“Mark Co-Actor Prathap Narayan Shares His Experience Working with Kichcha Sudeep”
ನಟ ಕಿಚ್ಚ ಸುದೀಪ್ ಅಭಿನಯದ ಮಾರ್ಕ್ ಸಿನಿಮಾ ಡಿಸೆಂಬರ್ 25ಕ್ಕೆ ರಿಲೀಸ್ ಆಗಲು ಸಜ್ಜಾಗಿದ್ದು ಸಿನಿಮಾದಲ್ಲಿ ನಟನೆ ಮಾಡಿರುವಂತಹ ಕೋ ಆರ್ಟಿಸ್ಟ್ ಪ್ರತಾಪ್ ನಾರಾಯಣ ರವರು ತಮ್ಮ ಸಿನಿಮಾದ ಅನುಭವದ ಕುರಿತು ಫಿಲ್ಮಿ ಬೀಟ್ ಜೊತೆ ಮಾತನಾಡಿದ್ದಾರೆ
Actor Kichcha Sudeep’s film “Mark” is all set to release on December 25. Co-artist Prathap Narayan, who has acted in the movie, spoke to FilmiBeat about his experience of working on the film.
#PrathapNarayanan
#KichchaSudeep #MarkMovie #MarkFilm #KannadaCinema #Sandalwood #PrathapNarayanInterview #FilmiBeat #KannadaMovies #KannadaFilmIndustry #MarkMovieInterview #PrathapNarayanActorInterview #December25Release #UpcomingKannadaFilm #KichchaFans #SudeepFans
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ಕಿಚ್ಚು ಹಚ್ಚಿದ ಹುಬ್ಬಳ್ಳಿಯಲ್ಲಿ ಸುದೀಪ್ ಆಡಿದ ಮಾತು-ದಾವಣಗೆರೆಯಲ್ಲಿ ಗುಡುಗಿದ ದರ್ಶನ್ ಪತ್ನಿ :: https://kannada.filmibeat.com/news/the-hubballi-heat-vijayalakshmi-darshan-s-sharp-jibe-after-sudeep-s-indirect-warning-106864.html?ref=DMDesc
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ಕನ್ನಡ ಚಿತ್ರರಂಗಕ್ಕೆ ಎಂಟ್ರಿ ಕೊಟ್ಟ ಸುದೀಪ್ ಮಗಳು ; 'ಮಾರ್ಕ್'ನ 'ಮಸ್ತ್ ಮಲೈಕಾ'ಗೆ ಕಂಠ ಕುಣಿಸಿದ ಸಾನ್ವಿ :: https://kannada.filmibeat.com/music/kichcha-sudeeps-dance-fever-meets-sanvi-sudeeps-debut-voice-masth-malaika-party-track-is-here-106745.html?ref=DMDesc
~HT.188~PR.30~ED.35~CA.174~##~
ನಟ ಕಿಚ್ಚ ಸುದೀಪ್ ಅಭಿನಯದ ಮಾರ್ಕ್ ಸಿನಿಮಾ ಡಿಸೆಂಬರ್ 25ಕ್ಕೆ ರಿಲೀಸ್ ಆಗಲು ಸಜ್ಜಾಗಿದ್ದು ಸಿನಿಮಾದಲ್ಲಿ ನಟನೆ ಮಾಡಿರುವಂತಹ ಕೋ ಆರ್ಟಿಸ್ಟ್ ಪ್ರತಾಪ್ ನಾರಾಯಣ ರವರು ತಮ್ಮ ಸಿನಿಮಾದ ಅನುಭವದ ಕುರಿತು ಫಿಲ್ಮಿ ಬೀಟ್ ಜೊತೆ ಮಾತನಾಡಿದ್ದಾರೆ
Actor Kichcha Sudeep’s film “Mark” is all set to release on December 25. Co-artist Prathap Narayan, who has acted in the movie, spoke to FilmiBeat about his experience of working on the film.
#PrathapNarayanan
#KichchaSudeep #MarkMovie #MarkFilm #KannadaCinema #Sandalwood #PrathapNarayanInterview #FilmiBeat #KannadaMovies #KannadaFilmIndustry #MarkMovieInterview #PrathapNarayanActorInterview #December25Release #UpcomingKannadaFilm #KichchaFans #SudeepFans
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ಕಿಚ್ಚು ಹಚ್ಚಿದ ಹುಬ್ಬಳ್ಳಿಯಲ್ಲಿ ಸುದೀಪ್ ಆಡಿದ ಮಾತು-ದಾವಣಗೆರೆಯಲ್ಲಿ ಗುಡುಗಿದ ದರ್ಶನ್ ಪತ್ನಿ :: https://kannada.filmibeat.com/news/the-hubballi-heat-vijayalakshmi-darshan-s-sharp-jibe-after-sudeep-s-indirect-warning-106864.html?ref=DMDesc
ಗಾಯನದ ಜೊತೆಗೆ ಸಿನಿಮಾ ವಿತರಣೆಗೆ ಇಳಿದ ಸಾನ್ವಿ ಸುದೀಪ್; ತಂದೆ ಸಿನಿಮಾ 'ಮಾರ್ಕ್' ಮೊದಲ ಹೆಜ್ಜೆ :: https://kannada.filmibeat.com/news/kichcha-sudeep-daughter-sanvi-entered-distribution-with-mark-through-krg-studio-106787.html?ref=DMDesc
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~HT.188~PR.30~ED.35~CA.174~##~
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NewsTranscript
00:00I don't think I'm going to do it.
00:02No.
00:03I'm going to do it.
00:04I'm going to do it.
00:08Chinna,
00:09this character is a negative role.
00:11I'm going to be a hero in the old cinema.
00:21There is a teaser note.
00:23They are excited.
00:25I'm going to put a teaser note in my screen.
00:27I'm going to shoot.
00:30We met Sudeep,
00:32we had a co-director of the next day.
00:37We were all in the crew members.
00:40We had a great clarity.
00:44There are a few people.
00:47There are a few people.
00:49There are three cameras.
00:51Everything was so well planned.
00:53There is a mark.
00:54I'm going to shoot.
00:55I'm going to shoot.
00:56I'm going to shoot.
00:57I'm going to shoot.
00:58Mark!
00:59I'm going to shoot.
01:00It's a big president.
01:01Once you shoot it out,
01:02it's always in a smallasmuching.
01:06It's light.
01:07When it snaps into a scene
01:09when...
01:10there are cameras,
01:11the lighting,
01:12comedy,
01:13mehole...
01:14suddenly...
01:15alloxes taken the place of me.
01:17It turned into character's size.
01:19I think that's why I'm not going to film a cinema.
01:22So, now that I'm not going to be acting, I'm not going to be a happy person.
01:27The audience is all disappointed.
01:29Every frame is going to be a good one.
01:30If you're not going to sit on the edge of the seat, you're going to be watching a cinema.
01:34You're not going to die.
01:40M.A.R.K.
01:42Mark. Yes!
01:44Mark's Cinema is released on December 25th.
01:48because everyone thinks that they're all about.
01:50So they've got a big picture of the cinema in the cinema,
01:54they've got a big picture of the co-artist.
01:56So in this movie, we'll talk about one of the episodes
01:59and talk about another episode
02:02and also wait for another episode.
02:04Therefore, we'll talk about the exclusive interview for Mark for the film.
02:11Mark is speaking to you.
02:14It's not a very bad answer,
02:16Maybe this is a co-artist, sir.
02:21Hi, sir.
02:23Hi, sir.
02:25Hey, hi.
02:26How are you, sir?
02:27Super, super.
02:27Why, sir, are you involved in the mannerisms, right?
02:33No, it's not a photo.
02:34If you look at it, it's automatic.
02:37I'll take it in a second.
02:39I'll take it in a second.
02:42I'll take it in a second.
02:44Yes.
02:45I'll take it in a second.
02:47Welcome to PhiloBeat, sir.
02:49So, you are very interested in the CCL.
02:53So, Mark.
02:54So, you can see that there is a post in the post.
02:59So, what are you doing here?
03:01Yes, yes, yes.
03:02Correct.
03:03So, Mark is a promotion.
03:04So, if you look at the lead, I'll take a post.
03:06M, A, R, K, M, R, K, M, R, K.
03:09So, I'll take a post in the post.
03:11So, if you look at that promotion, first of all, Mark is going to talk to you.
03:15Maximum silence.
03:17Actually, correct.
03:18So, Mark is going to be maximum silent.
03:21I've watched the post in the post.
03:24But, when you look at the post, you're looking at the character.
03:29So, the character is a powerful character.
03:32It's a fire.
03:37So, obviously, especially, I'm going to be watching the film.
03:41I'm going to be watching the film.
03:42So, when I'm acting, I'm happy.
03:47Correct.
03:48So, I'm going to be watching the post in the confusion.
03:53I'm going to be watching the post in the post in the post.
03:58So, in my career, it's too fast to film the first time.
04:04So, I'm very blessed.
04:08And at the same time, we refer to the cinema.
04:12Oh, nice.
04:13So, I'm going to be watching the post in the post.
04:30So, I'm going to be watching the post in the post.
04:36And that's why I'm just kidding.
04:39I think Suthiip sir is referring.
04:41You are saying Suthiip sir is referring to Suthiip sir.
04:43See, again,
04:45I'm a big part of my first year,
04:47I've been talking about Suthiip sir
04:49almost
04:51that I was a long time ago
04:53that I was looking for CCL
04:55and that I was looking for
04:57Suthiip sir is talking about
04:59the excitement
05:01and first we are talking about
05:03in your way, Suthiip sir is referring to
05:05cinema.
05:07What do you do?
05:08You have to play.
05:10You have to play.
05:11You have to play.
05:14So, that's the journey.
05:17You have to play a role in one day.
05:22You have to play a role in the ground or events.
05:27So, you have to play a role in cricket.
05:30But, you have to play a screen share.
05:33You have to play a role in the screen.
05:35So, you have to play a role in the game.
05:39I am blessed to be with you.
05:43He is a wonderful artist.
05:45He is a wonderful human being.
05:48When I released this story in the last year,
05:54I was going to play a teaser movie.
05:57He was excited.
05:59I was going to play a teaser movie.
06:00I was going to play a screen.
06:01I was going to play a scene.
06:04I was going to play a scene.
06:06He was going to play a team.
06:08He was going to play a scene.
06:10I was going to play a scene.
06:13He was happy.
06:15He was a legend.
06:21I was going to play a scene.
06:25He was going to play a scene.
06:28He was a part of the stage.
06:33I don't know how to express myself, but I don't know how to express myself.
06:37Sir, I've been talking about a few years ago.
06:40Sudeep Sir came to the camp for a few years.
06:43So, you've been doing a lot of shooting.
06:46So, what did you say to him?
06:48No, I think Sudeep Sir is a temper of next level.
06:52I think that he has a budget and a direction for that time.
06:58I've been doing a lot in the set.
07:01Sudeep Sir is a temper of next level.
07:03So, I'm going to walkie-talkie.
07:06I'm going to walkie-talkie.
07:07At that time, I'm going to walkie-move.
07:11I'm afraid.
07:12I'm afraid.
07:14I'm afraid.
07:16But, when I came to the first day of the cinema, I felt comfortable.
07:20First day.
07:22So, Sudeep Sir is going to report.
07:24So, they don't ask me.
07:26So, I'm a suspended police officer.
07:30I'm a suspended police officer.
07:31In the cinema, I'm going to walkie-talkie.
07:33Yeah.
07:34See, obviously, he's our super-ident.
07:38So, we are all his subordinates.
07:40So, he's automatically made us comfortable.
07:43So, he's automatically made us comfortable.
07:44So, he's a senior character.
07:46For example, if we are a senior in Limfield, we have automatically respect him.
07:52Then, he made us comfortable.
07:54He's comfortable.
07:55He's comfortable.
07:56I'm comfortable.
07:57Like, he's comfortable.
07:58I'm comfortable.
07:59Why are you free?
08:00I'm a family.
08:01So, I'm a servant.
08:03I'm a servant.
08:05So, we have that liberty.
08:07I'm a family.
08:08So, he made us comfortable.
08:11So, the first day of the shoot was like,
08:14I don't know what we're doing.
08:16Every person can talk.
08:18He can talk.
08:19He can talk.
08:20He can talk.
08:21He can talk.
08:22He can talk.
08:23He can talk.
08:24He can talk.
08:25He can talk.
08:27He can talk.
08:28He can talk.
08:29See, that helped us.
08:30See, I told him that he helped us in the cinema.
08:35I felt I got into the character.
08:38He can talk.
08:39He can talk.
08:40He can talk about how many dimensions are.
08:42It's not about only one.
08:45If you have a new, a new, a new, a new, a new, a new, a new.
08:48So, he can talk.
08:49So, we should know what's happening. So, we should do all the artists, and then we should do the full conversation.
08:58You know, we should be talking about the story.
09:01We should be talking about the star, the hero, and the director.
09:05So, if you are a co-artist, you should be talking about the story.
09:09You should be talking about our involvement, and you should be talking about the story.
09:13You should be talking about the story, and you should be talking about the story.
09:20See, usually, I'm talking about the story.
09:22What is happening here?
09:24Firstly, there was a huge star cast.
09:30And when I was talking about the story,
09:34the director, the direction team was a pressure.
09:37He was planning.
09:39We are talking about the story.
09:42I don't want this person.
09:44Most of you didn't hear the story.
09:46See, it's not about their time.
09:48I don't know how to do it here.
09:51The film was done in December.
09:53So, the direction department was very important.
09:56So, when I was talking about the story,
10:01you know, I should know that.
10:04I'm gonna be an artist.
10:05So, I would like to speak a little bit of a synopsis.
10:10But, when I said that, I was a character.
10:13That's what I explained.
10:15So, that's what I said.
10:17Then, when we meet Sudhip Sir,
10:21we would like to talk about the next day code director.
10:27We would like to talk about the crew members.
10:30So, we would like to talk about the next day.
10:32So, we would like to talk about the clarity.
10:34See, we would like to talk about the things.
10:36It's easy to see, we would like to graph.
10:39Like, we would like to do the tempo,
10:44and we would like to look at the only time.
10:46Now, we would like to think of the moment in the moment.
10:52But again, Sudhip Sir, I would like to thank you.
10:55Because our note is that.
10:56See, first, he would like to know the cinema.
11:01He would like to know the craft of cinema.
11:03How it works and that. So again, thank you Sudhip Sir, it's very helpful.
11:07Yes, sir, settle, first time, over to act. Settle is done Sudhip Sir,
11:12and ground is done Sudhip Sir. What difference is it?
11:15See, settle is sick of a joke. I don't expect it.
11:19I don't know how to settle. Sudhip Sir, I don't know.
11:23This is how to do it. One scene, camera set, lighting, comedy,
11:31and the character.
11:37Spontaneous.
11:39I don't know how to do it. Next to serious.
11:44So, we have to say, it's a game.
11:47We are going to start the game.
11:49Hey, who do you? No do you rest?
11:51I don't know how to do it.
11:53I don't know how to do it.
11:55I don't know how to do it.
11:57I don't know how to do it.
11:59I think this is the best way to do it.
12:01I don't know.
12:03I don't know how to do it.
12:05I don't know how to do it.
12:07I don't know how to do it.
12:09I know that the other thing is that,
12:11I don't know how to do it.
12:13When I was certain, I was able to do it with Sudeep Sir.
12:16I would practice the match, practice the match.
12:19I was able to do it with sweet.
12:22I was able to say, I was able to do it with sweet.
12:25And I was able to give a quick look.
12:27So, how was Sudeep Sir?
12:30Sudeep Sir.
12:33Sudeep Sir.
12:34Is there a lot of passion.
12:37They said,
12:38I was not going to say anything about it.
12:41I was going to go and fight.
12:44I was going to do cricket and I was going to go and talk.
12:47So, I was going to say that I was going to fight.
12:50I was going to fight. Actually, in the last year, one incident happened.
12:54I was going to take a seat.
12:57At CCL time.
12:58I was going to take a seat.
13:00I was going to take a seat and keep my body movement.
13:04I was going to take a seat and put a seat and put a seat.
13:12I was going to take a seat.
13:14I was going to take a seat and put a seat.
13:16I was going to take a seat.
13:18I was going to take a seat.
13:20See, he was mentally very strong.
13:24Again, it gave me confidence.
13:27You should train your brain.
13:30I was going to take a seat.
13:33I was going to take a seat.
13:35My mind will decide.
13:36So, I was going to say that
13:37you have discipline and discipline.
13:40Certainly, you will be going to go for fitness.
13:43Yes.
13:44When I was the first player shooting,
13:48I was going to say the food and actually,
13:50that's very good.
13:51I was going to go and get very upset.
13:54I had to miss out and I was upset with my health.
13:57We used to shoot for like three call sheets.
14:01At 7 o'clock in the morning,
14:03at 8 o'clock in the morning.
14:05So, in this gap, we didn't get out of work out.
14:08And again,
14:09next day, we went to 7 o'clock in the morning.
14:12So, what is it?
14:13The body has a lot of time,
14:15the food habits,
14:16the food habits,
14:17the food habits,
14:18the food habits,
14:19the food habits,
14:20the food habits,
14:21the food habits,
14:22the food habits,
14:23the acting style of cinema is around.
14:26And when we are upset,
14:27we start to have to relax.
14:29That's where we can go to the continuous studio.
14:34We can see some of them,
14:36and not speak.
14:40You don't.
14:41You don't.
14:42You don't.
14:43You don't.
14:44You don't.
14:48Shina,
14:49we can make the character a negative role.
14:51You know, the old cinema, I'm the hero.
14:54One second...
14:57I didn't understand how...
14:58What I was hearing, that's what I was hearing.
15:01That's what I was hearing.
15:03What's American accent, that's what you did and that's what negative role.
15:07I wasn't really relaxed and settled.
15:09I was saying, how do I get it?
15:12I don't understand. How do I get it?
15:15Your friend was out of shape and I was concerned.
15:18So, you start and start and start and slow.
15:23Now, you have to be like 34, so you have to be 30.
15:27So, you have to be like this.
15:29You have to be like this, you have to be like this.
15:32Okay. So, you have to be able to do discipline.
15:35You have to do your routine.
15:37So, you have to be complete.
15:39Yeah, yeah.
15:41What we have to do is,
15:44we have to lose energy.
15:46Like Mooro, College Street.
15:49But Sudeep sir, he has to be like this.
15:51So, what we have to do is,
15:53he is being such a big star,
15:55when it comes to that time,
15:56why should we do it?
15:58We should motivate him.
15:59We should motivate him.
16:00We should motivate him.
16:02He is all the energy.
16:03Actually, I am a technician.
16:08Because it is easy.
16:10At least, we have a breathing space.
16:12When we see that,
16:14one hour gap,
16:15one hour gap,
16:16one hour gap,
16:17one hour gap.
16:18But, all the time.
16:19So, especially,
16:20direction department.
16:21How do we plan?
16:22That day,
16:23I will go.
16:24How do we plan?
16:25Like 500 people,
16:26500 people,
16:2750 people,
16:2850 people,
16:2950 people,
16:3030 people,
16:31everything was so well planned.
16:33And,
16:34our DOP,
16:36Chandrussar,
16:37was very good.
16:39Every day,
16:40the family,
16:42all the sacrifices.
16:44See,
16:45what you are looking at in the trailer,
16:47that is the sacrifice,
16:49and the shrama.
16:50Correct.
16:51See,
16:52again,
16:53even if we are acting as the power of our mind,
16:57we will have an emotional heart.
17:01We will system with this.
17:02So,
17:03all the things we are feeling in the cinema,
17:04against Benel and the shoulders,
17:06are we motivated and push.
17:10So,
17:11again,
17:12Bhushyaya,
17:13I don't think it's like a case study, it's not like a case study.
17:20See, four months, it's not an easy thing, you know, it's a very huge star casting.
17:27It's a very huge star casting, within four months, you can't do it.
17:31See, when the proper planning is done, you can't do it, then Sudip sir, you can't do it in December, so you can't do it.
17:43We can't compromise visually and quality. Everything is best.
17:49We can't do it, we can't do it, we can't do it.
17:56We can't do it, we can't do it.
17:58We can't do it, we can't do it, we can't do it.
18:01So, that's a bit of a hectic.
18:04Actually, it's a bit of a hectic.
18:07See, Saturday, big boss, Friday, travel.
18:11He can't do it again.
18:13And next day, he used to be on set at 6.30.
18:16He said, hey, how are you doing it?
18:18I'm doing it.
18:19Black office, kids.
18:21It's work, work, work.
18:23I'm doing it, I'm doing it.
18:25See, I looked at the interview and looked at Kelsa.
18:30So, actually, it's the same problem.
18:33I didn't see anything.
18:35Kelsa, I'm doing it.
18:36So, yeah, that's a big, that's a big thing.
18:42Yes, yes.
18:43Sir, 25 years old, he said, you know, you have a Christmas bharjari,
18:47you know, you have a set of marks.
18:52So, you have a mark, you have a mark.
18:54So, that's why, you are yes to special.
18:56And that's why, you have an invitation.
18:59See, it's very special.
19:02Like I said, first of all, Sudhip Sir is a great honor.
19:09And that's why we share screen space.
19:13See, as an artist, I went to the acting school
19:17or the theatre from the back road.
19:19So, it's a lot of time.
19:21I said, you know, what I'm doing with a scene,
19:24I'm doing it.
19:26I'm doing it, I'm doing it, I'm doing it.
19:28Actually, I'm doing it a lot of help in terms of the scene.
19:34It's a dumb scene.
19:37It happened spontaneously.
19:39Actually, what happened in the scene,
19:41Sir, I was doing it,
19:44After you put a metal,
19:45I had to use the metal,
19:48When I was able to use the metal,
19:49I had to walk through it.
19:50You didn't know the metal,
19:52I had to use the metal.
19:53I was able to use the metal.
19:54One second, I was able to use it.
19:57I said, Sir, you are okay, Sir?
20:00I said, that's true.
20:02I was able to use the metal.
20:04So, again, we didn't plan.
20:05We had a lot of work, and I had a lot of work.
20:08And I had a lot of work.
20:09I was able to make a lot of work.
20:11I had a lot of work.
20:12See, again, that's a...
20:13See, that's a...
20:14See, that's a lot of work.
20:15That's a lot of humor.
20:18See, that's a beauty about you.
20:20So, what do I say?
20:22I'm emotional.
20:24Actually, I'm waiting for a couple of days, December 25th.
20:28I'm sure,
20:30So, this year, Mark cinema is a mark.
20:34This December 25th,
20:35we had a festival in December.
20:37And the audience all disappointed.
20:41Every frame.
20:42Why don't you watch the edge of the seat?
20:46I'm a huge artist in the cinema.
20:49See, I have to thank all my artists as well.
20:52They are 100% in the cinema.
20:55And you are watching the theater,
20:58and you are disappointed.
20:59And this December 25th,
21:01our cinema is a mark.
21:05It is a place in the country.
21:08So, full excited.
21:10The same time, you know,
21:11general response,
21:12how many swickers are.
21:14I'm sure,
21:16this cinema is a benchmark.
21:19Yes.
21:20Super, sir.
21:20Thank you so much.
21:21And 25th,
21:22you still excited to be here.
21:25I am excited to be here.
21:26And you are first screen share,
21:28Sarjata.
21:29You are acting now.
21:29You are excited to be here.
21:31Alleluia,
21:32alleluia,
21:32alleluia,
21:32so,
21:33alleluia,
21:33first day, first day.
21:35Thank you, sir.
21:35Thank you, sir.
21:36Thank you, sir.
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