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00:00The performance you do from here on out
00:02is a test to determine who will be featured at nationals.
00:06She's interrupting her solo.
00:07It's my daughter's solo test!
00:09Watch me!
00:10You're a , Roxy.
00:11No, you're a .
00:13I'm going to replace you.
00:15That can go there, and you're going to look at me
00:18when I'm talking to you.
00:20Oh, nice.
00:21Big girl.
00:22Yeah.
00:23Congratulations, Gina.
00:25It's a studio.
00:26Yes, I know.
00:28Gina, did your job again.
00:30You very clearly have earned yourself a solo at nationals.
00:54That's Candy Joy.
00:56Where's Candy Sweets?
00:57She left Candy Sweets on stage.
00:59She left at the competition.
01:00What's that one named?
01:01Candy Joy.
01:02Is Candy Joy related to Candy Sweets?
01:04Yep.
01:04It's Candy Sweet Sister.
01:07Hey, everybody.
01:07Let's go.
01:12What a weekend.
01:18OK, with that breakthrough performance,
01:21I think people are going to be like, whoa.
01:24You are the next generation of stars.
01:27You are the ones to be reckoned with.
01:30Keep that momentum going.
01:32Keep working together.
01:35On to the pyramid on the bottom row.
01:40Lily.
01:41Lily, you cut from the group, but your performance as the head on the platter was spectacular.
01:47But I am very unsure if I want to work with Lily.
01:50Not that I don't want to work with Lily as a dancer.
01:53I don't want to work with Lily because she's a package deal with you.
01:57Are you serious?
02:00No one has ever said the things to me that you have said to me.
02:04I mean, you've called me toxic.
02:06Chloe, I've apologized.
02:07Don't take it out on her.
02:10The fact is, I'm never going to like Corinne.
02:13From day one, she's been talking about me and Tammy and Audrey.
02:21I can't expose my daughter to this toxic environment.
02:24Too bad putting Lily's perfect little head on the platter last week didn't make up for her mother's terrible personality.
02:31Next on the bottom row.
02:32Bellatrix.
02:36Bellatrix.
02:37Fifth place.
02:39That was your shot.
02:41And I just feel like you choked a little bit.
02:45Next.
02:48Smiley.
02:49We shouldn't be standing there at the last minute wondering if you know the choreography.
02:54Every week it's, is Smiley going to get it?
02:57Does Smiley need to be cut?
02:58Next on the bottom.
03:02Mina.
03:03Mina.
03:04I think you've stopped really putting forth the same effort that you were putting in before.
03:11Don't be sad.
03:12I'm, I'm trying to help you.
03:13It's just that things have been changing.
03:14There's a lot of trauma been going on.
03:15Ms. Glo want to win the competition.
03:16Smiley doesn't do it.
03:17Go over here.
03:18If my kid gets in trouble for your kid tomorrow, there's going to be problems.
03:19I'm going to let you know that right now.
03:20I think Mina just need to focus more.
03:21Not distracted by anything else.
03:22Just need to focus.
03:23You went from the top and you're working your way down.
03:25Don't settle for the bottom row.
03:26You're better than that, Mina.
03:27Onto the second row.
03:28Layla.
03:29Layla, you really worked hard last week.
03:30I don't want to see you.
03:31You're better than that, Mina.
03:32On to the second row.
03:33Layla.
03:34Layla, you really worked hard last week.
03:35I don't want to see you go backwards ever again.
03:39We're on an up slope.
03:41Keep it going.
03:42Next.
03:43Ashlyn.
03:44You did the plates.
03:46You did.
03:47You went from the top and you were working your way down.
03:48You were better than that, Mina.
03:49Onto the second row.
03:50Layla.
03:51Layla, you really worked hard last week.
03:52I don't want to see you go backwards ever again.
03:54We're on an up slope.
03:55Keep it going.
03:56Next.
03:58Ashlyn.
04:02You did the plates.
04:05You did it, and I am so proud of you.
04:07Last week was a big week for her, and I'm so proud of her.
04:12Last on the second row, Gina.
04:15Gina, you did a great job in the group,
04:18and your solo performance was spectacular.
04:23You did a great job.
04:24And back on top.
04:27Audrey!
04:27Audrey, you played the best character of your life.
04:34It was the best performance I've seen you give possibly ever.
04:40Now, no more excuses.
04:42Right? No more excuses.
04:46I think Audrey is a good dancer,
04:49but I'm pretty sure Gina is better.
04:51I'm the best stage dancer because I'm consistent.
04:54Ms. Lo can rely on me. She said that herself.
04:56And Audrey just makes up excuses.
05:00The group dance this week, we've been cutting someone,
05:04but this week we are not.
05:07Don't make me regret that decision.
05:10I have no problem cutting anyone from this team.
05:13I don't want last week to be a fluke.
05:16They need to prove to me that with all eight of them dancing,
05:19they can pull out the same kind of performance.
05:22The group routine will be a gospel number,
05:25and it's called God Don't Give with both hands.
05:28And we have two solos this week.
05:32Ashlyn, you get the first one,
05:34and Mina, you get the second one.
05:38You're both doing contemporary.
05:40Mina, your dance is called The Spy Who Loved Me.
05:44Ashlyn, your solo is going to be based on JonBenet Ramsey.
05:49She was a glitz pageant queen.
05:53Of course, Ashlyn's getting a solo in the beauty pageant
05:56because she's a beauty dude.
05:58And she doesn't have that much brain cells.
06:01She has a little more beauty than she thinks.
06:03Come on, Mina.
06:04What?
06:06She has brain cells too.
06:09But she has a little more beauty.
06:11I want you to research JonBenet.
06:14I want you to know all about her,
06:16everything about her family,
06:18and about her tragic ending.
06:20Okay?
06:21How well you do on your solo this week
06:22will determine whether you get a spot
06:24in the group at Nationals.
06:26All right?
06:27Moms, you can go.
06:29Kids, let's get to work.
06:30I am beyond frustrated with GLOW.
06:32Every week is something new.
06:33Bottom of the pyramid.
06:34Getting benched from dances.
06:36No solos.
06:37And now I'm realizing
06:38it's because she has this huge grudge against me.
06:41I would be rocked if GLOW said that to me.
06:44You've got to be rocked to your core a little bit.
06:46I'm just sad, and I don't know what to do.
06:48Kareem, you've got to push through this.
06:51You guys have known each other forever,
06:53and I feel like you guys also give each other more grace,
06:56and GLOW gives you guys a lot more grace.
06:58What grace do you want?
06:59You talk bad about GLOW.
07:00You talk bad about the studio.
07:01What do you need?
07:02Don't act like you're so innocent.
07:03I go and have one conversation with her
07:06where I say something that she thinks
07:08is questioning her career,
07:10and all of a sudden, that's it.
07:13I screwed up.
07:13I let my emotions get the best of me.
07:15I was stressed.
07:16I was tired.
07:17And I'm still trying to find my place here on this team,
07:20and Lily's trying to find her place,
07:22and we want to be here so bad.
07:24And I'm sorry.
07:26I don't know what to do.
07:27I want to make it right so bad.
07:29Kareem, you just need to maybe let your guard down
07:31a little bit and let GLOW do her thing.
07:34And trust the process a little bit.
07:35You've got to do it.
07:37The moms are probably right.
07:38I just hope it's not too late,
07:40because if I'm the reason that Lily gets cut from this team,
07:43I don't think I'll ever forgive myself.
07:48You're going to be a glitz pageant girl.
07:53That's who JonBenet was.
07:55But then she got kidnapped and murdered.
07:59That's going to be hard, pulling off as, like, a beauty queen.
08:02But you're also going to, like, be pretending like you're strangled.
08:06Stop it.
08:07I know.
08:08Oh, that's so sad.
08:09So I think that's going to definitely be a little bit hard.
08:12There's been no resolution to this story.
08:14She was six years old when she was reported missing.
08:18Look, 5.52 a.m., the parents noticed that she was missing.
08:22There was a note, a ransom note.
08:24They found her body.
08:25She had died due to strangulation.
08:27They were asleep in the house when she was scared.
08:29Like, it was very scary.
08:31Someone strangled her?
08:32A six-year-old.
08:33They took her while she was sleeping.
08:36They should have just locked the doors.
08:38I saw how excited she was to get the solo,
08:40and then I could see those wheels turning
08:42and the negativity slipping in.
08:44Oh, my gosh, this is really not for me,
08:48but I'll do anything for the win.
08:55We are going for gospel.
08:59We're going for fun.
09:00We're going for soulful and spiritual,
09:03and just, it's happy.
09:06This dance is fast.
09:08It's technical.
09:09It's complicated.
09:10But that's exactly the type of choreography
09:12that we can expect to see at nationals in Florida.
09:15We're going to play the music.
09:16I need you to feel the Holy Spirit.
09:24Now, growing up a Baptist in the South,
09:26God doesn't give with both hands means
09:28everybody has something strong
09:30and everybody has something weak.
09:32Nobody gets everything.
09:33Nobody's perfect.
09:34What do you mean?
09:35I'm a whole package.
09:37Self-awareness.
09:38That's what you don't have.
09:41I got the beauty in brains.
09:43Did God give you these?
09:46No, I paid for them.
09:50Y'all are the most boring spiritual people
09:53I've ever seen.
09:54I think they don't know what to do
09:55with this type of song.
09:56I think she's trying to paint a picture
09:58and tell a story of what it's like
10:00in a Southern church.
10:02If we don't do it right,
10:04then it could look like we're just making fun of it,
10:06and nobody wants that.
10:08In church, you're not doing jazz.
10:10You're not even doing performance.
10:12You're just expressing a feeling,
10:14and you're into the music,
10:16and you're feeling it.
10:17They need to feel it for anybody else to feel it.
10:20I don't know.
10:22I don't know about this one.
10:23Ashlyn, do you want to be in this room right now?
10:35Then you need to show me that.
10:37If this is going to be the attitude that you have all week,
10:39you might as well go now.
10:41We are not going backwards.
10:42I think we've discussed this ad nauseum,
10:44and we will not go backwards.
10:45I can't think about this group dance
10:48because all I can think about is my solo.
10:50It's stressing me out so much,
10:52and I just think I need a brain break right now.
10:56Ashlyn, get it together.
11:00Come here.
11:00What is going on with you right now?
11:08I know, because you're not getting...
11:10Come here.
11:11Come sit with me.
11:12Listen.
11:13You're blowing things out of proportion right now.
11:16Listen.
11:17I know.
11:17She's just yelling at me.
11:18No, but you're going backwards.
11:20God would be very concerned about you
11:23tirading in church.
11:26She's only yelling at me.
11:27You're the only one that wasn't going to town.
11:29Yeah, because she yelled at me.
11:32I'm disappointed.
11:34I thought we left these feelings behind,
11:38and I need to get Ashlyn back on track with her emotions
11:41because I think Glow is done dealing with it.
11:45I just, I want you to be able to calm down
11:47before you go back in.
11:48Well, you're not helping at all.
11:49What can I do to help you?
11:50No, not that.
11:51Just stare at me.
11:52Is Ashlyn coming back in, or are we just going?
11:54You're yelling at me for anything that I say to you.
11:57Because you're not helping me.
11:58You just took me in.
11:59You don't, but you're not.
12:01Ashlyn, if you're going to be in this dance,
12:02I need you in this room.
12:03She's going to take you out of the dance
12:05if you don't go in.
12:06What?
12:10You and Ashlyn are crybabies.
12:13Crybaby get everything.
12:15Guess what?
12:15Gina's the one more.
12:17Like I said, focus your daughter.
12:19My daughter got the first place.
12:20Your daughter got fifth place.
12:22We have two weeks till Nationals.
12:24They need to prove to me that with all eight of them
12:26that they can actually win.
12:28In fifth place.
12:36Ashlyn, if you're going to be in this dance,
12:37I need you in this room.
12:38She's going to take you out of the dance
12:40if you don't go in.
12:41She's going to not hold me.
12:41I suggest you get control of that.
12:52I can't.
12:53Yes, you can.
12:54And you will, or you can leave.
12:56We're not doing this.
12:58How can you go from such a great week to this?
13:00It's about like, I want to impress you
13:04and I feel like if I do bad in my soul
13:07then that's just going to give you another reason
13:09why I shouldn't go to Nationals.
13:12Ashlyn just keeps getting chance after chance after chance.
13:15Yeah, it's not fair.
13:16I'm not sure what you mean, chance after chance.
13:18She had a chance last week and she proved everybody wrong.
13:22Ashlyn just is scared about she cannot win.
13:26She's not confident on herself
13:28and cannot earn a spot for Nationals.
13:31Would you rather have the opportunity
13:32or me just overlook you altogether and not believe in you?
13:36I don't believe it.
13:52Good morning, Studio Blue.
13:57Good morning, Mr. Planner.
14:02I've had Mr. Planner since 1995.
14:06It's good luck.
14:08Did you talk to your mom last night at home about spies?
14:12A little.
14:13You did?
14:13They're really sneaky
14:14and they get information of what's happening.
14:18You think there's spies among us here?
14:22I don't think there's any spies.
14:26No one really knows much about Min and her husband
14:29and that's really sketchy to me.
14:31So we're going to give Mina a dance about a spy.
14:38Is it you or your husband that has to deal with, like,
14:40the paperwork that's, like, top secret?
14:43Classified documents.
14:43Classified documents.
14:44That's my husband, yeah.
14:46He works for federal government.
14:47I cannot tell you anything.
14:49Otherwise, we'll be a target.
14:51Otherwise, we'll be a target?
14:53Seriously.
14:53You can step away from me.
14:56Do you know any spies?
14:57That's from movie.
14:58I know.
14:59There's lots of spies.
15:00Hashtag who is Min, really?
15:04Hashtag Min possible.
15:08Swing and hit.
15:10Hit shoulders, Mina.
15:14Shoulders, Mina.
15:14You must put your shoulders down.
15:17Good.
15:17Now open that leg.
15:19Push.
15:19Push off your knee.
15:20Yes, yes, yes, yes.
15:21This looks so hard, Min.
15:22It is hard.
15:23It's really hard.
15:24Yeah, but she has to get it in two days.
15:26Miss Glo gave Mina this dance.
15:28I think it's a challenge her, because that's her weak part,
15:31the body control.
15:33Grab it.
15:33Tighten up.
15:36Where's your face?
15:39Song's over.
15:42Mina, if you want to get better, and if you want to continue to dance with girls that are older
15:47than you, you have to, have to, have to work to your potential, and that's not your potential.
15:53This is not a first place winning dance.
15:55This is certainly not a nationals winning dance.
15:57Did you do that, or did your mother do that?
16:11Well, I did most of it.
16:14I think I'm going for the Kylie Jenner lips, because she has nice, big, and deasy lips.
16:22And then Miss Bella said they do this.
16:24I think I'm ready.
16:28Oh, wait, I need one final touch.
16:33Yes.
16:34This looks like JonBenet after she was murdered.
16:40Remember, it's a really sad, tragic story.
16:43So you're playing this young child who was put on display, all these pageants,
16:50and your parents want this fame and stardom for you, but is that what they really want,
16:53is for you to be so famous that her parents somehow couldn't protect her from whatever happened.
17:00So I need you to really get in that character and be there and tell that story, okay?
17:05You know, Ashlyn goes high, she goes low.
17:07She goes high, she goes low.
17:08And when she's low, it can come off as she doesn't want to do it,
17:13when really what's happening is that she cares so much that she doesn't want to make a mistake.
17:22Come on, Ash.
17:25Ashlyn is a born actress.
17:27You can't teach what she does on stage, but let's be honest, Ashlyn does not have the best technique.
17:34So the more of a performance and a story that I can give her, the better it will be for Ashlyn.
17:41Uh-uh.
17:42It's this, like someone's taking your leg when it's up here and they're catching it and pulling you that way.
17:48Up, don't fling, don't just drop, control it.
17:53Pull up and do a double turn.
17:55Don't spin yourself into a frenzy.
17:58Confidence is amazing, but it doesn't fix technique.
18:01I do think she needs a little bit more technique, but also, stop being jealous.
18:09You and Ashlyn are crybabies.
18:12Crybaby get everything.
18:13That's exactly what we're trying to get at.
18:15It's always about the makeup and the hair.
18:17It's not about her technique.
18:18The truth of the matter is that Ashlyn is a star, and you all know it.
18:22Is Beyonce out on stage doing, like, five million pirouettes?
18:25No, she's an entertainer.
18:27And that's what Ashlyn is.
18:29Beyonce cannot be a winner at a national dance competition.
18:33Ashlyn's not going to learn, like, five years' worth of technique in the next three weeks.
18:38But you can start now to push her.
18:41Okay, Min, you've made your point.
18:44Glow keeps coming up with new concept after new concept to try to cover up Ashlyn's technique.
18:49Why are we wasting all this time?
18:51We know what's going to happen.
18:52Ashlyn's going to have a meltdown.
18:54She's going to blow it on the stage, and Min's perfect little soldier, Amina, is going to pull out the win.
18:59Hey, girls, can I tell you guys something?
19:11I grew up in a church that's a lot like what you guys are representing here.
19:15So when you guys are doing this, and when you're standing up, that represents people who are agreeing with the pastor, and they're really excited about what he's saying.
19:23So all of these moves that Glow's giving you have a much deeper meaning than just the fact that they look pretty.
19:30This dance is a window into a Southern Baptist tradition.
19:36It's like raising your hands and like, oh yeah, pastor, and like, you get a certain feeling, but I don't know how to describe it, so, um, good.
19:46Oh, I hit your boot.
19:49Ew.
19:50That's disgusting.
19:51Gina, put your ankles together and look like a dancer in your knees.
20:00People on the right, go back and forward.
20:03Gina, I'm going to move you immediately if you can't fix that.
20:08Everything should be squeezed.
20:09Everything.
20:10If they're not, then you're just being lazy.
20:12And I don't do lazy.
20:13Five, six, seven, and lean, and up.
20:18Gina, lean back.
20:20Look how far Audrey's going forward.
20:22Go forward.
20:23You have to go back just as far.
20:26Five, six, seven, and lean, and up, and lean, and up.
20:31Look at your legs.
20:32Gina, come up here.
20:34Gina, go back there.
20:37I think the cracks are starting to show with Gina.
20:41She's not consistent.
20:43Glow's little golden child got moved to the back row.
20:46My daughter knows what she's doing right now, okay?
20:49My daughter is perfect.
20:50Guess what?
20:51Gina's the one who got more.
20:52She's getting the most corrections.
20:54No.
20:54Ruxi, focus your daughter.
20:56My daughter got the first place.
20:57Your daughter got fifth place.
20:59This is complete bull because it's a freaking, it's a freaking trophy.
21:03You're always thinking that it's a freaking trophy.
21:06Yes, exactly.
21:07Are you going to be done?
21:07Because you never get the first place.
21:10Focus your daughter right now.
21:11I am.
21:12She's not talking with me.
21:13Five, six, seven, and in.
21:15Whack!
21:18And stop it!
21:21There's no urgency behind that.
21:23Turn, turn, out.
21:24Stop, stop, stop, stop.
21:27Y'all are just floating around.
21:29Ew, guys.
21:31It's stressing me out because it's fast choreography.
21:35I get it.
21:35But we're not going to have the slower music on stage.
21:38If these kids don't pull this together as a whole, she's not going to want to take all
21:42kids to nationals.
21:44Let's try a back tuck here.
21:46Can you do it off a bounce wing or a diving board?
21:48I'm going to try it.
21:50And no thanks.
21:51I need to infuse this dance with something cool.
21:56What?
21:56What?
21:57This is frightening.
21:58So, of course, I'm turning to Audrey for a trick.
22:02It's scary.
22:02I think she's going to do it, and it'll be amazing, but it's hard.
22:07We're all finally dancing together, and I'm finally back on the top of the pyramid, but
22:12I'm scared that I'll mess it up for the team, and we'll lose, and it'll be my fault.
22:17Oh, God, no.
22:18That's too high.
22:19Grab your costumes and get started on your makeup.
22:33We're going to judge the hair real quick, and then we're going to start makeup, okay?
22:37Good?
22:38Yeah, I want it to look like a mask.
22:40Just take black eyeshadow and make a line and a line, and then fill it in.
22:46Both of the solos this week are challenging in their own ways.
22:50Ashlyn has to keep her emotions in check and really perform this character, while Mina
22:55needs to focus on her technique and bringing the old Mina back.
22:59I need them both to dance amazingly today in order for me to even think about putting
23:04them on the team for nationals.
23:07Running in five, y'all.
23:09Hurry up, hurry up.
23:10No need to watch Ashlyn.
23:13Stop hitting me.
23:14Ashlyn doesn't typically like me when I do her hair.
23:18It would be going south fast.
23:20Yeah, Ashlyn?
23:25Ashlyn, you look adorable.
23:26Oh, you have sparkly hair.
23:28Now that I look like a pageant queen, I have to tell myself that I have to act like a pageant
23:32queen.
23:33This is me pageant weaving all my nerves away.
23:35Bye, drama.
23:38Tighten up, tighten up, squeeze.
23:40You're not tight.
23:41Every muscle.
23:51Tight.
23:52Energy out of that foot.
23:53Squeeze.
23:56Is that what you're going to do if you fall at the end?
23:58Show me what you're going to do.
23:59No tears.
24:00Fix it.
24:01No, you're on the ground.
24:02What are you going to do?
24:05You're on the ground.
24:06You don't need to cry, Mina.
24:08You don't need to cry.
24:09You cry.
24:10Make the makeup.
24:11We need to redo it again.
24:13Mina, you're going to destroy your makeup.
24:15You're not hurt.
24:16Do it.
24:16You fell on the ground.
24:17What are you going to do?
24:19No.
24:20You fall on the ground.
24:21You pose.
24:22You do something on the ground.
24:23You make it part of your dance.
24:25We don't need tears.
24:26You're going to sit on stage and cry because you fall?
24:28Absolutely not.
24:29Cry won't help.
24:31You know that.
24:32It's unnecessary.
24:34Ashlyn?
24:36So knowing that, like, that wasn't me in that situation, crying,
24:40kind of made me feel good about myself and knowing that I really was keeping it together
24:43and I wasn't breaking down.
24:45And I hope my school saw that I'm not going to be a big distraction every week.
24:51When you're not focused, just like this, lose.
24:54That's what you want?
24:56Yes or no?
24:57This is the first time you fell down.
25:00Four years.
25:03You don't need to cry.
25:05She's being too hard on me.
25:06I'm crying and you're yelling at me.
25:08What is wrong with you?
25:09Hey, hey, what are you doing?
25:11What are you doing?
25:13Okay?
25:17Looks like she don't want to dance.
25:19Cry only, you know, messed up your makeup.
25:23Make her dance and look worse.
25:24Do you want to be a better dancer?
25:28Yes or no?
25:30Say that again.
25:32Yes for what?
25:34Yes for what?
25:36You want to let this face go to the stage?
25:38Both of you need to be focused on one thing.
25:48I need to see who's going to represent this team the best at Nationals.
25:52And I'm giving you both an opportunity to show me that.
25:55Are we ready to do it?
25:56Yes.
25:57Okay, everyone confident?
25:58Yes.
25:59Let's go.
26:01I'm proud of you both, okay?
26:03I want to win today so I can dance at Nationals.
26:12I'm probably going to use the anger I got from my mommy in my performance.
26:21Judges moving on to solo ages 7 and 8, contemporary category number 72, The Spy Who Loved Me.
26:27I saw it come from mine, like a gathering storm.
26:46I closed my eyes, open the void, and the world takes care of me.
26:57And down, I closed my eyes, open the void, and the world takes care of me.
27:04And down, I closed my eyes, open the void, and the world takes care of me.
27:08Last night, you made the promise that you won't missify me.
27:14Or stand up and fight beside me, bright eyes, open the void, and the world takes care of me.
27:26All in the void, bright eyes, open the void.
27:33Lock left and fight beside me, open the void, and the world takes care of me.
27:43All in the void, ofять, and the way to serve me, I가 fans.
27:44All in the void, ofy-play, I'll take care of you both.
27:49Stand up and fight inside me
27:54Right on me
27:56Last night I've been
28:01You made the promise that you won
28:04Inside me
28:06Stand up and fight inside me
28:10Right on me
28:13Right on me
28:19Going to nationals I need my best dancers
28:25My most focused dancers
28:26And dancers who are going to put in the work
28:29And right now I'm actually
28:31Concerned about Mina and I didn't think
28:33I'd be saying that this week
28:34It's really important that I get first place
28:39Because I've trained
28:43Basically my whole life to dance at nationals
28:45Especially on this team
28:46I want to go to nationals that's what I'm here for
28:49All right everyone we are going to move on
28:50To contemporary 11 and 12
28:52Number 47
28:53Glitz
28:54Baby I need some time alone
29:14To be by myself
29:17Go
29:17I got what I want
29:21So much different than I need
29:23Alone on the floor
29:25So I'm half forgotten how to bleed
29:28Careful what you wish for
29:35Careful what you wish for
29:42Careful what you wish for
30:11Careful what you wish for
30:41I think it went really good
30:52I think it was good enough to take me to nationals
30:55I hope Ms. Close happens
30:55She doesn't yell at me
30:56I was disappointed
30:57Ashlyn did a good job
31:00But Ashlyn messed up the dance
31:02This was her shot
31:03And she just crumbled
31:05My takeaway from these two solos is
31:07They were fine
31:08They were fine
31:08Fine isn't going to cut it in Florida
31:10How do we think we did?
31:18You totally forgot the dance
31:19I did?
31:21You did the turn twice
31:23You did it in two different places
31:26Which made you late for your Valdez
31:29I'm not saying it was bad
31:33I'm just saying it wasn't
31:35A national winning solo
31:37Nina
31:39Should you have been tighter?
31:41Absolutely
31:42Do you think that's a national winning performance?
31:47Should I let you dance at nationals if you win?
31:49See what the judges say
31:54You need to focus
31:57You need to let your mothers help you get ready
31:59In record time
32:01I don't think just because you're getting critiques Ashlyn
32:04Or corrections
32:05That that is supposed to be bringing you down
32:07It's supposed to be something that
32:09Makes you want to strive to be better
32:11You can't take it so negatively
32:13I wish you wouldn't feel that way
32:19Because it's not true Ashlyn
32:20I don't want you to cut yourself
32:22Yes okay stay still
32:28You're okay you're okay
32:28You're gonna live
32:29You're gonna live
32:29Move your hand
32:30I didn't mean to
32:31I said stay still
32:33You're not gonna die okay
32:35Not today
32:36I'll have a really nice funeral for you
32:39Okay remember
32:39Tammy you just gave Audrey
32:42The perfect out she's been waiting for
32:44Every time Audrey has a special part
32:47Like this week's back flip
32:49There's some type of injury
32:50Some catastrophic event
32:53And the rest of the team suffers
32:55Good job Tammy
32:56Way to use that curling iron
32:58Like back here it's so slippery
33:00Reach up okay
33:03Oh I got it I got it
33:06It's your call
33:07I can't tell you to do it
33:08If you are afraid
33:10And you're gonna get up
33:10And just jump off
33:11You haven't slipped one time
33:15Not once
33:15Don't let your feet
33:17Push forward
33:17It feels so much slipperier
33:26All right
33:32Girls
33:33God don't give with both hands
33:35God gave me
33:37A group of kids
33:38With some talent
33:39God gave me
33:41Gray hair
33:42From dealing with you
33:43I need everyone
33:45Focused
33:46With your eye on the prize
33:49That's the national championship
33:50Okay
33:51There is no spot guaranteed
33:52And I don't want you to forget that
33:55And I don't want you to forget that
33:55I'm praying for Audrey to do a back tuck
34:08And I'm praying for the dance to get first
34:10I am so nervous
34:13My palms are sweating
34:14I am praying to anything
34:16That I could ever find to pray to
34:18That they nail this routine
34:19Judd is gonna move on
34:21To small group
34:2211 and 12 open
34:23Category number 94
34:24God don't give with both hands
34:27Didn't it bring to my Lord
34:49Bring on my Lord
34:50Didn't it bring to my Lord
34:54Bring on my Lord
34:56Rain for 40 days
34:5840 nights
34:58Without stopping
34:59No one was black
35:00When the rain started dropping
35:02Knock at the window
35:03A knock at the door
35:04Run you brother
35:05Noah can't you take no more
35:07Noah cried
35:08No you're full of sin
35:10God got the key
35:11And he gave me
35:12Just listen to how it's
35:14We'll listen to how it's
35:17Just listen to how it's
35:20Just listen to how it's
35:22Oh yeah, yeah, right
35:24Oh yeah, yeah, right
35:29My Lord
35:32Rain for 40 days
35:34Dogs in the raven
35:35I've spread the news
35:37To hoist his wings
35:38And away he flew
35:39Oh, to the north
35:41And down to the south
35:42And vocal to the east
35:43And on to the west
35:45All night, all day
35:46Rain for 40 days
35:47All day, all night
35:49Rain for 40 days
35:50Will you listen to how it's
35:52Rain for 40 days
35:53Don't listen to how it's
35:54Rain for 40 days
35:55Oh, didn't it rain
35:56Rain for 40 days
35:58Oh, didn't it rain
36:00Rain for 40 days
36:01My Lord
36:02Rain for 40 days
36:04Hey, didn't it rain
36:06Rain for 40 days
36:07My Lord
36:08Rain for 40 days
36:10Rain for 40 days
36:12Oh, didn't it rain
36:12Rain for 40 days
36:14Oh, didn't it rain
36:14Rain for 40 days
36:16Hey, didn't it rain
36:18Rain for 40 days
36:18My Lord
36:20I think we did it.
36:21We did it.
36:21Did you talk?
36:22The match are perfect.
36:23What?
36:27It's okay.
36:29Audrey didn't hit the flip.
36:31She didn't really go for it.
36:32It's okay.
36:34It wasn't a bad dance.
36:37It was fine.
36:40I do think Miss Covey disappointed, but I told her that I was going to freak on stage.
36:44And she still made me do it.
36:47This week just wasn't my week.
36:50Fine doesn't typically win, and it certainly won't win nationals.
36:57How are we doing, audience?
37:01So let's get this party started.
37:03What do you think?
37:05For our solos, there are top three junior petite solos.
37:10In third place.
37:12I'm pretty nervous, a little nervous.
37:15Teach me to dance.
37:17In second place.
37:19This solo is the most important solo.
37:23Somebody to you.
37:26Let me hear the drum roll, please.
37:29I hope my solo is good enough to give me a spot at nationals.
37:33And now, first place.
37:39Entry number 72, The Spy Who Loves Me.
37:43Studio Blue, the center.
37:50Let's have a round of applause.
37:51Take a bow.
37:52This is our top junior solos.
37:58It's exciting knowing that I do have like a little bit of a chance to get to nationals.
38:04In fifth place.
38:05In fifth place.
38:05In fifth place.
38:06Hallelujah.
38:06In fifth place.
38:07In fourth place, with a score of 297 points.
38:16And now, junior groups from nine to 12 in second place with a score of 293.3 points.
38:37For Prima Elite Dance Academy.
38:47I really don't like disappointing Ms. Glow, especially since Gina's been here.
38:53And I really hope Ms. Glow doesn't blame me if the group loses, because I didn't even
38:57want to do the tuck in the first place.
38:59And now, in first place, God don't give with both hands, Studio Blue Dance Center.
39:12Let's hear it for your studio on three.
39:14A one, two, three.
39:16Studio Blue Dance Center.
39:20Congratulations, Studio Blue.
39:23You guys, you won first place with everybody together.
39:30That's great.
39:34Okay, first.
39:38All of you looking at me, do you feel like that was your best performance?
39:41No.
39:42The energy, guys, it was so flat.
39:47In Pennsylvania, that's first place.
39:50In Florida, that's not even top ten.
39:53Audrey, you second-guessed yourself.
39:55You put your hands down on that tuck.
39:57And then I don't know what happened to you at that point.
39:59You just weren't yourself, which in turn affected everyone.
40:03We have one competition left before we go to nationals.
40:06So everyone in this room needs a reality check.
40:12You're as talented as you might think you are, but you're not ready.
40:16I have no consistency out of anyone.
40:23Gina's the only soloist I have at nationals.
40:25Gina has been consistent since she got here.
40:28She's the one I'm counting on.
40:30I'm angry.
40:31It's not fair she gets called perfect when she messed up a whole part.
40:35She messed up the turn.
40:37No, she didn't.
40:38She's not consistent at all.
40:41She messed up the choreography two weeks ago when she was the lead.
40:46And that's not fair.
40:47It's not fair that she's treating us like this, especially me.
40:50I'm going to show Miss Glow that I am the right person to lead this team at nationals.
40:57I'm so proud of Gina.
40:59Gina, I don't care about all the mom's opinions.
41:02Of course, my daughter deserves that spot.
41:08Your feelings are valid.
41:09It is okay to be upset and to vent.
41:12She does care about your feelings.
41:14Are you mad at me?
41:15Be mad at your kids.
41:16I'm not angry at you.
41:17I'm not angry at the situation.
41:23She's right, and we can't sugarcoat for them.
41:27Not this close.
41:27Just because Miss Glow is giving praise to Gina doesn't mean the rest of you need to be upset with Gina.
41:35I'm upset to the fact that Gina's messed up as much as everyone else.
41:39And she gets away with it.
41:50Everything is on the line this week.
41:52The two leads of the dance will be Smiley and Lily.
41:57Smiley, the people around you were actually outperforming you, big time.
42:02Ashlyn, did you say you learned Smiley's part?
42:05Yeah, mostly.
42:06It's not my fault that your kid is hanging by a thread on this team.
42:10At this point, I have dancers who I don't know are going to get another chance.
42:13It's not my fault that mine will how to start.
42:16It's hard not to do.
42:16Take care of it.
42:17All right.
42:17Let's go.
42:18Let's go.
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