- 1 day ago
Dirty Den Watts finds Kathy shaken and bruised on the streets and takes her to the Fowlers. As they discover just what has happened to her, Den decides to dispense a bit of justice of his own on James Wilmott-Brown - a nice little "fun fire"...
(Note: These are a few episodes (not many, I have to admit) of old recordings I have of that certain London soap that I notice aren't available elsewhere and thought that fans might like to see and save. As a disclaimer, ownership rights go to the BBC. I am merely uploading these for people to see who may not of seen these episodes for years or who might be looking out for them. No offence is intended, and they go for the few other soap episodes I have uploaded in the past and now too. For those viewing this, I did upload four episodes but this is the only one Dailymotion have allowed to stay up. Enjoy, and apologies for the quality. But if you are fans of this soap, I suggest you save this episode as it isn't available anywhere else).
(Note: These are a few episodes (not many, I have to admit) of old recordings I have of that certain London soap that I notice aren't available elsewhere and thought that fans might like to see and save. As a disclaimer, ownership rights go to the BBC. I am merely uploading these for people to see who may not of seen these episodes for years or who might be looking out for them. No offence is intended, and they go for the few other soap episodes I have uploaded in the past and now too. For those viewing this, I did upload four episodes but this is the only one Dailymotion have allowed to stay up. Enjoy, and apologies for the quality. But if you are fans of this soap, I suggest you save this episode as it isn't available anywhere else).
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TVTranscript
00:00I'll see you next time.
00:30Let's go.
01:00All right, tell us what happened.
01:20I don't want you to get hurt.
01:21All right, I'm coming.
01:24Robert's a little bit squeamish, my dear.
01:26I'll just get her inside and give her some tea, will you?
01:36What have you done?
01:36Oh, don't be stupid.
01:38What's happened?
01:40Dennis, where are you going?
01:41Sort things out now.
01:42Do as you're told and get her inside.
01:43Come on, lovely, don't mind.
01:46Yeah, I don't know.
01:46Come on, lovely.
01:47Get your cup of tea.
01:49Come on, come on, sit down.
01:51My dear.
01:52Brian, what on earth's happened?
01:55Wilmot Brown?
01:56Well, what about him?
02:00No.
02:01Oh, Paul.
02:02Oh, Cassie, oh, love, oh.
02:05Brad, it's Den, all right?
02:07I want to see you now.
02:08I'm at the wine bar.
02:09No, no, no, it's personal.
02:11But I want you over here now and bring Jay in with you.
02:15Simon?
02:16Excuse me.
02:17Simon, look who's here.
02:18Oh, what, child?
02:19Yeah?
02:19I thought you couldn't make it.
02:20Yeah, but you have a deal with some point.
02:21We've decided to sneak out.
02:22Oh, no, I'll drink.
02:23Do you want a drink, then?
02:24Yeah, you'll take this.
02:25Oh, thank you.
02:25Where was he going?
02:26Can't you dance in a minute, Cy?
02:28Yeah, yeah, in a minute.
02:29Okay, better be no longer.
02:34Why are you staring at him?
02:35Nothing.
02:36Haven't you noticed him?
02:36Yeah.
02:37You can't take his eyes off her.
02:38She told me and Sharon she wasn't very happy about it.
02:41I can't help it if we've got the best-looking mum in Wolf and get her.
02:43Yeah, well, I reckon he's laying it on a bit thick.
02:44I wouldn't like it if I was her.
02:45Well, she's in a bit of an awkward position, isn't she?
02:47Well, why isn't I?
02:47Well, I mean, she works for him.
02:48She either takes it and keeps her job or she leaves.
02:51Sorry, Mum.
02:52Excuse me.
02:53Listen, your mum asked me to give you this.
02:54Oh, thanks.
02:56In fact, he does have me, then.
02:57Yeah, in a minute.
02:58Oh, come on, Simon.
02:59You haven't spoke two words of me all evening.
03:01Well, I'm sorry, Dawn.
03:02I'll move you in a minute, all right?
03:03You've got a nerve.
03:04Yeah, well, I wouldn't have been half as bad if someone hadn't have cocked up in French,
03:07would I?
03:07You've got him.
03:08Oh, no, no.
03:09I like the shirt.
03:10It's got a tie-in' on.
03:11I was saying, here.
03:12Can I have a time when we dance?
03:13Yeah.
03:18She's from Sweden.
03:22Would you want me to ring the police?
03:24Kath, if he's done it, then he's got to be locked up.
03:29He said everyone knew there was something going on between us.
03:32What?
03:33Me and him.
03:35He said everyone knew.
03:37There was no point in telling anyone, because they wouldn't believe me.
03:41He'd say that I agreed that I let him, and then they got scared of that Pete finding out.
03:45That's what he said.
03:46But it's not true, is it?
03:48Of course it's not.
03:50He forced me, Pauline.
03:52He forced me.
03:54Who's going to believe me, though?
03:55Even you don't.
03:57Oh, I do.
03:58I just want to be sure.
04:00Pete won't believe me.
04:01Well, he'll have to.
04:02He won't, no.
04:04He's been telling me to quit the dead mark for ages.
04:06I just ignored him.
04:06Well, my brand's right.
04:11It's just going to look like we was having an affair.
04:13I mean, you must have heard people talking.
04:15Yeah, but I didn't take any notice.
04:16Yeah, but you heard it, though, didn't you?
04:17That's all that matters.
04:18Nothing else.
04:20God, it don't matter what I say.
04:22They're all going to believe him.
04:24I should never stay behind.
04:26Why did you?
04:27I don't know.
04:28I thought I heard voices.
04:30What are you doing up at this time?
04:32Kathy?
04:33He's just been attacked, Arthur.
04:37What?
04:38It was Wilmot Brown.
04:41Wilmot Brown?
04:42What for?
04:43He, er...
04:44He raped me, Arthur.
04:49Where is he now?
04:51I don't know.
04:52He left.
04:55Arthur, what are you doing?
04:56Get in dress.
04:57Arthur!
05:03What do you want?
05:25Is he here?
05:26Who?
05:26Wilmot Brown.
05:27What does it look like?
05:28It...
05:28Do you know about Kathy?
05:29Yeah, I found her.
05:31And where was Wilmot Brown?
05:32Gone.
05:33Have you rung Pete yet?
05:34No, of course not.
05:34Well, don't.
05:35And make sure Pauline doesn't either.
05:36I don't want him here when that pervert comes back.
05:38What if he never shows?
05:39Oh, he'll show, all right.
05:39He's got too much money investing in that booze across the road to walk away from it.
05:43I'm going over there and wait for...
05:44No, you're not.
05:45You're going back to bed.
05:45I'll sort it out.
05:46And what are you going to do?
05:47Don't worry.
05:47I'll handle it, all right?
05:49Should I stop them calling the police?
05:50It doesn't matter.
05:51Police or otherwise.
05:52As far as I'm concerned, Wilmot Brown's already convicted.
05:54All we've got to do now is work out the sentence.
05:57I'm not talking about a couple of months banged up inside either.
06:04Peter, what's up?
06:05Uh, don't worry.
06:06I'll just count it right up.
06:07Yeah, that's right.
06:08Don't forget what I said, mate.
06:09I won't.
06:10Just make sure you do a good job.
06:12Good night.
06:13I'm waiting, Dan.
06:17What's so important you drag us out here in the middle of the night?
06:20Wilmot Brown.
06:21I thought you said it was personal.
06:23Oh, it's personal, all right.
06:25He's just raped the wife of my best pal.
06:28Sorry to hear that, but I didn't quite see what it has to do with us.
06:32Don't you?
06:33He tried to nail us once, but he didn't manage it.
06:35Now he resorts to rape.
06:37He's a failure on every level.
06:38I want him out of the way.
06:39Whoa, hold on, Danny boy.
06:41He's overstepped the mark.
06:42Aren't we getting a bit carried away here?
06:44He's raped someone.
06:45I'm getting carried away.
06:46I want him castrated.
06:47Look, I know he's got up your nose in the past.
06:49I'm not talking about the past.
06:50I'm talking about tonight.
06:51I don't even give a toss about his poxy little booze across the road
06:53or his commissioned officer manners, all right?
06:55I want that man seen to, because he's raped someone I care a lot about.
06:58Sorry I can't stay, Simon.
06:59I've got to be up in the morning for that slave driver.
07:01Which is exactly the way it should be.
07:02We won't tolerate our staff slacking in any way.
07:04See what I mean?
07:05Yeah, well, thanks for coming anyway,
07:06even if you didn't land him in the Swedish and in Birmingham.
07:08See ya.
07:09You can look after yourself, all right?
07:10Thanks a lot.
07:11See you later.
07:15Hello, Simon.
07:16Hello.
07:17I thought we were never naked.
07:19Pardon?
07:20To be alone.
07:21Oh, yeah, well, look, I need to get in there.
07:24See, English custom, the host has to be in the main room.
07:28Sorry.
07:28I need to get in there.
07:30I see.
07:39Simon?
07:40Quick, in there.
07:43You will be if she gets over you.
07:44Huh?
07:44Get in there.
07:46Yeah, hang on, Donna.
07:46The door's stuck.
07:53Can you stick your hand to help me?
07:55What were you doing?
07:56When?
07:57Just now.
07:58Speak to the news.
07:59Come on, let's go and dance.
08:03You going to ignore me all night, Simon?
08:05No, of course not.
08:06I'll be with you in a minute, all right?
08:07I see she didn't have the facelift after all, then.
08:09How many of those you had?
08:10This is my fault.
08:11You better brush your teeth when you get back,
08:13or someone takes a whiff of your breath.
08:14You're hardly going to notice.
08:15We live in a pub.
08:16A bit slow, isn't it?
08:17No, I think it's great.
08:18That's because you batted that bird.
08:20What bird?
08:21That bird over there, standing with a vicar.
08:23No, I don't.
08:23Oh, leave it.
08:24I've seen you.
08:24You're like a man with a ferret down at his trance
08:26any time she's near you.
08:27She's not going to take a shine to you,
08:29stinky back and for a while.
08:29I'll be all right.
08:30Don't worry.
08:30Go on, then.
08:31What?
08:31Get over there and chat her up.
08:32We haven't got all night.
08:33What, now?
08:34Wait till she's gone.
08:35Yes, of course, now.
08:36Give me a chance.
08:38Yeah, I'll do it for you.
08:38Di, hi.
08:41Hi.
08:42Hello, Grant.
08:42Excuse me.
08:43Hi.
08:43It's my brother.
08:44He really fancies you.
08:46Your brother?
08:47Yeah, he's standing over there.
08:51I suppose you'd like a dance with me.
08:53Oh, well.
08:54Well, Carmel's a bit tied up at the moment,
08:56but how do you fancy a dance with me?
08:58Oh, hold on, Nick.
09:01Now, don't get jealous, all right?
09:03Excuse me.
09:05Sorry, did I like bath school?
09:06Mm-hmm.
09:09Oh.
09:12Oh.
09:13Oh.
09:18Oh.
09:21Hey, Donna?
09:24Yeah?
09:25What's that mark on your face?
09:26What?
09:26Where?
09:27Just there.
09:28Oh, is it gone?
09:29No.
09:30Oh, well, I'd better go and have a look, then.
09:31Yeah, you better.
09:34Ian!
09:35Ian?
09:36Which one?
09:37Give me some fiver.
09:38What?
09:38Get over there and keep Ingrid up.
09:40Oh, no, what?
09:40Now, just take it with the Donna and Sima.
09:42Oh, come on, mate.
09:42I'll get rid of them as soon as I can.
09:43No!
09:44I'll give you a fiver.
09:45Hey, Lieutenant.
09:46She's from Sweden.
09:47Deal.
09:48Excuse me.
09:48Must have some brandy, not about somewhere.
09:51She doesn't want any.
09:53Has she made a decision yet?
09:54What about?
09:55Going to the police.
09:57Yeah, Kath, I'll make you some tea.
09:59I'll get it, I'll get it.
10:00Oh, right.
10:01How are you feeling?
10:02I don't know.
10:04Do you mind if I have a bath?
10:05No, of course not.
10:06The water will still be warm.
10:07Come on, I'll come up with you and run it for you.
10:08Yeah, I saw the lights and I thought maybe Vicky was giving you trouble.
10:11Hiya.
10:11What's the matter?
10:13I thought we can.
10:14Oh, she's just having a bit of trouble.
10:16What sort of trouble?
10:16Oh, um, she's been attacked.
10:21Attacked?
10:22By Bill Mott Brown.
10:25What do you mean attacked?
10:26Will someone tell me?
10:28Uh, he raped her.
10:32Oh, my God.
10:34Yeah, well, that's the way it seems.
10:36Well, what do you mean that's the way it seems?
10:37Either he did or he didn't.
10:38He did.
10:39She was in his flat having a drink with him and he forced himself upon her.
10:42She's in a state of shock, sir.
10:45Well, what, what, what, has she called the police?
10:47She doesn't know if she wants to or not.
10:48What is she doing now?
10:49She's going to have a bath.
10:50Mum, you've got to stop her.
10:51But she wants to.
10:51She mustn't have a bath until she's seen the police.
10:56Things are being seen to.
10:59What does that mean?
11:00It means we don't need the police.
11:01Who's we?
11:04Us.
11:05Den's seen to it.
11:06Den?
11:06Yeah, you found her.
11:08Oh, so he's having him done over.
11:09Yeah.
11:10And that's that, is it?
11:11It's the best way.
11:12For who?
11:13Us, Albert Square.
11:15No, it's not.
11:15It just means that he's free to go and do it somewhere else.
11:18I doubt it.
11:18That doesn't happen in Italy.
11:19I don't care about Italy.
11:21Look, if Kathy doesn't want to go to the police, that's fair enough.
11:23But she's got to think seriously of that.
11:26All right, Cheryl.
11:27I'll think about it.
11:28Come on up.
11:29You can't sit down.
11:30Sit down.
11:31How are you feeling?
11:37Stupid question.
11:40I don't want to go to the police, Cheryl.
11:43Why can't I?
11:44I don't want Pete to know.
11:45Why?
11:46Because he won't believe me.
11:48Oh, of course he will.
11:49You say I was asking for it.
11:51Look, my dad's here.
11:52He knows what's going on.
11:53He'll tell him if you want.
11:54If you don't tell him, Kathy, you're going to go through the rest of your life worried that he's going to find out.
11:58Do you want to go through a life like that?
11:59It's not that easy, Cheryl.
12:01I'm not saying it's easy, Mum.
12:03Whatever Kathy does, it's not going to be easy.
12:06I mean, either way, you're going to have people talking behind your back and blaming you.
12:09But what's important is your conscience.
12:13I mean, is it right that he should be allowed to go around scot-free to do it again?
12:17And is it right that Kathy has to kill this guilty secret from her husband just because some bloke wanted sex and he wanted it from her?
12:23Is that right?
12:24Oh, I'll call the police.
12:28You don't have to, Kathy.
12:29I know.
12:30I'll go and call them.
12:31No, it's all right.
12:31I'll do it, yeah.
12:32Use the box on the square.
12:33We don't want anyone over here and Pete finding out on the grapevine or anything.
12:37Are you doing the right thing, Kathy?
12:39I hope so.
12:40Martin, what are you doing down here?
12:41You should be upstairs in bed.
12:43Come on, lovey.
12:44Come on.
12:45I just can't believe it's happened.
12:46I hate him, Shell.
12:50I really hate him.
12:52So do I.
12:54To do that.
12:56To me.
12:58Did he hurt you?
13:01Badly.
13:05He held my arms really tight and pushed me against the wall and just forced himself on me.
13:14God, it hurts, Shell.
13:16It really hurt.
13:19And then he threatened me.
13:21He threatened he'd hurt me more if I screamed.
13:24He threatened he'd help me.
13:26He said everyone knew about me and him and I wanted it, really.
13:31He said all different things.
13:33I know.
13:36I'm really hurt.
13:38It hurt me inside.
13:41It hurt me in me mind.
13:43And now I just feel dirty, Shell.
13:47I feel so dirty.
13:49I'm unclean.
13:51I don't think I'll ever feel clean again.
13:54God, I just want to pull my skin off.
13:57I want to die.
13:57I really want to die.
13:59Me tonight, then.
13:59How's that?
14:00I never realised you cared about anything this deeply.
14:03You what?
14:03He's probably given her one himself.
14:04Don't!
14:05Don't!
14:05Come on, time to make a move.
14:09Where to?
14:09Well, at home, of course.
14:11It's home.
14:11It is, and it's after two.
14:13It's not after two.
14:14I want to die.
14:14I want to die.
14:14Thanks a lot, Wixie.
14:20Yeah, thanks for coming down.
14:21See you later.
14:22Thanks for the dance.
14:24Ian!
14:25What?
14:26Ian!
14:26One more for me.
14:28Ian!
14:28What?
14:28How's it going?
14:31Oh, sweet, mate.
14:31Well worth the money.
14:32Keep on the ball.
14:33Won't be long, now.
14:34Yeah, all right.
14:36Isn't it past your bedtime?
14:39Blimey, I didn't realise it was so late.
14:41Oh, yeah.
14:42I'm glad you came, though.
14:43I've had such a good time.
14:44I've had a great time.
14:45Don't tell Sharon, eh?
14:46Does she mind you, you know, coming out to parties on your own?
14:49I don't know.
14:49Never asked her.
14:55Well, then, one more baby, and we call it a die, eh?
14:58Oh, my God.
15:00I said, yeah, I'm happy to have money.
15:01What then was that?
15:02Oh, shit.
15:03I've got to stay.
15:04I've got to stay.
15:04I've done everything, you know?
15:06Shh.
15:06Take off your shoes.
15:07Shh.
15:07Take off your shoes.
15:07Shh.
15:09And Wilmot Brown's place.
15:13Leaving us a free reign.
15:15Ain't a bad thought.
15:17Guys, I've got a lot of Wilmot Brown.
15:19I've got to be over.
15:21At least, you know, you'll be over.
15:24Yeah, dead squirt.
15:27Yeah, wasn't that?
15:28Hang on.
15:30Shh.
15:31Go in that door there, will you?
15:33Yeah, time.
15:38Evening.
15:39Evening.
15:40Take a seat, then.
15:42Are you the alleged victim?
15:48Can I have your name, please, love?
15:50Bill.
15:51Kathy Bill.
15:52Is that short for Catherine?
15:54Yeah.
15:54And your middle name?
15:57I haven't got one.
15:58Catherine Bill.
15:59Is that Miss or Mrs?
16:00Mrs.
16:02And is this your home, Mrs. Bill?
16:03No.
16:04But I take it you know these people?
16:06Yeah.
16:07Arthur and I live here.
16:09Kathy's married to my brother.
16:11And you are?
16:12Pauline Fowler.
16:13So what's your address, Mrs. Bill?
16:16She lives at 14B, Walford Towers.
16:20Over on the estate?
16:20Yeah, that's right.
16:22And was it you that reported the incident, Mrs. Bill?
16:24No, it was me.
16:26And you are?
16:27Arthur Fowler.
16:28Arthur Fowler.
16:29And were you present at the time the incident took place, Mr. Fowler?
16:33No, of course I'm glad it wasn't.
16:34But it was you that reported it?
16:36Yeah.
16:36Kathy came over here.
16:37Yeah.
16:38So this alleged rape took place somewhere else?
16:41What is all this alleged business?
16:43I didn't quite catch your name.
16:44It doesn't matter what my name is.
16:45Someone's been raped.
16:46That's more important.
16:47I only wish life was that simple.
16:49Yeah, well, in this case, it is.
16:50I'm afraid not.
16:51Look, we haven't done anything wrong.
16:53I didn't say you have.
16:54That's what it sounds like.
16:55Well, if you see it like that, then...
16:56Yeah, I do see it like that.
16:58All I'm trying to do is establish the facts of this alleged rape.
17:01You've only got to look at her to see there's nothing alleged about it.
17:04Well, that'll be for the doctor to establish.
17:06What is this?
17:07There's no point in getting stroppy with me, miss.
17:10Stroppy?
17:10Yes, stroppy with me.
17:12It's only going to make things worse.
17:14Someone's been raped.
17:15How worse can you get?
17:16Can I have your name, miss?
17:19Michelle, tell him your name.
17:20Just have.
17:21He's only doing his job, love.
17:23Michelle?
17:25Holloway.
17:25Holloway.
17:27Good.
17:27I'm glad that's out of the way.
17:29Now, Mrs. Bill, you were saying you were raped?
17:31Yeah.
17:32And where did this incident take place?
17:34At the Dagmar.
17:36The public house?
17:37Yeah.
17:38And at what time did it take place?
17:40At midnight.
17:42Inside the Dagmar public house?
17:43Yeah.
17:44And what were you doing there at midnight?
17:46She works there.
17:47At midnight?
17:48No, of course not.
17:49So what was happening at midnight?
17:53Does it matter?
17:54Michelle, will you let me out?
17:55Well, the question's irrelevant.
17:57I stayed behind for a drink.
17:59By yourself?
18:00No.
18:01With the man you say raped you?
18:02Yeah.
18:03Just the two of you?
18:04Yeah.
18:05And his name?
18:06Wilmot Brown.
18:07Wilmot Brown.
18:09You don't have to know his first name, do you?
18:11James.
18:12James Wilmot Brown.
18:14And what was he doing there?
18:15He owns the place.
18:17Right.
18:17You'd better pass that on.
18:20So, you stayed behind for a drink with him?
18:23Yeah.
18:23Which is when he raped you?
18:25Yeah.
18:26And whereabouts did this rape take place?
18:28At the Dagmar.
18:29No, no, love.
18:30Which room?
18:31Upstairs.
18:32You went upstairs with him?
18:34Yes.
18:35Which is when he raped you?
18:37Yes.
18:38Which room upstairs?
18:40The living room.
18:41Not the bedroom?
18:42Does it matter what room it was in?
18:44Yes.
18:45Why?
18:46Because forensic will have to be informed.
18:48I thought it'd be more important just to get round there and arrest him.
18:50First, we have to establish the facts.
18:52The facts are she's been raped.
18:54So, you went upstairs willingly?
18:57Yes.
18:58Is this a regular occurrence?
19:00Do you usually go upstairs after work with your boss?
19:03No.
19:04So, what made you tonight?
19:05Look, she can go upstairs with who she wants.
19:07It's a free country.
19:09Were you and this gentleman having a relationship?
19:10Now, this is out of order.
19:12We have to establish it, the circumstances.
19:14Look, even if she was, it doesn't mean to say he can rape her.
19:16Look, what is it with you?
19:18She went upstairs with the bloke for a drink.
19:20It doesn't mean to say he's got divine right over the use of her body, does it?
19:23No, I was not having a relationship with him.
19:25Michelle, I think it'd be better if you were quiet.
19:27No.
19:27Your mum's right.
19:28Look, I was the one who persuaded Kev to call the police.
19:30I wish I hadn't have bothered now.
19:31Let's not get overexcited.
19:32Oh, yeah, let's not.
19:33I mean, it's on your rape after all.
19:34I didn't say that.
19:35Yeah, well, that's what you implied.
19:36Would you mind leaving us alone, please?
19:38Then we might be able to carry on in a more civilised fashion.
19:40You what?
19:41Your carrying on isn't actually getting us anywhere fast.
19:43Oh, I think you'd prefer that.
19:45Now, listen here, young lady.
19:46Please.
19:47I'll answer whatever you want.
19:48Just let's get it over with.
19:50I'm sorry, Cathy.
19:54I know what you're trying to get at.
19:56Did I do anything to lead him on?
19:58Or to cause this to happen?
20:00Well, if I go have a drink with someone, he's leading them on, then, yeah, I did.
20:03But that was all.
20:04I didn't want this to happen.
20:06I didn't want anything to happen.
20:08I'd had a bad day.
20:09I don't know.
20:10In what way?
20:11What?
20:12Did you have a bad day?
20:13I'd had a row with Pete.
20:16Pete?
20:16It's her husband.
20:18What about?
20:19Nothing.
20:20Something in...
20:21He doesn't like her working at the Dagmar.
20:23Why not?
20:24He just don't.
20:25So you were scared that your husband would find out?
20:28What about?
20:29You going for a drink with this brown character?
20:32Maybe.
20:33I think I would have been if I'd have been in your shoes.
20:35Wasn't you, Mrs Fowler?
20:36What?
20:37I mean to say, if your husband didn't want you to do something,
20:40and you deliberately went ahead and did it,
20:42you'd be scared, wouldn't you?
20:44Well, yeah.
20:45So it's not unnatural, Mrs Pell.
20:47That was stupid.
20:48I should never let myself get into that situation.
20:50It wasn't your fault, Kath.
20:52Look, so far we know where the rape took place, and by who.
20:56Have you any theories as to what happened tonight, and not any other night?
20:59Because tonight I went upstairs with him.
21:01I should have come straight across here.
21:03Why not straight home?
21:04I'll stand here tonight, pizza way.
21:06Right.
21:07It never crossed your mind to stay at the Dagmar, then?
21:10I've had enough of this.
21:11This woman's been sexually assaulted, and you're treating her like a criminal.
21:14If I'd had me handbagged, Nick, you wouldn't have said to me what you're walking down the road for.
21:17Then she's done nothing wrong.
21:19If Mrs Bill decides to continue with her accusation...
21:21What do you mean, if?
21:22If the case goes to court, she'll face stiff cross-examination by defence counsel.
21:27There's no doubt about it.
21:28I just want her to be aware of the facts.
21:30She's not stupid.
21:31I didn't say she was.
21:32I just want her to be aware of those facts.
21:34She's aware of the facts, but she's also very upset.
21:36Can't you see that?
21:37Of course I can.
21:37Well, then back off, for God's sake.
21:38Now, just calm down.
21:40Calm down?
21:40I want to see some action.
21:42Oh, you'll see plenty of action soon enough.
21:44That's if Mrs Bill decides to continue.
21:48Well, Mrs Bill?
21:51Dan.
21:52I only asked you people over here because I thought you might have some bright idea how to deal with this thing.
21:55Seems I was wrong.
21:56You know the score.
21:57Not on this one, I don't.
21:58I can appreciate how you feel, Dan, but we have to wait for instructions.
22:02Oh, I'm going out.
22:03Where?
22:04I don't know, just out.
22:05Don't do anything you might regret.
22:06Like what?
22:07You're not Charles Bronson.
22:08We don't want any single-handed attempts to set everything to rights.
22:11We've invested in this place.
22:13We've invested in you.
22:14Don't go and blow it.
22:38Don't go and blow it.
23:08Don't go and blow it.
23:13Hello, Oscars.
23:14Can I help you?
23:15How are you, Simon?
23:16How you doing?
23:17Huh?
23:17You pulling, are you?
23:19You roundy little git you.
23:21Yeah, of course.
23:21No problem.
23:22Yeah, he's on his way now.
23:23Okay, five minutes.
23:24See ya.
23:2514 Beagle for turns, okay?
23:27Two other lads want to go home.
23:28Keep your hands to yourself.
23:30Listen, make sure you've got enough petrol.
23:32I don't want you pulling a fast one again.
23:33yeah I like them there big little bit hello us caps can I help you yeah sure
23:41yep he's only going there yep two minutes okay see ya there you go make
23:49it snappy okay yeah it's down to talk yeah up the stakes we'll leave till the
23:58morning then we'll decide I'm off back to bed you've got your car haven't you
24:02Brad yeah see you tomorrow then so that's it is it looks like it I've just
24:13stopped Arthur Fowler from going over there and getting stuck in because I
24:16thought I knew the right people for the job looks like I was wrong you know I
24:20can't do anything without the say so why not because that's the way it works
24:24why don't you use a bit of initiative for once Brady it might do you some good
24:30Wilmot Brown's been a huge aggravation to everybody and you can't tell me that
24:35if you took him out the bosses wouldn't be grateful they'd probably buy you a bigger
24:39car send you an holiday to Miami think about it
24:44do us a favor right Donna and Cindy about to share a cat and so so get in there and make
24:49sure nothing's said oh no way I'll say why not because I don't want her okay thanks the party
24:54Simon yeah don't I get a kiss before I go yeah of course
24:57now look Donna's had a bit to drink right so she starts rambling on just ignore her I always do
25:05great I'll see you later come on Donna we're going bye Donna doesn't want to get just a little kiss
25:11no no yes come in that's done I will do well I know about it tomorrow well thanks a lot yeah
25:18I'll do the same few times right then Ingrid it's your turn at last sorry you won't be yeah we go and
25:24eat kebab now don't we yeah we go now to eat kebab yeah wait he was talking about the workplace you
25:32know what well I thought I'd use that money you gave me to buy a couple of kebabs with Ian's it's
25:35my birthday present to myself oh sorry sorry some you lose some I win mate come on Ingrid
25:39come on Ian no way Jose you're doing the right thing now we're going to get him arrested and sent
25:47down just thought I should ring Pete do you want me to no well then leave it till the morning
25:55there's nothing you can do now I'm scared chill
26:00it'll be better when we get to the police station those two they're like something out of the stone
26:05age the thing is you've got to make sure half the time they're not just running scared their
26:10husbands to find out they've been with another man so they make up this cock and ball story about
26:13being raped yeah but not Kathy some others I wouldn't put it past but not Kathy do you think
26:21they're finished in there yet ready yeah we're coming I'll go thanks for the tea
26:26I'm going with her all right she'll need a change of clothes for after the medical I'll go and get
26:35you something right now drop me to come with you and old no thanks Paul's no point in us all going
26:40all right well do you want to take my coat yeah I'm sorry I really am I'm so sorry everything
26:58will be all right Kath you'll see you took your time didn't you
27:14it's all right love go back to sleep it's nothing
27:37still to come on drama lovejoy is at 3 25 bergerac's next
28:07you
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