In a world of color and shadows, The Artist The Series (2025) takes us behind the canvas.
Follow the journey of a brilliant but misunderstood creator navigating the cutthroat world of high-end galleries and internal demons. Is art worth losing your sanity for? This series explores the fine line between inspiration and obsession, featuring some of the most stunning cinematography seen this year.
Whether you're an art lover or just love a deep, emotional character study, this show will leave you breathless.
Subscribe for episode breakdowns, the symbolism explained, and updates on Season 2!
#TheArtist #TheArtistTheSeries #ArtDrama #Masterpiece #Series2025 #Cinematography #TorturedArtist #MustWatch #DramaSeries
Follow the journey of a brilliant but misunderstood creator navigating the cutthroat world of high-end galleries and internal demons. Is art worth losing your sanity for? This series explores the fine line between inspiration and obsession, featuring some of the most stunning cinematography seen this year.
Whether you're an art lover or just love a deep, emotional character study, this show will leave you breathless.
Subscribe for episode breakdowns, the symbolism explained, and updates on Season 2!
#TheArtist #TheArtistTheSeries #ArtDrama #Masterpiece #Series2025 #Cinematography #TorturedArtist #MustWatch #DramaSeries
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TVTranscript
00:00Welcome to the Henry Manor. A gilded age tale of mystery and murder.
00:09But first...
00:10You're lucky. Power's out in the dining room again.
00:14...while on property.
00:18Mr. Henry made his fortune as a junk man. Something he was quite proud of, actually.
00:25But it wasn't until a chance encounter with Mr. Thomas Edison that he became purely revelatory.
00:55This should be good.
01:10Oh, shit.
01:15At this exact spot is where Thomas Edison accidentally slipped on a ruck, hitting his head right here on this second step.
01:26Come on!
01:49And as we all know, Mr. Henry is widely credited with saving his life.
01:56It is the dawn of a hobbyist.
01:59One day, I'm going to be an inventor.
02:02Dear reader, this is not a story in the conventional sense.
02:17You see, nothing is neat and tidy.
02:20Nor is it laid out with ease for a dim-witted pony.
02:23Which I hope you are not, for both her sakes.
02:27No.
02:28This story, in particular, is a cautionary tale.
02:36My husband is dead.
02:38Killed in the dead.
02:39Anything to sabotage a deal with Thomas Edison.
02:42Looking back now, I can admit I was rooting for her.
02:44His fate could be sealed for a portrait of poodles.
02:48When I was a child, I had foolish dreams of what I might become.
02:58I saw the world differently.
03:09I don't get it.
03:12What does it do?
03:13It's not about that.
03:15What do you mean?
03:16It's not about the truck.
03:17If the entire contraption is used to cage poor Beatrice here.
03:20But look what I built.
03:22Look at all the intricacies of it.
03:26It's interesting.
03:28One day, I'm going to be an inventor.
03:31I wanted to invent something that might have saved our mother from her untimely fate.
03:35You both understand why God created you to reside together on this earth?
03:41She would say that her destiny was written, but ours was not.
03:44Slightly ironic sitting here now writing to you.
03:47Before our mother died, she would instill a sense of connection that would bond us to our core.
03:53We had promised our mother that we would come together on this day each year.
04:05No matter where life might take us, we would find each other.
04:09Again.
04:10When you become one together, you see the world for what it truly could be.
04:15It truly could be.
04:27And today, the day that Norman died, would be the day that I see clearly again.
04:36Someone gets around.
04:48While Norman and I had become infatuated with one another all over again,
05:09the rest of our world, so it seemed, was at a standstill.
05:16That's the funny thing about love.
05:19It's quite indulgent.
05:22What have you done, Lily?
05:23I've done nothing.
05:25He's not called on you, not in days.
05:30I don't care.
05:32Read between the lines, this isn't good.
05:36Maybe we should leave.
05:39Leave where?
05:41Lilith.
05:44Leave to go where?
05:47I didn't see it then, but we had become frozen in time with no money.
05:52Fuck!
05:53No way out.
05:54Finito!
06:00Duke are on Tuesdays.
06:02But it's Wednesday.
06:04And like any caged elf, you become fidgety.
06:07I say, old maid.
06:09Who are you calling an old maid?
06:11She doesn't want to make that joke until she's dead.
06:14I was afraid to reveal the truth about Edison to my husband.
06:17Afraid of what it might do to us.
06:19Afraid, yet again.
06:24And as our world grew more insular by the day,
06:30I grew more tepid.
06:33Cars!
06:35You're just such a cheese always!
06:38How are we supposed to hold this?
06:41She's so perfect, the head, me!
06:44What are you all doing?
06:45Are we playing cards or aren't we?
06:46Where are we going?
06:47I could not shake the feeling that something was not right between us.
06:50Can we just play?
06:52And it was all a charade.
06:53Everything is done.
06:59And then, like clockwork, she arrived.
07:07Right unscheduled to break us free from this insanity.
07:16Okay?
07:30I'm not sure we was expecting you.
07:35Were the Henrys expecting you?
07:37Lovely to see you're still kicking, Gretch.
07:49Deal.
07:53Ah, the stench of rotting paper bills.
07:57How I have missed you.
07:58Gretchen, can you be lighter underfoot?
08:09I've been saying that for many years.
08:11It's as if you're a direct descendant of Napoleon himself.
08:14A choleric.
08:15Mr. Henry.
08:16Stomp, stomp, stomp.
08:18Yes, Gretchen.
08:19I do know the word choleric.
08:20Thank you very much.
08:21Mr. Henry.
08:22She has me reading now.
08:23Mr. Henry.
08:24I have a visitor.
08:28Is he coming for me?
08:29Now?
08:30You're not going to lie to me.
08:31Damn it, woman!
08:32Rosie!
08:33Rosie Morsh.
08:39Oh, no.
08:42Did she die?
08:44Not yet, sir.
08:47She's here.
08:50How the fuck does she find us?
08:52How the fuck does she always find us?
08:54Will you be greeting her?
09:01Relax, Norman.
09:03I do believe you should.
09:05She is your sister.
09:06She is, yes.
09:07Yes, she is your sister.
09:08Yes, yes.
09:09It's a terrible time to entertain company, though.
09:13She isn't company.
09:14She is my sister.
09:15It's just not a good time for us right now.
09:16We've got an artist wandering the halls.
09:17No, I'm not.
09:18He's asking for money everywhere he goes.
09:19It's fine.
09:20It's fine.
09:21It's fine.
09:22It would not be fine.
09:24My sister had a way of making Norman feel exposed.
09:28I'll have the chef cook the remainder of the pheasant.
09:31This pheasant's old.
09:32I knew that pheasant wasn't old.
09:35I knew it.
09:38When Norman got nervous, he would laugh uncontrollably.
09:41Get out.
09:42Get out.
09:43The doctors called it manic hysteria, previously only diagnosed in women.
09:52He was unable to form cohesive thoughts.
09:54Tonight we'll be hosting Marian's sister.
09:56That means our finest linens and our holiday china, please.
10:00Lily, I shall need you to dance this evening.
10:02No, you do not.
10:03Yes, I do, I do.
10:04I said I will not.
10:05Seaboo play.
10:06Seaboo play.
10:07I will not.
10:08Oh, please.
10:09How much of that pheasant do we have left?
10:11It's not left.
10:12Oh, please.
10:13That's impossible.
10:14Oh.
10:15Chickens.
10:16To a chicken or a hen.
10:17She's a sculptor.
10:18She won't know the fucking difference.
10:20Where are you going?
10:21This is for the mess in the great room.
10:23What's this for?
10:24Where's the ice?
10:25We don't have ice.
10:27No ice.
10:31We need to ration our supplies appropriately.
10:35We need to do a much better job rationing our supplies appropriately.
10:39You hear me?
10:40Goes for every single one of you.
10:44What are you standing there for?
10:45Why isn't anybody working?
10:47Huh?
10:48Yes, sir.
10:49Yes, sir.
10:50What do you mean yes, sir?
10:51Nobody's working?
10:52No, sir.
10:53Give me some fucking ice.
10:54Yes, sir.
10:55Chip it off the rocks.
10:56I don't care.
10:57You leave her parched.
10:58You leave her parched until you get a coffer full of fucking ice.
11:01Fuck her.
11:03How you doing, sweetheart?
11:04I can't wait to taste it.
11:06I cannot wait to have your lovely horrible fucking food.
11:15Rosie.
11:17Marion, my darling.
11:19What?
11:20You look gaunt.
11:21As if the wrath of judgment day hath pummeled you across a cliff's edge.
11:27Oh!
11:28How I've missed you!
11:29Oh, I've missed you.
11:30Mwah!
11:31Mwah!
11:32For for sake.
11:33Sit down.
11:34Sit down.
11:36Ah!
11:37Are you remodeling?
11:38What?
11:39It's as if you're remodeling in this room specifically.
11:41What?
11:42No.
11:43Art.
11:44Oh.
11:45Uh.
11:46No, you know, it's just so ruined our house.
11:48You haven't responded to my letters.
11:50I thought you were dead.
11:52Every day I'd wait and wait with a renewed sense of dread.
11:56It's a bit dramatic, isn't it?
11:59I've been holding a tenancy in a small boarding house in the city while I prepared my new show.
12:05Which you'd have been to if you cared about art anymore.
12:08Anyway.
12:09I wandered over to your brownstone by the park.
12:12You know, I'd never come uptown.
12:13Unless I felt the need of some suffocating masochism.
12:16Yes!
12:17Oh, my God.
12:18But as I knocked on the door, an entirely different rich old drab man answered.
12:22Not Norman.
12:23A different one.
12:24He said you sold the house and moved up to the country on some sort of exclusive basis.
12:28No, that's not exactly what happened.
12:29Mary, I think it's fabulous!
12:30What?
12:31Finally away from the druthers of status and free to think, think, think, and tinker.
12:35A free tinker thinker again.
12:36At last!
12:38That rhymes.
12:39It does.
12:40So is it difficult to finally leave Norman?
12:47I have a current work entitled The Menstruation of the Lonesome Mistress.
12:51I thought of you.
12:52Oh, yeah.
12:53I have not left Norman.
12:57Oh.
12:58I'm sorry about that.
13:00No.
13:01In actual fact, we are experiencing a sort of renaissance.
13:04I think you'd be quite surprised by Norman.
13:05A renaissance?
13:06Are you creating?
13:07No.
13:08You must be creating something meaningful to declare a renaissance.
13:10No.
13:11No.
13:12That's not...
13:13Otherwise, you're just blissful.
13:14Then we're blissful.
13:15We're just fucking blissful, okay?
13:16Blissful with a tinge of defensiveness, I see.
13:20Still your sissy here, Mary.
13:23You give this note directly to Nora Baez.
13:26You tell her she can have whatever she wants.
13:28You heard that directly from me, yes?
13:30Yes?
13:31Yes, sir.
13:328 p.m. sharp.
13:33Tell her, 8 p.m. sharp.
13:34I don't think Nora Baez's winter's in the country, sir.
13:36She's having an affair with the gardener next door.
13:38She's having an affair with more than just the gardener.
13:41See, she's having an affair with all sorts of people.
13:43Good for Nora Baez, huh?
13:45Great for us tonight.
13:47Sir, I have but a single working appendage at the moment.
13:50Yes.
13:51Oh, my God.
13:52Oh, Ferdinand, you shouldn't warn me.
13:53I'm not entirely sure.
13:54I'll make the walk from this Baez's residence in time for 8 p.m.
13:56Ferdinand, please.
13:57Sir.
13:58Put it away, Ferdinand.
13:59I'm begging you, please.
14:00Put it away.
14:01Put it away.
14:02Ice water.
14:03Okay.
14:04I don't bite.
14:05It's pot and water.
14:11That's fucking pot and water.
14:13Ah, nice.
14:14Tipped from the rocks.
14:15I'm not having a panic attack.
14:18I don't think I'm having a panic attack.
14:23I don't think I'm having a panic attack.
14:25Stop it.
14:26Stop it.
14:27Stop it.
14:28Oh, please.
14:29Please.
14:30Please.
14:31Somebody get my wife.
14:32Please get my wife.
14:33She's with her sister.
14:34I'll go fetch her.
14:35No, no, no, no, no, no.
14:37No, no, no, no, no.
14:38She's with her fucking sister.
14:40Please.
14:41Please.
14:42Please help me.
14:43Please.
14:44Help me, please.
14:45Help me, please.
14:49Okay.
14:50Where are you going?
14:51Uh, nowhere.
14:52I'm just going.
14:53Let me come with you.
14:54No, no, no, no.
14:55You stay here.
14:56I'll have them bring you some refreshment.
14:57You know.
14:58I can fetch my own glass of water, Mary.
14:59I'm a single woman living in the village.
15:00I know.
15:01I know.
15:02But not here.
15:03Come on.
15:04Sit down.
15:05I hate this room.
15:06Shut up.
15:09What am I?
15:10All right.
15:13All right.
15:18My, my, my, my, my chest.
15:20My chest feels so weak.
15:22My chest is cold, doctor.
15:24Please help me.
15:25Help me.
15:26Please.
15:27I'm so sorry.
15:28It's not a heart attack.
15:29You're not having a heart attack.
15:30Let me tell you.
15:31A bucket.
15:32I don't want to die.
15:34I don't want to die.
15:35I don't want to die.
15:36Please.
15:37Wait.
15:39Oh.
15:40Oh.
15:42Oh.
15:43God.
15:45God.
15:46This is, I'm so sorry.
15:50I'm so sorry, I'm so sorry.
15:53I can't do it.
15:54I can't.
15:55I'm so sorry.
15:56I'm so sorry.
15:57No.
16:00I'm sorry, please.
16:01Oh, my God.
16:07You seem to be in a bit of a state.
16:10Lord, is that your professional assessment?
16:17I worry for you.
16:19Are you lurking in the halls now?
16:21I said I worry for you.
16:23Yes, yes, I heard you, but then instead of answering your question, I sort of pivoted to one of my own.
16:27I do not lurk.
16:28Look, you're scaring us.
16:31Because I fear things.
16:34Because I'm a man who stinks with his heart.
16:38A man who will devote every second of every day to setting you free.
16:43Oh, God, you're an imbecile.
16:45Stop, stop, stop.
16:49My Marianne.
16:50No, no, no.
16:52Mrs. Henry.
16:53Dammit, Edgar, come on.
16:54It's Mrs. Henry.
16:56Please, let me approach you a few steps, so that I may make out your figure in the night.
17:03Yes.
17:05I will say this once, and then I shall leave.
17:10Yes, yes, you need to leave.
17:12Edgar, you need to leave.
17:13Look, I will arrange a promissory note.
17:16That's, you know, it's as good as cash on the Henry name, but you must leave.
17:19You really, you must leave.
17:21Please, hear me.
17:23Oh, I hear you, Edgar.
17:25I do, I hear you.
17:26Yeah.
17:27Please, hear me.
17:28Shh, shh, shh, shh.
17:30I have never, ever felt my heart, soon so.
17:35Never, ever, in my life.
17:39It is quite concerning.
17:41My passion has always come from the control of my stroke.
17:48I have always been in control of my stroke.
17:52My only...
17:53Yes, thank you.
17:56Yes, yes.
17:57Halt.
17:58Halt.
17:58No, halt.
17:59Halt.
18:02I suddenly realize that the Buddhas are a metaphor for my life.
18:09I am but a, but a trained hound.
18:14In the hand of their master.
18:17I am not your master.
18:19I do not love you.
18:20I do not have secrets that only you can decide for.
18:23I, I, I, I, you've created this narrative of delusion.
18:26And that's what artists do, right?
18:28So, congratulations, Freethought.
18:30But, I am a married woman.
18:31And, you know, we, I mean, we, we, we, we shared a moment in, in, in a, uh, you know, a bedroom where you were as blind as a band.
18:39You couldn't even make out the contours of my fucking cheekbones.
18:42So, it's over.
18:43All right?
18:44It's over.
18:47Stop.
18:47I will not accept a promisade, no.
18:52I explained to your husband that I will not say, ah.
18:55Halt.
18:55Halt.
18:56Please, hear me.
18:57Halt.
18:57Do you hear me?
18:58Come.
18:59Yes.
19:00I will not accept it.
19:02I'll be right back.
19:04Would you be just a man?
19:05It appears as if you're being chased by a gardener.
19:08No, no, no.
19:09It's, it's just the help.
19:11It's a murderer.
19:12You shall help me cast you as a wicked witch, huh?
19:17Au contraire.
19:19Au contraire.
19:20Will you leave us alone?
19:22Ah, I'd rather be a widow than you set us free.
19:26A widow, did you say?
19:34I trust that you free.
19:34We're very sorry for your loss, but golly, it's the winter months, and the ground's frozen solid.
19:45What do you do?
19:46Introducing the new temporary receiving vault system.
19:48This state-of-the-art design allows your local cemetery to store up to five bodies with limited decomposition, just until the ground thaws.
19:55No more burning pyres or formaldehyde.
19:58The receiving vault system, coming to a cemetery near you.
20:04Norman, Norman, wake up.
20:15It is time to go to your party.
20:17Norman!
20:20Norman!
20:21Norman!
20:25Norman!
20:26Norman!
20:26Norman, you have your party.
20:42Norman!
20:43Norman!
20:47Service!
20:50Service!
20:52Service!
20:54Service!
20:56I'm tired.
20:59Fake it.
21:00Oh, my God.
21:02Which is what they don't tell you about.
21:04I'm too hot.
21:07Cowboy.
21:08Positively orgasmic.
21:10Do you remember the bathhouse?
21:12No, you shut your mouth.
21:17May I produce Mr. Norman Henry?
21:22Norm-ay.
21:24Norm-ay.
21:26You look positively tempestuous.
21:28Look at this one.
21:29Tempestuous, am I right?
21:30Very good.
21:30Hello, Rosie.
21:31Hello.
21:32Loosen up.
21:33Do you know what your problem is?
21:35Do you meditate?
21:36No.
21:37You need to loosen up.
21:38You bring back that old Henry charisma.
21:45May I present the one, the only, fresh off her world tour?
21:51Who is Brooklyn?
21:51Brooklyn.
21:53Hello.
21:54Hello, hello.
21:54Hello.
21:56It's Nora Baez.
21:59Yeah, she's fabulous.
22:00She has fabulous tits, am I right?
22:02Rosie.
22:03Straight off a world tour.
22:05I've heard, Norman.
22:06Your geriatric maid just told me.
22:09She told everyone here in this room.
22:11Shall I begin?
22:16Oh, Lord have mercy.
22:18Yes, yes, yes, yes, yes, yes.
22:19Begin.
22:21Come la mamma.
22:23This is art.
22:25Don't let anybody tell you otherwise.
22:26Ah, I see clearly.
22:33Tonight, I will set her free.
22:36Come Dio vuole.
22:38One day we will all be free.
22:40Tonight.
22:41Tonight is her night.
22:43There was a certain lawyer in a certain town.
22:54You're flat.
22:55You're flat.
22:56From always snooping round.
22:58Higher.
22:58He was the most peculiar man I'd ever seen.
23:02Have a note higher.
23:04Higher.
23:06Oh, there it is.
23:08Right, Joaquin?
23:08Would you shut up and let her sing?
23:11Well, if you're going to spend money on an act,
23:13might as well have her put the diaphragm into it.
23:15Rosie, it's no more plans.
23:17Are you having a stroke?
23:17Do you even know what a diaphragm is?
23:19What is it?
23:21That's a diaphragm.
23:22What is wrong with you?
23:26For fuck's sake, I've had enough of this.
23:29Oh, my God.
23:33Dizzy.
23:33Dizzy.
23:34I'm dizzy.
23:34Did you get him some ice?
23:35No, no, no, no, no ice for me.
23:37No, no, no.
23:38Don't be so silly.
23:38Suddenly a man of the people.
23:40Rosie, would you please just simmer?
23:41He has anxiety.
23:42I'm not anxious.
23:43I don't suffer from anxiety.
23:45He's right over, darling.
23:46Let's just call it what it is.
23:47He's stressed about money.
23:48Norman.
23:49Rosie, Rosie, don't do this.
23:50Clearly this is a fucking charade.
23:55Rosie, right fucking here.
24:08You're to have me believe that you willfully moved up to the country to hear Nora Bay sing bedtime stories.
24:15We have not moved up to the country.
24:17You are broke, Norman.
24:34Rosie, don't do this.
24:36You just bend over and take it.
24:38You always have.
24:39I do not bend over.
24:40You don't talk to my wife that way.
24:41I do not bend over and take it.
24:43You don't speak to my wife that way.
24:44Come on.
24:44What was I supposed to do?
24:46It's not what they expected you to do.
24:47It's what you expected of yourself, Mary.
24:49We are not broke.
24:51Yes, we are, Norman.
24:52Will I be paid?
24:53You'll be paid.
24:54Probably not.
24:55We are Henry's.
24:55I can assure you, you will be paid, my darling.
24:59You know she was a genius.
25:01She built things.
25:02Contraptions.
25:02Did you know that?
25:03Your stupid name means nothing compared to what she could have been.
25:11I've worked very hard for my stupid name, Rosie.
25:15A junk man.
25:17I've built my fortune through diligence and hard work.
25:21I have built it out of absolutely nothing.
25:25And you still have nothing.
25:26You're a middleman with nothing.
25:28No skills.
25:29No talent.
25:30Nothing.
25:31Nothing.
25:33Well, that's not what Thomas Edison said.
25:36Oh, really?
25:37Thomas Edison?
25:39Oh, really?
25:40Yes, Thomas Edison and I are changing the world because I mean something.
25:47You understand?
25:48I mean something.
25:50What did you say?
25:50Something.
25:50Wow.
25:51I don't know what I said.
25:51What did you say?
25:52I don't know what I said.
25:52What did you say?
25:53Shut up, Rosie.
25:53I don't know.
25:54I am talking about it.
25:55What did you say?
25:55I made a deal.
25:56I made a brilliant deal.
26:01A brilliant, brilliant deal.
26:18Marion.
26:19Marion.
26:19Marion.
26:22Marion, please.
26:25Please, Marion, let me.
26:26Can you please?
26:27Please, can you just let me explain?
26:32You.
26:45Well, it seems my work here is done.
26:49That's how you take a bow, honey.
27:02Gretchen!
27:03Gretchen!
27:07Get my valise, my hat box, my easel, my luggage, and call my carriage.
27:14Yes, ma'am.
27:17Marion, Marion.
27:18Don't, don't spike.
27:21Spike, Marion.
27:24Don't, don't spike.
27:30Sorry.
27:33Sorry.
27:39Oh, God.
27:42You don't have any?
27:43Will you let me explain?
27:48Please, will you let me explain?
27:53I wouldn't do this to you!
27:57I don't know what to say.
28:03Fuck!
28:03I forgave you.
28:07I forgave you.
28:09I've forgiven you.
28:10Our whole life.
28:13Nothing's equal!
28:16How could I have been so stupid?
28:19Not fair!
28:19The cast aside all inhibitions and believe that something might have changed within my husband.
28:28He left Marion.
28:30He can quit the charade.
28:31He's gone about his business.
28:32There'll be other deals.
28:33I promise.
28:34No.
28:35He still saw me as a pawn.
28:38That was eventful.
28:40Always is.
28:42So, are you ready to make more money than God?
28:44A chess piece that he could simply move aside for the betterment of the Henry name, of course.
28:51Oh, my God.
28:53I prayed for you, Marion.
28:55I prayed for this deal.
28:57I prayed for this deal every day.
28:59I don't think I made a mistake, Marion.
29:01You just have to trust me, for God's sake.
29:03I'll wait you out, girl.
29:20I'll wait you out.
29:24I'm standing there trying to make a meal.
29:26Now, I'm trying to...
29:27He comes in and he says,
29:28Oh, you were an artist.
29:29I'm an artist.
29:30Oh, this stupid idiot.
29:31And I said to him,
29:32Look, what?
29:32What?
29:33He takes the knife.
29:34He says,
29:34I'm going to save her.
29:35I'm going to save my Marion.
29:37And he stands up there and he goes walking away.
29:40And I say,
29:40Who?
29:43The fucking French artist.
29:45You know who.
29:45He's on his way, my love.
29:46He's on his way, my love.
30:03He's on his way.
30:08It can't. Don't do this. Where are you?
30:19Marianne, I'll leave you alone if you just come in here.
30:22Marianne, talk to me. Marianne, please.
30:26You just have to trust me, for God's sake.
30:28Shut up! Shut up!
30:32Like with the painting.
30:33You stop feeling sorry for yourself.
30:35You are not the fucking victim.
30:38Just because you had an onslaught of guilt doesn't mean that you get to, you know, make this moment about you.
30:44Darling, take your time. Take your time. Take your time.
30:46This is not about that. Whatever this is, it's not that.
30:49And I am not forgiving you. Could you just...
30:51You're wrong, Norman.
30:52Oh.
30:53Please, could you have a...
30:54That was unintentional.
30:56Tell you something.
30:57Of course it was unintentional. Everything you do is unintentional, Norman.
31:01That's not true, Marianne.
31:01That's the problem.
31:02That's not true.
31:02Just because, you know, you've, you know, you...
31:04Take your time.
31:05I guess...
31:06Of all the nights you could have snuck your whore into your bedroom.
31:15Oh, my God, I...
31:17Mary.
31:22You're looking quite queasy.
31:24I bet you are, Norman.
31:25I bet you are.
31:27Oh.
31:28I think I need to call on the doctor.
31:34Oh.
31:35Call on the doctor.
31:37I think I need to call on the doctor.
31:40It doesn't work.
31:40Back here.
31:43Gretchen!
31:44Gretchen!
31:46Gretchen!
31:47Gretchen!
31:48Get the doctor!
31:51Get the doctor!
31:54Take your hands off now!
31:57You come, sucker!
32:02Get out, mate!
32:05Gretchen!
32:07Get the doctor!
32:08Gretchen!
32:10Gretchen!
32:10Gretchen!
32:10With your personal doctor!
32:12Oh!
32:13Oh!
32:13Help.
32:14Oh, no.
32:15What?
32:15The threats.
32:17And you...
32:18You just fucking hands off my husband's fire!
32:20Oh, la, la.
32:21Put that cock down, you fucking...
32:23Get down!
32:24You father, you sweet!
32:26America's a mess!
32:28Get out!
32:28Get out!
32:29What is it?
32:29For fuck's sake!
32:30Help.
32:31What is it?
32:32Ah!
32:32I missed the doctor!
32:34It wasn't love.
32:36It wasn't love at all.
32:37It was simply...
32:40That's why you've chosen.
32:43Fucking damn it, Norman!
32:45Why couldn't you keep your underwear on just this one night?
32:48Shut the fuck up!
32:49Oh, I'm sorry, I'm sorry.
32:51I'm sorry.
32:52I...
32:52I can't feel my legs.
32:54Fuck's sake, don't you fucking die on me.
32:56Don't you dare.
32:57Norman, don't you dare die on me.
32:59You were a coward.
33:00Don't you dare!
33:00Oh, you know...
33:02No, no, no, no, no, no.
33:04You know, I am...
33:05I'm gonna speak my...
33:06The truth, Norman, if it is the last thing that I ever say to you.
33:09I am gonna say this to you.
33:11Yes, I am.
33:12Norman Henry.
33:15I'm your wife.
33:16And I...
33:17Invented...
33:19The...
33:20I do see you.
33:23I do.
33:24Is he fucking dead?
33:30Did you fucking die?
33:31Did he die on me?
33:32Did he...
33:33Norman, you fucking louse!
33:36How could you die on me right then, you fucking hell?
33:40I just...
33:41This...
33:42This...
33:43This right here...
33:44This...
33:45Is worse than Edison, you know that?
33:48You...
33:48You had the last laugh, didn't you, Norman?
33:51You...
33:52You...
33:53You...
33:54Oh, Norman...
33:56Oh, Norman...
34:03Oh...
34:07Oh, Norman...
34:15Oh, Norman...
34:23Oh, Norman...
34:24You...
34:25Come...
34:25Do you ever...
34:38Imagine your life...
34:40A hundred years from now?
34:42Oh...
34:43Oh...
34:43Of course...
34:45What young lady doesn't?
34:47Wow, you're different than most young ladies.
34:54Oh, because I'm educated?
34:56No, because you're different than most young ladies.
35:00A cantankerous painter once said that the bones of an artist would live on forever.
35:23Whilst the brick of a rich man like you shall fade to dust.
35:30The day Norman Henry died, it was frigid.
35:46The ground was frozen solid, too frozen to dig even the shallowest of graves.
35:53And so I would sit and contemplate what was to become of my husband after he would fade to dust.
35:58And in turn, what would become of me?
36:02Yes.
36:06My name is Marian...
36:09...Marsh Henry, for an immediate memory.
36:12Marian Henry...
36:14Marian Henry Marsh.
36:16My name is...
36:17...I don't know.
36:21As I told you on the first page of this journal, this was never a story of murder.
36:27It was always a cautionary tale.
36:30You see, if you're lucky enough to have ideas and passions, you must embrace them at all costs.
36:44Because it is these ideas and passions that push the world around.
36:59You see, there's a big tall tightrope, right? And I'm at a circus.
37:02And I'm...
37:05I'm wobbly up there in the sky.
37:08I know I'm gonna fall.
37:10And on one side of the tightrope, there is a beautiful life.
37:14As a mother.
37:16And on the other side of the rope, a career.
37:19Both...
37:23...very hard.
37:27In different ways, I imagine.
37:29Exactly.
37:34I, for one...
37:36...I don't believe in compromise.
37:41Yes, well...
37:43You're not a woman.
37:50Now, I'll have you know that while I am indeed a woman,
37:54I will no longer be compromising.
38:01You see, I am a woman of invention.
38:05I always have been.
38:07And I always will be.
38:10Hi.
38:12I'm looking for the records of a student you had here in 1867.
38:16This would be it.
38:17It's very delicate works.
38:47What I have learned, dear reader, is that against all odds, you must stay true to who you are.
39:00Or risk fading to dust.
39:01For a moment in time, I have forgotten my very name.
39:02For a moment in time, I have forgotten my very name.
39:04For a moment in time, I have forgotten my very name.
39:05And like all those around me, I have forgotten my very name.
39:06And like all those around me, I have forgotten my very name.
39:10The artists and the artists, the artists and the artists, the poets, the artists and the artists.
39:13For a moment in time, I have forgotten my very name.
39:14And like all those around me, the artists and the artists, the artists and the artists.
39:15For a moment in time, I have forgotten my very name, and like all those around me, the
39:38artists, the craftsmen, the creators.
39:51While sometimes we might lose our way, we will never, ever lose our sense of purpose.
39:59I am Marion Morsh, college graduate, loyal wife, and the one and only inventor of the lightbulb.
40:29Now perhaps, take a moment and imagine what I might do next.
42:13What's he digging for?
42:14Oh my God.
42:24Come on.
42:26Come on.
42:28Janice!
42:30Janice, look at this.
42:32Those look like your poodles.
42:38Dolores, rest in peace.
42:40Oh God, too soon.
42:42Oh God, too soon.
42:43Hey, you should get this.
42:44Can you see that?
42:46It says Dega.
42:48Dega.
42:49It says Dega.
42:50Dega.
42:51What a sense of humor you all have.
42:53Dega.
42:54Dega.
42:55What a sense of humor you all have.
42:57But we're not paying $5 for this.
42:59Okay, what you wanna do?
43:00I have $3 left on me.
43:01Will you take that?
43:02Three bucks?
43:03It's a picture of poodles.
43:04This is not a Dega, honey.
43:05I'm an art history professor.
43:06It's not a Dega.
43:07Three bucks.
43:08Three bucks.
43:09Yeah, three bucks.
43:10Just whatever.
43:11Enjoy.
43:12Thanks.
43:13So cute.
43:14I'm so cute.
43:15I'm so cute.
43:16I'm so cute.
43:17You're not paying $5 for this.
43:18You're not paying $5 for this.
43:19Okay, what you wanna do?
43:20I have $3 left on me.
43:21Will you take that?
43:22Three bucks?
43:23It's a picture of poodles.
43:24This is not a Dega, honey.
43:25I'm an art history professor.
43:26It's not a Dega.
43:28Three bucks.
43:29Yeah, three bucks.
43:30Whatever.
43:31Enjoy.
43:32Thanks.
43:33So cute.
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