I'm a happy man.
05:11I'm a happy man.
05:12I'm a happy man.
05:13And a bin that needs to be emptied less often.
05:17Sorry, just grabbed a nice towel. Made a mess, so.
05:19It's okay. I got it. Sure.
05:27Morgan. Morgan.
05:28What? You followed me?
05:30You showed up to a crime scene and left two minutes later.
05:32Yes, I followed you. What the hell's going on?
05:37I think Reese is Jean Baptiste.
05:39Reese, the art consultant.
05:41No, the peanut butter cup. Yes, same guy.
05:44Only I don't think he recovers art. I think he steals it.
05:46Or both. I don't know.
05:47I just know that there is a crate in his room,
05:49and I think our young girl is inside.
05:52Settle down. It's a painting.
05:54Um, okay, that's it?
05:56You heard he's got an art crate,
05:58and now you think he's an international art thief?
06:00No, I saw it.
06:01And I also saw a scar on his left shoulder from a bullet wound,
06:03just like Jean Baptiste, in the same spot.
06:06Okay, well, how did you see the scar?
06:08Huh?
06:09The scar? You said you saw it.
06:14Um...
06:16I can tell you're making a face.
06:17Could you translate that face for me?
06:19Yeah.
06:20Yeah, you know...
06:23He and I, we...
06:26Oh. Oh.
06:27You know what? It shocked me, too.
06:28I don't know. Can we move past that part?
06:30We have to rethink this entire investigation.
06:32Okay, well, I think you're being a little dramatic.
06:34No. Reese has been with us every step from the heist to the murder.
06:36I understand that.
06:37That's why I need to peek inside that crate.
06:39Morgan, you can't break into someone's room without a warrant.
06:41You know that.
06:42Obviously, if I find something important,
06:43I'm gonna say that I saw it when he invited me in.
06:45That doesn't make it better.
06:46Morgan, now you're just adding perjury to an unlawful search.
06:49Good point. I'll jot that down.
06:51Morgan, Morgan...
07:21Hey!
07:25Well, hello.
07:26Where did you disappear to?
07:28Um, I had to...
07:31go work on another case.
07:33Oh.
07:34Yeah, I know. It's like...
07:36I wish people would just stop killing each other all the time.
07:39You know? It's like, it's enough already.
07:42Well, I may head back to my hotel room soon.
07:45Why?
07:47Um, I just...
07:49There was so much work to be done over there, right?
07:51I mean, what's going on with that watch?
07:53Remember that watch?
07:55Are you sure everything's okay?
07:56Yeah. Yeah.
07:59Because we kind of got interrupted earlier.
08:02We really did.
08:03Maybe...
08:04I don't know.
08:06We can pick things up where we left off.
08:17Did you find the painting?
08:20I found a painting. I did not find the painting.
08:23So we have no idea if Rhys is Jean Baptiste or our killer.
08:26I'm pretty sure he's Jean Baptiste, but we both know he's not our killer because he has an alibi, remember?
08:31Right.
08:32Well, a scar's not enough of a smoking gun, Morgan. We need more.
08:35Well, I'll find more.
08:37That's how you'll get more that worries me.
08:39You know what? I don't need this from you right now.
08:41And I don't need Wagner going off on you again, so if you really think Rhys is Jean Baptiste, we need to bring the captain up to speed.
08:47Absolutely not. No.
08:49The only thing you need to do is get the captain to bring me back on the case.
08:52And how should I go about doing that, exactly?
08:54Well, you can start by keeping your mouth shut about everything that happened in the hotel room.
08:57Hmm. Okay, so lie to my captain about where you were and how we know what we know.
09:01Just come up with something that makes sense and makes the captain trust me again.
09:04You're making this harder than needs to be.
09:11I'm sorry.
09:23So now we need to catch a thief and a murderer.
09:26Detective Carradine, glad you could join us.
09:28Captain.
09:29Guillory, I'm sure you'll find another case in need of your unique talents.
09:35They're gonna have questions about the victim at the press conference.
09:40What do we know about Cyrus Caro?
09:42No priors, no kids, unmarried.
09:44Was born in the Philippines and got a master's in sculpture here in L.A.
09:47Cyrus was the museum director for five years.
09:49We looked into all the staff after the heist. Nothing flagged.
09:52What about his social media?
09:54This was his last post, taken two hours before he was murdered.
09:57Find out where. What about our ransomer with the tinted windows?
10:01We ran the plates. The car is registered to a Lou Fowler. We put a bolo out on the car.
10:06Any connections with Jean Baptiste?
10:07Nothing yet. We still don't know who he is or if he even exists.
10:10I'm a skeptic, but I'd love to be proven wrong.
10:13And the ransomer hasn't called you again to make any demands?
10:15No, none of my contacts have seen or heard a whisper about the stolen painting on the dark web or anywhere else.
10:21Maybe it just hasn't surfaced or whoever took it is being real careful.
10:27Great. So we're looking for an art thief and a car thief who could be the same guy,
10:32but the only suspect we've been able to identify is still Miriam Weissman's grandson.
10:37So will someone find out what he was doing while Detective Karek and I were running every red incident?
10:42My father bought that painting in 1932. We lived in Krakow. I was the only one in our family that survived.
10:50When the Nazis came, they took everything.
10:54Morgan and I could go by Cyrus' place and see if we could find anything.
10:57Just you, Detective. Morgan's benched.
11:00Forrester and Osdell, if there's a connection between Cyrus and Jean Baptiste, I want to know.
11:05Let's hope we have a hell of a lot more to say the next time I talk to the press.
11:16So what's good around here?
11:18Uh, you can have some of my carrots or somebody else's pretzels.
11:24So this is the consultant's corner, huh? Where we wait to be called on?
11:29You maybe, not me. I'm out.
11:31Look, about earlier, I truly had no plans.
11:37Honestly, it's fine.
11:40Got a little carried away. It's all good.
11:44Okay.
11:46So how's that other case coming along?
11:48You know, the one you had to check on.
11:50Yeah, good. Really good. Solved it.
11:52Already?
11:53Yep, I know. Some of these cases are tough, you know?
11:56And then some are just kind of open and shut. Real grab bag here at Major Crimes.
12:03Well, congratulations.
12:05Mm-hmm.
12:07Um, I've given it some thought.
12:15I'm gonna go with somebody else's pretzels.
12:17Captain, you got a second?
12:34Later, detective. You know how the press gets if we keep them waiting.
12:38I'd like Morgan back on the Jean Baptiste case with me, sir.
12:41Huh. Would you?
12:42You would, too, if you'd worked as many cases with her as I have.
12:49Where'd you go?
12:50I'm not sure I understand.
12:51Back at the crime scene. You took off.
12:54Both of you.
12:55I'm finding it hard to keep track of you two.
12:57So I think you worked this one solo.
13:00Captain.
13:03I work with Morgan.
13:05On every case.
13:06And I know what I signed up for.
13:07If she messes up again, it's on me.
13:10You know, he carries around a briefcase and never looks inside.
13:26Morgan, can we focus, please?
13:28Fine. What'd you say to Wagner to get me back on the case?
13:30I spoke to him cop to cop, and he agreed. Simple as that.
13:35You're not gonna let this go, are you?
13:36What do you think?
13:37Look, Wagner knows that you're...
13:38Yeah?
13:39You're a wild card, okay?
13:40But he wants to know everything that's going on with you.
13:42Same goes for me.
13:43If we do that, then we stay on his good side.
13:45But if we keep hiding things from him, it's my ass.
13:48But we are hiding things from him.
13:49I am well aware.
13:51And you need to watch your ass.
13:53Here's, uh, Cyrus' apartment.
13:58Whoa, whoa, whoa, whoa, whoa.
14:02Cyrus live alone.
14:04Someone's in there.
14:05We didn't expect anyone to be here.
14:08We're very sorry for your loss, Emilio.
14:10How long did you know, Cyrus?
14:12Cyrus and I started dating a few months ago.
14:15Uh, a friend introduced us right when I arrived from Colombia,
14:18and, uh, we just clicked.
14:20He asked me to move in with him almost right away.
14:23When he stopped answering my texts, I started to worry and came home.
14:27That's when I saw the news.
14:32I'm so sorry.
14:34You know, my partner and I met Cyrus.
14:36He seemed like a very sweet man.
14:39I thought we'd be together forever.
14:42Can you think of anybody who might have wanted to hurt him?
14:44Cyrus, no.
14:46And what do you do for work?
14:47I'm a language instructor for IFLAB, International Foreign Language Assistance Program.
14:53Well, these sure are beautiful.
14:56Oh, yes, thank you.
14:57Uh, they're 18th century Italian Baroque.
15:00Oh, I know.
15:02I love the floral motif.
15:04Was Cyrus the collector, or were you?
15:06I started getting Cyrus into antiquing.
15:08Uh, we picked those up last weekend at the, uh, Rose Bowl Flea Market.
15:12What a find.
15:14This one is so shiny.
15:15What do you use to polish yours?
15:17Ferric oxide?
15:22Uh, I, uh, don't remember what we used.
15:26Uh, some kind of cleaning product.
15:28Why?
15:29Oh, you can use ferric oxide to polish metals.
15:33But if you add a little bit of powdered aluminum to it,
15:36you get thermite, which is a pyrotechnic composition
15:39that can burn up to 4,500 degrees Fahrenheit.
15:43So people use it for things like welding, or making fireworks, or grenades.
15:57Yeah, it can even melt glass.
15:59Like the skylight at the museum.
16:01Wait, you, you think that I had something to do with the stolen painting?
16:05You know, a byproduct of thermite is, uh, aluminum oxide.
16:09It's this very fine powder.
16:16Yep, that's it.
16:17You know, I think we should dig this conversation down to the precinct, Emilio.
16:21Emilio!
16:22Hey!
16:23Hey!
16:24You know, the thing about stolen vehicles is they aren't always so reliable.
16:27You know, the thing about stolen vehicles is they aren't always so reliable.
16:29Out of the car, sir. Nice and slow.
16:31You know, the thing about stolen vehicles is they aren't always so reliable.
16:36Out of the car, sir. Nice and slow.
16:39You know, the thing about stolen vehicles is they aren't always so reliable.
16:41Out of the car, sir. Nice and slow.
16:43Hey, it's Arthur. I gotta take this.
16:44Okay. I'll go a brief whack.
16:45You know, the thing about stolen vehicles is they aren't always so reliable.
16:50You know, the thing about stolen vehicles is they aren't always so reliable.
16:54Out of the car, sir. Nice and slow.
17:09Hey, it's Arthur. I gotta take this.
17:11Okay. I'll go brief Wagner.
17:19Arthur, are you okay?
17:20I don't know. Things could be better.
17:22What are you talking about?
17:24Some guy, he ambushed me.
17:25He was looking for Roman's backpack.
17:28Who's there?
17:29I got away, but not before he got a few hits in on me, you know?
17:32Oh, my God. How bad is it?
17:34Yeah. I got a hard head. I live.
17:37All right. Where are you?
17:38I'm getting patched up right now.
17:40Which hospital?
17:41Hospital's asking me questions.
17:42I got my own company.
17:44Hey, hold on. Hey, Harold, just give me a second, all right?
17:46Give me one minute. Thank you, brother.
17:48Well done.
17:51Morgan, listen to me very carefully, all right?
17:53These people are not playing games.
17:55Whatever's in that backpack that Roman gave me to pick up, they want it, and they want it real bad.
18:02Do they know I have it?
18:03I don't know. If they do, I damn sure didn't tell them about it.
18:06Okay, this guy, do you think you could identify him and describe him to a sketch artist?
18:13We talked about this before. I am not going to the police.
18:16Arthur, you just got attacked. Who knows when they'll find out I have Roman stuff.
18:21Just tell us where you are. We can come to you.
18:28Please.
18:32Mr. and Mrs. Foster.
18:33What the hell was that?
18:34Greg and I saw your captain's press conference.
18:36Then you know we're doing everything we can to find your stolen painting.
18:38Are you?
18:39Because we were beginning to wonder if you were only interested in getting your face on the news.
18:42If me standing in front of a camera can help catch a murderer and a thief...
18:46Then what happened with the ransom note?
18:47We have a suspect in custody, and I assure you we are working to answer those questions.
18:52Well, it doesn't seem like you have much to show for it.
18:54Mr. and Mrs. Foster, we know how much the young girl means to you.
18:57Now, I can assure you that Captain Wagner, as well as our entire team in major crimes, is doing everything possible to bring her home.
19:02Now, please, let us do our job.
19:04Don't bother. It's time we hired our own private detective.
19:06I think you've kept us waiting long enough.
19:14You're not listening to me. You got the wrong guy.
19:17No, we want to believe you, Emilio, but you did try to get away from us in a stolen vehicle.
19:21Twice.
19:22And then, there's what we found in your apartment.
19:25Items consistent with the burglary.
19:26That's not mine. Never seen this before.
19:28Then why run?
19:29You see, I think you started dating Cyrus to get access to his museum.
19:35And then, you did that whole Mission Impossible act.
19:38A theft, a murder, a ransom.
19:41You had the whole thing planned out?
19:43My relationship with Cyrus wasn't perfect, but I would never hurt him.
19:47Not even for $20 million.
19:49Where did you hide the painting?
19:51I'm not hiding anything, but you showed up to the ransom.
19:54What, did you get nervous you weren't going to be able to find a buyer?
19:57Because I think you found out about Reese through Cyrus, and Cyrus found out what you were doing, and you couldn't have that.
20:02Or maybe he discovered this wasn't the first painting you stole.
20:06I don't understand.
20:10Oh, I think you do, Emilio.
20:12Or would you prefer the name Jean Baptiste?
20:15I only heard about this stolen painting because Cyrus told me.
20:19Like, I'm not answering any more questions.
20:23Fine. Don't say another word.
20:27But this court order says that you need to let us check for any identifying marks on your left shoulder.
20:33About this one, cutting an avocado like a jerk.
20:36I'm glad you survived.
20:42What about you?
20:44Scars?
20:45Mm-hmm.
20:46I only have the one.
20:47Pretty sure you've seen it, too.
20:49I don't... I don't think I have.
20:52Oh, that's hard to believe, given your powers of observation.
20:56Summer 2010, Florence Art Festival.
21:01Things took a very unpleasant turn.
21:04I mean, I didn't see the gun, but I heard the shot.
21:06Luckily for me, it missed my artery.
21:17Oh.
21:19He's got a whole collection of them, doesn't he?
21:22That he does.
21:26I served two years in the Colombian Army.
21:2927th Jungle Battalion in Pucumbaya.
21:32Hey, look at the side of his hand.
21:34It's all red. Why?
21:36You think he banged it up?
21:37No, I think it's ink.
21:38Emilio said he was a language instructor.
21:40He probably graded papers with red ink, but I didn't see any papers in the apartments.
21:45And what do you do for work?
21:46I'm a language instructor.
21:48Maybe he was doing it in an office.
21:51And maybe that office is used for something other than just grading papers.
21:55Guys! Let's go!
22:01She left.
22:02Okay, so we're thinking Emilio might have had another reason to be here.
22:15Like hiding the painting or the murder weapon?
22:18That's a lot of boxes.
22:19I'll take this room.
22:20All right, let's get started.
22:21Teaching languages could have kept Emilio hopping from one country to another.
22:31That would be a good cover for an international art thief.
22:34Okay, there's nothing in here except the student paperwork.
22:36Same.
22:37What do we have here?
22:39Ooh.
22:40Oh, wow.
22:41I'll call a team to crack it open.
22:44Uh, guys?
23:00Looks like we found Sean Baptiste.
23:14Good afternoon.
23:15I'm Captain Nick Wagner from the LAPD's Major Crimes Division.
23:19Earlier today, our detectives arrested an individual we believe is responsible for the murder of Cyrus Caro.
23:27While our investigation is not complete, we will soon be returning the stolen Rembrandt to its rightful owners.
23:34Are there any questions?
23:37Did you inform the Fosters?
23:38Yep.
23:39We left word for him.
23:40Well, they'll be glad.
23:41There doesn't seem to be any noticeable damage.
23:43Look who's here.
23:47Detectives.
23:48Ari.
23:49Miriam.
23:50What are you doing here?
23:51We came to see the painting.
23:52Morgan invited us.
24:13You Arthur?
24:14You a cop trying to blend in?
24:23I'm a friend of Morgan's.
24:25All right.
24:26Well, let me just say what I gotta say so we can get this thing over with.
24:29I'm listening.
24:30There was a dude hiding in the back of my truck.
24:33I didn't give him what he wanted.
24:35He reached for a blade.
24:36Then we got into it.
24:38You get a look at the gun?
24:39Just a couple of glimpses.
24:41Then we spilled out into the street.
24:43It all happened pretty fast.
24:44Any information helps?
24:46All right.
24:47White dude.
24:4950s.
24:50Lean.
24:51Salt-and-pepper hair.
24:52He had, uh, this big-ass goatee.
24:55He also had a, uh, tattoo of some kind of bird peeking out of his shirt right here.
25:00What are you doing?
25:02We found pictures of some people in Roman's backpack.
25:05One of the guys was somebody who couldn't identify.
25:07That the guy?
25:15Yeah, that's the guy.
25:17Then I'm gonna need you to come down to the precinct with me, make an official statement.
25:21I'm afraid my unofficial statement's just gonna have to stand for now. Sorry.
25:25Your life, your life could be in danger.
25:29What do you want me to do, huh?
25:31You want me to sit in your lobby till you catch him?
25:33Look, just find the guy, all right?
25:35Put a couple of your people on Morgan and her family.
25:37Cause trust me, I'm good.
25:40We done here?
25:41All right.
25:42I'm giving you my number, and you're gonna hold on to it.
25:45I hope you never see this guy again, but the moment you do, call me.
25:53All right.
26:02You invited her?
26:03Yes, I did.
26:04You think the Fosters are gonna loan out that painting anytime soon?
26:07This will be the last time Mirian Weissman will ever be able to see it.
26:09Not to mention the fact that technically, it belongs to her.
26:12So none of this is fair.
26:13Well, it's our job to enforce the law even when it's not.
26:15Oh, yes. Thank you for the reminder.
26:17I'm sorry for the quick exit, but I'm due in Palermo tomorrow.
26:21I have another stolen art piece that requires my services.
26:24Oh.
26:25Oh.
26:26Is she a provocative young girl this time?
26:29Eh, she's a landscape.
26:32Well, Marisa, it would seem that your job here is done. Thank you.
26:35Ah, the pleasure's all mine.
26:36Mm-hmm.
26:37And for what it's worth, I really wish the young girl was being returned to Mirian Weissman too.
26:42You alright?
26:43Yeah.
26:44That's not her.
26:45That's not her.
26:47That's not her.
26:48That's not her.
26:49What do you mean?
26:50She doesn't have my eyes.
26:54My father always loved that we had the same eyes.
27:15I think she's right.
27:23Karadek, look at the whites of her eyes.
27:25That's too bright.
27:28In 1645, painters used chalk mixes or lead white that had like a creamy softness to it.
27:33This is brilliant and glaring, more like a modern titanium white which didn't exist for another three centuries.
27:39In 1645, no one could have painted with this brightness and clarity.
27:42The materials didn't exist.
27:44I'm sorry for the quick exit but I'm due in Palermo tomorrow.
27:54What do you mean it's not her?
27:58Morgan says the one we found is a fake.
28:00Wouldn't the museum have authenticated it?
28:02No, not a small museum like the Harbach and when it comes from a reputable collector like the Fosters.
28:05So we're supposed to believe she knows just by looking at it?
28:08There's an authenticator on the way but I believe Morgan.
28:11Where is she?
28:13You can take the next one, right?
28:17Thanks, Gina.
28:19Well, I'm not normally one for prolonged goodbyes but in this case...
28:23Do you have it?
28:24I'm sorry, what?
28:25Do you have the painting?
28:26Are you serious?
28:27You haven't opened that briefcase once since you've been here.
28:30What's inside of it?
28:31So that's why you asked me about my scar.
28:34Because you think I'm Jean Baptiste.
28:36And then I did what?
28:37Stole the Rembrandt while no one was looking.
28:40Folded it up and hid it in my briefcase.
28:43I didn't think of one way we can clear it up.
28:47They're just confidential client files in there, Morgan.
28:50Nothing else, I assure you.
28:51Right?
28:52There's an unfortunate amount of paperwork that goes without recovery.
28:55I bet.
28:56Yeah.
29:01Okay, as you wish.
29:13I'm sorry.
29:16I really thought the one we found in Emilio's office was fake in your...
29:20Still the real one.
29:21I picked up on that.
29:27So you've been playing me this whole time?
29:32Was any of this real?
29:36No.
29:39It's not real.
29:43Morgan, what is this?
29:48We asked Daphne to pull the Foster's insurance policy over the last 10 years.
29:52Now take a look at what they were insuring in 2019.
29:55That's a lot of art.
29:56Mm-hmm.
29:57Now look what they insured a few years later.
30:00Only 12 items.
30:01And this year?
30:03Just one.
30:04That's right.
30:05Now what are the odds that of all the priceless art that they own,
30:08the one piece that gets stolen is the only one that happens to be insured?
30:12I think the art that I saw at their house was fake.
30:18Just like the painting we found.
30:19I tracked down black market sales for eight of the pieces listed on the Foster's 2019 insurance writer.
30:25Then we did some more digging.
30:26They're in debt to some bad people.
30:28So you're saying the Foster's arranged for their own painting to be stolen for the insurance money?
30:32They loved that painting so much they weren't willing to give it up even when they went broke.
30:36All right.
30:37Where is this going?
30:39One of them must have gotten an idea.
30:40Now I don't know if it was Greg or Linda.
30:43Let's arrange to have our painting stolen and returned to us without anyone knowing.
30:47That way they could keep both the insurance money and the painting.
30:51But why give over the real thing if you don't have to?
30:54Maybe they didn't.
30:55Maybe the Foster's had a forgery made for the museum.
30:57Right.
30:58Probably by the same expert who forged the other ones on their walls.
31:02I don't think they'd want their beloved painting getting sliced out of a frame, do you?
31:05So the museum never had the real painting?
31:07It was all a setup?
31:08That's right.
31:09But nobody robs a museum for free.
31:10You guys remember the watch?
31:12I think that Greg and Linda gave Cyrus the watch as a down payment.
31:16And by the time Cyrus realized the watch was a fake, he'd already stolen the painting,
31:20making it look like it was Jean Baptiste so we wouldn't suspect it.
31:23What he didn't know was that painting was fake too.
31:27He decided he wanted to double cross the Foster's by putting it up for ransom.
31:31But when the Foster's found out, they confronted him before he could find out the painting was fake.
31:37And by that time, he'd already given the painting to Emilio, who hid it in his office, believing it was real.
31:43The Foster's couldn't risk the truth getting out.
31:45They needed to keep him quiet.
31:46So they killed Cyrus.
31:49Again, I'm not sure which one.
31:51Maybe it was both of them.
31:52What?
31:53Are you kidding me?
31:54Come on!
31:55Again, not sure which.
31:57All right.
31:58We need to bring the Foster's in for questioning.
32:04They have a yacht.
32:08The Foster's have a yacht.
32:09I saw a picture of it at their house.
32:11It was called the Easy Monet.
32:13If they go out to ditch the murder weapon, they can try to get away with murder and the painting.
32:16Forrester, go grab Osdill, go to their house.
32:19Care deck.
32:20How are your sea legs?
32:21You know this place?
32:22Yeah.
32:23Friend Docs' boat here.
32:24That's them.
32:25They're casting off.
32:26Let's go.
32:27Yep.
32:28Yep.
32:29Yep.
32:30Yep.
32:31Yep.
32:32Yep.
32:33It's real?
32:34Or yep, it's...
32:35The underlayers are inconsistent with the pigments available at the time the real Rembrandt was painted.
32:42This is Mrs. Foster.
32:43L.A.P.D.
32:44This is Mrs. Foster.
32:45L.A.P.D.
32:46This is Mrs. Foster.
32:47L.A.P.D.
32:48This is Mrs. Foster.
32:49L.A.P.D.
32:50This is Mrs. Foster.
32:51L.A.P.D.
32:52The underlayers are inconsistent with the pigments available at the time the real Rembrandt was
32:57painted.
33:09This is Mrs. Foster.
33:10L.A.P.D.
33:11this is lieutenant soto i'm being followed again
33:29arthur where are you i'll send you a black and white i'm just passing temple and grand
33:35i'm actually on my way to you maybe this guy will follow me all the way to the station
33:41yeah the fosters aren't here looks like they left in a hurry and they took everything
33:51of value with them so they're making a run for it all right thanks
33:54so you're sure it's a fake it's the best i've ever seen how did the lady know
34:05she didn't have her eyes can you see his license plate no he keeps weaving in between the cars
34:14it's a sedan of some kind but this guy really knows what he's doing listen i'll be at you
34:19in about 15 20 minutes tops all right well then just stay on the line with me until you get
34:23to the precinct look i'll be fine all right i'll see you soon arthur
34:35lAPD stop this boat right now right now put the gun down is that a flare gun greg you could
34:42really hurt someone with that put it down i wish that i could but the lAPD has a few rules
34:47and not dropping my gun in a situation like this is one of them greg what are you doing
34:51please stop okay this is not handling it honey i'm not handling it i don't think anyone else
34:55needs to die today i don't know what you're talking about
34:57maybe we got it wrong but i'm sure we can work something out just put the flare gun down
35:02honey please it is over okay where are we gonna go how are we gonna live okay
35:07where where did it go it was right there i swear to god where did it go
35:31what you got in there
36:01would you believe me if i said a schoolboy's trainers
36:05how'd you know
36:08she doesn't have my eyes
36:13does it matter
36:16i'm not a murderer morgan just a thief i do recover art for insurance companies
36:21and every once in a while you just decide to hang on to one
36:25so you are jean baptiste you know i don't even know who picked that name
36:30it wasn't even the first piece of art that i stole you can complain to my partner after
36:33he arrests you
36:40i don't think you called him yet and i'm wondering if that's because you don't want the young girl going back to greg and linda any more than i do and you know that i can get her back where she really belongs
36:51you stole the painting just to give it away you expect me to believe that
36:57i do
36:59you're lying i'm trying to do the right thing morgan
37:03i have no way of knowing if you're just going to keep it for yourself
37:07it's true
37:08i guess you're just going to have to trust me
37:10i guess you're just going to have to trust me
37:15wait do you guys think the fosters are going to get off easy
37:25the fosters would have to have a great lawyer for that i don't think they can afford it
37:28but what a risk though you know if i had that kind of money i'd buy a malibu mansion or a wmba team
37:33uh no i'd start my own animal rescue
37:35okay now i feel bad
37:37he did that on purpose
37:38yeah he definitely did
37:39i'm gonna get more drinks
37:40he could live at my animal rescue
37:42still no sign of arthur
37:50not yet lieutenant
37:51i'll call again but if he doesn't answer this time
37:54put a bolo out on his truck
37:55you got it
37:56hey
37:59heard you guys do an end of the day thing here
38:02thought i'd find you
38:03if you're gonna fire me can i throw a few more drinks on this tab first
38:07oh you're not fired morgan
38:08too valuable for your team
38:11and to me
38:12i'm not letting you go
38:14this how you apologize
38:17no
38:18so what's it like sitting out on this arrest
38:22it's not like you
38:23oh no i didn't sit out i was kicked out
38:25but uh thanks for asking it sucked
38:28well don't worry
38:28he'll be there on the next one
38:30did you hear about the painting
38:35i did
38:36i always think the foster's tossed it in the ocean
38:38at tracks they seem like the kind of people who are like
38:41if i can't have her nobody can
38:43is that really what you think happened
38:45i don't know i'm just a consultant
38:47we questioned the yacht's crew
38:54one of them said that they saw a man in a wetsuit slip over the side of the boat holding something
38:58so i was thinking maybe it was jean baptiste
39:02come on
39:04i don't think that guy exists
39:06well
39:07i don't think so
39:11you're so excited
39:21i don't think so
39:23i mean i don't think so
39:25i don't think so
39:26you know
39:26It's my girl.
39:41My baby.
39:56In the sea.
39:58Out of fire.
40:00All that burn.
40:04In the sea.
40:06Out of fire.
40:08All that burn.
40:26Out of fire.
40:52So faster.
40:54Ha!
40:56110
40:57In the sea.
40:59Next Tuesday Okay short.
41:01Over오세요.
41:02Moving up.
41:03In the sea.
41:04In the sea.
41:05Wiring.
41:06attractions in the sea.
41:07In Вол Her in Siate.
41:08OurEstayı.
41:09Moving along.
41:10Step five to five.
41:11One Five to four.
41:12P fr Stunde.
41:13Joshua.
41:15Storytimes would leave now.
41:16Point five.
41:17In the sea.
41:18Five to four.
41:19To be dead.
41:20Being Seeker.
41:21From the Sun.
41:22minus six.
41:23To be dead.
41:24Try fifteen.
41:25But to be gone.
Be the first to comment