In a world of color and shadows, The Artist The Series (2025) takes us behind the canvas.
Follow the journey of a brilliant but misunderstood creator navigating the cutthroat world of high-end galleries and internal demons. Is art worth losing your sanity for? This series explores the fine line between inspiration and obsession, featuring some of the most stunning cinematography seen this year.
Whether you're an art lover or just love a deep, emotional character study, this show will leave you breathless.
Subscribe for episode breakdowns, the symbolism explained, and updates on Season 2!
#TheArtist #TheArtistTheSeries #ArtDrama #Masterpiece #Series2025 #Cinematography #TorturedArtist #MustWatch #DramaSeries
Follow the journey of a brilliant but misunderstood creator navigating the cutthroat world of high-end galleries and internal demons. Is art worth losing your sanity for? This series explores the fine line between inspiration and obsession, featuring some of the most stunning cinematography seen this year.
Whether you're an art lover or just love a deep, emotional character study, this show will leave you breathless.
Subscribe for episode breakdowns, the symbolism explained, and updates on Season 2!
#TheArtist #TheArtistTheSeries #ArtDrama #Masterpiece #Series2025 #Cinematography #TorturedArtist #MustWatch #DramaSeries
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TVTranscript
00:00Once upon a time in Paris, not long ago, there lived two very different artists.
00:09One was well respected, but now old and nearly blind.
00:21The other lived an entirely different life.
00:24One of both hope and despair.
00:30She was young, invisible, and had nothing to lose.
00:36You see, Edgar Degas had built a name for himself off the likes of aspiring young women, just like this one.
00:46Degas was a sensation.
00:48In fact, men everywhere were desperate to have their hands on a Degas ballerina.
00:55But he wouldn't sell to just anyone.
00:58What price can you do?
01:00Are you...
01:02Juifs?
01:04Yes, and you.
01:10Edgar Degas would waste his creative capital, lambasting and isolating.
01:14Honte! Honte! Honte!
01:16Some would say it was because he was terrified of true human connection.
01:20Others believed it was, in fact, because he hated the Jews.
01:24Are you a Jew?
01:26But this particular young lady knew nothing of Degas or his ballerinas.
01:30She knew only the story of hope.
01:32Only the story of hope.
01:34I've already told you the story of the Pucelle d'Orléans.
01:38Can you tell me, Mom?
01:40It starts like this.
01:42The story of perseverance that her mother would recite day after day.
01:46There was a young woman named Jeanne d'Arc.
01:54She was the most courageous of all women.
01:58And in fact, all men too.
02:00And one day, around the midi,
02:03in the garden of her father,
02:05he appeared to him.
02:07And he gave the courage to follow all his convictions,
02:10even the most audacious.
02:12Désabuie-toi.
02:13Pardon?
02:14A poil.
02:16Maintenant?
02:18Ah bah oui, maintenant.
02:20Oui oui, on y va.
02:23Qu'est-ce que tu peux aider Maman?
02:26Eh bien...
02:28Je crois que cela veut dire que...
02:31Lorsque tu vas une idée ou une passion,
02:34le premier réflexe des gens sera de te l'arracher.
02:37The girl and her mother had nothing.
02:40Nothing but a story.
02:41A story about hope and perseverance at all costs.
02:45Et un, deux, trois.
02:47The girl would spin day and night.
02:52And the artist would paint and paint and paint.
02:55T'as fait sept heures.
02:56Sans serrege.
02:59Qu'est-ce que tu te crois?
03:02Alors...
03:03Maman, là?
03:04La tête.
03:06Comme ça?
03:10As time passed,
03:11both artists would age in different ways.
03:14C'est bien.
03:16Végaard would exchange oils for clay.
03:20The girl would stand tall and spin on.
03:27In the hopes that one day someone might see the beauty in her
03:31that she saw in the world.
03:51Sadly, not many were able to find the beauty in Degas clay.
03:54It would embarrass him to his very core.
03:55And he would spend his last pennies on a voyage to America.
04:04So that he might live out his final days in obscurity.
04:07His passions had all but faded to dust.
04:10You're doing good.
04:13The girl would find new hope in our country house with promises of grandeur.
04:20Here you are.
04:22Welcome home.
04:25That's my wife, Marion.
04:26My husband would have me believe that she was nothing more than a mechanism to assert status with his peers.
04:33I could not help but see myself in her.
04:39A reminder that I, too, had trusted far too easily.
04:43I have never felt hatred toward the ballerina.
04:53Only hatred toward myself.
04:56For not warning her sooner.
04:58Find me, Ludwig.
05:00That she, too, would become a prisoner in this house.
05:03Talk to me, dear.
05:04Talk to me.
05:05Talk to me.
05:06Talk to me.
05:07My Jeanne d'Arc.
05:08My warrior.
05:09My life will not always be easy.
05:10They will try to burn you alive.
05:11They will try to burn you.
05:12They will try to burn you.
05:13Imagine your perfect little dancer on a stage in Paris.
05:16For all the world to see.
05:17But that will not be important.
05:18You will try to burn you alive.
05:20They will try to burn you alive.
05:21They will try to burn you alive.
05:22Imagine your perfect little dancer on a stage in Paris.
05:28For all the world to see.
05:31But that will not be important.
05:33Because your reason to be on this earth is much bigger.
05:37And sometimes, it will be difficult to see clear in the darkness of the abyss.
05:48If you talk about all your forces, you will find your path.
06:06Meanwhile, in New Orleans...
06:11Despite his best efforts, Edgar Degar could not escape his own shadow.
06:15Edgar!
06:16I would like to introduce you to Norman Rockefeller.
06:21I'd sure love for you to paint something for me.
06:24And even though he was but blind and talentless...
06:27Monsieur, I am all but blind and currently talentless.
06:33I assure you, there is nothing you want from me.
06:36He would still paint.
06:37But you are Degar.
06:39Oui.
06:41He painted Laura and the kids.
06:43Degas.
06:44The Degas?
06:45Yes, yes.
06:46I must have him do my boys.
06:47I hear he's a bit terse.
06:49I shall take an introduction as well.
06:54If you wouldn't mind, John.
06:57He's not cheap, Norman.
06:59Until finally, he would accept a commission for two poodles.
07:04Two fidgety poodles who would stare so deeply into his soul.
07:10He would have a singular revelation.
07:14That he was no longer an artist.
07:17And just like the ballerinas he had once painted, he too was now merely a whore.
07:26A prostitute.
07:28A marionette on strings, dancing for dollar bells.
07:33Just like the rest of us.
07:36My jeanne d'arc.
07:40My guerriere.
07:43Putain!
07:46Marvelous, isn't she?
07:48Brought her over from Paris.
07:50You dirty hound.
07:52Show us your tits, girl.
07:53No!
08:11What have they done to you?
08:12The world is cruel to old men.
08:17I hate your death!
08:27What have they done to you?
08:29The world is cruel to old men.
08:35No, no, no.
08:42Oh!
08:43Oh!
08:45Oh!
08:47Oh!
08:49Oh!
08:51Oh!
08:53Oh!
08:55Oh!
08:56Oh!
08:57Madame!
08:59Oh!
09:01Oh!
09:03You have such a...
09:05passion!
09:09I feel...
09:10great...
09:11great...
09:13great...
09:16secret.
09:17It is enclosed in a glass too.
09:19Why do you diminish yourself to him?
09:25Huh?
09:27I love you.
09:30Forgive me.
09:32Hmm.
09:33Swan?
09:34Elok...
09:35Hello?
09:36Hmm,
09:37I am very...
09:38high.
09:40Why do you diminish yourself...
09:41to him.
09:43longtime.
09:44I love you.
09:45Forgive me.
09:47Hmm...
09:49Hello?
09:51Hmm?
09:52Oh.
10:03Monsieur Dicard.
10:11What are you doing? What are you doing?
10:14What are you doing? Why did you do that? What are you doing?
10:19Why would you do that? Oh my God, that was a beautiful moment of truth and beauty for once.
10:27You know, with the great artist, the passionate genius, which clearly doesn't make you respectful in the vows of marriage, does it?
10:37I mean, well, neither is my husband, but you know, that's beside them.
10:40Oh my God, what was I thinking? Oh my God, you're just a fucking French pop.
10:46You are a complicated flower.
10:48I'm a flower. Is that what you think of me? Great.
10:51Thank you. What am I, a fucking giant fucking wallflower standing at the back?
10:56Van Gogh's already done it. You're just like all of the rest of them. Oh my God.
11:00Oh my God. You're the same as all of the rest. You're just a fucking blind pug.
11:07Oh my Lord. Oh my God. Oh my God.
11:11Oh my God. Oh my God. Oh my God.
11:18Oh my God. Oh my God.
11:20What are you looking at? What?
11:34What are you doing?
11:38Let me paint you.
11:45Absolutely not. I think perhaps my visit is over.
11:50No, you don't.
11:53I need to paint you. I have never been so inspired.
11:56Yes. Please, I beg you. Let me paint you.
12:02Is this a joke?
12:03This is not a joke. This is the truth, madame.
12:06You must not be ashamed of your truth.
12:09And it was at this very moment that I had come to the realization...
12:13Have you commissioned something? Have you?
12:15No, nothing major. I want to paint again.
12:17My husband had accidentally created an opportunity like none other.
12:25An opportunity that actually had the wherewithal to save us.
12:29No, no, no. No, no, no, no, no.
12:32Step away. Step away from me. You step away from me.
12:35Step away from me.
12:38I would need to convince him to see it my way for once.
12:42Absolutely not. Absolutely not.
12:48What game are you playing at?
12:50You hussy, you manipulative cockle.
12:53Are you done yet? Because I'll have you thanking me before the end.
12:55Threaten to kill me and you shall have him stay another week, another month?
12:58What do you want from me, Marion?
13:00Do you want me to relent all power to you to bow down to these games?
13:04Could you just, just for once, not assume that everything I do is to spite you, Norman?
13:09Lilith is a human girl with feelings still.
13:14She's not a monkey.
13:17She's fragile.
13:19Now more than ever, she is very fragile.
13:22Something like this?
13:24Break her.
13:26Just...
13:28Do you know that I'm also a human girl?
13:30Do you?
13:34Yes, you are.
13:35You think I don't walk these halls with shame every day?
13:43For unkept promises I have made you.
13:47A single painting of a ballerina.
13:51A dog, a child.
13:54It's not gonna resurrect us from the grave, Marion.
13:58I am sorry.
14:00But what if it could?
14:02Norman, what if, just once, you trusted your wife and what if it could?
14:06And what if it could?
14:10Joan!
14:11No!
14:13No!
14:15No!
14:17No!
14:19No!
14:20Now before you judge me for using love or infatuation or whatever you want to call it
14:31To manipulate poor old Edgar Degas into painting one last ballerina
14:36Perhaps us women might remind ourselves of all the men in our lives who have done the exact same thing
14:46Mesdames et Messieurs, jeunes et moins jeunes, prenez note, l'Opéra de Paris présentera cet automne une version revisitée de Coppelia
15:02Une histoire hilarante et pleine de rebondissements, mêlant amour de jeunesse, méfaits audacieux et une poupée grandeur nature qui menace de tout gâcher
15:14Si cela ne vous semble pas être une histoire pour toute la famille, je ne sais pas ce qu'il vous faut
15:22N'ayez plus peur du ballet, c'est désormais un divertissement pour toute la famille
15:29Coppelia
15:31Réservez vos places avant qu'il ne soit trop tard
15:37немножко dizendo
15:56Dansres!
15:57Dansres!
15:58Dansres!
15:58I'm mad!
16:06Alright.
16:19Invite...
16:24...you to...
16:28It won't stop bleeding.
16:50I believe it might be infected.
16:53What do I do?
16:54Not much.
16:56What does that mean?
16:57Oh, boys!
16:59I'm here to invite you all to my dress rehearsal for the crime of the century.
17:08Don't you read the papers?
17:09I mean, it's the biggest event since, I don't know, ever.
17:13So, I'm going to give you all invitations.
17:16And, um, trust me, you're gonna wanna be there if you're anyone.
17:19Don't wear this, we'll come in.
17:21Okay.
17:22Bye-bye now.
17:23Have fun!
17:30Wake up!
17:31I'm leaving a...
17:36Yeah.
17:37I'm in place!
17:38Bye-bye now!
17:41I'm in place!
17:46Bye-bye now!
17:49Bye-bye now!
17:53Bye-bye, bye-bye now!
17:56Bye-bye now!
17:57We're almost done.
18:08Silence.
18:09Oh, I'm liking this already.
18:11More light!
18:12I opened this thing.
18:18Away! Away! Beatrice, please!
18:21You're not a dancer, you're a blob.
18:32A blob?
18:32Yes.
18:33I'm a dancer.
18:34A blob!
18:37I'm a dancer.
18:39A dancer.
18:41You don't behave like a dancer.
18:42I don't behave like a dancer.
18:49Happy day, servants!
18:51Crime of the century.
18:52Here's your invitation.
18:54Crime of the century dress rehearsal, ladies.
18:56Good morning, chef.
18:58That means it's fake.
18:59It's not real yet.
19:01Knock, knock!
19:03You should serve oysters.
19:05They're very good.
19:06You're not going to want to miss it.
19:08Right. Ding, ding, ding.
19:09Hello!
19:10So, for those of you who cannot read,
19:13this is the dress rehearsal for the crime of the century.
19:17It's a mock trial.
19:18Mock means fake, not real.
19:22You're all invited by me, Evelyn Nesbitt.
19:26And I may suggest one thing.
19:28Wear perfume before you come,
19:30because it smells like death out here.
19:32All right?
19:33Love you all.
19:34Good day.
19:35It's at 4 p.m. as well.
19:40Bye!
19:43No.
19:44Seems like quite a bit of pomp and circumstance
19:48for one meeting with a lawyer.
19:49When did she even find time to make such extravagant invitations?
19:53She's one of a kind.
19:54What's that?
19:55I said she's...
19:56Never mind. Hang on.
20:00I said, when did she even find the time to make these invitations?
20:05What's the matter?
20:08Nothing.
20:08You're having a stroke?
20:11No, I'm not having a stroke.
20:13What?
20:22Put your piece on this pouton de chaise.
20:25It doesn't seem to me.
20:27Who the fuck are you?
20:29Huh?
20:36I'm going to need your dress.
20:37Completely.
20:40I mean, completely.
20:42Suck my cock.
20:44Cock.
20:45Beat.
20:46Beat.
20:49Here's another room I thought might be very good
20:51for your rehearsal tomorrow.
20:53Ah, you are right.
20:54There is wondrous bright light in this room
20:57and a breath of fresh air in this house.
20:59Let me tell you that.
20:59Lily, darling.
21:00I do not take off my clothes for painters.
21:02We can put a few more chairs in here
21:03and an elevated podium right there.
21:05This is my room.
21:06My room?
21:06Actually, it's Mr. Henry's room.
21:08Oh, don't worry.
21:10You're all invited.
21:10To what, exactly?
21:12To my dress rehearsal
21:13for the crime of the century.
21:15It's tomorrow at four.
21:16There's this great lawyer
21:17who's coming up from the city.
21:18It's going to be splendid.
21:19You all here again?
21:20No.
21:21I'm Evelyn Nesbitt.
21:23The girl on the swing.
21:24Oui.
21:25Lily, don't be difficult.
21:27This comes from Mrs. Henry.
21:29Mrs. Henry wants me to disrobe.
21:30Did you say you've seen me disrobed?
21:32God, it must have been an old picture.
21:33Mrs. Henry wants you painted.
21:35Naked.
21:35Naked.
21:38God, is there a painting going on here?
21:44I had no idea.
21:46He can ask me himself.
21:47I would be entirely open to stepping in.
21:52I believe she'd like some clarity.
21:54She's a model.
21:55This is clear to me.
21:56I don't think she actually is a model.
21:57Correct.
21:57She's a dancer.
21:58A whore.
21:59Are you a whore?
22:00Did you say a swinging girl?
22:01Lily, let's all take a breath.
22:04Tea?
22:05Anyone?
22:07No?
22:08Well, no.
22:08Actually, I'd like some tea.
22:09I'd happily undress for a session.
22:11You're a coward asking Marius to ask me
22:12to strip my clothes for you.
22:13Did I?
22:14He's a faggot.
22:14I hardly believe he'd ask me to undress on his own accord.
22:16Faggot.
22:16I've fucked a faggot before.
22:18He's very gentle.
22:18Oh, lucky you.
22:20I'd like to know why I shouldn't dress.
22:21Bitch, this is what you do.
22:23It is your fucking currency and your life.
22:28Sange.
22:29You are.
22:31It seems to me you're the one willing
22:32to do anything for anyone.
22:34Why are you so desperate
22:35to impress that witch anyway, huh?
22:37Are you in love with her?
22:38My inspiration is none of your business.
22:42Take off your fucking clothes.
22:44For heaven's sakes.
22:47I shall undress for you.
22:48But only for today,
22:49so strike while the iron's hot.
22:51I'm testifying on behalf of my husband Harry tomorrow,
22:53so I really shouldn't be doing this.
22:55It's all right.
22:56But, you know, you are a lucky man.
23:00No, no.
23:01Enfant, you should not be doing this.
23:02I was a Gibson.
23:04No, no, mademoiselle.
23:04I know how this works.
23:05She is my motherland.
23:06You freak of desperation.
23:08Ah!
23:08Was that me?
23:18I'll go get the doctor.
23:22Oh, dear.
23:24The doctor?
23:26Peter?
23:27Really?
23:29I can't see you.
23:30Oh!
23:31Get out of here.
23:33Oh, my God.
23:36Oh, fucking God.
23:40Service!
23:42Service!
23:43I do believe this is destiny.
23:47You and I here.
23:49Is it?
23:50Mm-hmm.
23:51Blind artist in his twilight years,
23:55near inches from an up-and-comer like me.
23:58Oh, where's the twat?
24:00Where's the twat?
24:01The doctor twat.
24:05Twat, twat.
24:06Is it twat or twat?
24:09Marius is off to find him.
24:11I'm sure there'll be a long short thing.
24:14Merci.
24:15I don't know.
24:18I prefer a child.
24:21Poire.
24:21Who does not have ice?
24:22Who does not have ice?
24:24And we say, don't have ice.
24:25Poire.
24:26Ah, poire.
24:31You know, Stanley used to tell me
24:32that Stanford White
24:34and that the true mark of a poor, rich man
24:40was always the ice.
24:42That's the Stanford man.
24:45Did he rape you?
24:48No, I'm not as black and white
24:49as your ballerina.
24:51Do not pretend to understand
24:52my situation, artist.
24:53I'm sure you're going to cook, swing girl.
24:54I've been there, darling.
24:55I merely ask if he rape you.
24:58Men are such simpletons.
25:01I do not dance to be seen.
25:04Never mind.
25:05No, no, go on.
25:06I'd love to hear this.
25:07My dancing is not a concern of yours.
25:09No, it isn't.
25:10But, I mean, I'm a little baffled.
25:14A painter and a ballerina
25:16stuck in the country
25:17in the middle of winter.
25:20I guess I'm just a little curious
25:22as to what you've been promised.
25:27I do it, too.
25:30I don't think so.
25:31Let's get off the questions.
25:33Well, you can't be entirely unaware
25:38of the Henry's state of affairs, surely.
25:41I mean, come now,
25:42we had white wine with beef.
25:44Are you that blind artist?
25:49No ice, my darlings.
25:54They've got no ice.
25:57Now don't be embarrassed.
25:59There's nothing to be ashamed of.
26:00I've been conned more times
26:03than I'd like to admit.
26:05You get over it.
26:08And you move on.
26:10You pack up your act
26:11and you move it to the next benefactor
26:13because they're all the same.
26:14It was at this very moment
26:16that Edgar and Lelich
26:17came to the realization
26:18that perhaps my husband
26:20was in fact
26:21not a benefactor of their art,
26:24but instead
26:24a master manipulator.
26:26a man of empty status
26:29and unfulfilled promises.
26:31I should like to use this room tomorrow
26:33for my dress rehearsal.
26:35There's something magical here.
26:38Humbling.
26:46I do hope the world
26:47falls in love with me.
26:50To be loved unconditionally.
26:53I'd like that.
26:56I suppose
27:11perhaps we start without them.
27:15I'm sure that
27:16Evelyn is preparing for her trial.
27:19I imagine she has a lot to study.
27:21Yes, I believe there's a lawyer
27:22coming to walk her through the process.
27:23It's a bit of a,
27:26I forget what you call it.
27:27Mock trial.
27:28Mock trial, that's right.
27:30Do you think
27:30this might be the one
27:32that finally saves us?
27:35Hmm?
27:36I'll see where you are,
27:44doctor.
27:45Don't leave me.
27:46Don't leave me.
27:48It's the only way
27:48to go back in the evening.
27:49You're right.
27:49I don't know what's going on.
27:53About what?
27:55About everything.
27:57We are two idiots.
27:59They are fugitive.
28:01They are duped.
28:03I am totally incapable of moving.
28:06Yes, apparently.
28:09We are going to work together.
28:11What?
28:13With money.
28:15There's no money.
28:17You have to have money.
28:19And you will find it.
28:23Mrs. Henry is talking about a coffin.
28:28At the floor.
28:30When did she say that?
28:32After the crime of killing her husband.
28:38Are you a fugitive?
28:42Are you a fugitive?
28:47Are you a fugitive?
28:50Are you a fugitive?
28:52You've got to worry about...
28:54Let's imagine that I have a billet in the coffin.
29:13So, let's go.
29:15We're going to get out of here, quickly.
29:24What does it make you think I'd even give you a centime to someone like you?
29:29I'm your guy.
29:31You're a fool. You're a fool.
29:33I'd imagine you would like me to get out of here.
29:37Why would I do that?
29:39Because you don't have an âme.
29:41I'm the same incarnation of the âme.
29:44What a joke.
29:46Strange.
29:48Imagine if I find a small fortune in this coffin.
29:54Yes.
29:55Imagine that I'd like to share this with you,
29:58instead of leaving you out there like shit.
30:01Yes.
30:02What will you do for me?
30:05It's difficult.
30:07Careful.
30:08What do you want?
30:111, 2, 3.
30:131, 2, 3.
30:151, 2, 3.
30:161, 2.
30:171, 2, 3.
30:182, 3.
30:192, 3.
30:201, 2, 3.
30:212, 3, 3.
30:223, 3.
30:232, 4.
30:24unicorn.
30:252, 1, 2.
30:261, 2, 3.
30:271, 2, 3.
30:281, 2, 3.
30:293, 3.
30:302, 5, 2, 3.
30:313, 4, 5, 3.
30:322, 1, 2, 3, 4.
30:334, 5, 3, 3, 4.
30:352, 3, 4, 5, 5, 6, 7,8, 8, 7,000, 9, 10, 10, 15, 10,11 , 10, 11,14, 11,20, 11,24, 10, enhancing, 12,00, 14,012,
30:37I smoothly as well as we're 21,000.
30:39I've posible yourself to just part 2 now.
30:47What do you do?
30:49What do I do?
30:50Yes.
30:51I dance in this case.
30:53You fall and I dance.
30:56And each one, we survive.
30:59If we fall back there, we will survive each other.
31:04Otherwise, you will die.
31:07Maybe here, alone.
31:11And here.
31:17And just like that, a plan had been set between a painter and a ballerina.
31:27Trapped like the rest of us, desperate for a way home.
31:33You see, there was not one member of our household that would not kill for the last few bills in my husband's possession.
31:41But they were all blissfully ignorant of the realities of our situation.
31:46Marianne!
31:49Where's my chamber pot and where's my urinal?
31:53Why can't it be in the same place every time?
31:56Fire her!
31:58We're so fucking dependent on her all the time, it's like a game.
32:00I wake up four or five times in the night!
32:02An entitled man who can't find his pot to piss in.
32:06Let her clean it up!
32:07I don't find it funny!
32:09But the ballerina and the painter had a plan to escape this madness.
32:13A plan that would rely heavily on one Evelyn Nesbitt.
32:17It's a mock trial!
32:18When no one would be in the house.
32:20A plan that Lilith thought would return her home.
32:33A star.
32:34Charmaine.
32:35Charmaine.
32:36Peux-tu imaginer le riche velours des chaises de l'opéra contre ta peau?
32:42Je te parle de cela parce qu'on vient de me dire que j'aurais droit à une invitation
32:49pour ma première représentation des saisons.
32:54Deux, trois, et un, deux, trois.
32:58Excellent, Lilith!
32:59Une représentation sans égal.
33:02Tu serais si fière de moi, maman.
33:06Je suis prête maintenant à rentrer à la maison
33:10et je ne laisserai rien se mettre sur mon chemin.
33:14Tu me mens tellement, avec amour, ta Lilith.
33:24Maman!
33:25Maman!
33:26Maman!
33:27Sous-titrage Société Radio-Canada
33:39Sous-titrage Société Radio-Canada
33:51Sous-titrage Société Radio-Canada
34:17Sous-titrage Société Radio-Canada
34:29Sous-titrage Société Radio-Canada
34:30And for a moment, perhaps there was hope that she might be able to escape this madness.
34:36Sous-titrage Société Radio-Canada
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