- 2 hours ago
- #the
- #realityinsighthub
The Famous Five (2023) Season 1 Episode 4 - Mystery at the Prospect
#The Famous Five
#RealityInsightHub
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
👉 Official Channel: />👉 THANK YOU ⭐❤️❤️❤️⭐
#The Famous Five
#RealityInsightHub
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
👉 Official Channel: />👉 THANK YOU ⭐❤️❤️❤️⭐
Category
😹
FunTranscript
00:00:00Let's get started.
00:00:30Let's get started.
00:01:00A man is returning home, a musician of great talent and fortune, but his enemies await.
00:01:14He is in grave danger.
00:01:22In the shadows lurks death.
00:01:27The riddle of the missing monocle.
00:01:49A male man of our own mystery.
00:01:52That's a lot of M's, Mum.
00:01:54Who's Mal?
00:01:55He's my new detective and don't get marmalade on him, please.
00:01:58Has he found the missing monocle?
00:02:00He has not.
00:02:02And to be quite honest, neither have I.
00:02:04This is entirely without sense.
00:02:07Your great-uncle Horace is inviting you to visit him at the Prospect Hotel on Cragstone Ridge.
00:02:12Why doesn't that make any sense?
00:02:14I rather assumed your great-uncle Horace was still dead.
00:02:17There may be something of interest to your daughter Georgina, George.
00:02:21He's dead.
00:02:22You can't expect him to know that.
00:02:24She can't possibly go.
00:02:25Well, certainly not on her own, no.
00:02:27I am here, you know.
00:02:30Oh, Mum, Dad, please say yes.
00:02:32Look, I love you, but I'm dying of bored and being stuck here with you all summer.
00:02:38Oh.
00:02:39Charming.
00:02:40You know what I mean.
00:02:41I shall go with you.
00:02:43This is odd.
00:02:44I want to get to the bottom of it.
00:02:46Hear that, Timmy?
00:02:47Yeah.
00:02:48It's venture time.
00:02:49Yeah.
00:02:50No, no, no, no, no.
00:02:51Absolutely not.
00:02:52This is categorically not another one of your preposterous escapades.
00:02:56Well, how can it be?
00:02:56It's just me and Jimmy.
00:02:58Isn't it?
00:02:59Yeah.
00:03:00And me.
00:03:01And Dad.
00:03:02And Mum.
00:03:04I can write from there.
00:03:06Big spooky hotel in the middle of nowhere.
00:03:08That's where I'll find my monopole.
00:03:13Yeah.
00:03:26That was whale fat.
00:03:29Huh?
00:03:30In the sandwich.
00:03:32On the train.
00:03:33Highly likely.
00:03:35Rationing?
00:03:36Oh, it was yuck.
00:03:38Evacuation does sound grim.
00:03:40But we're here now.
00:03:42So we have to make a go of it.
00:03:44What does the letter say happens next?
00:03:47Dear sir, in light of the aerial bombardment of London,
00:03:50your children have been selected to join a party of 22 evacuees
00:03:53leaving the capital this Friday.
00:03:55The 910 from Paddington delivers them to Cragstone Ridge,
00:03:58once they will be escorted to the safety of the renowned prospect hotel.
00:04:01Renowned is good.
00:04:02We'll pretend it's holiday.
00:04:04No air raids, no sirens, no horrible gas masks.
00:04:08New friends.
00:04:09Next week is my birthday.
00:04:11And the most important thing about my birthday is that we're together,
00:04:15with Mum and Dad,
00:04:16and we all sing Green Grow the Russia Zone.
00:04:18It's compulsory, and now it's been cancelled,
00:04:20and I miss them already, and...
00:04:22That man is staring at us.
00:04:24Oh, no.
00:04:27He's coming over.
00:04:29Julian.
00:04:33Do I have the pleasure of beholding the family Barnard?
00:04:36Julian Division?
00:04:37Yeah, we're the Barnards.
00:04:39Ah.
00:04:39Mr Vincent, at your service.
00:04:42How was the journey?
00:04:43I trust they gave me something tasty to eat.
00:04:46They did.
00:04:47It was tasty.
00:04:48I'm so pleased.
00:04:50Cases?
00:04:51We can carry our cases.
00:04:56This way.
00:04:58Hello, Lord Sport.
00:04:59Stanley Crawford.
00:05:00Insurance agent.
00:05:01My card.
00:05:03I believe we have a common destination,
00:05:04the Prospect Hotel.
00:05:06Um, yes.
00:05:08What's it like?
00:05:10Brody, unsuitable place to dump a pile of kids,
00:05:12if you ask me, but there's a war on.
00:05:15Shall we?
00:05:23I've been reading up about Cragstone Ridge.
00:05:28It's surrounded by a marsh.
00:05:30Local legend says the place eats people.
00:05:33Great.
00:05:34A cursed hotel just gets better and better.
00:05:36I'm scared.
00:05:52There are no ghosts of the old Prospect.
00:05:55What there is, is buckets of bad blood.
00:05:58Broken promises, disappointments, betrayals.
00:06:02Yeah, that's what a man really should be allowed to insure against.
00:06:07Betrayal.
00:06:08Can't be.
00:06:34Playing tonight?
00:06:40Ah.
00:06:42Do I have the pleasure of welcoming the Barnard family?
00:06:46Yes.
00:06:46We just met.
00:06:48We certainly did.
00:06:49And what an unfettered, delighted was.
00:06:51I am Mr. Vincent, proprietor, and your host, Number 16.
00:06:56Are the other children here already?
00:06:57I don't think we're expecting any other children.
00:06:59Correction, we are one young man.
00:07:05What?
00:07:07Mr. Vincent, what is the meaning of this disgusting proposition?
00:07:15What did he say?
00:07:17Mummy.
00:07:17Well, don't mumble, Angela.
00:07:20It's so unattractive.
00:07:22This hideous threat of so-called popular music.
00:07:28I've just returned from Brazil, where the noise was insufferable.
00:07:34And in this hotel, I demand peace and quiet.
00:07:39Miss Clutterbuck.
00:07:41The music is jazz.
00:07:43It is thrilling.
00:07:45What?
00:07:46I didn't speak.
00:07:48Well, I heard you doing so.
00:07:49Speak it out, child.
00:07:51I was only going to say that Cab V is Mr. Vincent's son.
00:07:56I call that an error of taste.
00:08:00My son is celebrated in America?
00:08:03In America.
00:08:06How are we supposed to pretend it's a holiday when the people are so peculiar?
00:08:11You see, that's something about this letter I don't understand.
00:08:20The postmark was posted here.
00:08:23It should have come from Westminster.
00:08:24Excuse me.
00:08:25You've come from London, haven't you?
00:08:27Is it bad down there?
00:08:29Bombs and that?
00:08:30It's quite bad.
00:08:32It said on the wireless we lost 20 aircraft last week.
00:08:35The whole situation's extremely disturbing.
00:08:38You poor things.
00:08:39Now you're stuck in this godforsaken place.
00:08:43It's completely devastating.
00:08:46I'm going to be here on my birthday.
00:08:48I'm so sorry.
00:08:50But look, there's a dance band here tonight.
00:08:52They really swing.
00:08:54That's something, eh?
00:08:56Can I ask you a question?
00:08:58We were expecting things here to be a bit...
00:09:00different.
00:09:02Is there anything strange going on in the hotel?
00:09:05No more than normal.
00:09:06Well, of course, there is the Harrisbecks.
00:09:11That's Latin for fortune teller.
00:09:15The bloke on the fourth floor does tarot cards for the guests.
00:09:19The staff want to go near him, but I nipped in the other day.
00:09:22I asked him about my future in hospitality, and all he talked about was death.
00:09:29I asked for my money back, but he got really shirty.
00:09:32I believe I asked for the Times of London, not the Cragstone Herald.
00:09:36I'm so sorry, Mr. Standing.
00:09:38I must have misheard.
00:09:40Times?
00:09:41Cragstone?
00:09:41You must have been working quite hard to mishear.
00:09:44But now you're better informed.
00:09:47We should all be better informed.
00:09:52Well, I mustn't be caught talking.
00:09:54Being chummy with the guests is sackable.
00:09:57We'd like to be chummy with you.
00:10:01I'm Dyliss.
00:10:03He's Julian.
00:10:04Julian.
00:10:10So is that the famous marsh that eats people?
00:10:14Somewhere out there.
00:10:16I wish George was here.
00:10:20Mr. Crawford.
00:10:21Mr. Vincent.
00:10:22That man on the stairs.
00:10:24Mr. Standing.
00:10:26Everyone's weird.
00:10:28Dyliss wasn't weird.
00:10:29She was a bit weird.
00:10:31That's creepy.
00:10:35And what kind of hotel hires a full-time fortune teller to live on their top floor?
00:10:40They're all cranks and charlotte.
00:10:41What?
00:10:42How do you think about the girl in business?
00:10:44You know what Dad will say?
00:10:46They're calling me about Mr. Andy陽.
00:10:48I say to people out here.
00:10:50P-
00:10:51Why is the Horrorspex anyway?
00:11:14Well, strictly speaking, what a Horrorspex busses drag out of your entrance.
00:11:18It will be a favor, of course, but you won't at all.
00:11:25You promised to stand by me.
00:11:28Events overtook my promise, James.
00:11:31What?
00:11:33Receiving from the guests and legging it to America, those the events you have in mind.
00:11:38Can't be.
00:11:39Well, Father, just watch the show tonight, then you'll understand where I had to go.
00:11:42You lost the right to understand it a long time ago, son.
00:11:46You lost the right to that and all.
00:11:58Please, please, please, please, please, please.
00:12:01What?
00:12:02What?
00:12:03What's happened?
00:12:05I just...
00:12:06I...
00:12:07Oh, good God.
00:12:08Canine Angela, interpose yourself!
00:12:14Oh, good God.
00:12:19Canine Angela, interpose yourself.
00:12:24Nice doggie.
00:12:25He likes you.
00:12:27Oh, good.
00:12:29George!
00:12:31Oh, my gosh, what are you guys doing here?
00:12:33The young man, it's you.
00:12:35You never get what's in our brain.
00:12:36How is this possible?
00:12:38I don't know, I nearly got a letter and then...
00:12:40Letter?
00:12:40It's Uncle Quentin with you.
00:12:42And Mum, they're outside.
00:12:43He's throwing out the truck.
00:12:44He was going too fast and he bashed into a tree.
00:12:46But does it matter?
00:12:47Because here we all are together again.
00:12:48Take me to Great Uncle Horace.
00:12:50What?
00:12:52You didn't get a letter from Great Uncle Horace?
00:12:56Great Uncle Horace is dead.
00:12:58Definitely dead.
00:12:591919, scratched by an elephant on the rampage.
00:13:02This letter, George, is written on exactly the same paper as our evacuation order.
00:13:08Same smudging on the T's.
00:13:11Same typewriter.
00:13:12Both letters are fake.
00:13:16Somebody's lied to us all.
00:13:17Come on, Speedy.
00:13:18That tree was travelling far too fast and it was on the wrong side of the road.
00:13:22There's a dog on the premises.
00:13:25How appalling.
00:13:26I don't believe it.
00:13:29What a wonderful surprise.
00:13:32Mum, they have four beds in there.
00:13:33It's almost my birthday.
00:13:44Thanks, Dad.
00:13:44Run.
00:13:45Where?
00:13:46Where?
00:13:46What's the point?
00:13:48Hello, young people.
00:13:53One, two, three, four, five.
00:14:02Excellent.
00:14:04He will see you now.
00:14:05What?
00:14:07Who are you?
00:14:08Who wants to see us?
00:14:10The man who holds the future in his hands.
00:14:14She means the man on the fourth floor.
00:14:16The Harrisbeck.
00:14:17The fortune teller.
00:14:18Electrical failures.
00:14:44They have them here too.
00:14:46It's the war.
00:14:47But nothing to worry about.
00:15:07You took your time.
00:15:11But now that you're here,
00:15:13I shall explain you to yourselves.
00:15:22Be seated.
00:15:23In this case,
00:15:41no need of cards.
00:15:45You, George,
00:15:50an only child
00:15:51and lonely.
00:15:54When separated from your cousins,
00:15:56you feel
00:15:57you are only half a person.
00:16:03That's completely ridiculous.
00:16:05And yet completely true.
00:16:06You, you are pathetically afraid of ghosts.
00:16:13No, I'm not.
00:16:14When you lie,
00:16:14your nose goes puce.
00:16:18Dick,
00:16:19a brain the size of Jupiter.
00:16:22But there is only one thing in life
00:16:25you really want to be.
00:16:27And what is that?
00:16:28Tawla.
00:16:28All right, that's enough.
00:16:29says Julian,
00:16:31who wonders if and when
00:16:33he will ever kiss a girl.
00:16:36How do you know this?
00:16:37Come here, my dear.
00:16:50A trifle warm in here,
00:16:52Gabrielle.
00:16:55My poor old head
00:16:57is getting itchy.
00:17:00Hello, children.
00:17:13Wentworth.
00:17:20After our last
00:17:22little adventure together,
00:17:26I withdrew to Paris.
00:17:27There I happened
00:17:30upon Gabriella
00:17:31at the roulette table.
00:17:35I lost
00:17:36just about everything else,
00:17:37but
00:17:38her I found.
00:17:40I thought Paris
00:17:41was full of Nazis.
00:17:43They were
00:17:43a disincentive
00:17:44to remain.
00:17:46I returned to England,
00:17:48penniless,
00:17:48and secured
00:17:50discreet employment
00:17:51at this hotel
00:17:51as a fortune teller.
00:17:53You wrote those letters,
00:17:54didn't you?
00:17:55One to our parents
00:17:56pretending to be
00:17:56the government.
00:17:58One to George's
00:17:58pretending to be Horace.
00:18:00To get us all to come here.
00:18:02Why?
00:18:03Very intelligent,
00:18:04this boy.
00:18:07What brings you here
00:18:09is murder.
00:18:15This hotel
00:18:16is a fetid swamp
00:18:17of resentment
00:18:18and lust for revenge.
00:18:20We heard.
00:18:20You'd heard, had you?
00:18:22Had you heard
00:18:22where you're now
00:18:23hearing the correct
00:18:24version from me?
00:18:24you saw the poster
00:18:30for the singer
00:18:31Cab V?
00:18:34His real name
00:18:35is Charlie Vincent,
00:18:38son of the imbecile
00:18:40who runs this pub.
00:18:43Charlie
00:18:43was supposed to
00:18:45take over
00:18:45managing the place,
00:18:46but,
00:18:47oh no,
00:18:48he bolted to New York
00:18:49and became
00:18:50an international star.
00:18:52Meanwhile,
00:18:54the hotel's gone
00:18:54down the drain
00:18:55and his father
00:18:56blames him.
00:18:58So,
00:18:58why did Charlie
00:18:59come back?
00:19:00To atone.
00:19:02For what?
00:19:03Having some ambition?
00:19:04Charlie distressed
00:19:07a great many people
00:19:09when he fled
00:19:09the country.
00:19:11People he simply
00:19:12abandoned.
00:19:13Friends,
00:19:14family,
00:19:15at least one lover.
00:19:18This is why
00:19:19he is destined
00:19:20to be murdered.
00:19:22How could you
00:19:22possibly know that?
00:19:23because I had
00:19:28a vision.
00:19:35There was
00:19:36nothing I could do.
00:19:49Death is coming.
00:19:50It's inexorable.
00:19:53It won't stop
00:19:54until it takes him.
00:19:56Do you understand
00:19:56what I'm saying?
00:19:59Someone in this hotel
00:20:01is preparing
00:20:02to murder
00:20:02Charlie Vincent.
00:20:05He has had
00:20:06visions before.
00:20:07Ever since
00:20:08he drank
00:20:08from that fountain
00:20:09on Kieran Island.
00:20:10I have.
00:20:12And the only people
00:20:14who know them
00:20:15to be true
00:20:15are gathered
00:20:16in this room.
00:20:18Nobody in the world
00:20:19can do this
00:20:19but you.
00:20:20Do what?
00:20:23The Nazis
00:20:24have our country
00:20:24by the throat
00:20:25choking us to death.
00:20:27We cannot
00:20:27speak,
00:20:28we cannot breathe
00:20:29but Charlie Vincent
00:20:30can sing.
00:20:33His music
00:20:33is a fount
00:20:35of joy,
00:20:35hope,
00:20:36inspiration
00:20:37for a country.
00:20:38To lose him now
00:20:39would be
00:20:39catastrophic
00:20:40to the morale
00:20:41of the nation.
00:20:43So,
00:20:44what I want you
00:20:46to do,
00:20:46children,
00:20:47is identify
00:20:48by the would-be
00:20:50assassin
00:20:50and stop him.
00:20:57Now I am exhausted.
00:20:59Leave me.
00:21:00Go!
00:21:00Go!
00:21:00I must warn you,
00:21:14Thomas,
00:21:15the father
00:21:16of the tall girl.
00:21:18I believe
00:21:18he will interfere.
00:21:23Mama writes a book.
00:21:26Papa has nothing
00:21:26to occupy his mind.
00:21:31Al contrario,
00:21:33Gabriela.
00:21:35He has you.
00:21:39Is Charlie
00:21:40really going to die?
00:21:42That insurance man,
00:21:44Crawford.
00:21:45He was going on
00:21:45about betrayal.
00:21:47What about that
00:21:48old lady that went
00:21:48into Brazil,
00:21:49Miss Clusterbuck?
00:21:50She said his music
00:21:51was hideous.
00:21:52No, you listen to me.
00:21:52Just!
00:21:53Cab V
00:21:54is a high-value commodity.
00:21:57Be forceful already.
00:21:59Hey,
00:21:59you keep your wig on.
00:22:01You want forceful,
00:22:02I can be forceful.
00:22:03I want it now.
00:22:04Well, consider me
00:22:05your executioner.
00:22:06Julian,
00:22:14you should write a list.
00:22:15Put Mr. Standing
00:22:16at the top of it.
00:22:17He called Charlie
00:22:18a commodity.
00:22:20What's a commodity?
00:22:21Step one
00:22:22surely should be
00:22:23fine Charlie.
00:22:24He's the one
00:22:24who's about to be murdered.
00:22:25We have to warn him.
00:22:26Hang on.
00:22:27Wentworth
00:22:28has visions, okay?
00:22:29But he also
00:22:30lies through his teeth.
00:22:31So how do we know
00:22:32which one he's doing now?
00:22:33We don't.
00:22:34So why are we
00:22:35getting involved?
00:22:36Because it's what we do.
00:22:38We get involved.
00:22:39If there's any chance
00:22:40at all that we can
00:22:41stop someone
00:22:41from being killed,
00:22:42we have to try.
00:22:44I've missed you, George.
00:22:46She's right, Nick.
00:22:47Even if it's a trap,
00:22:48we have to try.
00:22:50Okay.
00:22:51To me,
00:22:51it's the casting vote.
00:22:54Okay.
00:22:55Five-nil for investigation.
00:22:57Let's find Charlie.
00:23:06Intemperate tinted
00:23:13abulation, sir.
00:23:13I want to see
00:23:14your hotel register.
00:23:15I want material proof
00:23:16of my uncle's
00:23:17continued existence.
00:23:18I'm afraid we don't
00:23:19keep such records here, sir.
00:23:21Our guests
00:23:22we find
00:23:22are very jealous
00:23:23of their privacy.
00:23:25The prospect
00:23:25is above all
00:23:26discreet.
00:23:27George,
00:23:35are you
00:23:35particularly busy?
00:23:37Uh,
00:23:38we're just
00:23:40playing hide-and-seek.
00:23:41Who's hiding?
00:23:42You're all here.
00:23:44Advanced version.
00:23:45What's up?
00:23:46There's something
00:23:47rummy going on
00:23:48in this establishment.
00:23:50Uncle Horace
00:23:50is nowhere to be found
00:23:51and I need to know why.
00:23:53I suggest
00:23:53we investigate
00:23:55this together.
00:23:56Professor
00:23:57Quentin Barnard.
00:24:00Wow.
00:24:02Creator of the
00:24:04legendary algebra
00:24:05engine.
00:24:06Integrator
00:24:07theorist.
00:24:09Master
00:24:09logician.
00:24:11You know
00:24:12that science
00:24:12governs all.
00:24:14But I know
00:24:14that science
00:24:15is covered
00:24:16by magic.
00:24:18We have
00:24:19much to discuss,
00:24:20you and I.
00:24:23go, go, go, go.
00:24:29We do.
00:24:40Sorry,
00:24:41Mr. Crawford.
00:24:42Are you, uh,
00:24:43looking for someone else?
00:24:44Charlie.
00:24:46Cadvy.
00:24:47Now that's him
00:24:47punishing the piano.
00:24:49But take my tip.
00:24:51If Charlie
00:24:52Vincent shakes
00:24:52your hand,
00:24:53count your fingers.
00:25:04My card.
00:25:05My card.
00:25:22Do you know
00:25:27we once had
00:25:28a warlock
00:25:29speak at the
00:25:30Royal Society.
00:25:31The students
00:25:31booed him
00:25:32off the podium.
00:25:33They threw
00:25:33wet blotting paper.
00:25:34It was terribly
00:25:35disrespectful.
00:25:36I wanted to hear
00:25:37what he had to say.
00:25:38You're a man
00:25:39of imagination.
00:25:40At last.
00:25:42I had quite
00:25:42given up hope
00:25:43of proper
00:25:44conversation here.
00:25:45Hmm.
00:25:47Allow me
00:25:48to furnish you
00:25:48with an aperitif,
00:25:50senora.
00:25:51Senorita,
00:25:52please.
00:25:53Gabriella.
00:25:55Is this
00:25:56anybody's?
00:25:58Not for you,
00:25:59sir.
00:26:01That's, uh,
00:26:02Charlie's
00:26:02five o'clock.
00:26:03It's rested.
00:26:05So the ingredients
00:26:06can combine.
00:26:07Good Lord.
00:26:08Can I, uh,
00:26:09prepare you
00:26:09both a house cocktail?
00:26:11It's called
00:26:12Death Comes
00:26:14of the Archbishop.
00:26:16Sounds heavenly.
00:26:17Marvellous.
00:26:18Your present
00:26:19research,
00:26:20Professor,
00:26:21what does it
00:26:21concern?
00:26:22How do you
00:26:23plan to
00:26:24astonish
00:26:24civilisation?
00:26:26Well,
00:26:27I believe
00:26:28that it will
00:26:29one day be
00:26:30possible to
00:26:30harness the
00:26:31natural,
00:26:31spontaneous
00:26:32energy of
00:26:33the world
00:26:33around us.
00:26:34Rather than
00:26:35rely on
00:26:36fossil fuels.
00:26:37I mean,
00:26:37why rely on
00:26:37fossil fuels
00:26:38when even
00:26:39my jumper
00:26:40is constantly
00:26:40generating
00:26:41electricity?
00:26:43Your jumper?
00:26:44Uh-huh.
00:26:44Oh,
00:26:45jumper.
00:26:46Uh,
00:26:46but the
00:26:47magicians,
00:26:48you know,
00:26:49they have been
00:26:49harnessing the
00:26:50energy of
00:26:51creation for
00:26:52thousands of
00:26:52years.
00:26:53In fables,
00:26:54not in life.
00:26:55You scurned
00:26:56the wisdom
00:26:57of the
00:26:57ancients.
00:26:59Two deaths.
00:27:04This for
00:27:05Charlie?
00:27:09I wonder,
00:27:10would you
00:27:10care to
00:27:11dine with
00:27:11us this evening?
00:27:12Us?
00:27:13Myself,
00:27:14my daughter
00:27:14and my
00:27:14wife.
00:27:16I should
00:27:16be delighted.
00:27:20Hasta
00:27:21point,
00:27:21professor.
00:27:23Hmm.
00:27:24Hmm.
00:27:24blue
00:27:37again,
00:27:38it's you
00:27:40again,
00:27:41here comes
00:27:42the same
00:27:43old fear.
00:27:46The saddest
00:27:48song
00:27:48I ever
00:27:50wrote,
00:27:51the one
00:27:52that you'll
00:27:52never hear.
00:28:05B-flat's on the
00:28:06bleak, but you have
00:28:06to work with what
00:28:07you've got.
00:28:10I love the song you
00:28:11were playing when we
00:28:12came in.
00:28:13The sad one.
00:28:14That's the one that
00:28:16counts.
00:28:17Can we come to the
00:28:18concert tonight?
00:28:19Dillis said we
00:28:20should.
00:28:21Dillis recommends it,
00:28:23you probably should,
00:28:23yeah.
00:28:24But first, Charlie,
00:28:25we've got some
00:28:25questions.
00:28:26Serious questions.
00:28:27You see...
00:28:28You're going to be
00:28:28murdered.
00:28:31What?
00:28:31Your five o'clock,
00:28:55sir.
00:28:59Anything else for you,
00:29:00sir?
00:29:01No, thank you,
00:29:02Dillis.
00:29:04Uh, no, yes,
00:29:05some lemonade for
00:29:06these guys.
00:29:12When I was little,
00:29:13there was an old
00:29:13bloke who used to
00:29:14perform here,
00:29:15a Delta bluesman
00:29:16from Chicago.
00:29:18He drank martinis and
00:29:20played this piano
00:29:20just for me.
00:29:22That's how it all
00:29:22started, me and
00:29:24jazz.
00:29:25My old man hated it.
00:29:27He said it was the
00:29:28music of the devil.
00:29:30But I liked it.
00:29:31I liked it so much,
00:29:33I had to leave here.
00:29:35Go somewhere where I
00:29:36could do it myself.
00:29:38Now I'll come back
00:29:39just in time to get
00:29:39myself talked about
00:29:40me.
00:29:41Do you have any
00:29:42enemies, Charlie?
00:29:44My departure from
00:29:45England was at my
00:29:46finest hour.
00:29:46I upset a lot of
00:29:48people.
00:29:49None of whom
00:29:50would want to kill me,
00:29:51though.
00:29:52Give me a slap,
00:29:53maybe.
00:29:59Manners to me.
00:30:01Quite right.
00:30:02Cherries have no business
00:30:03tasting of gin.
00:30:04Acid, possibly extreme
00:30:14alkali, I'm assuming
00:30:16your drink doesn't
00:30:16usually do that.
00:30:18Not usually, no.
00:30:18You weren't meant to
00:30:21drink that.
00:30:23Who made that
00:30:24cocktail?
00:30:25Mr. Vincent.
00:30:26You brought it here,
00:30:27you could have done
00:30:27anything to it.
00:30:28I did nothing but
00:30:29bring it.
00:30:30We should think this
00:30:30through.
00:30:31Well, guys, look,
00:30:32whatever's going on here
00:30:32is extremely dangerous.
00:30:34I think it's better if you
00:30:35don't get involved.
00:30:36OK, we won't get
00:30:40involved.
00:30:45Love!
00:30:45At the prospect!
00:30:47I have to say, I'm
00:30:48actually rather hurt that
00:30:49you could suggest such
00:30:50an uncooked thing.
00:30:52We're not accusing
00:30:53you, sir.
00:30:54We just want to know
00:30:54what happened to the
00:30:55drink after you made
00:30:56it.
00:30:56What?
00:30:58It rested.
00:30:59Yes, it should.
00:31:01So that the ingredients
00:31:02can combine.
00:31:04And then, um...
00:31:05delivered by Dillis.
00:31:08Well, it's not Dillis.
00:31:10Do you know, we can't
00:31:10just say that just
00:31:11because she's, you
00:31:13know, pretty.
00:31:15It's nothing to do
00:31:16with that.
00:31:17If she is, I really
00:31:20hadn't noticed.
00:31:21Um, it's simply that I
00:31:22happen to believe she's
00:31:24innocent.
00:31:24Well, I happen to be
00:31:25not so sure.
00:31:26Both of you, please
00:31:27stop arguing.
00:31:28You don't mind my
00:31:29saying, you lot don't
00:31:30seem to have a very
00:31:30clear idea of what
00:31:31you're doing.
00:31:32He's right.
00:31:33We need to be more
00:31:33scientific about this.
00:31:34We need professional
00:31:36advice.
00:31:38Run that by me again.
00:31:41Say you have a bunch
00:31:43of people, and you
00:31:45know one of them's a
00:31:46murderer.
00:31:47How would you find
00:31:48out who that person
00:31:49might be?
00:31:49I mean, what would
00:31:50you look for?
00:31:52What are you up to,
00:31:53George?
00:31:54Nothing.
00:31:55We just brought it.
00:31:56It's a game.
00:31:56The holy trinity of
00:32:03detection.
00:32:04One, means, did the
00:32:07suspect possess the
00:32:08correct tools for the
00:32:09job?
00:32:10Deadly acid.
00:32:11Two, opportunity.
00:32:13Was the suspect in the
00:32:14right place at the
00:32:15right time?
00:32:16And three, motive.
00:32:19Now, this is crucial.
00:32:20Did the suspect have a
00:32:21reason to murder?
00:32:23Now, that reason may be
00:32:24a secret known only to
00:32:25them, sometimes not even
00:32:26to themselves.
00:32:28What's the top motive
00:32:29for murder?
00:32:30Money.
00:32:31Sometimes love.
00:32:33Sometimes both.
00:32:34So, how do detectives find
00:32:36out what people are really
00:32:37thinking?
00:32:37Now, the trick to
00:32:38detecting is getting people
00:32:40to tell you things they
00:32:41don't want to tell you,
00:32:42ideally, without them
00:32:43knowing that they're
00:32:43doing it.
00:32:44Also, you need to be
00:32:45able to see through
00:32:46walls behind closed
00:32:47doors.
00:32:48See the stuff that
00:32:49people think is hidden
00:32:50safe, and that's hard.
00:32:55Does that help with
00:32:58your game?
00:33:05Why didn't I remember
00:33:06this before?
00:33:09What if I told you that
00:33:11in our room there's a
00:33:12hidden door that leads
00:33:13to a secret passage from
00:33:15which you can spy into
00:33:16people's rooms through
00:33:18painted people's eyeballs?
00:33:20Who's first?
00:33:26To do what?
00:33:28Julian's first.
00:33:34Whoa.
00:33:36Who's next?
00:33:37Mr. Vincent?
00:33:58Mr. Vincent's office.
00:34:08There's no one there.
00:34:10But someone was here.
00:34:1260, 20, 90, 20.
00:34:14What's that about?
00:34:15What do you mean,
00:34:19buffet?
00:34:20It's where one serves
00:34:22oneself.
00:34:23I know what a buffet is,
00:34:25you ninny.
00:34:26Doubtless one of
00:34:27Vincent's dismal economies.
00:34:29You can get the girl
00:34:31to serve me.
00:34:32Yes, mummy.
00:34:35You've done something
00:34:36facetious to your hair.
00:34:38Go and sort it out.
00:34:39Go.
00:34:39Go.
00:34:39Go.
00:34:39Go.
00:34:39Go.
00:34:39Go.
00:34:39Go.
00:34:39Go.
00:34:39Go.
00:34:39Go.
00:34:40Go.
00:34:40Go.
00:34:40Go.
00:34:41Go.
00:34:41Go.
00:34:41Go.
00:34:41Go.
00:34:41Go.
00:34:41Go.
00:34:41Go.
00:34:41Go.
00:34:41Go.
00:34:41Go.
00:34:41Go.
00:34:41Go.
00:34:41Go.
00:34:41Go.
00:34:42Go.
00:34:43Go.
00:34:53Sometimes, you know,
00:34:54I'm quite overcome
00:34:56with an irresistible desire
00:34:59to annihilate every moron
00:35:03on the face of the earth,
00:35:05like God with the flood.
00:35:10This urge to lay waste
00:35:13is in the Clutterbug blood,
00:35:15I think.
00:35:19I know you have it.
00:35:28All right.
00:35:28Let's look at the suspect so far.
00:35:31Him.
00:35:31The American.
00:35:32Standing.
00:35:33He's under pressure.
00:35:35He's agreed to do something
00:35:36he doesn't want to do.
00:35:38And he calls himself
00:35:39the executioner.
00:35:40Singers are always mixed up
00:35:42in the mob.
00:35:43The Mafia.
00:35:43Standing's probably a hitman
00:35:45sent to whack Charlie.
00:35:47Whack?
00:35:48Where do you get all this stuff?
00:35:50School.
00:35:51What about Crawford?
00:35:54He says Charlie betrays him
00:35:55and that's obviously
00:35:56driven him d'ulal.
00:35:58Don't forget the Clutterbug woman.
00:35:59She hates everything.
00:36:01Dogs, music, Brazil,
00:36:03this hotel,
00:36:04even her own daughter.
00:36:06Dillis bought the drink.
00:36:07But Mr. Vincent made it.
00:36:14Time's running out.
00:36:15Somebody tried to murder Charlie.
00:36:17It happened right in front of us
00:36:18and it's going to happen again
00:36:19unless we do something about it.
00:36:21Means, motive, opportunity.
00:36:23What we have to do
00:36:24is watch everybody.
00:36:26Like Hawks.
00:36:27Hello?
00:36:39George.
00:36:40Dad?
00:36:40Have you got anything formal?
00:36:42Have I got anything formal?
00:36:44Are you mad?
00:36:44Yes.
00:36:45Mother says she's packed you something.
00:36:47I don't care if Mum packed.
00:36:48Oh, this ruddy tie.
00:36:50He's trying to tie up his tie
00:36:52speak at the same time.
00:36:53George, we're dressing for dinner.
00:36:53OK, OK.
00:36:54Downstairs, 20 minutes.
00:36:56OK.
00:36:56OK.
00:36:57Don't be late.
00:36:58OK.
00:36:59Could you help me?
00:37:00Dinner in 20 minutes.
00:37:10Evening, everyone.
00:37:11This way, George.
00:37:16One word and I'll smash your face in.
00:37:23Hello again, old sport.
00:37:40Could you get your dog
00:37:40off the furniture, please?
00:37:42Um, sorry.
00:37:46Why is there no butter?
00:37:47We can't have butter, Mummy.
00:37:49What?
00:37:50Says who?
00:37:52Adolf Hitler.
00:37:53Him and whose army?
00:37:55His, Mummy.
00:37:57Just get that Hitler on the phone.
00:38:01What do you want?
00:38:03Do you mind if I join you?
00:38:08Brown shoes at dinner.
00:38:11That's how it starts.
00:38:13What next?
00:38:14Men carrying parcels in public?
00:38:17Reversing in the waltz?
00:38:18So get about your business, silly boy.
00:38:20OK.
00:38:23That's enough.
00:38:25Mr. Kloss Park's too busy being obnoxious to have the time to go around killing people.
00:38:30Back in a minute.
00:38:36Dilys, can I ask you a question about Charlie?
00:38:38What was he like before he was famous?
00:38:42He was always famous, in a way.
00:38:45So talented.
00:38:47Always bashing away at the piano.
00:38:50Once I made a jelly and he sat down and wrote a song about it.
00:38:55Straight off.
00:38:57He must have really liked you.
00:38:59No, no.
00:39:00He liked the jelly.
00:39:01Are you happy here?
00:39:06Um, reasonably.
00:39:10Mr. Vincent's always been good to me.
00:39:12As good as he can be.
00:39:15Given the circumstances.
00:39:16Oh, thank you.
00:39:22Ah, señorita.
00:39:25My daughter, George.
00:39:27Encantada.
00:39:29Um, your wife?
00:39:31Inspector Monroe has decided that he could drop the monocle in the font.
00:39:35But my wife, not convinced.
00:39:38Mum's book.
00:39:39She's busy.
00:39:40Ah, the muse's afical mistress.
00:39:44Where were we, Professor?
00:39:46Well, well, um, I rather wanted you to explain how magicians harness energy.
00:39:53In fact, I demand it.
00:39:55There may have to.
00:39:57Dad, I have to go talk to Cap V.
00:39:59I'm staying.
00:40:01Because he's famous.
00:40:02Oh, we're talking to the senorita.
00:40:04Professor, I think, Professor, it is an act of diplomacy.
00:40:10Your daughter sees that her pretty dress is the same color as mine.
00:40:14We cannot dine at the same table.
00:40:17She sacrifices herself.
00:40:19Wait, um...
00:40:21How?
00:40:24Magic.
00:40:24Magic.
00:40:34Mr. Crawford, you said that Charlie betrayed you.
00:40:44How?
00:40:45I wrote his songs, that's how.
00:40:49You're a musician?
00:40:52Oh, yes.
00:40:55Before I started selling insurance,
00:40:59we collaborated on his version of Jumping Jive.
00:41:03I wrote Hop-Headed Woman
00:41:06and Gasoline Gal.
00:41:13Ten weeks.
00:41:15Top of the charts.
00:41:18You must have made a lot of money.
00:41:20You'd expect so, wouldn't you?
00:41:23So you're here to sort things out?
00:41:25One way of putting it.
00:41:28The main thing, sport, is to look the snake right in the eyes.
00:41:31Do you know what you do, then?
00:41:33Cut off its head.
00:41:40We're not going to let that happen.
00:41:46Are we not?
00:41:49Dear, that's a nuisance.
00:41:53Think again, Crawford.
00:41:54Best we keep you out of the way, then.
00:42:04Do you really have no idea who might be trying to kill you?
00:42:07No.
00:42:10Anyway, whatever it is that's heading my way, maybe I deserve it.
00:42:13Why wouldn't you take this seriously?
00:42:17Listen, I arrived in New York with no money in my pocket.
00:42:20No change of clothes.
00:42:23No reputation except the bad one I left at home.
00:42:26Just a fistful of songs.
00:42:28Do you know what happened then?
00:42:32I became a star.
00:42:35Point is, I can look after myself.
00:42:37And I reckon you're the same.
00:42:43No.
00:42:44You're not the same.
00:42:47You're better.
00:42:48You wouldn't leave anybody in the lurch.
00:42:53You wouldn't steal to get yourself a ticket to America.
00:42:56You and your cousins.
00:43:04Cousins.
00:43:07You're the future.
00:43:10If the world makes it out of this war, it's going to belong to you.
00:43:13Your generation.
00:43:16You have to make sure you run it right.
00:43:21What does Mr. Standing want?
00:43:23You've been spying on me, miss.
00:43:27Only a little.
00:43:30Standing works for chessboard records.
00:43:33I'm not disappointed with some of the decisions I've made recently.
00:43:36That's all.
00:43:41Time to fire up Cab V.
00:43:44Is he someone different?
00:43:46Very.
00:43:48I couldn't go out on stage as Charlie Vinson.
00:43:50I'd just die.
00:44:01Ladies and gentlemen, for your exclusive entertainment, Mr. Cab V and his bandits will shortly be performing in the ballroom.
00:44:11Oh, hell on us.
00:44:14Come on, chaps and chapesses.
00:44:16We don't want to miss the opener.
00:44:18It could be one of mine.
00:44:19Mm.
00:44:29The Budliak, the Budliak, the Saki.
00:44:31Oh, Rang Tang, did I.
00:44:34Gonna tape off the jumping job.
00:44:36Jim, jam, jump, jumping job.
00:44:39Cat's gonna beat you off this mellow job.
00:44:42Beat it out on the mellow side.
00:44:44Boy, what you gonna say there, Kate?
00:44:57Oh, boy, what you gonna say there, Kate?
00:45:00Palomar, Chalamar, Swanee, Shaw
00:45:02Let me dig that job once more
00:45:05Boy, lay a rider down to the gate
00:45:07Oh, boy, lay a rider down to the gate
00:45:10Now can't you hear those headcats call?
00:45:13Come on, boys, let's have a ball
00:45:15The gym jam jump on the jumping high
00:45:18Makes you dig your job on the mellow side
00:45:21The gym jam jump on the solid job
00:45:28Makes you dig your job on the mellow side
00:45:31The gym jam jump is the solid job
00:45:39Makes you nine foot tall when you're four foot five
00:45:41Where's Julia?
00:45:43I think I saw him going into the bar
00:46:02Good heavens
00:46:04I don't know how to make it stop
00:46:08If only we could get a film
00:46:10We could blackmail him for decades
00:46:13Let's go find your brother
00:46:14May I have the honor?
00:46:27May I have the honor?
00:46:27May I have the honor?
00:46:31Hey, Margarita
00:46:44He was here, but why would he just leave this?
00:46:49Just a minute. The music is wrong. The drum bit doesn't fit.
00:46:57That's not the drums.
00:47:03Crawford! Crawford! He's got a knife. He's going to kill Charlie.
00:47:19Thank you. Thank you all very much. We're going to take a break from here.
00:47:49Ah. You've been avoiding me. Why?
00:48:08Why do you think?
00:48:14Okay, okay. This is exceptionally dangerous. We're doing this because it's dangerous.
00:48:18Yes, sir.
00:48:21I wrote those songs.
00:48:24Me.
00:48:26Everything you have, you've stolen. No, no, no.
00:48:28You thieving dog! No.
00:48:30It's all mine!
00:48:31Crawford, calm down.
00:48:44Julian!
00:48:49I don't need eyes to find you!
00:48:51Calm down.
00:48:52George!
00:48:53Come on!
00:48:54Come on!
00:48:55Come on!
00:48:56Come on!
00:48:57Come on!
00:49:03We wrote those songs together and I brought you out fair and square.
00:49:07It's not a crime I was more successful.
00:49:09Oh, God, you little toe rag!
00:49:10Oh.
00:49:11Oh, you got him.
00:49:12Hold on.
00:49:13Mike can't.
00:49:14Come on!
00:49:15Move!
00:49:16Charlie.
00:49:17Charlie.
00:49:18I'm okay.
00:49:19Really?
00:49:20They loved you, Charlie.
00:49:21They loved you!
00:49:22They loved you!
00:49:23They loved Cad B.
00:49:24They loved Cad B.
00:49:25You saved my life again.
00:49:27The second time you've done it.
00:49:28Let's just hope there's not a third.
00:49:29That's not the end of it.
00:49:30Crawford told me he wanted to look you in the eye when he killed you.
00:49:31But whoever put the acid in your drink didn't care about that.
00:49:32They just wanted you dead.
00:49:33So that means there's someone else.
00:49:50So that means there's someone else?
00:49:54The bandits.
00:49:55Do you trust them?
00:49:57With my life.
00:49:58Charlie, you should go to your room, and are you eventually found out?
00:50:00See?
00:50:01I am.
00:50:02you should go to your room and lock the door as should you i don't know what's going on
00:50:07but enough is enough first thing tomorrow we're leaving all of us assemble here in reception at
00:50:15nine o'clock this place is simply too dangerous i suggest that like mr v here we all go to our rooms
00:50:24now
00:50:32i'm gonna go tell wentworth you can't leave me i need you here cannot let that tiresome man
00:50:45obstruct our mission that tiresome man wentworth is my father i can't be held responsible for that
00:50:52george i'm distraught look at me being distraught what do you mean our mission what do you contribute
00:51:00i contribute gabriella
00:51:07hmm time to crank her up a bit what are you really up to i've done some regrettable things you don't say
00:51:17but what i have seen in the future has changed me we are at the threshold of a global cataclysm
00:51:27what an achievement it would be if right here right now we could stop death in his tracks you're a
00:51:34terrible person have you never wanted to be wicked
00:51:39there that hesitation there's the proof you envy me my freedom the freedom to simply be bad
00:51:56that because one can you'd love it you have no idea what i'd love
00:52:13i don't know what i'd love you we have to come to be a very good idea and i've been
00:52:20so happy to have a great idea
00:52:20i was dreaming about mummy and daddy sorry don't be sorry i miss them too
00:52:25i miss them too
00:52:27i miss them too
00:52:27i miss them i miss them i miss them but i miss them i miss them i miss them i miss them i miss them
00:52:30Kate, are you all right?
00:52:32I was dreaming about Mummy and Daddy.
00:52:35Sorry.
00:52:36Don't be sorry.
00:52:38I miss them too.
00:52:42What's going to happen, Dick?
00:52:44We can't stop the war, and we can't stop the killer,
00:52:47and we're supposed to sing Green Grow with the rushes, though,
00:52:49all together on my birthday.
00:52:51And the world's going so fast, and everything's
00:52:54so awful now and sad.
00:52:56I won't wait for you.
00:52:58Charlie, you got a minute?
00:53:02Mr. Vincent, I've been trying to tell you.
00:53:05The fact of the matter is, I haven't been paid for three months.
00:53:10Not a penny, and all my clothes are falling apart,
00:53:12and Mr. Vincent, I just feel spent.
00:53:17Can I show you something?
00:53:21The cupboard?
00:53:24It's empty.
00:53:26Ah, it's over.
00:53:29Nothing left, my dear.
00:53:32When these guests settle up, I should give all the money to you,
00:53:35and then that'll be the end of the Prospect Hotel.
00:53:44I know what I want to do and what I have to do.
00:53:46And if you were a man, you'd know it too.
00:53:48You know what, pal?
00:53:50It's a death wish.
00:53:51You actually want to die.
00:53:56Well, I hope you get a kick out of it, brother,
00:53:58because it could be coming sooner than you think.
00:54:05Now that was a threat.
00:54:07Dad, we think there's someone else who's trying to kill Charlie.
00:54:18I don't want to hear it.
00:54:19Oh, come on, Dad, but this simply isn't fair.
00:54:21George, call the fairness police.
00:54:24I want everybody in the truck.
00:54:25I'm going to go and fetch your mother.
00:54:27Professor!
00:54:28You have regarded the perfection of the day.
00:54:31Ah, good morning.
00:54:33Not as such, no.
00:54:34The elements align superfluly for my demonstration.
00:54:37You have not forgot.
00:54:39The time has come for me to expose the limits of your science.
00:54:44Hm?
00:54:45Hm?
00:54:46I will take you to the place where the ley lines meet.
00:54:49Professor, vamos.
00:54:51You gave your word.
00:54:56You shouldn't go back on your word, Dad.
00:54:58That wouldn't be tennis.
00:54:59Cricket.
00:55:01Whatever.
00:55:01Very bad example to us.
00:55:03Quite so, George.
00:55:05Science or sorcery?
00:55:08Let's ask ourselves today.
00:55:10Right.
00:55:12One hour, and then we are going straight home,
00:55:14and I'm going to be very strict about it.
00:55:16Senorita, lead the way.
00:55:21Stanley's on another call.
00:55:27And that is what you want me to do?
00:55:28No, you're getting the idea.
00:55:29Because the consequences will be irreversible.
00:55:32You understand that?
00:55:33You understand who's pain you're away with?
00:55:36Then I shall do it immediately.
00:55:44Come on, quickly.
00:55:51Standing.
00:55:52He's the one who put the acid in your drink.
00:55:55And just now, he was on the telephone to the American,
00:55:57ordering him to do it now.
00:56:01That must be him.
00:56:03Charlie, open up.
00:56:05What is it, standing?
00:56:07You've got your war.
00:56:09Charlie.
00:56:10Don't do it!
00:56:19I explained you wouldn't budge.
00:56:20They said OK.
00:56:22A few expletives at first, but in the end, OK.
00:56:26So you're free to go and get yourself shot to pieces
00:56:29for king and country, you colossal dodo.
00:56:32I revised the contract accordingly.
00:56:34Can somebody please explain?
00:56:37I came back to England because I want to fight for my country.
00:56:40My record label, him, would prefer me not to.
00:56:45They tripled my money.
00:56:46Is that still the deal?
00:56:47Uh-huh.
00:56:49They want me to stay safe in America.
00:56:51But if England falls, even America won't be safe.
00:56:55If the contract lets me fight, I'll sign it.
00:56:58The money will be arriving shortly, in war-proof form.
00:57:07So, if it isn't Mr Standing, or Crawford,
00:57:32or Charlie's dad, then who put the acid in Charlie's drink?
00:57:54Somebody's been busy on the black market.
00:57:57Maybe you shouldn't either.
00:57:58Fans always send me gifts. It's harmless.
00:58:02That's not funny.
00:58:13What about the, uh, Lady of Spain? Miss Harry Spex?
00:58:17What's her story? Or his, for that matter?
00:58:20They're both a curried egg short of the full picnic, if you ask me.
00:58:24He agrees, look.
00:58:27Stop! There's something wrong with that fruit!
00:58:29George, not absolutely everybody in the world is trying to kill me.
00:58:35Sometimes people just want to do nice things.
00:58:39Well, she's not endemic to the British Isles.
00:58:49Dick. What the heck is that?
00:59:08Venom why she's number one. Super deadly.
00:59:11Wondering spider from Brazil.
00:59:16Brazil means Klotterbach.
00:59:18Are you sure you know where you're going?
00:59:27This is the place where the Leyla is embraced.
00:59:31Here I can demonstrate the feebliness of your science.
00:59:36You say feebliness of science?
00:59:37Not often, Senorita.
00:59:40But the land knows I am about to disclose its secrets.
00:59:43Oh, well, it's, uh, it will fail you.
01:00:00What you shall observe is the energy of angels.
01:00:03What I shall observe will be elementary physics.
01:00:06Good lord.
01:00:10Good heavens.
01:00:14Senorita?
01:00:19Very well.
01:00:20Now, allowing for barometric irregularity,
01:00:24taking into account the curvature of the earth,
01:00:27I say...
01:00:30This way.
01:00:33Oh, right here.
01:00:34Senorita?
01:00:43Oh!
01:00:44George.
01:00:45I'm looking for Dad.
01:00:46Er, he went on a walk on the ridge.
01:00:48Without you?
01:00:49I'll get lost.
01:00:50He went with that wiggly Spanish lady he was dancing with.
01:00:54Well, he'll probably be all right then.
01:00:56Where are you going?
01:01:00Senorita.
01:01:02Where's my husband?
01:01:05Quentin.
01:01:07What is Quentin?
01:01:16Lost any big spiders lately?
01:01:18What gives you the right to be so pert?
01:01:22I don't know.
01:01:23Maybe the fact that you keep trying to kill Charlie Vincent.
01:01:26The music was revolting but doesn't quite deserve the death penalty.
01:01:31Then why plant a Brazilian wandering spider in his fruit well?
01:01:34Are you following any of this?
01:01:36You just got back from Brazil.
01:01:38You said so.
01:01:39So it's obviously you.
01:01:43Could I possibly have a word with you people?
01:01:45In private?
01:01:46The children, oh my goodness, shouldn't be allowed out.
01:01:52Nasty children, don't like you.
01:01:56We never went to Brazil.
01:01:58She controls the money and there isn't any money.
01:02:01We can't all up sticks for New York, you know.
01:02:04I thought she was rich.
01:02:06She pretends to be rich because for her that's good manners.
01:02:09So nobody's been to Brazil?
01:02:15That spider didn't just walk here from South America.
01:02:18Julian, please tell Mr. Vincent to gather everyone on the list in the bar.
01:02:23I know who the killer is.
01:02:24I know who the killer is.
01:02:42Iron!
01:02:43Iron!
01:02:45Einstein, you can come out from behind the sofa!
01:02:49Professor Barnard, I presume?
01:02:50Fanny, oh my darling, I am so happy.
01:02:54Do you see this rock?
01:02:55It's full of iron.
01:02:57It's a giant magnet.
01:02:59It's not magic.
01:03:01It's science.
01:03:03Okay.
01:03:04I think in future we might put you on a lead.
01:03:21Ladies and gentlemen.
01:03:22Oh.
01:03:23Is there much more of this?
01:03:26Someone in this room has tried to kill Charlie Vincent, aka Cab V.
01:03:30And they have failed.
01:03:32Twice.
01:03:33And we believe that that person will try again.
01:03:36Crawford isn't in this room.
01:03:37Crawford doesn't count.
01:03:38That was an act of madness.
01:03:40The acid and the spider were carefully planned.
01:03:42So first, Mr. Vincent, your hotel is broken.
01:03:48You blame Charlie for refusing to take on the burden of the business,
01:03:51for legging it to America.
01:03:53But you feel sorrow rather than anger.
01:03:56You wouldn't kill your own son.
01:03:59In fact, you helped save his life.
01:04:02You are not the assassin.
01:04:04Next, Mr. Standing.
01:04:10Sent here to prevent Charlie joining the army.
01:04:13Not least by means of bribery.
01:04:15Substantial bribery, old boy.
01:04:17So, it's in your interest to protect it.
01:04:20You also are not the killer.
01:04:22Is this tonight's entertainment?
01:04:25It's pretty slim.
01:04:27Miss Clutterbuck.
01:04:28You openly despise Charlie Vincent.
01:04:31You loathe jazz music because it represents freedom and joy.
01:04:35You're a snob and a bully and a deeply unpleasant person.
01:04:39No offence.
01:04:42But you also are not the murderer.
01:04:46All these people can be set aside.
01:04:49The person we seek is even now determined to close their hands
01:04:52around the throat of Charlie Vincent.
01:04:57Miss Angela.
01:04:59Your arms are itchy.
01:05:03And the scutters in Brazil are very fierce.
01:05:06But not as fierce as the wandering spider you brought back.
01:05:09I said, we never went to Brazil.
01:05:12You did say.
01:05:14But that was a lie.
01:05:16When Charlie up sticks for New York,
01:05:19he left behind a broken heart.
01:05:20Yours.
01:05:22For you and he were once romantically connected.
01:05:25Were you not?
01:05:26You were in love.
01:05:28And now you are jealous.
01:05:30Vengeful.
01:05:30And like those mosquitoes.
01:05:32Hungry for blood.
01:05:34In short, you are a killer.
01:05:35I'm sorry, but that's not right.
01:05:39I was in love.
01:05:40Yes, but it wasn't with Angela Clutterbug.
01:05:43Are we done?
01:05:44Whilst I appreciate your efforts, this is all too much.
01:05:47Miss Angela, what is it that you're not telling us?
01:05:55You thatuous child.
01:05:57It's the simpering waitress.
01:05:59She's the one.
01:06:00She adored him.
01:06:01They were romantically connected for years.
01:06:04Then he shoved off to New York and she broke into a million pieces.
01:06:07No-one hates Cab quite as vividly as she does.
01:06:15Dilys.
01:06:15I'm talking about Dilys.
01:06:16I've just written the ending.
01:06:36This B-flat up the top's gone dead, so try not to hear that.
01:06:39So true again, know you again, the same from year to year.
01:06:53Each day I wish my life away, wishing that you were near.
01:07:09Leaving you here was the biggest mistake of my life.
01:07:15Every day I wanted to tell you that and every day I failed.
01:07:19Even here.
01:07:23So I guess I deserve what I deserve.
01:07:32Did you write that for me?
01:07:36It's called a sad song for Dilys.
01:07:39So I think I must have.
01:07:49I behave disgracefully to you.
01:07:53And I'm very, very sorry.
01:08:09She's hypnotized him.
01:08:16This is a vision he can't defend himself.
01:08:18Wait.
01:08:18Look and learn.
01:08:25You.
01:08:27It was always you.
01:08:28So it wasn't murder, it was...
01:08:40It was...
01:08:41...that stuff.
01:08:43Yuck.
01:08:47Hey detectives, a guy usually gets to do this in private.
01:08:52I guess you have to work with what you've got.
01:08:54Dilys Shepard, will you marry me?
01:08:57Yes.
01:08:59Yes, Charlie, I will.
01:09:00Yes.
01:09:02So...
01:09:02I'm so confused, Dilys, you didn't come here to murder Charlie.
01:09:09I didn't know what I came here for.
01:09:12I just knew I had to be alone with him.
01:09:16You dreamt it all wrong.
01:09:19It wasn't a dream, it was a vision.
01:09:21You impetuous fools.
01:09:25Death is bearing down on this man here, now.
01:09:29Everyone who doesn't want to get shot, move.
01:09:33I'm the one whose life you ruined, Charlie.
01:09:36I've been scrimping and saving for years to get away from my mother.
01:09:40The ghastly toboggan-faced old hag.
01:09:44Every time she left sixpence for a tip, I'd go back and get it.
01:09:46I'd pick up pennies in the street.
01:09:48The collection plate comes round for the offertory here.
01:09:51I'd take from it.
01:09:53All I wanted was enough money to get a ticket to anywhere.
01:09:57To get away.
01:10:00And you sneaked into my room and you stole it, you sneaking sneak thief.
01:10:05Wait, wait, wait.
01:10:06Just a minute.
01:10:08I have an idea.
01:10:10I don't know how much money Charlie stole from you.
01:10:16A lot.
01:10:18Two hundred pound.
01:10:20Two hundred and three.
01:10:22Two hundred and three.
01:10:24Cool.
01:10:25So, so here's my vision of the future.
01:10:29Charlie pays the two hundred and three pounds back.
01:10:32With interest, now.
01:10:34Agreed?
01:10:35Of course, yes.
01:10:38Meanwhile, Charlie marries Dillis, joins the army, beats up Hitler,
01:10:43and writes hundreds of fantastic songs to inspire the whole country and make everyone feel brilliant.
01:10:51Except your mother, who hates every single minute of it.
01:10:54So just stop this now, Angela.
01:11:01You stop it.
01:11:03I said it first.
01:11:04Well, she did, actually.
01:11:05Well done.
01:11:15Right decision.
01:11:18But, you might have to go to prison for a little bit.
01:11:23Always has to be the center of attention.
01:11:35Relax.
01:11:40The property's undamaged.
01:11:42Ah, it's your property I'm thinking of.
01:11:45I said we made your money war-proof.
01:11:47You're being paid.
01:11:48Open up.
01:11:49In gold.
01:11:52Three beautiful babies.
01:11:55What'll you do with them?
01:11:56One.
01:11:57Simple division.
01:11:58One for my father.
01:11:59To rescue the prospect and pay the staff what they're owed.
01:12:03One to be held on a fund for Angela for pinching her savings.
01:12:06I'm on for Dillis.
01:12:07Because I love her.
01:12:13Mr. Vincent, will you kindly secure this case in the hotel's safe?
01:12:17My pleasure, sir.
01:12:22Charlie, can you find it in your heart?
01:12:27To forgive me?
01:12:31My dear son.
01:12:39I'll just save you.
01:12:44Listen, all.
01:12:46Now might be the time to tell you that this afternoon, your Uncle Quinton had a telegram.
01:12:53Flapon.
01:12:54Presence required abroad.
01:12:55Any chance our lot stayed Kieran in the immediate future?
01:12:58Jilly and Jack.
01:12:59Oh, that's fantastic.
01:13:00How could you be happy?
01:13:12I mean, Kieran, that's wonderful.
01:13:15But Mum and Dad are heading into danger on my birthday.
01:13:20Chin up, sis.
01:13:22We have to be brave about stuff when we can.
01:13:25It's our war effort.
01:13:26Like the whale fat.
01:13:27Like the whale fat.
01:13:33There's something bugging me.
01:13:34Do you remember the numbers on the wall?
01:13:3560, 20, 90, 20, of course.
01:13:38What about them?
01:13:39I think I know what they mean.
01:13:49I think I know what they mean.
01:13:51Possessly.
01:13:53Yeah.
01:13:53They're not Being a man.
01:13:56It's going to be mad.
01:13:56I think I don't know what I'm doing.
01:13:57I know they're willing to go forward.
01:13:59And we'll blow it on my little brand.
01:14:00And we will have to bring up the mission through the cash卡.
01:14:00If you would like to partner on my bios.
01:14:01Hey, I think you wouldn't be a promise.
01:14:01And take care of you.
01:14:01Stayaranous.
01:14:02Fall 30, 20, 21, 21, 22, 21, 23.
01:14:03V Too many, 22, 22, 2021.
01:14:04All right.
01:14:04How to fin the house are they worth?
01:14:24And you, Gabriella, not your colour.
01:14:30You're in, I'm busy.
01:14:32All eyes.
01:14:34Everything you said lies.
01:14:37You've been spying on this room since the day you got here.
01:14:44You've known for a long time how to open that seat.
01:14:47But you had to wait, because you knew the gold was on its way.
01:14:51The money will be arriving shortly in warproof form.
01:14:55That meant Charlie had to stay alive, yes.
01:14:58Only long enough for him to sign the new contract.
01:15:00You didn't care about his life at all.
01:15:05Look, all this is just a little taking things from other people's lives to improve your own, you know.
01:15:14I really thought you'd become a good person.
01:15:19Don't spare me the moral flagellation.
01:15:21I'm not used to being poor, I don't like it.
01:15:24Neither does she.
01:15:24We can't all be real friends.
01:15:28Is this all you are, Wentworth?
01:15:30Another sneak thief?
01:15:33No, my dear.
01:15:35I'm also your teacher.
01:15:37And this particular lesson is concluded.
01:15:47Oh, God!
01:15:50Come on!
01:15:56Timmy!
01:15:57Timmy!
01:15:57Timmy!
01:15:57Timmy!
01:15:57Timmy!
01:15:58Timmy!
01:15:59Timmy!
01:16:00Timmy!
01:16:01Timmy!
01:16:02Timmy!
01:16:03Timmy!
01:16:04Timmy!
01:16:05Timmy!
01:16:06Timmy!
01:16:07Timmy!
01:16:08Timmy!
01:16:09Timmy!
01:16:10Timmy!
01:16:11Timmy!
01:16:12Timmy!
01:16:13Timmy!
01:16:14Timmy!
01:16:15Timmy!
01:16:16Sorry, my dear, but...
01:16:17I really need this girl.
01:16:19Timmy!
01:16:20Timmy!
01:16:21Timmy!
01:16:22Timmy!
01:16:23Timmy!
01:16:24Timmy!
01:16:25Timmy!
01:16:26Timmy!
01:16:27Timmy!
01:16:28Timmy!
01:16:29Timmy!
01:16:30What did you do?
01:16:31That way.
01:16:32Into the marsh.
01:16:33Timmy!
01:16:34horrifyingannercks.
01:16:36Hellfuck!
01:16:37Goodbye.
01:16:39Oh, my God!
01:16:41Timmy!
01:16:42When were?
01:16:43It's worse!
01:16:44Oh!
01:16:45We all!
01:16:46Wentworth!
01:16:47That's the marshes, dangerous.
01:16:48You have to insult.
01:16:50Oh!
01:16:51Damn!
01:16:52It won't work!
01:16:59He's stuck!
01:17:04He's sinking.
01:17:06It's all right, children.
01:17:07I wish to be rude because inexplicably I've...
01:17:10grown rather fond of you, but...
01:17:13What did you say?
01:17:16You're sinking!
01:17:19We have to get him out of there.
01:17:22Wentworth, grab hold of me.
01:17:27Drop the bag and take my hand.
01:17:29Grab my hand!
01:17:31Wentworth, please.
01:17:35Look, Wentworth, I know you said you wanted to stop death in his tracks.
01:17:39I know you were lying, but I'm not.
01:17:42Wentworth, I want you to live.
01:17:49Save me, children!
01:17:50Save me!
01:17:52Pull!
01:17:53Pull!
01:17:54Pull!
01:17:55Pull!
01:17:56Pull!
01:17:57Pull!
01:17:58I said...
01:17:59Timmy, this has to be all five of us, okay?
01:18:01Pull out of the way!
01:18:02Pull out of the way!
01:18:03Pull out of the way!
01:18:04Nobody's gonna die today!
01:18:06Nobody!
01:18:07Nobody's gonna die today!
01:18:08Nobody!
01:18:09Nobody!
01:18:10No!
01:18:11Oh!
01:18:13Oh!
01:18:15Oh!
01:18:16Oh!
01:18:17Oh!
01:18:18Oh!
01:18:19Oh!
01:18:20Oh!
01:18:22Oh!
01:18:24Oh!
01:18:25Oh!
01:18:26Oh!
01:18:27Oh!
01:18:28Oh!
01:18:29Oh!
01:18:30Oh!
01:18:31Oh!
01:18:32Oh!
01:18:33Oh!
01:18:34Oh!
01:18:35Yeah!
01:18:37Oh!
01:18:38Oh!
01:18:39Oh!
01:18:40Oh!
01:18:42Oh!
01:18:43Oh!
01:18:44Oh!
01:18:45Oh, oh!
01:18:46Oh!
01:18:47put up with it. There's no have to, Thomas, because there's no we both.
01:18:59Hasta mañana.
01:19:03Your Spanish, like everything else, is inadequate. You mean adios.
01:19:17Come on. Pull, Timmy. Pull. Good boy. You've got this, Timmy. Pull, Julian.
01:19:27Yes, that's it. Yes, you've got it. We did it. We got the gold. Good boy, Timmy.
01:19:35It's okay. You do look a bit like a panda, but there's always something nice to look
01:19:49forward to. Tomorrow's my birthday.
01:19:52Finished. Detective Monroe finally tracked down the murder victim's missing monocle
01:20:09in a spooky old hotel. But where exactly? Three guesses. Julian?
01:20:15Behind the painting with fake eyes. Oh, I like it. No. George? In a sulfuric acid martini
01:20:23dissolving. Very stylish. No. One more guess. Dig.
01:20:34In the piano. Good grief. How did you know that?
01:20:39It's trapped under the B-flat. That's why the note can't sound. Richard Barnard. If I were
01:20:46wearing a hat, I would sweep it off to you. I may even put one on just for that purpose.
01:20:54What's the matter with Anne? Oh. There's this thing we do at home on her birthday. It's so
01:21:02silly. We sing this song, Green Grow. Mum and Dad sing the question bit and we sing the answer
01:21:08a bit. But I think she's just a bit sad that we can't all be together. Look, we have a tradition
01:21:18in this household where you get to open one present before the cake. I get to choose. Anne?
01:21:25Who is? This one. Came this afternoon. Grammophone, please.
01:21:30It's a record.
01:21:42Hmm. May I?
01:21:44Is it recording? Oh, yes. Oh, right. It's Mummy.
01:21:50Hello, my darlings. I'm here with Daddy in a recording studio. Hello, Team B. And Daddy.
01:22:06And this is our birthday present to Anne. I've asked Aunt Fanny to hand this over at the
01:22:12right moment. Right. Are you ready? I'll sing your wonder. We can't hear you. Green Grow the
01:22:24rushes, oh. What is your wonder? One is one and all alone and evermore shall be so. I'll sing you too, oh. Green Grow the
01:22:36narrow and behind you since then. I've had a dreamière to grow in the rushes, oh.
Be the first to comment