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00:00Yeah, you really got me now. You got me so I can't sleep at night.
00:06Oh yeah, you really got me now. You got me so I don't know what I'm doing now.
00:12Oh yeah, you really got me now. You got me so I can't sleep at night.
00:18You really got me. You really got me. You really got me.
00:23Yeah!
00:25Oh yeah!
00:25I always wanna be by your side
00:32Yeah!
00:34Gonna have fun in the day
00:37Ba na na na na na na na
00:39Be with my girl she's so pretty
00:42Ba na na na na na na
00:44She looks by the sky
00:46She was badass
00:49It's so much midnight!
00:51Ok c'mon mom we don't wanna miss it!
00:53Oh my god
00:54We're going, we're going, we're going!
00:56Hurry, hurry, quickly, quickly!
00:58One step, one step.
01:00Marry me.
01:02Marry me.
01:08It's beautiful.
01:10And you have such terrible taste.
01:14Well, I have held.
01:16Five, four, three, seven!
01:18How long have you been planning this?
01:20Since I met you.
01:24Let's do everything.
01:32Let's do everything.
01:54Oh, my God.
02:24Mind the horses here.
02:49Please allow me to accompany you, Miss Rathbone.
02:52For the umpteenth time, Mr. Winterton, no, I do not need your accompaniment when I am attending to my affairs.
02:58Well, isn't that precisely why you need the accompaniment of a gentleman? Surely it's not safe for...
03:03Mr. Winterton, I am a woman of independ...
03:06Mr. Winterton, no, I'll have you, no.
03:17I'll have you, no.
03:22I'll have...
03:23Very well, Miss Rathbone. I understand you're feeling poorly. I shall see you in honour.
03:35I must go to the, um, to the post office. This way.
03:38Oh, my God. Sharon, I'm so sorry. This kid was eating fried chicken in my face.
03:51Yeah, sorry.
03:55I knew there was something wrong with that takeaway last night.
03:57People were taking photos.
03:59I know. I'm going to mention that when I ring to complain.
04:01This cannot keep happening.
04:02It won't. I'm pretty sure it's out of my system now.
04:06I am very sorry about what you've been through.
04:09Really, I am. But I'm okay now.
04:11Lillian, I have to let you go.
04:16No, come on. Please, Sharon, this job is the only thing that's keeping me sane.
04:20But it's not.
04:21I can fix this. I promise.
04:23Oh, my God.
04:47All right, thank you!
04:51Thank you so much!
05:17What the fuck?
05:35Mary, where are you?
05:39I'm outside your office. Someone's changed the key code.
05:41Hey, can you let me in?
05:43You need to use the front entrance.
05:45Yeah, I have a woman here in a big dress.
05:49Possibly on methamphetamine.
05:51Sorry, it's Dr Harvey in the ED office.
05:53Lillian, what's happened?
05:55I'm sick.
05:56God, did a Clydesdale shit on you?
05:58Can you give me something to stop throwing up?
06:00Miss, I need you to step out into the corridor.
06:02Oh, no, no.
06:03Just move away from the doctor.
06:04No, it's not a situation.
06:06I mean, obviously, it's a situation.
06:08She's my friend, my hungover friend.
06:11We're fine, thank you.
06:13Thanks.
06:15Sorry, I didn't realise you two.
06:21The costume kind of threw me.
06:23She works at Sovereign Hill.
06:25Is that the theme park?
06:27It's the living museum.
06:29Who's he?
06:31This is Sam, my new registrar.
06:35Sam, this is Lillian.
06:37Hey.
06:39What kind of emergency doctor freaks out so easily?
06:43I don't freak out.
06:45Tell that to the big boys in the uniforms.
06:47I was following procedure.
06:49It's all good, Sam.
06:50She was banging on the glass.
06:51I know.
06:52Can you go and check on the kid in room one for me?
06:53I was not banging on the glass.
06:55See if her x-rays have landed.
06:56You definitely were.
06:57And chase them if they haven't.
06:58And we were told to take extra precautions because the doctor that I replaced was killed on duty.
07:10Lillian was his fiancee.
07:16Shit.
07:18Can you deal with that for me, please?
07:19Sorry.
07:20I'll chase up those x-rays.
07:21Yeah.
07:32Why would you come here?
07:33I need an injection.
07:35And a mint.
07:37Sharon fired me.
07:39I may have thrown her in front of a school group.
07:42Oh, Lillian.
07:43If you give me an injection, I can go back and show her that I'm fine.
07:47And then if you wrote me a doctor's certificate to say that I had food poisoning, then I...
07:50Jesus Christ!
07:51You know what this is, don't you?
07:54Um...
07:55Why did I know this one?
07:56I cry for hell.
07:57Yeah, it's not funny.
07:58You should be seeing a psychologist.
07:59You should be seeing a psychologist.
08:00Okay, fine.
08:01Whatever.
08:12Have a sip.
08:17So, I finished my victim impact statement.
08:28Which was, you know, blech.
08:31But I'm glad it's done.
08:36How are you going with yours?
08:37Have you started?
08:38Because that's where I think the psychologist could help.
08:45You know?
08:46Because you can't talk about what happened.
08:48He might be able to help you get your thoughts...
08:50Can you just give me a fucking injection?
08:56Sorry.
08:57But actually, can you?
09:02No.
09:03Seriously?
09:04Can you at least write me a doctor's certificate?
09:06I have to get back to work.
09:07Mary!
09:08Go home and sleep it off.
09:10Okay.
09:12Fuck you.
09:13Yeah, fuck you too.
09:14You too.
09:33It's up here.
09:35TripAdvisor gave this place 4.75 stars as the best supper in the city.
09:38Oh.
09:41I just won $50.
09:44I bet Sarah that you couldn't make it through the evening without answering an email.
09:47Rupert says he wants to start the harvest Wednesday.
09:50Which would be great if we were making vinegar.
09:53We don't have a wrong way this way, mate.
09:55Oh.
09:56Yeah, don't mind me.
09:58Where are the manners?
09:59Come on.
10:00You're just hungry.
10:01Yeah.
10:02All kinds.
10:03Why isn't everyone in bed?
10:08I'm just getting close.
10:09I'm just getting close.
10:10I'm just getting close.
10:11I'm just getting close.
10:12I'm just getting close.
10:13Hey, bud.
10:14I think I fucked up.
10:15Hey, Siri.
10:16Turn it off.
10:18What happened?
10:19Your cousin happened.
10:21What now?
10:22We had a big fight.
10:23In my office.
10:24Wait, she came to the hospital?
10:27She lost her job.
10:29Oh, Jesus.
10:30Well, that was probably only a matter of time.
10:32She met Sam.
10:34Oh, how'd she take it?
10:35She vomited.
10:37Oh, baby, I'm sorry.
10:38It wasn't a matter of time.
10:39I know you did.
10:40I know you weren't a man.
10:42All right.
10:43I know you're not a man.
10:44I know you're a man.
10:45You're a man.
10:46Listen.
10:47I know you're a man.
10:48You're a man.
10:49You're a man.
10:50You're a man.
10:51I know you're a man.
10:52You're a man.
10:53I know you're a man.
10:54She was so hungover. That's why she came here. She wanted me to give her Maxilon.
10:59Fuck, that's desperate. Did it help?
11:01I didn't give it to her.
11:02Okay, alright.
11:04She'll just start drinking again tonight and be just as sick tomorrow.
11:08Okay, it's just you have given her medication before.
11:10Well, this time it was different. She wasn't listening to anything I was saying.
11:14And were you saying she should be seeing someone?
11:18We didn't see what she was like.
11:20Honey, I don't know why you would bring that up.
11:22She hasn't even started her victim impact statement.
11:25Oh God, Mary, you can't pass through about that.
11:28If she can't write it or even talk about it with us, how is she supposed to sit through everything and call?
11:34Look, I know you're anxious about going.
11:37Uh, no, no, no. This has nothing to do with me.
11:41Okay.
11:43Can you just call her, please? She listens to you.
11:47Well, that's bullshit.
11:49Just see if she's alright.
11:50No, you're the one who fucked up.
11:52I did not.
11:53You just said you did.
11:54Well, it's different when I say it.
11:56Are you okay?
12:14I will be when we land.
12:15Oh, hang on. Are we going the right way?
12:22Oh, let's just go back to the hotel.
12:25No, this is our night without children. I want to go out.
12:28I just want to get some room service.
12:29It's my birthday.
12:31Yeah, we came here, we saw your show.
12:34And that's it, is it? That's all I'm allowed.
12:37What?
12:37A plane ride and a musical and then shut up, Kelly. Time for bed.
12:40Okay, calm down. Those tickets weren't cheap, by the way.
12:46You know what? You go back to the hotel. I'm having supper.
12:50Okay. Kelly.
12:53Okay.
12:58There were two rings, which means your phone wasn't off.
13:18You've just hit the piss off Hamish button, which shits me because I'm working on this really important Noodle Shop logo, which, as I say, I know it doesn't sound that important, but it is.
13:27So fucking call me back.
13:30Lillian?
13:35Henry from uni?
13:38Oh, yeah.
13:39You okay?
13:40No.
13:42Same, same.
13:43Deep fryer.
13:44Deep fryer.
13:48Hey, are you coming back to uni?
13:53I'm really sorry about your husband, by the way.
13:59He's messed up.
14:05It happened here, right?
14:07Why don't you go stick your other hand and maybe your head in the deep fryer?
14:18Kelly!
14:30Kelly!
14:30Oi!
14:31Jesus!
14:31What?
14:32Kelly!
14:33Kelly!
14:34I'm sorry.
14:35Okay, I'm sorry.
14:36I'm not going back to the hotel.
14:37I know.
14:38I know.
14:39Where's your supper place?
14:44Hi, yeah.
14:47Looks good.
14:47Bakery Hill Medical.
14:55Hi.
14:56Do you have any doctors available?
14:59Lillian?
15:01Vandenberg?
15:03V-A-N-D?
15:08Roger that.
15:09Rerouting now.
15:12The smoke's too intense.
15:13We'll have to land at Avalon.
15:15It might get a little bumpy.
15:15I think we've butched it.
15:18I'll call Lana.
15:19I'll call Lana.
15:30It's a quarter to twelve.
15:32Who queues up for food at a quarter to twelve?
15:36What is this?
15:37A soup kitchen?
15:39You'll have to excuse my husband.
15:40He hasn't left Adelaide since 1993.
15:42What?
15:43Come on.
15:44Let's make a little joke.
15:45Got Melbourne at a comedy festival.
15:48Huh?
15:48Let's make a little joke.
15:50Hey.
15:51Give me this lot.
15:52Uh-uh.
15:53He's going to be so much more.
15:55He's going to be so much better.
15:57Ah!
15:58Ooh!
15:59Oh!
16:01Wait!
16:03Yes!
16:03I'm still here.
16:04Fuck!
16:05What?
16:05Oh!
16:06Oh!
16:06Oh!
16:06Oh!
16:06Oh!
16:06Oh!
16:07Oh!
16:07Oh!
16:08Oh!
16:08Oh!
16:09Oh!
16:09Oh!
16:10Oh!
16:10Oh!
16:11Oh!
16:11Oh!
16:12Oh!
16:13Oh!
16:13Oh!
16:14Oh!
16:14Oh!
16:15Oh!
16:15Oh!
16:16Oh!
16:16Oh!
16:17Oh!
16:17Oh!
16:18Oh!
16:19Oh!
16:20Oh!
16:20Oh!
16:21Oh!
16:21Oh!
16:22Oh!
16:22Oh!
16:23Oh!
16:24Oh!
16:25Oh!
16:26Oh!
16:27Oh!
16:28Oh!
16:29Oh!
16:30Oh!
16:31Come on!
16:32Come on!
16:33Let's go!
16:34Oh!
16:35Oh!
16:36Trauma victim, suffering cardiac arrest, suspected fractured pulvis and internal bleeding.
16:40CPR on scene, ROSC, 14 minutes.
16:43Oh, God!
16:44Please, Harry!
16:45Please, Harry!
16:46Please, Harry!
16:47Please, Harry!
17:01V, thank you so much.
17:03I told her not to call you.
17:16Are you all right?
17:17You scared the shit out of us.
17:18I'm sorry.
17:19I shouldn't have pushed you about getting help.
17:21I should have just given you the injection.
17:23Yes, this is your fault, Mary.
17:24This has absolutely nothing to do with me being an arsehole.
17:27You're not an arsehole all the time.
17:31Yeah, I am.
17:31Yeah, she is.
17:33Well, of course you are.
17:36The love of your life died.
17:43I'd be an arsehole too.
17:45I shouldn't have been pressing you to talk or write your statement.
17:48Yes, you should have.
17:50I thought you were mad at me.
17:52What's the alternative?
17:54Look at her.
17:56For fuck's sake, Lillian, nobody wants to go to court.
17:59But at least there'll be some closure.
18:00The whole point of the victim impact.
18:02Jesus Christ, don't you get it?
18:03The whole point is there is no point.
18:05I don't care.
18:06About what?
18:07About anything.
18:08Well, you can't just, you need to snap out.
18:09Not snap out.
18:10I know that that's offensive.
18:11I just mean that there is a light at the end of the tunnel.
18:15And yes, you are in the tunnel at the moment.
18:18And it's very dark because there's a curvy bit that's, and what am I trying to say, Mary?
18:26Can I get a lift to my car?
18:28Oh, the car with a gaping hole in its side.
18:30Yeah, no, we're taking you home.
18:32Please, Harry.
18:34Please, Harry.
18:35Please, please.
18:36Please, Harry.
18:37His stats have dropped to 85.
18:41I made him go to supper.
18:42Is he going to be okay?
18:43Why didn't I just go with him back to the hotel?
18:47Is he going to be okay?
18:48Is he going to be okay?
18:49Is he okay?
18:51Please.
18:51He isn't.
18:53He's okay.
18:54He's okay.
18:56He's okay.
18:56Harry, please, Harry.
19:26Okay.
19:34Right.
19:35That's it.
19:36Get out of that dress.
19:37You're staying with us.
19:38I'm good.
19:39You can't stay here, Lillian.
19:41It's like a youth hostel and a...
19:45An end-of-year soccer trip.
19:47Fucked each other.
19:48Jesus Christ.
19:50How's the electricity not being disconnected?
19:52I'll pack a bag.
19:53I'm not coming.
19:54I'll sort the bills into piles.
19:56It's junk.
19:56Tell that to the sheriff.
19:58Are you fucking right?
19:59I don't need you to pack and I don't need you to open a letter from my local MP.
20:04No job too small.
20:06Australian...
20:06Australian what?
20:10Tax office?
20:11And so, unfortunately, Andrew has suffered a massive cardiac arrest in the accident and now he is in heart failure.
20:34But it's going now.
20:34But it's going now.
20:35He's breathing now.
20:36He is artificially breathing now and we are circulating his blood for him.
20:41So is he gonna need a stent?
20:42My father has a stent.
20:43He has too.
20:44I'm so sorry.
20:45I'm so sorry.
20:45This is very different.
20:47We can't undo the damage.
20:48How long since you've lodged a return?
21:00Is it a late phone?
21:03Mary, what is it?
21:05We've got a good accountant.
21:08Dear donor family.
21:11Oh, holy fuck.
21:12Who?
21:12I don't really know how to begin except to say thank you for my new heart.
21:21It's his heart.
21:22Oh.
21:24Oh.
21:24Ten months ago, I had an accident and to cut a long story short, I was put on a waiting list for a new heart.
21:33Three months later on the day you would have endured your loss, it came.
21:38Okay, everyone, you ready?
21:42Hello, Andrew.
21:47We made it.
21:49I can't describe the joy and relief my family and I felt on that day.
21:55Or how deeply grateful we are.
22:01The next Vizeplector, it's redacted.
22:04It has to be anonymous.
22:05Oh.
22:06I can only imagine the pain you're going through, but I hope it gives you some comfort to know
22:11that you'll give us my life.
22:16I will never take for granted your generosity.
22:20And I will cherish every day with my new heart.
22:24Forever in your debt, recipient.
22:26I can't.
22:26I can't.
22:26I can't.
22:27I can't.
22:27I can't.
22:48I'm sorry, I'm sorry.
23:18Let me see him.
23:48Are you okay, Lell?
23:53I forgot.
23:56Forgot what?
23:58The night he died.
24:00That he was killed.
24:04It's on a loop in my head.
24:07I can't make it stop.
24:09You calling me.
24:11You coming to get me.
24:14Running through the hospital.
24:15My shoes weren't on properly.
24:19And the police.
24:22And then seeing him there.
24:27And his mum yelling at me.
24:31She was so mad.
24:33I know.
24:34So I forgot.
24:39That Orson all totally fucked.
24:43And there's someone out there with his heart.
24:45That's what I mean about the tunnel.
24:58That's the light.
25:00Someone got to live.
25:01I know.
25:01Please don't do metaphors.
25:16Not just someone.
25:19Lots of someones.
25:21Here we go.
25:48Good morning.
26:16Good morning.
26:18Looks like a lovely lollipop.
26:22Good morning, sir.
26:24Ma'am.
26:25What are the young'uns like to meet the horses?
26:30Come along, try and meet Thursday.
26:32He's the big one on the right.
26:33Can you take a photo?
26:35What are you doing?
26:37I just wanted to apologise.
26:39Oh, for heaven's sake, can't this wait?
26:42I really am sorry about how I behaved,
26:46have been behaving.
26:48I know you are.
26:54I totally understand your decision for firing me,
26:58but I really need my job back.
27:00Lillian, there are other jobs.
27:02Good morning.
27:03Good morning.
27:04Hi.
27:05Not quite so public.
27:06I want this job.
27:07I need this job.
27:09I can't talk about this now.
27:11You shouldn't be in the coach.
27:13Sharon, please, can I just...
27:15Look, I started working here as a bit of a joke.
27:19No, no, no, not a joke.
27:21I was the joke.
27:23I was 34 with no idea what I was doing with my life.
27:28What I mean is I thought it would be fun.
27:30And it was fun.
27:32But it was also great.
27:34And I was good at it.
27:36And then I met Pat.
27:38And I think when he saw me working here with the kids,
27:44I think it made him like me more.
27:47And he kept telling me how brilliant I was with them
27:51and that I should be a school teacher.
27:53And that's when I enrolled in university.
27:56That was because of him.
27:58So, you see, my whole adult life finally made sense.
28:07Because of this job.
28:11But everything's changed, Billy.
28:14Not this place.
28:16It's still 1851.
28:20Everywhere I go, everyone just wants to talk about Ash.
28:25Now he died.
28:27And then when I'm here,
28:29and I'm in costume,
28:31it just feels good to pretend that everything's normal for a little while.
28:38Whoa, Thursday.
28:40Please, Sharon, I've almost finished my degree
28:43and then I can be teaching here properly.
28:57You can come back on strict probation.
29:12Really?
29:16I won't let you down, I promise.
29:18I've heard that before.
29:19I've heard that before.
29:20I've heard that before.
29:21Yes, I'm teaching some beautiful.
29:22That's it.
29:23Okay.
29:24Hi.
29:28I'm sorry.
29:32Oh, yeah.
30:43Hello.
30:44Welcome to Rosalie Estate.
30:46I'm Andrew Schneider, third generation winemaker, ninth generation wine drinker.
30:52I hope you're all looking forward to tasting the best wine in the Barossa.
30:55Now, cellar door is right down that way.
30:57You'll find my beautiful wife, Kelly, waiting for you in the gazebo.
30:59Enjoy.
31:01Oh, hello.
31:19Are you part of the group?
31:21The tour.
31:24Are you here for lunch?
31:28Are you okay?
31:30My fiancé is...
31:33Well, is he...
31:35Oh, well, if he's caught up with my husband, we'll never get him back.
31:39Would you like to try some of our bubbles?
31:44Andrew sent this to me.
31:46I'm sorry?
31:48He wrote to me.
31:49Your fiancé?
32:03He's...
32:04Sorry.
32:06Um...
32:07Oh.
32:09Oh.
32:09So here we've got some big fruit flavours, maybe some blackberry, some plum.
32:15You might detect a hint of dark chocolate for any of your chocolate lovers in the house.
32:20Excuse me.
32:23What happened?
32:25Kelly?
32:27Toby, get her a lemonade and keep everyone inside.
32:30What's wrong?
32:31Where does it hurt?
32:32Did you see it?
32:32Did she hit her head?
32:33Maybe.
32:34This is...
32:37This is...
32:38Lillian.
32:39I'm Lillian.
32:41Her...
32:42Her fiancé...
32:45donated his heart.
32:49I don't understand.
32:54Sorry.
32:54I'm so sorry.
32:56I didn't mean to hurt Kelly and I just...
32:59I just wanted to...
33:02see you.
33:04I thought it was anonymous.
33:11It is.
33:13I googled.
33:15Because there was only one heart transplant in Victoria in that 24 hours and we were in Ballarat.
33:21So...
33:22And your story was in the news and Kelly had put everything about the accident on Insta and...
33:29It just...
33:30It wasn't that hard to find you.
33:31I don't know.
33:34I'm sorry.
33:40Oh, no.
33:43It's alright.
33:45Isn't it?
33:47It is.
33:50We understand.
33:53Your letter was so lovely.
33:55It took him two weeks to write that.
34:05He would have been so happy to help you.
34:08Ash.
34:09His name was Ash.
34:11He was a doctor.
34:12Oh, my God.
34:14I'm just so sorry.
34:18Do you want to say your letter?
34:20Oh.
34:21Oh.
34:22Um.
34:24Yeah, yeah, of course.
34:26Oh.
34:28Oh.
34:31Oh.
34:33It's...
34:33It's...
34:34It's...
34:34It's...
34:35It's...
34:35It's...
34:35It's...
34:35It's...
34:36Are you okay?
34:50Andrew.
34:52I'm fine. I'm fine.
34:55I just wasn't expecting.
34:59Expecting what?
35:01Maybe we should go into the house.
35:04Hang on.
35:04Expecting what?
35:07He might need some food.
35:10He's probably overdone it.
35:13He's overdone it.
35:20Sorry.
35:34It's a fucking thing. It's either freezing or it's more freezing.
35:50Oh, come on.
35:50What do you get for the cheapest office space in town, I guess?
35:54What you don't have in warmth you make up for in petrol fumes.
35:56Yes, which really suits half my clientele.
35:59And how many clientele have you got so far?
36:02A few, actually.
36:03And some of them even pay me.
36:05Fools.
36:05I promise I'll pay you in dinner.
36:07Oh, yeah.
36:08What kind of dinner?
36:09Um, I mean, out or at your place?
36:12We don't go out my house.
36:14Okay.
36:15So that's three dinners with meat.
36:21Fine.
36:22Three.
36:23But we want top shelf legal advice.
36:26I don't need advice.
36:28The police have been good, but it's all a bit daunting.
36:31Hamish has been worried about me, Jack.
36:33He forgets I run an emergency department.
36:35You've never been in court before.
36:37I don't have to do anything.
36:38He's pleading guilty.
36:39You still have to show up.
36:40But this is great, so you can see Lillian.
36:46She'll be on Lillian time.
36:48Did you read her victim impact statement?
36:50Uh, no.
36:51No, I haven't seen it.
36:52She was emailing it.
36:53Oh, okay.
36:54She's really turned a corner.
36:58Has she?
36:59Do you have the internet?
37:02Yes.
37:02This is a service station, not a submarine.
37:04Have you read it?
37:05No.
37:06But she definitely said she was doing it.
37:10Okay.
37:11Okay.
37:12Uh, so realistically, that might still be in the wishlist column.
37:16Wishlist?
37:17Yeah, I mean, she's not legally required to do a statement.
37:20Isn't she?
37:21No.
37:21The hospital said I had to do one.
37:23Yeah, they'll be wanting to maximise the pressure, but, um, yeah, technically she doesn't even
37:26have to go to court.
37:28But that's ridiculous, though.
37:30I'm not the victim in this.
37:32Well, I'm not sure that's true.
37:34Lillian is.
37:34Why am I doing a victim impact statement?
37:36Well, I mean, it's preferable if she does, obviously, you know, to make the sentence stick.
37:41Right.
37:42Jesus, my fingers are bone white.
37:44Um, why don't we go over your statement while we're waiting?
37:49I know it.
37:50Of course you do.
37:53Um, it's just...
37:55And look, I hate to say these words, but...
37:57Maymere's right.
37:58Um, it is daunting to be in court and to have to face him.
38:02Yes, you run an ED and you're used to trauma, but, um, this is different.
38:11Ash was our friend.
38:13And it's hard enough for us to get all that.
38:16Right.
38:16And we weren't there.
38:20I just think, um...
38:22You don't have been there with him when, um...
38:25It is daunting to be in court and...
38:28You know what?
38:28I'm going to call Lillian.
38:30Actually, let's see how far away she is.
38:33This is ridiculous.
38:34This is ridiculous.
38:46What the fuck was that?
38:56Hi.
39:01Hi.
39:02Ah, sorry.
39:03Someone called Lillian Vandenberg is on the phone.
39:06She's super upset.
39:08I told her that you were on a Zoom, but she's kind of freaking out.
39:11Lillian?
39:20Hi.
39:20I'm Susan Sinclair.
39:21I'm the family coordinator.
39:23We met after Ash passed away.
39:25Where are the other letters?
39:27I'm sorry?
39:28You've only sent one letter, but we donated everything.
39:32Okay.
39:33Well, the process can be...
39:35Why hasn't anyone else written?
39:36Are they not grateful?
39:38Oh, Lillian, it's not that.
39:40Oh, look.
39:43People find it hard to write for a lot of reasons.
39:47They're overwhelmed.
39:49They're scared.
39:49Is there a vetting system?
39:51For the letters?
39:52For the recipients.
39:54Well, they have to be compatible.
39:56Blood group, size, tissue.
39:58But what about a compatible person?
40:02Has something happened?
40:03No, I just want to know if there's a caveat for who gets it.
40:11No, there are no caveats.
40:14Ash had no caveats when he chose to be an organ donor.
40:18But I can assure you his generosity and yours has saved many different lives.
40:24Lillian?
40:30I'd really like another letter.
40:32Andrew, dinner!
40:46Matilde, can you tell the boys if they don't come inside now, there's no dessert?
40:51Oliver!
40:51James!
40:52Not like that.
40:53You just yelled for Dad.
40:54Well, he's in the next room.
40:56I think he has his door closed.
40:57While only designed in 1940, the North American P-51 Mustang quickly became known as the pilot's plane.
41:09It's that Doc I haven't recommended about the P-51 Mustang.
41:12Mmm, one of my favourites.
41:15Dinner's ready.
41:16I might have mine in here.
41:18Are you okay?
41:21Why do you keep asking me that?
41:23Because you want to eat dinner on your own.
41:26Oh, I'm just a bit tired.
41:27Is it about yesterday?
41:31No, Kelly, it's not.
41:32I told you.
41:33I know.
41:35But...
41:35Such a shock.
41:37I'm not the one who framed it.
41:39Oh.
41:40Okay.
41:41Look.
41:42I just mean...
41:43I'm alright.
41:48But I'm wondering if Lillian is.
41:50What's that supposed to mean?
41:58She was upset.
42:00I didn't ask her to come here.
42:01I know, but...
42:02She's lost her fiancé.
42:03Of course she's upset.
42:04You upset her.
42:05The way that you reacted when you saw the photograph, it looked like you didn't like what you saw.
42:12I beg your pardon?
42:13Because he was...
42:15I mean, did you ever consider that he might not be white?
42:22I can't even...
42:24I don't...
42:26Jesus, Kelly.
42:32I cannot believe you would say that.
42:34That's what it looked like.
42:36That's why she left so abruptly.
42:38I think you need to say sorry.
42:40I need to say sorry.
42:41I was ambushed.
42:43What she did is illegal.
42:44But that doesn't change the way that you reacted.
42:46But why did she go to Adelaide?
43:09She said she needed to clear her head.
43:11Who goes to Adelaide to clear their head?
43:14Mummy!
43:15I've got eating!
43:16I love them.
43:18When's she coming back?
43:19I don't know.
43:20Well, how am I supposed to make another appointment with Jack?
43:22I don't know.
43:23I'm not going again.
43:24But we didn't go through the statements.
43:26Can I have some earrings too?
43:27Of course.
43:30Babe, we need to see him again.
43:32We see him all the time.
43:34I'm serious.
43:34You heard what he said about...
43:36Oh my God, Hamish.
43:37Did you hear what I said?
43:39I deal with this stuff every day.
43:41Okay?
43:42I'm fine.
43:42Well, you're not.
43:43Well, I have to be, don't I?
43:45Unlike Lillian, I don't have a choice.
43:48I don't get to go off on a fucking road trip.
43:50Or not show up to court if I don't feel like it.
43:53I'm going to get changed.
43:57Fantastic.
43:58What are you doing here?
44:24How did you find me?
44:28You said Ballarat.
44:30And, uh...
44:31I wasn't the only story in the paper.
44:34Your landlord said you'd be back soon.
44:39Flew my plane over, actually.
44:42Sounds grander than it is.
44:43Just a little four-seater.
44:45Still sounds pretty grand.
44:46Beautiful spot you've got here.
44:54You're a rower?
44:55No.
44:57Ash was.
44:58Oh.
44:59What kind of rower was he?
45:00I don't know.
45:03I used to ride from the University of Men's 8.
45:05Look, I don't know what you're doing here,
45:07but I've got some cold stuff that I need to put away.
45:09Oh, give you a hand.
45:10No.
45:13Okay.
45:16Look, I don't know if you, um...
45:18You left this behind.
45:22My letter.
45:25Also, I, uh...
45:26I wanted to apologise.
45:29But not asking you to stay for lunch.
45:32She'll stop you from leaving.
45:33You sure I can't help with one of those?
45:39I know you were disappointed.
45:41What?
45:42You wrote all those beautiful things
45:43when you didn't know what Ash looked like,
45:45but when you saw his photo,
45:46you were disappointed.
45:48No.
45:49No, that's not true.
45:50You literally reeled.
45:52No.
45:53No.
45:54Gosh, I'm so sorry you thought that.
45:56I didn't think it.
45:57I saw it.
45:58Okay.
45:59Well, I don't know what you think you saw,
46:03but, um, I wasn't disappointed.
46:05I was...
46:07Um...
46:09Yeah, I don't know.
46:11I was...
46:12I, um, felt like I had the flu
46:14or I was sick or something.
46:15You were sick.
46:17No.
46:17No, I wasn't.
46:18I was...
46:19I was just in shock
46:21because I was seeing
46:24the person whose part I have
46:27because it's one thing
46:29to know that you have someone's...
46:32But to actually see who he was,
46:34I just...
46:35I wasn't ready for...
46:36for...
46:37that.
46:41And after he left,
46:43since then,
46:44I've read all these stories about him
46:45and, you know,
46:47seen what a good guy he was
46:48and how involved in the community he was.
46:51It's incredible.
46:53Boy,
46:54you thought only white people
46:55could be good citizens?
46:56No.
46:57No, of course not.
47:00He was the absolute best person
47:02and you don't get to be disappointed, okay?
47:04No, I'm...
47:05You just don't!
47:18I miss him so much.
47:20I can't actually believe
47:31that
47:32part of him is in you.
47:34It's just fucking crazy.
47:36I feel terrible
47:46about what happened to him.
47:48What I read about that night
47:52was just so, um...
47:54Actually, I can't stop
47:57thinking about it.
47:58I keep thinking about it
48:10and hoping that he wasn't looking
48:11because he was facing
48:14the girl on the gurney.
48:17There were two of them
48:18both juiced up on ice
48:20and she'd smashed her hand
48:21through a window, but...
48:23Yeah, Ash had calmed her down a bit,
48:25that the boyfriend was still freaking out
48:27and he went and had another snort
48:28and then when he came back
48:29he thought that Ash was hurting her
48:31and he came up from behind
48:33and punched and Ash fell...
48:38...back and hit his head.
48:40I'm so sorry.
48:45I'm so sorry.
48:48Did you get to...
48:50Did you regain consciousness at all?
48:56He was on life's
48:58when I got there.
48:59He was on life's
49:03in the end.
49:04I left it.
49:06I thought it was crazy.
49:07He was
49:07when I got there.
49:08I was in there.
49:09I thought it was crazy.
49:11He went in there.
49:15He was like,
49:15how's he going?
49:17He was like,
49:17I'm just like,
49:20and I was like,
49:22I was like,
49:22I got down.
49:23I don't know.
49:24He took the leg
49:26and went,
49:26And it was like,
49:27Um, hi.
49:39Shit, you scared me.
49:42This is fun.
49:44Mm-hmm.
49:46Are you okay?
49:49Because it looks like you're drinking with the chickens.
49:52Well, you know, I just did a double.
49:55And the kids are annoying.
49:59And Amish is annoying.
50:01Lucky I'm not annoying.
50:05Are you here for dinner?
50:07Don't know, what's he cooking?
50:08Careful, big fat one's a bolter.
50:13So, I wrote the victim impact statement.
50:17Fuck.
50:19Really?
50:21Well, great.
50:25I'm sorry for being such a shithead.
50:32I do know how hard this has been for you.
50:35I'm fine.
50:38I love you.
50:41Love you too.
50:41So, I met the guy who has Ash's heart.
50:50He might be a bit of a dick, but he and his wife are coming here next Thursday for dinner.
50:58I wonder if he likes chicken.
50:59How can you manage?
51:02How can you manage?
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