- 1 hour ago
Category
📺
TVTranscript
00:00Yeah, you really got me now. You got me so I can't sleep at night.
00:06Oh yeah, you really got me now. You got me so I don't know what I'm doing now.
00:12Oh yeah, you really got me now. You got me so I can't sleep at night.
00:18You really got me. You really got me. You really got me.
00:23Yeah!
00:25Oh yeah!
00:25Z, don't ever set me free. I always want to be by your side.
00:33Gonna have fun in the day.
00:37Be with my girl, she's so pretty.
00:43She looks fast.
00:47It's so much midnight!
00:50Come on, we don't want to miss it!
00:52Oh, my God!
00:53It's like the fireworks!
00:55Hurry, hurry, quickly, quickly!
00:57I need a chance.
00:58One sec, one sec.
00:59Marry me.
01:02Marry me.
01:08It's beautiful.
01:11And you have such terrible taste.
01:14Well, I have held.
01:15Five, four, three, seven...
01:18How long have you been planning this?
01:20Since I met you.
01:31Let's do everything.
01:45.
02:00Oh, my God.
02:30Mind the horses here.
02:49Please allow me to accompany you, Miss Rathbone.
02:52For the umpteenth time, Mr Winterton.
02:55No, I do not need your accompaniment when I am attending to my affairs.
02:58Well, isn't that precisely why you need the accompaniment of a gentleman?
03:02Surely it's not safe for-
03:03Mr Winterton, I am a woman of independen-
03:07You okay?
03:14Mm-hmm.
03:14I'll have you, no.
03:17I'll have you, no.
03:22I'll have-
03:23Very well, Miss Rathbone.
03:32I understand you're feeling poorly.
03:33I shall see you anon.
03:34I must go to the, um, to the post office.
03:37This way.
03:46Oh, my God.
03:47Sharon, I'm so sorry.
03:49This kid was eating fried chicken in my face.
03:51Yeah, sorry.
03:52I knew there was something wrong with that takeaway last night.
03:57People were taking photos.
03:59I know.
03:59I'm going to mention that when I ring to complain.
04:01This cannot keep happening.
04:03It won't.
04:03I'm pretty sure it's out of my system now.
04:06I am very sorry about what you've been through.
04:09Really, I am.
04:09But I'm okay now.
04:11Lillian, I have to let you go.
04:13No, come on.
04:16Please, Sharon.
04:17This job is the only thing that's keeping me sane.
04:20But it's not.
04:21I can fix this.
04:22I promise.
04:41Oh!
04:42Oh!
04:42Oh!
04:42Oh!
04:42Oh!
04:42Oh!
04:42Oh!
04:42Oh!
04:42Oh!
04:42Oh!
04:42Oh!
04:42Oh!
04:43Oh!
04:44Yeah!
05:01Oh!
05:10Oh!
05:11Oh!
05:12Oh!
05:12Oh!
05:12Oh!
05:13What the fuck?
05:39Mary, where are you?
05:41I'm outside your office.
05:42Someone's changed the key code.
05:44Hey, can you let me in?
05:45You need to use the front entrance.
05:47Yeah, I have a woman here in a big dress, possibly on methamphetamine.
05:52Sorry, it's Dr. Harvey in the ED office.
05:54Lillian?
05:55What's happened?
05:56I'm sick.
05:57God, did a Clydesdale shit on you?
05:59Can you give me something to stop throwing up?
06:00Miss, I need you to step out into the corridor.
06:02Oh, no, no.
06:03Just move away from the doctor.
06:03No, it's not a situation.
06:06I mean, obviously, it's a situation.
06:08She's my friend, my hungover friend.
06:11We're fine.
06:14Thanks.
06:18Sorry, I didn't realise you two.
06:21The costume kind of threw me.
06:22She works at Sovereign Hill.
06:26Is that the theme park?
06:27It's the living museum.
06:30Who's he?
06:30This is Sam, my new registrar.
06:36Sam, this is Lillian.
06:38Hey.
06:38What kind of emergency doctor freaks out so easily?
06:45I don't freak out.
06:46Tell that to the big boys in the uniforms.
06:48I was following procedure.
06:50It's all good, Sam.
06:50She was banging on the glass.
06:51I know.
06:52Can you go and check on the kid in room one for me?
06:54I was not banging on the glass.
06:56See if her x-rays have landed.
06:57You definitely were.
06:58And chase them if they haven't.
06:59And we were told to take extra precautions because the doctor that I replaced was killed
07:02on duty.
07:10Lillian was his fiancée.
07:16Shit.
07:18Can you deal with that for me, please?
07:19Sorry.
07:20I'll chase up those x-rays.
07:21Yeah.
07:32Why would you come here?
07:34I need an injection.
07:35And a mint.
07:37Sharon fired me.
07:39I may have thrown her up in front of a school group.
07:42Oh, Lillian.
07:44If you give me an injection, I can go back and show her that I'm fine.
07:47And if you wrote me a doctor's certificate to say that I had food poisoning, then I...
07:51Jesus Christ!
07:53You know what this is, don't you?
07:54Um, why did I know this one?
07:57I'll cry for hell.
07:58Yeah, it's not funny.
07:59You should be seeing a psychologist.
08:01Okay, fine, whatever.
08:12Have a sip.
08:21So, I finished my victim impact statement, which was, you know, blech, but I'm glad it's done.
08:36How are you going with yours?
08:37Have you started?
08:38Because that's where I think the psychologist could help.
08:45You know, because you can't talk about what happened.
08:48He might be able to help you get your thoughts...
08:50Can you just give me a fucking injection?
08:56Sorry.
08:56But actually, can you?
09:02No.
09:04Seriously?
09:05Can you at least write me a doctor's certificate?
09:06I have to get back to work.
09:08Mary!
09:08Go home and sleep it off.
09:10Okay.
09:12Fuck you.
09:13Yeah, fuck you too.
09:14It's up here.
09:35TripAdvisor gave this place 4.75 stars as the best supper in the city.
09:42I just won $50.
09:44I bet, Sarah, that you couldn't make it through the evening without answering an email.
09:48Rupert says he wants to start the harvest Wednesday.
09:51Which would be great if we were making vinegar.
09:53We're going by the wrong way this way, mate.
09:55Oh.
09:56Yeah, don't mind me.
09:58Where are the manners?
09:59Come on.
10:00You're just hungry.
10:01Yeah.
10:02All right.
10:03Why isn't everyone in bed?
10:04I think I fucked up.
10:27Hey, Siri, turn it off.
10:31What happened?
10:32Your cousin happened.
10:34What now?
10:35We had a big fight in my office.
10:39Wait, she came to the hospital?
10:41She lost her job.
10:42Oh, Jesus.
10:44Well, that was probably only a matter of time.
10:47She met Sam.
10:49Oh.
10:50How'd she take it?
10:51She vomited.
10:52Oh, baby, I'm sorry.
10:54It wasn't just Sam.
10:55She was so hungover.
10:56That's why she came here.
10:57She wanted me to give her Maxilon.
10:59Fuck, that's desperate.
11:00Did it help?
11:01I didn't give it to her.
11:02Okay.
11:03All right.
11:04She'll just start drinking again tonight and be just as sick tomorrow.
11:08Okay, it's just you have given her medication before.
11:10Well, this time it was different.
11:12She wasn't listening to anything I was saying.
11:14And were you saying she should be seeing someone?
11:18We didn't see what she was like.
11:20Honey, I don't know why you would bring that up.
11:22She hasn't even started her victim impact statement.
11:25Oh, God, Mary, you can't pass through about that.
11:27But if she can't write it or even talk about it with us,
11:32how is she supposed to sit through everything and call?
11:34Look, I know you're anxious about going.
11:37Uh, no, no, no.
11:38This has nothing to do with me.
11:41Okay.
11:43Can you just call her, please?
11:45She listens to you.
11:47Well, that's bullshit.
11:49Just see if she's all right.
11:51No, you're the one who fucked up.
11:52I did not.
11:53You just said you did.
11:54Well, it's different when I say it.
11:57Are you okay?
12:14I will be when we land.
12:19Oh, hang on.
12:21Are we going the right way?
12:22Oh.
12:24Let's just go back to the hotel.
12:25No.
12:26This is our night without children.
12:27I want to go out.
12:28I just want to get some room service.
12:29It's my birthday.
12:31Yeah.
12:31We came here.
12:32We saw your show.
12:34And that's it.
12:35Is it?
12:36That's all I'm allowed.
12:37What?
12:37A plane ride and a musical and then shut up, Kelly.
12:39Time for bed.
12:40Okay, calm down.
12:42Those tickets weren't cheap, by the way.
12:46You know what?
12:47You go back to the hotel.
12:49I'm having supper.
12:50Okay.
12:52Kelly.
12:53Kelly.
12:53There were two rings, which means your phone wasn't off.
13:18You've just hit the piss off Hamish button, which shits me because I'm working on this
13:21really important noodle shop logo, which, as I say, I know it doesn't sound that important,
13:26but it is.
13:27So fucking call me back.
13:30Lillian?
13:30Henry from uni?
13:37Oh, yeah.
13:39You okay?
13:40No.
13:42Same, same.
13:43Deep fryer.
13:47Hey, you coming back to uni?
13:49I'm really sorry about your husband, by the way.
13:59He's messed up.
14:05It happened here, right?
14:07Why don't you go stick your other hand and maybe your head in the deep fryer?
14:12Yeah.
14:12Yeah.
14:12Yeah.
14:12Yeah.
14:12Yeah.
14:12Yeah.
14:12Yeah.
14:12Yeah.
14:12Yeah.
14:12Yeah.
14:12Yeah.
14:12Yeah.
14:12Yeah.
14:12Yeah.
14:13Yeah.
14:13Yeah.
14:13Yeah.
14:13Yeah.
14:13Yeah.
14:14Yeah.
14:14Yeah.
14:15Yeah.
14:15Yeah.
14:19Yeah.
14:28Kelly.
14:30Kelly.
14:30Oi, Jesus.
14:31What?
14:32Kelly.
14:33Kelly.
14:34I'm sorry.
14:35Okay, I'm sorry.
14:36I'm not going back to the hotel.
14:37I know.
14:38I know.
14:39Where's your supper place?
14:44Hi, yeah.
14:47Looks good.
14:49Bakery Hill Medical.
14:55Hi, do you have any doctors available?
14:59Lillian Vandenberg?
15:03V-A-N-D?
15:09Roger that.
15:09Rerouting now.
15:12The smoke's too intense.
15:13We'll have to land at Avalon.
15:15It might get a little bumpy.
15:17I think we've botched it.
15:18I'll call Lana.
15:30It's a quarter to twelve.
15:32Who queues up for food at a quarter to twelve?
15:36What is this?
15:37A soup kitchen?
15:39You'll have to excuse my husband.
15:40He hasn't left Adelaide since 1983.
15:42What?
15:43Ah, come on.
15:44Let's make a little joke.
15:45I thought Melbourne had a comedy festival.
15:47Huh?
15:50Hey, I should be this lot.
15:52Uh-uh.
15:52Uh-uh.
15:52Uh-uh.
15:53He's going to be something.
15:54Fuck it!
15:55Excuse me, he's not first.
15:57Ah!
15:58Ooh!
15:59Ah!
16:00Ah!
16:00Ah!
16:01Ah!
16:01Ah!
16:01Ah!
16:01Ah!
16:02Ah!
16:02Ah!
16:03Ah!
16:03Ah!
16:04Ah!
16:04Ah!
16:04Ah!
16:05Ah!
16:05Ah!
16:06Ah!
16:06Ah!
16:07Ah!
16:08Ah!
16:08Ah!
16:09Ah!
16:09Ah!
16:10Ah!
16:10Ah!
16:11Ah!
16:11Ah!
16:12Ah!
16:12Ah!
16:13Ah!
16:13Ah!
16:14Ah!
16:14Ah!
16:15Ah!
16:15Ah!
16:16Ah!
16:17Ah!
16:18Ah!
16:19Ah!
16:19Ah!
16:20Ah!
16:20Ah!
16:21Ah!
16:21Ah!
16:22Ah!
16:22Ah!
16:23Ah!
16:23Ah!
16:24Ah!
16:24Ah!
16:25Ah!
16:25Ah!
16:26Ah!
16:26Ah!
16:27Ah!
16:27Ah!
16:28Ah!
16:28Ah!
16:29Ah!
16:29Ah!
16:30Ah!
16:30Ah!
16:31Ah!
16:31Ah!
16:32Ah!
16:32Ah!
16:33Ah!
16:33Ah!
16:34Ah!
16:34Ah!
16:35Ah!
16:35Ah!
16:36Ah!
16:36Ah!
16:37Ah!
16:37Ah!
16:38Ah!
16:38Ah!
16:39Ah!
16:39Ah!
16:40Ah!
16:40Ah!
16:41Ah!
16:41Ah!
16:42Ah!
16:42Ah!
16:43Ah!
16:44Oh, God. Please hurry. Please hurry.
17:01Fee, thank you so much.
17:11She's through here.
17:14I told her not to call you.
17:16Are you all right?
17:17You scared the shit out of us.
17:18I'm sorry. I shouldn't have pushed you about getting help.
17:21I should have just given you the injection.
17:23Yes, this is your fault, Mary.
17:24This has absolutely nothing to do with me being an arsehole.
17:27You're not an arsehole all the time.
17:31Yeah, I am.
17:32Yeah, she is.
17:33Well, of course you are.
17:36The love of your life died.
17:38I'd be an arsehole too.
17:45I shouldn't have been pressing you to talk or write your statement.
17:48Yes, you should have.
17:50I thought you were mad at me.
17:52Well, what's the alternative?
17:54Look at her.
17:55Look at her.
17:56Fuck's sake.
17:57Lillian, nobody wants to go to court.
17:59But at least there'll be some closure.
18:00The whole point of the victim impact.
18:02Jesus Christ.
18:03Don't you get it?
18:04The whole point is there is no point.
18:05I don't care.
18:06About what?
18:07About anything.
18:08Well, you can't just...
18:09You need to snap out.
18:10Not snap out.
18:11I know that that's offensive.
18:12I just mean that there is a light at the end of the tunnel.
18:15And yes, you are in the tunnel at the moment.
18:18And it's very dark because there's a curvy bit that's...
18:23And...
18:24What am I trying to say, Mary?
18:27Can I get a lift to my car?
18:28Oh, the car with a gaping hole in its side.
18:30Yeah, no, we're taking you home.
18:34Please, Harry.
18:35Please, Harry.
18:36Please, please.
18:37Please, Harry.
18:40I'm sorry.
18:41I've dropped to 85.
18:42I made him go to supper.
18:43Is he gonna be okay?
18:44Why didn't I just go with him back to the hotel?
18:47Is he gonna be okay?
18:48Is he gonna be okay?
18:49Is he gonna be okay?
18:50Is he okay?
18:51Please.
18:52He's okay.
18:54He's okay.
18:55He's okay.
18:56He's okay.
18:58Please, Harry.
19:08I love you, I love you, I love you.
19:38I'm good.
19:39You can't stay here, Lillian.
19:41It's like a youth hostel and a...
19:45And an end-of-year soccer trip.
19:47Fucked each other.
19:48Jesus Christ.
19:50How's the electricity not been disconnected?
19:52I'll pack a bag.
19:53I'm not coming.
19:54I'll sort the bills into piles.
19:56It's junk.
19:56Tell that to the sheriff.
19:58Are you fucking right?
19:59I don't need you to pack and I don't need you to open a letter from my local MP.
20:04No job too small.
20:06Australian...
20:07Australian what?
20:10Tax office.
20:11And so unfortunately, Andrew has suffered a massive cardiac arrest in the accident and now he is in heart failure.
20:34But it's going now.
20:36He's breathing now.
20:37He is artificially breathing now and we are circulating his blood for him.
20:41So is he going to need a stent?
20:42My father has a stent.
20:44He has too.
20:44I'm so sorry.
20:45This is very different.
20:47We can't undo the damage.
20:48How long since you've lodged her return?
21:00Is it a late phone?
21:03Mary?
21:04What is it?
21:05We've got a good accountant.
21:08Dear donor family.
21:11Oh, holy fuck.
21:12Who?
21:12I don't really know how to begin except to say thank you for my new heart.
21:21It's his heart.
21:22Oh.
21:24Oh.
21:24Ten months ago, I had an accident and to cut a long story short, I was put on a waiting list for a new heart.
21:33Three months later on the day you would have endured your loss, it came.
21:38Okay, everyone, you ready?
21:46Hello, Andrew.
21:47We made it.
21:49I can't describe the joy and relief my family and I felt on that day.
21:55Or how deeply grateful we are.
22:01The next week's blacked out.
22:03It's redacted.
22:04It has to be anonymous.
22:05Oh.
22:05I can only imagine the pain you're going through, but I hope it gives you some comfort to know that your gifts made my life.
22:16I will never take for granted your generosity.
22:20And I will cherish every day with my new heart.
22:24Forever in your debt, recipient.
22:26I can't.
22:47Oh, man.
22:48I can't.
22:49I can't.
22:50I don't know.
23:20I miss him.
23:47Yeah, Kylil?
23:50I forgot.
23:56Forgot what?
23:58The night he died.
24:00That he was killed.
24:04It's on a loop in my head.
24:07I can't make it stop.
24:09You calling me.
24:11You coming to get me.
24:14Running through the hospital.
24:15My shoes went on properly.
24:17And the police.
24:22And then seeing him there.
24:27And his mum yelling at me.
24:31She was so mad.
24:33I know.
24:34So I forgot.
24:39That Orson all totally fucked.
24:43And there's someone out there with his heart.
24:45That's what I mean about the tunnel.
24:58That's the light.
25:00Someone got to live.
25:01Please don't do metaphors.
25:16Not just someone.
25:19Lots of someones.
25:21That's what I mean about the tunnel.
25:22That's what I mean about the tunnel.
25:22That's what I mean about the tunnel.
25:23That's what I mean about the tunnel.
25:24That's what I mean about the tunnel.
25:24That's what I mean about the tunnel.
25:25That's what I mean about the tunnel.
25:26That's what I mean about the tunnel.
25:27That's what I mean about the tunnel.
25:27That's what I mean about the tunnel.
25:28That's what I mean about the tunnel.
25:28That's what I mean about the tunnel.
25:29That's what I mean about the tunnel.
25:29That's what I mean about the tunnel.
25:30That's what I mean about the tunnel.
25:31That's what I mean about the tunnel.
25:31That's what I mean about the tunnel.
25:31That's what I mean about the tunnel.
25:32That's what I mean about the tunnel.
25:32That's what I mean about the tunnel.
26:03Good morning. Good morning. Looks like a lovely lollipop. Good morning, sir. Ma'am, what do the young'uns like to meet the horses? Come along, try and meet Thursday. He's the big one on the right.
26:33Can you take a photo?
26:36Lillian, what are you doing?
26:38I just wanted to apologise.
26:39Oh, for heaven's sake, can't this wait?
26:42I really am sorry about how I behaved, but I have been behaving.
26:48I know you are.
26:49I totally understand your decision for firing me, but I really need my job back.
27:01Lillian, there are other jobs. Good morning.
27:04Hi.
27:05Not quite so public.
27:06I want this job. I need this job. I can't talk about this now. You shouldn't be in the coach.
27:13Sharon, please, can I just...
27:16Look, I started working here as a bit of a joke.
27:20Not a joke. I was the joke.
27:23I was 34 with no idea what I was doing with my life. What I mean is, I thought it would be fun.
27:31And it was fun, but it was also great. And I was good at it.
27:37And then I met Ash. And I think when he saw me working here with the kids, I think it made him like me more.
27:46And he kept telling me how brilliant I was with them and that I should be a schoolteacher.
27:53And that's when I enrolled in university. That was because of him.
27:59So, you see, my whole adult life finally made sense because of this job.
28:11Everything's changed, Lillian.
28:13Not this place. It's still 1851.
28:20Everywhere I go, everyone just wants to talk about Ash.
28:25Now he died.
28:28And then when I'm here, and I'm in costume, it just feels good to pretend that everything's normal for a little while.
28:38Whoa, Thursday.
28:39Hey.
28:41Please, Sharon, I've almost finished my degree, and then I can be teaching here properly.
28:45You can come back on strict probation.
29:13Really?
29:16I won't let you down, I promise.
29:18Heard that before.
30:42Hello.
30:44Welcome to Rosalie Estate.
30:46I'm Andrew Schneider, third generation winemaker, ninth generation wine drinker.
30:51I hope you're all looking forward to tasting the best wine in the Barossa.
30:55Now, cellar door's right down that way.
30:57You'll find my beautiful wife, Kelly, waiting for you in the gazebo.
31:00Enjoy.
31:00Okay, let's go.
31:03Oh, hello.
31:19Are you part of the group?
31:21The tour.
31:22Are you here for lunch?
31:28Are you okay?
31:30My fiancé is...
31:33Well, is he...
31:35He's...
31:35Oh.
31:36Well, if he's caught up with my husband, we'll never get him back.
31:39Would you like to try some of our bubbles?
31:40Andrew sent this to me.
31:46I'm sorry?
31:48He wrote to me.
31:49Your fiancé?
32:03He's...
32:04Sorry.
32:05Um...
32:06Oh.
32:09Oh.
32:09So here we've got some big fruit flavours, maybe some blackberry, some plum.
32:15You might detect a hint of dark chocolate for any of your chocolate lovers in the house.
32:20Excuse me.
32:23What happened?
32:25Kelly?
32:27Toby, get her a lemonade and keep everyone inside.
32:30What's wrong?
32:31Where does it hurt?
32:32Did you see it?
32:32Did she hit her head?
32:33Maybe.
32:36This is...
32:37This is...
32:38Lillian.
32:38I'm Lillian.
32:41Her...
32:41Her fiancé...
32:44donated his heart.
32:49I don't understand.
32:54Sorry.
32:54I'm so sorry.
32:56I didn't mean to hurt Kelly and I just...
32:59I just wanted to...
33:02see you.
33:08I thought it was anonymous.
33:11It is.
33:13I googled.
33:15Because there was only one heart transplant in Victoria in that 24 hours and we were in Ballarat.
33:21So, and your story was in the news and Kelly had put everything about the accident on Insta and it just, it wasn't that hard to find you.
33:31I'm sorry.
33:39I'm sorry.
33:39Oh, no.
33:43It's alright.
33:45Isn't it?
33:47It is.
33:49We understand.
33:51Your letter was so lovely.
33:54It took him two weeks to write that.
34:05He would have been so happy to help you.
34:08Ash.
34:09His name was Ash.
34:11He was a doctor.
34:12Oh, my God.
34:15We're just so sorry.
34:18Do you want to take your photo?
34:20Oh.
34:21Oh.
34:22Um.
34:24Yeah, yeah, of course.
34:26Oh.
34:28Oh.
34:31Oh.
34:34It's...
34:35It's...
34:35It's...
34:36It's...
34:37It's...
34:38It's...
34:39It's...
34:40It's...
34:41It's...
34:42Are you okay?
34:50Andrew.
34:52I'm fine.
34:53I'm fine.
34:55I just wasn't expecting.
35:00Expecting what?
35:02Maybe we should go into the house.
35:04Hang on.
35:06Expecting what?
35:07He might need some food.
35:08He's...
35:09He's probably overdone it.
35:13He's overdone it.
35:20Sorry.
35:20Sorry.
35:44Sorry.
35:44It's a fucking thing.
35:46It's either freezing or...
35:48It's more freezing.
35:50Oh, come on.
35:51What'd you get for the cheapest upperspace in town, I guess?
35:54What you don't have in warmth you make up for in petrol fumes.
35:56Yes.
35:57Which, uh...
35:58Really suits half my clientele.
35:59And how many clientele have you got so far?
36:02A few, actually.
36:03And some of them even pay me.
36:05Fools.
36:05I promise I'll pay you in dinner.
36:07Oh, yeah.
36:07What kind of dinner?
36:09Um...
36:10I mean, out or at your place?
36:12We don't go out my house.
36:14Okay.
36:15So that's three dinners.
36:17With meat.
36:21Fine.
36:22Three.
36:23But we want top-shelf legal advice.
36:26I don't need advice.
36:27The police have been good, but it's all a bit daunting.
36:31Hamish has been worried about me, Jack.
36:33He forgets I run an emergency department.
36:35You've never been in court before.
36:36I don't have to do anything.
36:38He's pleading guilty.
36:39You still have to show up.
36:40But this is great, so you can see Lillian.
36:46She'll be on Lillian time.
36:48Did you read her victim impact statement?
36:50Uh, no.
36:51No, I haven't seen it.
36:52She was emailing it.
36:53Oh, okay.
36:56She's really turned a corner.
36:58Has she?
36:59Do you have the internet?
37:02Yes.
37:02This is a service station, not a submarine.
37:04Have you read it?
37:05No.
37:06But she definitely said she was doing it.
37:10Okay.
37:11Okay.
37:12Uh, so realistically, that might still be in the wishlist column.
37:16Wishlist?
37:17Yeah, I mean, she's not legally required to do a statement.
37:20Isn't she?
37:21No.
37:21The hospital said I had to do one.
37:23Yeah, they'll be wanting to maximise the pressure.
37:25But, um, yeah, technically she doesn't even have to go to court.
37:28But that's ridiculous, though.
37:30I'm not the victim in this.
37:32Well, I'm not sure that's true.
37:34Lillian is.
37:34Why am I doing a victim impact statement?
37:36Well, I mean, it's preferable if she does, obviously, you know, to make the sentence stick.
37:41Right.
37:41Jesus, my fingers are bone white.
37:45Um, why don't we go over your statement while we're waiting?
37:49I know it.
37:50Of course you do.
37:51Um, it's just, and look, I hate to say these words, but I know she's right.
37:58Um, it is daunting to be in court and to have to face him.
38:02Yes, you run an ED and you're used to trauma, but, um, this is different.
38:12Ash was our friend.
38:13And it's hard enough for us to deal with it.
38:16Right.
38:17And we weren't there.
38:18I just think, um, you don't have pain there with him when, um, it is daunting to be in court and to have to face him.
38:28You know what?
38:28I'm going to call Lillian.
38:30Actually, let's see how far away she is.
38:33This is ridiculous.
38:34This is ridiculous.
38:48What the fuck was our name?
39:01Hi.
39:02Ah, sorry.
39:03Someone called Lillian Vandenberg is on the phone.
39:06She's super upset.
39:07I told her that you were on a Zoom, but she's kind of freaking out.
39:16Lillian?
39:20Hi.
39:20I'm Susan Sinclair.
39:21I'm the family coordinator.
39:23We met after Ash passed away.
39:25Where are the other letters?
39:27I'm sorry?
39:28You've only sent one letter, but we donated everything.
39:32Okay.
39:33Well, the process can be...
39:35Why hasn't anyone else written?
39:36Are they not grateful?
39:38Oh, Lillian, it's not that.
39:41Ah, look.
39:43People find it hard to write for a lot of reasons.
39:47They're overwhelmed.
39:49They're scared.
39:49Is there a vetting system?
39:51For the letters?
39:52For the recipients.
39:54Well, they have to be compatible.
39:56Blood group, size, tissue.
39:58But what about a compatible person?
40:02Has something happened?
40:04No.
40:04I just want to know if...
40:07If there's a caveat for who gets it.
40:11No.
40:12There are no caveats.
40:14Ash had no caveats when he chose to be an organ donor.
40:17But I can assure you, his generosity and yours has saved many different lives.
40:27Lillian?
40:30I'd really like another letter.
40:32Andrew, dinner!
40:46Mathilde, can you tell the boys if they don't come inside now, there's no dessert.
40:51Oliver!
40:51James!
40:52Not like that.
40:53You just yelled for Dad.
40:54Well, he's in the next room.
40:56I think he has his door closed.
40:57While only designed in 1940, the North American P-51 Mustang quickly became known as the pilot's plane.
41:09It's that Doc I haven't recommended about the P-51 Mustang.
41:12Mmm.
41:13One of my favourites.
41:15Dinner's ready.
41:16I might have mine in here.
41:18Are you okay?
41:21Why do you keep asking me that?
41:23Because you want to eat dinner on your own.
41:26Oh, I'm just a bit tired.
41:27Is it about yesterday?
41:31No, Kelly, it's not.
41:32I told you.
41:33I know.
41:35But...
41:35Such a shock.
41:37I'm not the one who framed it.
41:39Oh.
41:40Okay.
41:41Look.
41:42I just mean...
41:43I'm alright.
41:48But I'm wondering if Lillian is.
41:50What's that supposed to mean?
41:58She was upset.
42:00I didn't ask her to come here.
42:01I know, but...
42:02She's lost her fiancé.
42:03Of course she's upset.
42:04You upset her.
42:05The way that you reacted when you saw the photograph, it looked like you didn't like what you saw.
42:12I beg your pardon?
42:13Because he was...
42:15I mean, did you ever consider that he might not be white?
42:22I can't even...
42:24I don't...
42:27Jesus, Kelly.
42:32I cannot believe you would say that.
42:34That's what it looked like.
42:36That's why she left so abruptly.
42:38I think you need to say sorry.
42:40I need to say sorry.
42:41I was ambushed.
42:43What she did is illegal.
42:44But that doesn't change the way that you reacted.
42:46But why did she go to Adelaide?
43:09She said she needed to clear her head.
43:11Who goes to Adelaide to clear their head?
43:14Mummy!
43:15I've got eating!
43:16I love them.
43:18When's she coming back?
43:19I don't know.
43:20Well, how am I supposed to make another appointment with Jack?
43:22I don't know.
43:23I'm not going again.
43:24But we didn't go through the statements.
43:26Can I have some earrings too?
43:27Of course.
43:30Babe, we need to see him again.
43:32We see him all the time.
43:34I'm serious.
43:34You heard what he said about...
43:36Oh my God, Hamish.
43:37Did you hear what I said?
43:39I deal with this stuff every day.
43:41Okay?
43:42I'm fine.
43:42Well, you're not.
43:43Well, I have to be, don't I?
43:45Unlike Lillian, I don't have a choice.
43:48I don't get to go off on a fucking road trip.
43:50Or not show up to court if I don't feel like it.
43:53I'm going to get changed.
43:54Fantastic.
44:18Hello?
44:18What are you doing here?
44:26How did you find me?
44:28You said Ballarat.
44:30And, uh, I wasn't the only story in the paper.
44:34Your landlord said you'd be back soon.
44:39Flew my plane over, actually.
44:42Sounds grander than it is, just a little four-seater.
44:44Still sounds pretty grand.
44:48Yeah.
44:52Beautiful spot you've got here.
44:54You're a rower?
44:55No.
44:57Ash was.
44:58Oh.
44:59What kind of rower was he?
45:00I don't know.
45:03I used to ride from the University of Men's 8.
45:05I don't know what you're doing here, but I've got some cold stuff that I need to put away.
45:09Oh, give me a hand.
45:10No.
45:13Okay.
45:16Look, I don't know if you, um, you left this behind.
45:22My letter.
45:25Also, I, uh, I wanted to apologise.
45:29But not asking you to stay for lunch.
45:32Should have stopped you from leaving.
45:33Are you sure I can't help with one of those?
45:39I know you were disappointed.
45:41What?
45:42You wrote all those beautiful things when you didn't know what Ash looked like, but when
45:45you saw his photo, you were disappointed.
45:48No.
45:49No, that's not true.
45:50You literally reeled.
45:52No.
45:53No.
45:54Gosh, I'm so sorry you thought that.
45:56I didn't think it.
45:57I saw it.
45:58Okay.
45:59Well, I don't know what you think you saw, but, um, I wasn't disappointed.
46:05I was, um, yeah, I don't know.
46:11I was, I, um, felt like I had the flu or I was sick or something.
46:15You were sick.
46:16No, no, I wasn't.
46:18I was, I was just in shock because I was seeing the person whose part I have.
46:28Because it's one thing to, to know that you have someone's, but to actually see who he
46:33was, I just, I wasn't ready for, for that.
46:38And after you left, since then, I've, I've read all these stories about him and seen what
46:47a good guy he was and, and how involved in the community he was.
46:51It's incredible.
46:53Boy, you thought only white people could be good citizens?
46:57No, no, of course not.
46:59He was the absolute best person and you don't get to be disappointed, okay?
47:04No, I'm, I'm...
47:05You just don't!
47:05I miss him so much.
47:29I can't actually believe that part of him is in you.
47:34It's just fucking crazy.
47:45I feel terrible about what happened to him.
47:50What I read about that night was just so, um...
47:55Actually, I can't stop thinking about it.
47:58I keep thinking about it and hoping that he wasn't looking.
48:13Because he was facing the girl on the gurney.
48:17There were two of them.
48:18They were both juiced up on ice and she'd smashed her hand through a window, but...
48:23Yeah, Ash had calmed her down a bit, but the boyfriend was still freaking out and he went
48:27and had another snort.
48:28And then when he came back, he thought that Ash was hurting her.
48:32And he came up from behind and, and punched and Ash fell...
48:37...back and hit his head.
48:40I'm so sorry.
48:48Did you get to...
48:50Did you, you regain consciousness at all?
48:56He, he was on life's when I got there.
48:59Oh, my God.
49:22Um, hi.
49:39Shit, you scared me.
49:42This is fun.
49:44Mm-hmm.
49:46Are you okay?
49:49Because it looks like you're drinking with the chickens.
49:52Well, you know, I just did a double.
49:57And the kids are annoying.
49:59And Amish is annoying.
50:01Lucky I'm not annoying.
50:05Are you here for dinner?
50:07Don't know, what's he cooking?
50:08Careful, big fat one's a bolter.
50:13So, I wrote the victim impact statement.
50:17Fuck.
50:19Really?
50:19Okay.
50:21Well, great.
50:28I'm sorry for being such a shithead.
50:32I do know how hard this has been for you.
50:36I'm fine.
50:38I love you.
50:41Love you too.
50:41So, I met the guy who has Ash's heart.
50:50He might be a bit of a dick, but he and his wife are coming here next Thursday for dinner.
50:58I wonder if he likes chicken.
50:59How can you manage?
Be the first to comment