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Amadeus Season 1 Episode 4
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FunTranscript
00:00a sexual nature and scenes which some viewers may find distressing.
00:30you're writing it for your wife yes you could just talk to her this is how i talk november is a long time
00:37to be alone yes it is he's refusing to reveal what his opera is even about you're the capital master
00:43now salieri if the audience are moved to leave the theater and march on the palace demanding my head
00:48then you have my permission to shut it down our emperor rides to war and you incite a mob
00:52you couldn't hear it could you he had secured great lesson
01:22well who could that be knocking at my door at this hour
01:40i had your footman call for a doctor on my way here
01:43a kindly physician come to administer a tonic
01:46or rough men with rough hands come to drag me away
01:50perhaps your treatment will depend on what i say to them
01:54i'd like you to finish your story capital master we still have time
02:02joe would always puzzle me
02:05that in the moments of my greatest wickedness i was never punished
02:10the more abhorrent my behavior the more i waited for god's retribution
02:15and it never came in fact the opposite was true i was rewarded for it
02:21i watched bono die i was given his position
02:25i committed infidelities and nothing
02:30nothing ever happened
02:34but there are always consequences
02:39there is always a reckoning
02:44there is always a mistake
03:47Figaro was shut down.
03:51I had truly blocked Mozart for the first time.
03:55And I awaited God's response to my challenge.
03:59But he did not seem to defend his creature.
04:03Amadeus lost more pupils.
04:06Money became so tight he had to downsize his apartment.
04:10Even my introduction of Herr Sussmaier had yielded more than I expected.
04:15Well, I love his music.
04:17I do.
04:17Ever since I heard it through the flowers of my mother's house, I loved it.
04:21But...
04:22What?
04:26It's not enough.
04:39Wolfgang?
04:39My leg has been troubling me and the doctor thinks some time away would be good for me.
04:48He thinks I should take the waters in Barton.
04:51What does he?
04:53Just for a month or two, maybe.
04:57Carl can go and stay with my mother and sisters for a while.
04:59I'll send for him later on.
05:07Well, you can have one of these if you like.
05:09Mmm.
05:13I'll send word to you when I get there.
05:15Okay, Carl, before you go, should I show you a little magic trick?
05:34Are you listening?
05:36One more time.
05:37You see?
05:52Now that's in your head, when you go down for bed tonight, you might hear it.
05:57And then you'll think of me, won't you?
06:00Yeah.
06:01Noise.
06:02There we go.
06:03You might hear it too.
06:10Michael.
06:11Oh, my God.
06:41Yes, but no more than the soldiers.
06:54What do you need in your hand?
06:55I heard some news this morning from my lodge.
06:59The Masons, I'm a brother there, you know.
07:01Yes, I had heard that.
07:02We'd be very keen in having you join us, by the way.
07:05Bless you, but I serve only one master.
07:08Yes, of course.
07:10Well, this morning, I heard that one of our brotherhood had passed away suddenly.
07:15Oh, dear.
07:15Who?
07:19Who?
07:23Antonio.
07:23They told me this was, well, they told me this is where you're living now.
07:28Yes, what do you think?
07:30Oh, what?
07:30I'm joking, it's a shithole.
07:32I know it is.
07:33Don't worry, we'll be back somewhere nicer soon.
07:36Is, er...
07:37Stanza here?
07:38No.
07:38She's in Barden.
07:39Do you know Barden?
07:41It's a lovely spa town.
07:42She gets this thing with her legs.
07:43The waters help, apparently.
07:45I don't know.
07:46Well, it's sad.
07:50Your father has died.
07:57I received the news this morning from the brotherhood.
08:05Right.
08:06I see you.
08:12Um.
08:21When?
08:22When did he?
08:23Two days ago.
08:24I wanted to be the one to tell you.
08:28I thought it might help to have the news delivered by a friendly face.
08:35Is that where you are?
08:38Not so.
08:40Many composers view the Kappelmeister as an adversary, but I'm not.
08:45I'm really not.
08:48Of course.
08:49Well, thank you for letting me know.
08:58I prefer to be on my own now, though, I think.
09:03Of course.
09:05Absolutely.
09:09If you need anything.
09:12Anything.
09:14My condolences, Wolfgang.
09:15Are you happy?
09:44Bye.
09:44Bye.
09:45Here rests a bird called Starling, a foolish little darling.
10:04He was still in his prime when he ran out of time,
10:08and my sweet little friend came to a bitter end.
10:12Gentle crowd, shed a tear, for he was dear.
10:19I bet he is now up on high, praising my friendship to the sky.
10:25For when he took his sudden leave, which brought to me such grief.
10:40To a good companion.
10:42That's the first time I've been to a bird's funeral, that's for sure.
10:54Well, he was quite a creature.
11:10Oh, my God.
11:40Oh, my God.
12:10Oh, my God.
12:40Oh, my God.
13:10Oh, my God.
13:40Oh, my God.
14:10Oh, my God.
14:40Oh, my God.
15:10I was advised that he wasn't in the mood for conversing.
15:14How long has he been back from the front, so to speak?
15:17Two weeks.
15:18He didn't want to leave, but his health has been poor.
15:20Does anyone know if we're winning?
15:21Does anyone know if we're winning?
15:24Winning what?
15:26The war.
15:26Of course we're winning.
15:33Well, that's a relief.
15:35What did you think?
15:37I thought he looked pale.
15:38I thought he looked pale.
15:39I thought he looked pale.
15:39Mozart, did you see him swaying at the podium?
15:42He doesn't look well.
15:43I've called him in drinking.
15:44Yeah, that's how he spends most of his time these days.
15:47I'm enjoying it.
15:48I found it rather, um...
15:51tuneful.
15:52Tuneful?
15:53Yes, tuneful.
15:56Antonio, wouldn't you agree?
15:57No, I wouldn't.
15:57I'd say the whole thing's rather thin so far.
16:01Let's hope the second half gives us something more to chew on.
16:04Don Giovanni
16:27I watched that performance on opening night.
16:51I heard those words, I listened to that music, and I knew he'd opened himself up.
16:57Reveal the darkest parts of his being.
17:13I saw it then.
17:14His damaged mind, the naked ugliness of his grief and guilt.
17:21There, in that demonic figure on the stage, was his own father.
17:25And in that poor, wretched philander of Mozart himself, punished for his sins, his puckish abundance, his insolent virility.
17:37Then, everyone, you know, said, that he's not their own father or a child.
17:38People, they're notごedent of his own father.
17:39After the death of all, when he's going to work his only father, his Нет era's hand, his son.
17:44He's got a modest, and the man, and the man, and the man, and the man, and the man will suffer.
17:46The man, and the man, and the man, and the man, and the man, and the man, and the man.
17:50Oh
18:20I saw his open wound and through it is barely beating hard
18:38And I knew exactly where in time I would place the final blade
18:44Bravo maestro it's well it's a trial thank you you don't seem well sir if you
18:57don't mind my say oh I'm fine I I didn't see your wife in the audience no
19:08she's still away well she's been gone long time well I hope you're looking
19:15after yourself yeah brotherhood has been looking after me the Freemasons yes
19:25they've been keeping me afloat since father died a few commissions it's all
19:30charity really I'll pay them back when I can obviously well I'm just glad to see
19:37you still have some old friends looking out for you that's that's wonderful you
19:43really liked it
19:49it was as though I were looking into your soul
19:54it written a masterpiece again and I was nothing but a spectator but my power was
20:11undiminished my influence remained and I used it to ensure that Don Giovanni played
20:18only five times of course I saw every one of those five performances I wasn't the only one
20:33I'm sorry your majesty I didn't know if you want to be disturbed it's all right
20:49how is how is the war how is the war
20:57I have all the music manuscripts sent to me at the front all the new work I am I sit and try and read
21:14and hear the music as I know you can but my ears I'd love to be able to have your ear be able to sit and
21:28hear the music and truly understand it my great regret
21:36what about this boy
21:42what about this boy
21:42my god Antony had listened to us
21:50do you ever marvel how lucky we are out of all of human history to have shared our time with music such as this
22:01I do
22:05you promised me one thing
22:16that you'll continue to commission new work
22:21for the people left behind and the men who return
22:27let there be music for them at least
22:32of course you want to just
22:35there was so much I wanted to do Antony
22:43that was the last time I ever saw the emperor
22:58he returned to the front and died six months later in his bed
23:06and with him went your husband's most powerful ally
23:14well it's not we have to shut down
23:17we love it we believe in it
23:20I advocated for it but
23:21with budgets as tight as they are I'm afraid it's just more cost effective to scrap it
23:27well
23:31the next one will be even better
23:34the next one
23:35yes
23:36Wolfgang
23:39Figaro
23:41Don Giovanni
23:42your work is strong
23:45we both know that
23:46the imperial opera
23:47it's not for everyone
23:48these big old halls
23:51they can be unforgiving
23:52it's not just you
23:54everything's been cut
23:56I'm sorry
23:57why can't they hear it
24:02these are dark times Mozart
24:07perhaps the people desire light
24:11light
24:19light
24:22fuck off please
24:24fuck off
24:26cheers
24:32hi stroke
24:41we would like to formally invite you
24:44to the wake
24:45of Don Giovanni
24:46thank you for inviting us in
24:49to another dead darling
25:06to another dead darling
25:11excuse me
25:27no not top
25:28um
25:29so I'm sorry
25:30I'm sorry to be
25:31bothering you
25:32why are you doing it then
25:33I'm a huge
25:36huge admirer
25:38of yours
25:39he doesn't write the words
25:40you know
25:41sorry who are you
25:42yeah sorry
25:44I'm Gregor
25:45sir
25:45I'm
25:45I'm Gregor Braun
25:47I work backstage
25:48so we've never spoken
25:50so we've never spoken
25:50please
25:51so which of my works
25:54have you seen
25:54ah
25:56all of them
25:57I mean as many as I've
25:58been able to
25:59and I bought all of the pieces
26:01that I couldn't
26:02that I could find
26:02so I've bought
26:04the six piano sonatas
26:06from Paris
26:07and the twelve variations
26:09and the bell francois
26:10and then the Turkish march
26:12the piece from the A major sonata
26:15wow you really are an expert on him
26:17what did he have for dinner last night
26:20ooh
26:21how low do his balls hang
26:23I don't know everything about you maestro
26:29I just really um
26:32I really dream of emulating you
26:35I was ten years old
26:38when I first heard your work
26:39and it just felt as though
26:42yes
26:45it felt as though the heavens
26:51were talking to me
26:52as though God was speaking through me
26:58yes
27:01well let's see if you can speak back shall we
27:07be rude not to
27:09what did you say your name was again
27:10um Gregor
27:12ah Gregor
27:13that's funny
27:13my father had a dog named Gregor
27:15can you do tricks too
27:16come on make yourself comfortable
27:18show us what you can do
27:19gather round everyone
27:20this is Gregor
27:22he's going to play us some tunes
27:23please
27:25don't be shy
27:25come forward
27:26come forward
27:27you're in time
27:29shh, shh
27:29shh
27:30shh
27:30shh
27:31shh
27:36shh
27:53Oh, gosh, well, there it is.
28:21What did everybody think?
28:22I'll tell you what I made of that.
28:24I recognise the notes, but very little else,
28:26as if the soul had been ripped out of it.
28:28Go on, please, let's try another one. Surprise me.
28:31Uh, okay, I, uh, actually, this one's quite fun.
28:35I just, um, had an arrangement of one of your, uh,
28:39serenades for forte piano.
28:40Please.
28:46No, no.
28:48If you're going to play that one,
28:49it's not like that, is it?
28:52It's like this.
28:54Can you hear the difference?
28:55Okay, start again.
28:56Wolfgang, why don't...
28:57Start again.
29:05Gregor, you tell me that you want to be a musician,
29:07and then you embarrass us both with this half-baked shit.
29:10I didn't say stop, keep playing,
29:13but for fuck's sake, Gregor, do it properly.
29:15I thought you liked my music.
29:16Why are you butchering it?
29:17Not like that.
29:19You're getting distracted.
29:20You have to focus on the music.
29:23Do you want my advice, Gregor?
29:25Find another dream.
29:26Find something you can actually do,
29:28and find some other composer to fawn over.
29:30Maybe you can waste his time instead.
29:44Did it make you feel good,
29:45humiliating that poor boy in front of everyone?
29:49When did you get back?
29:51This afternoon.
29:52So did you see it?
29:54What?
29:55Don Giovanni, my opera.
29:56Did you see it?
29:57Yes.
29:59And?
30:00What did you think?
30:03A thousand and three in Spain.
30:06Well, Lorenzo writes the words, so...
30:09Well, I know how you inspire him.
30:13Your leg seems much better.
30:16How was Barden?
30:18Good.
30:20How was France?
30:22Oh, so I'm the subject of gossip, am I?
30:24Well, you make yourself the subject of gossip.
30:26Do I?
30:26Yes.
30:27How?
30:27By carrying on.
30:29Like a...
30:30Like a what?
30:31Like a whore.
30:32Like a cheap...
30:34a fucking whore.
30:35Well, a cheap fucking whore
30:36is the only kind of whore
30:37you'd be able to afford, Wolfgang.
30:41Mother said you haven't been to see Carl at once.
30:45She said she saw you one morning
30:46and you were too drunk
30:47to even recognise your own son.
30:49Well, I would see more of my son
30:50if his mother wasn't constantly running off
30:52to moisten the balls
30:53of every inadequate fucking student musician
30:55to look her way.
30:55Well, yes, France did.
30:57He did look my way.
30:58He looked at me, yeah.
30:59He saw me.
31:00He spoke to me.
31:01He...
31:02He bothered to ask my opinion
31:06on things in the world beyond
31:07what did you think of my fucking opera?
31:09What did you think of my fucking opera?
31:11I thought it was too fucking long.
31:26It made me sad.
31:27like I was intruding on something
31:33I wasn't supposed to see.
31:38It made me realise
31:39everything I know about you
31:40I've had to learn through your characters.
31:42and I wondered if you
31:49if you could ever open up to me
31:52or
31:52just be stuck hoping that
31:55Tiggory or Don Giovanni
31:57would tell me the things that you heard.
32:02You are supposed to see it.
32:08You're supposed to see it.
32:09You can't stay with me.
32:25It isn't good to hear.
32:26I'm...
32:26You're supposed to know.
32:28You should try.
32:38You're supposed to know.
32:44You're supposed to see it.
32:45You're supposed to know.
32:49All right.
32:50It's not about all the characters.
32:51What?
32:51Yeah.
32:52What do you say?
32:5349.
32:54We'll go again.
33:15We'll write something else.
33:17You'll write something else.
33:19You shouldn't do this.
33:21Keep working with me.
33:22I'm cursed.
33:23Oh, please, don't be a fucking martyr.
33:25Go write for Salieri or fucking Regini or anyone else.
33:29We're having a small run of bad luck, I'll give you that.
33:32Look, I don't want to write for any of them.
33:34I want to write for you.
33:38It's different with you, and you know that.
33:41And that's as much of a compliment as you'll get out of me,
33:43so don't look for any more.
33:49I hate this.
33:52What?
33:53The end of a party.
33:59I mean, obviously, Wolfgang, I'd be delighted to have you put something on here.
34:02I just assumed you'd be staging your next one at the Bird's Theater again.
34:04Oh, no, it's too stuffy.
34:07I feel like I need something more alive.
34:10Oh, wait, that's us.
34:12Wait, we're alive all right.
34:15No, we're packed every weekend.
34:17Wolfgang, I can guarantee you a full house of excited music lovers.
34:21Desperate, desperate, desperate to be entertained.
34:24Right, they won't just sit there like the aristocrats.
34:26No, they sing along, they dance.
34:29Right, they laugh.
34:30And I'll give you off.
34:31And on the takings, I can give you off.
34:33Oh.
34:34Well, if that's the best you can do, I suppose we'd better shake on that.
34:39Oh.
34:40I'm so pleased.
34:42He's very excited.
34:43I'm sure it's going to be a hit.
34:44And actually, between you and I, the Brotherhood owns the lease on the place so he gets a cut
34:48of the takings as well.
34:50He's doing very nicely.
34:51Mozart might be able to pay off his debts.
34:55Get back into the city.
34:57I'm very quiet this morning, dear.
35:02Oh.
35:03Just in my thoughts.
35:06What are you thinking about?
35:10The masons.
35:13Wolfgang!
35:14Cabalmeister.
35:15I wanted to find you and congratulate you on your new commission.
35:19Oh, thank you.
35:20You were right, by the way.
35:21Much better to get away from the Burke Theatre.
35:23Well, I think it's wonderful news.
35:25Let's celebrate.
35:26Yes.
35:27So tell me, what have you got so far?
35:31Love, sire.
35:32Excuse me?
35:33Do you remember?
35:34The first time I ever went to the Emperor's palace, he asked me what a good German virtue
35:39might be.
35:40Ah, yes, yes, yes.
35:41You said love, sire.
35:42Yes.
35:43Love.
35:44I want to write about love.
35:48And light.
35:49I think it's a wonderful idea.
35:53Although it strikes me there are different kinds of love, aren't there?
35:57There's romantic love, certainly, but that feels pretty played out at this point.
36:01Yeah.
36:02But what of maternal love?
36:03Familial love?
36:04Fraternal love?
36:05Fraternal love?
36:06Fraternal love?
36:07Brotherly love?
36:08That's a thought, yeah.
36:09Brotherhood?
36:10I mean, that's what the Masons are all about.
36:12My father used to talk about it all the time.
36:14The sucker that we got from them.
36:16Perhaps...
36:17No, that's too much.
36:19What?
36:20No, no, no.
36:21It's a bad idea.
36:22What?
36:23Well, I was just thinking, why not put them into it?
36:28Into it?
36:29Show them in all their generosity.
36:31Let people see the kindness of the Masons.
36:34Well, the Brotherhood's rituals are a secret, of course.
36:37Needn't copy them exactly.
36:39You could adapt them, change a few details here and there, one step away, but they're still
36:43recognisable.
36:44Change a few details, but keep the intention.
36:47I like it.
36:50In fact, I'm going to speak to DuPonte.
37:00Antonio.
37:01What a surprise.
37:03You've caught me at an inopportune time.
37:06Well, it's hard not to.
37:14Oh.
37:19Entertaining.
37:20Very.
37:21Um.
37:23Please.
37:24Sit soft.
37:26No, no.
37:27I think I'll come straight to the point, Lorenzo.
37:30There were people who were disturbed by your presence when you first arrived in Vienna.
37:34But I vouched for you.
37:35I saw something in you and the Emperor was moved by your work.
37:38We all have been.
37:40But times are changing.
37:42The Emperor is unwell.
37:43He won't recover.
37:44His brother stands ready to take over when the time comes.
37:47It will be a rude awakening for many of us.
37:50He has none of Joseph's love of the arts.
37:54I expect budgets to tighten.
37:56I expect there to be a less...
37:59liberal outlook.
38:02Formal notice that you were to be removed from your position as court poet,
38:06and dismissed from Imperial service.
38:08Now, I'm afraid with the loss of both your patron and your position,
38:11questions have been raised about your continued residence here in Vienna.
38:18Figaro.
38:23Politics.
38:27How long do I have?
38:28Oh, I wouldn't linger.
38:34The mood is changing.
38:38You're a man out of time.
38:39You're a man out of time.
38:58Lorenzo?
39:09Just..
39:15Why?
39:17Easy?
39:18No, you're a man out of time.
39:20So, how long do you?
39:21Yes, that means nothing.
39:22It's up to you.
39:23Yes, that means nothing.
39:24If you're not in love.
39:25Let's go.
39:55Hello, Wolfgang. Hello.
40:15Hello. Mother took Karl up to Barden to see Stanza.
40:19Oh. We would have told you, but you haven't been to visit, so...
40:25Would you like a seat, Wolfgang?
40:42How is Karl?
40:44He's well. He can basically talk now.
40:47And Sophie's been giving him piano lessons.
40:50He's very bad, but so am I.
40:53Have you heard from Constanza?
40:56She writes.
40:59Is she happy?
41:03She is.
41:05She reads it always.
41:07She reads his notes.
41:11She reads it, and he reads it, and he reads it.
41:13And it reads it as fun.
41:15There's a chance there.
41:17She reads it and reads it.
41:19He reads it.
41:20He reads it.
41:22Other, he reads it.
45:34Oh, my God.
46:04For the brotherhood.
46:34A commission.
46:55A mass for the dead.
47:06You have seven days.
47:17The pieces had fallen into place.
47:20He was weak, broken, and alone, teetering on the edge of a precipice.
47:34And all that was needed was my hand to finally guide him over.
47:45So, into the darkness we go.
47:50So, into the darkness we go.
48:20So, into the darkness we go.
48:27So, into the darkness we go.
48:35So, into the darkness we go.
48:42So, into the darkness we go.
48:49So, into the darkness we go.
48:56So, into the darkness we go.
49:03So, into the darkness we go.
49:05So, into the darkness we go.
49:12So, into the darkness we go.
49:14So, into the darkness we go.
49:16So, into the darkness we go.
49:23So, into the darkness we go.
49:25So, into the darkness we go.
49:27So, into the darkness we go.
49:28So, into the darkness we go.
49:29So, into the darkness we go.
49:30So, into the darkness we go.
49:31So, into the darkness we go.
49:32So, into the darkness we go.
49:33So, into the darkness we go.
49:34So, into the darkness we go.
49:35So, into the darkness we go.
49:36So, into the darkness we go.
49:37So, into the darkness we go.
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