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Short filmTranscript
00:00surprise oh what is this this is your new atelier oh it's beautiful but we can't afford it we are
00:17spending too much on attorneys already I know money's been tight so I called in a favor from
00:22an old friend this belongs to Pierre Cadeau and it's yours if you want it wow that's so generous
00:32I mentioned your name and he said no problem and also to send his love to Zio Lorenzo
00:37Uncle Lorenzo he worked for the company for many years he charmed the pants of everyone in the
00:45fashion industry literally oh this is scary exciting how soon can we move in how about
00:59am I doing this right I've never been a fit model before you're perfect okay Pierre Cadeau is ready
01:14to zoom he has news oh go go hi sorry guy there's our fairy godfather what did you call me bonjour
01:27Pierre thank you again for this gift this changed everything you said you had some news any luck on
01:32Paris Fashion Week despite all the cloaks I wear I'm not a wizard it's impossible to get an unknown
01:39designer into Paris Fashion Week especially when he's being sued by his own mother you said you
01:46had good news I found you a much more suitable event Venice Fashion Week Venice has a fashion week
01:54it's more for emerging designers well then that's perfect an Italian newcomer making a splash in Venice
02:01literally you'll sink or swim either way prepare to show in two weeks what that that's not possible oh my
02:09darling boy fashion is all about making the impossible possible one chance miss any
02:16sure Pascal we're very excited to share our ideas with you for the launch of your absinthe
02:29to celebrate we'll be throwing a decadent party in the style of la belle époque there'll be
02:36call call dancers as well as waiters in period costumes and no absinthe party is complete without a
02:42visit from the green fairy herself nice touch when guests arrive we'll greet them with a shot of
02:49le revere served on sugar cubes but just a splash we can't have anyone going mad that's just a myth
02:55right is it really hallucinogen no it's real absinthe was banned for almost a century in France it was the
03:03molly of the belle époque what do you know about molly it's a strong drink but I assure you
03:12there is nothing like molly it will not make you lose your mind during the belle époque regulations
03:18weren't strict we weren't there so who can say I wish I had been there la belle époque wasn't about
03:25restriction it was about experimentation about progress in art in technology in science in
03:31everything it was the birth of cinema it was the birth of La Tour Eiffel and the epicenter of it all was
03:37Maxime's so I'm very very glad you were able to book the venue for the event we did oh yeah we did of
03:46course look why is Pascal's party at Maxime's I thought you were booking Laurel's Club I mean it's a
04:00perfect fit for the party and he could use the business I called to reserve the space but I was
04:05told it is unavailable we even offered to change the date but I said no should we ask again no no too
04:13late anyway Emily are you free tonight I'm feeling nostalgic and I would love to show you my belle époque
04:20Paris oh that sounds lovely Marcello is busy working tonight so count me in an artist working late into the
04:28night it is just like the belle époque without all the syphilis and the smells do you know about
04:34the great stink of 1880 what oh no the city was unbearable I can't wait to tell you all about it
04:43hello have fun yes I can have a marketing plan ready by tomorrow but if they get two weeks for the line
04:53can I please just at least get two days to prep the rollout okay thank you oh sounded intense who
05:05was that Nico he's pretty freaked out can you maybe try to cut him like a little slack money's really
05:12tight right now he's worried about money really yeah oh do you not know that when he left JVMA it
05:20violated his trust so he's locked out of that he cashed in some stocks that his grandfather gave
05:24him so he's basically betting his whole inheritance on Marcello's business wow I had no idea it's gonna
05:31be fine he knows what he's doing but I feel like I need to start contributing more you know I mean if I
05:37nail this audition tomorrow I can cover his rent you have an audition for what did I not tell you so these
05:44movie producers saw me at crazy horse and they want me to read for Satine in an animated Moulin Rouge oh
05:51my god I love that movie you'll be an amazing Satine oh thanks okay how do I say break a leg in French
05:57uh-huh the French version is married okay well then married I'll take it I need all the marriage I can get
06:06seen in an an even though I didn't know whether it was an interesting one let's see thank you
06:22I'm very happy that you have been left to you
06:24you're very busy
06:25very busy
06:26I don't even know
06:28actually I'm sorry for your absent drink
06:31We are reserved for weeks.
06:33But it's not bad.
06:35Are you good news?
06:37Yes.
06:42You were missing me.
06:44You asked me, I gave you the air.
06:47But I was very happy that you called me.
06:52I'm also happy to see you.
06:58Where are you all these days?
07:00In the south, especially.
07:02Paris works very well, but it's nothing at the side of Saint-Tropez.
07:06About Saint-Tropez...
07:09I found a little thing.
07:12It dates to the opening.
07:15It was you who made the photo?
07:17Yes.
07:18I made the timer, I made the flyer, I made everything.
07:22You were incredible.
07:25You always did it.
07:28We were fusion at the time.
07:30We couldn't separate each other.
07:32I think it was our time.
07:37Who knows?
07:38Maybe the best is to come.
07:40What do you mean?
07:41It's not worth it.
07:42You're ready.
07:43It's okay.
07:44You're sure.
08:15So, this was my neighborhood when I first moved in Paris.
08:23I wanted to be in the world of Toulouse-Lautrec,
08:25where the artist I read about used to paint and write and drink
08:29and screw their brains out until the sunrise.
08:32I fancied myself by the painter.
08:35Well, that doesn't surprise me at all.
08:37You have an artist's soul.
08:40Come on.
08:41So, this is Le Bateau L'Avoir.
08:46Matisse, Cocteau, Modigliani, they all gathered here.
08:50Oh, and Picasso, too. Wow.
08:52I would have killed to be among them, but I was more like him,
08:56selling my works by day and painting new ones at night.
09:00You really were an artist.
09:02How romantic.
09:02It was a brutal existence.
09:05No money, no sleep, just me and my art.
09:12I was never happier.
09:14Oh.
09:16Do you still have any of your paintings?
09:18No.
09:18I sold a few.
09:21The rest I used as firewood when I realized I had no talent.
09:25Oh.
09:26What did you use to paint?
09:28Oh.
09:29My speciality was portraits.
09:32Oh, cool.
09:33Self-portraits.
09:36Nude self-portraits, to be precise.
09:39Oh.
09:40I wish you could have seen them.
09:41I got a striking figure in my youth.
09:43Oh.
09:44My loss.
09:45Okay, final absinthe.
09:52Merci, merci.
09:53This is my last one.
09:55Anymore and I start hallucinating.
09:59Are you feeling it, too?
10:01I am feeling a little tipsy.
10:02Oh.
10:05Oh, and maybe I am hallucinating.
10:09Gabrielle!
10:10Gabrielle!
10:11No way!
10:11You have to answer!
10:15Hi, Gabrielle.
10:18How are you?
10:19Where are you?
10:19Are you still on the yacht?
10:21I'm actually in Amsterdam.
10:23The yacht is in dry dock for repair.
10:25So we're moving to Edderton's summer home in Monaco.
10:28Hmm, sounds fancy.
10:30It is, but I didn't call to brag.
10:33Listen, I live in such a rush that I forgot some of my knives.
10:37I'll be passing through Paris tomorrow, but I don't have much time in between trains, so I was wondering if you would be willing to come to the train station and bring them to me.
10:48I know it's a big ask.
10:50Uh, what time?
10:52I'll be there at one o'clock for about an hour.
10:54We could have a quick lunch if you'd like.
10:57It would be nice to see you.
10:59Um, yeah, yeah, I think I could do that.
11:01Ah, thank you, Emily.
11:03I, uh, yeah, honestly, you're a lifesaver.
11:05Um, listen, I'll, I'll shoot you a picture so you know what to look for and make sure the Guardian knows to let you in.
11:10Okay, I'll see you tomorrow at Le Tremblue, uh, Gare de Lyon at 1 p.m.
11:15Okay, yeah, um, yeah, I'll see you tomorrow.
11:19Bye.
11:21Just in case you were wondering, you were not hallucinating, that call was very real.
11:27It definitely was.
11:28Marcello?
11:39Livia?
11:40Cosa ci fai qua?
11:41Quindi è vero, stai lavorando all'atelier di Pierre Cardot.
11:44Ciao.
11:47Nicola, this is my sister, Livia.
11:49Ciao, Livia.
11:50Nice to meet you.
11:51So you're the one behind this.
11:53This was my decision.
11:55Did Mama send you?
11:56She doesn't know I'm here.
11:57I don't agree with what she's doing, but...
12:00But?
12:01I don't know what you're doing.
12:03You never designed anything in your life, and suddenly you're doing a whole collection.
12:07If I may, your brother is very talented.
12:11Clearly it runs in the family.
12:14Why don't you take a look at the line?
12:16We'd love to get an outside opinion.
12:18Good idea.
12:18I'd love to know what you think.
12:21Hmm?
12:28They're beautiful.
12:30Really well constructed.
12:33But Marcello, why do you want to tear a family apart over this?
12:38It's not even that different from our own brand.
12:40You just put a colorful horse on it.
12:42You're not seeing the whole picture.
12:45Neither are you.
12:46Please stop this before it's too late.
12:51Excuse me.
13:00Aw, hey you.
13:02What's up?
13:02Emily, I need you to cancel Venice.
13:05What?
13:05What do you mean?
13:06We have to shut everything down.
13:08What's going on?
13:09It was a huge mistake.
13:11I'm not a designer.
13:13Of course you are.
13:14Just because you keep saying it doesn't mean it's true.
13:17We've wasted so much money.
13:18I can't show this collection.
13:20I never should have listened.
13:23Wait.
13:24What happened?
13:25Where is this coming from?
13:26My sister came here to see the line, and she said it's not good enough.
13:31And she's right.
13:32She's right.
13:33I'm going to humiliate myself.
13:35That's not true, okay?
13:36Don't let her get into your head.
13:38The line is great.
13:39Emily, stop.
13:40She's right.
13:41It's boring crap.
13:43No, it's not.
13:44Maybe we can add some accessories to liven it up.
13:47I said stop.
13:49You always want to fix everything.
13:52But there are some things you can't fix.
13:57Just stop.
13:59Please.
14:02Okay.
14:03Um, let me see what I can do.
14:05Um, let me see what I can do.
14:35Sri Lanka was so beautiful.
14:36Like nothing I've ever seen before.
14:38But I think my favorite place was Thailand.
14:40The people are so friendly.
14:42And the food.
14:43Ugh.
14:44Your episode of Chef's Table is going to be incredible.
14:46I still can't believe you just packed up and left.
14:51It was a crazy thing to do, but I had to do it.
14:56I'd gotten everything I thought I wanted and I was miserable.
15:01So, I decided to do the exact opposite.
15:03Instead of stability and routine, I ran for the unknown.
15:08It just woke me up.
15:10Uh, I don't know.
15:12I, I'm, I'm talking too much.
15:15How have you been?
15:16Oh, um, I'm fine.
15:18Yeah, the usual.
15:22Marcello and I are back together.
15:24How are you guys doing?
15:26We don't have to talk about it if, uh.
15:27No, no, no.
15:27It's okay.
15:28Um, we're, we're good.
15:30Well, he's starting a fashion company.
15:32He's actually designing the line himself.
15:34I didn't know he was a designer.
15:36Well, he wasn't.
15:38But then we lost the one that we had.
15:39And I saw his sketches, which were incredible.
15:41So, I insisted that he take over.
15:44Mm-hmm.
15:45And we're supposed to show at Fashion Week,
15:47but now he wants to trash the entire collection.
15:49So.
15:50Well, I missed so much.
15:53It all happened so fast.
15:55You know, maybe a little too fast.
15:58Maybe I shouldn't have pushed him to do it.
16:00But.
16:03Can I ask you something?
16:05Of course.
16:07Did I push you for the Michelin star?
16:11The Michelin star was my dream.
16:13But you were miserable.
16:15And you ran halfway across the world to escape from it.
16:18And.
16:20I don't know.
16:22Maybe from me.
16:26Emily, all I can tell you is that you supported me.
16:29You had faith in me.
16:31Probably more than I ever deserved.
16:33And that's a good thing.
16:35I just don't think that's how Marcello feels.
16:38He's so upset.
16:39And I feel like it's my fault.
16:43Although.
16:45Maybe that could be because of the lawsuit.
16:47Because on top of everything else, his mom is suing him.
16:49That's terrible.
16:50And his business partner, Nico.
16:52Oh, you, um, Mendy's boyfriend.
16:53You remember him?
16:54The billionaire?
16:55Well, no, not anymore.
16:56It's a really long story.
16:58You know what I forgot a dramatic Paris can get.
17:07This restaurant is so gorgeous.
17:09We should have had our Belle Époque party here.
17:12It's Art Nouveau, right?
17:13You know what?
17:14I believe it is.
17:16Look at you.
17:17You're such a cultured Parisian now.
17:19There was a time where you didn't even know which floor you were on.
17:22Oh, God, remember when that was my biggest problem?
17:25Oh, I feel like that was my Belle Époque.
17:30Everything was so new and exciting, like a fantasy.
17:35Now it all just feels so difficult and real.
17:42We tend to romanticize the past.
17:45Things were pretty hard back then, too.
17:47You didn't know what you were doing at work.
17:50You were kissing people.
17:52A lot of had girlfriends.
17:53Which I didn't know.
17:55And they were kissing back, by the way.
17:56That's very true.
17:57But not only that, there were secrets and pacts and fake Michelin inspectors.
18:04And also good memories, like sex on the roof.
18:08Now who's romanticizing the vibe?
18:11You know, when I left for the yacht, I thought my best days were behind me.
18:19But now I'm excited for the future.
18:20Wherever, wherever it brings me, I think you should be, too.
18:26Never knew I could feel like this.
18:36Like I've never seen the sky before.
18:42I want to vanish inside your kiss.
18:50Every day I love you more and more.
18:58Listen to my heart, can you hear it, see?
19:06Telling me to give you everything.
19:14Seasons may change, winter to spring.
19:19Thank you for meeting me.
19:20It was good to see you.
19:24Give Marcella some time.
19:26You two are good together.
19:29What makes you say that?
19:32Because I saw the two of you in Rome.
19:34When were you in Rome?
19:39After you decided to leave Paris, I had this crazy idea to follow you.
19:44And I saw you with them.
19:48Why didn't you ever tell me?
19:50Because you looked happy.
19:53And that's all I ever wanted for you.
20:00It's all I ever wanted for you, too.
20:05For both of us.
20:06You know, they didn't start calling Hitler a belly puck until after it had passed.
20:15Nobody knows if they're living their golden age.
20:17Maybe we're living ours now.
20:24Just send me a postcard, okay?
20:27A real one.
20:29With a stamp.
20:29And there's no mountain too high
20:35And a river too high
20:39Sing out this song and I'll be there
20:44By your side
20:47Stone clouds may gather
20:50And stars may collide
20:54Oh! Oh my God!
20:55You... Gabrielle, you're knives!
20:58Wait!
20:58I love you
20:59Until the end
21:04By the time
21:06You're knives!
21:07Oh!
21:14You're a good friend.
21:15I will love you
21:28Suddenly the world seems such a perfect place
21:38Hey!
21:40Where is everyone?
21:42I send them home
21:43Did you cancel the show in Venice?
21:48Not yet
21:49Are you sure that's what you want to do?
21:52It's what needs to be done
21:53You know, sometimes when things don't work out
21:56You know, sometimes when things don't work out
21:57It helps to look at it from a different perspective
22:00Do the opposite
22:02Like if I'm thinking black, I run towards white
22:06What?
22:07Black is white, up is down
22:10Something like that, yeah
22:12All I can think of is how I'm disappointing everyone
22:16Well then think of the opposite
22:18Well then think of the opposite
22:19Listen, I don't need you to be a designer
22:23Or a titan of industry
22:27Or anything other than the wonderful man that you are
22:32Whatever you decide, I'm with you
22:39Whatever you decide, I'm with you
22:43What?
22:45Finalement
22:46Finalement, maman, tu m'as appelée il y a à peine une heure
22:51Mais je t'ai dit que c'était urgent
22:52Moi aussi je suis ravie de te voir
22:56C'est quoi cette urgence ?
22:59Est-ce que tu as vu ton mari dernièrement ?
23:01Oui, justement je l'ai vu hier soir
23:02Il avait un peu pris cette distance
23:04Mais on a reconnecté
23:06Merveilleux
23:08Est-ce que tu peux me dire de se connecter avec moi aussi
23:10Afin de m'expliquer pourquoi ses créanciers s'en prennent à moi
23:13Pardon ?
23:14Il est en retard de paiement surtout
23:16Sa licence d'alcool, ses fournisseurs
23:19Il y a même certains de ses employés
23:20Mais non, mais attends maman, je comprends pas
23:22Il m'a dit que le business marchait super bien
23:24Ah bon ?
23:24Il t'a dit aussi qu'il avait emprunté 2 millions
23:26En hypothéque en immeuble
23:28Mon avocat vient de me la prendre
23:29Maman, t'es sûre de ce que tu dis ?
23:31Évidemment que je suis sûre
23:33Il n'a plus d'argent, alors c'est à moi qu'il s'en prenne
23:35Tu aurais jamais dû me compromettre avec ce type
23:39Et toi non plus
24:05Bravo et bravo
24:18Thank you all so much
24:21It's perfect
24:21It's exactly how I pictured Maximes during the Belle Époque
24:25Merci
24:25It's been our pleasure
24:27Now, if you'll excuse me
24:29I have a date with the green fairy
24:30She's in love with me
24:33Are we sure this doesn't make you hallucinate ?
24:41Mm-hmm
24:41Is everything okay ?
24:46I thought you'd have the time of your life here
24:49No, c'est magnifique
24:50But being here made all this beauty
24:53I wish I hadn't given up on my art
24:56Luke, I think you're romanticizing the past
25:00Do you remember how hard it was ?
25:03And look at you, okay ?
25:04You have a great life
25:05You have great friends
25:07And a great job
25:09And...
25:11Well, you...
25:12You live on a boat
25:13Yes
25:15Yes, it's true
25:15But I wasn't talented enough anyway
25:19Just another dream of dying
25:22Luke
25:24There is something you have to see
25:26Oh my god, is that...
25:40It's me ?
25:43All of these years I've been hanging in Maxim's
25:46Maybe a little too well hung ?
25:49Artistic license
25:51I can't believe it
25:52I did make it as an artist
25:53Emily, can you take a photo of me with my masterpiece, please ?
25:56Oh, of course, yeah
25:58Okay, let's see
26:00Uh...
26:01Oh, you know what ? Here, do you want to just hold this ?
26:03Okay
26:04Um, just a little... a little higher
26:06Tilt it to the left
26:07Yeah, up, up, up
26:09Perfect
26:14Hello
26:16May I join you ?
26:17Uh...
26:18Sure
26:19But no dancing tonight
26:20Deal
26:21I can't do the can-can anyway
26:27You alright ?
26:29It's so stupid
26:31Try me
26:33Well, I guess I have to tell somebody
26:35I booked the role of Satine in Moulin Rouge
26:38It's an animated movie musical
26:40Well, congratulations
26:41That's great
26:42Isn't it ?
26:43It is
26:45I mean...
26:46I could use the cash
26:47Because I was really excited to tell Nico
26:49That I could cover the rent for a while
26:51But ?
26:52But they just sent me the script and some sketches
26:54And the full title is Mulan Rat
26:58I'm a rat
27:00Well, hold on, hold on, hold on
27:02That can't be the right translation
27:04I mean, what's French for rat ?
27:06It's fucking rat
27:07What ?
27:08I'm rat-teen
27:10Who's rat-teen ?
27:11A cartoon rat prostitute
27:13This is why I didn't want to tell Nico
27:15This is so humiliating
27:16Who cares ?
27:17Cash that check
27:18That rat sex worker would ?
27:20Honestly, yeah
27:23That's what ?
27:25You alright, mate ?
27:27What's so funny ?
27:28I...
27:30I...
27:31I booked a job
27:33I'm rat-teen
27:35That's great
27:36What ?
27:37Wait, who ?
27:38A rat prostitute in a top hat
27:40Stop !
27:41No, no, no
27:43It's Moulin Rouge
27:44With rats
27:45Ah
27:47I get it
27:48Funny
27:49No, no, no, it's not that funny
27:50But the salary is great
27:52And...
27:53Rent is on me
27:54That's amazing
27:56Yeah
28:01Mmm
28:02I'm gonna go grab another drink
28:07Congrats
28:18Emily
28:20Did Laurent check-in ?
28:21I didn't see him yet
28:22But I was only at the check-in for the first hour
28:24So...
28:25Oh !
28:25I think he just walked in
28:29Laurent
28:30You lied to me
28:40I know about the loan
28:42I can explain
28:43I...
28:44I need to pay off some debts in Saint-Tropez
28:46I don't care why you did it
28:48You took advantage of my mother
28:50I'm so done with you
28:52Sully, please
28:53I want a divorce
28:55No, he must be ready
28:59He must be ready
29:00He must be ready
29:00I don't want to hear the reasons
29:01Okay?
29:01It's clear
29:02Hey, what's going on?
29:03Emily, I'm sorry about earlier
29:04You've been so supportive during this
29:05It's been so difficult
29:06And...
29:07I need to tell you something
29:08I love you
29:09You're canceling the line
29:10What?
29:11Canceling?
29:12No, say your thing again
29:13I love you, Emily
29:14I love that you believe in my crazy dream even when I don't
29:27I love that you won't let me give up
29:29I love you too
29:31And like I told you before, none of this business stuff matters to me
29:35I hope that's not true
29:38Go
29:40What is all of this?
29:46I took your advice about thinking differently
29:49And I'm doing the opposite
29:50The paleo is bright and loud
29:52That's what the collection should be
29:53Not a colorful pony on neutral fabrics
29:55But a neutral pony on big, bold, colorful designs
29:58But who were you on the phone to before?
30:00I thought you were so upset
30:02Oh, that was my textile supply
30:04And I wasn't angry
30:06I was excited
30:07I was excited
30:09If we are going to make it to Venice
30:11We don't have much time
30:13We're going to Venice?
30:15We're going to Venice?
30:17Yes!
30:19We're going to Venice!
30:21No!
30:22No!
30:23No!
30:24No!
30:25No!
30:26No!
30:27No!
30:28No!
30:29No!
30:30No!
30:31No!
30:32No!
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30:58No!
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