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00:00Every year we travel the country giving you the chance to show our experts your cherished items
00:06But our summer roadshows have proved so popular we haven't been able to pack in all the pieces you brought along
00:13So tonight we'll be showing some unseen moments from some of our most memorable venues across the summer coming up
00:19Is it a bird? Is it a plane? It looks like a little Superman figure to me
00:24What do you feel like when you wear them like a million dollars?
00:27They are very very special then my father was going to attack it with a polishing drill because he thought it was dirty
00:34You basically saved its life anyone who can peer beyond the shoulders of the shopkeeper for all the best things are
00:40It's where all the best things are
00:43I'll also be talking all things ceramics with one of our experts when we pay a visit to Trenton Gardens in Staffordshire
00:50With this stunning lake
00:52This was created by Capability Brown in the 18th century all of it dug by hand
00:58Can you imagine it's just a stone's throw from Stoke-on-Trent and we were here almost ten years ago with the roadshow
01:05But that time I was in a rowing boat
01:08This time a motor's doing all the hard work. I'm glad to say
01:11Welcome to the Antiques Roadshow
01:13In June 2025 we spent a glorious day at Stevens house in the leafy North London suburb of Finchley
01:39Once owned by ink magnate and politician Henry Stevens the imposing Victorian mansion is set in ten acres of landscaped gardens
01:48Where a rare Chinese item has caught the eye of Lee Young
01:52When you brought this to my table I have to say I think I saw the cover first
01:57Yeah
01:58And that got me excited but not nearly as excited as I was when I saw the whole thing
02:02It is simply beautiful. It's lovely to hold now. I need to know how you come to own such a thing
02:08My parents were very interested in Oriental art
02:11They traveled widely in Japan, China
02:14When they came back to England they bought this
02:17I think in about the 50s, 60s, something like that
02:21And then my parents passed away
02:23Been on my cabinet ever since and my daughter likes it too
02:27That sounds perfect
02:29It is Chinese, cloisonne, and it's a censer
02:33Which is an incense burner
02:34Yes
02:35Which is why we've got those holes in the top
02:37Yes
02:38So cloisonne, it's made up of these little sort of cloisonnes
02:41So this is wire work that's placed onto the metal
02:44And then they put in enamels and fire those enamels
02:47And then file down those enamels until you get this wonderful decoration
02:50Ah, I see
02:51It actually sort of dates from the 18th century
02:54And it dates from the Qianlong period
02:57And so that's between 1736 to 1795
03:01Yeah, I've had a really good look over and there doesn't seem to be any kind of blemishes or damage or anything like that over this piece at all
03:06You know, the gilding's all in perfect condition
03:09And, you know, we look at the front here and you've got this lovely kind of lotus flower
03:12And all these lovely sort of scrolling colourful tendrils and other, you know, flower head motifs
03:18And then they're all below this lovely band of Rui heads or Lingzhu fungus
03:23The one thing I should say is the stand is much later
03:26Now, if I take the lid off
03:28First of all, we can talk about this wonderful wear inside
03:33Yes
03:34And then we can see we've got the label here
03:36Costellini
03:37Who started out as a collector, it says collection
03:39But he actually eventually became a dealer in his own right
03:42And had a shop in London
03:44And was actually retailing primarily kind of Asian art in London
03:48So they were buying
03:50I think they probably bought it from him
03:52Bought it directly from him
03:53Having that collector's label on there helps when things are being sold today
03:58At auction, I can see this comfortably making between £5,000 to £8,000
04:04Wow
04:05Thank you
04:06Well, what a spectacularly beautiful pair of enameled gold and diamond earrings
04:19Tell us all about them
04:20Well, these were given to me by my grandmother
04:24Who actually died aged 101
04:28Goodness, yes
04:29And I was extremely close to her
04:31She bought these earrings for herself
04:34And she always believed that they were Fabergé
04:37But that the mark was lost when she had them changed to clips rather than pierced ears
04:42Because that was how she needed them
04:44But they have a very special place in my heart
04:47I bet
04:48Because of the connection with her
04:49I bet
04:50Well, the first thing to say, just for a point of accuracy
04:53Is that they are not by Fabergé
04:55They're something really rather earlier than that
04:57Which is fun
04:58I suspect that they're actually French
05:00And that they are about 1840 to 1860 indeed
05:04Which precludes Fabergé by about 30 years
05:07Well, had the fittings not been changed
05:09We might have got a little mark from Paris
05:11Which would endorse what I said
05:13But I can tell you that sort of instinctively
05:16And nothing more than instinct
05:18That a firm called Malario in Paris
05:20Was making jewellery of this description
05:23They're one of the oldest businesses in Europe
05:26And they exist even today
05:28And have the most spectacular heritage
05:30They are enameled gold
05:32And they're heightened with brilliant diamonds
05:35And what do you feel like when you wear them?
05:37Like a million dollars
05:39They are very, very special
05:41Aren't they marvellous?
05:42Yes, they really are
05:43They're ivy leaves and diamonds
05:46And in the Victorian 19th century language of flowers
05:48Which was in France too
05:50Ivy was for sort of tenacity and faithfulness
05:53And diamonds, well, forever
05:55Beautiful, articulated things
05:56And they come apart here on what's called a rat's tail
05:59And it's called a rat's tail
06:01Because you can bring this forward and take it off
06:05So that's your dress down Friday
06:07Ivy leaves and diamonds
06:09Not very dress down, I have to say
06:11But nonetheless
06:12And when you're going out for something a bit more special
06:15You can add this marvellous drop
06:17So versatile is also a keynote of really great jewellery
06:21Particularly in the 19th century
06:22And so tiaras make into necklaces
06:25And bracelets turn into brooches
06:27So all of that makes them covetable and valuable
06:31And earrings are often disproportionately valuable in our world
06:35But I think because of all the things that I've said about them
06:39If they were for sale
06:40They would probably cost about £8,000 today
06:43That's wonderful
06:45I absolutely love them, thank you
06:47Thank you very much indeed
06:49So this looks like a pretty unremarkable restaurant, Bill, doesn't it?
07:03It's from Parkes Restaurant in Beech and Place in London
07:06And it's dated 1965
07:08What's going on with it?
07:09My parents had an anniversary, very special anniversary dinner
07:13Right, OK
07:14And yeah, some interesting people were in the restaurant
07:17And if we turn it over, we can see who those people are, can't we?
07:20Yeah
07:21Because they were obviously John Lennon and George Harrison
07:23That's right
07:24My father said to the maitre d'
07:27Can I ask them for their signatures?
07:30And the maitre d' said, we don't do that at this restaurant, sir
07:33And he stuck it in front of them anyway
07:35All right, OK
07:36And they were more than delighted to sign it
07:38Right, OK
07:39And off he went
07:40Excellent, so were John and George kind of regular customers there?
07:43Apparently they were, it was one of their favourite restaurants
07:45We're going to talk about value
07:47I mean, obviously it's a family thing
07:48It's got that great story behind it
07:49Yeah
07:50But it's actually quite a valuable little thing
07:51Oh, OK
07:52And I think first-hand kind of accounts
07:54That really put you on the spot
07:56And you know that they're really genuine, these signatures
07:58Yeah
07:59Mean that this is worth one to one and a half thousand at auction
08:01Oh, OK
08:02OK, it's not going anywhere
08:03But everybody says that
08:04And I'm going to say that
08:05It's great, thank you for bringing it
08:06Thank you so much
08:07So am I looking at part of a larger collection or what?
08:26No, they're just the three bottles in the family
08:30We don't have any more
08:31You said the family, are we going back in time?
08:34We are
08:35They were always around in my grandma's house
08:38And I remember them as a child many moons ago
08:41And they've been passed down through the generations
08:44We thought they might have come from Germany or Holland
08:48And from sort of research we thought they might be sort of late 1600s
08:55Right
08:56Right
08:57The right bits are the fact that these are probably German
09:01But they were made across, you know, into Bohemia
09:04What is today the Czech Republic
09:06Yep
09:07Erm
09:08But we're not talking 1600s
09:11No
09:12We're talking 1700s
09:13Oh
09:14Right
09:15But what we're looking at is a form of German folk art
09:18Yes, exactly, exactly
09:20These are clear bottles
09:22These are in like a soda glass
09:24So there's no lead in them at all
09:26And they are then enamelled by hand
09:30Oh, it's enamelling
09:31With these spirited designs
09:33In other words, there is a glass paste that's laid on
09:36And then they're then heated when the glass then solidifies
09:39And it anneals to the actual body
09:42So tell me your thoughts about them
09:44Well, I love the colours
09:46I like their simplicity, the naivety of it
09:49And they've just been with us for so long
09:52That they're part of the family, really
09:54Yeah
09:55Let's have a look at what we've got here
09:56First of all, we have a white dog
09:59Yes
10:00But what I love are the flowers
10:01The flowers are wonderful
10:02And even the corners have got these curly whirlies, aren't they?
10:06And so there's a lot going on
10:08Even the shoulders have got beautiful decoration
10:12The little one in front there, well, that is all floral
10:16But what I love is the fact that the enamels are still there
10:20Ah
10:21So often they get flaky and they disappear
10:23And let's go on to the big one
10:25Yes
10:26Now the big one's got everything going for it
10:27Because the big one has got a little screw twist top
10:31The others, you can see here, should have had two screw twist tops
10:36So this is the premier example
10:40Where you've got a milkmaid on one side
10:43And on the other side we've got what appears to be a raspberry or strawberry tree
10:49When it comes to the value, I just wish they'd all got their...
10:52Their tops
10:53Their tops, their screw twist top
10:54But so, let's just take them as three fabulous glass flasks
10:59And I would say that you would be looking in the region of around about 800 pounds
11:05To perhaps, perhaps a thousand pounds
11:08Good Lord
11:09If they'd got their original tops, I would have said a thousand to twelve hundred without hesitation
11:14Right
11:15But what you've got is family treasure really, isn't it?
11:18Exactly, exactly
11:19The thing I love about this is something that's so beautifully simple, so exquisitely put together
11:32Yet conveys such a wonderful message
11:34And it seems so wonderfully observed
11:36This fabulous ceramic sculpture of a monkey and her little baby here
11:41But before I reveal more of the story of it, how does it come into your life?
11:44In the early 2000s, my wife and I were away for a romantic weekend in Budapest
11:49And we were in an antique shop and we were looking at various things
11:53And we loved monkeys
11:54We'd spent time with this particular type of monkey in a sanctuary in France
11:59When we were talking to the owner, there was a doorway behind him, behind the counter
12:04And just through that, I could see this up on a shelf slightly obscured
12:08We pleaded and begged and explained our passion and we agreed a price
12:12It was a couple of hundred pounds
12:14And we brought it home with us
12:16I'm so pleased you've given me that link
12:18You've mentioned the fact that you're in Budapest
12:20Yeah
12:21And actually, when we turn the monkey around
12:23On this side, we've got
12:25And the name is actually written in reverse
12:27It's actually Imre Simé
12:29Who is the Hungarian aspect with this date of 1906
12:33But also, we have this mark here
12:36This quite intriguing little backstamp
12:38Have you ever managed to find out who this is?
12:40I know it's the Wiener Keramik mark
12:43Brilliant, well found
12:44This date of 1906, which is the year that this factory was opened
12:50By two great Austrian sculptors
12:54Michael Pawonely and also Berthold Lofner
12:58Right
12:59Now, when we look at this at the front, we've got so many references
13:04The date itself actually belies the object
13:08Because at first glance, you look at this and you think this is Art Deco
13:11Yes
13:12You think this is 1925, 1930
13:15This is 20 years before
13:18I felt it was sort of an Art Deco-y, Cubist look about it
13:23But as you say, the date being so early didn't quite fit
13:27And I never really understood how that was
13:30And doesn't it show what a powerhouse
13:32And what was happening
13:33You know, the change that was
13:35This is a million miles away from Victoriana
13:38From that late 19th century
13:40Yes
13:41It's a mile away from Art Nouveau
13:42It's so far removed, but shows the strength of a movement
13:46That's really taking hold and going to come forward
13:49I'm going to put a price on it
13:51My gut instinct is I feel that the market, the appetite for this
13:55Would be stronger in Hungary
13:58I'm going to say an auction estimate of 8 to 1200 pounds
14:02It was a lovely find
14:04I commend you for that
14:05Thank you very much
14:06I commend you
14:07Anyone who can peer beyond the shoulders of the shopkeeper
14:10It's where all the best things are
14:11It's where all the best things are
14:13Back at Trenton Gardens, I've got a chance to catch up with one of our longest serving experts, John Sanden
14:34His late father Henry was with the roadshow almost from the start
14:38It's what we call slipware
14:40Made in Staffordshire somewhere around about 1700
14:45And John himself joined in 1985
14:49This has got to be one of the rarest pieces of English porcelain
14:52Now, after 40 years, he's indisputably roadshow royalty
14:57So it's wonderful to be able to learn how his dad fired up his lifelong passion for pottery
15:03John, I'm assuming that your illustrious father, Henry Sanden, had something to do with your interest
15:08Well, of course, with a dad like that, I mean, how could I have done anything else?
15:12He'd really got me started just as soon as I could walk in the garden picking up bits of broken pottery
15:17In that mug, incredibly, I helped dad join that together from broken bits when I was just five or maybe six
15:24He dug it up in the garden, all little tiny bits
15:27I helped them wash them, join them together
15:30And I was amazed that something 300 years old could come back to life from being broken
15:35So as well as digging up in the garden, did you dig up further afield?
15:39Dad loved archaeology of all sorts
15:41But in Worcester, he used to go for walks around the city and took me with him
15:45And if ever he saw any workmen had been digging a hole, he would lower me down into a trench
15:51And toss me down a trowel and a paper bag to pick up any bits of broken pottery
15:56Then I'd take them home, wash them in the sink
15:59And he would show me in the books what they were part of
16:02And so, professionally, how did it begin for you?
16:06When I was 13, he sent me up to London and gave me 20 quid and said
16:11Go and buy something rare and something unusual down Portobello Road
16:15And I bought this little pot
16:17I recognised that this was from ancient Peru
16:20It's a whistling pot
16:22It came from the time of the Inca
16:24Gosh, so what, 1300s to 1500s, about that?
16:26That's right
16:27And so this would have been in a grave somewhere up in the Andes
16:30And the spirits of the dead would have been released when the bird sings
16:34And I saw it on the store there and realised it still works
16:38Oh, let's hear
16:39As the air goes through the little chambers
16:41The bird sings away
16:45£18 I paid and brought it back to my dad
16:47He wanted to give me a profit for it
16:49But I wouldn't sell it to him
16:51I've kept it ever since
16:53Quite right too
16:54And then from there, you went into the business
16:57I was only 16
16:58I was still at school doing my A-levels
17:00When I was offered a job in a London auction house in Bond Street
17:04I learnt and brought along the knowledge I'd been gaining on old pottery
17:08And particularly about Worcester porcelain
17:11And what about this piece? How does this fit into your life?
17:13Well, this goes back to my dad's love of Worcester
17:17Especially his work
17:18He was the curator of the porcelain works at Worcester
17:22And one of the great craftsmen who'd been there all his life
17:25Was Harry Davis, who painted that vase
17:28I would have been ten
17:29Dad took me onto a little room in the factory
17:32And introduced me to Harry Davis
17:34Just sitting there, calmly painting a whole pile of plates
17:37I was mesmerised and I admired him so much
17:40Harry did this when he was a teenager
17:42Oh
17:43It was made in 1903
17:45And it was his first vase
17:47Painted with a view of Kemsey near Worcester in winter
17:50I mean, nowadays his vases fetch thousands of pounds
17:54But I grew up staring at that vase as Dad did
17:57And loved it too
17:58Now it's mine
18:00And, of course, porcelain doesn't get better than that
18:03Who knows more about ceramics and porcelain than you pay
18:06I mean, I can't imagine
18:07And, of course, your father sadly is no longer with us
18:09But such a stalwart of the show
18:11As you have been for so many years
18:13And a real treat, actually, John
18:15To hear about your life in ceramics
18:17Thank you
18:18No, it means a lot to me too
18:24In early summer, we visited Shuttleworth House
18:27A striking Victorian mansion
18:29Set in 4,500 acres of Bedfordshire countryside
18:33And while we were there
18:34We were treated to a fly-pass by a spitfire
18:40And miscellaneous expert Paul Atterbury
18:42Was fascinated to hear the story of one pilot's
18:45All-but-forgotten contribution to the war effort
18:49Now I'm looking at a group of, obviously, aviation things here
18:52There's a model of a glostometeor
18:55There's some medals
18:56There's an award
18:58And it's obviously an aviation story
19:00And here we've got a photograph of an amazingly jolly group captain
19:05Who's he?
19:06This is our father, group captain H.J. Wilson
19:09Known by everyone as Willie Wilson
19:11And these things, you lived with them?
19:13Yeah, if I'm a child, they were in the flat
19:15Although the medals were not on display
19:16My brother had those framed
19:18They were just hidden in a drawer
19:20So where does his life begin in the Air Force?
19:23So he joined up before the war
19:25And actually left the RAF before the war started
19:29And then as soon as the war started
19:30He was brought back in as a test pilot
19:33We don't often get the chance to talk about people
19:35Who were equally brave
19:37Who were never fighting the enemy directly
19:40And testing aeroplanes, of course, was the basis for everything
19:43His particular job at Farnborough, where he was based from 1941
19:47Was to test aeroplanes
19:50Here we have a model of a Gloucester Meteor
19:53This is the first jet warplane used by the Allies
19:58It was developed from 1940
20:01First flew in 1943
20:03And went into service in July 1944
20:07With a 616 squadron
20:10You know, the jet was a new concept
20:13And your father, I think, pioneered that
20:15And also, most importantly, he taught people how to fly it
20:19You'd flown a Spitfire hurricane
20:21You couldn't just step into this and fly it
20:24Because the whole technology was completely different
20:26But this became the mainstay of the Air Force
20:29Thousands were made
20:30It was used by air forces all over the place
20:32And he was very much involved in getting that plane
20:36To become the famous thing it was
20:38And that takes us on to, really, in a way, back to the photograph
20:42What's going on here?
20:44So that's Eric Greenwood, that's my father
20:46Eric Greenwood was working for Gloucester
20:48My father for the Air Force
20:49And the same day in Herm Bay in 1945
20:52They both had a go at breaking the world speed record
20:55At the end of it
20:56They awarded it to Eric Greenwood
20:58And my father
21:00And went off to lick his wounds
21:03And it was only a few hours later
21:04They discovered they got the maths wrong
21:06And realised it was my father who had broken the world speed record
21:09So they had looked up the numbers
21:10Yeah, absolutely
21:11Wonderful
21:12Very, very British, isn't it?
21:13Yes
21:14I think it was only three miles an hour between the two
21:16It wasn't very great
21:17Wasn't it 6.06?
21:19That's right
21:20That he got the speed record
21:21We've got a case of medals here which we must end with
21:23Normally we're looking at medals awarded in combat
21:26Here is a group that has no combat association whatsoever
21:29These are the standard medals
21:32This is an Air Force cross with two bars
21:36Which means he was given three Air Force crosses
21:39And this is a CBE
21:42This is truly exceptional for a truly exceptional man
21:46And in terms of value
21:49You're looking at a lot of money here
21:51Are you aware of that?
21:52I mean, I have no idea to be honest
21:55Well, an Air Force cross with two bars
21:57Well, you can start at £10,000
21:59Right
22:00And probably go up
22:01Right
22:02Okay
22:03That's...
22:04You're supposed to say something now
22:06We have no plans to sell them
22:08Yeah, it's something we obviously get very proud of
22:11But, yeah, keeping it in the family
22:12I mean, I think it's very exciting to see such a thing
22:15Because I'll never see it again
22:17He must have been an extraordinary man
22:19Extraordinary achievements
22:21Yes
22:22In very many fields of war that we never really think about
22:25Yes
22:26Thank you very much
22:27Thank you
22:28Thank you
22:33It's something we just grew up with
22:35And almost...
22:36It was normal
22:37But it wasn't normal
22:38It was extraordinary what he did
22:39But, no, I'm incredibly proud of what he did
22:42And it's extremely appropriate that a spitfire should be flying over
22:46Perhaps he's sort of come back to supervise the event
23:04The Wedgwood vase of huge scale
23:06It is
23:07Tell me all about it with you
23:08Well, as much as I know, it was my grandfather's
23:11And I'm not sure where he got it from
23:13And he kept it on the staircase in his house in Annick
23:17When he passed away, he then left it to my dad
23:20Who then passed it to me when he passed away
23:22Now, this is a potpourri vase
23:25We know that because the lid is pierced
23:27So, those lovely holes would allow the perfume to fill the room
23:31It's jasperware
23:33It was called jasperware because it was meant to mimic the mineral jasper
23:37The clay body, which was a greyish white material, would have been dipped into a dyed slip of blue, dark blue in this case
23:44Which is very much for the period of around 1840, 1860
23:49So that's when this piece was made
23:51Gosh, is it different with it being the dark blue as well?
23:55Is that rarer?
23:56Yes, the dark blue was more popular in the 19th century
24:00The lighter blues came in later
24:02Yeah
24:03And it's beautifully styled with these classical figures on the outside
24:06Each one moulded separately and applied to the body of the vase in this white relief
24:11Like a cameo effect
24:13So they really feel like these figures are coming towards you
24:16It's just such a beautiful three-dimensional piece
24:20What is unusual is the pedestal base
24:23The vases are usually smaller
24:25Maybe the lid's not pierced for the potpourri
24:27But this has got all of it
24:29This has got the pierced lid and it's got the base
24:31It just elevates it, literally, to something more special than just a vase and cover
24:36Yeah
24:37I think it's a wonderful thing
24:38It shows all the masterful craftsmanship at the Wedgwood Factory of the time
24:43If this were to come up at auction
24:46It would make somewhere in the region of £1,000 to £1,500
24:52That's very nice, but I wouldn't sell it
24:54You know, it's heritage to me
24:55I'm an only child and so were my mum and dad
24:58So to me it's something that I will treasure
25:06Is it a bird? Is it a plane?
25:09It looks like a little Superman figure to me
25:11Can you tell me a little bit more about it?
25:13So it's a peg doll that my mum made
25:16When she was asked to do some work on the production of the original Superman movie
25:21My mum was approached, or the company she worked for was approached
25:25To see whether she could come up with a way of waterproofing the costume
25:29To be used in one of the scenes where Superman goes into the water
25:33Comes out of the water and the water just drips straight off him
25:37And he's looking as pristine as he went in
25:39So she said, yeah, I can come up with a chemical that can do that
25:43And eventually said, yeah, I think I've got something that will work
25:46And they said, great, do you want to come and see it being used in the film?
25:50She said, great, they were pleased
25:52Christopher Reeve was pleased
25:54He had lunch with mum, bought her a bouquet of flowers
25:57Say thank you for coming up with this solution
26:00And with the original swatches
26:04Mum made a uniform and a cape for the peg doll
26:09So the actual construction of this suit was really quite a complex and involved process
26:14There was a lot of testing that went into it
26:16There were a lot of problems with it
26:18Not just getting the form to fit Christopher Reeve perfectly
26:21But also consideration of sweat, would you believe?
26:24The suits were made by a company called Bermans and Nathans
26:27They were the costumiers for the film
26:29And the gentleman, Noel Howard, who ran the floor for Bermans and Nathans at that time
26:33Actually found a company in Europe
26:35Who produced this fabric with this very, very special weave
26:38But they obviously still hadn't resolved coming out of water
26:41Those sort of shots which your mother was so involved with
26:44I mean this was a big production for Warner Brothers Studios
26:47And of course we've gone on and seen many iterations of Superman since
26:51So this is a wonderful piece of memorabilia
26:54This peg doll
26:55But what we're really focused on here is actually the cloth components themselves
26:59Because those are samples of the original costume that Christopher Reeve wore in the film Superman
27:04Which is amazing that it survived
27:06And I think this would have an auction estimate of somewhere in the region of about three to five hundred pounds
27:10But really it's more about the backstory and it's about the history of it
27:14That's more important perhaps than the financial
27:16Absolutely is, thank you
27:26You have brought me in an interesting sword
27:29It is a tulwar hilted shamshir
27:32This extravagantly curved blade
27:35Shamshir means lion's claw
27:38So whose sword is it?
27:40Why have you got it?
27:41It's a sword owned by a chap called Lieutenant Edward Kelly of Waterloo
27:46It's been in the family for a very long time
27:48The history is my great, great, great, great something grandmother was his wife
27:55Right
27:56So that has all stayed in our family ever since
27:58My father passed away last year, my uncle passed away this year
28:02As we start to lose a lot of the knowledge around it
28:06I'm interested to know more about it
28:08Yeah, really
28:09Kelly was in one of the last charges at Waterloo
28:12He took out a French colonel
28:14Cut his epaulettes off his uniform
28:16Yes
28:17And nicked his horse
28:18He was the most amazing chap, hence Waterloo Kelly
28:21He subsequently went out to India
28:24Where I suspect this sword came from
28:28He was out there with his son
28:30And I think they were at the siege of Bharatpur
28:33This shamshir with a tulwar hilt
28:36It's very nice
28:37It's very nice
28:38This is Gulk of Gari work
28:39The scabbard itself is silver mounted
28:42I can see why the thing was taken
28:44I would think
28:45Because of the story
28:47And we can tie it to Waterloo Kelly
28:51I could see that making a thousand pounds
28:54Oh really?
28:55But the sword itself
28:57Of course brings
28:59Waterloo Kelly
29:01Story to life
29:02And it's a fabulous thing
29:04Which I very reluctantly will give back to you
29:06Thank you very much
29:07Thank you very much for bringing it in
29:08It will stay with the family
29:09Splendid
29:10Thank you
29:25From Bedfordshire
29:26We headed north in July
29:27To the east coast of Scotland
29:29And the hill of Tarvit in Fife
29:31An Edwardian mansion built for mill owner Frederick Sharp
29:35Containing all manner of mod cons
29:38Including the most lavish of condiment trolleys
29:41This silver galleon or neth
29:45Could be wheeled along the table
29:48Like so
29:51To the delight of the assembled guests
29:54It was both a conversation piece
29:56And a very effective way of showing just how wealthy Sharp was
30:00And out in the grounds
30:01Lee Young has spotted another fascinating curiosity
30:07So I would say normally this type of screen would be to sort of cover up something
30:13Or you while you were, you know, getting redressed or undressed
30:17Or I'm not actually sure this kind of miniature decorative version would cover much up actually
30:23No
30:24It would not
30:25But what do you know about it?
30:26My great-grandfather bought it
30:28He travelled to Japan on a selling trip
30:31He had a linen company
30:32And he bought it
30:34And then it belonged to my grandmother
30:36And my mother
30:37Then my father
30:38And then my father was going to attack it with a polishing drill
30:42Because he thought it was dirty
30:44And so I just managed to catch it in time
30:46And tick it off him
30:47And that's why I've got it now
30:49Because it could have been disastrous
30:52You basically saved its life
30:53I saved its life
30:54Yes
30:55First thing to say about this is it's just lovely quality
30:57You're absolutely right
30:58It's Japanese
30:59Yes, I think it dates from the sort of late, you know, part of the 1800s
31:03And it's a type of work called sort of damascene
31:06And that is a process of inlaying metals on top of one another to create a pattern
31:12But it's got a little sort of signature or a little seal down here
31:16So that actually says that it's a Komai Sebei
31:20Who was a metal worker and set up a workshop in Kyoto in 1841
31:25And producing this type of decorative object
31:30Yeah
31:31You've got that lovely kind of, you know, Mount Fuji in the background
31:34But just this sort of continuous landscape with the temple there
31:38And I think that's a sort of bit of a waterfall going on there
31:40Yeah
31:41You know, the attention to detail is so good
31:43It's just beautiful
31:44And the other thing I would say is that the condition is so good
31:47So where does it live?
31:48It's just on a kind of a dresser
31:51Yeah
31:52It's kind of out of sunlight
31:53It's just there
31:54And just I ignore it
31:55And every now and again I look at it
31:57Yeah
31:58I know you like it
31:59Do you like it?
32:00Oh, I love it, yeah
32:01It's the fine detail
32:02And it's typically Japanese with all the sort of the formal garden scenes and whatever
32:06But just the intricacy of the whole thing is phenomenal
32:09You know, this is the sort of thing that would have been made for the Western market
32:12Now, considering its size, I think it would carry quite a decent estimate at auction
32:16I think if that came up it would probably make between eight to twelve hundred pounds
32:19Okay
32:20That's lovely
32:21You know, at a sale
32:22Yeah
32:23Thank you
32:24It was a surprising bit I didn't realise it was maybe worth that much
32:30I knew that it was beautiful
32:31But beauty and being worth anything is totally different
32:35We have two brooches, two completely different styles
32:46And I'd love to start with this one here
32:49Could you tell me what you think those are?
32:52They're cameos
32:53And is it onyx?
32:54Absolutely
32:55So they're carved
32:56So most people do call them cameos
32:59However, because they are incised
33:02Yes
33:03They're actually called intaglios
33:04Intaglios
33:05And they are usually carved from sardonyx, onyx, agates, etc
33:11In this case we have Mars, the Roman god of war
33:16And we have him twice
33:18The carving is incredibly detailed
33:21Which is the main mark of quality
33:24When it comes to looking at cameos and intaglios
33:27They were typically made in Italy
33:30But then also throughout Europe in the 1860s, 70s, and 80s
33:35Could you tell me a little bit about the history of it?
33:37Well, all I know is that my great-great-great-grandmother came on the Grand Tour
33:44Yes
33:45She was over here in the 1850s and maybe early 1860s
33:50And it wouldn't surprise me if some or all of this piece came from that period
33:55My hunch is that they brought those back and had
33:59Just the intaglios
34:00Yes, and had them set in this style of mount
34:04And the reason is because the jewellery that was being made in the mid-19th century
34:08Didn't look anything like this
34:10Yes
34:11Of course the alternative
34:13Yes
34:14Is that she purchased the jewel in Italy on her Grand Tour
34:17I'm going to move to the crescent brooch now
34:20Which is a completely different type of jewel
34:22And this is a form we see quite often
34:26But the reason that this caught my eye was because of the sapphires
34:31They are a beautiful, vibrant hue
34:35Sometimes sapphires can be over dark and a bit muddy looking
34:40But these are very vibrant, very bright blue
34:44Do you think that they came from the same person?
34:47I have a feeling that they all came from the daughter
34:51Okay
34:52Of my great-great-great-great-grandmother
34:54And we always knew this lady as mama child
34:56So it wouldn't surprise me if this was something like this
34:59Right, in terms of value
35:01This one at auction today
35:03I could see in the region of £1,500 to £2,500
35:08And this lovely crescent brooch at £700 to £1,000
35:13Oh my god
35:14I think they're family heirlooms, aren't they?
35:16I can't be the one to break the chain
35:18I'm so glad you came and shared them with us today
35:21And really enjoyed chatting to you
35:23I enjoyed it very much
35:24And thank you very much indeed for your expertise
35:27So here we are, the Hill of Tarvit
35:34Beautiful landscape surrounding us
35:36And you've brought a painting by the great colourist artist
35:39George Leslie Hunter
35:40Which is, he's probably one of my favourite Scottish colourists
35:43What's your history with it?
35:45I acquired it back in 2007
35:48I was very keen to get a Fife painting
35:51I liked a Fife painting
35:53It's about five miles from where I live
35:56And it's just less than a mile from here
35:59So he's nicely signed it here
36:01L Hunter
36:02So he was born on the Isle of Butte
36:03And then early on he moves with his family to California
36:07And then comes back to Scotland in about 1906
36:10After being to Paris
36:11And I think some of these later landscapes really are where he's settled and happier
36:16And you know this really was the time for Scottish colourists
36:20Actually what brings my eyes into this picture
36:23Is actually that incredibly intense green
36:26Right on the sort of top of the hill
36:28And you can see where he's used his brush and pulled it right across
36:31Big broad brush stroke
36:33And then he's turned it upside down
36:35And then incised the oils with his brush
36:38I think that's really lovely
36:39And I suppose these Fife landscapes are so characteristic
36:43Because of the red rooftops
36:45And he really captures those in such
36:47Well I mean it's a colourist painting
36:49But they're just such bold colours
36:51It's going to be painted probably around sort of circa 1920
36:54We're talking about 18 or so years ago when you bought it
36:58What did you pay?
36:59It was a London sale
37:01And yeah I pushed the boat out and it was sort of high 20s
37:04You paid at the time a strong price for it
37:07But I still think in the current market people would chase this picture
37:10It's a good scale
37:11It's very bold in colour
37:13And I'm going to value it 30 to 50,000
37:15Gosh lovely
37:16That's nice
37:17Thank you very much
37:18That's very nice
37:19It's a lovely painting though
37:20It made you say it's strong colour
37:21Look at the greens and the reds
37:23It's fantastic
37:34So let's get this right
37:37You've come on a backpacking holiday from Australia
37:39Yes
37:40And you brought some antiques with you
37:42Yes
37:43Because you knew the antiques roadshow was going on
37:45Absolutely
37:46You've got some fantastic things
37:47Early treen, beautiful, handmade wooden boxes
37:51Which is your favourite one?
37:52I've probably got two, that's one
37:54Right
37:55This is a burr wood and silver mounted snuff box
37:58And because of its size, it's a table snuff box
38:01Or a snuff mull
38:03Right
38:04It's early 18th century
38:05It's going to be George I or very early George II
38:081725, 17, that sort of time
38:11And that's the other one
38:13And then your other favourite is this sweet little
38:15It's rosewood, isn't it?
38:16Yes
38:17My favourite is the fernware piece
38:20What a wonderful survival
38:22And what amazing condition it's in
38:24And it's a souvenir wear piece because it has the Isle of Wight scene on the top
38:30Mm-hmm
38:31Value-wise, are we looking at the best part of £700 to £1,000?
38:36Lovely, yeah, lovely
38:49When we think of Crimean War nurses
38:51We were talking at school about Florence Nightingale, weren't we?
38:55But actually this lady here was in the Crimea, involved in nursing
38:59Who is she?
39:00Indeed, she's Eliza Mackenzie
39:02She nursed at Therapea
39:05And Florence Nightingale was at Scutari
39:08And as far as we are aware, they were actually quite good friends as well
39:12So they're literally over the other side of Istanbul
39:15Off the Bosporus, yes
39:16Absolutely
39:17She was actually a lady superintendent
39:20And they weren't trained nurses
39:23They held almost an administrative leadership role
39:26So she would have been overseeing the nurses and the patient care
39:31She was out there, I think in about 1855, wasn't she?
39:35Yeah, the brooch that we're looking at was presented to her in 1856
39:38This is this one here?
39:39Yes
39:40I'm going to read the back because it's a beautiful inscription
39:43Yes
39:44It says, presented by the Sultan to Mrs Mackenzie
39:49In acknowledgement of her services in the hospitals of the British Army in the East, 1856
39:58So this is the Sultan of the Ottoman Empire, Abdul Majid
40:04Who was so grateful to these nurses for their help in healing the wounded and the sick
40:12And it's a beautifully made brooch in 18 karat gold
40:16And this is enamel, the red of the flag of Turkey
40:19I thought it was enamel, yes
40:20And set with these beautiful rose cut diamonds really catching the light
40:25All right
40:26And it would have been a European made piece
40:28It's not a Turkish made
40:30It's not Turkish
40:31How did you get the brooch?
40:32Well the brooch was given to me by my aunt
40:35She inherited it from, well it obviously went down the line
40:39But Eliza was my great great great aunt
40:42And you brought along the watercolour of her
40:44Yes
40:45So was this just before she went?
40:47She's 23 in the picture
40:49So yes, I would think it would have been just before she went
40:52Yeah
40:53And it's by a great Scottish artist
40:54Yes
40:55Kenneth Maclay
40:56So he was famous for painting Queen Victoria's children
41:01All right
41:02And he was renowned for creating amazing likenesses of his sitter
41:07So we can be pretty sure
41:09That's what she looked like
41:10This is what she looked like
41:11I think the brooch in itself
41:13Because it has that connection to early nursing in the Crimea
41:18It's got to be worth between £3,000 and £5,000
41:21Wow
41:22The watercolour, it's got to be worth £1,000, £2,000 as well
41:27Really so lovely to have the two
41:29And that family has kept them together
41:31Indeed
41:32You must be very proud of her
41:33Indeed
41:34Thank you so much for telling her story
41:48From the sweeping beauty of Scotland's east coast
41:51We're returning to Staffordshire
41:53And the tranquillity of Trenton Gardens
41:56In an area famed for its craftsmanship
41:59Our ceramics expert, Will Farmer
42:01Is putting my antiques knowledge to the test
42:03With three exquisite pieces
42:06We've got a little game here
42:08Where we have to rank them according to their age
42:12Tell me more
42:14Well I'm sort of calling this my masters of design
42:18Because fundamentally while we have three very different objects
42:22They all have their origins and their foundations of design
42:26In one key art movement which is cubism
42:29Now cubism of course as you well know
42:31Is one of the most influential art movements of the 20th century
42:35Inspired and really pioneered by the likes of Picasso and Braque
42:39And it was about really disassembling everything and reconstructing it
42:44And transferring how you look at form and shape
42:47We have three things here
42:49This incredible vase with these forms sitting on top of each other
42:53Yet with these sort of abstracted roses
42:56An incredible bit of design
42:58In the middle I mean
42:59Wow
43:00It is a bit of a showstopper isn't it
43:02And this is an incredible piece of glass making
43:05This is done in a cameo process where layer upon layer of glass
43:09Is cased one on top of the other
43:11And then cut back to give this amazing
43:14Very dynamic geometric abstract design
43:17And then nearest you we have this sort of abstracted helmet head form
43:22I mean it's just been broken sliced and reconstructed
43:25It's got essence of people like Brancusi to it
43:28In terms of their ages they're all 30 years apart
43:31So one of them dates from the 1930s
43:35One of them dates from the 1960s
43:37And one of them dates from the 1990s
43:401990s
43:41So it's across that whole of the 20th century
43:44But the question is what is the correct order?
43:47Oh goodness I didn't think any of them would be as recent as the 1990s
43:53Oh I don't know come on you've got to help me out here
43:56So 30s, 60s and 90s
43:59For me I would say that the vase at the end is the 30s
44:03Yeah me too
44:04The one in the middle will be the 60s
44:07And then that one will be the youngest
44:09The 90s
44:10The 90s
44:11Yes I wondered about that
44:13You see there's a date on the back
44:15Which Willis put a pink sticker over on one of them
44:18Which is not very helpful
44:21I'm almost the same
44:2330s
44:24Yeah
44:2560s
44:2690s
44:27Okay
44:28Oh Will
44:29I would have thought that was 30s
44:31Okay
44:32A little vase
44:33Looking at this and the arrows on it
44:36And the shapes on it
44:37That felt earlier than the 60s to me
44:39I'd be amazed if this is 90s
44:41You are talking yourself into it
44:42So don't talk yourself out of it
44:44Okay so 30s
44:45Yeah
44:4660s
44:4790s
44:48Locked in
44:49Final answer
44:50Yes
44:51You got it
44:52Oh thank goodness
44:53Well done
44:54Oh my goodness
44:55I get so many of these wrong
44:57As you know at home
44:59So nearest me
45:00Mm
45:01We have the most incredible piece by Clarice Cliff
45:05Oh is it?
45:06Yes
45:07I would not have put that as Clarice Cliff actually
45:08So this is the yo-yo vase
45:10Ah
45:11One of the most daring forms that she ever ever created
45:15A piece that when it was revisited by Wedgwood as a reproduction
45:20They struggled to work out how she created it back in the 30s
45:24And it took them a while to actually get there
45:26Inspired by the work of Maison Desney
45:28Dates from around 1930
45:30And today that vase is worth between 3,000 and 4,000 pounds
45:36Nearest you
45:37Mm
45:38Isn't it wonderful?
45:39Love this
45:40This is by Troika
45:41Ah
45:42But it's an incredibly rare piece of Troika
45:45This is really as high up the scale as you'd ever want to see
45:50And absolutely pulling in all those elements of early Cubism
45:54Worth 4,000 to 6,000 pounds
45:57And then in the middle which is so wonderful
46:00Is a piece by a glass maker called Anthony Wassel
46:04He was actually a glass maker working in the 1990s in Matlock in Derbyshire
46:09And this is a range called Delta
46:12But again all pulling in those lovely abstracted forms
46:16And worth probably about eight to 1,200 pounds
46:19Oh
46:20But three incredible pieces
46:22And you got it
46:24Oh gotta get one occasionally
46:26What a treat though Will
46:28Especially this one
46:29Isn't it lovely
46:30Yes
46:31Well done
46:32In the height of summer we set up shop at Lister Park in Bradford
46:51It was created in 1870 when local textile entrepreneur Samuel Cunliffe Lister sold the land to the city council at a bargain price
47:00On the condition that it was turned into a public park
47:03And in a quiet corner Hilary Kay came across a fascinating collection of items that textile expert Lister may well have recognized
47:12I've got a really great display here of bone lace bobbins used in the lace making business
47:21And I've got a photograph of a lady making lace
47:26Now how is everything linked through to you?
47:28Well these bobbins were owned by my grandmother
47:31And she was born in Olney in Bedfordshire
47:34Which in the 19th century was one of the main areas of lace making
47:39At school they learnt both lace making and reading writing and arithmetic
47:44If when they got to about 12 they were good enough they became lace makers
47:50But my grandmother didn't become a lace maker because she wasn't good enough
47:54So she went into service and eventually met my grandfather and raised a family
48:01And when my grandfather died she started to make lace again
48:06So these were hers or you acquired them?
48:10These were hers
48:11So a lovely group here dating from the late 19th century
48:15And in really very good condition
48:18But you can feel that they've been handled which is great
48:20Yes, that's true
48:21And these are bone bobbins
48:24Yes
48:25They've been hand turned on a treadle lathe probably to make them
48:29And they're decorated in various different ways
48:31Some of them have got wire wound round them
48:34Others have got just coloured decoration
48:36But to me the ones that are really great are the ones that have got little messages or names
48:43Here we've got Betty
48:45Here we've got Mother
48:47But here, ooh, you can imagine getting this
48:51And it says, love, give me a kiss
48:56Now, you'd have to marry her if you gave her that, wouldn't you?
48:59Yes, I think so
49:00And she'd have to say yes
49:01I think so
49:02They also were used for memorials
49:05So there'd be a name of somebody who was no longer there
49:08Or in actually the really valuable ones
49:11Somebody who was a criminal who'd been hung
49:14Yes
49:15So murderers, people love to buy a murderer's name
49:18There's only about seven recorded ones that were from hangings or murderers
49:23And of course they're very scarce now
49:25So I don't know what you'd value them
49:27No, those are almost priceless
49:29Yes
49:30So as a group
49:31I would say that the cumulative value would be something between £400 and £500
49:35Oh, right
49:36I should just say that my grandmother could only make these three patterns shown in the photograph there
49:41But I'm sure she could do them absolutely brilliantly
49:44She could probably do them with her eye
49:45No, no, no, no
49:47Oh, well, you're very honest
49:49Thank you very much for bringing them into us
49:50Oh, thank you, it's a pleasure
49:51OK
49:52Well, I can see immediately that it is an early Victorian watch
50:04What do you know about it?
50:05Very little, to be honest
50:07My brother and I inherited it off my uncle last year
50:12And we'd just found it whilst clearing his house out
50:15And even my mother doesn't know who it would have originally belonged to
50:19Let's turn it over and see immediately
50:21It's had a hard life
50:22It's very, very rubbed
50:23There's a very nice London hallmark there
50:2618 carat gold
50:27Right
50:28For London, 18.42
50:30Let's open that up
50:32You put your thumb in there
50:34And that is actually a rather nice movement
50:38David Morris, Fenchurch Street, London
50:41Interesting balance with these weights
50:44But it's a lovely thing
50:46And this is the problem
50:48Although the movement's lovely
50:51The watch is not worth a great deal as a watch
50:57OK
50:58Sadly, the entire value is in the gold case
51:02OK
51:03At the minute, gold is over 57 pounds a gram for 18 carat
51:08This is a heavy watch
51:10There's going to be about 2,500 pounds of milk gold in there
51:17Right, OK, well
51:19It's what we call too heavy for its own good
51:21Yeah
51:22And the girl's looking at it avidly
51:24Gold
51:25How many ice creams could you buy with that?
51:28Great
51:29Thank you very much
51:30My great-great-grandmother brought it to America from Italy
51:44Yeah
51:45Yeah
51:46You've got some diamonds on the shoulders here
51:47You've got those two stones
51:48Then they've got an orange one in the middle
51:50Yeah
51:51And then the top
51:52That's a diamond in the centre
51:53Small diamonds around the side
51:55Well, I think it's a very beautiful ring
51:57Yeah
51:58And at auction you would be looking at around about 800 to 1,000 pounds
52:02Yeah
52:03And one day you might have it
52:06Yeah
52:07Yeah
52:20What we have here must be a very rare survivor as a programme and souvenir
52:24of the large suffragette march which was held at Hyde Park
52:28Because it says here
52:29Votes for women on the 21st of June in 1908
52:33How did you come to have it?
52:34Well, to be honest I just found it in a little envelope folded up in a case that was my father's
52:40And it was years after his died that we found it
52:43No idea where it came from
52:44No idea where it came from
52:45No idea where it came from at all
52:46Well, it's printed on the flimsiest paper
52:49And so, you know, it is a very rare survivor
52:52And of course this was when the women's political movement was actually sort of gaining momentum
52:57And there had been a march the previous week
53:00But this was by far the biggest political march that at that time had ever been held in Britain
53:05And it is thought that around 30,000 women arrived
53:09And they all converged on Hyde Park where there was a huge meeting
53:13And as we can see here it says 20 platforms with 80 women speakers
53:18Now we have sort of Emily in Pankhurst of course
53:21Which is the name that we all know who's associated with the suffragette movement
53:25Similar things do come up for sale at auction very, very occasionally
53:29And the last one of these that I did actually see
53:33Though it wasn't printed in quite the same manner as this
53:35Actually sold for about £350
53:37Gosh, yeah
53:39It's a fair sum for something basically that was just such a throwaway item at the time
53:43Exactly, yes
53:44I'm really so delighted to see it and thank you for bringing it in
53:47Thank you
53:48They may not be the best paintings in the world
53:55But they're really interesting and fun
53:57And I think they're very honest
53:58They tell you so much about this man, his wife and their two children
54:03Who are they to you?
54:04So this is my great-great-great-grandfather, Nicholas Coldwell
54:08And he was a drum major in the Coldstream Guards
54:11And this is his daughter
54:13And then this is his wife, Mary
54:16And their son, Henry
54:19Henry's dressed very much as small boys were in the 1840s
54:23In this sort of rather feminine outfit with bloom as the works
54:26But he's very fierce
54:27Look, he's drawn his sword
54:28He's wearing an extraordinary hat
54:30Which looks, along with the rest of the costume of his mother
54:33Rather Spanish
54:35They're both oil on canvas
54:37And they've survived very well
54:38So your family's looked after them awfully well
54:40I think they've been in our family
54:42Since they were painted
54:43That would make sense
54:44The family believe they were painted about 1851
54:47I would have said the costume was slightly earlier, 1840s
54:50But family history is usually right
54:52And that huge canon behind, what's that?
54:55So this is called the Cadiz Memorial
54:57And it's in the corner of Horse Guards Parade still in London
55:01And it is a memorial to the Battle of Cadiz
55:05And the Battle of Salamanca afterwards
55:07It's absolutely amazing
55:08They're informal poses
55:10But it is unusual to put the daughter with the father in a military context
55:15And the son with the mother in a rural context
55:18So it's very studio done
55:19So what do you like about these pictures?
55:21Is it the blonde girl with her ringlets?
55:23This fierce warrior here?
55:25Or...
55:26I think this is probably my favourite
55:27Yeah
55:28Because he's my relative
55:29And actually my grandfather looked quite a lot like this
55:33So there is a family resemblance
55:35And I'm named after the little girl
55:37So I think that would have to be my favourite
55:40And this is his mace, is it?
55:42We believe so, yes
55:44Do you sort of throw it up in the air when the band's going and all that?
55:46Well, we're not quite sure
55:47Probably, to let the rest of the band know what they're meant to be doing
55:50Absolutely brilliant
55:51If that's the same scale as the one in the painting
55:54He wasn't a tall person, was he?
55:56No, we've got some idea
55:57It's in army records that he was about five foot six
56:01Oh, okay
56:02Okay, that's about a foot shorter than me
56:03Which is about right
56:04It's a magnificent thing he's wearing, isn't it?
56:07And he's full of pomp and circumstance
56:09I love the children, they look so cheeky
56:11So I'm going to put, I don't know, six to eight thousand pounds on them
56:16I know I've gone overboard
56:18But they are wonderful
56:20I think they're worth that
56:21Thank you
56:25It's been lovely to revisit our venues from the summer
56:28But before we go, back at Trenton Gardens
56:31There's just time to swoop in on one of Stoke-on-Trent's most famous pieces of pottery
56:36We couldn't come to Stoke without visiting an old friend
56:40Remember him?
56:41Ozzy the owl?
56:42Of course!
56:43He came along to the roadshow in 1990
56:45He was spotted, spotted by your dad John
56:47By the much-loved Henry Sandin
56:50Ozzy is a 300-year-old piece of Staffordshire slipware made in the local area
56:55And after the programme, Ozzy was sold to Stoke City Council and the Potteries Museum
56:59And they tell me that he is one of their favourite exhibits
57:02So it's very nice to be reunited with him
57:04And for the programme to have played a small part in his story
57:07So from Ozzy and all of us here at Trenton Gardens
57:10Bye-bye
57:11Bye-bye
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