- 20 hours ago
Category
📺
TVTranscript
00:00...and scenes which some viewers may find distressing.
00:10Wolfgang Amadeus Mozart.
00:11Antonia Salio.
00:12The whole reason why I came to Vienna was to write for the Imperial Opera.
00:17Oh, yuck. Who wrote this? Can I change it?
00:22Ha, ha, ha!
00:24My goodness! Oh, fantastic!
00:27Thank you!
00:28Good composer.
00:29It's an honor to serve the crown.
00:31I want you to succeed here.
00:33Hermosa!
00:35Hello.
00:40It used to be that I could find his voice as easily as I found my own.
00:44His?
00:45God's.
00:46Oh, yes. Him.
00:51It was just... too many notes.
00:54Just because you're stuck rehashing boring old operas doesn't mean I have to be.
00:57Maybe God doesn't speak to you because you fucking bore him.
01:01Perhaps it was in that moment I knew I was gonna kill Wolfgang Amadeus Mozart.
01:07You're not going to have to be in that moment I have to be in that moment now.
01:08In the moment I was like, oh, what?
01:09What?
01:22You're never going to be in that moment.
01:24Why is no doubt it?
01:25I have to believe that he doesn't do any way.
01:26And I've loved you to be in that moment.
01:58You're shocked.
02:10I don't blame you.
02:12It's a shocking thing to hear.
02:16Why?
02:17Why share this with me?
02:20Why not tell this to a priest or a constable?
02:24You and I have no great bond.
02:28Or had you forgotten what you did?
02:31But we have the greatest bond for our Mozart.
02:36We have him.
02:49Hey, Mozart.
02:49They're ready for you.
02:52Let's go.
03:15I expect it's better of you, you know.
03:45Oh, I'm from Salieri! It's the Salieri! You came!
03:56Of course we came.
03:57Congratulations.
03:58Thank you so much, thank you.
04:00Your bride is on a table.
04:02Yes, I don't know why.
04:04You know, I've been thinking about it, and I forgive you for what happened when you didn't
04:07defend me.
04:08I really do.
04:09I mean, I understand it now.
04:10You're in a very difficult position.
04:11We all know how beholden you are to this emperor.
04:14All the constraints and the rules.
04:16It's no wonder that some of your things don't fly.
04:18You're like a big beautiful bird in a cage.
04:20I could never do what you do.
04:22Drive me absolutely fucking mad.
04:24I hope there's a new one coming, though.
04:26Is that true?
04:27Yes.
04:28La scuola de gelato.
04:29La scuola de gelato.
04:31Ice cream schooler.
04:32Gelos.
04:33Ah, gelos.
04:34School of jealousy.
04:35Well, Stanzi's sister is going up for a part.
04:38Very good singer.
04:40Really fucking mental, but a lovely singing voice.
04:43We are.
04:44Please, make yourselves at home.
04:46Enjoy these sausages and gherkins.
04:48No!
04:49No!
04:50No!
04:51No!
04:52No!
04:53No!
04:54No!
04:55No!
04:56No!
04:57No!
04:58No!
04:59No!
05:00No!
05:01No!
05:02No!
05:03No!
05:04No!
05:05No!
05:06No!
05:07No!
05:08No!
05:09No!
05:10No!
05:11No!
05:12No!
05:25No!
05:26You didn't come to the wedding.
05:29Who?
05:30Your father.
05:34Neither did mine.
05:42I suppose he is dead, so I have to forgive him.
05:48You should write to him.
05:50Tell him off.
05:53Maybe I will.
06:00Come now. You're getting better, Your Majesty.
06:02What's the punishment for lying to an emperor, do you think?
06:04Is it flogging or beheading?
06:07There are people in this palace who drag you out into the garden
06:09and beat you to death with rocks, if I ask them.
06:12All of them, Majesty.
06:14You still have some way to go, but you are improving, Majesty.
06:23My niece, Elizabeth, was coming to Vienna.
06:26She needs a music tutor, lest she ends up like her uncle.
06:28The princess? Your Majesty, I would be honoured to...
06:32Oh, I'm sure you would call composer, but, uh...
06:35No, I think the princess would like somebody a little bit more...
06:38A bit more...
06:39Oh, I don't know.
06:40Vibrant.
06:42Well, she's young.
06:43You understand what I'm trying to say.
06:45Yes, I think I do, sir.
06:46She had a rather fun idea.
06:48How about Mozart?
06:50Mozart?
06:51I think she might rather like that.
06:52He tutors, surely.
06:54I've heard the boy play.
06:55I mean, God, if he can rub some of that off on my niece,
06:57then so much the better.
06:59How is he, anyway?
07:01I was worried that he was a bit wounded
07:03by my critique on his opening night.
07:05Well, he's written about 200 concertos
07:06and got married since then,
07:07so I think he's doing fine, sir.
07:10Yes, I was hoping that he might be given a chance
07:11to write something new for us.
07:14Another brothel set fantasy with too many notes, perhaps.
07:18Perhaps a little more judiciousness
07:19in your handling of him next time, but...
07:21You know, it's funny.
07:21I went away from that opera.
07:22I couldn't stop thinking about it.
07:24Gone under my skin somehow.
07:26We need to be bolder, Antonia.
07:29You were right, getting you to restage Tarare.
07:31It was...
07:31A success.
07:32It was safe.
07:34A copy of a Parisian hit,
07:36that's what my sister called it.
07:37You know, courage is what's needed now.
07:39Courage in court and in government.
07:41We need to be brave, Antonia.
07:44Brave men win the day, do they not?
07:46Of course, Your Majesty.
07:47I'll let you give Mozart the good news about Elizabeth.
07:50One.
07:51My goodness, Rupert.
08:04Have you been practising?
08:07Um, yes.
08:10Yes, now I can tell.
08:11You've really improved, haven't you?
08:13I kid, of course.
08:15I jest, I jape, I make merry.
08:16I can tell that you're lying, Rupert.
08:18I can tell you have not been practising.
08:21In fact, what you just produced leads me to question whether you haven't actually discovered
08:24something that is sort of the reverse of practising.
08:27A kind of not practising so powerful as to completely undo all of the accumulated knowledge
08:31of our previous session, a sort of anti-practice.
08:34Have you cultivated an irrational fear of competency, perhaps?
08:38Did somebody perform rudimentary surgery and replace your ten fingers with flaccid baby cocks,
08:43Rupert?
08:44Do you have flaccid baby cocks for fingers, Rupert?
08:46Have you even touched this fucking harpsichord a single time since I walked out of that
08:50door a week ago?
08:54No, I didn't think so.
08:55And that's why you're not playing it very well.
08:59Now, I'm going to go and use your privy in the hope that the noise of my intestinal fluctuations
09:04are more pleasing than whatever the fuck you just try to fart out of these keys.
09:14Are he be cocks for fingers?
09:16Yes.
09:16I'm going to run out of students.
09:18Don't worry, everybody in this town wants to learn the violin or fortepiano or the fucking triangle.
09:24I've got a letter from your father who came on your sleep.
09:29Like an assassin?
09:30Mm-hmm.
09:31Mm-hmm.
09:32Mm-hmm.
09:36Let me see.
09:43Don't worry, it's just his way.
09:45He doesn't deserve you.
09:47He definitely deserves me.
09:49Poor old bastard.
09:51Right.
09:52I might be a little bit late this evening.
09:54Mm-hmm.
09:55Bring some people back with me.
09:56Do you mind?
09:57No.
09:58Your sister is a great talent.
10:05Yes.
10:06I'm sorry.
10:07You did want to see me, didn't you?
10:08Yes.
10:09Yes.
10:10Yeah
10:11Yes.
10:12Yes.
10:13Yes.
10:14Yes.
10:15Your sister is a great talent.
10:30I'm sorry, you did want to see me, didn't you?
10:33Yes.
10:33Aloysius said that you...
10:35Yes.
10:38I hear your husband lost another pupil.
10:42Yes, he did.
10:43Well, as luck would have it, a new job has become available.
10:49A royal appointment, actually.
10:51Princess Elizabeth.
10:53A princess?
10:54The princess.
10:55Now, tutoring her is a position that will hold significant standing in the court and beyond.
11:02I mean, he'd be perfect for it.
11:04He's a brilliant tutor.
11:05My playing has come on so much, and that's just what I'm saying.
11:07I'm wondering if you might bring me his manuscript so that I can properly consider his work.
11:11Could make his case to the emperor.
11:16Yes, of course.
11:17Bring the works to my residence.
11:20Newer ones, if possible.
11:21And I ask that we keep this strictly between us.
11:25Absolutely.
11:27Well, I'll go and get them right away.
11:30All right.
11:31All right.
11:31Let Him be in our city.
11:36Let Him be in our city.
11:38Come and see, let Him be in our city.
11:43Let Him be in our city.
11:45Let Him be in our city.
11:47A young lady is here to see you, son.
12:11Yes.
12:11Send her in.
12:23Constanza.
12:24Herr Salieri.
12:25Come on.
12:26Please.
12:27I'm telling you.
12:28Hop yourself to a treat from Werner's.
12:31My footman gets them.
12:32Do you know Werner's in town?
12:33Mm-hmm.
12:34Very good bakery.
12:37So these are his newest works?
12:40All from the last month or so.
12:45All this from the last month.
12:47Or so.
12:54Do you think I could keep these to look over?
12:58I don't think that, um...
13:00Well, he doesn't know I've come here.
13:02And he'll miss them.
13:04He doesn't make copies.
13:11These are origins?
13:12Mm-hmm.
13:20Dear God.
13:23Do you mind if I...
13:24Do you mind if I...
13:25No, please.
13:54So what do you think?
13:56Could you speak to the emperor in his behalf?
14:00Yes, I could speak to the emperor.
14:04Put his name forward.
14:09But know that to do so would be a cost on my part.
14:20It will be a cost.
14:22There are many powerful men who could give me something in return for my help.
14:29We don't have anything we could give you.
14:39I thought you wanted to help us.
14:43Well, I do.
14:45I do, of course I do.
14:49But you are a woman.
14:51I am a man.
14:54This is the way of things now.
15:03Is it really so awful, the thought of it?
15:06The idea of it?
15:07Is it so high a price to pay for what I am offering?
15:12You do understand what I am offering.
15:33He must never know.
15:37I am a woman.
15:51Like you said.
15:53So where should we do it?
15:54Should we do it here?
15:55Or in the bedroom?
15:56You have to be delicate.
15:57Do you understand?
15:58Get dressed.
15:59Why?
16:02Have you changed your mind?
16:02You're just so dressed.
16:08The princess.
16:12Yes, I'll speak to the emperor.
16:14Forgive my sinful mind and my temptation.
16:27I walked to the edge, but I didn't go over it, didn't you?
16:30You pulled me back and I commend myself to you.
16:38I know your testing me is right.
16:41Perhaps in your divine wisdom, you felt you'd given me too much already.
16:45Terraria was a success.
16:46I feel the next one will be too.
16:49And I am grateful.
16:49And I commend myself to you.
17:00The purity.
17:04This ends now.
17:07I swear.
17:08I swear.
17:09I swear.
17:35I swear.
17:36dear wolfgang i write to you now as a father a position which i understand you are soon to
17:49occupy yourself i have great concerns about you and much that we need to talk about
17:55i wonder if you will now understand this better once
18:06he looks like a tomato
18:21has he said anything yet um no no very rude churn very rude
18:32how was it i shit myself
18:36what are you trying to write
18:50what are you trying to write a mask a mask yes you know celebration for what
19:00for becoming a father
19:03how is that going
19:06bad as well as this fucking mess
19:11dear wolfgang i have concerns about you and much that we need to talk about
19:15dear wolfgang i have concerns about you and much that we need to talk about i hear you've been making a spectacle of yourself i hear hardly anything of your talent and i hear even less of your success you embarrass our
19:33dear wolfgang i have concerns about you and much that we need to talk about and i hear you have been making a spectacle of yourself i hear hardly anything of your talent and i hear even less of your success you embarrass our good name a child masquerading as a composer outstanding arrogance to think you know better than your own father years your mother and i spent on your train for so long so hard you must listen to me insolent fool abject face salved your reputation come back to
20:03It's my car turn.
20:33Hello.
20:39You having a night there?
20:49Let's have a look at you.
21:00I do love you.
21:03I think I do.
21:07I think that's what this is.
21:10Do you feel loved?
21:12Eh?
21:14Can I ask you a question?
21:17Do you like me to love you, Raymond?
21:20No, I'm just asking.
21:24Just asking.
21:27All you do is piss and shit and suck on my wife's tits.
21:33You stole my act.
21:35Why can't I finish your fucking mass, Raymond?
21:41I'll do it.
21:42And to the end of the day of the night, Raymond?
21:43I'll do it.
21:44I'll do it.
21:45I'll do it.
21:46I'll do it.
21:47I'll do it.
21:48I'll do it.
21:49Yes, well, there we go. A noble attempt, Your Highness.
22:10Might I suggest...
22:11I don't care for it.
22:13I'm sorry?
22:15Music.
22:17Ah.
22:19Yes, I wondered if that might be the problem.
22:22Would you like to, um, sit next to me on the stool?
22:28Of course.
22:33Sarah.
22:34The last teacher I had was even younger than you.
22:39Used to, um, rub himself onto the clavacord as I played.
22:45Did he?
22:46Yes.
22:46He put a finger inside me once.
22:53My father found out and had his hand cut off.
22:58That was just before I was sent to live here.
23:00Shall we, uh, start again from the top?
23:10Well, we can start from whichever end you like, Herr Mozart.
23:16Very good.
23:18Fucking hell.
23:19Okay, Your Highness, whenever you're ready.
23:24I'm just going to, uh, watch from over here.
23:27Come back to Salzburg.
23:29Come back to Salzburg.
23:43You cannot continue to ignore me, Wolfgang.
23:45Come back to Salzburg.
23:46You must listen to me.
23:48Fight!
23:49Then I'll shut you up.
23:50Stanza!
23:51Pack your trunk.
23:53We're going away.
23:56Where?
23:57Salzburg.
24:00He used to feed every two hours or so, but it's been going down lately.
24:03That night he used to sleep quite badly.
24:05He needs his bedclothes cleaned.
24:06Child, I've raised four girls.
24:07I think we can look after a baby.
24:09Well, this one has a cock, so don't get startled and chop it off by mistake.
24:12We're right here when we get there.
24:13We don't find a statement at the end of the month.
24:14Off we go.
24:16Enough faffing.
24:18Bye, Raymond.
24:24Sometimes just you and me.
24:27Without the small goat lying between us.
24:30Kicking us with its tiny hooves.
24:33Do us good, I think.
24:33Don't talk well about that.
24:36It was a joke.
24:39Mozart had taken you, his beautiful wife, on a sojourn away from the city.
24:45And in his absence, piano was mine once again.
24:49I released my newest opera, La Scuola de Gelosi, to great acclaim.
24:54God, don't give me a certo e verbo, più di quella di dei sposi, se li stringe, noi ci afferdo, non incerta verità, non incerta verità.
25:06Per un genio passaggero, chi la rompe col marito, sia geloso, sia scordito, dispensato e non sarà.
25:19Col marito in ogni modo, dessi sta mattina e sera.
25:24Per un genio passaggero, chi la rompe col marito, sia geloso, sia geloso, sia geloso, sia geloso, sia geloso, sia geloso, sia geloso.
25:40It was such a hit, in fact, that my librettist Di Ponte and I even considered a sequel.
25:56The idea was abandoned, but offered to another composer who reworked it into a new piece.
26:02You'll know it by the name Cosifantuti.
26:06But then I tried not to dwell on such detail.
26:09For a while, I reveled in my success in the position, as if nothing had ever changed.
26:17Little did I know what was coming.
26:22This is where you grew up?
26:25Mm-hmm.
26:26Oh.
26:27Would Master Wolfgang care for some supper, perhaps?
26:31Or would Sir prefer to go straight to his bedchamers?
26:34Straight to the bedchamers, please, Florian.
26:39Very good, sir.
27:04Morning, Florian.
27:18Morning, Master Wolfgang.
27:21Where is my father?
27:22Left early this morning, sir.
27:25He expects to return in a day or two.
27:27You told him that we arrived last night, yes?
27:29Oh, indeed, yes, sir.
27:30Very good.
28:22I got hisécuminar.
28:22Feed me.
28:23I got hisécuminar.
28:27First piece I ever wrote.
28:33The piano I wrote it on.
28:37Where's your father?
28:39Gone somewhere for a few days, I don't know.
28:43But he knows we've arrived.
28:47Yes, he does.
28:57No, no, no, no.
29:27Good to see you, you too. We're having chicken. We've been here for three days.
29:44I had business out of town. Well, you knew we were coming.
29:49Where's your wife? Getting changed. Into what? Is there wine?
29:55You know, I wrote to you for months. You didn't reply.
29:59I've been busy. Oh, yes, I hear that. I hear you've been very busy. I hear you drink.
30:06I hear you throw lavish parties. I hear you've been making a spectacle of yourself. Or am I wrong?
30:12Too many notes. Don't think that didn't filter back to me.
30:15The emperor does not know anything about music, does he? Is this cognac, brandy?
30:20Can I take anything at this point? My greatest fear when he left Salzburg was that this would happen.
30:27That what would happen? That you would squander your gift.
30:32You'd get to squandering anything. Teaching the princess piano. Did you not know about that?
30:37I thought you'd be impressed. That's one hour of your week accounted for. What of the rest?
30:41Why do I not hear any tales of triumph and glory? Just stories of an insolent fool dancing around an
30:50apartment he can barely afford with some pauper's daughter on his arm.
30:58And Mozart?
30:59You should call me Papa. Your father is dead. He won't mind.
31:05My mother also forbade the wedding, by the way. He weren't the only one. She did attend it though.
31:12You think me rude? What would you call it? I'm a straightforward man. I don't feign enthusiasm
31:19where I do not feel any. I don't send regards where I do not feel they are warranted.
31:26How is my grandson?
31:29Wolfgang.
31:30He cries when he doesn't get exactly what he wants.
31:33Pays no attention to anyone else's feelings, needs or desires, so we can be sure he's a Mozart at least.
31:43I'm glad to have finally met you.
31:46I told you Vienna would not be impressed with your frivolities.
31:50Oh, you think the imperial opera indulges nonsense?
31:54An opera set in a whorehouse. That was your grand entrance?
31:58Yes.
31:58Yes.
31:59Was it worth it? For you to get a dressing down on stage from the emperor in front of everybody?
32:05Was that what we were working so hard towards all those years, all those miles?
32:10I'm talking to you.
32:13Yes.
32:14What about a follow-up?
32:19I assume you have plans to try and salvage your reputation?
32:22I've written hundreds of things I write every day. Father, don't worry.
32:26Thank you very much. Looking forward to the chicken.
32:29What about a follow-up then?
32:31Well, obviously, I have been a little bit distracted.
32:34I have a Basset Hound who I'm trying to train. He can follow basic commands, except for when he sees a pigeon,
32:41when he completely forgets what he was doing and sits there drooling slightly.
32:45I can forgive him this because he's an imbecile and he is a Basset Hound.
32:48But you are not a Basset Hound, Wolfgang. Your ears are not long and soft.
32:55You do not have a rounded muzzle or a glossy coat. You are a man.
32:59Something colorful should be able to float into view without knocking every last intelligent thought
33:09from your mind. Grow up. You're distracted. No one cares. Your first opera was a failure.
33:15You haven't written a second one. That should alarm you as much as it does me.
33:18What's his name?
33:20What?
33:20Your Basset Hound.
33:23Gregor.
33:24Well, that's a bit of a silly name, Papa.
33:26Well, Wolfgang was already taken.
33:28You are throwing away the gift that God gave you.
33:36Not you as well.
33:37Wolfgang.
33:39They're my gifts.
33:42So they're mine to do what I want with.
33:44No, they are not.
33:46You tell him. Maybe he'll listen to you.
33:53People have died for your tads.
33:55Beg your pardon?
33:56Your mother is in the ground.
34:00No flowers on her grave. No mourners to tend it.
34:04Left to rot in a cold corner of a Parisian church, 500 miles away from home, because you...
34:11She was ill. She was ill. She was ill and you didn't send for me.
34:16It's not true.
34:24It's true.
34:26It's true. And you know it's true.
34:28And you can drink and whore and play as loud as you can.
34:32But you know she stands in the dark and watches you.
34:35And she weeps at what you're doing with the gift that she gave her life for, you selfish little bastard.
34:43And you know it's true.
34:44Why do you behave like that?
35:08Hmm?
35:10Why?
35:12Like what?
35:14Wolfgang.
35:16Like the great Amadeus Mozart who teaches piano to princesses and writes ditties for babies.
35:21Our baby.
35:26It's one piece you've never been able to finish.
35:31Perhaps you can't write a celebration for something you don't actually celebrate.
35:38You know, I spent five minutes with your father and I have to say I'm not a fan.
35:43But he's right.
35:47People have made sacrifices for you.
35:49They have.
35:50They've humiliated themselves.
35:53Twisted themselves into what you needed because we see what you are.
35:57What you could be but you need to earn that.
36:01You're not a little boy writing minuets anymore.
36:05You're a man.
36:05At least you're fucking supposed to be.
36:10You're a little boy.
36:15I'm a little girl.
36:18Oh, look.
36:18You're a little boy.
36:19There's something I could be.
36:20I don't know, I can't do.
36:20I could be.
36:21I could be j Mathias.
36:21I could be here.
36:21Thank you so much
36:22and I could be like a stuffy player.
36:24Did you come back home?
36:24I can't do it.
36:25I can't do it.
36:26I can't even look.
36:27I don't know.
36:28I can't do it-
36:30The ladies I should know.
36:34I could be Можно burnt away.
36:37I don't know.
37:07I don't know.
37:37I don't know.
38:07Who the hell is that?
38:14Why does it smell of smoke?
38:15Is the house on fire?
38:16Only briefly, sir.
38:17I'm sorry for the hour of my arrival.
38:19I have urgent news for Herr Mozart.
38:21Which one?
38:22The composer.
38:23Which one?
38:24Wolfgang.
38:25Sir, I'm sorry to tell you that your son is dead.
38:35He succumbed to a fever shortly after you left.
38:38What?
38:59Oh.
38:59No, no, no, no, no, no, no, no, no.
39:29She needs rest.
39:59A proper bed.
40:00Wolfgang.
40:06Good speed on your travels.
40:13Good speed on your travels.
40:20Good speed.
40:21Good speed.
40:22Good speed.
40:23Good speed.
40:27Good speed.
40:28Good speed.
40:30Good speed.
40:34Good speed.
40:35Good speed.
40:41Good speed.
40:42Good speed.
40:48Good speed.
40:49Good speed.
40:50Good speed.
40:51Good speed.
40:55Good speed.
40:56Good speed.
41:02Good speed.
41:03Good speed.
41:04Good speed.
41:05Good speed.
41:06Good speed.
41:07Good speed.
41:08Good speed.
41:09Good speed.
41:10Good speed.
41:11Good speed.
41:13Good speed.
41:14Good speed.
41:15Good speed.
41:16Good speed.
41:17Good speed.
41:18Good speed.
41:19Good speed.
41:20Good speed.
41:21Good speed.
41:22Good speed.
41:23Good speed.
41:24Good speed.
41:25Good speed.
41:26Good speed.
41:27Good speed.
41:28Good speed.
41:29irgendw principle too.
41:30How another before the grief is allowed to settle?
41:31Only joy can dispel grief, joy, light, and love and music.
41:34I'm sorry.
44:04Mass for Raymond is ready to perform.
44:39And if it's in your voice, I think you might hear it.
47:26Christ is on
47:38Christ is on
47:55Lays on, Lays on, Lays on, Lays on, Lays on.
48:25Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on, Lays on
48:55made me mute. You put into me the perception of the incomparable and then
49:02ensured that I would know myself forever mediocre. Thank you. Thank you.
49:12Why? What have I ever done to you? Straight from the path I came back to you.
49:19I came back to you. I promised myself to you to piety. I have only ever pursued virtue
49:27with rigor. I have worked and I have worked with the talents you allowed me solely that
49:34in the end, in the practice of the art that alone makes the world comprehensible to me,
49:39I might hear your voice. And now I do hear it. And it says only one name. And it's not
49:55mine. You chose him. A foul, spiteful, shit-talking bastard Mozart to be your sole conduit. And
50:06my, my sublime pleasure is to be the one man alive in this time that can clearly recognize
50:12your incarnation. You give me just enough talent to know how little I truly possess.
50:34It's a wonderful job. So be it.
50:49From this time on, we are enemies. You and I are not accepted from you. I won't. They
50:59say God is not mocked. I tell you maddest. I tell you I am not mocked. You are the enemy.
51:12I name thee now. And this, I swear, to my last breath, I will block you on this earth. I
51:22will block you and a little vessel as far as I am able. Diminish the man. Diminish the
51:32God. Kill the man. Kill the God.
51:43Kill the God.
Be the first to comment