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00:00Whoa, whoa, whoa!
00:00He would let you know that he is a savage killer.
00:03I will chew your lips off your face.
00:06Can I please go right here?
00:07Oh, look!
00:09Coffin!
00:10Ooh!
00:12Feels like it's inside my body.
00:13How did he kill you?
00:14Steve Bell!
00:16Oh, my God!
00:24There are things in this world that we will never fully
00:27understand.
00:28Understand.
00:30We want answers.
00:33We have worked years to build our credibility, our reputation,
00:40working alongside the most renowned professionals
00:43in the field, capturing groundbreaking proof
00:47of the paranormal.
00:48It's working!
00:49I can't give you an explanation.
00:52This is our evidence, our ghost adventures.
00:56It has been years since we last conducted an official ghost
01:07adventures investigation at my haunted museum in Las Vegas.
01:11But because of a string of deeply disturbing events, we're back for what I can only describe as an emergency
01:22intervention.
01:23I was on July 15, 2024, I was on the road in California.
01:31At 1.05 AM, I did a quick check of the museum security cameras on my phone.
01:36And at that time, I started hearing sounds, very loud, unusual, unrecognizable sounds.
01:45But then something happened that gave a chill down my body.
01:56These very loud growling sounds.
01:59It sounded like a tyrannosaurus rex was inside my museum.
02:05And this lasted for about 15 minutes.
02:15There was also a voice of a woman saying the name David.
02:38Now, we tried to debunk these noises.
02:41I tried to explain them, but we just could not find any logical explanation as to why this occurred.
02:54There are other events that occurred, and I'm talking as recent as last week, involving
03:01a woman who claims she has seen a very tall, menacing male figure right near the exhibit, where I just placed the remains of America's most prolific serial killer.
03:19Samuel Little, who died in 2020, preyed on marginalized women, killing multiple victims by strangulation over approximately 30 years.
03:30He confessed to 93 murders, and law enforcement says they have confirmed at least 60 of them.
03:42I'm deeply concerned that the introduction of his remains to the museum have given extra fuel to some
03:49of the most spiritually combustible items in the world, and that this evil monster's spirit has been summoned by the other cursed artifacts.
04:04We will begin by examining the already intense level of paranormal activity here, before the introduction of Samuel Little's ashes.
04:15John Shaw has been performing sideshow acts at the museum for six years, and has extensive knowledge of Satanism and the occult.
04:25I talked to him about the terrifying growls heard on the ballroom security camera.
04:34Every single effort has been exhausted in trying to debunk this, and we are still inconclusive.
04:44Now let's talk about the cause, the building's background.
04:50Back in the 70s, the devil worshipping that was factually taken place here.
04:55In 2016, I interviewed a woman who observed clear evidence of Satanic rituals in the basement of the museum building.
05:04First thing I saw was a pentagram on the floor, and then there was a circle around that pentagram, and I also saw blood drops.
05:16You're for sure you saw blood.
05:18Positive.
05:19A previous occupant of the building, with government documentation of her family's residence here,
05:26testified that her father participated in dark rituals in the basement, and that this is a place of unspeakable horror.
05:36There could, in theory, still be portals left here that maybe were not ever closed.
05:42Yeah, that sound to me, if you were going to create a sound that was going to sound like a portal opening to another realm of reality,
05:51that is exactly what I would think.
05:53Right.
05:54And it sounded like something opening, like a tear in the veil.
05:57You just gave me a chill when you said that for some reason.
05:59Yeah.
06:00In the Bible, the tearing of the veil occurs at the time of Jesus' death, and signifies a new kind of access to the afterlife.
06:09I asked John to take me to the sideshow room, where there have been hundreds of sightings of a little girl's spirit,
06:18inside an unfinished room that can only be accessed by entering this old wagon.
06:24John believes this little girl could be something much darker mimicking the innocence of a child,
06:31and trying to attach itself to unguarded living souls.
06:34You guys here.
06:38On the way to the sideshow room, we stop at the ballroom, where the demonic sounds were captured on the security camera.
06:45Okay.
06:46Right over here, this is the security camera that captured the sounds.
06:52And just to the left of the security camera is this room here that is really at a focus for me,
07:05as being a potential source of those sounds.
07:08This is the devil's rocking chair.
07:11The devil's rocking chair, which was involved in the exorcism of 12-year-old David Glatzel,
07:18caused so many disturbing incidents at the museum that I was forced to temporarily close that exhibit in 2019.
07:26Not only do David Glatzel's growls during his exorcism sound eerily similar to those captured in the museum.
07:35I'm doing it!
07:39But the name David is spoken aloud.
07:47So I want to focus a little bit more on investigations in here as well when we do...
07:55Whoa.
07:56You all right?
07:57Yeah, I just got really dizzy.
08:00I did not like that.
08:02Yeah, it looked like you were about to fall over.
08:04Yeah, I didn't like that.
08:05I just got dizzy.
08:06I just got vertigo really bad.
08:08This room has a history of causing debilitating dizziness.
08:13Two museum visitors have lost consciousness and collapsed in this exact same spot.
08:19Okay, right now we are going to go through this hallway here.
08:23This is going to lead to the sideshow area.
08:26Um, this is where the sightings of the little girl have been hundreds.
08:30Since Aaron is the most childlike of us, I send him inside the circus wagon where the little girl is often seen to see if he can draw her out.
08:43Little girl, we want to know who you are.
08:47Can you appear for Aaron so we can take your picture?
08:51Aaron's Polaroids show that he is completely alone inside this wagon.
08:56But then he feels something unexplained just as I'm attempting to summon the little girl's spirit.
09:03Dude, something just grabbed.
09:05See this?
09:06See my little pouch here?
09:07I put all...
09:08Dude, something just grabbed my, like, Polaroid pouch.
09:11Was Aaron just touched by the little girl's spirit?
09:20We turn now to troubling paranormal activity that may have been stirred up
09:25by the addition of Samuel Little's remains.
09:28I meet with Joy Foster at my headquarters next door to the museum.
09:34God.
09:36The heck?
09:37You okay?
09:38Yeah, you just scared me.
09:39It's okay. I do that sometimes.
09:41It is no surprise that Joy is jumpy.
09:44Just a week ago, she had a horrifying experience in the room where I keep the van that Dr. Jack Kevorkian used for illegal assisted suicides.
09:53Last week, I stopped by the museum, and it was around 9.30 p.m.
10:00I noticed you and a couple of your friends, and you were crying.
10:05Yeah.
10:06And at that time, you said that you saw somebody in the museum.
10:11What did you see and what area?
10:13When we were about to turn into the Kevorkian office, down the hallway, there was a very tall shadow.
10:20But it was not quite a shadow. It was, like, white.
10:22So this thing crouches down and is, like, right by me, smiling.
10:28And I'm very uncomfortable at that point, and I felt almost like there were claws right in my back right here.
10:47So that's when I just, like, lost it. I felt like I couldn't go.
10:54I feel like I was just so overwhelmed and scared, and it just felt like a million things were just yelling at me that it was going to hurt someone.
11:01And I just, like, didn't know how to stop it from hurting someone.
11:05This entity was?
11:06Yeah.
11:07Okay.
11:13And then it follows us into one other room.
11:15What other room?
11:16It followed us into the room that had Samuel Little's ashes and, like, all the kind of serial killer stuff in there.
11:22You mentioned Samuel Little's ashes. I didn't even mention him to you. You mentioned that.
11:27Yeah. I just remember that was one of the things I noticed in the room.
11:30I kind of almost focused on his ashes because they were in the back, and I just headed there.
11:36And then when I headed back out, it was just gone.
11:38So we just added his remains into the museum, I mean, just over about a month ago.
11:45As these events unfolded, I was alarmed by Joy's breakdown and took the ovulus to the Kevorkian van room.
11:53And every single thing that you would say or I would say, we would then get the message.
12:00I said, wow, this room feels really heavy. It said heavy.
12:03Mm-hmm.
12:04I said, where's the entity? And you said, it's on the ceiling. What did we get on the ovulus?
12:08Ceiling.
12:09Ceiling.
12:10Ceiling.
12:11Ceiling.
12:12Ceiling.
12:13Ceiling.
12:14Ceiling.
12:15Ceiling.
12:16Ceiling.
12:17Ceiling.
12:18Ceiling.
12:19Ceiling.
12:20Ceiling.
12:21Ceiling.
12:22Ceiling.
12:23Ceiling.
12:24Ceiling.
12:25Ceiling.
12:26Ceiling.
12:27Ceiling.
12:28Ceiling.
12:29Ceiling.
12:30Ceiling.
12:31Ceiling.
12:32Ceiling.
12:33Ceiling.
12:34Ceiling.
12:35Ceiling.
12:36Ceiling.
12:37Ceiling.
12:38Ceiling.
12:40And at that time, I remember both of my fists were stuck in this position.
12:44You ever had locked jaw?
12:46You know, you're biting so hard, you're just, you're waiting for your teeth to explode.
12:49I was waiting for my fists to explode.
12:53And I think that the aggression of this entity where you said you thought it was going to hurt somebody, I was feeling it.
12:58I was connecting to it.
13:02Why don't we walk in there real quick?
13:04You want to?
13:05Yeah.
13:05All right, let's do it.
13:07Okay.
13:08Before we even enter the building, the ovulus transmits an ominous message.
13:13But because of this...
13:15I've never seen that before, right?
13:16That's crazy.
13:18Wait, what?
13:18Follow me for death.
13:20Yeah.
13:21What the f***?
13:22They know that we're coming.
13:28We enter the building and I direct Billy to follow Joy with the XLS to the room containing Samuel Little's ashes.
13:35It does not feel good in here.
13:38Am I going to be the only one in here?
13:40Hold on.
13:40Whoa, whoa, whoa.
13:41Hold on.
13:41What was that?
13:42Something did like an acrobatic.
13:44What are you feeling in here right now?
13:45It just feels like something is just like right here.
13:49At exactly the same time a figure appears on the XLS, Joyce says she feels a presence in the room.
13:57It just feels like something is just like right here.
14:04Hey, Samuel Little, why don't you give us the name of some of your victims?
14:08A lot of them haven't been identified.
14:10Where are they at?
14:12Oh, look!
14:14Creak casket.
14:16No way!
14:17What the f*** is that all about?
14:19It's really direct.
14:21This is breathtaking.
14:23I ask a deceased serial killer where his victims' remains are, and I get some disturbingly specific direct communication.
14:32But then the communication continues.
14:35Can you give me another victim's name?
14:38Cough in!
14:39Again!
14:40What are the f***ing odds in that, bro?
14:43Where are you?
14:44Oh, he says linger in the cellar.
14:49Go down there.
14:50Go.
14:50All right.
14:52Billy takes Joy to the basement to see if a female presence provokes a response from this serial killer of women.
15:00But Joy doesn't feel comfortable going any farther.
15:04I feel like he definitely wants me back there alone.
15:09I just don't know if it's going to be a good thing.
15:14Author Jillian Lauren wrote Behold the Monster after spending three years interviewing serial killer Samuel Little.
15:23I meet with her to get some insight on what kind of spiritual chaos his remains could be causing.
15:31What was his presence like?
15:33What was his energy like?
15:35Was there something about him that felt inhuman?
15:39I had three nicknames for Sam.
15:42Perv Grandpa, Snake Monster, and Three Card Monty.
15:47And Snake Monster was the frightening one.
15:50I grabbed him by the legs and pulled him through the water.
15:56That's the only one that I ever killed by drowning.
15:59That was if I challenged him or talked too much, you know, shut your mouth or I'll crawl across this table and I will chew your lips off your face.
16:16He would say that?
16:17Yeah.
16:17The monster inside of him was always there.
16:23Yeah.
16:24He would let you know that he is a savage killer.
16:28He believed he owned his victims.
16:31Like he took their soul.
16:34Yeah.
16:34Like he took their breath.
16:36Like, I take your breathing from you.
16:40And then he gave it back sometimes.
16:43He gave his victim CPR.
16:46After he killed him?
16:48No, brought them back to life and then killed him again.
16:52Are you serious?
16:53Yes.
16:54He was a soul taker.
17:02Jillian says Samuel Little left his personal effects to her in his will, including the ashes from his cremation.
17:11You provided me with Samuel Little's ashes, his remains, and also some of the hand-drawn portraits that he did of some of the victims.
17:24So I do got to tell you, once we put his remains on display in the jail room, where there's also the remains of Charles Manson, there has been some strange phenomena occurring in that room and also a sighting.
17:43Why are your reaction like that?
17:46Well, I had his remains in my house.
17:50When you received the ashes and you brought them into your house, you know this is my field of research.
17:59And we've investigated numerous cases involving remains and ashes, and that was always a common denominator in attachments and families.
18:07Especially when that person, whose ashes they were, were an evil person, were a bad person, were possessed.
18:14Did you ever have any weird feelings or anything like that when the ashes were in your house?
18:21Any changes with you, your family, or anything?
18:23Yes.
18:24You did?
18:25Yeah.
18:25It just got darker, and I got more and more depressed, and I just, like, started to kind of fold.
18:37Every time I walked into the room, you know, and I got, like, a weird tremor.
18:43It wasn't okay having those ashes in the house.
18:46It wasn't okay.
18:47We take Jillian to the jail room to assess the energy generated by Samuel Little's ashes and his victim portraits.
19:00This portrait here says, Jillian Lorne, my book writer.
19:05Yeah.
19:06He had this incredible memory for faces, and also he learned to draw in the Ohio State Reformatory.
19:14Ohio State Reformatory.
19:15Uh-huh.
19:16Mansfield.
19:16Mm-hmm.
19:17Really?
19:18I investigated there.
19:19He was there when, uh, there was a suicide.
19:23Like, uh, someone set himself on fire above his cell.
19:28What?
19:29Really?
19:29Mm-hmm.
19:30Yeah.
19:30We spoke to an inmate who walked us to a cell where inmate set himself on fire and committed suicide.
19:37That's the one, yeah.
19:40God, it's so weird when these connections start happening.
19:42These, like, synchronicities.
19:44How does it feel to be around his ashes right now?
19:50You evil, you evil, he was so evil.
19:56He was so evil, Zach.
20:00We step outside to process these extremely chilling revelations.
20:05Holy, was that heavy or what?
20:10Billy was off camera.
20:11Billy, come here.
20:13Were you feeling that?
20:14Oh, my God.
20:15Aaron makes a disturbing connection to the messages we got on the ovulus with joy.
20:24And, hey, he was saying where another body was.
20:27You know, the river and the coffin.
20:28Like, I wonder if he was trying to tell us where other bodies that he murdered were.
20:32And then I did it twice.
20:34Whoa, look at this.
20:36No way.
20:38What the ?
20:39Coffin!
20:41Now it said coffin!
20:44But there's yet another chilling connection here.
20:47Along with coffin, the ovulus says creek and river.
20:52Are these actually the words of a very specific Samuel Little victim?
20:57That's the only one that I ever killed by drowning.
21:05Jillian appears from inside the museum and tells us something that blows us all away.
21:11That's really important.
21:13Those details are really important.
21:15Yeah.
21:15Did he ever put, like, people in coffins and stuff?
21:17Um...
21:18Caskets?
21:19Yes.
21:20What?
21:22Yeah, boxes.
21:24Yes.
21:24Was a diabolical serial killer taunting us by sending the words coffin and casket?
21:35And did he threaten our lives?
21:37Follow me for death.
21:39What the ?
21:40They know that we're coming.
21:42As we are getting ready to start our investigation, all four of us are at nerve center when I see an unexplained light in the ballroom.
21:56There was, like, two lights here, like, bright white lights right here.
22:14And nobody is inside the museum.
22:16No.
22:16There was two lights right here.
22:17Oh, yeah, yeah.
22:18So we're just starting right now our investigation.
22:22As we were setting up, Billy and I were in the doll room, and we started receiving just some really chaotic EMFs that we could not explain.
22:31And every time I mentioned the name Gretchen, which is one of the most haunted dolls here at the museum.
22:37And then as we're all here observing, I just saw some lights over here, a couple lights, and we're all outside.
22:45What mic are you listening to right now?
22:47I'm just listening to all of them.
22:48You are?
22:48And if I start hearing something, I can kind of isolate which one's which.
22:51But right now it's a mix of everything.
22:53So where are the four microphones?
22:54So the four microphones, you can see one right here in the ballroom.
22:57Okay.
22:57That's a low subsonic frequency microphone.
23:00It picks up everything, but it really intensifies the low end.
23:03There's another mic right here.
23:04You can see the stand here.
23:06That's a shotgun boom mic.
23:07Okay.
23:08It's shooting down the hallway.
23:09Okay.
23:09In here, you can actually see it.
23:11See that cable there?
23:12Yes.
23:13That's a microphone that I placed into that room.
23:15Into the little girl.
23:16Exactly.
23:16It just dropped it.
23:17It goes to the little girl's room.
23:18Yep.
23:18The unfinished room.
23:19Just dropped it down there.
23:20Okay, awesome.
23:20And then the other microphone, it's laying on the devil's rocking chair right now.
23:26Billy and I now enter the museum and head to the ballroom, where the disturbing sounds
23:30were recently captured on the museum security cameras.
23:35All right, so it's all come down to this.
23:38There's so many unknown reasons that I have personally about why you chose me, because I
23:44know you did.
23:46Why did you do those sounds on July 15th?
23:48Did you know that was my father's birthday?
23:54As I ask this question, did you know that was my father's birthday?
23:58My infrared light unexplainably turns off and then on by itself.
24:06Zach.
24:07What?
24:07I got a really weird prickly feeling around my ears and my neck when you said that.
24:12It feels like something just moved in behind me.
24:14Now watch as this strange anomaly manifests out of the same mirror that we just captured
24:22this light from.
24:23What were those lights?
24:34I want to hear those sounds again.
24:37Do it for me now that I'm here.
24:40I want you to come through the veil.
24:43I want you to open it and tear it open.
24:45Whatever you are, I demand you to show yourself now.
24:56Zach, literally something's standing behind me right now with its hands on my shoulders.
25:00Because I can feel, it's like a tingly, I'm being dead serious, dude.
25:06During this moment, Billy and I start heading upstairs when Aaron and Jay hear a strange sound
25:12in the ballroom.
25:19Did you just hear that?
25:20There was this sound like,
25:22when you guys were walking.
25:26Did you hear anything?
25:27Yeah, that was funny.
25:28Where did it come from?
25:29What camera?
25:29What camera?
25:29What?
25:29What?
25:29What?
25:30What?
25:30What?
25:30What?
25:31What?
25:32What?
25:32What?
25:33What?
25:33What?
25:34What?
25:34What?
25:35What?
25:35Did you just hear that?
25:38With this unexplained sound captured, Billy and I now try to elicit more activity by playing
25:45the actual audio of the disturbing sounds captured on the security camera.
25:50I'm going to play the sounds that we captured on that camera right there.
25:55Not only did we capture it on that camera, we captured it on the camera on the other side
25:58of the wall.
25:59Once I play these sounds, let us experience it with our own ears and our eyes.
26:05Let us say that
26:22noise for your standing.
26:23I want to stop making conduct on the equipment.
26:28If you do notice this thing, we're going to die very quickly.
26:33You have full-body chills, man.
26:44Who's the dude?
26:45David?
26:50Hey.
26:51Yeah?
26:51What if I brought the devil's rocking chair out, put it out in the bottom?
26:55Bring it out.
26:56As I start trying to remove the devil's rocking chair,
27:00I realize it won't fit through the narrow doorway.
27:03We sealed it inside of this room with a very thick piece of plexiglass through this opening.
27:09So I now begin to remove it.
27:17I feel like this room had something to do with those sounds.
27:21Really?
27:21Because of the name David.
27:29Slide it down.
27:30Is this what you want?
27:41Ed and Lorraine Warren claimed this chair was the throne of the beast that possessed David Glatzel.
27:50They would also witness the chair rock violently back and forth,
27:55levitate, and move throughout the house by an unseen force.
27:58Why are you so quiet?
28:04We capture this light anomaly once again by the mirror shooting towards the chair.
28:09Then it does a 180-degree turn and retreats.
28:20Whoa.
28:21Whoa.
28:21It's the first spike I got, and that was on you.
28:28I get a spike near Billy with a 12.8 milligauss peak.
28:34I'll go by his camera.
28:35You see his camera right here?
28:37The meter is on the camera, and it's a .2, .1.
28:41It's not the camera, but I'm just showing, look how fast I'm swinging this.
28:45Listen, I am withholding from telling you what the I'm going through right now, because it just...
28:50It was on you.
28:51It did it twice on you.
28:52It was out there, and it jumped on me, and I literally feel like there's just like this force field around my body just holding on to me like this, and I don't like the feeling that I have.
29:02We want to take a moment and show just how black Billy's eyes look right now, and when we compare this footage with other footage taken from this same camera, it doesn't make sense why Billy's eyes look pitch black right now.
29:17Aaron, bring in ITC.
29:36Bro, I'm... I'm really angry right now, dude.
29:40As Aaron now enters the museum, I feel it's a good idea to get Billy out of this chair,
29:45so we make our way to the other side of the building to the jail exhibit.
29:51I begin to use the APFD processor and audio ITC device to see if I can communicate with Samuel Little,
29:59the most prolific serial killer in American history, and whose remains are contained in this very case.
30:07We asked you questions the other day, and you gave us where they were buried.
30:12Who are you?
30:13What's your name?
30:16The only reason we're trying to initiate communication with this monster is to see if he will give any further information
30:23regarding the unsolved murders he committed, as he confessed to killing 93 individuals.
30:30And more than 60 of those murders have been matched to victims' identities, leaving over 30 still in question.
30:39Come.
30:40Come.
30:41Whoa.
30:44Come.
30:45Come.
30:47Come.
30:49Whoa.
30:49Right after we receive this crystal clear voice saying,
30:53come, the APFD processor stops working.
30:57So Aaron activates the polterpod.
30:59What do you think about your victim, Samuel?
31:02I love him.
31:04I love him.
31:06I love him.
31:07Yes.
31:07Yes!
31:09What do you think about your victim, Samuel?
31:12I love him.
31:15I love him.
31:18I love him.
31:19Yes.
31:20Yes!
31:21I love him.
31:22Yes!
31:23Yes!
31:23Yes!
31:26Samuel Little.
31:29Lieutenant.
31:30Whoa.
31:32Samuel Little.
31:34Lieutenant.
31:36Oh.
31:37Lieutenant.
31:38Whoa.
31:47What did it say?
31:48Hey, Samuel Little, you're a piece of .
31:52Did it say Bagans?
31:53Your last name.
31:54Yeah, that's my name.
31:59This spirit knows what it's doing right now.
32:01It's letting me know that it's getting personal by first saying my last name and then saying my first.
32:14Did it say Bagans?
32:15Your last name.
32:16Ouch.
32:17Ow, ow.
32:18Where are you getting in pains right now?
32:20I love sandwiches.
32:22There's a lot of other victims that are still unknown.
32:25Can you tell us the name of a victim so that we can give closure to their family?
32:31How did Samuel Little, he liked to strangle women, how did he kill you?
32:39Seatbelt.
32:40Seatbelt!
32:41Are you kidding me?
32:42Are you kidding me?
32:43Oh my God!
32:44Play in his day, seatbelt!
32:45How did Samuel Little, he liked to strangle women, how did he kill you?
32:53Seatbelt!
32:54Seatbelt.
32:56Seatbelt!
32:58Seatbelt!
33:00What did he do with your body after he strangled you?
33:07It's help.
33:09It's help.
33:12It's help.
33:14Are there any protective spirits here that can help us right now, or the victims?
33:20Something can help?
33:23Something.
33:24Suddenly, this male voice asks for help.
33:27Not once, but twice.
33:29Could this be one of Samuel Little's male victims begging to be identified?
33:34Are there any protective spirits here that can help us right now, or the victims?
33:44Something can help?
33:46Who are we talking to?
33:50Robert?
33:51You're going to say Robert?
33:52Yeah.
33:54Who's in the hallway?
33:57The man.
33:57The man.
34:00Who's in the hallway?
34:03The man.
34:04The man.
34:05The man.
34:06The man.
34:08Can I say something right now?
34:10Yeah.
34:10There is somebody in that hallway.
34:13I agree.
34:14I got over there, and I could not get past that.
34:18Can I say something?
34:19Yeah.
34:19That amazing and scary inside that cell.
34:24All the stuff that just happened.
34:26You can call that with Zach's last name.
34:29What's wrong?
34:30What are you doing?
34:31It's that encompassing feeling where it feels like it's inside my body grabbing me like this, doing weird s***.
34:40We now head back to nerve center and regroup for a new plan of attack.
34:49Okay, right now, I sent Aaron to the ballroom, and Aaron is setting up his Polaroid camera.
34:55Looks like some kind of professional one.
34:57I don't know the details of it.
34:58While he's doing that, Jay is setting up his slow-mo cam.
35:02That's going to capture, like, anywhere from 200 to 300 frames per second.
35:06Very high-tech.
35:07We're going full visual right now, and Billy is going to follow me as I scan the museum with the XLS camera.
35:14We're going to immediately head back to the jail cell room to see if we can document who was just talking to us.
35:26Whoever we were just talking to, let us see you.
35:32With no figures in the jail area, we now head to the doll closet, where something incredible is about to happen.
35:49Whoa, Billy.
35:50You got something?
35:51Yeah, he's grabbing the doll.
35:53Which one?
35:54I don't know, dude.
35:56I'm over here.
35:56He's grabbing the head of this doll.
35:59He can't stop grabbing the head of this doll.
36:02Now he's playing with the other doll.
36:03Wait, is it a stick figure?
36:05It's a big figure.
36:06He's playing with the doll.
36:07Whoa, now he's grabbing another doll.
36:10This is amazing.
36:12Watch as this entity is literally playing with the dolls and grabbing them.
36:17Could this entity be infusing them or taking their spirit energy?
36:21Dude, he's grabbing all the dolls.
36:23How tall is it?
36:24Probably about six feet, bent over right now.
36:26Are you serious?
36:27Playing with one of the dolls.
36:29Now he just disappeared.
36:30No way.
36:31Now he just disappeared.
36:34I just captured a tall figure in the doll closet, grabbing all the dolls.
36:39It was grabbing this doll's head.
36:41Can we find out what doll that is?
36:43Wait, which one?
36:43Point to it.
36:44This one.
36:45It was grabbing this doll's head and then grabbing Gretchen.
36:48Can you see in there?
36:49Yeah.
36:50Do you see the creepy doll to the left?
36:52This guy.
36:53From what I remember, he was grabbing that doll's head.
36:55Can you move your eyes?
37:02Whatever entity that was grabbing that doll's head, can you move the eyes of that doll?
37:08Right now I'm just shooting the room and the chair and everything in it.
37:20So hopefully, if there's something going on with all that, hopefully I'll capture it.
37:24All right, so I just switched over the slow-mo camera.
37:28I just moved it over here with Aaron to shoot the Devil's Rocking Chair.
37:32My setting is at 240 frames per second.
37:35So if anything is coming out of the chair or sitting in the chair and moving around the chair,
37:40we should definitely pick it up.
37:42Jay decides to sit in the Devil's Rocking Chair while Aaron takes UV photos.
37:46Billy and I now descend into the basement.
38:16I just heard it.
38:21Whoa.
38:21I just heard it.
38:31Whoa, Billy.
38:32Yeah.
38:33What the ?
38:34Where are the guys at?
38:36In the ballroom.
38:37I immediately call Aaron and Jay to make sure they aren't in the jailroom.
38:41Where are you right now?
38:42Right now I'm sitting in the same spot with the Polaroid and Jay is sitting in the chair.
38:47How long have you guys been there?
38:49The whole time.
38:50You were never over at the jailroom, right?
38:53No, huh?
38:54We are in the basement, Aaron, and we just heard someone loud footstep walking above us.
38:59For real?
39:00Like somebody was in the jailroom.
39:04Oh my God.
39:05What the ?
39:06Not only did we hear footsteps, but now these strange sounds occur.
39:11And when we check the jailroom footage, not only is no one inside there,
39:15but the light turns on by itself.
39:22Who the is walking up there?
39:25I don't know.
39:25That's the jailroom.
39:27Did you hear that?
39:28Yes.
39:30Who's above us?
39:36Go.
39:37Go.
39:43Aaron?
39:45Dude, they're back there.
39:46They're back there.
39:52Why is the light on?
39:54Why is the light on?
39:55Oh my God.
39:56Who or what was making the footstep sounds in this room?
40:05Whoa, Billy.
40:06Yeah.
40:09Whoa, Billy.
40:11Yeah.
40:11And why did this motion-activated light turn on while nobody was inside?
40:19We firmly believe these are the spirits that we experienced incredible communication with
40:25and hear earlier.
40:26We ask ourselves, is the man who made himself known, and whom our interviewee Joy is terrified of,
40:34the spirit of Samuel Little?
40:37After Aaron's Polaroids develop, we make a startling discovery while Jay was sitting in the devil's rocking chair.
40:45As you can see in this first photo, it's normal.
40:48Then, something starts appearing around him.
40:51And in the third photo, these strange light beams appear.
40:56And when Jay exits the chair, something truly shocking appears.
41:01An energy form seems to be traveling out of the chair, with several unusual speckles and spots around the chair.
41:09Could this be evidence of the very portal that we believe opened and caused the disturbing sounds captured on our security camera?
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