#Mind Your Language
#Season 2
#Episode 8
#After Three
#Season 2
#Episode 8
#After Three
Category
😹
FunTranscript
00:00Do-do-do-do-do
00:30Do-do-do-do-do-wa
00:32Do-do-do-do-do-wa
00:34Ba-ba-ba!
00:36Ba-ba-ba!
00:38Ba-ba-ba-ba!
00:40Ba-ba-ba-ba-ba!
00:48Enter?
00:52Enter?
00:56Did you say enter?
00:58getting a hearing aid to Sydney. big pun? oh never mind. I brought the stockroom key back.
01:03thank you. don't forget it's the school concert this week. pun? the school concert.
01:09oh I'll get the hall ready. good. I wonder what mr. Brown's class is going to do.
01:14has he mentioned anything to you? oh not a dicky bird. no no. as a matter I don't
01:18think anyone want to do anything. oh that's nonsense. every class is expected
01:21to put on some sort of show. better tell mr. Brown to come and see me at tea break.
01:25pun? tea break. oh is he? oh I can do with a cup. see you later.
01:31right now pay attention everyone. as you may recall when last we met I gave you each
01:36for your homework a different task to do over the weekend. hope you've all done
01:40them. yes? good. well I want you each in turn to stand up and give me a report on
01:45your various activities. all right? now who'd like to begin? and we'll start at the
01:49back shall we with you Jamila. your homework was a visit to the cinema.
01:55would you like to tell us about the film you saw? it was be about most beautiful
02:01beautiful top-class Indian girl who is fennel in love with boy from bottom class. lower class.
02:07huh? but girls father is say no be get married. so they run away. but father is catch them and chop off boys leggies.
02:17later father is be die. one day girl is see beggar man in street. oh it is her sweetheart. oh she cried. no leggies no matter. you be marry me.
02:29okay he say. i be go and be make myself look nice. what with no leggies? huh? so he go. wait she cry and run after him. and then
02:44big motor car hit her and kill her.
02:50it was most miserable film. and i'm enjoyed very much.
02:54good. well done Jamila. very good. taro.
02:58taro. ah so. your homework was a visit to london zoo. tell us about it. arrive at london zoo.
03:10london zoo. london zoo. there are no o's. oh yes please. there are two o's in london and two o's in zoo.
03:30yes absolutely correct ali but i'm referring to the ends of the words. all right now carry on taro but do try and get out of the habit of ending every other word in o.
03:38no. i try. good. went first to see buffalo.
03:49buffalo? like a big boo. oh buffalo. taro. confused.
03:59words that end in o like buffalo or radio or vertigo you pronounce the o but where there is no o you don't add one. understand?
04:06yes sir.
04:09i give up. all right taro. thank you.
04:12right now ali. yes please.
04:15i asked you to read one of shakespeare's plays. were you able to do that?
04:18most definitely. i'm reading about sherlock.
04:21you mean shylock?
04:23yes please. the merchant of venice.
04:25oh good. carry on.
04:28first of all there is a lady porter.
04:31her name was portia.
04:33yes sir.
04:34yes please.
04:35now a man called bassanio is fancying this lady porter.
04:38er, portia.
04:39yes.
04:40but he is broken.
04:41broken what?
04:42stoney broken and no money.
04:44oh you mean broke.
04:45yes.
04:46carry on.
04:47so he is going to see his friend antonio and saying oh please be lending me three thousand buckets.
04:56ducats.
04:57sorry please.
04:58but antonio was also broken so he is going to shylock the money lending man and asking him to lend him the money.
05:04shylock is agreeing but on one condition if in three months time he is not paying him back the money then shylock could cut off a pound of antonio's fleshy.
05:14why is he wanting a pound of human flesh?
05:17my bee is one of them cannonballs.
05:21cannonballs.
05:23oh no.
05:24he is doing this because he is not liking antonio.
05:27anyway antonio is in a bigger trouble.
05:30he wrecked all his chips.
05:32ships.
05:34ships.
05:35ships.
05:36and he is not being able to pay back the money.
05:39now shylock is wanting his pound of flesh.
05:42but lady portia is pretending to be a lawyer man.
05:45and she is saying agreement was for one pound of flesh and no drop is of blood.
05:51shylock has had it.
05:53how can he have had it when he is not getting it?
05:57you damn fool.
05:59you are not understanding the queen's english.
06:02i know the queen is english.
06:05you think i'm stupid?
06:07most definitely.
06:08why don't you sit down.
06:10thank you.
06:11right.
06:12thank you ellie.
06:13very well done.
06:14right.
06:15now su lee.
06:16your task was a visit to petticoat lane.
06:17petticoat rain.
06:18fairly disappointing.
06:19why was that?
06:20not see one petticoat.
06:23petticoat lane is just the name of the place.
06:26look.
06:27don't you find marketplaces interesting?
06:29marketplaces full of capitalistic players.
06:31selling infillium merchandise to ignorant working classes and in freighted places.
06:35chairman mao.
06:36he always.
06:37never mind what chairman mao says.
06:38thank you su lee.
06:40well done.
06:41right.
06:42ranjeet.
06:43your task was a visit to highgate cemetery.
06:44and.
06:45i am finding it very interesting.
06:47good.
06:48well tell us all about it.
06:49firstly.
06:50i'm seeing the burying place of karl marx.
06:53ah yes.
06:54the father of communism.
06:55but.
06:56i'm not understanding which one he was.
06:59i'm sorry i don't understand.
07:00was he chico.
07:01harpo.
07:02or groucho.
07:07karl marx was not one of the marx brothers.
07:09thousand apologies.
07:11what else did you see?
07:13i'm seeing many beautiful gravestones.
07:16gravestones.
07:17that is correct.
07:19and some of them have written.
07:21on them beautiful words.
07:23i'm writing one down.
07:27you are gone.
07:28my dearest wife.
07:30still.
07:31i feel no pain.
07:33for i know.
07:34at heaven's gate.
07:36we will meet again.
07:37what's the matter giovanni.
07:38i can't help it professor.
07:39he is so sad.
07:40that poor husband.
07:41he must have loved his wife very much.
07:42please don't be upsetting yourself.
07:43the husband is being very happy.
07:44how do you know.
07:45he's dying the year after.
07:46oh thank god.
07:47i'm so happy for him.
07:48and they are both being football fans.
07:49oh how on earth do you know that.
07:50he's having put on his stone united forever.
07:55that manjeet refers to him being reunited with his wife in heaven.
07:56thousand other thousand apologies.
07:57yes.
07:58well thank you.
07:59well done.
08:00good.
08:01right.
08:02giovanni.
08:03have you recovered sufficiently to.
08:04tell us about your visit to speaker's corner.
08:05okey cokey.
08:06first.
08:07i take the tube to heidi park.
08:08oh how on earth do you know that.
08:09oh how on earth do you know that.
08:10he's having put on his stone united forever.
08:13that manjeet refers to him being reunited with his wife in heaven.
08:18thousand other thousand apologies.
08:19yes.
08:20well thank you.
08:21well done.
08:22good.
08:23right.
08:24uh.
08:25giovanni.
08:26have you recovered sufficiently to.
08:27uh.
08:28tell us about your visit to speaker's corner.
08:29okey cokey.
08:31first.
08:32i take the tube to heidi park.
08:34then for an hour.
08:36nothing.
08:37well what do you mean nothing.
08:39nobody was there.
08:40what at ten o'clock on a sunday morning.
08:42that's right.
08:43well that's strange.
08:44there's always people at speaker's corner every weekend.
08:46i ask her to a policeman.
08:48why is there nobody here.
08:50and i find out why there is nobody there.
08:53well why was there nobody there.
08:54i was at the wrong corner.
08:58uh.
08:59carry on giovanni.
09:00excuse me mr brown.
09:01uh.
09:02yes.
09:03what have you done about the concert.
09:04pardon.
09:05is everybody in this school going deaf.
09:07i want to know what you have done about the school concert.
09:10concert.
09:11there has been a notice on the board for the past two weeks.
09:13you haven't read it.
09:14um.
09:15well i.
09:16mr brown has read it.
09:17he was discussing it with us before you came in.
09:19again.
09:20yes.
09:21yes.
09:22i was.
09:23good.
09:24then what are you going to do.
09:25well i expect we'll all be there.
09:26i should jolly well hope you will all be there.
09:29but what i want to know is what your students contribution will be.
09:34contribution.
09:35yes.
09:36what little party piece are they going to perform.
09:38party piece.
09:39well.
09:40i.
09:41pardon senora.
09:42it's going to be a surprise.
09:44yes.
09:45yes.
09:46it's going to be a surprise.
09:47well i don't like surprises.
09:49i want to be quite sure that what they're going to do will be acceptable.
09:52so i suggest that after tea break you and your class can give me a preview of their intended performance.
10:03hey.
10:04we help you out pretty good eh.
10:06yes.
10:07but not for very long.
10:08por favor.
10:09we still have to think of something to do for this concert in less than half an hour.
10:13yes.
10:14all right.
10:15with your brain.
10:16and our talent.
10:18no problem.
10:20yes.
10:21yes.
10:22yes.
10:23yes.
10:24yes.
10:25yes.
10:26yes.
10:27yes.
10:28yes.
10:29yes.
10:30yes.
10:31yes.
10:32yes.
10:33yes.
10:34yes.
10:35yes.
10:36yes.
10:37yes.
10:38yes.
10:39yes.
10:40yes.
10:41yes.
10:42yes.
10:43yes.
10:44yes.
10:45yes.
10:46yes.
10:47yes.
10:48I bought you a nice cup of tea, Mr. Brown.
10:52Oh, thank you, Glenys.
10:53There.
10:55Here, what are you all going to do for the concert tonight?
10:57I started to think they're outside practising now.
11:00Oh, would you like me to do a bit?
11:02A bit of what?
11:03Well, singing.
11:03I was in the choir.
11:07Jerusalem, Jerusalem, lift up your voice and sing.
11:15Turn it up, ladies, you curdle of milk.
11:18Oh, don't you be such a chinky.
11:21You like my voice, Mr. Brown?
11:23I think it's remarkable.
11:25I can do your turn, if you like.
11:26What, you, Sid?
11:27Yeah, you, watch this.
11:30Any old dying, any old dying, any, any, any old dying.
11:34These old looks sweet, talk about a sweet.
11:36You all look dapper finning up into your feet.
11:38Dressed in style, brand new tile.
11:40Father's old green tile.
11:41Wouldn't give you toppers for your old watch team, old dying, old dying.
11:45Here, give it up, give it up.
11:46Now, back to the other.
11:47How's that?
11:48Oh!
11:53Right, come on.
11:54Hurry him up for me, sir, will you?
11:56Oh, I'll get him in.
11:57All right, Mr. Brown.
11:58All right, finish rehearsing.
12:00You're running inside.
12:01All right, come along, everybody.
12:03Good, good.
12:04Well, what are you doing now?
12:06Yes.
12:06Mr. Brown, este el programa para el concierto.
12:11Oh, for the concert?
12:12Ah, good, yes.
12:13Good, good.
12:14Right, come along, everybody.
12:15Miss Courtley will be here any minute now.
12:16I am here now, Mr. Brown.
12:17Oh, good.
12:18Um, would you like to sit there, Miss Courtley?
12:20Well, I do hope I am going to enjoy this.
12:23So do I.
12:24I wouldn't like to be embarrassed in front of our distinguished guests.
12:27No, no.
12:27What distinguished guests?
12:29Quite a few members of the Education Authority always come to see our concerts.
12:33I don't want a repetition of what happened last year.
12:35What happened?
12:36Mr. Jarvis's woodwork students were quite awful.
12:39They sang bawdy rugby songs out of tune.
12:42Mr. Jarvis still hasn't found another job.
12:48How comforting.
12:49Right, would you all come out here when I introduce you?
12:51I act as a kind of compare.
12:53Well, I shall stop you if there's anything I don't like.
12:55Right.
12:56Good evening, ladies and gentlemen.
12:57Stop.
12:58Is something the matter?
12:59This concert takes place in the afternoon.
13:01Ah.
13:02Good afternoon, ladies and gentlemen.
13:03I hope you're all sitting comfortably.
13:05Stop.
13:05Now, what was wrong with that?
13:07Mr. Brown, by the time you and your class come on,
13:10the audience will have been sitting on those hard chairs for one and a half hours.
13:14I wouldn't mention anything about comfort if I were you.
13:16Ah, very right.
13:18Good afternoon, ladies and gentlemen.
13:20The English as a Foreign Language class is proud to present a potpourri of music and laughter.
13:25And to start us off, we have from Hungary, Zoltan Szabo.
13:30Good evening, everybody.
13:37Good afternoon.
13:38Ah, good afternoon.
13:42Hungarian magic.
13:44Hungarian paper.
13:45You don't want second Hungarian magic.
14:05Stop.
14:06You don't want second Hungarian magic?
14:09I don't think I even want first Hungarian magic.
14:12What, Charlotte?
14:13Oh, well, never mind, Zoltan.
14:14That's very good.
14:14Sit down.
14:15Yes.
14:15Right.
14:16And now, from Italy, the irrepressible Giovanni Coupello.
14:20For you, I'm going to do some impersonations.
14:29Okey-cokey, here we go.
14:34Hey, you want a nice piece of salami?
14:37I've got a lovely piece for you.
14:39And who is that supposed to be?
14:40That's my butcher, Antonio.
14:41We have never heard of your butcher.
14:48Maybe not, but if you had, it's very much like him.
14:52Don't you do any impressions of any well-known people?
14:55Sure I can.
14:57Jimmy Cagney.
14:58In a scene from the film, Disaster on the Fifth Avenue.
15:03You dirty rat!
15:15Oh, you dirty, dirty rat!
15:18Oh, you dirty rat!
15:20I'm going to fix you!
15:21Oh, you dirty rat!
15:23I haven't finished yet!
15:24Well, Mr Cagney sounds remarkably like your butcher.
15:28Well known, Zoltan, honey.
15:30And now, from France, the delightful Daniel.
15:41La-la-la-la-la-la-la-la-off.
15:45La-la-la-la-la-la-off.
15:50La-la-la-la-la-la-la-off.
15:54La-la-la-la-la-la-la-off.
15:57Do you know any of the words, Daniel?
16:01I do not sing the words.
16:03I just dance to the music.
16:04And what is all this off business?
16:07That is when I'm taking off my clothes.
16:11We can't have that sort of thing going on.
16:14It is not going on.
16:16It is coming off.
16:18Not in my school.
16:20Yeah, well, thank you, Daniel.
16:22Well done.
16:22Jolly good.
16:23Yes, well done.
16:24And now, from the mysterious East,
16:27we have to sing for you, Taro Nagazumi.
16:30Oh, bravo.
16:36I sing for you
16:37a traditional Japanese song
16:40called
16:41A Warrior's Lemento.
16:58Long-dong-dee-dong-dong.
17:00Me!
17:12Stop!
17:16Why you tell me stop-o?
17:19Because it was awful.
17:22Oh, I thought it had a certain style.
17:24Yeah, sickening.
17:25Sorry.
17:29You'll not like who.
17:30My son.
17:36And now, from Germany,
17:38will you welcome,
17:39with her animal impressions,
17:41Anna Schmidt.
17:45Danke.
17:46I would like you to come with me
17:48on a walk in the Black Forest.
17:52First, we meet a farmer and his dog.
17:54Woof, woof.
17:55The dog is chasing the sheep.
18:00Bah, bah.
18:02And the cows.
18:03Moo, moo.
18:05Ah, here comes a man on his horse.
18:07Nay, nay.
18:09No, no, Anna.
18:12Nay, nay, nay.
18:14No, you're supposed to make the actual sounds,
18:16like woof, woof,
18:17or bah, bah,
18:19or mm.
18:21I can't do that.
18:22It hurts my throat.
18:23Oh, no, thank you for trying, anyway.
18:24Jolly good.
18:25Well done.
18:26Right, uh,
18:28and now,
18:28from China,
18:29with something peculiarly Chinese,
18:32will you welcome,
18:33Miss Chung Su Li.
18:34Chairman Mao, he say.
18:44In the conditions prevailing in China today,
18:46the contradictions among the people complies,
18:48the contradictions among the working classes,
18:49the contradictions among the peasantry,
18:51the contradictions...
18:51This is supposed to be a school concert,
18:53not a party political broadcast.
18:56Can't you sing or anything?
18:58I can sing for revolution.
18:59No, no.
19:03Right, and now it's time for a little comedy
19:05from Ali Nadim and Ranjit Singh.
19:07Yay!
19:07There's a little yellow idol
19:13to the north of Kadamundu.
19:15I am saying,
19:15I am saying,
19:16I am saying.
19:17Yes, please.
19:19Why is there a rhinoceros
19:20being like an elephant?
19:22Why is there a rhinoceros
19:23is like being an elephant?
19:24Because neither of them
19:25can ride a bicycle.
19:28I'm not waiting to know that.
19:29Please be leaving the stage.
19:31There's a little yellow idol
19:33to the north of Kadamundu.
19:34I am saying,
19:35I am saying,
19:36I am saying.
19:36Stop!
19:38You are not liking us?
19:40No.
19:41Oh, what did you expect?
19:42Morecambe and Wise?
19:43If you're wanting,
19:44we can be doing Morecambe and Wise.
19:46I could be the fat,
19:47short one
19:47with the hairy legs.
19:49And I'd be being
19:49the one with the glasses.
19:56That's where we'll discuss it later.
19:58Very, very good.
19:59Very good.
20:00Right.
20:00Our next student
20:02to entertain you
20:02with a little culture
20:03is Jamila Ranja.
20:10Ladies and gentlemen,
20:16I am telling you
20:17beautiful English poetries
20:19by Thomas Gray.
20:23Elijah written
20:25in country churchyard.
20:27Elegy.
20:28Sorry, Master Ji.
20:29The curfew
20:32tolls
20:33the knell
20:34of
20:34parting day.
20:36Ting day.
20:38The loving
20:39herd
20:39winds
20:40slowly
20:41over
20:42the
20:42lee.
20:43The
20:44fluffman
20:45homeward
20:46plod
20:47his
20:47weary
20:48way
20:49and leaves
20:51the world
20:52to darkness
20:53and to me.
21:00Incredible.
21:03Yeah, I'll work
21:03on her pronunciation.
21:05Thank you, Jamila.
21:06And now,
21:07from Spain
21:07to entertain you
21:08comes Juan Cervantes.
21:10All right, all right, all right, all right.
21:15And Mr. Brown,
21:16he tell you
21:17I am from Spain.
21:19That surprise you, eh?
21:20When I speak,
21:21I have no accent at all.
21:24In Spain,
21:26one time,
21:26I was going to be
21:28the bullfighter.
21:29So,
21:30one Sunday afternoon,
21:32I go to the bullfight
21:33and they put me
21:35in the bullring.
21:39The bull comes out.
21:42I look at the bull
21:43and the bull,
21:45he look at me.
21:46The bull,
21:47he look at me
21:48and I look at the bull.
21:51And you know one thing?
21:54The bull
21:54was better looking
21:56than me.
21:59Why you know that?
22:03Sorry.
22:04So,
22:05I not become
22:06the bullfighter
22:07because I
22:08don't kill pretty bulls.
22:12Good, eh?
22:14Nice job.
22:16You never saw me
22:17dance the flamenco.
22:18I do it very good.
22:19Oh.
22:20La, la, la, la, la, la, la, la, la, la, la, la.
22:29And, uh, finally,
22:33to, um,
22:33to complete
22:34our contribution,
22:36Greece and Sweden
22:37combine
22:38Maximilian Papandrios
22:39and Ingrid Svensson.
22:41Yay!
22:48Okay.
22:49And now,
22:50my beautiful
22:51assistant and I
22:52are going to do
22:55some, uh,
22:55jiggling.
22:56Juggling.
22:57Okay.
22:59Are you ready,
23:00huh?
23:01I ready,
23:01Hamp.
23:01Okay.
23:03Hey!
23:07Hey!
23:08Hey!
23:09Ooh.
23:10Ooh.
23:11All you need is a little practice.
23:26can't afford the plates
23:28well done, sit down both of you
23:31well Mr. Brown
23:32I think
23:33I think we can write your class off
23:37oh please Miss Courtney
23:40the students will be so disappointed
23:41I mean we still have three days
23:43just give us a chance
23:44oh well very well
23:45but remember this Mr. Brown
23:47good jobs are hard to find
23:49thank you the Weight Watchers
24:13I'm not watching them myself
24:16now ladies and gentlemen
24:17for your entertainment
24:18here is Jeremy Brown
24:19and his United Nations
24:21thank you
24:48do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do
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