Bank of Bhagyalakshmi: My friends we're stalking deekshith's Profile
‘ಬ್ಯಾಂಕ್ ಆಫ್ ಭಾಗ್ಯಲಕ್ಷ್ಮಿ’ ಅಭಿಷೇಕ್ ಎಮ್ ಅವರ ನಿರ್ದೇಶನದಲ್ಲಿ ಮೂಡಿಬಂದಿರುವ ಒಂದು ಕನ್ನಡ ಆಕ್ಷನ್ ಥ್ರಿಲ್ಲರ್ ಚಿತ್ರ. ಈ ಸಿನಿಮಾದಲ್ಲಿ ಮುಖ್ಯ ಪಾತ್ರಗಳಲ್ಲಿ ದೀಕ್ಷಿತ್ ಶೆಟ್ಟಿ ಮತ್ತು ಬ್ರಿಂದಾ ಆಚಾರ್ಯ ನಟಿಸಿದ್ದು, ಸಾಧು ಕೋಕಿಲಾ, ಉಷಾ ಭಂಡಾರಿ, ಗೋಪಾಲಕೃಷ್ಟ ದೇಶಪಾಂಡೆ, ಭರತ್, ಅಶ್ವಿನ್ ರಾವ್, ಶ್ರೀವತ್ಸ, ವಿನುತ್, ಶ್ರೇಯಸ್ ಶರ್ಮಾ ಮತ್ತಿತರ ಹಲವು ಕಲಾವಿದರು ಸಹಾಯಕ ಪಾತ್ರಗಳಲ್ಲಿ ಕಾಣಿಸಿಕೊಂಡಿದ್ದಾರೆ. ಜೂಡಾ ಸ್ಯಾಂಡಿ ಸಂಗೀತ ಸಂಯೋಜನೆ ಮಾಡಿದ್ದು, ಛಾಯಾಗ್ರಹಣವನ್ನು ಅಭಿಷೇಕ್ ಜಿ. ಕಾಸರಗೋಡು ನಿರ್ವಹಿಸಿದ್ದಾರೆ. ಈ ಚಿತ್ರವನ್ನು ಎಚ್‌.ಕೆ. ಪ್ರಕಾಶ್ ನಿರ್ಮಿಸಿದ್ದಾರೆ. ಇನ್ನು ಈ ಸಿನಿಮಾ ತಂಡ ಎಕ್ಸ್ಕ್ಲೂಸಿವ್ ಆಗಿ ಫಿಲ್ಮೀ ಬೀಟ್ ಜೊತೆ ಮಾತನಾಡಿದ್ದಾರೆ
Bank of Bhagyalakshmi is a Kannada action thriller movie directed by Abhishek M. The movie casts Dheekshith Shetty and Brinda Acharya in the main lead roles along with Sadhu Kokila, Usha Bhandari, Gopalakrishna Deshapande, Bharath, Vishwanath, Ashwin Rao, Srivatsasa, Vinuth, Shreyas Sharma and many others have seen in supporting roles. The Music composed by Judah Sandy while cinematography done by Abhishek g Kasaragodu. The film is produced by HK Prakash
#DeekshithShetty #BankOfBaghyalakshmi #BrundaAcharya #Abhishek #AvaneSrimanarayan #RangiTaranga #TheGirlfriend #RashmikaMandanna #KannadaCinema #DiaMovie #Sandalwood #Shivarajkumar #DulquerSalmaan #FilmyBeatKannada #KannadaActor #SandalwoodNews #DeekshithShettyInterview
Also Read
The Girlfriend Box Office;ರಶ್ಮಿಕಾ ಮಂದಣ್ಣ ಮ್ಯಾಜಿಕ್‌-ಒಂದು ವಾರದಲ್ಲಿ ದಿ ಗರ್ಲ್‌ಫ್ರೆಂಡ್ ಗಳಿಸಿದ್ದೆಷ್ಟು? :: https://kannada.filmibeat.com/box-office/rashmika-mandannas-the-girlfriend-races-past-10-crore-mark-in-7-days-105611.html?ref=DMDesc
'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc
~HT.188~PR.451~CA.443~ED.33~##~
‘ಬ್ಯಾಂಕ್ ಆಫ್ ಭಾಗ್ಯಲಕ್ಷ್ಮಿ’ ಅಭಿಷೇಕ್ ಎಮ್ ಅವರ ನಿರ್ದೇಶನದಲ್ಲಿ ಮೂಡಿಬಂದಿರುವ ಒಂದು ಕನ್ನಡ ಆಕ್ಷನ್ ಥ್ರಿಲ್ಲರ್ ಚಿತ್ರ. ಈ ಸಿನಿಮಾದಲ್ಲಿ ಮುಖ್ಯ ಪಾತ್ರಗಳಲ್ಲಿ ದೀಕ್ಷಿತ್ ಶೆಟ್ಟಿ ಮತ್ತು ಬ್ರಿಂದಾ ಆಚಾರ್ಯ ನಟಿಸಿದ್ದು, ಸಾಧು ಕೋಕಿಲಾ, ಉಷಾ ಭಂಡಾರಿ, ಗೋಪಾಲಕೃಷ್ಟ ದೇಶಪಾಂಡೆ, ಭರತ್, ಅಶ್ವಿನ್ ರಾವ್, ಶ್ರೀವತ್ಸ, ವಿನುತ್, ಶ್ರೇಯಸ್ ಶರ್ಮಾ ಮತ್ತಿತರ ಹಲವು ಕಲಾವಿದರು ಸಹಾಯಕ ಪಾತ್ರಗಳಲ್ಲಿ ಕಾಣಿಸಿಕೊಂಡಿದ್ದಾರೆ. ಜೂಡಾ ಸ್ಯಾಂಡಿ ಸಂಗೀತ ಸಂಯೋಜನೆ ಮಾಡಿದ್ದು, ಛಾಯಾಗ್ರಹಣವನ್ನು ಅಭಿಷೇಕ್ ಜಿ. ಕಾಸರಗೋಡು ನಿರ್ವಹಿಸಿದ್ದಾರೆ. ಈ ಚಿತ್ರವನ್ನು ಎಚ್‌.ಕೆ. ಪ್ರಕಾಶ್ ನಿರ್ಮಿಸಿದ್ದಾರೆ. ಇನ್ನು ಈ ಸಿನಿಮಾ ತಂಡ ಎಕ್ಸ್ಕ್ಲೂಸಿವ್ ಆಗಿ ಫಿಲ್ಮೀ ಬೀಟ್ ಜೊತೆ ಮಾತನಾಡಿದ್ದಾರೆ
Bank of Bhagyalakshmi is a Kannada action thriller movie directed by Abhishek M. The movie casts Dheekshith Shetty and Brinda Acharya in the main lead roles along with Sadhu Kokila, Usha Bhandari, Gopalakrishna Deshapande, Bharath, Vishwanath, Ashwin Rao, Srivatsasa, Vinuth, Shreyas Sharma and many others have seen in supporting roles. The Music composed by Judah Sandy while cinematography done by Abhishek g Kasaragodu. The film is produced by HK Prakash
#DeekshithShetty #BankOfBaghyalakshmi #BrundaAcharya #Abhishek #AvaneSrimanarayan #RangiTaranga #TheGirlfriend #RashmikaMandanna #KannadaCinema #DiaMovie #Sandalwood #Shivarajkumar #DulquerSalmaan #FilmyBeatKannada #KannadaActor #SandalwoodNews #DeekshithShettyInterview
Also Read
The Girlfriend Box Office;ರಶ್ಮಿಕಾ ಮಂದಣ್ಣ ಮ್ಯಾಜಿಕ್‌-ಒಂದು ವಾರದಲ್ಲಿ ದಿ ಗರ್ಲ್‌ಫ್ರೆಂಡ್ ಗಳಿಸಿದ್ದೆಷ್ಟು? :: https://kannada.filmibeat.com/box-office/rashmika-mandannas-the-girlfriend-races-past-10-crore-mark-in-7-days-105611.html?ref=DMDesc
'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc
~HT.188~PR.451~CA.443~ED.33~##~
Category
🗞
NewsTranscript
00:00Of course you are very nice.
00:06I would like to give a couple of shots to my family.
00:09I don't want to.
00:11I don't want to.
00:13I don't want to.
00:14I don't want to.
00:16I can't do anything for the show.
00:18I'm going to shoot in Hyderabad and I'm going to shoot in the airport and I'm going to interview.
00:23I'm going to shoot in the Lundi.
00:26I'm going to shoot in the movie.
00:28You're not serious.
00:30You're not serious.
00:31Yes, yes.
00:32I'm confused.
00:35I can't do anything.
00:37I don't want to.
00:39If you have to drag yourself into the line.
00:41Please, please.
00:42Yes, I'm over there and I will.
00:44Yes, I will.
00:45Yes, I will.
00:47Hello, I'm Niamh.
00:50How are you doing this?
00:51We're going to get you guests.
00:53If you think the hedgehogs will be close to the bank, if you think the hedgehogs will be close to the banks .
01:01So you get the hedgehogs you will be close to the bank.
01:07So that on the Bank of Baghe Lakshmi can be close to the bank.
01:11An opposite way, what is your hedgehogs?
01:17So, the first, the most handsome hero, Pan-India star, Dikshit Chetty, sir, he did it. Namaskara.
01:33Namaskara. You did it.
01:34I did it.
01:35Yes.
01:36As it is, the girl next door, she is so jovial, so lively and bubbly, Brindacharya.
01:45Why not?
01:47Why?
01:48Why not girl next door?
01:50Of course, Anastra, the girl next door.
01:54Atrapatragal tumba madhi dira khoda.
01:56Yes.
01:57Yes.
01:58All the girl next door is the girl next door.
02:00Yes.
02:01Yes.
02:02Yes.
02:03Yes.
02:04Yes.
02:05Yes.
02:06Yes.
02:07Yes.
02:08Yes.
02:09Yes.
02:10Yes.
02:11Yes.
02:12Yes.
02:13Yes.
02:14Yes.
02:16As the character-wise or the girl next door.
02:17No.
02:18No, I am never working on like this so much.
02:20Yes.
02:21Yes.
02:22No.
02:23Yes, I have no question.
02:25I was like the next door.
02:26Yes.
02:27No, I am.
02:28Sumaragidra. No worries, expect Madhidron interdome in the way, but unfortunately, Sumaragidron interdome.
02:40Right. You are Sumaradour Allah.
02:48Okay, anyways, you can't be mad.
02:51So, you can't be mad at all.
02:58You can't be mad at all.
02:59You can't be mad at all in the beginning of the episode.
03:03You can't be mad at all.
03:08You can't be mad at all.
03:11No, you can't be mad at all in the cinema.
03:14Very controlled.
03:16And there is a trailer, you are subtle, calm.
03:22You are not so good.
03:24You can't be mad at all.
03:25You're full comedy mixed up.
03:27You're wrong with the vehicle in the cinema.
03:30So, what's the experience here?
03:33You have to know the first interview.
03:36I've heard from the first interview.
03:37You have to know the movie and you have to know the movie.
03:40And you have to know the movie.
03:42We are very intelligent.
04:07If you tell me, you will have more cinema in November.
04:10That's right.
04:12If you tell me, you don't have to tell me.
04:15I'll tell you, you don't have to tell me.
04:17So, how are you experiencing it?
04:19It's a very challenging experience.
04:22I've been watching other films, I've been watching other films,
04:26and I've watched other films.
04:28I've watched a lot of things,
04:30and I've watched a lot of stories,
04:34and I've watched a lot of stories,
04:37I was able to get a shooting set and I was able to act as many artists.
04:45I was able to act as a great experience.
04:49I was able to act as a great experience.
04:52So, I was able to act as a great experience.
04:54Why are you doing this in the interview?
04:58I was able to do this.
05:00I was able to do this.
05:02You're a fan-India star, everything is different.
05:07We also have Instagram and social media.
05:10We can also check out the other languages and the other languages.
05:14Where are they doing the timing or they don't have to manage.
05:16We can also check out the other languages as well as the Bank of Rakhshmi.
05:20Our director is VFX.
05:23We're already sold it.
05:26She has been put on her website.
05:29There is no one.
05:31No, never know. Mr. India.
05:33Our VFX is very realistic, so we can tell you why VFX is so real.
05:40I can tell you why VFX is so real.
05:43That is Pudaka.
05:49You're so happy.
05:51You're so happy.
05:53Sorry, I'm so happy.
05:55Andra, I can tell you, at least I can tell you.
05:59You're so happy, still.
06:01But you'll never know about it.
06:02He'll be playing with the場合 after you're a boy.
06:04That's why I'll never know about it.
06:06He's trying to catch up my own.
06:09Now I think that we can watch films in the film.
06:13Because we can only see what the movie is.
06:15So, that is very subtle and subtle.
06:16And this is what we need to watch as a film.
06:20You know, as an artist, it's very exciting.
06:22I have to ask you, isn't it?
06:23Do not ask you.
06:24So, you get to say something about your feelings.
06:26Or you don't have to say something about your feelings.
06:28That's very true.
06:40That's true.
06:42That's true.
06:56That's true.
06:58That's true.
07:02Yes, that's true.
07:05Yes, that's true.
07:10I want to answer these questions.
07:12We have a good question.
07:14No way.
07:16And now they have a shooting in Hyderabad in Hyderabad.
07:21They are directly in the airport.
07:23They are doing interviews in the airport.
07:25They are doing this directly.
07:27They are doing this directly.
07:37You are not promoting that.
07:41They are doing this directly in the shooting.
07:43They are doing this directly in the night shooting.
07:46They are doing this directly in the night shooting.
07:48About the night shooting.
07:49That's how they start.
07:50Full fact schedules.
07:53So you are going to play a role in a girl to play a girl to play a girl to play a girl.
07:59Or be able to play a girl and be able to play a girl to play a girl.
08:03It is a great experience.
08:05So you are going to play a Roda.
08:08No, I don't work.
08:10I did it once, and once.
08:13I did it once.
08:15I did it, but I didn't have a money,
08:20I didn't have money.
08:22I had this money and I was like,
08:23I don't know.
08:26I was like,
08:27I'm going to go to residential school and hostel.
08:31I didn't have a money,
08:33you know?
08:35You are like a money.
08:38You are the one that is a woman named Maneli.
08:41Do you want to do something in shooting?
08:43I think I can shoot you?
08:45No, no, no, no.
08:46You want to do something in shooting?
08:49I want to do something in your heart.
08:51Yeah, I love the way she acts.
08:53So you want to do something in your heart.
08:55There's no danger.
08:56There's no danger.
08:57There's no danger.
08:59What do you say to me?
09:03She's just looking at her room.
09:05I don't know if you start a new start, or if you start a new start, or if you start a new start,
09:10I will start a new start.
09:13So yeah.
09:14You are doing that in NPD?
09:16I am doing that in NPD.
09:18You are doing that in NPD.
09:20My friends and my DMs are like, who is this guy?
09:24I am like, yeah, yeah.
09:26I am like, why is he doing that in NPD?
09:30I am not sure. I am not sure.
09:33They are all stalking.
09:38I'm not sure.
09:39I am not sure.
09:44I am not sure.
09:46What'm you doing?
09:48There are many things.
09:51There are many things who do you want to have to build up?
09:55I am so sorry.
09:56I will understand you.
10:00It's not like a Bumble.
10:03It's not like a Bumble.
10:09We have a Bumble.
10:12I think it's I think it's the first time director.
10:17You are a guy who is so good.
10:20You are a guy who is so good.
10:22He will correspond the same thing.
10:27I will not agree with him.
10:30He will not agree with him.
10:32You are a guy who is a guy who is so good.
10:37Why?
10:38I don't think every guy is a guy who is a guy who is a guy.
10:43No one is going to die.
10:45You can't get married.
10:47You can't get married.
10:49You don't have to do that.
10:51You can't get married.
10:53You can't get married.
10:56But, it's very nice.
10:59You can't handle it.
11:02You can't handle it.
11:05You can't handle it.
11:07And when I was young, I was able to take care of my family and go to the hospital.
11:15It was very calm.
11:17I was able to play a junior artist.
11:21I was able to play a crowd.
11:25I was afraid of a lot of action.
11:28It was very good.
11:29Are you serious?
11:31No, it's very serious.
11:32No, I'm serious.
11:34You're not going to be so angry.
11:38You're not going to be so angry.
11:40You're going to be sore about that.
11:42You're going to be so angry?
11:46No.
11:48I'm not going to be so angry.
11:50It's going to be a bit of a shift.
11:54Usually, we are working on the IK project,
11:58and we are working on the IK project,
12:01and we are working on the cinema.
12:03We are working on the preparation,
12:06and we are working on the cinema,
12:08and we are working on the IK project.
12:12If you are not working on this project,
12:14then you will have to take a break.
12:16I am going to the bank.
12:18Or I will bang.
12:24Ya.. Like cinema, I am not talking about that.
12:34.
12:39We were talking about this, and we were talking about this,
12:51We were talking about it.
12:55We were talking about the bank manager.
12:58We were talking about a day to day transaction.
13:02We were talking about this.
13:04Don't be serious. Don't be afraid of that.
13:10Yes, it's a little bit different, but there's emptiness in there.
13:15In the short shot, there was a lot of pain in the short shot.
13:22There was a lot of pain in God's way, but there was a lot of pain in God's way.
13:27So, in this way, I was a little bit of pain.
13:33This is the main thing and the main thing.
13:36The people who are talking to each other.
13:38I talk to each other, I talk to each other.
13:43I talk to each other.
13:44And I am trying to talk to each other very quickly.
13:48The people who are very close to each other are very intense.
13:51But, the people who are out of the box,
13:54are very loud,
13:55are very quick and very quick.
14:00This is the same.
14:01Of course, I am very interested in preparations.
14:05I believe I'm an observation.
14:09My father was the first thing.
14:13He was looking for the first thing.
14:15He was looking for the first thing.
14:17I thought, okay, I'll go over the next thing.
14:20I was going to start an extension of the first thing.
14:21I was going to start an extension.
14:24I was going to start an extension.
14:26But I wasn't aware of the time.
14:27But I was going to say, I am not going to start an extension.
14:30So I'm looking for something with a digital platform for you.
14:33I saw a picture in a trailer, that I saw a text.
14:35So I saw that I saw a picture on a trailer and a teaser.
14:38I saw that a picture on a traditional camera.
14:40So let's try it with a picture and you will have to wait.
14:44So you can see the inputs for the director?
14:49Of course I'm the director's actor,
14:51Director's input and then I get something to the table.
14:53So I kept the movie at my time then I sent the movie at the stage.
14:57You can do something like this, I can do something like this, I can do something like this.
15:01I can do something like this. Being an actor, I can do something like this.
15:04So, otherwise, when we talk about it, we can fix it,
15:08okay, this is not how to do it.
15:11And then, in this sequence, how to perform it.
15:13This is how to do it.
15:16I feel very subtle,
15:18I feel like I'm talking about the usual thing.
15:21I feel like I'm not going to be able to work on my own.
15:24And when they look carry, they are so
15:28Adaral, they are handsome, hero, hero,
15:31they are not handsome,
15:32Adaral, they are not handsome.
15:34Adaral, you are handsome.
15:36And of course, you are very handsome.
15:47You are so contented.
15:49You are so contented.
15:50I am going to touch you.
15:51You are promoted.
15:53You are not a player, you are not a player.
15:56I am not a player.
15:57But I am not a player.
15:58And that is not a player.
16:00I am a player.
16:02I am not a player.
16:05Are you serious?
16:07They are so contented.
16:09You are always prepared for the preparation
16:12for the director's writing.
16:14When you read a character,
16:16that is when you start preparing.
16:18And again,
16:20And then you can tell me that you are an accounting character.
16:24You don't want to tell me that you are an accountant.
16:27My face is very expressive and I can't control.
16:30You are an accountant.
16:32But when I get into that attire, I feel I am that character.
16:41Deep down, I feel like this is an accountant character.
16:50And I make sure that I don't want to play any cinema.
16:53In the cinema, I feel like I have an accountant character.
16:58I don't want to talk to the director.
17:02As Dixit said,
17:04I don't want to talk to the director.
17:06I don't want to talk to the bank account.
17:08It's usually like pleated sari.
17:10I don't want to talk to the director.
17:12I don't want to talk to the director.
17:15So, we had a vision.
17:16Like, this is the character.
17:18So, then I discussed it.
17:20And Dixit said,
17:22I don't want to talk to the director.
17:23So, it's very serious.
17:27I don't want to talk to the director.
17:29One day in the interview, I don't want to talk to him.
17:32You're too serious.
17:36I wasn't so serious.
17:37And I'm not giving a confusion.
17:40You're being serious about yourself.
17:42You're being sort of sarcasm.
17:44Actually, I don't want to talk to the interview.
17:47I don't want to talk to the interview.
17:50I don't want to talk to the director.
17:52I don't want to talk to the director.
17:55I'm not even serious about him.
17:58Actually...
18:00Actually, it was amazing working with him.
18:04Okay, next time.
18:08One word answer.
18:10That's so nice.
18:11Because also, there are days.
18:16And so, though he is so young, he is so young.
18:21I guess he is so young and he is so young.
18:24And I guess that is visible.
18:26If you have to take a interview with someone, and have to ask for something,
18:31you feel like it is so relatable.
18:34If someone like me, they are doing something like that.
18:37Then they will talk about it.
18:38And they say that it feels so relatable.
18:42And then they say that their conversation is like,
18:44they cannot do anything.
18:46I want to do more.
18:48Do you want to do anything else?
18:51Do you want to do anything else?
18:52And they don't care.
18:54He is doing it so perfectly and he is doing it so perfectly so that is what is very inspiring.
Recommended
3:08
|
Up next
15:08
6:43
Be the first to comment