- hace 7 meses
A su regreso del extranjero, un chico acude a un club de chicas de moda sin saber que la dueña es su propia madre.
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00:00:00Thank you!
00:00:30Thank you!
00:01:00Thank you!
00:01:30Thank you!
00:02:00Thank you!
00:02:30Your new dress is beautiful.
00:02:45Do you like it, Maite?
00:02:46Look.
00:02:47But the fault is separate from the corset.
00:02:50Oh, you have no idea how much it cost me, sis.
00:02:52What for?
00:02:53Ah, I'm dancing like crazy and nobody's paying attention to me.
00:02:56So what do you have now?
00:02:57Why are you so angry?
00:02:58Well, because this week has been really bad for me.
00:03:00I've only bought myself three bottles of champagne
00:03:02And that's what the French woman gives me.
00:03:03I can't even afford to pay the rent for the apartment.
00:03:06And why don't you borrow from him?
00:03:08Diana is a very good person.
00:03:09Oh, little sister, with you, because you're her favorite.
00:03:12But since I never go up to deal with anyone
00:03:14And that's their best business.
00:03:15Well, he's never lent me a nail.
00:03:17Well, Diana is right.
00:03:19Everything you earn you spend on your pimp
00:03:21Maite, don't say that
00:03:24Miguel Ángel is not my pimp
00:03:25The poor guy is killing himself studying
00:03:27And he doesn't have time to work
00:03:28That's why I help him with the expenses
00:03:30Girls, you're a lot of blah, blah, blah
00:03:33And no glug, glug, glug
00:03:35Oh, handsome boy
00:03:36The house loses
00:03:37And what if the French woman sees them sitting here just chatting?
00:03:39She's going to make them like sweet potatoes
00:03:41You should sit down
00:03:42With great pleasure
00:03:44Hey, Georgette
00:03:46Babe
00:03:46Aren't you afraid that you love
00:03:48What if he shows up and sees you here wasting your time with us?
00:03:50Oh, is my mom coming?
00:03:52You love French style, don't pretend...
00:03:55Oh, I don't do it either.
00:03:57Besides, she never goes down
00:03:59No, if he doesn't have time
00:04:00She's busy all the time attending to the customers we come up to take care of.
00:04:04Yes, yes, yes, of course
00:04:05If now he is more interested in protecting the prestige of Diana the French cabaret
00:04:09What's wrong with it?
00:04:10She has to protect the reputation of this place.
00:04:11Are we good enough?
00:04:12Of course, sir.
00:04:13Of course, delighted
00:04:14Nice to meet you
00:04:16Disenchanted
00:04:18Now the two of them have gone dancing
00:04:22And I just sat there like a fucking idiot.
00:04:24Oops, I bit my tongue
00:04:27No, sir!
00:04:29No, sir!
00:04:30Thanks for watching!
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00:07:44Thanks for watching!
00:07:45No, they don't say that you find out who your friends are in jail and in bed.
00:07:50And will you be able to handle both?
00:07:52The important thing is to know if the bed will be able to support all three of them.
00:07:59Boy! Come here!
00:08:02Three orders?
00:08:04Mar is alive!
00:08:07Hey, what kind of cards do they accept here?
00:08:11Of all of them, sir.
00:08:12All?
00:08:13Mérida, then take my personal one and send me the bill to Mérida.
00:08:24Oh, well!
00:08:25If I have to cry to live with you, I will cry.
00:08:54I won't cry!
00:08:57If I have to cry to live with you, I will cry.
00:09:02I won't cry!
00:09:03Mrs. Mezcua, what do you think?
00:09:09What, captain?
00:09:09I have a surprise for you.
00:09:12Here is the other golden key that he commissioned me to make.
00:09:15Oh, very good, Captain!
00:09:16Oh, Mr. Mezcua, very kind!
00:09:20I am here to serve you.
00:09:22Luck!
00:09:22Look, Abraham, this is the entrance to your happiness.
00:09:27With this key worth about five thousand pesos, you can sleep with any woman you want.
00:09:32Well, give me the five thousand pesos too, brother.
00:09:35I'm serious, man!
00:09:37Up here there's a club where all sorts of kids hang out.
00:09:43Hey, let's put it on.
00:09:47You and I?
00:09:48Yeah.
00:09:48No way!
00:09:50Up there.
00:10:01Happens!
00:10:02Happens!
00:10:05Go deep!
00:10:08How about Mezcua?
00:10:09How's it going?
00:10:10We were going to mark you absent.
00:10:12Business kept me very busy.
00:10:14But what are you doing to me?
00:10:14At the foot of the cannon and with a new gunner.
00:10:19I saw my friend Mr. Abraham.
00:10:23I already saw him.
00:10:24I already saw him.
00:10:25No, no, no.
00:10:26I saw him here.
00:10:27She was already French.
00:10:29Nice to meet you, ma'am.
00:10:30Welcome, Mr. Levy.
00:10:32And what type of woman does he prefer?
00:10:34Well, you see, I would like it to be neither white nor dark-skinned.
00:10:39But that it had a lot of this and quite a bit of that.
00:10:42Not too thin, but not fat either.
00:10:46Neither high nor low.
00:10:47But shorty.
00:10:50With a lot of creeps.
00:10:52And quite a lot of "ayayay."
00:10:55That she should be neither old nor young.
00:10:57Quite the opposite.
00:11:00In short, bring him a mummy from Guanajuato.
00:11:02Let me explain.
00:11:03Perfectly.
00:11:08Well now, have the redhead come up and tell the little girl to dress up as a schoolgirl too.
00:11:14Yes, ma'am.
00:11:15No one is denied a cognac.
00:11:17TRUE?
00:11:17Well, ma'am.
00:11:26By Allah!
00:11:29He understood me perfectly.
00:11:32Registration fee: five thousand pesos.
00:11:38That?
00:11:39Room, one thousand pesos.
00:11:41Thousand.
00:11:42Service, five hundred pesos.
00:11:43Five hundred.
00:11:44Time?
00:11:45Let's see.
00:11:46He'll give it to me in two hours.
00:11:50Two hours?
00:11:51Yes, he uses it.
00:11:53One thousand five hundred pesos.
00:11:55One thousand five hundred.
00:11:56Champagne?
00:11:57No, no, no.
00:11:58Two.
00:11:59Plus taxes is thirteen thousand seven hundred and fifty pesos.
00:12:04Nothing else.
00:12:05Marado.
00:12:06Beginner's luck.
00:12:08You got it for free.
00:12:09Go away.
00:12:12Given.
00:12:14Given.
00:12:16Come on.
00:12:17Tear me apart, tiger.
00:12:22Okay, let's see if mine comes next.
00:12:25Let's see.
00:12:29Classes are over.
00:12:33We're on vacation.
00:12:41Oh my, what a pretty little girl.
00:12:44Do you like it?
00:12:45Then keep her.
00:12:47It's yours.
00:12:48That?
00:12:49Do you work here?
00:12:51Yeah.
00:12:52I thought she was your daughter.
00:12:54No.
00:12:56It's part of my business.
00:12:58Yeah.
00:12:58There are men like you who love schoolgirls.
00:13:02Yes, yes, yes, yes, yes.
00:13:04Remember the saying.
00:13:06For cat, old man, mouse, tender.
00:13:11Well, what a joke.
00:13:16Take.
00:13:17The tuition thing.
00:13:18Thank you.
00:13:19Come on.
00:13:19Come on.
00:13:20I'm going to show you the Bermuda Triangle.
00:13:23Show me where Culiacán is.
00:13:26타-타-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta.
00:13:34Mrs. Juana María
00:13:57Don't keep me any longer.
00:14:00I'll say I grabbed the day.
00:14:02I can't wait for her any longer
00:14:05I'm going to look for my girl
00:14:08It's very far from here
00:14:10What a bad mood tonight, isn't it?
00:14:13It was nothing more
00:14:14Only valid clientele
00:14:15And how does it paint you, Jarocha?
00:14:17Like José Luis Puevas
00:14:18As?
00:14:19Paint the mess
00:14:21Hey, but you were already sitting with the baby.
00:14:24Yes, but he had to leave
00:14:26Because he had to get up very early
00:14:28Let's get to weaving little threads of nequén, eh?
00:14:30Cesar on horseback, the bastard
00:14:32Oh, Jarocha
00:14:33That?
00:14:34Your vulgarities are almost painful to hear.
00:14:36Compass
00:14:36It is said that he has to take care of his looms in small shops.
00:14:39For the benefit of the nation
00:14:41And if you didn't understand
00:14:42I'll explain it to you in three words.
00:14:44It fits me now, doesn't it?
00:14:45Oh
00:14:45Oh, boys
00:14:58I already saved the night
00:14:58Look who's here
00:14:59Who?
00:15:00Don Proculo
00:15:01That guy has a name that sounds like a double entendre.
00:15:05Start now, girls, because I saw it first, it's mine
00:15:08Oh dear, they're arriving
00:15:10I don't know how you intend to alternate with this archaeological ruin.
00:15:13Marlene, please, what does it matter to you, sweetheart?
00:15:16If I'm just going to sign him, bye
00:15:18Luck
00:15:19Don Proculo, how are you?
00:15:21Are you better off now, both of them?
00:15:22Better of the two, now I have three
00:15:24Shall we try one of the two?
00:15:25Okay, we'll do whatever you want, daughter
00:15:27Come on, Don Proculo, let's go to another table
00:15:30Don't love yourself, my love
00:15:31Oh, you look better every day.
00:15:33TRUE?
00:15:34It's so good to be here, little one.
00:15:35Poor Marlene
00:15:37He works like a donkey to support his kid.
00:15:40Oh, and doesn't going up with a client save the night?
00:15:44Never
00:15:44She replies that I never went up to her room with a client, never.
00:15:48Oh, Maite, you're always so conceited
00:15:51For my part, I don't get involved in the game for anyone.
00:15:54And even less so if it's not from my class.
00:15:56Oh, so you think you're high society.
00:15:58You think you have the right to take advantage of all of us, huh?
00:16:01Well, believe it or not
00:16:03My family belonged to the highest social circles
00:16:06I was born wrapped in silk diapers
00:16:08I attended Harvard for elementary school
00:16:10And secondary school at Oxford
00:16:12Oh, Chihuahua
00:16:13And how come I never saw you?
00:16:15I also studied there
00:16:16In Oxford?
00:16:17Yeah
00:16:18In the former training center
00:16:19Shop
00:16:20They're crazy, aren't they?
00:16:23Because women are jealous
00:16:25Because they are beautiful
00:16:27When they don't want them
00:16:29The women behave very well
00:16:32Paco, another one of champagne
00:16:34And for me, another half-pint of cognac
00:16:37With a bra
00:16:38No, curvasier
00:16:40Well, it's the same with bras
00:16:41Or without a bra
00:16:42But bring it to me
00:16:43But what's the point of more cognac?
00:16:45Don't you know which cognac?
00:16:46This is an aphrodisiac
00:16:49As?
00:16:51Yes, cognac is an aphrodisiac.
00:16:52Oh, but you can't even get enough of cognac!
00:16:54No, no, no, no
00:16:55Don't laugh, little one
00:16:56The last time I drank two bottles of cognac
00:16:59I treated myself to two young girls
00:17:01At the same time
00:17:03Oh, and when was that?
00:17:05You won't see it
00:17:06When did Madero enter Mexico?
00:17:10Oh, you're acting like a little coyote.
00:17:12What will your dimple look like?
00:17:15Hey, don't be silly, okay?
00:17:16You see, not even with cognac
00:17:18No, no, no, no
00:17:18Oh really
00:17:19The other night the Veracruz woman
00:17:20I didn't let her sleep all night
00:17:23Smug
00:17:23No no
00:17:24I went to have some fish soup
00:17:27A return to life
00:17:29Swiss enchiladas
00:17:31Three dozen shrimp
00:17:33Three dozen slaps
00:17:35And barbaric
00:17:37And after mule's foot
00:17:39And was he able to?
00:17:40Well, I didn't cover up
00:17:42I had to go to the bathroom every five minutes.
00:17:44Oh, I'm about to have a fit.
00:17:46You have to stay in shape
00:17:53Well, I'm not ready.
00:17:56Yeah?
00:17:56Would you like me to bring my little girl a leflesco?
00:17:59No
00:18:00The pretty girl wants a bottle of champagne
00:18:03Oh, you crazy girl
00:18:05Oh, pork rinds
00:18:08A service at your service, sir?
00:18:13I want you to send me a bottle of champagne to the Golden Hall
00:18:16With pleasure, sir.
00:18:17My dear Pelotas
00:18:18Please don't be so kind as to tell me
00:18:20Where is the men's restroom?
00:18:22I've already forgotten
00:18:23Yes, yes, he already beat him, boss.
00:18:25Which one has already beaten me?
00:18:26That's how I walk
00:18:27Because it's so beautiful
00:18:29I'm going to show you something
00:18:32Oh, how lovely.
00:18:39Hey, he's already all furry, all furry
00:18:42Give it a little love
00:18:44Hey, how curious
00:18:48Despite how small it is
00:18:50It's sluggish, sluggish, sluggish
00:18:52I wash it with shampoo every day.
00:18:56No wonder it smells so nice.
00:19:00TRUE?
00:19:01Hey, won't you let me give her a little kiss?
00:19:04Well
00:19:06Oh, what a thing
00:19:08Very calcite
00:19:10Very calcite
00:19:11Oh, yes, yes, yes
00:19:13Oh, you filled it with saliva.
00:19:16Hey, how curious
00:19:18Yours is prettier than the French woman's.
00:19:20Do you already know him?
00:19:22Yes, he showed it to me the other day.
00:19:23There in Chagultepec
00:19:24Oh, how strange.
00:19:26What if he never takes his loyal friend out again?
00:19:28Oh, yes.
00:19:28By the way, I'm going to tell you a secret.
00:19:31He's already gray, gray, gray
00:19:33It's more
00:19:35He's going bald
00:19:37Well, put a wig on her.
00:19:39What's the point of going now?
00:20:00That?
00:20:09Oh, how strange.
00:20:39My love, are you already up? It's six in the morning.
00:20:43Yes, I have class at seven.
00:20:45You got drunk, didn't you?
00:20:48No, not really.
00:20:49This cannot continue.
00:20:52We need to put an end to this.
00:20:54And right now
00:20:56What's wrong? What's the matter with you?
00:20:58I simply cannot stand idly by.
00:20:59Seeing how you're killing yourself day by day in that damn cabaret
00:21:02Did you know?
00:21:04I'm dropping out of school right now and I'm going to work at whatever I can find.
00:21:06What do you mean they're dropping out of school?
00:21:08But Miguel Ángel, yes, we've already talked about this before.
00:21:11And now that you're about to graduate, you mustn't falter.
00:21:14Please promise me that you will follow through to the end
00:21:17Okay, I promise.
00:21:21But I will tell you one thing, okay?
00:21:25As soon as I finish my degree, the little parties, get-togethers, and late nights are over.
00:21:29Because I'm going to work hard so that you won't lack anything.
00:21:32OK
00:21:38It ended with the finale
00:22:08May I, Mrs. Diana?
00:22:09Yes, Dorita
00:22:10Can I lift everything?
00:22:11All
00:22:11But if he didn't eat anything, he left the pancakes
00:22:14You know very well that I'm on a diet.
00:22:17I'm going to open it, okay?
00:22:20Hello
00:22:39Hello
00:22:39Hello
00:22:40Hey, what about my mom?
00:22:41In the pool
00:22:42Thank you
00:22:43Son
00:22:47Mother
00:22:50But what are you doing here?
00:22:53You didn't tell me you were coming
00:22:55I wanted to surprise you, Mom
00:22:56But sit down, sit down
00:22:58Tell me
00:22:59Mrs. Diana González, widow of Linare
00:23:05I am proud to inform you that you are the mother of the newly minted architect Arturo González de Linare
00:23:11See, son?
00:23:24It was worth being apart for so long
00:23:27You did it
00:23:28No, you're the one who did it
00:23:30Thanks to your moral and financial support
00:23:33This is your victory
00:23:34So what do you plan to do now?
00:23:37Get to work immediately
00:23:39But so soon
00:23:40Why don't you go to Acapulco for a few days of vacation?
00:23:44You dedicated so much time to studying
00:23:47Absolutely not, Mom
00:23:49I wanted to take over your business
00:23:51But a fellow student of mine has invited me to partner with him
00:23:55Ah, son
00:23:58I'm so proud of you
00:24:00Is that it?
00:24:05Yes, man, it's me, Arturo.
00:24:07No, I arrived today.
00:24:08What's up?
00:24:11Can we celebrate tonight?
00:24:14Where?
00:24:16Ah, you're taking me
00:24:18Okay
00:24:20Play
00:24:21See you
00:24:38Music
00:24:41Thanks for watching the video.
00:25:11Thanks for watching the video.
00:25:41Thanks for watching the video.
00:26:11Thanks for watching the video.
00:26:41Thanks for watching the video.
00:27:11Thanks for watching the video.
00:27:41Thanks for watching the video.
00:28:11Thanks for watching the video.
00:28:13Thanks for watching the video.
00:28:43Thanks for watching the video.
00:28:45Thanks for watching the video.
00:28:47Thanks for watching the video.
00:29:17That?
00:29:19That?
00:29:21Are they attending to you yet, Mr. Dantes?
00:29:22That?
00:29:24That?
00:29:26That?
00:29:28Who's going to recognize him?
00:29:30That?
00:29:32That?
00:29:34Better what?
00:29:36That?
00:29:38No, no, no, no, no.
00:29:40Well, there it is...
00:29:42The boy...
00:29:44This boy...
00:29:46That?
00:29:48That?
00:29:50That?
00:29:52That?
00:29:54That?
00:29:56That?
00:29:58That?
00:30:00That?
00:30:02That's easy for me.
00:30:04That?
00:30:06That?
00:30:07That?
00:30:09That?
00:30:11That?
00:30:13That?
00:30:15That?
00:30:17Good evening, what am I good for?
00:30:20Well, I think it's good for everyone.
00:30:23Please be so kind as to put your life preservers there.
00:30:27Captain, congratulations, it's beautiful.
00:30:32Especially that color, it drives me crazy.
00:30:36It doesn't fade, does it?
00:30:38Of course, when I take a bath, the price of India ink goes up.
00:30:42If she and I were to make a movie, it wouldn't be in color, it would be in black and white.
00:30:53Captain, please bring the most expensive and exclusive champagne from Huevo Tzingo.
00:30:58You are always so splendid.
00:31:02I'm going to have a really rough night.
00:31:06Oh, damn it!
00:31:09Welcome, Don Eleuterio!
00:31:11Let me help you!
00:31:12Thank you, Captain.
00:31:16Come too!
00:31:17Giorgette!
00:31:19I'm so handsome, I know!
00:31:21Oh, Don Lute!
00:31:24No Don Lute.
00:31:26The strong Eleuterio is for another occasion.
00:31:28Well, that'll have to wait for another time, because I already pushed him this time.
00:31:30And what time don't you tell me?
00:31:32I mean, have you already made my reservation?
00:31:34Yes, sir. The lady is waiting for you up there.
00:31:36Please follow me.
00:31:37Hey, listen, what are you carrying, stones?
00:31:41These are my samples.
00:31:42Oh, well show it to me, cuties.
00:31:47I think this one's a jerk.
00:31:52Hello, the one about the saint and the blessing of the little ones!
00:31:55How are you, French girl?
00:31:57Welcome, Mr. Lute.
00:31:59Tell me, what do you have in store for me tonight?
00:32:01A charming creature.
00:32:04And it's new too.
00:32:06From where?
00:32:07From Chikunghuac.
00:32:08Sorry?
00:32:09From Chikunghuac.
00:32:10Oh, Chikunghuac.
00:32:12He's going to love it.
00:32:13It is an exquisite, sweet, simple creature.
00:32:19Furthermore, the French woman has never let him down.
00:32:22Ah, no, no, I'm sure of that, it has never failed me.
00:32:24By the way, how many days will you be staying with us in the capital?
00:32:27I don't know yet, do I?
00:32:29But look, here's my credit card, it matches my personality.
00:32:33And then I'll tell you when I'm leaving.
00:32:35Perfectly.
00:32:36Jorge, are you taking Mr...
00:32:37Georgette, ma'am.
00:32:40Georgette Lepetit.
00:32:41Alright.
00:32:42Georgette Lepetit, will you please take the gentleman to suite number three?
00:32:47Three o'clock?
00:32:48Nice to meet you.
00:32:48Oh, my!
00:32:49Do we already have a computer?
00:32:51Yeah.
00:32:51And what's that for?
00:32:52It's to control the girls.
00:32:54Ah, you mean, when they don't have the devices, does your mom come?
00:32:58My mom's name isn't Dora.
00:33:00But it counts.
00:33:02See you later.
00:33:03Yes, bupli, from the waist, from the request, then we're going in, I'm going in, huh?
00:33:05Oh, ma'am, please charge the bill to suite number three.
00:33:09And put me in touch with Belinda at the cabaret.
00:33:12Belinda, ma'am?
00:33:13Yes, Belinda, the new one, the romantic one.
00:33:16Excuse me, ma'am, why was that gentleman carrying a suitcase?
00:33:19Ah, duel, Terio.
00:33:21He is a traveling salesman based in Tijuana.
00:33:24He used to arrive at a hotel, but he stayed here all the time.
00:33:27Until he decided to take a room and handle all his business affairs from this house.
00:33:33Good idea, right?
00:33:34Uh-huh.
00:33:34Francesca, would you be so kind as to provide us with suite number two and two bottles of champagne?
00:33:42They look like four.
00:33:43Four?
00:33:44Yes, four, four.
00:33:47Here it is, old man, from a quiet place.
00:33:52Oh, what's wrong with me? What's wrong with me? What's wrong with me, ma'am?
00:33:56Jorge, what's wrong with you?
00:33:59Georgette, ma'am, Georgette.
00:34:01But haven't you noticed their presence?
00:34:03It is the famous film actor, Raimundo Dantes.
00:34:07Damn, the Count of Monte Cristo.
00:34:10But why didn't you tell me?
00:34:11I'm going to be possessed by the biggest star in national cinema.
00:34:16It shocks me when they tell me the truth.
00:34:19Mr. Dante, that's ten thousand pesos.
00:34:21Ah, it's a bargain, of course.
00:34:23Allow me.
00:34:25Come on.
00:34:27Thank you.
00:34:27I'll give you a Christmas present too.
00:34:31Please show them to suite number two.
00:34:33Georgette.
00:34:34Oh, for me it's going to be a hemorrhage of pleasure.
00:34:37Don't mess with me.
00:34:39Oh, how funny, God.
00:34:42Mr. Dantes, before you leave, would you be so kind as to give me your autograph on a nacha?
00:34:48No, because it will ruin my down jacket.
00:34:51Oh, that's a joke again.
00:34:55Please follow me, sir.
00:34:57Please follow me, Mr. Dantes.
00:34:59Here.
00:34:59Come on.
00:35:03Come on.
00:35:04Come on.
00:35:04Come on.
00:35:05Come on.
00:35:06Come on.
00:35:07Come on.
00:35:08Come on.
00:35:09Come on.
00:35:10Come on.
00:35:11Come on.
00:35:12Come on.
00:35:13Come on.
00:35:14Come on.
00:35:15Come on.
00:35:16Come on.
00:35:17Come on.
00:35:18Come on.
00:35:19Come on.
00:35:20Come on.
00:35:22Come on.
00:35:24Come on.
00:35:25Come on.
00:35:28Come on.
00:35:29Subscribe to the channel!
00:35:59Subscribe to the channel!
00:36:29Subscribe to the channel!
00:36:59And so I need to do strange things in order to...
00:37:05You understand me?
00:37:09Ah! You mean no to Paraguay?
00:37:12Come on!
00:37:13I used to live in Paraguay.
00:37:15And now?
00:37:17Now in Manuel Doblado.
00:37:20But I need to act and dress like the characters that have made me famous in film.
00:37:26But...
00:37:26I don't get excited.
00:37:30What should I do?
00:37:30No, no, you have to get dressed too, look.
00:37:33Put this on.
00:37:34And that, look.
00:37:38Damn, I'm going to look like a freakin' piñata.
00:37:41Come on!
00:37:42That's where we'll start.
00:37:43I said piñata.
00:37:46Oh!
00:37:46Oh!
00:37:47Oh!
00:37:48Oh!
00:37:49Oh!
00:37:50Oh!
00:37:51Oh!
00:37:52Oh!
00:37:53Oh!
00:37:57Oh!
00:37:59Oh!
00:37:59Oh!
00:38:04Oh!
00:38:09Oh!
00:38:09Thank you!
00:38:39Thank you!
00:39:09Thank you!
00:39:39Thank you!
00:39:41So stupid, he broke his nose.
00:39:43Help, white man, Lumumba!
00:39:46I'm not going inside, African fire!
00:39:48I need a man!
00:39:50Man!
00:39:51Me too!
00:39:52Is a white man gay?
00:39:54No way!
00:39:55I'm burning up too!
00:39:56I'm burning up!
00:39:57That damn fall I took on my knees!
00:39:59I heal the king of the jungle!
00:40:07Calm!
00:40:08Calm!
00:40:09I already feel the jungle spirit!
00:40:11It's lifting!
00:40:13And even more so when walking nearby!
00:40:19Watch out, Mr. Dantes!
00:40:20That black thing is a cannibal!
00:40:22That!
00:40:23Oh, but how dark, José!
00:40:27In a forgotten little stall, I don't know why
00:40:32And his dark-skinned dance makes me want to eat.
00:40:37In the village they called him Black José
00:40:41My black friend José!
00:40:43My black friend José!
00:40:44My black friend José!
00:40:45He doesn't seem to feel any shame!
00:40:46But you have plenty of sorrows, black José!
00:40:47But you have plenty of sorrows, black José!
00:40:48He doesn't seem to feel any shame!
00:40:50He doesn't seem to feel any shame!
00:40:52But you have plenty of sorrows, black José!
00:40:54But you have plenty of sorrows, black José!
00:40:58But you have plenty of sorrows!
00:40:59But you have plenty of sorrows!
00:41:00But you have plenty of sorrows!
00:41:02But you have plenty of sorrows!
00:41:04But you have plenty of sorrows!
00:41:06Oh, girls, tonight is a night for crying.
00:41:10Oh yes, mommy
00:41:11The only good table is the one from Yucatán.
00:41:12Yes, the girls are fed up.
00:41:15That's why we're going to take over the baton.
00:41:17Well, oh no, buddy, this Yucatecan is a pushover and he's also a cheapskate.
00:41:21Forgive me, but no
00:41:22We were with him the other night
00:41:24And he paid a bill of 32,000 pesos.
00:41:27Yes? Really?
00:41:28And he also gave us each a thousand pesos.
00:41:30Yes! One thousand pesos!
00:41:31Alright, Georgina, let's go!
00:41:32Alright then!
00:41:33Oh yes!
00:41:34But what are you doing?
00:41:34Just tell me to have a panic attack
00:41:36Clown, move it, let's go over there
00:41:38Oh yes, come with champagne, eh
00:41:39Little Champagne
00:41:40Oh, come, come, come, come
00:41:42Where is?
00:41:44Wow, Mr. Popó is still with us!
00:41:47I'm going to kick you out.
00:41:52Boy, my name is Baby
00:41:56No, Poop
00:41:58Oh, sorry, don't worry
00:41:59Here I bring you some little friends
00:42:01How are you, sir?
00:42:02Hello, daddy
00:42:03Oh my!
00:42:04As long as they are women
00:42:06Let all who want to come, come.
00:42:08Very good
00:42:08The captain, the captain
00:42:11Table and chair for everyone, please
00:42:13Oh, but there's no more champagne.
00:42:16What are we going to drink?
00:42:17That the ca-ca-captain
00:42:18Bring more cha-cha-cha
00:42:20Shall we dance?
00:42:21Cha-cha-champagne
00:42:22Sit down, sit down
00:42:25We are?
00:42:26Oh, thank you.
00:42:27Oh, captain, you already
00:42:28No, I left you again.
00:42:29What are we going to do?
00:42:29Come on
00:42:30We're here, it's there now.
00:42:32Yes, yes, sit down, sit down
00:42:34Thank you
00:42:35Thank you
00:42:35Hello, girl
00:42:38No, no, no
00:42:39I'm not you
00:42:40You're there, beautiful, lovely.
00:42:42Bomb
00:42:44Bomb
00:42:45Or as Uncle Ramón said
00:42:47Yeah
00:42:48Let them come to your places
00:42:50Yeah
00:42:51And the fucking faggot should get away.
00:42:53Yeah
00:42:54Health!
00:42:56Goto!
00:42:57Do you like Baité?
00:43:10Yeah
00:43:10Do you want me to bring it to you?
00:43:12Clear
00:43:13He has no sorrow
00:43:25Apparently
00:43:26But you have more than enough sorrows
00:43:30Black Jose
00:43:31In dancing, it's a pity.
00:43:35It sounds great
00:43:36Friend of José
00:43:40Oh my!
00:43:42They switched your poop!
00:43:43Oh, forgive me
00:43:44Friend of José
00:43:47Listen to me, you are the devil
00:43:49But a friend of José
00:43:52Oh, your future goes with me, black Jose
00:43:57I'm telling you
00:44:00I'm not telling you
00:44:00I'm not telling you
00:44:00I'm not telling you
00:44:01I'm not telling you
00:44:05Well
00:44:06Well
00:44:06Well
00:44:07Hey?
00:44:08Ah, yes, Mr. Gonzalez
00:44:10As?
00:44:11That?
00:44:12If I have corrugated rod
00:44:14And from the thick
00:44:17I know this for a fact.
00:44:18Shut up, it's an order
00:44:19Yes sir
00:44:21Yeah
00:44:23Clear
00:44:24I guarantee you
00:44:25That does not bend
00:44:26Like the competition's
00:44:27It lasts all night
00:44:29No, sir
00:44:30Ignore it
00:44:31It's a little pedicure I have here
00:44:32He's chatting
00:44:33Yeah?
00:44:35As?
00:44:35How many tons?
00:44:36How many tons?
00:44:38Why not?
00:44:39I'll tell you how much it is in a moment.
00:44:39That's 183,000 pesos.
00:44:44With 63 cents
00:44:46Plus VAT
00:44:47That?
00:44:49What thing?
00:44:50That?
00:44:50No, no, no
00:44:50I was telling him
00:44:51I'll send it to you in 7 days.
00:44:53Clear!
00:44:55Yeah?
00:44:56Clear!
00:44:57Of course it's guaranteed
00:44:59I bet it won't bend!
00:45:00Don't believe a word he says, Mr. Gonzalez.
00:45:02That this guy
00:45:03It's already bent
00:45:03Ignore it, sir!
00:45:05It's the echo!
00:45:07Yeah!
00:45:09Ah!
00:45:09Don't you see that the water
00:45:10Is it cold yet?
00:45:11Pour it on hot!
00:45:14What are friends like?
00:45:16Did you notice?
00:45:17Javier, without saying a word
00:45:18He just paid the bill
00:45:19And he left with Marlene
00:45:20Oh, man!
00:45:22They liked each other.
00:45:23I like you too
00:45:25Shall we go?
00:45:27So that?
00:45:28Up here
00:45:29We're better.
00:45:30And what the hell are you?
00:45:39What are you doing here?
00:45:40Oh, young man!
00:45:40Please don't scold me.
00:45:42All that's left is for him to hit me
00:45:43But I already ordered you
00:45:45That you would be paid for overtime
00:45:47To Mr. Gomez
00:45:48But Mr. Gomez
00:45:49He doesn't want to pay me.
00:45:50What I do?
00:45:50Oh, no
00:45:51So let's see
00:45:52If he doesn't pay me
00:45:52Stay here
00:45:53Yes, sir
00:45:54Everything scolds me.
00:45:58Hello
00:46:01What happened?
00:46:03Is suite number 4 available?
00:46:06Oh yes, number 4 is free
00:46:08Thank you
00:46:10You are welcome
00:46:11One moment
00:46:13And who's going to pay?
00:46:13So what happens now?
00:46:16Maite from Ceñito
00:46:17Pacheca came in handy.
00:46:18He went into suite number 4
00:46:19And he didn't pay.
00:46:20There's no problem with Maite.
00:46:22We will only charge your account
00:46:23But I remember
00:46:25The one who brings the condemned
00:46:26Oh, stupid girl
00:46:28Oh, stupid girl
00:46:28Oh, stupid girl
00:46:52Have this bottle with me
00:47:11And we'll see each other at the last drink.
00:47:16We're leaving
00:47:17See you
00:47:18We're leaving
00:47:19We'll see, or I'll knock you over.
00:47:21See you
00:47:22I want to see
00:47:23What does it taste like?
00:47:25Solvito
00:47:26Solvito
00:47:27For me
00:47:29Mother!
00:47:30We're here now!
00:47:31Leave
00:47:32I'm leaving now.
00:47:33Are you leaving, Mr. Baby?
00:47:34I'm fed up
00:47:36Hey, while we're at it, why don't you take one of the young girls?
00:47:39Me, me, me, me
00:47:40Mother, no, no, no
00:47:41That's how I float
00:47:42I charge cheap, Mr. Baby.
00:47:46I'm happy with you
00:47:47I'm already used to going alone
00:47:50I'm used to being pampered
00:47:53I'm used to that
00:47:55They have the champagne on the carpet
00:47:58But what I can't stand
00:48:00I want them to pour me the champagne.
00:48:02In the shoe
00:48:04A shoe
00:48:05A marble
00:48:05Look at this
00:48:09Leave?
00:48:15Yes sir
00:48:16It's tasty, girls
00:48:20Really
00:48:20Really
00:48:20Subscribe to the channel!
00:48:21Subscribe to the channel!
00:48:26Thanks for watching the video.
00:48:56Thanks for watching the video.
00:49:26Thanks for watching the video.
00:49:56Thanks for watching the video.
00:49:58Thanks for watching the video.
00:50:00Yes, but living together without getting married, what will their parents say?
00:50:06They have been living together for many years, without being married, and are very happy.
00:50:11But you've barely started working, son, how are you going to live?
00:50:15The partnership with Javier has been a complete success.
00:50:19We have excellent connections and a large clientele.
00:50:21Look, you've always wanted my happiness, haven't you?
00:50:27Well, she is my happiness.
00:50:30Alright.
00:50:30Then I want to meet her too.
00:50:37Health.
00:50:38The girl, fifteen bottles of champagne, two of cognac, six bedrooms and four extra hours.
00:50:47Except for one beer, huh?
00:50:48What do you mean, a beer?
00:50:50Yes, I was invited.
00:50:51Ah, as you say, nonsense.
00:50:53Oh, Lord, I was high last night.
00:50:56I just don't know who lit it for me, except for the ball.
00:50:59I looked like a baby's Champol castle.
00:51:01Cuchi, cuchi, cuchi, cuchi.
00:51:02Thank you.
00:51:02Good.
00:51:03The girl gets eight thousand seven hundred and four pesos.
00:51:05What's next?
00:51:06María Teresa Álvarez.
00:51:07And who is that?
00:51:08Maite, sir.
00:51:10Good.
00:51:10So, what's wrong with it?
00:51:11He has a bedroom, a bottle of champagne, and some overtime.
00:51:15Oh, and what you owe, young man.
00:51:17And where is it?
00:51:18I don't know.
00:51:18It's been many days since he last came.
00:51:20Ah, but it doesn't matter.
00:51:21Maite is a very reliable girl.
00:51:23It will appear.
00:51:24Very good.
00:51:24Okay, the jarrocha gets seven thousand three hundred and forty-five pesos.
00:51:28More of what's happening right now, sir.
00:51:30How are you working during the day?
00:51:31Yeah?
00:51:32Are you busy with Don Lute?
00:51:34Yes, Mr. Vendoría, of course.
00:51:36Ah, thirty pieces of Canadian sheet metal, three hundred pesos.
00:51:40I'll tell you right away, delighted.
00:51:43What are you waiting for that you can't find?
00:51:46What are you waiting for that you can't find?
00:51:48Coyote, you idiot!
00:51:51No, no, no, Mr. Vendoría, no, no.
00:51:52The idiots aren't about you, no.
00:51:55Look, your order is nine thousand pesos.
00:51:57I'll apply them in seven days.
00:52:00Is there nothing else to offer?
00:52:02See you later.
00:52:03Why are you interfering in my business?
00:52:05Because you're going to interfere in mine.
00:52:07No, no, no, no.
00:52:08Look...
00:52:08Come on!
00:52:38Let's go!
00:52:40Let's go!
00:53:08Let's go!
00:53:22Let's go!
00:53:38Excuse me, what do you mean by pro-country?
00:53:54All for the homeland.
00:53:57And what about the Red Cross?
00:54:00All for the Red Cross.
00:54:04What are you laughing at?
00:54:06That your name is Proculus.
00:54:12And if you had spelled out my name, you would have died laughing.
00:54:18What is your name?
00:54:20Proculus Rosae.
00:54:29Listen, Mr. Proculito.
00:54:32Shall we go to the French girl's house?
00:54:34Yes, Proculito?
00:54:35Oh, you're putting me on the spot.
00:54:38But why?
00:54:39Well, you're not going to keep up with my pace, snail.
00:54:42Oh, oh, oh, it has not been presumed.
00:54:44Come on, let's go, let's go.
00:54:46Come on, come on, one thing, one thing.
00:54:49Look, if I don't take you to six rounds, I'll pay you ten thousand pesos.
00:54:55But if I don't take you to six rounds, you don't charge me anything.
00:55:00Grandpa, will you buy me my little monkey?
00:55:09That's not a monkey, that's a tarantula.
00:55:14This grandpa, and he has a little finger.
00:55:17Put it in a little bag and keep it for me.
00:55:19Oh, what a grandpa.
00:55:24Oh, my dear baby boy, ready to start the party.
00:55:28Yes, poop, captain, beautiful...
00:55:31Women, and cha-cha, skill.
00:55:37Except now I really don't...
00:55:39They're not going to catch me.
00:55:43Careless because...
00:55:45Now, even if I throw it away, I'm wearing knee-high boots.
00:55:50Look, cute.
00:55:51Wonder Woman, my superhero, has just received the order from the World Council meeting in Metropolis.
00:56:01Where we are ordered to join our powers to fight for justice.
00:56:07What do we do?
00:56:08If you want, I'll move your balls.
00:56:11No, wait, what do you mean I'm shaking your balls? What's that?
00:56:14Okay, how does that work?
00:56:16Nothing, I just turn them over until they reach the floor.
00:56:19The balls?
00:56:21Yeah.
00:56:22That must hurt a lot, right?
00:56:24No, if you heard the sound it makes when it hits the pavement.
00:56:29No, even though I'm the man of steel, what if one of them chips?
00:56:34What tax?
00:56:35Ah, well I didn't get your story, man.
00:56:38Ah, well, grab it for me.
00:56:41Here I come.
00:56:46You scared me, dude.
00:56:48You scared me.
00:56:49Now I'm going to finish off Pancho.
00:56:51No, but to have a child who has all our powers, you have to be mine.
00:57:01I thought he was the man of steel, and you've already bent that.
00:57:05You idiot!
00:57:07Let's go!
00:57:12What do you think?
00:57:13Oh, my love, we do all the positions there.
00:57:17We already did it, we already did it with Changuito eating bread.
00:57:19The day of the motorcyclist.
00:57:21Run away, the Turk will get you!
00:57:24Okay, so for once we can't do it normally?
00:57:27It's not funny, we didn't have any fun.
00:57:29We have to do weird things.
00:57:30How will we do it?
00:57:32Aunt Daffy Duck?
00:57:33No, no, no, no.
00:57:35Yeah!
00:57:36I've got it, I've got it, I've got it.
00:57:40Look, huh?
00:57:42I'm going to get in the water and you're going to sit up there.
00:57:45Okay?
00:57:46Okay.
00:57:47Get there!
00:57:48Look, I'm diving in.
00:57:54You throw yourself in and we make love in the style of an underwater tadpole.
00:57:58Okay.
00:58:00I mean, is that okay?
00:58:02That's it, here I come, eh?
00:58:03No, no, no, no, no, no, no, no.
00:58:33I'll be a while, my little fairy.
00:58:52That makes five.
00:58:54How many weirdos have we had, honey?
00:59:15Three, Don Proculo.
00:59:17Oh, we've got five.
00:59:20No, sir.
00:59:21My love, you wrote them down yourself.
00:59:30Then neither you nor I, erase.
00:59:33And a new beginning.
00:59:34Okay, here I go.
00:59:35Goes!
00:59:42Come in, my love, come in.
00:59:43I feel bad that you're bringing me here to meet your mom so soon.
00:59:49What do you mean, "soon"?
00:59:50We've been in a relationship for almost three months now.
00:59:52Right?
00:59:53Besides, I'm already fed up with always staying in hotels.
00:59:55Clear.
00:59:55If we're going to live together, it's going to be in our own house.
00:59:58Uh-huh.
00:59:59Come in, my love.
01:00:00Sit down.
01:00:00Hey, your house is beautiful.
01:00:02And very soon it will be yours.
01:00:04Let me call my mom.
01:00:05Mother!
01:00:06Mother!
01:00:08We've arrived.
01:00:10Oh, son.
01:00:12I wasn't expecting them so soon.
01:00:14You know it's not ready...
01:00:17Okay, but what's wrong with them?
01:00:28Did they already know each other?
01:00:29No, it's just that her beauty surprises me.
01:00:35I never imagined her so young.
01:00:38Okay, but how about a toast to celebrate the occasion?
01:00:42Arturo, I prefer not to drink.
01:00:44I feel a little unwell.
01:00:46Yes, that's true.
01:00:46She looks a little haggard.
01:00:50I would like to retire.
01:00:52But, my love, I can't leave Mom.
01:00:56Yes, with the food already prepared.
01:00:57I'm sure the lady will forgive me.
01:01:02Indeed.
01:01:03You and I will have the opportunity to talk at length.
01:01:08Okay, goodbye, Mom.
01:01:10Goodbye, son.
01:01:21Damned!
01:01:22Therefore, this bachelorette party that we offer to our dear friend and partner
01:01:33Rosa María Garduño, better known as the maternal...
01:01:38You're the one who broke your mother's arm.
01:01:40And we are praying for their happiness.
01:01:46And we're taking up a collection so you can go back to the sanatorium.
01:01:51Oh, Jarocha, don't make a fuss about his accident.
01:01:54Remember that today is the end of the maternity ward.
01:01:56Girls, please.
01:01:59This moment is a triple source of satisfaction for me.
01:02:03First, because all of you are showing me your affection.
01:02:06Second, because tomorrow my future husband will receive his long-awaited law degree.
01:02:12for which we fought so hard.
01:02:13And third, here you go.
01:02:15We're getting married in two weeks.
01:02:18A round of applause for the damn suicide victim!
01:02:20Bravo!
01:02:23Let her open the presents!
01:02:24Yeah!
01:02:25Bravo!
01:02:26What's going on, right?
01:02:27Oh, Marita, I'll help you, okay?
01:02:29Oh, I'll help you.
01:02:31Wait a minute.
01:02:32From Belinda to the maternity ward.
01:02:35It has always been your dream to have twins.
01:02:37I'm giving you these little hats for twins.
01:02:39Wait a minute.
01:02:40Wait a minute.
01:02:40Wait a minute, hold on to my leg.
01:02:42Aaah!
01:02:44Aaah!
01:02:44Aaah!
01:02:47Aaah!
01:02:47Aaah!
01:02:50From Argentina for the maternity ward.
01:02:53So, what did you bring me?
01:02:55Aaah!
01:02:56Aaah!
01:02:57Aaah!
01:02:58Aaah!
01:02:59Aaah!
01:03:00But I already have mine, it's not for you, you idiot.
01:03:04It's for your husband.
01:03:07Aaah!
01:03:07One moment!
01:03:08Now I'm going to give you mine!
01:03:10That?
01:03:12Oh, how lovely!
01:03:12A piñata, damn it!
01:03:13So that?
01:03:15So that on your wedding night your husband has something to break.
01:03:17Aah!
01:03:19Little hand, little hand!
01:03:21Sorry for the delay, but I went to buy your gift.
01:03:24Oh, what did you bring me!
01:03:26Here, for your burial.
01:03:29But it's a wedding, not a wake.
01:03:32Oh, but that would be crazy, wouldn't it?
01:03:35Oh, Giorgien!
01:03:36Define it for yourself!
01:03:37I don't know what you need!
01:03:38Ah!
01:03:40Now you screw me over!
01:03:47Silence!
01:03:48Silence, ladies!
01:03:49The authorities have arrived!
01:03:51Is there authority?
01:03:52Let the contracting parties appear!
01:03:54Yes, yes!
01:03:54The bride!
01:03:55Bravo!
01:03:56Why do you want to stay here?
01:04:12I suddenly remembered that I have to see the dressmaker.
01:04:15Don't you want me to wait for you?
01:04:17No, I'd prefer we meet at home tonight, okay?
01:04:20Okay!
01:04:21Bye bye!
01:04:22Bye!
01:04:24Go for it!
01:04:24Bye bye!
01:04:25Bye bye!
01:04:25Bye bye!
01:04:26Bye bye!
01:04:26Bye bye!
01:04:27Bye bye!
01:04:27Bye bye!
01:04:27Bye bye!
01:04:28Bye bye!
01:04:28Bye bye!
01:04:28Bye bye!
01:04:29Bye bye!
01:04:29Bye bye!
01:04:29Where is the lady?
01:04:54Up you go, miss.
01:04:59What are you?
01:05:08I was waiting for you.
01:05:10You knew you were coming back.
01:05:13So you intend to live with my son?
01:05:15I don't intend to.
01:05:17I live with him.
01:05:18And you think I'm going to allow it?
01:05:20I don't know how you can stop it.
01:05:23Telling him what you are.
01:05:24A prostitute?
01:05:26Should I work at your cabaret?
01:05:28Diana the Frenchwoman's cabaret?
01:05:33It is not Diana the Frenchwoman who is begging you.
01:05:36She's a mother pleading with you.
01:05:41I've always dreamed that my son would marry a girl from his social class.
01:05:45I never cheated on him.
01:05:47He met me in my environment and accepted me as such.
01:05:50And aren't you afraid it will bring up your past?
01:05:53No, Arturo is not capable of that.
01:05:57Look, Maite.
01:05:59You and I are both practical women, right?
01:06:03How much do you want to leave my son?
01:06:06One hundred thousand pesos?
01:06:08How little you value the affection I have for you?
01:06:14Two hundred and fifty thousand?
01:06:15I want it much more than that.
01:06:22Half a million?
01:06:37Here it is.
01:06:38Subscribe to the channel!
01:07:01Thank you!
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01:10:06Man, it's not that big of a deal.
01:10:08Say,
01:10:09delusion!
01:10:12Take it, my love!
01:10:14Take it, it doesn't fit you very well!
01:10:16As?
01:10:18It's not called regular, man.
01:10:19It's called jugular pain.
01:10:21In Sabina, take it!
01:10:22Now! I want blood!
01:10:24Blood!
01:10:27They work with molonga tacos
01:10:29for Mr. Dracula.
01:10:33Molonga with molonga tacos, how?
01:10:36Molonga with molonga tacos, how?
01:10:37No, no, no, no, no, no, no, no, no, no, no, no, no!
01:11:06No, no, no, no, no!
01:11:10You are hereby awarded the title of Bachelor of Laws.
01:11:15Mr. Miguel Ángel García.
01:11:18He is awarded the title of Bachelor of Laws.
01:11:21My congratulations.
01:11:22Thank you.
01:11:24Mr. Rubén Fuentes.
01:11:26Let's go, please.
01:11:56Arturo, it goes without saying that you are and will be the only love of my life.
01:12:18But fate is what rules.
01:12:21This letter signifies our farewell.
01:12:23Arturo, your mother found out about the kind of woman I have been and how I have lived.
01:12:29Besides, you're too young for me.
01:12:33She thinks I'm not worthy of your love.
01:12:36I agree.
01:12:38You will never hear from me again.
01:12:40Forget me and forgive me, Maria Teresa.
01:12:43Rosata, your mother gave me a check for half a million pesos to stay away from you.
01:12:50But for me, your love is priceless.
01:12:55Give it back to him.
01:12:55What's wrong, Arturo? Is something the matter?
01:13:13I know everything.
01:13:14Forgive me, son, but I did it all for you.
01:13:19You had no reason to bring up his past.
01:13:21Maite never deceived me.
01:13:23I knew the kind of woman she was from the moment I met her at the La Llave de Oro cabaret.
01:13:26How did you find out that I...?
01:13:28Here, it says it all in this letter.
01:13:30Also the money thing.
01:13:31Find out for yourself.
01:13:32Find out for yourself.
01:14:02Find out for yourself.
01:14:32Find out for yourself.
01:15:02Yes, my love.
01:15:05Come, Mark Antony, look.
01:15:08Look, my love.
01:15:10Wait for me.
01:15:10Wait for me.
01:15:11Come.
01:15:13Come, my love, come.
01:15:15Come, my love.
01:15:15Wait for me, man, it's just that it's stuck.
01:15:18Did it freeze?
01:15:19The lazy one.
01:15:20I can't get it out.
01:15:21Hurry up, Marco, Anton.
01:15:22Wait for me.
01:15:23Wait for me.
01:15:25Already.
01:15:27At last.
01:15:28Already?
01:15:29Already.
01:15:30Come, to the bed.
01:15:31What bed?
01:15:32Bring your camera so you can take a picture of him.
01:15:34That?
01:15:35That?
01:15:35That?
01:15:35That?
01:15:35That?
01:15:35That?
01:15:36That?
01:15:36Why are you taking the picture with the camera?
01:15:41Giving and the camera so that you take it based on it.
01:15:46Yes, yes, yes.
01:15:47Oh, he's looking at me.
01:15:48I can't get it out.
01:15:50I can't.
01:15:50I can't, teenagers.
01:15:51Ay, meушки.
01:15:52Can't.
01:15:52T��.
01:15:53T��.
01:15:53Thanks for watching!
01:16:23Thanks for watching!
01:16:53Thanks for watching!
01:17:23Why not?
01:17:28Did you notice, girls?
01:17:30The mother returned to work
01:17:32Rosa María isn't Carmienta, Chet
01:17:35She who is born to be a fool, bodies fall from the sky for her.
01:17:40Do his orders, sir.
01:17:58A Cuba Libre, please, with pleasure
01:18:00It was all a game, just the setup
01:18:06I put in and lost
01:18:09Won't you buy me a drink?
01:18:13Excuse me, ma'am, but I don't have any money.
01:18:15What's the matter?
01:18:18Issues
01:18:19What problems?
01:18:20I'm desperate.
01:18:24I have one year left to graduate as a veterinarian
01:18:27AND?
01:18:28And?
01:18:28That my father just enrolled me
01:18:30Telling me that he will no longer be able to support my studies
01:18:33And what do you plan to do?
01:18:35Well, that...
01:18:36To quit my career and get a job
01:18:39No, that's not it.
01:18:40Don't worry
01:18:42I will help you find a solution
01:18:44Cocolizo!
01:18:47Go Cuba!
01:18:49Let there be two
01:18:49And on my account
01:18:50Thank you
01:18:53To your health
01:18:55Yes, Mr. Godínez
01:19:01Pickup trucks?
01:19:02Oh, I only have two.
01:19:03Yes, a white, latest model.
01:19:06And an older black woman
01:19:08Yeah
01:19:09Although I want to tell you that the black one is automatic.
01:19:11And the white one is the latest model.
01:19:14It's standard.
01:19:15What can it do?
01:19:17It sends me to the franchise
01:19:18Ah, of course, my love, come in.
01:19:19While you're at it, get naked.
01:19:21No, I have always spoken to him truthfully.
01:19:26No, look here
01:19:27The problem is that the black one is already quite dented.
01:19:29Just tell him about the blows
01:19:31They have to be removed by fire
01:19:33I mean, if they go out
01:19:34Well, we have to take into account that it's older.
01:19:38Well, up to two and thirteen people have climbed on it at the same time
01:19:43That's why it sucks
01:19:45Ah, but that's not a problem
01:19:48I'm sending someone to hose her down right now.
01:19:51Well, it's just that the white one
01:19:54It is more difficult to handle
01:19:56On the other hand, any idiot can take the black one.
01:19:59We agreed, of course we did
01:20:03The white one is better and tastes better
01:20:05Well, keep your white one.
01:20:07racist beggar
01:20:08Hey, cookie, doll
01:20:12What racist?
01:20:38Why didn't you act so quickly?
01:21:04Oh no, no, no, no
01:21:06Well, sit down, look.
01:21:09Don't be an idiot
01:21:11Don't tell me you're going to hang up your rocks
01:21:16I'm not going to hang them up
01:21:19I already put them on.
01:21:23The old man is dying on me
01:21:33And what kind of sales do you do?
01:21:42You're welcome
01:21:42And you?
01:21:45Coming?
01:21:46He died
01:21:47He died
01:21:48He died
01:21:49It is not possible
01:21:51But it still worked, old man.
01:21:52To serve
01:21:53He's already dead
01:21:54Do you swear to it?
01:21:55It isn't true
01:21:56He should still have a pulse.
01:21:57Okay, let me see
01:21:58Oh, I've already cleaned myself up, love
01:22:00Really, it's not possible
01:22:02If he is dead
01:22:03Look at this charming man
01:22:05Look
01:22:06These underpants must have cost him like a thousand balls
01:22:09Speaking of balls
01:22:11Yeah
01:22:11I moved them
01:22:12Don't tell me
01:22:13And you kept them in your hand?
01:22:17No
01:22:17I moved them in the style of a sweet treat from Aconcagua
01:22:21With a sweet treat from Aconcagua?
01:22:23Well, it looks like an Acapulco pelican.
01:22:25So what are we going to do?
01:22:28I don't know what we're going to do
01:22:28The police!
01:22:30No
01:22:31Thank you!
01:22:32Thank you!
01:22:33Thank you!
01:22:34Thank you!
01:22:35Thank you!
01:22:36Thank you!
01:22:37Thank you!
01:22:38Thank you!
01:22:39Thank you!
01:22:40Thank you!
01:22:41Thank you!
01:22:42Thank you!
01:22:43Thank you!
01:22:44Thank you!
01:22:45Thank you!
01:22:46Thank you!
01:22:47Thank you!
01:22:48Thank you!
01:22:49Thank you!
01:22:50Thank you!
01:22:51Thank you!
01:22:52Thank you!
01:22:53Thank you!
01:22:54Thank you!
01:22:55Thank you!
01:22:56Thank you!
01:22:57Thank you!
01:22:58Thank you!
01:22:59Thank you!
01:23:00Thank you!
01:23:01Thank you!
01:23:02Thank you!
01:23:03Thank you!
01:23:04Thank you!
01:23:05Thank you!
01:23:06Thank you!
01:23:07Thank you!
01:23:08Thank you!
01:23:09Thank you!
01:23:10Thank you!
01:23:11Thank you!
01:23:12Thank you!
01:23:13Thank you!
01:23:14Thank you!
01:23:15Thank you!
01:23:16Thank you!
01:23:17Thank you!
01:23:18Thank you!
01:23:19Thank you!
01:23:20Thank you!
01:23:21Thank you!
01:23:22Thank you!
01:23:23Thank you!
01:23:24Thank you!
01:23:25Here on the wall, here, here, leave it there, leave it there now, straighten it out, no, I don't
01:23:29I mess with the dead, the knee, idiot, to the knee, yes, alright, that's it, that's it, get out,
01:23:35Get out, yes, yes, you see, you dropped it, it fell, man, and now what do we do, I'm getting out
01:23:40Me, jump out, you better not jump out, stay, stay, and now what do we do, I have a
01:23:47Idea, let's put a tripod on it, with this it won't fall, one, two, three, up it goes, there, it's done, and let's go.
01:23:55Look, we'll pray his rosary tomorrow, hurry up!
01:23:57What you have to do to avoid paying the bills: taxi, taxi, taxi, taxi, and for the reasons stated above,
01:24:24the cabaret called La Llave de Oro, as well as its club of the same name, located in
01:24:28The upper part will become the property of the cooperative made up of the people
01:24:33whose names are mentioned in clause five of this document, this means
01:24:37that the profits must be divided equally, you heard, girls, because
01:24:44equal shares, I also get some of what they receive, money, it is signed
01:24:51Presented in Mexico City and dated today, please sign, ma'am.
01:24:55Girls?
01:24:55Oh.
01:24:58Very good girls, now that you own the business, I wish you the best of luck.
01:25:04Girls, long live the French pincha!
01:25:07Hey?
01:25:07As?
01:25:09I mean, I meant Mrs. Diana.
01:25:13Alright girls, I'm going to leave now, but before I do, I'd like to suggest that, given your knowledge
01:25:23Georgette will remain in charge of the business.
01:25:26Oh, how charming, did you hear the lady call me by my name, Georgette?
01:25:32Oh no, it's fine ma'am, right?
01:25:34I'm very good at computers.
01:25:36Oh ma'am, but I do the math too.
01:25:39Oh no, I swear I would never be with her.
01:25:42I protest, colleagues, honestly, for computing, the best is Joto.
01:25:47Just a moment, nothing about Joto.
01:25:49Since I'm already part of the business, Miss Georgette, please.
01:25:54Oh yes, we're going to miss you, French girl.
01:25:57No, from that moment on the French woman died.
01:26:00Excuse me, and congratulations.
01:26:11Well, now we need to find new girls to work with us.
01:26:25And what's that for?
01:26:26Because now that I own the business, I'm the one working like a slug.
01:26:30No.
01:26:30No.
01:26:52No.
01:26:52Son, Arturo.
01:27:09Mom, what are you doing here?
01:27:12He came looking for me.
01:27:13That's right, I came to apologize for how badly I've treated her.
01:27:29And now I ask you to be very happy.
01:27:32Thank you.
01:27:37Okay, girls.
01:27:39Now we have to decide who among us is going to appear as the owner of this business.
01:27:43Of course, the one who will take Diana's place is the French woman.
01:27:48Hey, family!
01:27:50I present to you the new patron saint, Minerva the Italian.
01:27:55Nothing Italian about it, stupid.
01:27:58I'm Giorgette, the one with your little butt.
01:28:01I'm on a bridge, screaming, I don't know why.
01:28:07And his cup of brown coffee left me.
01:28:12In the village, I called my red-haired friend José.
01:28:17Friend of José.
01:28:20He seems to have no regrets, but you have plenty of regrets, black José.
01:28:31In the dance, in her mommy's outfit, she looks great.
01:28:39Friend of José.
01:28:40Oh, forgive me if I say, black José.
01:28:48Listen, you're a devil, but a black friend, José.
01:28:52Oh, your future goes with me, black José.
01:28:57I tell you, because I know, my black friend José.
01:29:06I tell you, because I know, my black friend José.
01:29:16We also don't like interruptions, that's why in the...
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