Emily in Paris S05(EP1 - EP10)- Episodio 2- Subtítulo español and inglés - Emily in Paris S05 - Drama Koreano
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00:00Thank you for welcoming us to your incredible city.
00:18We are molto emozionato to be continuing our relationship with Babazza.
00:24And what better way to celebrate our two cultures coming together than with a crisp, invigorating
00:29Babazza tea.
00:30We agree.
00:31It was so popular at our event in Paris.
00:34We can wait for everyone in Roma to try them.
00:37Cin cin.
00:38It's 10am.
00:39So?
00:40It's coffee.
00:41Rich Italian espresso.
00:44And vodka.
00:45Yeah.
00:46Smooth, sophisticated French vodka.
00:49They're coming together... molto well.
00:54Molto well.
00:57Now, it's... where was I...
01:00The launch party.
01:01Oh, yes.
01:02Everything's confirmed for our Babazzatini launch party at La Posta Vecchia this week.
01:08Look at those views.
01:10I mean...
01:11Oh, and for entertainment, we booked Mindy Chun, who's just arrived.
01:14Ma che figata.
01:16Everyone in Roma loves her song, Ruins.
01:18They love her even more singing in a martini glass.
01:22She's going to have her hearts racing just like a Babazzatini.
01:27How does Mindy feel about nibble tussles?
01:31Let's sidebar that for the rehearsal tomorrow.
01:34Okay.
01:35Let's go.
01:36Let's go.
01:37Let's go.
01:38Let's go.
01:39Okay.
01:40Oh my god.
01:41Thank you for coming.
01:42A lungo mar.
01:43A lungo mar.
01:44Entra in scena, paperone.
01:47Paperon.
01:48Velle di con la preattese.
01:52Ma che bella, compagnia questa nuova, questa mia, questa storia è una mujer sempre proprio una maniata.
02:02Ciao, my love!
02:03Oh, my God!
02:04Ciao!
02:05Mua!
02:06Thank you for coming.
02:07Thank you for booking me a job.
02:09Okay, this.
02:10Molto Italiano.
02:12The hair, the scar.
02:14Martello says it will protect me from colpo d'aria, which is a hit of wind, I think.
02:19I don't know.
02:20Italians take it very seriously.
02:22You let him dress you?
02:24Mostly undress.
02:27You're never coming back to Paris, are you?
02:31Yeah, but it's so slow here.
02:34Paris, I'm missing.
02:36And I?
02:37It's going to end up.
02:39Yeah, it's always good to hear me.
02:44Listen, it takes a little more time than before, but I can't leave until the room is not autonomous.
02:50And how much will it take?
02:52But I don't know.
02:53I don't know.
02:54I don't ask you when you're at Saint-Tropez.
02:58I don't know how long we're trying to do what we're interested in.
03:02No, but I don't ask you to do anything.
03:05I've always supported you in all your projects.
03:07It's not irrational to ask you that, right?
03:11Sylvie?
03:12Sorry to interrupt, but we have our lunch with Maratori.
03:28Oh!
03:29How's that going?
03:31Well, Antonia agreed to do the fragrance, so Antoine clearly won her over.
03:36Marcello thinks she has a crush on him.
03:38Antoine will flirt his way into any woman's checkbook.
03:41But if she's happy, we're happy.
03:43Bye, andiamo.
03:52So you license the use of the Maratori name to Antoine, and he'll do the rest.
03:56The formula, the packaging.
03:58And we'll handle the marketing.
04:00Which we will approve.
04:01Naturally.
04:02Any questions?
04:04Um, just one.
04:06Are you wearing the fragrance again?
04:09I am, uh...
04:12Still like it?
04:17So the next step is marketing the fragrance.
04:19We'd like to hire a director to shoot a commercial.
04:22Let's call it a short film.
04:24That captures the essence of Maratori.
04:26Well, many major brands collaborate with world-class directors.
04:30Canso used Spike Jonze, Chanel hired Baz Luhrmann, and you had Sofia Coppola.
04:35That sounds expensive.
04:37Well, not necessarily.
04:38I'm close to one of Italy's best directors, Giancarlo Petri.
04:42Oh.
04:43And I'm sure I can convince him to keep his fee more down to earth.
04:47Oh, and we'll premiere the film on Maratori's Instagram account.
04:51Ah, that won't work. Sorry.
04:53Mom is not a fan of social media. We don't even have an account.
04:57I will. You do now.
05:02You've always said...
05:03Oh, you know, but...
05:04Emily found so many lovely photos of your father with the goats.
05:08It would be a shame not to share them.
05:15You're good.
05:16Yeah, don't say I didn't warn you.
05:18Uh, Antoine, to truly understand our brand and who we are, you should visit our town.
05:27Come spend the weekend with me in Solitano.
05:30Well, that's a wonderful idea.
05:37I'd love to.
05:39And I'll get my CFO to join us.
05:46Mmm.
05:50Smells even better during the day.
05:56Next time you're booking client travel, please organize an airport transfer.
06:00Mindy had to take a taxi, which was an ordeal. For me.
06:04Of course. Sorry. I didn't know Mindy was a client.
06:07She's not. She's here to perform at the Babadza event.
06:10It's just hard keeping track of who's a client and who's dating a client.
06:15Like Mindy and Alfie.
06:18How long have they been together?
06:20They're not.
06:22Well, they sure looked cozy outside of Gabriel's restaurant.
06:26Alfie is Emily's ex.
06:28Another one?
06:29Geneviève, I think you should focus on work and stop spreading rumors.
06:32Arrivederci.
06:34I know people at Ferrari, Ferrero, Ferragamo. All the Fs.
06:38Fantastic.
06:39Jane, you must be looking for Sylvie.
06:45Actually, I was just telling Luke about all the brands I can connect you with in Rome.
06:50Do either of you like speed boats?
06:52To look like I would.
06:54I love boats. I live on one.
06:56That feels right.
06:58Oh, Jane can get us a speed boat.
07:01For a fee?
07:02So, where's my office?
07:05You're working here now?
07:07Yes, Jane is consulting for us.
07:10Senior executive of brand relationships.
07:13And as promised, I have landed you a meeting with the head of marketing at Fendi.
07:17That's incredible.
07:19For a fee.
07:20We're meeting with Fendi? That's huge.
07:21Who said anything about you?
07:23Wait, you can't meet with Fendi's head of marketing without the head of your office.
07:28You want the head of the office?
07:30That's still under consideration.
07:44You shouldn't get hung up on titles.
07:46Thank you for the advice, Princess.
07:50You asked me to run this office. What changed?
07:57That's when we only had one account.
07:59Now I'm trying to build something more substantial here.
08:03And senior executive of brand relationships?
08:06That's under consideration.
08:09Find a way to work with Jane.
08:12If the office is going to succeed, we need people with connections, not just followers.
08:19So after an aperitivo, next was antipasti.
08:38Si. Then primi, the pasta course.
08:41I overdid on the cacio e pepe. I barely had room for secundi. Seconds?
08:45No, that's main course.
08:47Oh.
08:49Everything was so delicious.
08:51I'm as stuffed as those zucchini flowers.
08:54That's why we take a passeggiata, a stroll to walk up dinner.
08:57Aw. Or even better, we dance it all.
09:00Oh, oh.
09:02Yeah.
09:03Look at you.
09:19Drinking and dancing on a work night.
09:21Rome Emily is the best.
09:23Oh, I know.
09:25Oh.
09:26Looks like Marcello found a friend.
09:28Yeah.
09:29You're the best.
09:30Yeah, you're the best.
09:31Uh.
09:32Hola, say hi.
09:33Oh, okay.
09:34America.
09:35America.
09:36America.
09:37Oh.
09:38Emily, this is Lucia, Lucia, Emily.
09:42Ciao.
09:43Ciao.
09:44Marcello!
09:45Oh, I'll be right back.
09:47So, you're American.
09:51Marcello's never did it one before.
09:54Oh, well, there's a first time for everything, I guess.
09:57He's so sweet.
10:00Just don't get too...
10:03I don't know how you say it in English.
10:06Attached?
10:07Yeah.
10:08Yeah, that's how he say it.
10:10Yeah.
10:11I don't know how you say it.
10:13Yeah.
10:14Yeah.
10:15Yeah.
10:16I'm gonna say it.
10:17Yeah.
10:18I'm gonna say it.
10:19I'm gonna say it.
10:20Yeah.
10:21I'm gonna say it.
10:35You okay?
10:37You okay? You seem like Paris Emily again.
10:41I do, don't I? Meeting his ex just brought up old feelings.
10:45About Gabrielle and how Camille was always hovering around like a ghost trapped in limbo?
10:50Yeah, I know. It's dumb.
10:52No, no it's not. That was a really tough time for you.
10:56But people can be friends with their exes and it's not complicated.
11:00Like, you and Alfie. You two are just friends, right?
11:03Like, there are no feelings there anymore, right?
11:07No. Yeah, no there's not. You're right. Good point.
11:10So, I have a meeting with one of my favorite brands today.
11:16No! Fendi?
11:18Oh, if grandma could see me now. Oh no. Is grandma a ghost too?
11:23What? No, she lives in Lake Bluff.
11:25I still can't believe that she gave this to me. She loved it so much.
11:29You've never let me see it in daylight. It's stunning.
11:32No natural oils until the beeswax leather conditioner dries.
11:35Okay. I'm surprised you brought it to Rome.
11:38I wouldn't leave it with you in Paris.
11:40Who knows what you'd get up to while I was away.
11:43Oh, don't forget we have your rehearsal for bavazza later.
11:46Cool, cool. I'll meet you there.
11:47And Em, about Marcello, don't open the X-Files.
11:52The truth is not out there.
11:55Wow, I am such a Fendi fan.
12:16They're celebrating their 100th anniversary this year so we could help usher them into a new era.
12:20And he doesn't need our help. This meeting is about making a good impression.
12:24What the Italians call fare bella figura.
12:26Wait, you don't think I'm making a good impression?
12:28I have a few notes.
12:29Fare bella figura isn't just about what you wear.
12:32It's how you hold yourself, conduct yourself.
12:35I think Emilia has a very bella figura.
12:38Well, thank you, Luke.
12:39Molto bella.
12:41Just let me do the talking, huh?
12:44To commemorate our centennial, we will be holding events in major cities across the world,
12:49starting in Rome and ending in Paris.
12:51And at each stop, we will be releasing a new baguette bag inspired by the city.
12:56A runway road show.
12:58Exactamente.
12:59Well, since Agence Crateau has a foothold in Rome and Paris, we are well suited to share expertise in both cities.
13:06Good to know.
13:07Not to put you on the spot, but since you're Parisians, I'm open to hearing your ideas for the new Paris baguette design.
13:14Nothing to do with the Eiffel Tower of Iparago.
13:17Why not a baguette designed to look like an actual French baguette?
13:26A playful note to its original inspiration.
13:29It could even smell like a baguette.
13:32Very amusing.
13:34Maybe not couture enough for our anniversary.
13:41Excuse me.
13:42What is that?
13:44Oh, I thought you'd like it.
13:46It's an original 1997 release from my grandmother.
13:50May I?
13:51Of course.
13:58I'm sorry, my dear, but this is a fake.
14:05No, it's not.
14:06I think she knows a fake when she sees one.
14:08You see these uneven spaces between the stitches?
14:11The clasp.
14:12Very poor quality.
14:13The logo isn't as sharp either.
14:15It's very easy to trick the untrained eye.
14:17That's why it's so important to pay close attention to details.
14:20Please give us time to workshop more ideas and...
14:23What about a fake Fendi?
14:30Scusi?
14:31Why not create a baguette that celebrates, no, embraces its imperfections and errors?
14:38A real fake Fendi.
14:41So is it real or fake?
14:44Exactly.
14:45That's the question that will be on everyone's lips.
14:47It's fake, but it's real.
14:50Get it?
14:52I get it.
14:53Very clever.
14:54Not suitable for Paris.
14:56Too...
14:57Americanata.
14:59Maybe it would work in Los Angeles.
15:02Si.
15:03Better for Los Angeles.
15:05Well, that went well.
15:06Nope, it didn't.
15:07He said si.
15:08I mean, sure, it wasn't an idea for Paris.
15:09When Italians say yes, they don't always mean it.
15:10They value politeness, they don't want to offend, so they say yes even if they don't agree.
15:26Ah, like how the French always start everything with a no.
15:30No, we don't.
15:31Well, at least answering no will give you the option of later saying yes.
15:35If you start with yes, then you're stuck.
15:38Not in Italy.
15:39They just take it back later.
15:41Do you think Fendi will ever give us another chance?
15:43That's a no.
15:49Oh, my God.
15:51You offended Fendi.
15:52I thought I had something special, but it wasn't real.
15:55All that beeswax, leather conditioner for nothing.
15:58Grazie for doing this, Mindy.
16:00Of course.
16:01Your chariot awaits.
16:03Oh.
16:04Why is the martini so dirty?
16:07It's a grande bavazzatini.
16:10Oh, yeah.
16:11I'm not sure I want to splash around in muddy waters.
16:15You don't want to swim in the espresso martini?
16:18Um...
16:19How are you two not seeing what we're seeing?
16:21Oh, I see what's wrong with me.
16:24I see what's wrong with it.
16:25Yeah.
16:26Finally.
16:31We forgot the coffee beans.
16:33Oh!
16:37So much better.
16:39Ground water with floaters.
16:41Now it's an unflushed toilet.
16:43Luke, was this your first idea?
16:44No, number two.
16:46Okay, I got you.
16:47Yeah.
16:48I think we can do better.
16:49Yay.
16:51Lovely.
16:52A Roma, tutto è bello.
16:56Tutto ti puoi incantare.
16:59Il cielo, le fontane, il vento...
17:04Is this considered an aperitivo?
17:06Uh...
17:07No.
17:08This is dolce and caffè rolled into one.
17:11Delicious and dangerous.
17:13Yeah.
17:14That's not my kind of drink.
17:16Excuse me.
17:18Marcello Muratori, I'd like you to meet Giancarlo Petri,
17:21who's attached to direct our Muratoni fragrance film.
17:24That's wonderful news.
17:25I'm such a fan.
17:26Laoto della Fuga is one of my favorite films.
17:28Oh, thank you.
17:29You're too kind.
17:30I look forward to seeing how you capture my family's brand.
17:33Babazzatini?
17:34Oh, no, no, no.
17:35After what happened today, I need a real drink.
17:37I'll find your glass of wine.
17:39I'll join you.
17:42I'm sorry again about Fendi.
17:45Okay, what is done is done.
17:48But you need to learn that you don't always have to have the answer.
17:52Admitting you don't know something is stronger and more honest.
17:58I will take note of that.
18:00Who in the world would buy a real fake Fendi?
18:02It's super meta and self-referential.
18:04Okay?
18:05And that's exactly where fashion is headed.
18:07Emily, it's important to know what's real.
18:09Huh?
18:18Hey.
18:19Hi.
18:20It's show time.
18:21Emily, thanks for saving Mendez Dan's number.
18:25No problem.
18:26Jane's connections really came through.
18:30It's a great party.
18:33Just one more.
18:34Now he's thinking about me every night. Oh, is it that sweet episode?
18:35Say you can't sleep.
18:36Baby, I know.
18:37Say you can't sleep.
18:38Baby, I know.
18:39Say you can't sleep.
18:40I can't sleep.
18:41Is it that me espresso?
18:42I can't read.
18:43I can't read.
18:44To desperation.
18:45Oh, is it that sweet I can't sleep, baby I know, it's that mi espresso.
18:52Moving up now, let's ride on, switching up like Nintendo.
18:57Say you can't sleep, baby I know, it's that mi espresso.
19:02I can't relate to desperation.
19:06Might give a fuck, or on vacation.
19:11And I got this one boy, and he won't stop calling.
19:16When they act this way, I know I got him.
19:20Too bad your ex don't do it for ya.
19:22Walked in and drink and drew it for ya.
19:25Soft skin and I perfumed it for ya.
19:29I know I'm out and do it for ya.
19:32That morning coffee brewed it for ya.
19:34One touch and I brand new it for ya.
19:37Oh, now he's thinking about me every night.
19:41Oh, is it that sweet I can't sleep?
19:43Say you can't sleep, baby I know, it's that mi espresso.
19:48You know what I've done, like Rhino.
19:50Switching up like Nintendo.
19:52Say you can't sleep, baby I know, it's that mi espresso.
19:57What are you doing here?
20:14Well I wasn't gonna miss that.
20:16Wait, did you follow me to Rome?
20:19Yeah, I did.
20:22I just can't stop thinking about you.
20:28No, you idiot.
20:29I'm here for work.
20:31Oh.
20:32Oh my god, hi, you're here.
20:34Hi.
20:35Antoine wanted me to negotiate the moratorium deal.
20:37Oh.
20:38Yeah.
20:39Nice.
20:40Moratorium, yeah, great.
20:41Excuse me, it was fantastic.
20:43I have a crazy talent.
20:44Oh, grazie, I think.
20:46Mindy Chan, right?
20:48Yes.
20:49I knew I recognized you.
20:51I must have watched your ruined song on TikTok thousand times.
20:55How long are you in Rome?
20:57I'm leaving tomorrow.
20:58No.
20:59You can't.
21:00I need you on ballando, ballando, ballando.
21:03Oh.
21:06Dance, dance, dance.
21:07It's the biggest celebrity dance-off on Italian television.
21:10Oh my god.
21:12Si, I'd love to.
21:14Fantastic.
21:15Here's my card.
21:16Grazie mille.
21:17Call me tomorrow, okay?
21:18Yes.
21:19Aw.
21:20Look at us.
21:21All here in Rome together.
21:23Yay!
21:24Oh, I need to put more clothes on.
21:27Okay, bye-bye.
21:28Bye.
21:29Ciao.
21:30Bye-bye.
21:31Ciao.
21:32Don't you ciao me.
21:33Something is going on between you two.
21:34Who?
21:35People are talking.
21:37About me and Alfie?
21:39Gross, look at him.
21:41His shirt is way too tight.
21:42I'm not into muscles.
21:43Ah, yes you are.
21:44Who isn't?
21:45Nothing's going on, Julian.
21:46Just drop it.
21:47Bye-bye.
21:48Bye-bye.
21:49Emily, this is Celia.
21:50Hi, nice to meet you.
21:51You too.
21:52Oh, three.
21:53Three.
21:54Three is for close family and friends.
21:55Well, any friend of Marcello is a friend of mine.
21:56Isn't he the greatest?
21:57He is.
21:58How do you two know each other?
22:00Emily, this is Celia.
22:11Hi, nice to meet you.
22:12You too.
22:14Oh, three.
22:16Three is for close family and friends.
22:18Well, any friend of Marcello is a friend of mine.
22:22Isn't he the greatest?
22:23He is.
22:25How do you two know each other?
22:27Our parents are friends.
22:29Well, they tried very hard to push us down the aisle, and they almost succeeded.
22:33Yeah.
22:35Celia's family owns this hotel.
22:37Oh, what a coincidence.
22:39Not really.
22:40Luke asked me for venue recommendations, and I told him you can't beat La Posta Vecchia.
22:45It's so beautiful.
22:46Allora, per che non volevi mai stare qui quando eravamo insieme?
22:49Me stai scherzando.
22:50No.
22:50Stavamo sempre a cuore.
22:51Non è vero.
22:52Doesn't matter, sorry.
22:53Um, yeah, I should get back to work.
22:59Excuse me.
23:06So, was anyone else in the running to direct a muratore film?
23:11Oh, it was very competitive, but somehow I knew you could handle it.
23:15Hmm, I'm sure I can.
23:18Let's get a room here tonight.
23:20Hmm, I'm sure I can arrange that.
23:22Hmm.
23:23Sylvie!
23:26Isn't that your husband?
23:28Laurent?
23:29Qu'est-ce que tu fais là?
23:30Surprise!
23:33Beh, imaginez passer la nuit avec toi, mais apparemment la place est déjà prise.
23:37Giancarlo.
23:38I know who you are.
23:40Sérieusement.
23:42Le seul mec que je t'ai demandé d'éviter.
23:44Mais quand est-ce qu'il y a des règles dans notre mariage?
23:47Je t'ai jamais imposé quoi que ce soit, même quand il s'agissait de la mère de ta fille.
23:50Je t'ai demandé d'éviter, Sylvie a été confronté sur votre mariage dès le début.
23:56Non, je n'ai pas besoin d'éviter.
23:57Et de rester hors de la relation d'autres.
24:00C'est parti.
24:00Elle a décidé de rester ici pour une raison.
24:02Oui, pour travailler.
24:03Si, vous êtes juste une flingue comme tous les autres.
24:06C'est ce qu'elle fait.
24:07Quand les gens se sont trop près, elle se tient.
24:10Je dois savoir.
24:12Je suis venu à Paris, maintenant à Rome.
24:14Mais peut-être, Sylvie, je dois arrêter de te chercher.
24:20Maintenant, tu ne peux pas m'en parler privé avec ma femme.
24:23Je ne vais pas aller.
24:24Elle est avec moi.
24:25Nous sommes mariés.
24:26Barely.
24:27Just leave.
24:28Vous allez.
24:29Ok, je vais.
24:31Sylvie!
24:32Sylvie!
24:35Tu vas où là?
24:36Sylvie!
24:38Qu'est-ce que tu fais?
24:41Do you even know how to drive a boat?
24:43She does.
24:44Non c'est pas ce soir, regarde.
24:49Ti sorride la luna piena.
24:51Qui la vista un po' t'inganna.
24:54Nella pancia de la balena.
24:56Poetico et silenzio.
24:58Quello fatto di bottoni.
25:00Que chiudi et puis riapri.
25:03Sans perdre éccezioni.
25:06La cosa plus belle que tu as
25:08Non n'est jamais été mia.
25:10Au tout, baby, dans le meu bicchiere.
25:13Et c'est...
25:14C'est...
25:15Oh, c'est rough.
25:29I've known that family a long time.
25:32He's a player.
25:34He's always speeding around in his Vespa with another leggy beauty.
25:38Then I look at you and I wonder...
25:40What is this about you?
25:44Is your family rich?
25:46What?
25:46No.
25:47Well, my husband thought he married me for my money.
25:50And I thought I married him for his.
25:52We were both fooled.
25:53Girls like us can't be too careful.
26:10Emily, wait.
26:14Are you leaving?
26:16No, I didn't think you'd notice.
26:17You seemed pretty busy flirting with Celia.
26:20Flirting?
26:21What are you talking about?
26:23I've been down this road before.
26:25Okay, I don't want to be in a relationship
26:26where I'm constantly looking over my shoulder
26:28worried about your ex.
26:29It doesn't feel good.
26:31Shelley and I are friends.
26:33That's all.
26:34She's engaged.
26:35Oh, come on.
26:36Your hands were all over each other.
26:38That's how Italians talk.
26:39We are very physical.
26:40It doesn't mean anything.
26:41Well, I don't know what anything means in this country.
26:42I don't... I don't...
26:43Are we really together?
26:44Or are you just a player and I'm your next ex?
26:48Where is this coming from?
26:50I thought my grandmother's bag was real, okay?
26:54I thought that I was running the Rome office.
26:55I thought that yes, meant yes.
26:57I thought that...
26:58I just, I...
27:00I thought that I'd found someone special.
27:05And now I'm not so sure.
27:07Okay, you have these impossibly beautiful women in your life.
27:11And I'm just worried that you're a fake Fendi.
27:18That what we have isn't real.
27:20Can I pick you up at your apartment tomorrow morning?
27:31There is somewhere I'd like to take you.
27:36Sure.
27:37You look beautiful this morning.
28:01I find that hard to believe because I didn't sleep at all.
28:06Me neither.
28:09I was thinking about what you said.
28:12And I want you to know that all those women are in my past.
28:17Ancient history.
28:18Yeah, well, that's the problem with Rome.
28:21Ancient history is everywhere.
28:23True, but you and me.
28:27This is the future.
28:31Look, I don't know what's happened with your ex.
28:34But I'm not that guy.
28:35I've never lied to you.
28:37And I never will.
28:46Oh.
28:48There she is.
28:50Thank you for saying that.
28:52I think I just got in my head and projected my ancient history onto you.
29:04Now, you're going to tell me where we're going?
29:05Mm-hmm.
29:06You know how I feel about surprises?
29:08It's a good one, I promise.
29:10I promise, okay?
29:11Mm-hmm.
29:35Fendi, really?
29:37Trust me.
29:39Hmm?
29:41I don't feel I need you, but you know how I want to be real.
29:47Yes.
29:51Ooh, your love's for real now.
29:58You know that your love is my love.
30:01My love is your love.
30:03Our love is your love.
30:04Pick any bag you want.
30:07Oh, that's so generous, but you don't have to.
30:10I've recovered from my whole fake Fendi fiasco.
30:15This isn't about a bag.
30:17I want you to know you have the real thing.
30:23Because from the moment I met you, I knew I did.
30:25You know that your love is my love.
30:30My love is your love.
30:32Our love is here.
30:34Say, yeah, you know.
30:38What do you think?
30:41I think I love you here.
30:43It's real now.
30:45I feel my need.
30:46It's real now.
30:49Oh, oh.
30:50To be real.
30:51Yeah.
30:52Yeah.
30:52Mm-hmm.
30:54What do you think?
30:56Yeah.
30:57I think I love you real now.
31:01I feel my need.
31:03It's so holy.
31:05Yeah.
31:06Oh, yeah.
31:07To be real.
31:08It's got to find real.
31:11To be real.
31:12It's got to find real.
31:14We're here to carry real.
31:20No, no, no, no.
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