- 8 dakika önce
Ask A Policeman 1939
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00:00:00MÜZİK
00:00:30We're now back in the studio, having shown you the type of crime which occurs all too frequently in London,
00:00:54keeping a highly organised police force constantly employed.
00:00:56But now, by way of contrast, we're taking you over to a little village on the coast.
00:01:01In the sleepy little hamlet of Turnbottom Round, there are no criminals.
00:01:05For years now, not a single conviction has been recorded, not even a name in the charge book.
00:01:10This unique record has caused Turnbottom Round to be envied throughout the south of England as a village without crime.
00:01:16The police station occupies an old watchtower and is probably the least used building in the neighbourhood.
00:01:21Ladies and gentlemen, the police station Turnbottom Round.
00:01:26Well, here we are, ladies and gentlemen, in the police station of the village without crime.
00:01:32We have with us as an audience the squire and all the local celebrities.
00:01:38The absence of crime in this happy village is entirely due to the efficient and indefatigable efforts of the head of the local police force.
00:01:46Sergeant Dudfoot.
00:01:51Sergeant Dudfoot.
00:01:53Oh, is it me?
00:01:56Good evening, everybody.
00:01:57A little further back and not quite so large, please.
00:01:59Oh, I see. A little farther back, yes.
00:02:01Is it true you've had no crime in this village for ten years?
00:02:03No, no. That's my bit.
00:02:05Oh, is it? Oh.
00:02:06Oh, I'm sorry. That's his bit.
00:02:07Yes.
00:02:08Is it true that you've had no crime in this village for ten years?
00:02:11Oh, I see. We're starting again.
00:02:13Yes, that is true.
00:02:14And how long exactly is it since you last had a crime?
00:02:17Ten years, five weeks, four days.
00:02:19Very interesting.
00:02:20And how long have you been in charge of this police station?
00:02:22Ten years, five weeks, four days.
00:02:24I can hardly believe it.
00:02:25Well, that's what it says here.
00:02:28Very commendable, Sergeant.
00:02:29A record like yours deserves a reward.
00:02:32Hey, where is it?
00:02:34I have merely done my duty.
00:02:36I do not expect any reward.
00:02:38I say, I don't remember approving that line.
00:02:40When you say there has been no crime, you mean no big crime?
00:02:43I mean none, either big or little.
00:02:45What about minor offenses, such as pilfering or poaching?
00:02:49There has been no poaching in this village for ten years, five weeks, four days.
00:02:53Amazing record, Sergeant.
00:02:54Yes, I haven't seen a poacher for the last...
00:02:56Since you've been here, definitely an achievement, Sergeant.
00:02:59I don't suppose there's another country area in England without at least one local poacher.
00:03:03And for an agricultural district like Turnbotham Round,
00:03:06never to have known a case of poaching in ten years,
00:03:09well, all I can say is,
00:03:10it says a great deal for the control you exercise over the villagers.
00:03:13Now, Lord, you've done. You made us miss the broadcast.
00:03:15You will not be gnarky.
00:03:16Yes, he'd be more gnarky if he missed his dinner tomorrow.
00:03:22Get up, you poor.
00:03:23Did you know they're making a broadcast in there?
00:03:24On purpose.
00:03:25Get some light in here.
00:03:26Well, that's better.
00:03:27If we hurry, we'll just make it.
00:03:29Yes.
00:03:30It's all right.
00:03:31You're still talking.
00:03:32Quick.
00:03:33I thought you said you'd remember the broadcast.
00:03:34No, I didn't.
00:03:35I said I'd remember to remind you about the broadcast.
00:03:37Well, why didn't you?
00:03:38Because I forgot.
00:03:39Because you forgot.
00:03:40You always forget.
00:03:41Come on.
00:03:42All right, wait for me.
00:03:43I've set an example to the police all over the world.
00:03:46Our Sergeant Dudfoot staff have just returned from their lonely beats.
00:03:50Two splendid fellows.
00:03:52One is a fine, youthful figure of a policeman, and the other is just...
00:03:55Oh, they don't want to hear about him.
00:03:56Sorry we're late, Sarge.
00:03:57Good evening, Constable Brown.
00:03:58So you two have helped to keep this village free from crime.
00:04:01No, no, no, no.
00:04:02Not so loud and stand farther back.
00:04:03This village must be very proud of you.
00:04:05Well, my girl Emily says I'm a...
00:04:06My girl Emily.
00:04:07That's a nice thing to say in a broadcast.
00:04:09Well, they can't make anything rude out of that, can they?
00:04:11Now, how long have you been with the force?
00:04:15Twelve months next muck spreading.
00:04:16What do you mean muck spreading?
00:04:17It says April.
00:04:18Well, there is muck spreading.
00:04:19What?
00:04:20Why doesn't he stick to the script?
00:04:21I mean, what do you think this is a gardening talk?
00:04:23And you've never been called upon to arrest even a drunk.
00:04:26Oh, no.
00:04:27Oh, no.
00:04:28No drunk's here.
00:04:33You must tell the choir boys that the street's not the proper place to practice.
00:04:36Yes, Sargeant.
00:04:37And how about you, Constable...
00:04:40Harbottle.
00:04:41Please meet him.
00:04:42Harbottle, aye, yes.
00:04:43You control the traffic.
00:04:44And you've never even known a case of speeding.
00:04:46How fear?
00:04:47I'd as soon have the bracelets on them if I had.
00:04:50Oh, that must be the doctor on an urgent case.
00:04:52Urgent?
00:04:53Here.
00:04:54Probably going to Mrs. Ockham.
00:04:55She always needs it till the last minute.
00:04:59Ladies and gentlemen, I must apologise for this old fool.
00:05:01If anybody opens his mouth, he always sticks his foot in it.
00:05:03He comes budding in, he's got no right here at all.
00:05:05And what's more...
00:05:06You're wasting your time, sir.
00:05:07You've been faded out.
00:05:08Well, what about these other three pages?
00:05:10That's all your fault.
00:05:11You're...
00:05:12Oh, I'm sorry this happened, Sargeant.
00:05:14You were doing splendidly.
00:05:15Oh, well, you know how it is.
00:05:16The BBC always paid out the best items.
00:05:18Goodnight, Sargeant.
00:05:19Goodnight.
00:05:21The least I can do is to thank you for your trouble.
00:05:23Being a police officer, of course, you can't accept a fee.
00:05:25Oh, does that come under this?
00:05:26Oh, what a pity.
00:05:27But if there's any local charity for which you'd like a contribution...
00:05:30Well, we have the police outing fund, sir.
00:05:32I think it's going to be rather difficult to get that in.
00:05:34Oh, no, no, no.
00:05:35There we are.
00:05:36Goodnight, Sargeant.
00:05:37Goodnight.
00:05:38Come and say goodnight to the gentlemen.
00:05:40Come on, come on.
00:05:41Goodnight.
00:05:42Goodnight.
00:05:43Goodnight.
00:06:01We're not open yet.
00:06:02Got plenty for you this morning, Sarge.
00:06:04Have you?
00:06:05Wait for their money.
00:06:06Show them in next door.
00:06:15Hello, Ernie.
00:06:16How's the nitty?
00:06:17Very nice, thanks.
00:06:18The Sargeant says I have to bring his post here.
00:06:20What, all that lunch?
00:06:21What's he been up to?
00:06:22Come in out tonight, Emily.
00:06:23Oh, I can't, honey.
00:06:24I've got a date.
00:06:25Not with Harry Pringle, the fish boy.
00:06:26Why, what have you got on Harry?
00:06:27Oh, nothing.
00:06:28I now thought a girl like you would have aimed a bit higher than a common hill skinner.
00:06:33Well, at least he does take me to the pictures.
00:06:34Pictures?
00:06:35Then what's the matter with you?
00:06:36You go there and pass out at Robert Taylor and Clark Gable.
00:06:37Takes you a couple of weeks to get used to me again.
00:06:38Oh, you're just jealous because Harry's got a motorbike and you haven't.
00:06:39Oh, motorbike?
00:06:40I wouldn't take one of my girls out on a motorbike, bumping up and down on the pillion,
00:06:42getting disfigured for life.
00:06:43Don't you believe it, big boy.
00:06:44The back of a motorbike's okay by little Emily.
00:06:45Oh, I suppose you wouldn't come out in my car.
00:06:46Your car?
00:06:47Well, you haven't got a car.
00:06:48It belongs to the police.
00:06:49Anyway, you're afraid to take me out in it.
00:06:50Says who?
00:06:51No.
00:06:52No.
00:06:53No.
00:06:54No.
00:06:55No.
00:06:56No.
00:06:57No.
00:06:58No.
00:06:59No.
00:07:00No.
00:07:01No.
00:07:02No.
00:07:03No.
00:07:04No.
00:07:05No.
00:07:06No.
00:07:07No.
00:07:08No.
00:07:09No.
00:07:10There's me.
00:07:11Will you be at the crossways a half past five tonight and we'll see.
00:07:14Well, I might.
00:07:15Now you've bought me the sweets.
00:07:16So long honeybunch.
00:07:17All right.
00:07:20Here.
00:07:21Here.
00:07:22Here.
00:07:23Here.
00:07:24Here.
00:07:25Don't impure the world, the broken biscuits.
00:07:26Who are they for?
00:07:27The governor?
00:07:28Oh, I see.
00:07:29Well, gracious.
00:07:30All those for me?
00:07:31Perhaps they're Christmas cards.
00:07:32What in November?
00:07:33It's your fun mail after you were broadcast.
00:07:34How do you know?
00:07:35Well, I opened one or two.
00:07:36You opened one or two?
00:07:37Do you know that's an offence?
00:07:38Yes.
00:07:39Yes, and so was you a broadcaster.
00:07:42He a lummi.
00:07:43I saw that lot.
00:07:44Oh, my fan letters.
00:07:46Penny for me.
00:07:46He looks, one with O HMS on it.
00:07:48Ah, that'll be from the BBC.
00:07:50Want to fix up another broadcast.
00:07:52Yes.
00:07:54Yes, sir.
00:07:55Re your broadcast.
00:07:56Your failure to effect a single arrest for the past ten years, five weeks, four days
00:08:00would strongly suggest that the police station in your area is unnecessary.
00:08:05Hmm.
00:08:06An investigation will shortly be made to decide whether to transfer you to another district
00:08:09or to retire you and your staff from the force altogether.
00:08:14Yours faithfully, John Conch, your chief constable.
00:08:16Hmm.
00:08:17Oh, dear.
00:08:18Transferred or retired.
00:08:19That's a bit sick.
00:08:20Oh, I don't want to retire.
00:08:21At least not till I'm an old man.
00:08:23I mean, you're ten years older than the pyramids now as a shut-up.
00:08:25Ah, it's all your fault.
00:08:26You and your blue in broadcast.
00:08:28Well, there's gratitude for you.
00:08:29After me making him into a policeman.
00:08:31Well, you had to when his nephew resigned.
00:08:33Resigned?
00:08:33I like that.
00:08:34You mean did a bunk with a sports fund?
00:08:36Yes, and you kept his name on the payroll.
00:08:37That's right.
00:08:38And if I hadn't have come in, he wouldn't have had any odd bottles of show.
00:08:41Yeah, and you wouldn't be able to stick to half his wages.
00:08:43That's commission.
00:08:44I mean, you should talk.
00:08:45What about all that petrol you've been using, taking your girl out?
00:08:47Well, what about it?
00:08:48It's not yours.
00:08:49It's police petrol.
00:08:50That's got nothing at all to do with it.
00:08:51It's the principle of the thing I'm talking about.
00:08:53Oh.
00:08:54There's no use fighting amongst ourselves.
00:08:56What are we going to do about this letter?
00:08:58Well, I'll tell you what we're going to do about it.
00:08:59If the chief wants arrest, he's going to have arrests.
00:09:01We've got to find some crime, that's all.
00:09:03Let me see.
00:09:04I know where there's some crime.
00:09:09Where?
00:09:09In the news of the world.
00:09:11I mean, we can't wait till Sunday.
00:09:13Hey, what about Mrs Clifford?
00:09:14Has she paid her dog license?
00:09:16Well, she has, in a way.
00:09:18What do you mean, she has, in a way?
00:09:19Well, she tossed me dog law quits and I lost.
00:09:22Oh.
00:09:22Well, we can get her for gambling.
00:09:24Oh, we can't do that.
00:09:24She's one of my best customers.
00:09:26Box the dog biscuits in the Bob Martins every Friday.
00:09:28Well, we're going to arrest someone, whether we offend them or not.
00:09:31What about poaching?
00:09:34No.
00:09:36No.
00:09:39That, that, stop, Ricky.
00:09:41You know Jolly Willie hasn't got a car.
00:09:42He's only got a bike.
00:09:45Hey!
00:09:46Hey, come back here!
00:09:47You can't go carrying through here!
00:09:49What do you mean, this is a restricted area!
00:09:53Hey, there's an idea.
00:09:55Restricted area.
00:09:56We'll set a speed sign.
00:09:57I mean, we'll give him a rest.
00:09:58We'll stop everything!
00:09:59Hey, where's my stopwatch, Albert?
00:10:00Oh, I gave it to Albert.
00:10:01Yes, I had it, but I boiled it.
00:10:04You what?
00:10:04I boiled it.
00:10:05You see, I had the egg in one hand and the watch in the other,
00:10:06and I put the wrong one in.
00:10:07You would.
00:10:08Well, you'd better bring the egg.
00:10:10What's that do with that?
00:10:11Well, suck it and see.
00:10:21All right, I'm ready!
00:10:22Get in the hedge!
00:10:24All right!
00:10:28Well, I don't see how you're going to work it.
00:10:30Well, it's perfectly simple.
00:10:31Our bottle's at the top of the road with the first post,
00:10:33and when a car passes him,
00:10:34he's going to start his watch and drop his handkerchief.
00:10:35Yes, but what do I do?
00:10:37Well, when you see his handkerchief, you start your watch.
00:10:39Yes, who's going to stop the motorist?
00:10:41I am.
00:10:41I'm going to stop every car that passes.
00:10:48Oh, you didn't stop that one.
00:10:49He came before I was ready.
00:10:51Here, set your watch by mine.
00:10:52Hey, sounds like another car.
00:10:54Well, get in the hedge over there.
00:10:55You were exceeding the speed limit.
00:11:14Don't talk rot.
00:11:15Oh, yes, you were.
00:11:16All right.
00:11:17How much do you reckon I was doing there?
00:11:18Yeah.
00:11:18Oh, well, all in good time.
00:11:20Harbert!
00:11:21Harbottle!
00:11:21What was this man doing?
00:11:25Twenty-five minutes.
00:11:26Yes.
00:11:27Minutes?
00:11:27Those are seconds.
00:11:29Oh, yes.
00:11:29I was looking at the wrong end.
00:11:30What do you measure?
00:11:31Twenty-five seconds.
00:11:32So do I.
00:11:33You did the measured furlong in twenty-five seconds.
00:11:36What of it?
00:11:36That's only twenty miles an hour.
00:11:37Yes.
00:11:38Twenty miles an hour.
00:11:39Ah, yes, but twenty miles each.
00:11:41You see, there are three of us.
00:11:42That makes it sixty.
00:11:43Sixty?
00:11:44What on earth are you dribbling about?
00:11:45Twenty-five seconds, one furlong.
00:11:47Work it out for yourself and see.
00:11:49Oh, that's easy.
00:11:50I've got a pencil.
00:11:51Well, I suppose you think we can't do it, don't you?
00:11:53There you are.
00:11:54Let me see now.
00:11:55What is it?
00:11:56Two hundred and twenty yards multiplied by eight.
00:12:00Yeah, not on my body.
00:12:01All right, all right.
00:12:02We're only doing it to oblige you.
00:12:04Yes, we're courtesy cops.
00:12:05Yes.
00:12:06Two hundred and twenty yards multiplied by eight.
00:12:07That's one thousand seven hundred and sixty.
00:12:10Now, divide that by twenty-five seconds.
00:12:12Hey, the thing to do is to reduce it to hours.
00:12:14How can you reduce twenty-five seconds to hours?
00:12:16Listen, how long do you expect me to wait here?
00:12:18You wait till we've finished.
00:12:19You ask for it, and you're going to get it.
00:12:20Yeah, I've done it.
00:12:21Have you?
00:12:22Yeah.
00:12:22Good.
00:12:22Twenty-five minus two hundred and twenty divided by sixty.
00:12:25Well, according to this, he hasn't got it here yet.
00:12:28Here, there it is.
00:12:29One thousand seven hundred and sixty divided by twenty-five gives us seventy point four.
00:12:33Yeah, seventy point four.
00:12:34Yeah.
00:12:34Well, it's gone up.
00:12:35Well, that's nearly eighty miles an hour.
00:12:36Oh, right.
00:12:37Yes.
00:12:37Ask him for his license.
00:12:40I want to see your license.
00:12:42I haven't got a license.
00:12:43Huh?
00:12:44I said I haven't got a license.
00:12:45He hasn't got a license.
00:12:47Ask him for his insurance.
00:12:49Well, let me see your insurance certificate.
00:12:51I'm not insured.
00:12:53What, you mean you haven't got a license or an insurance?
00:12:54No.
00:12:56He's got a license or an insurance.
00:12:58Oh.
00:12:58Well, it's a very lucky thing for you, young man.
00:13:01You've just saved your baiting.
00:13:03Do you mean I can go?
00:13:04Well, I can't endorse your license if you haven't got one, can I?
00:13:06Go on, hop in.
00:13:08Next time, be sure you bring one with you.
00:13:10Yes.
00:13:17Well, if you ask me, it's a waste of time.
00:13:20Oh, well, who's wasting the time?
00:13:21Only ten minutes to work out a simple little something like that.
00:13:23Well, it isn't our fault.
00:13:24It's a post.
00:13:25Well, what's the matter with them?
00:13:26Too clean?
00:13:26No, they're 220 yards apart.
00:13:29Well, what's that got to do with it?
00:13:30Look, there's 60 seconds in a minute.
00:13:3260 into 220 won't go.
00:13:33That's right.
00:13:34Well, if we made it 240, it's four.
00:13:37Four?
00:13:38Four times a minute.
00:13:39Oh.
00:13:40That seems very often, doesn't it?
00:13:42Oh, no, you don't understand.
00:13:43Look, if we move that post a bit this way, it's easy to divide.
00:13:46Well, why didn't you say, Joey?
00:13:48Did it say?
00:13:52Oh.
00:13:53God, now, put some beef in it.
00:13:54I had pretty beef in it.
00:13:55Boop, boop, boop, boop, boop, boop, boop.
00:13:57Hey, out there it is.
00:13:59Now, we'll step it out.
00:14:00Twenty yards, and you bring the post with you.
00:14:02All right.
00:14:02One, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve.
00:14:10Hey, sounds like another car coming.
00:14:12All right.
00:14:13Well, no arguments this time.
00:14:14We've all agreed it's doing 60.
00:14:15Right.
00:14:16Now, run up the road, go ahead and drop your handkerchief.
00:14:19Hey.
00:14:19I haven't got a handkerchief.
00:14:21Well, drop your sleeve or whatever you use.
00:14:27Hey, where can I put this?
00:14:28Well, put it anywhere.
00:14:29Stick it there.
00:14:31Yes.
00:14:32Well, stick it.
00:14:33Well, stick it.
00:14:34Never mind.
00:14:35Hold it.
00:14:36Get your watch of it.
00:14:36What the level's the meaning of this?
00:14:55Well, first of all, have you got a license?
00:14:57Of course I've got a license.
00:14:58You have?
00:14:59Then you're for it, my lad.
00:15:00You were doing 60 miles an hour.
00:15:02I was doing what?
00:15:03Sixty.
00:15:04Absolute nonsense.
00:15:06Now, what was this man doing?
00:15:09Sixty.
00:15:10You have the impudence to tell me that I was doing 60.
00:15:13What's that?
00:15:14Oh, a policeman.
00:15:15Yes.
00:15:16Well, I must be going mad or something.
00:15:17What's he doing with that thing?
00:15:19That?
00:15:19Ha-ha, that's evident.
00:15:20Evidence.
00:15:21Quiet, quiet.
00:15:22Now, you say truly, uh, truly, truly verbal.
00:15:25Yes, that's right.
00:15:26Say that.
00:15:27Truly rubbish.
00:15:28As I thought.
00:15:28Drunk as well.
00:15:29All right, boys, and that's him.
00:15:30What?
00:15:30I warn you, anything you say will only make it worse for you.
00:15:32The handcuffs are...
00:15:33Leave him to me.
00:15:35Hey!
00:15:36Hey!
00:15:36Hey!
00:15:37Stop buckling my customer, will you?
00:15:38Oh, I see.
00:15:39I see.
00:15:40Resisting arrest, eh?
00:15:42All right, boys.
00:15:43Leave him in.
00:15:44All right.
00:15:45That's it.
00:15:46That's not even me, my goodness.
00:15:47Now, go on.
00:15:48Get in and drive into the station.
00:15:49I know.
00:15:50I'll tell you something.
00:15:51What?
00:15:51He wasn't going very fast at all.
00:15:53Well, fast or slow, it doesn't matter.
00:15:54The law's the law.
00:15:55I know.
00:15:56Go on.
00:15:56Oh, we've got a case at last.
00:16:05You search him?
00:16:06Yep.
00:16:06One pocketbook, one watch, one penknife and no money.
00:16:09Yeah.
00:16:09One penknife and no what?
00:16:11And no money.
00:16:11Come on.
00:16:12Turn out your pockets.
00:16:13Oh, all right.
00:16:14One penknife and 15 bob.
00:16:16I mean, will you never learn to be honest?
00:16:18He's as much half listener as yours.
00:16:19Yeah, I'll find Bob each.
00:16:22Now, let's see what his name is.
00:16:23You got anything inside?
00:16:34Oh.
00:16:35What's it say?
00:16:39What's the matter?
00:16:40We've only pinched the chief constable, that's all.
00:16:42Oh, that's a niche, isn't it?
00:16:43Yeah, we've got to get him out of that cell before he comes to.
00:16:46Now, when he wakes up, we don't anything about this.
00:16:48We'll pretend we're surprised he's here.
00:16:50We'll ask him how he's lucky is.
00:16:52I know.
00:16:53He hit something with his car.
00:16:54Tell him there's been an accident.
00:16:55Yes, and when he finds out there hasn't been an accident, there will be one.
00:16:57Don't be silly.
00:16:58After a plow on a head like that, he won't know what's happened.
00:17:00Hey, where are you going?
00:17:01I'm going to have to fix the accident.
00:17:02I'm going to have to fix the accident.
00:17:16Hey, what are you doing?
00:17:22What are you doing?
00:17:23I'm kicking the front of the car in.
00:17:25Hey, what are you so used to doing that?
00:17:27That won't look like an accident.
00:17:29You want to drive it into something?
00:17:31Well, that's an idea.
00:17:31Hurry up, little man.
00:17:32Come to any minute.
00:17:34Where's the starter?
00:17:36It's that little knob over there.
00:17:37Hey, come out.
00:17:38Let me do it.
00:17:38Oh.
00:17:39Let me, you're switching on the lights.
00:17:42There's a self-starter.
00:17:46Oh, look at my samples.
00:17:48Why didn't you tell me you'd left it in gear?
00:17:50Well, you didn't give me time to tell you anything.
00:17:52Oh, well, anyway, they can't say there hasn't been an accident.
00:18:05Oh, are you feeling better now, sir?
00:18:09You scoundrels.
00:18:12I'd have the lot of you in jail for this.
00:18:14He's delirious.
00:18:16Delirious?
00:18:16Why, I...
00:18:16You've had an accident.
00:18:19What are you talking about?
00:18:21You assaulted me.
00:18:22That's right.
00:18:22No, you've had an accident, sir.
00:18:24Oh, an accident, sir.
00:18:25Oh, yes.
00:18:25You were driving the car and you suddenly left the road, went smack through the shop next door.
00:18:29You impudent scoundrel.
00:18:31Well, if you don't believe us, come out and have a look.
00:18:32Yes, yes, come out and have a look, sir.
00:18:33Come out and have a look, sir.
00:18:35You assaulted me on the high road.
00:18:37Oh, we didn't...
00:18:37Oh, nothing of the kind.
00:18:39Well, we haven't been out to the house all day, sir, really.
00:18:41You held me up and accused me of speeding and you know it.
00:18:43Hallucination.
00:18:44Yes, that's what it is, sir.
00:18:45Hallucination.
00:18:45Very common after an accident.
00:18:47What?
00:18:47Especially a nasty one like this.
00:18:48Look.
00:18:50What have you done to my car?
00:18:51Keep calm, sir.
00:18:52Keep calm.
00:18:53It'll all come back for you.
00:18:54Come back.
00:18:54It hasn't gone away from me yet.
00:18:56You stopped me on the high road for speeding and what's more, you accused me of being drunk.
00:18:59Oh, pure hallucination, sir.
00:19:01Yes, hallucination.
00:19:02Yes, hallucination.
00:19:03That's right.
00:19:04Are you trying to tell me that I drove down this road and for no reason at all crashed my car into this shop?
00:19:08Exactly, sir.
00:19:09Yes.
00:19:09I refuse to believe that outrageous nonsense.
00:19:11Oh, excuse me, but it's perfectly true.
00:19:13What?
00:19:13I was in the saddler's shop down the road and saw the whole thing.
00:19:16You did?
00:19:17Who's this?
00:19:18Oh, this is the squire.
00:19:20Do you mean to tell me you substantiate this man's story?
00:19:22Definitely.
00:19:23Well, you come with me.
00:19:25Oh, yes.
00:19:29Thank you very much.
00:19:32If there's anything in this outrageous story, how on earth do you explain this bump?
00:19:36Well, might I suggest, sir, that you hit your head on the windscreen?
00:19:39Good heavens, man, I can't hit the windscreen with the back of me head.
00:19:41Oh, maybe you was in reverse.
00:19:43Oh.
00:19:46Albert Brown, you can't do this to me.
00:19:48I've been waiting at the crossways over half an hour.
00:19:50Shut up.
00:19:50This is the Chief Constable.
00:19:52Oh, I didn't know you had a friend.
00:19:54Well, if you told me, I'd have brought Aggie.
00:19:56Who is this woman?
00:19:57This is Emily, sir.
00:19:58What's she doing here?
00:19:59She's my bird, sir.
00:20:00You what?
00:20:00I mean, sir, she's his bit.
00:20:02She's the parlour maid at the manor.
00:20:03Come on, Emily, run along.
00:20:04We're very busy.
00:20:05Yes, sir, what about...
00:20:05All right, just a minute, ma'am.
00:20:11What is all this about?
00:20:13Oh, Constable Brown wants to know if he can go to the pictures.
00:20:16Certainly Constable Brown can go to the pictures.
00:20:18Oh, thanks, Chief.
00:20:19You wouldn't like to go, too, would you?
00:20:21No, I went last Wednesday.
00:20:22And what about you?
00:20:23No, I prefer the book by the fire.
00:20:25Oh, you do?
00:20:25Good night, all.
00:20:26Good night.
00:20:26Good night.
00:20:27Good bye, what's your name?
00:20:28At the city here.
00:20:29Good night.
00:20:31Bright little girl, isn't she?
00:20:32Well, Chief, what about a little drink?
00:20:34Oh, of course, I'm sorry.
00:20:35They're not open yet.
00:20:36I'll take the jug around the side door.
00:20:37Mrs. Davis will let me have it.
00:20:38What?
00:20:39Yes, she always does.
00:20:40Yeah, that's a good idea.
00:20:40Would you prefer old and mild, or would you like bitter?
00:20:42I think you'd better take the large jug.
00:20:44Say where you are.
00:20:45When I heard your broadcast,
00:20:47I expected to find it dead of incompetence,
00:20:49but I never thought it would be as bad as this.
00:20:50Letting a constable go to the pictures with a girl,
00:20:52getting drinks out of hours.
00:20:54Is that the way to run a police station?
00:20:55You call this a police force?
00:20:57How old are you?
00:20:59Fortitude.
00:21:00You look more like 82 to me.
00:21:01Oh, that's the life he's led.
00:21:02No, it isn't.
00:21:03It's through seeing it, what, done it?
00:21:04Seeing what?
00:21:05The ghost.
00:21:06What ghost?
00:21:06The ghost of the headless horseman, driving hers.
00:21:09Horrible it was.
00:21:10I lost me hair, and my teeth fell out all in the night.
00:21:13Oh, I don't take any notice of him.
00:21:14He has hallucinations, too.
00:21:16But it's true.
00:21:16Ah, true.
00:21:18Yes.
00:21:18And I'll tell you once more,
00:21:19I know other people...
00:21:20Remember, I wanted confirmation
00:21:21that this place is run by a pack of idiots.
00:21:23I've got it.
00:21:23The most inefficient and disorganised ramble
00:21:25has ever had the opportunity
00:21:26to call itself a police force.
00:21:28Apparently, you consider this blundering incompetence,
00:21:30staring illegality,
00:21:31and our greatest discourtesy
00:21:32to be the normal manifestations
00:21:33of a policeman's duty.
00:21:35You'll hear more of this.
00:21:37Goodbye.
00:21:42Oh, goodbye, Chief Constable.
00:21:43Goodbye.
00:21:44Thank you for calling.
00:21:45Don't worry.
00:21:46We'll look after everything.
00:21:47Yes.
00:21:48Well, go on.
00:21:48Move along.
00:21:49Move along.
00:21:49There's nothing to see.
00:21:50All right, all right.
00:21:50All right.
00:21:50All right.
00:21:51All right.
00:21:51All right.
00:21:51Now you've offended him.
00:21:58What do you want to tell him
00:21:59a silly, idiotic, daft story like that for?
00:22:02Headless horseman.
00:22:03Well, there is an headless horseman.
00:22:04You ask him down in the village.
00:22:06Have you seen it?
00:22:07No.
00:22:07Well, what do you want to tell him
00:22:08that yarn about your teeth dropping out for?
00:22:10Well, I had to tell him something,
00:22:11otherwise he'd be gone
00:22:11looking up my birth certificate.
00:22:13What, the doomsday book?
00:22:14Well, we'd better start packing.
00:22:17Packing?
00:22:17Well, we might as well be ready
00:22:18for the boot when it does come.
00:22:20What, are we leaving the dear old home?
00:22:22Yes, we're going to be kicked out
00:22:23into the dear old gutter.
00:22:24Hmm.
00:22:27Hmm.
00:22:33That looks so good, does it?
00:22:34Oh, you can't go out like that.
00:22:36No.
00:22:36You know, if only we could do
00:22:38something sensational,
00:22:38get the Daily Express behind us,
00:22:39they wouldn't dare sack us.
00:22:40I'll tell you what.
00:22:41What?
00:22:41Couldn't you arrest someone for speeding?
00:22:43Listen, I'm liable to be arrested for murder.
00:22:45What do you think we've been doing?
00:22:46Look where it's got us.
00:22:47What we've got to do
00:22:47is arrest some famous criminal.
00:22:49What criminals are there?
00:22:50Yeah, Guy Fawkes.
00:22:51Oh, lovely Guy Fawkes, he's dead.
00:22:53He wasn't a criminal.
00:22:54He invented fireworks.
00:22:56There must have been some crime here
00:22:57sometime or another.
00:22:58Haven't we got any records?
00:22:58We've got the old charge books
00:22:59down in the cellar.
00:23:00Well, let's go and have a look at those.
00:23:01All right.
00:23:02Bring your bullseye with you.
00:23:04I see a little bit of a muddle down here, aren't you?
00:23:15I'm going to tidy it up tomorrow.
00:23:16Tomorrow?
00:23:17What's the good of pulling off till tomorrow?
00:23:18What we can't be here to see?
00:23:20Well, where are your books?
00:23:21Here they are.
00:23:21Oh, yes.
00:23:23All right.
00:23:25Let's try this one, shall we?
00:23:26Here.
00:23:29Oh.
00:23:29Oh.
00:23:30Oh.
00:23:30Oh.
00:23:311753.
00:23:36Well, that's going back a bit, isn't it?
00:23:37It is, yeah.
00:23:38Ah, here's a crime.
00:23:40Highway robbery.
00:23:41No, that's no good.
00:23:42That's legal now.
00:23:43Is it?
00:23:44Yes.
00:23:45Daniel Gould.
00:23:47Was convicted of sheep stealing.
00:23:48What did he get?
00:23:49Was sentenced to be hurdled, hanged, drawn, and quartered.
00:23:52Blimey.
00:23:54There you are.
00:23:55George Connachy.
00:23:56Did slay, kill, and willfully murder his wife
00:23:58by throwing her off a cliff.
00:24:00What'd they do to him?
00:24:01He was fine four and sixpence.
00:24:03That don't seem right, do you?
00:24:05Well, I'm sorry, my mistake.
00:24:07Fourteen and sixpence.
00:24:09There, swear with it.
00:24:11Larceny.
00:24:12Piracy.
00:24:13Treason.
00:24:15Resisting the press gang.
00:24:17Whistling in church.
00:24:18I mean, these are no good to us.
00:24:19Haven't you got some other books somewhere else?
00:24:21You know, something on up-to-date crime?
00:24:23I've got some sexton blokes in the shop library.
00:24:25You have?
00:24:26Yes.
00:24:26Well, why don't you say so?
00:24:27Instead of wasting our time down here.
00:24:29Come on, let's go and have a look at them.
00:24:31Well, they might give us an idea, if nothing else.
00:24:33Yes.
00:24:34Huh?
00:24:34Here, you've got a catch for me, sir.
00:24:36Oh, good evening.
00:24:37Good evening, Sergeant.
00:24:39Anything wrong?
00:24:40Well, yes, sir.
00:24:41In a way.
00:24:43You see, it's like this, sir.
00:24:44My brother, Alfred, he's a lighthouse keeper.
00:24:47And this morning, he had to go off on his month's duty in the lighthouse.
00:24:51See?
00:24:52Yes, yes, I see.
00:24:53And he didn't want to go.
00:24:55And why didn't he want to go?
00:24:58Go on, I'll buy it.
00:24:59Why didn't he want to go?
00:25:01Because of our poor old grandmother.
00:25:04She's been ailing for years now, poor soul.
00:25:08And now, she's open at death's door.
00:25:11But as I says to Alf, duty's duty.
00:25:15And the lighthouse must be lit.
00:25:18Oh, yes, of course.
00:25:19Then, suddenly, I gets an idea.
00:25:22How about a signal, I says to Alf?
00:25:24Yes.
00:25:25What did Alf say?
00:25:26Alf says, if you could do that, I'd be easy in my mind.
00:25:30All right, I says.
00:25:32You says.
00:25:33I says, I'll hang up a light where you can see it from the lighthouse.
00:25:36And while that there light's still burning, you'll know our gun is still with us.
00:25:41Yes, that's a good idea.
00:25:44So I thought maybe you wouldn't mind if I put it up on top of the tower here, so that Alf can see it.
00:25:49This being the highest point hereabouts.
00:25:51Oh, by all means.
00:25:53Why, if anything happened to the old lady, I'd never forgive myself.
00:25:56Up the stairs till you come to the top.
00:25:58Thank you, Sergeant.
00:25:59What's the matter with you?
00:26:10I'm thinking about his poor old grandmother.
00:26:13Out there alone in a lighthouse.
00:26:16Why don't you listen, you old fool?
00:26:17His grandmother's not in the lighthouse.
00:26:19She's hovering around death's door.
00:26:21And he's putting that light up there so his brother will know that his grandma's light's not been put out.
00:26:25I don't know how I can thank you for this, Sergeant.
00:26:31Oh, well, that's all right.
00:26:33I mean, anything in the cause of charity.
00:26:35Charity?
00:26:35Yes, here's the box.
00:26:37Oh, there's no need for you to give anything.
00:26:40Half a clump.
00:26:42We'd have done it for nothing, you know.
00:26:43That's all right.
00:26:45Good night, Sergeant.
00:26:46Good night.
00:26:46I was thinking about his poor old granny.
00:26:53And you owe me one of his servants.
00:26:54Do I?
00:26:55Well, I imagine you've got it.
00:26:56We're going to look at your sex from Blake.
00:26:57Come on.
00:26:58Don't teach me.
00:26:59Come on.
00:27:01Come on.
00:27:02Where's the crime section?
00:27:03There you are.
00:27:04Here it is.
00:27:04Now, Dauntless Desmond or the Mystery of the Bloodstained Sheet.
00:27:07Oh, that's a hard one, that is.
00:27:09You want to read page 34 where he's alone with her in the office.
00:27:11In the work?
00:27:12In the office.
00:27:13Office?
00:27:13Yes.
00:27:14You mean office.
00:27:14No, I don't.
00:27:15I mean office.
00:27:15Yes.
00:27:15In the oasis.
00:27:17That means you had a date with her.
00:27:19Dauntless Desmond.
00:27:21Should be dirty dick.
00:27:22While you've been playing footy-footy at the pictures, we've reached a crisis.
00:27:25Oh, you'd reached that before I went out.
00:27:27Hey, you realise, my boy, if we don't find some crime before tomorrow, we're out.
00:27:30Well, you've got a whole shelf full of crime there.
00:27:32There you are.
00:27:33Look, Bill the body snatcher, Sam the smuggler cop.
00:27:36Smuggling.
00:27:36Now, there's your crime.
00:27:38Smuggling?
00:27:38Yeah.
00:27:39All we've got to do is to catch some smugglers.
00:27:40Oh, great.
00:27:41Now, where do we find the smugglers?
00:27:42Oh, we don't find them.
00:27:43We stage a smuggle.
00:27:44We put a keg of brandy on the beach, then we find it with witnesses.
00:27:47Well, what good does that do us?
00:27:49Well, then they'll have to keep us here until we find the smugglers.
00:27:51Alison, how can we find smugglers if there aren't any?
00:27:54Oh, we haven't got any brandy, are there?
00:27:55Oh, yeah, yeah.
00:27:58I've got some brandy.
00:27:59Oh?
00:27:59What are you doing with brandy?
00:28:00Well, I keep it in case I get toothache.
00:28:02Toothache?
00:28:02The only thing you're likely to get is gummy.
00:28:04Well, come on.
00:28:04Don't waste time.
00:28:05Don't get the brandy.
00:28:06Hey, wait a minute, wait a minute.
00:28:07Who's in charge here?
00:28:08You, but you've got the bullet.
00:28:09I've got nothing of the kind.
00:28:10The bullet may be on the way, but until it actually lands, you'll take your orders from
00:28:13me.
00:28:13And I'm having nothing at all to do with it.
00:28:15It's not safe.
00:28:15Well, please yourself.
00:28:17Come on, Jerry.
00:28:17We want to keep our jobs.
00:28:18Hey, do you mean to tell me you're going to defy me and go through with it?
00:28:21Certainly.
00:28:21Oh, well, what about me?
00:28:23Well, you can help if you like.
00:28:24Oh, thank you very much.
00:28:25And what do I do?
00:28:26All we do is we put the keg of brandy on the beach, then go for a witness.
00:28:29Who puts the keg of brandy on the beach?
00:28:30You and Harbottle.
00:28:31I suppose you go and get the witness.
00:28:33Yeah, it's all right, isn't it?
00:28:34No, it isn't all right.
00:28:35You'll put the brandy on the beach and I'll go and get the witness.
00:28:44There's a storm coming up, ain't you, Jerry?
00:28:46You're telling me.
00:28:48Go up there.
00:28:51Put it down there.
00:28:59What's your name and address?
00:29:01Seth Monroe, Six Fisherman's Cottages.
00:29:04All right.
00:29:04Well, you'll be hearing from us officially.
00:29:06Thank you very much.
00:29:07Goodbye.
00:29:07Goodbye.
00:29:11There, sir.
00:29:11I know, I know.
00:29:12There's a storm coming up.
00:29:21Hello, hello.
00:29:23Oh, give me the door, Mr. 6666.
00:29:25I want the chief constable.
00:29:26This is fairly urgent.
00:29:28Hello?
00:29:29Hello?
00:29:30Come on.
00:29:30Look, I know I'm in a hurry.
00:29:32This is very important.
00:29:33I don't get the chief constable in bed.
00:29:35You get him out of bed.
00:29:36I want to talk to him at once.
00:29:38Hey, hey.
00:29:38What are you two trying to do?
00:29:39Spoil everything?
00:29:40Ones, you know.
00:29:40One what?
00:29:41One kick of bandit.
00:29:42What are you talking about?
00:29:43Uh, the chief constable?
00:29:44Yeah.
00:29:45All right, now, hang on.
00:29:46What are you ringing the chief constable up for?
00:29:47Tell him about the kick of bandit on the beach.
00:29:49We haven't taken it down yet.
00:29:50That's what I'm talking about.
00:29:51What?
00:29:51We haven't taken it down yet.
00:29:53Yeah, when we filled it, we couldn't lift it.
00:29:54So we've been emptying it.
00:29:55That's right.
00:29:56What are you blibbering idiots babbling about?
00:29:58I've just brought the kick of bandit on the beach as we arranged.
00:30:00But you couldn't have done.
00:30:01Well, there it is.
00:30:03Blimey, another one.
00:30:04That's a bitch.
00:30:05What, do you mean to tell me that...
00:30:06Hello?
00:30:07Hello?
00:30:08It's the chief constable.
00:30:09No one I'm going to tell him.
00:30:10Well, you rang him up.
00:30:10You think of something.
00:30:12Oh, um, is that...
00:30:14Is that Turnbottom East LRP Department?
00:30:17What?
00:30:17Oh, it didn't...
00:30:18Oh, I said that.
00:30:20It's run.
00:30:23Good stuff, too.
00:30:24Yeah, well, you leave that alone.
00:30:25It doesn't belong to you.
00:30:26Well, who does it belong to?
00:30:27Oh, that's what we're going to try and find out.
00:30:29Are you sure you didn't put that one on the beach?
00:30:30Here.
00:30:31We've only got one kick.
00:30:33And there it is.
00:30:35Well, where the other one comes from, then?
00:30:36That's it's been washed up by the sea.
00:30:38Oh, what does it matter what it was washed up by?
00:30:39It'll do just as well.
00:30:41Doesn't affect our story.
00:30:42If it don't belong to anybody, let's drink it.
00:30:43And what will that get us?
00:30:44A good booze-up.
00:30:45Yeah, a good booze-up.
00:30:47All our plans mucked up.
00:30:48We cast our bread upon the waters
00:30:50and back comes a keg of rum that we don't want.
00:30:52Get free glasses.
00:30:54Yes.
00:30:55Oh, it's gone!
00:30:57Oh, what was that?
00:31:02Perhaps it was the wind.
00:31:06That wasn't the wind anyway.
00:31:08No.
00:31:08There's someone at the door.
00:31:09Help!
00:31:10Help!
00:31:13Well, go on, let me.
00:31:14You do it.
00:31:15You're in charge.
00:31:16Harvard, open that door.
00:31:17Not me.
00:31:18Early closing, shopping.
00:31:19Hey, you can't be shopping in an emergency like this.
00:31:23Stop.
00:31:24Perhaps she's gone home.
00:31:25She'll be the dictator.
00:31:26She wouldn't stop her now like that and then go home.
00:31:28Maybe she's come to the wrong house.
00:31:29Hold the door and have a look.
00:31:31Hey, why me?
00:31:32Come on.
00:31:33Come on.
00:31:33Come on.
00:31:33Come on.
00:31:34Come on.
00:31:34Oh, dear.
00:31:44Help!
00:31:45Help!
00:31:46Help!
00:31:46Police!
00:31:47Police!
00:31:48Shut up, you old idiot.
00:31:48We are the police.
00:31:49Blimey.
00:31:52Miss Emily.
00:31:53I'd better feel her heart.
00:31:54Here, knock it.
00:31:55She's my bird.
00:31:55Jerry, pass me some water.
00:31:57Well, she's only fainted.
00:32:00She's coming round.
00:32:03Oh, Albert.
00:32:03Albert, I've seen it.
00:32:05I've seen it.
00:32:07Hey, what have you been showing this poor girl?
00:32:09I don't know what she's talking about.
00:32:10She was all right when she left me.
00:32:11Here she comes again.
00:32:13Oh.
00:32:13Oh, it was horrible.
00:32:15It's all right.
00:32:15It's all right.
00:32:15Come on.
00:32:16Get the chair.
00:32:16Get the chair.
00:32:17That's all right now.
00:32:18You're in good hands now.
00:32:19Come on.
00:32:19That's right.
00:32:19Sit down.
00:32:20There.
00:32:21That's right.
00:32:22Now, would you care to make a statement?
00:32:23Just exactly what happened?
00:32:25Well, I...
00:32:26I've been to the pictures with Albert in the police car.
00:32:29I see.
00:32:29Been to pictures with Constable Brown in bus.
00:32:34Then I went home.
00:32:35And all of a sudden, I remembered a letter I had to post.
00:32:38So I got up my bicycle to go to the pillar box.
00:32:40And just as I got to the five crossways...
00:32:42Were you assaulted?
00:32:44No.
00:32:45What a pity.
00:32:46We could have taken the steps.
00:32:47Well, I just got to the five crossways...
00:32:50When all of a sudden, galloping towards me, there was a nurse with no head.
00:32:54A what?
00:32:54The driver had no head.
00:32:56There was a nurse with an headless horseman.
00:32:58There.
00:32:59Come here.
00:33:00Has she been going out with you two?
00:33:02No, no.
00:33:02Well, how has she got the same story that you've got?
00:33:04I didn't know.
00:33:05It's true, I tell you.
00:33:06I saw it.
00:33:07Poor kid.
00:33:07Feeling better?
00:33:08Yes, I'm okay now.
00:33:10I'd better get the police car out and take her home.
00:33:11Well, leave us here by ourselves.
00:33:13Not likely.
00:33:14We'll all take her home.
00:33:15Well, frightened?
00:33:15Certainly not.
00:33:16I'm thinking of the young lady's reputation.
00:33:18Come on, my dear.
00:33:19Hello, me.
00:33:34Okey-doke, Sergeant.
00:33:35Thanks for the buggy ride.
00:33:37Good night.
00:33:38Good night.
00:33:38Good night, Toots.
00:33:39Night, honey.
00:33:40Good night.
00:33:41Night.
00:33:42Good night.
00:33:43Come on, Toots.
00:33:44Turn around and step on it.
00:33:45Wait a minute.
00:33:46It's the water rally's not in.
00:33:48What?
00:33:49Night, honey.
00:33:50Night.
00:33:59It must be about one o'clock.
00:34:01I haven't been out so late since my father got married.
00:34:04Eh?
00:34:05Yes, his fourth wife.
00:34:06Oh, I see.
00:34:07Here.
00:34:08I hope we don't meet that phantom earth.
00:34:10Oh, that's a lot of poppycock.
00:34:12Who ever heard of a headless driver?
00:34:13Wouldn't be able to pass his tests.
00:34:15Still, Emily must mean something that's scared her.
00:34:17Ah, maybe she saw her bottle through the window.
00:34:20You can't believe all an hysterical girl, see?
00:34:24What's the matter?
00:34:25What did you pull off for?
00:34:30It's the phantom earth.
00:34:31Phantom earth.
00:34:32It's a horse and car with his tail, I don't know.
00:34:35It's the phantom earth, I tell you.
00:34:37It's the phantom flames.
00:34:38Look at the driver's head.
00:34:39What's the matter with this guy?
00:34:40He ain't got one.
00:34:40Don't talk to us and try.
00:34:42Better like they've got him tucked in.
00:34:43What are you worrying about?
00:34:44It's not coming this way.
00:34:45That's just what it is doing.
00:34:46No.
00:34:50Hey, hey, put your leg out.
00:34:51Give me on the glass verge.
00:34:52Let me go by.
00:34:53I'm into letting glass verge.
00:34:56Oh, he's going to get out my first.
00:34:57Go on.
00:34:57Not everything hurts.
00:34:58Don't be cool, me.
00:34:59Put a little river.
00:34:59Come on.
00:35:00Come on.
00:35:01Come on.
00:35:10How about the man again?
00:35:14Swing it quick.
00:35:15Come on.
00:35:18Oh, the catch made it.
00:35:20That's your fault.
00:35:20You should have kept your eyes on the road
00:35:22instead of talking so much.
00:35:24That's well.
00:35:24Anyway, we didn't go any further.
00:35:26We'll give the flaming house to slip.
00:35:28Listen, listen.
00:35:39What's the matter?
00:35:40Oops.
00:35:42Oops.
00:35:43Blimey.
00:35:43It's followed us in here.
00:35:54See where it went?
00:35:55No.
00:35:56Where did it go?
00:35:56Yeah, where...
00:35:57Well, it went in the garden.
00:35:58If you kept your eyes open,
00:35:59you'd see where it went.
00:35:59He's known more of a ghost than he is.
00:36:01Did he say it's just gone through the doors?
00:36:03No, no.
00:36:03The doors opened and let it in.
00:36:05Well, who opened?
00:36:05Well, how do I know?
00:36:06That's their ghost doors.
00:36:08Ghost doors.
00:36:09I'll show you where they're ghosts or not.
00:36:10Come on, Ossitz.
00:36:11Come on.
00:36:23Come on.
00:36:23Open up in the name of the law.
00:36:26Come on.
00:36:27It'll be all the worst here if you don't.
00:36:29Well, what are you standing there for?
00:36:31What are you going to be afraid of?
00:36:32Look, I'll tell you what we'll do.
00:36:33You put on the one door and I'll put on the...
00:36:35Ow!
00:36:35Oh!
00:36:36Oh!
00:36:36Oh!
00:36:37Where is it?
00:36:37Oh!
00:36:38Where is it?
00:36:39Where?
00:36:39Oh!
00:36:39Oh!
00:36:40Oh!
00:36:40Oh!
00:36:40Oh!
00:36:40Oh!
00:36:40Oh!
00:36:41Oh!
00:36:41Oh!
00:36:41Oh!
00:36:42Oh!
00:36:42Oh!
00:36:42Oh!
00:36:43Oh!
00:36:43Oh!
00:36:43Oh!
00:36:43Oh!
00:36:44Oh!
00:36:44Oh!
00:36:45Oh!
00:36:45Oh!
00:36:45Oh!
00:36:46Oh!
00:36:46Oh!
00:36:47Oh!
00:36:47Oh!
00:36:48Oh!
00:36:48Oh!
00:36:49Oh!
00:36:49Ridiculous!
00:36:50Why, this is a solid wall!
00:36:52Hey, do you know where we are?
00:36:54No.
00:36:54This is the Squares Carrox.
00:36:56Is it?
00:36:56Well, let's knock him up and tell him.
00:36:58Tell him what?
00:36:58We're in these carros.
00:36:59Yeah.
00:36:59Well, that's a bright idea, isn't it?
00:37:01Well, let's examine these walls properly.
00:37:02İzlediğiniz için teşekkür ederim.
00:37:32İzlediğiniz için teşekkür ederim.
00:38:02İzlediğiniz için teşekkür ederim.
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00:39:18İzlediğiniz için teşekkür ederim.
00:39:20İzlediğiniz için teşekkür ederim.
00:39:22Evet.
00:39:23İzlediğiniz için teşekkür ederim.
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00:39:27İzlediğiniz için teşekkür ederim.
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00:40:01abone ol.
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00:40:05abone ol.
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00:40:11İzlediğiniz için teşekkür ederim.
00:40:39Ve ne vern Turner' size 95 2006
00:40:50quantidade
00:40:52Carrık
00:40:55Brac Hazara
00:40:56Örep
00:40:57Berry
00:40:59Örplür
00:41:00Polis
00:41:01Polis
00:41:02Polis
00:41:03Son
00:41:03Polis
00:41:04Genetli
00:41:05Bios
00:41:05reden
00:43:42abone ol
00:43:52hayır
00:43:55cię
00:44:03ev
00:44:06aw
00:44:07İzlediğiniz için teşekkür ederim.
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00:48:57ederim.
00:48:59abone ol.
00:49:01İzlediğiniz için teşekkür ederim.
00:49:03ederim.
00:49:05abone ol.
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00:49:49İzlediğiniz için teşekkür ederim.
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00:53:11abone ol.
00:53:13İzlediğiniz için teşekkür ederim.
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00:53:17İzlediğiniz için teşekkür ederim.
00:53:19abone ol.
00:53:21İzlediğiniz için teşekkür ederim.
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00:54:49Bull, sack
00:54:59그걸 tämäorns
00:55:01No!
00:55:02見
00:55:03Hey, look
00:55:04bu all of these barrel
00:55:05This
00:55:05Oh yes
00:55:06Looks as if we struck
00:55:06a beer mine
00:55:07Have you ever
00:55:08heard of a beer mine burl
00:55:09I don't know
00:55:09You say mines a beer
00:55:10You oughta
00:55:12their thик ear
00:55:12If you don't
00:55:12shut up
00:55:13Here
00:55:14It is a box
00:55:15of candles
00:55:15Well that's a
00:55:16funny thing
00:55:16Tile
00:55:17thrill
00:55:17There's no
00:55:17duty
00:55:18İzlediğiniz için teşekkür ederim.
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01:11:08İzlediğiniz için teşekkür ederim.
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