- 6 days ago
- #realityrealmus
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Reality Realm US
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Short filmTranscript
00:00They put me up in a nice hotel, so why not?
00:03To spend time with your best friend.
00:05A best friend who I don't want to keep cock-locking.
00:08Marcello was basically chewing me away with his dick this morning.
00:11It does have a mind of its own.
00:13Oh, okay.
00:14So, uh, what hotel are they putting you in?
00:16Uh, the Orient Express La Minerva.
00:18Ooh, nice.
00:19Oh, I think, um, Alfie's staying there. You should text him.
00:22No, no, no. I've got so much choreo to learn for the show, and it's tomorrow.
00:26Emily, I can't believe I agreed to do this.
00:28Sorry again, Mindy.
00:30Ah, no big D.
00:34As in deal. No big deal.
00:36Your D was perfect.
00:39You know what? I'm going to go.
00:58Hi, Celestino. Come hai dormito, eh?
01:02Ciao, Viviana. Come va?
01:04Ah, buona giornata.
01:06Do you have enough, Bessana?
01:08Oh, yes, grazie, Sisteletta. Tutto bene.
01:11Hi, uh, buona giornata. Do you mind if we, uh, sit?
01:21Oh, yeah, no, not at all. Please, please.
01:24I told you you'd speak English. Hi, I'm David. This is my wife, Katie.
01:27Oh, nice to meet you. I'm Luke. Americans?
01:30Uh, Ohioans. Our first time to Europe.
01:33Can you believe how cheap this place is?
01:35Aside from the 11 o'clock curfew and the shared bathrooms, it's as good as any hotel.
01:40Esattamente. That's why I'm here.
01:43And Sister Christina's frittata is...
01:47I heard the eggs are blessed.
01:50Eggs Benedictine, huh?
01:54The commercial starts on a beautiful woman sitting alone in a movie theater.
02:01When the lights go down, she's joined by a man.
02:04He puts his hand on her knee, and it's clear they know each other.
02:08The movie playing on the screen will be a series of quick cuts.
02:12First of a little boy and a little girl, uh, chasing each other through Solitano.
02:17And then it's the little girl and the little boy as teenagers,
02:21flirting, stealing glances.
02:23And back in the movie theater, the man's hand begins to move to the woman's thigh.
02:29On the screen, we see the teenagers walking through the village,
02:33unable to keep their hands off each other.
02:35Eventually, they're sharing their first kiss.
02:38We cut back to the theater, and it's just a beautiful woman.
02:41Watching the film alone, smiling at the memories.
02:44Or was it just a fantasy?
02:48It's so good.
02:50Feels classically Italian.
02:52Almost like Cinema Paradiso.
02:54That's true.
02:55Cinema Paradiso is one of my favorite films.
02:58Umberto's too.
03:00He loved movies.
03:01That's why we had the theater built.
03:03Well, then maybe we could call the fragrance Muratori Paradiso.
03:07Muratori Paradiso.
03:10I like that.
03:11I like it too, but if the goal is for the brand to appeal to a global audience,
03:16then maybe the commercial should be more cosmopolitan.
03:19Maybe we shoot it in Rome or Milan or even New York.
03:22No, it doesn't feel right at all.
03:27Well, we do want to make sure that the commercial is something that people from all over can connect with.
03:33That's why you hired me.
03:35Don't worry, it's gonna be beautiful.
03:37I know how smitten you are, but Antonia's the one we have to please, not Marcello.
03:43I'm trying to please both.
03:45Well, just the one we'll do.
03:48Don't be our liability, Emily.
03:50He's been here for a while.
03:55Knowing soon it will be time to go.
04:01Again?
04:02Di nuovo.
04:06Okay.
04:08You know what?
04:14Let's call it.
04:15Proviamo dall'inizio.
04:16Okay.
04:17Mm-hmm.
04:18Giro.
04:19Fuori.
04:20La mano.
04:21La mano.
04:22Tre.
04:23Due.
04:24Uno.
04:25Oh!
04:26Sorry, I'm so sorry.
04:27Oh, Cristo.
04:28I know my knees are really sharp.
04:30Gianna, ti prego, vieni qua.
04:32Ciao.
04:33Sto cercando di ballare con un frigorifero.
04:34È una principiante.
04:35Okay.
04:36Hi, Mindy.
04:37Ciao.
04:38Sì, Mindy il frigorifero, che non ce la fa fare una presa.
04:42In alto?
04:43Sì, una liva del primo anno potrebbe farla.
04:45Una cantante su TikTok.
04:46Me ne rendo conto.
04:47Guarda.
04:56Facile.
04:57Cool, facile.
04:59I know what that means.
05:01Dai, di nuovo.
05:02Dai, ti aiuto.
05:03Oh, I don't speak Italian.
05:05Oh, I guess I can sense...
05:07Cinque, sei, sette, otto.
05:08Cinque, sei, sette, otto.
05:09Cinque, sei, sette, otto.
05:10Arm.
05:11Yeah.
05:12Wow!
05:13That's low.
05:14Jeez.
05:15Okay.
05:16This and this.
05:17Maybe, maybe we can think of another end of the dance.
05:22Yeah, maybe, maybe we do like a deep bow.
05:26Di nuovo.
05:27Di nuovo.
05:28Di nuovo.
05:29Di nuovo.
05:30Di nuovo.
05:32Okay.
05:33Okay.
05:34C'est tentant de trinquer, se saouler n'importe où.
05:53So, after the embarrassment at Fendi, we need to sign another luxury client.
05:58Not only to preserve our reputation, but also to justify keeping an office.
06:02Hello, team. Now, do you want to tell them, or shall I?
06:06I was just about to tell them.
06:09Oh, well, luckily for all of you, I was able to get us a meeting at Intimissimi.
06:15The underwear brand?
06:16Lingerie.
06:18Oh, lingerie and underwear are two entirely different things.
06:22It's form over function. Good gas mileage versus sporty handling.
06:27Are you two really mansplaining lingerie to me?
06:30I mean, have either of you ever tried any?
06:31Surprisingly, no.
06:33Panties on me is like putting a muzzle on a polar bear.
06:36But I think I should be considered for the cunt.
06:39I already have some ideas.
06:42Something dark and sexy.
06:43Do you remember the film The Light Polar with Charlotte Rempling?
06:48Huh?
06:49Mm-mm.
06:49It's about a former SS officer, and she was his prisoner.
06:53We could explore themes of fascism and submission.
06:57That would be a hot take for lingerie.
07:00I'm feeling it.
07:02Really?
07:02I think Emily is the right person for the account.
07:06You got a chance to redeem yourself after the Fendi fiasco.
07:09Oh, yes, my Jewish grandmother would say.
07:11Go home, think about it.
07:13Maybe try some things on.
07:15Send us some pictures.
07:17No.
07:18I want to prove the French can sell sex better than the Italians.
07:22But I'm American.
07:24Oh, that's your problem.
07:25Don't make it ours.
07:25Thanks for helping me.
07:37It's better than the other night watching Anton chew his wine.
07:40You're really good.
07:41I was forced to take ballroom lessons as a kid.
07:43Oh.
07:44My mum said they'd pay off one day.
07:46I can't actually believe she was right.
07:50You ready for the leap?
07:53Maybe.
07:55No, I can't do this.
07:57You can do this.
08:01I don't think I can.
08:03I really don't.
08:05Just stop thinking about it.
08:06Turn off your brain and jump.
08:15Okay.
08:17Let's take it from the head flicky thingy.
08:19You're going to start with a sassy bit.
08:21Stop.
08:25You ready?
08:44Yeah.
08:51Oh, my God.
08:52I told you.
08:53I did it.
08:55Oh.
08:56Oh.
08:57Oh.
08:59Finally.
09:01Finally.
09:05We can't.
09:20Get it on so he can get it off.
09:34Hmm.
09:36How about just get it on?
09:38Intimistic me.
09:40Get it on.
09:41Are you working right now?
09:42Well, I could go sit alone in an office and try coming up with a lingerie campaign, but
09:47I thought this would be more fun.
09:49How about intimissimi?
09:51Better on the floor.
09:53Hmm.
09:53Not bad.
09:54Eh?
09:54What about make four play last?
10:00Make it five play.
10:02Hmm.
10:02Non bene.
10:03Yeah.
10:04Yeah, non bene.
10:06See?
10:07Good ideas and good taste.
10:09No wonder you're a titan of industry in the making.
10:11Yeah.
10:12Tell that to my mother.
10:13She has no faith in me.
10:15Otherwise, I'd be running Muratori by now.
10:18Yeah, well, she's probably just having trouble letting go of the reins.
10:21Yeah, because she still thinks of me as the wild, irresponsible kid who was always in
10:25trouble with the nuns.
10:26Yeah, but you know, parents sometimes project their own fears onto their kids.
10:30Seems like it's just me.
10:38I'm sorry.
10:39I know how that feels.
10:41Your parents are like that, too?
10:44Not exactly.
10:45I was thinking more Sylvie.
10:46I mean, she put me in charge of the Rome office, but she doesn't seem to have any faith
10:49in my ability to actually run it.
10:52Sylvie and my mother definitely have one thing in common.
10:56I don't want to think about either of them right now.
11:00Me neither.
11:05Is it time to take the lingerie off yet?
11:07I still have to figure out this campaign.
11:10Fine.
11:11If it's better for work, you can leave the lingerie off.
11:14It might be a little sexier.
11:20That's not a bad idea.
11:21Mm-hmm.
11:23Sexier than naked.
11:28Sexier than naked.
11:30Yes.
11:31We see a couple kissing passionately.
11:34She goes to take off her lingerie, but he stops her.
11:37Leave it on, he says.
11:39Is he gay?
11:41What?
11:42No.
11:43No, the lingerie is just so beautiful, it takes center stage.
11:46You want to see it.
11:48We want this lingerie to make people connect.
11:50This is to a surface.
11:52And a little confusing.
11:54Well, how about I take all these notes and rethink?
11:58I could have you something by...
12:00We can meet tomorrow at the same time.
12:03We are on a deadline to make our decision.
12:06Great.
12:06Well, let's make that happen.
12:07Well, I'm not going to be able to make tomorrow.
12:10Oh, we'll miss you.
12:11I'm losing my touch.
12:23You know, I...
12:24I don't think my ideas are translating in Rome.
12:27I mean, I thought Italians liked sex.
12:28Actually, they're very repressed.
12:30Oh, well, that hasn't been my experience so far.
12:34What's going on in here?
12:35Nothing.
12:35Just Emily intimacy issues.
12:38Oh, we're finally talking about it.
12:42From the moment you walked into the office in Paris,
12:45I noticed you had a wallop.
12:47No, Lula...
12:48No, who could blame you?
12:50I mean, a young woman in a foreign land,
12:53in a foreign office.
12:54But as time went on, I saw it was more than that.
12:57The very curated online presence,
13:00the bold outfits stealing focus from what's underneath.
13:03Maybe you've been hurt in the past.
13:04Luke, I don't have a problem with intimacy, okay?
13:06I have a problem with intimacy-me, the brand.
13:10Oh.
13:11I'm misunderstood.
13:13Yeah.
13:14Or maybe not.
13:23I still have my Night Potter idea.
13:27Great.
13:38One more, just like that.
13:40No, the boy's attitude.
13:42He seems to feed it.
13:43He should act like they're playing a game.
13:47Keep rolling or cut?
13:48Uh, cut.
13:49Cut!
13:50The little boy is sad at first, and then he realizes it's a game.
13:55I think we should keep it light from the beginning.
14:02I can do a take where it starts to play for.
14:06Sure.
14:09Okay, let's do it again.
14:11Okay, back to one. Thank you.
14:26Ah.
14:28Italian women, you're always late.
14:30Yes, but we're always worth the wait.
14:33Sorry, my sweet.
14:36Is that for me?
14:38Yes.
14:43It's gorgeous.
14:45Should we go see how it fits?
14:47It's your place.
14:48I have to be back at the office.
14:50But I can come over tonight after balando, balando, balando.
14:53Can I go to my place?
14:54My father's staying with me now, and his breathing machine is very loud.
14:59But I can come to your hotel.
15:02Okay.
15:03But you have to be there before 11. Don't be late.
15:05I wouldn't, Jim, I bet.
15:08Okay.
15:13Okay.
15:14Okay.
15:15Okay.
15:16Okay.
15:18Okay.
15:22Are you enjoying this?
15:23Or are you anxious for it to be over?
15:25I just wonder what Umberto would think.
15:29This would all be a little Hollywood to him.
15:32You always agree with what Umberto thought?
15:35Almost never.
15:37But it was nice to have someone to push back against.
15:40The success or failure of the company is all in my hands now.
15:43It's a lot of responsibility and a little lonely.
15:47I know that feeling.
15:53What if we ended the commercial on the idea of the couple together rather than the woman alone?
16:00Oh.
16:02I like that.
16:05Bravo.
16:07Excuse me.
16:09Giancarlo.
16:12It's totally different from what I planned.
16:15Yeah, but I think it works better.
16:17I spoke to Antonia, she actually refers this version.
16:21So then, I guess I don't have a choice.
16:23Oh, it's still your vision.
16:25It's not if the ending's different.
16:27I didn't realize you were so precious about this.
16:29I didn't realize we were directing by committee.
16:31Giancarlo, we're here to please the client, and that's what the client wants.
16:34I think it's what you want.
16:37And you always do what you want.
16:38Isn't that right?
16:39Giancarlo, basta.
16:41You're behaving like one of the children on set.
16:43Do you want me to ask one of them to direct instead?
16:46I have a better idea.
16:50Tommaso.
16:51She's directing this now.
16:55Giancarlo!
16:57Doesn't feel great to be left.
16:58Does it?
16:59Oh, my God. Look!
17:01She looks like she's already won.
17:05Aww.
17:06I know.
17:09And this is the girl who had debilitating stage fright.
17:12She used to be the girl who had a stage fright.
17:14She used to be the girl who had a stage fright.
17:16Oh, my God. Look!
17:18Oh, my God. Look!
17:20She looks like she's already won.
17:22Aww.
17:24I know.
17:25And this is the girl who had debilitating stage fright.
17:28She used to have to get one before performing just to calm down.
17:31Get one?
17:32You know, orgasm.
17:36Is that what you said?
17:38Maybe.
17:41What is it?
17:47I'm just going to meet you in the seats.
17:49Okay.
17:51When I get nervous, I sweat and then things scoot around.
17:54So I just need you to spray my butt with glue.
17:59Honestly, I'm relieved that's all you're asking.
18:01Oh, I just, I'm going to make a fool out of myself, Emily.
18:04You're going to be great.
18:05I don't think so.
18:06There's a big leap at the end and I've only gotten it right one time.
18:10Okay, well, do you remember what you did that one time?
18:12Yes.
18:13Yes, I do.
18:13Well, then just do that.
18:14Oh, right.
18:15Yeah, yeah.
18:16Yeah.
18:17Yes, I, that's good.
18:19Just breathe.
18:19Okay, maybe don't breathe.
18:27Really get in there.
18:28Luke said I have intimacy issues.
18:30If only he could see me now.
18:31Well, you definitely don't have intimacy issues with me.
18:34What, you think I have intimacy issues with other people?
18:36Well, I just think you need to be pushed slightly to open up.
18:39Like, if someone were to share something personal with you, then I think you'd share something
18:43personal about yourself.
18:45Yeah, exactly.
18:46But I didn't do that.
18:48Marcello opened up to me about his mom, but then I sort of pivoted to work.
18:53Oh, that's fine.
18:55You really think that's fine?
18:56No, I don't, but can we talk about this another time, please?
18:58I have to leap over a man's head, engage my core, point my toes, and then try not to
19:02pee when his thumbs jab into my bladder.
19:04So, it's hard for me to think about anything else right now.
19:06Copy.
19:07Don't worry, I practiced all night.
19:29I've got it.
19:29A ballare il tango con il suo partner, Orlando Ello, e la cantatrice, Lini Cerno.
21:48I don't play with a principal.
21:50You're a idiot.
21:52I play with a professional ballerina, not with you.
21:54I hate to dash off, but Bianca is coming over and I have a curfew, so ciao ragazzi.
22:05What does it mean a curfew?
22:07Oh, sometimes it's better not to know.
22:09Um, I'm going to go to give her a hug for me, hmm?
22:14Hey!
22:15How are you doing?
22:16I don't want to talk about it.
22:17I don't want to think about it.
22:18I'm fine.
22:19Orlando may have slipped as a spell.
22:21Well, it was all his fault, right?
22:22Look, it didn't even look like he was trying to catch her.
22:24Yeah, he wasn't.
22:26I love how a translator suddenly appears after there's an incident, but not a second before.
22:31What if we walk around the city and forget about the day?
22:34Create some new memories.
22:35Oh, I'm exhausted.
22:37I think I just got to go back to the hotel.
22:39Well, we could share a cab.
22:44Marjorie?
22:45Great.
22:46Nice.
22:47Okay.
22:48See you later, mate.
22:49Bye.
22:50Thanks for coming.
22:55So, how did the pitch 20 minutes ago?
22:59Not my finest moment, but I have some more ideas.
23:03Do you want to tell them to me?
23:06Actually, I'd rather not talk about work, if that's okay.
23:10It's fine.
23:11It's fine.
23:12It's fine.
23:13Yeah.
23:40It's fine.
23:44Sister.
23:45Please.
23:46Can you wait just a few minutes, please?
23:48The Lord shows no partiality, Luke.
23:51But could you?
23:53Just this once.
23:58Come on.
24:06Is there someone?
24:10It's past curfew, my dear.
24:15Curfew?
24:16I cannot let you in.
24:18God bless.
24:28Bianca!
24:29Bianca!
24:30Up here!
24:31Are you staying in a convent?
24:33Yes.
24:34It's a really good rate.
24:35Very central.
24:36Okay.
24:37Yeah, I am so sorry.
24:39The curfew is very inconvenient.
24:41And I so badly want to lay eyes on you.
24:44But I also want to respect the sisters.
24:47You know what I mean?
24:48You're such a sweet man.
24:51I don't want to leave without showing you your surprise.
24:54Oh, qué bella!
24:55Mamma mia!
24:56Sister, please!
24:57Oh, please!
24:58Jesus loved prostitutes.
24:59But a curfew is a curfew.
25:00David, get out here quick!
25:01There's a hooker trying to get in.
25:03This makes up for no TV.
25:04This makes up for no TV.
25:05This is Mercati di Traiano.
25:07100 and about 120 shops.
25:08Is it?
25:09No, I don't want to leave the car at the same age?
25:10No.
25:11We love to see you.
25:12Oh, let's see.
25:13Jamie, for probably 152 feet.
25:15Oh, I want to go.
25:16And we can't pass.
25:17Oh, I want to go.
25:18No!
25:19And we'll go.
25:20I'll get the car at this point.
25:21Please!
25:22Jesus loved prostitutes.
25:24But a car-few is a car-few.
25:26David, get out here quick.
25:28This is Mercati di Traiano, built between the years 100 and about 120-ish.
25:37It's the world's first shopping mall.
25:40Are you serious?
25:42Oh, okay, oh my God, I totally see it.
25:48Versace, Armani, Maratori.
25:51Ah, dancing fountain over there.
25:55Oh, food court over there.
25:57It's beautiful.
26:04Hey.
26:07Is there a problem?
26:11I've just, I've been thinking a lot about what you said about your mom.
26:15My family's not so different.
26:18They always made me feel like, um, I had to succeed in life to matter.
26:24Good grades, good job.
26:28Yeah, and they're good people, you know, don't get me wrong.
26:31It's just existing was never going to be enough.
26:33Achieving is what life is about.
26:39So I, I try really hard.
26:44And I push to make everything work.
26:46And I want to be perfect, you know?
26:49And then I, I come to a place like this and it is just, it's so beautiful.
26:53It takes my breath away.
26:55And it's, you know, it's because of all the imperfections, the, the cracks and, and, and the crumbling columns.
27:04And I, it just, it makes me think that maybe I don't have to push or fix or try so hard.
27:15Maybe I can just let things be and it will all be fine.
27:18Maybe even better than fine.
27:37Oh, my God.
28:07Oh, I'm going to make us some espresso.
28:19Wait, so now you're wearing underwear?
28:31Hi, Rumi. I miss you.
28:33I miss you.
28:34I didn't like leaving you alone last night
28:37without a shoulder to cry on.
28:38I feel like a horrible best friend.
28:40No, I didn't cry much. It's okay.
28:43How about I'll FaceTime you when I'm getting ready?
28:45Okay.
28:46Ciao for now.
28:48Ciao.
28:51Is that how many?
28:52Shh.
28:54Yes.
28:54This campaign is about one of the most intimate things you can do with your partner.
29:09Talk.
29:09Guess what?
29:23We got another client.
29:25No more intimacy problems.
29:26Ah, fantastic.
29:30Oh, could you ask if they ever have any likely won returns that they want to give away to charity?
29:36What charity is that?
29:38Saint Luke's house of fetishes?
29:40No, for the nuns in the convent I'm staying in.
29:43They're big fans.
29:43Where are you staying?
30:03What?
30:04Good news.
30:06Intimisum U wants to work with us.
30:10Is everything okay?
30:12Giancarlo walked off set and refused to come back.
30:19And I had to finish directing the entire shoot.
30:23What happened?
30:28It's a mess, Emily. It's a mess.
30:30After all the work we've done, I might have ruined this entire campaign.
30:42It's a mess, Emily. It's a mess.
30:54It's a mess.
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