Doctor Who- Unleashed - Season 2 Episode 03- The Well
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00:00In this episode, the doctor gets hands-on learning sign language.
00:06My name is a doctor.
00:08I'm reading press. Normally, it takes on average about seven years to become fluent in sign language.
00:15Well done.
00:16Thanks to some new high-end kit.
00:18Action!
00:20The stunt team are flying.
00:22Spot on.
00:23Why am I wearing shorts in a quarry on a freezing February night shoot?
00:28You don't know we live in Wales?
00:30That's right.
00:32And spoiler alert, we've got an exclusive clip from the next episode.
00:38Welcome to Doctor Who Unleashed.
00:48Well, have you come out from behind the sofa yet?
00:50No, me neither.
00:53But get ready for an exclusive behind-the-scenes look at the spine-tingling, the well.
00:58And if you don't want spoilers, then maybe do this.
01:03No, no, no. Please, no. Stop.
01:05Don't tell me.
01:05Don't tell me, please. I don't need to know.
01:08Ready?
01:09In this episode, the doctor faces an unseen alien life force on a killing spree.
01:17But the beating heart of the well is Alice, a character who we never 100% trust.
01:24What did you do?
01:25What did you do? What did you do?
01:26It wasn't me. I didn't see many stars in there.
01:28Stop, stop, stop. Get back.
01:29But who still manages to pull our emotional heartstrings.
01:33There's something behind me all the time.
01:36Now, please help me.
01:39A very difficult balancing act to pull off, but the formidable rose ailing Alice nails it.
01:44I'm really angry at her because her performance was so beautiful. It was so stunning.
01:52That's why I do every single time.
01:54I was like, this is just a wasted performance that I'm giving.
01:58I was blown away. Blown away by her talent.
02:03Can you tell me what?
02:05I don't know how Rose did it because she was operating on three levels.
02:09To sign and speak at the same time is very difficult.
02:13And then to also have in your head what you need to be doing as your character.
02:18I was like, that's so much to have in your head.
02:24And she just does it effortlessly.
02:25Did you enjoy it when you got to read the script for the first time?
02:33Yeah, it made me so excited because it's such a great character.
02:37It's such a complicated moment.
02:39It's a bit scary. It's a bit spooky.
02:41I loved that she's hiding what she doesn't really want to tell.
02:45But she didn't really have a choice.
02:46Yeah.
02:47And that just got me so excited.
02:50A lot of your work before has been on stuff like EastEnders being a sitcom
02:54and your theatre work.
02:56Is this the first time you've really done something like sci-fi like this
02:58where we're in like a mining centre on a planet, that sort of stuff?
03:03Yeah, I'm actually having the best time ever because of the back window.
03:07I mean, the attention to the detail, my caution, the space state.
03:12It's really hard to act really sad when I'm actually deep down.
03:16I'm so excited for everything I do.
03:18It's just amazing.
03:19Yeah.
03:20What is it? What did you mean?
03:23BSL consultant Sarah Lawrence was brought in to support Rose, the cast and the crew.
03:29For people who don't know what your role is today,
03:32tell us, what are you doing here?
03:35I'm here.
03:40Well, it's really interesting, actually, because in Doctor Who, in the script,
03:44the Doctor, the character of the Doctor, actually signs,
03:47and there's also a deaf character in this episode.
03:49So my job has been to teach the Doctor how to sign,
03:53and while being on set, whilst they're recording,
03:56to make sure that signing is right.
03:58On-set communication with Rose,
04:00and much of her interaction with the Doctor, was signed.
04:03That gave the cast and crew the opportunity to learn some BSL,
04:08British Sign Language.
04:09Before we started filming, we did a deaf awareness course.
04:12Yeah.
04:13It was really important, just to ensure that we understand
04:16the barriers that are in place when you are communicating with somebody who's deaf.
04:22For example, you know, facing them when you're talking,
04:24don't just suddenly turn away.
04:26Yeah.
04:27Understanding how to work with an interpreter as well,
04:29and also, there's been, you know, it's quite a unique process.
04:33That you don't come across every day if you aren't working with a deaf person.
04:36Just integrating those processes into working on set,
04:40it is completely different.
04:41You learn stuff about the prejudices.
04:43There's moments when people turn their backs on Alice,
04:47and so they're deliberately shielding their lips from her,
04:49which makes her angry.
04:51Don't turn your back on me.
04:53Please, don't turn your back on me.
04:55Which is all very true.
04:56That's true of a real, lived, authentic deaf experience.
04:59So we had Rose go through the entire script,
05:03and we actually had notes of her, of course corrections,
05:05of how to do things, how to phrase things,
05:07how to say things exactly.
05:09Hi there.
05:10My name is a doctor.
05:13So I got the chance to learn BSL, which was amazing,
05:17and I think just such a more effective, beautiful,
05:23intentful way of communicating.
05:24You have to really commit yourself to communicating
05:26to who you're talking to.
05:27Was that okay?
05:28I did this, and I did name with two fingers.
05:32I'm really impressed.
05:34He's very quick to learn sign language
05:36because normally it takes on average about seven years
05:40to become fluent in sign language.
05:42So, and he was learning to start after he'd finished shoot
05:47when he was already so tired.
05:50Well done.
05:51I've never connected with another actor like this.
05:56This is such a different level of communication,
05:58and it's really beautiful.
06:00Why am I getting emotional?
06:00He's going to become like a deaf icon
06:03because he's dying.
06:05Name me the doctor.
06:06The deaf, he means he would go mad over that, I think.
06:17The well saw the doctor revisiting the scene
06:20of an iconic Doctor Who episode.
06:22What is this planet called?
06:256777.
06:26The old name.
06:27400,000 years ago, what was the planet called?
06:30It was called Midnight.
06:33I've been here before.
06:36Back in 2008, the 10th Doctor took a tourist trip
06:39on the planet Midnight,
06:41a beautiful but airless death trap covered in diamonds.
06:46Here, the passengers and crew and all the watching Whovians
06:49were terrorised by an unseen entity.
06:52Fast forward 400,000 years, and the 15th Doctor is back.
07:00The planet has been renamed 6767.
07:03All the diamonds have been mined, but that entity is still lurking.
07:07Have you ever heard of the planet?
07:12What?
07:13I thought we saw.
07:14But what's going on, Russell?
07:16It's the sequel no one ever expected.
07:18And it's the kind of episode you should never do a sequel to.
07:21So that's where we went, frankly.
07:24Right to that.
07:24The interesting thing for me was that I watched that episode
07:29and there are two things that are similar about Midnight.
07:33Did you just...
07:34One is that it's the same monster, even though he's sort of morphed.
07:38What did you see?
07:40Stare.
07:41That ridge.
07:42Like, like a shadow.
07:43Just for a second.
07:45What's a little shadow?
07:46It's behaving slightly differently.
07:47It messes with you.
07:48It plays games.
07:50Why are you repeating?
07:51Why are you repeating?
07:52Another thing about Midnight is it's also a bottle episode
07:56in the sense that it's all set in the one small space
08:00and within there are a bunch of people and the monster.
08:05I can guarantee you everything's fine.
08:09The creature in Midnight was only ever heard, not seen.
08:14In the well, it gets physical and deadly.
08:17Ah!
08:18Ah!
08:20Ah!
08:21To me, this is the scariest monster that I've faced so far.
08:28I just think the way that Russell wrote it was terrifying,
08:33but really beautifully descriptive, but just an implication.
08:36It's your complete own interpretation as to what this monster actually is.
08:42Oh, yes.
08:42Oh, gosh.
08:44Just reading it was very, like, it put shivers down your spine.
08:49Actually.
08:50The monster's grown.
08:51The monster has learned.
08:52The monster has, like, and has been waiting for, like, a chance to get out and cause trouble.
08:58So I loved that it was, like, a bit of a continuation from Midnight.
09:02The elements kind of said to me, like, it's a mining planet, and it's deserted, and it's deadly, and it's poisonous,
09:09and there's something hidden as people have disappeared.
09:12All those scary things are in place.
09:13This one's got a broken neck.
09:16So that all just kind of...
09:17Indian just kind of demanded.
09:19It said, actually, don't try to pretend this is something else.
09:21This is the same planet.
09:22The one big difference between Midnight and The Well is that in the former, everyone was stuck inside a static space bus.
09:32But in the latter, they're free to run around like action heroes.
09:35So is this what Superhero V would look like?
09:38This is quite superhero-ish, isn't it?
09:39It is so...
09:40It's so superhero-ish.
09:42It's actually kind of more like my bread and butter, like, especially after doing a lot more, like, action things.
09:49Yeah.
09:49So when I put it on, I was like, oh, I'm home.
09:53Actually, I had to kind of actively be like, no, this is Belinda, not other characters that I've played.
09:59Yeah, characters that I may or may not have played in other franchises in the past.
10:02That's also from Disney, yeah.
10:04Those ones.
10:05Yes.
10:06I think the first day or something when we were running, it was very, like, action hero-ish, and I was like, no, wait, I have to be a little bit more normal person.
10:13Yeah, yeah.
10:15Yeah, no, it's been...
10:17I love this.
10:18I love this outfit.
10:19Yeah.
10:19Except going to the loo, going for a wee's.
10:22Oh, is it?
10:23It's very difficult.
10:25I won't go into details, but it takes some time, does it?
10:26It takes time.
10:28There's so many attachments and zips, and I was just, yeah, I need three people to...
10:34I need an entourage just to help me unclip and unzip.
10:38That's just you with normal life, that's got nothing to do with the costume whatsoever.
10:41It's actually just what I've written in my contract now.
10:45It's the 1st of February 2024, and in classic Doctor Who fashion, we're in a quarry in the night time.
10:59And yes, yes, it is freezing cold.
11:01Some things just naturally belong together.
11:05Strawberries and cream, fish fingers and custard, the Doctor and quarries.
11:09For over 60 years, these rugged holes have been the go-to Doctor Who backdrop for a far-flung alien world.
11:17And tonight, this quarry just outside Bridgend in South Wales is about to become...
11:22Shooty's first quarry, it's kind of something you inevitably do.
11:25Who is your commanding officer back at base?
11:27And frankly, it's the Doctor Who homeland, it always works.
11:30I like the fact also this is a mining planet, so it should look like a quarry.
11:34The whole surface used to be diamonds and they've been mined, so you're not pretending this is a rocky planet.
11:39It's actually been mined, so that takes the edge off, the quarry-ness of it.
11:43Yeah, love it.
11:45Cut!
11:45Tonight, we're filming the scene where Fee and Shooty, they've landed on the planet.
11:54Oh, my God!
11:58Life with you!
12:00I know, I know, I know.
12:03It's very atmospheric here. I've never been in a quarry before.
12:08Everybody's just setting up now.
12:10At the moment, they're talking through with the rest of the actors who play the troopers,
12:12talking through the scene with the director and the director of photography and everything over there.
12:18Oh, look at the helmets! Have you seen those helmets?
12:21That is way cooler than I was thinking it would be.
12:25Every one of the troopers has got their own person because they've got all the boxes there.
12:30Each box is for specific helmets, so they don't get mixed up or lost on Netflix.
12:35They've been made, especially for each of the different actors.
12:37Every time they show cut, they are fast getting in there because it's cold,
12:42so they're getting all those big coats on and to keep them warm.
12:45It was a busy old quarry tonight.
12:49And with so much going on down here, it's a perfect opportunity for me to dive in
12:54and learn about another role in the TV industry.
12:57For my work experience this episode, I'm joining trainee grip, Rhys.
13:07Well, thank you very much for having me along.
13:09It's all right.
13:09I guess the first place to start is, what's your job here today?
13:12So, I'm a grip trainee.
13:13Yeah.
13:14Anything the camera goes on, we supply that and we set it all up.
13:20Cameras can be attached to tripods, dollies and cranes.
13:24And tonight, I'm going to help Rhys lay a dolly track.
13:31Two little track joiners.
13:32So, they join the track, they go on the little bits.
13:34Tidy.
13:35See if you can work that one out.
13:36Does this, like, go in a hole or something?
13:38So, first of all...
13:40Oh, no, hang on.
13:42Do they go and...
13:43Do they clip on those?
13:44They join those bits, so...
13:46Ah, OK.
13:46They join the track together.
13:47Yeah, yeah.
13:47There you go.
13:48And then you can tighten them with that.
13:51Oh, I see, I see, I see, I see.
13:52Yeah.
13:52OK, so they're on.
13:53So, that stops it from, like, slipping and sliding away, right?
13:56But that's not tight at the minute.
13:57See how loose that is?
13:58Yeah.
13:58And there's a little gap in the track.
14:00And the dollies are so sensitive, you'll feel that little bump.
14:02Even the tiny little gap that side?
14:03Even the tiny little bump.
14:04So, yeah, you've got a...
14:06Other way.
14:08Just got to make sure that's...
14:11Right.
14:12So, they're tight in there now.
14:14The next step now is to level it.
14:16OK.
14:16So, with levelling, we all start at the high end.
14:18What is it about being a grip that, you know, attracted you to do that job?
14:23I think from a young age, I've always wanted to be hands-on and doing stuff.
14:25And then, later in life, I developed that love for film and TV.
14:28And I was like, right, OK, that's something to do.
14:31Yeah.
14:31Is there anywhere I can put the two or two together?
14:32So, I went to uni, studied film and TV.
14:35Yeah.
14:35I didn't really learn what a grip was in uni, but I did my own research and thought, that sounds amazing.
14:40So, went and did that for two weeks and then, yeah, got a job straight away and been doing it ever since, really.
14:46Every day of my job is different, and that's what I love about it.
14:48Like, you see people going to offices, they're sat down at the same desk, the same computer.
14:52Here, like, when do you get to come to Corrie in the middle of the night?
14:55So thankful that I've fell into this.
14:57Bring it up there.
14:58Yeah.
14:59And then, that's not far off now.
15:01That's pretty good, that's pretty good.
15:02But then, if you're fashion that wedge, it's a different job to everything else.
15:05Yeah.
15:05And you, you know, if you didn't work in the industry, you wouldn't understand what we do.
15:09Yeah.
15:10And it's quite hard to explain that to people sometimes.
15:12Especially there, and that's bang on across the aisle.
15:13Nailed it.
15:15But it's really important, right, because obviously, you've got all the jazziest cameras in the world,
15:18all the most experienced directors, if the camera doesn't stay on something, then it can't work, right?
15:23No.
15:24The camera's always on something, which we have to use.
15:27We have to do those jobs, you know what I mean?
15:30Yeah.
15:30The dolly and stuff like that, we have to push it for the camera to move, for them to
15:33achieve a certain type of shot, or swing the crane to achieve, you know, the kind of different
15:39angles they need or whatnot.
15:40So it's always like, you're always hands-on, always, yeah.
15:43What have you got on tonight?
15:44I know you've got one crane now, but what have you got, what else has gone on for you tonight?
15:48Erm, they're currently set up a B camera shop, so we've got a dolly, really, on standby.
15:51So a dolly is basically a camera on wheels?
15:53Yeah, essentially.
15:55Right, boys.
15:56As the trainee grip, Rhys is tasked with a range of jobs, from moving equipment and heavy lifting,
16:03to more important stuff like taking the team's food orders.
16:07Lamb, dauphinoir, potato.
16:10How do you spell dauphinoir?
16:12But I've got one burning question about the job.
16:15There's an elephant in the room as well, Rhys.
16:19We're the only two people here in shorts.
16:23Yes, we are.
16:24And I was told that I had to wear shorts to come and work experience.
16:28What are we doing?
16:29It's February, it's the middle of the night.
16:32There's a vicious wind.
16:34It's part of the uniform, yeah.
16:35Is it?
16:36Yeah, in the industry, it's gripped uniform, it's like shorts all the time.
16:41You do know we live in Wales, right?
16:45Still to come on Doctor Who Unleashed.
16:50The stunts team take flight.
16:55Iron mask the real midnight creature.
16:58And spoiler alert, we've got an exclusive clip from the next episode.
17:04But first...
17:05Helmets!
17:09Accompanying the Doctor and Belinda on planet 6767 was an 11-strong trooper unit.
17:16I loved having them around.
17:18It was so much fun when there's, like, a gang to hang out with.
17:21It gives you that extra boost of energy.
17:24Oh, it's just been everything and more.
17:26I'm such a big fan of the show.
17:27I've come in as, like...
17:28She's so much fun to work with.
17:30I am actually such a huge fan of the show.
17:33And I came in as a fan and I'm leaving as a bigger fan.
17:38All of the troopers were sent to trooper boot camp.
17:41Now, squad!
17:43Squad!
17:43That whole element of the way they move, the way they come around corners,
17:50all of the protocol was all drilled into them
17:54by this ex-military guy who was on set with us.
17:59That was really fun for them to be able to bond on that military boot camp,
18:05but then also take that behaviour through.
18:07Then, no sooner than they've finished all that bonding and drill training,
18:17the creature starts taking them out.
18:19Yeah, it's a tricky one.
18:23It's because it's the most brutal episode.
18:24There are nasty deaths in this.
18:26Actually, and there are dead bodies from the moment they enter that base.
18:29And we had a lot of conversations about, you know,
18:31keep those bodies turned away from the camera,
18:33don't make the bruises too great.
18:34Some of them have been shot.
18:35This one is laser fired.
18:37So we're in a funny territory between acceptable deaths and non-acceptable deaths,
18:41which is flying through the air,
18:43propelled by a psychic force is somehow acceptable.
18:46The snapping of the bones, the whack on the floor.
18:51You want a bit of that?
18:52You want the visceral pleasure of that?
18:54But actually, you need to go easy on it as well.
18:56So actually, this is careful.
18:58There's six-year-olds watching this.
19:00All of the stunts needed to be carefully choreographed
19:05by stunt coordinator Derek and Max from the WIRE team.
19:09To complicate things further,
19:11everything had to revolve around a very particular concept.
19:14In the script, Russell pinpoints each character's position
19:18in relation to Alice and the unseen creature
19:21as if they were a words on a clock face.
19:24So I definitely did not understand it when I read the script.
19:27I read that whole sequence as it being like,
19:30oh, wow, that's really scary.
19:31Loads of people die.
19:31I kind of went, OK, well, we'll do that on the day.
19:36We'll get to that.
19:37That's not my business, really.
19:39I don't have a clue.
19:42Still confused?
19:43Let's have Belinda explain it again.
19:46It's like this.
19:47If this is Alice
19:49and this is us facing her now,
19:54there is something behind her.
19:56And if you go behind it, you die.
20:02If it was a clock face, you die at midnight.
20:06I have to say, it took a while to get into my brain,
20:11but when we had rehearsal with Amanda,
20:12she actually had a drawn-out clock face
20:14with little toy soldier figures,
20:16so we actually understood what was going on
20:18and who would be flying where,
20:20who would be landing where.
20:21When you see it done,
20:25it's absolutely genius.
20:29With the action routine mapped out,
20:31that meant Derek and Max could get to work.
20:35First thing, test the different wirings
20:37to be used for each stunt.
20:39Yeah, keep that under tension.
20:40As soon as you start the ride,
20:42then bring it to life.
20:43Next, prepare the nitrogen ratchet system.
20:46Seriously, I'm not making this up.
20:48It's used for fast acceleration and power.
20:50By standby.
20:53In three, two, one, action!
21:00Spot on.
21:01Yeah.
21:03So what we're trying to achieve now
21:05is just the last bit more energy going into the wall,
21:08then I think we've got it nailed.
21:09But if you sort of shot that right down the line,
21:12you'd get away with that anyway.
21:14All right, well done, mate.
21:16All that's brilliant.
21:18It brings it to life.
21:19Now it's time to try out the digital four-point wire rig.
21:23This allows the team to pre-programm repeatable
21:26and accurate flight paths into a computer.
21:29We haven't used the winch system on Doctor Who before,
21:32but when this sequence came up,
21:35and it was Max's idea, to be honest,
21:37and he's just said it would save so much more time
21:40if we use that system.
21:41Moving.
21:41Each wire has its own winch.
21:46So the same four wires can do every single person
21:49all around the set.
21:51So you don't have to keep moving rigs and changing wires,
21:55and then if people do change their mind
21:58and they want someone to start two foot nearer
22:01or two foot further back,
22:03it's easier to do than if they were on a conventional wire system.
22:06Test's over.
22:09It's on to the real thing.
22:11Principal photography on the episode finished yesterday,
22:14so the stunt team can now take their time
22:16working through the long list of shots
22:18that they still need for the clock sequence.
22:20And three, two, one, action!
22:23Because we're using the winch system
22:29and we rehearsed it
22:31and we've dialled everything in,
22:33this makes this so much easier.
22:36We just build it up slowly, speed-wise,
22:39but they're landing in the same place every time.
22:41I just love how it's in Confucian Pro van,
22:44all their wire,
22:45so that they lift up in the back same place
22:49and land at the back same place.
22:50And it looks so gentle to land
22:53that their feet just go like that.
22:56The last shot to get before the day wraps
22:58is a point-of-view angle from one of the flying troopers.
23:02Here we go.
23:02Shooting.
23:03And three, two, one, action!
23:10It's not quite as high-tech technology as we used to,
23:13but it did look very good.
23:15It's him flying through the air holding a GoPro.
23:17It's quite cool.
23:17Oh, that's excellent!
23:22Yeah, really good work.
23:24Really good work.
23:33It's great, isn't it?
23:35The Hooniverse prides itself on the fact
23:43that many of the baddies the Doctor encounters
23:46are physical, live-action characters.
23:51Not only are these creatures testament to the skills and talents
23:54of the teams who bring them to life,
23:57they're also invaluable for giving the actors something to react to.
24:00But how do you get the cast in the right frame of mind
24:06when the four is never seen?
24:09Well, you give a fright mask to unleashed regular Paul Casey
24:12and tell him to go and scare the pants off him.
24:15There's always that chance that there could be a shadow
24:17somewhere on a wall or you may get a very small glimpse of him
24:21but you never actually see him.
24:23So their reaction should be real, right?
24:27Because there is something there.
24:28And don't get me wrong, I'm going to go all out to scare them.
24:32Absolutely, yeah, yeah, yeah.
24:35To kind of help get Rose in that headspace,
24:38I had Paul Casey right behind her
24:41and Rose was immediately like,
24:43it was just, it was so creepy.
24:49With the green tree, you realise a lot of imagination.
24:52Oh, behind you, there's something there.
24:55But for him to actually wear a mask and come up, it works.
24:58But it did me, OK, this is what Alice is experiencing.
25:02First bit of interaction in Paul.
25:05She was definitely, like, freaked out, right?
25:07That's the idea, though.
25:08That's what's living behind it.
25:10Yeah.
25:11Luckily, Paul's a mate now, so he wouldn't try to scare me.
25:14But I am keen to find out if any of the Who crew
25:16have had any weird or spooky experiences.
25:23When I was very young, I woke up at night
25:24and saw lights outside my window.
25:26Did you hear?
25:27Yeah.
25:28It was definitely coming from above.
25:29Oh.
25:31In my bedroom, this is when I was a teenager,
25:33I just had the distinct feeling
25:36that there was a person in the room.
25:38But it was so strong, that feeling,
25:41that I was like, I'm actually too scared to open my eyes and look.
25:45When I was a little kid, we went to Social Secret Bunker over in Dover.
25:48Yeah, yeah, yeah.
25:49And I turned around and I thought I saw someone in an army uniform.
25:52And I was like, oh, that's cool.
25:53They've got people dressed up here.
25:55So when I spoke to one of the people that works in the front desk,
25:58I was like, oh, is there, like, is there people dressed up here,
26:00like, walking around?
26:01And she said, no.
26:02And I was like, oh.
26:03She's like, you're the only people in the tunnels.
26:05And I was like, oh, OK, cool.
26:09It was, like, around mid-morning.
26:10I remember because I checked my phone.
26:11It was, like, 6 a.m.
26:11It was the weekend.
26:12Why am I waking up at that time?
26:13Why are you up at 6 in the morning?
26:14At that time.
26:15But, like, I just felt like my whole body sort of, like, sees up.
26:19And then something with, like, three,
26:21like, almost like a claw, like, trying to claw up my face.
26:25And then, like, I just woke up immediately after that
26:27and I was like, that is really creepy.
26:30So, basically, I woke up at the minute of the night,
26:32I went to the toilet, and I left my door open
26:35so you could see it in my hallway.
26:37Yeah.
26:37And then on the side, there was, like, a wooden boat
26:40that's just decoration, and I saw it move across.
26:44And then I sort of went, no, no, no, no, stop, stop.
26:47I put the light on, and it just stopped.
26:50And there's a different spot.
26:51I got so scared, I ran into bed, and I cut it.
26:54And then I felt someone was, like, pushing it down to my back,
26:58like, lying down to my back.
26:59Oh, no, I don't like this.
26:59And then I felt this clicking, and it, like, sort of crossed me.
27:03And I thought, it's my brain playing shit, my brain playing shit.
27:06Then I did a research about it the next day,
27:09and apparently when you shut your eye,
27:11and because I'm deaf, your brain starts muting
27:15up a sentence to try and make sense to the environment.
27:18Right.
27:18And I think because I woke up in the middle of the night,
27:21my eyes stopped playing shit on me.
27:22I thought it was a ghost.
27:25No.
27:27Right, bye, bye.
27:28Right, bye.
27:29Thankfully, despite all the scary stories and weird experiences,
27:33I've managed to navigate the day without getting scared at all.
27:35I've been practicing my dive fall.
27:37I've been practicing how I land.
27:39Are you going big?
27:40I am.
27:41I'm trying my best to just...
27:42Oh, my goodness, mate.
27:44Don't do that to me, Paul.
27:47You horrible man.
27:48Stop that.
27:50I can't go over this.
27:51I'm off.
27:52Bye-bye.
27:54This wasn't in my contract.
27:56Well, the movements are just...
27:58It's all great.
27:58Yeah.
27:59Did I get you?
28:00You did get me.
28:02Good.
28:02I'm trying to keep together.
28:04This is a...
28:05Hazard of working on this show.
28:07Bye, Paul.
28:08Next time on Doctor Who.
28:14This week, I found someone who knows its secrets.
28:17In fact, she's even been inside it.
28:19I'm going to ask her to introduce herself.
28:22Hello, everyone.
28:23My name is Ruby Sinty.
28:25I'm going to ask her to introduce herself.
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