- 17 minutes ago
The Graham Norton Show - Season 33 Episode 11 -
Timothée Chalamet, Emma Thompson, Rowan Atkinson, Edward Enninful, JADE
Timothée Chalamet, Emma Thompson, Rowan Atkinson, Edward Enninful, JADE
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00:00MUSIC
00:12Oh!
00:14Hello!
00:15Hello, hello, hello!
00:16Oh, thank you very much!
00:18Thank you so much!
00:19That's very kind of you!
00:20Thank you!
00:21Hello, hello, and welcome to the show!
00:24Hey, everyone!
00:25It's only 12 days till Christmas!
00:28I know, and I have an early present!
00:31Five guests are chatting!
00:33Yeah, we've got a great lineup for you tonight singing for us later.
00:36It's the fabulous Jade, everybody!
00:40She'll be singing her latest single, Church!
00:42And it's another broad church on my sofa tonight!
00:45At just 18, he became the youngest fashion director of an international magazine
00:50before reshaping British Vogue as editor-in-chief.
00:53Now he's launching his own magazine, 72,
00:56It's Mr. Edward Edmund Hall!
00:59CHEERING AND APPLAUSE
01:01Right, there he is now!
01:03Hello!
01:04Hello, and welcome back!
01:07Thank you!
01:08Have a seat, too, Mr. Edward Edmund Hall!
01:10This comedy genius has created iconic characters like Johnny English,
01:15Edmund Blackadder, and the one and only Mr. Bean.
01:19Now bringing us a battle of wits in the new Netflix series Man vs Baby,
01:23it's the great Rowan Atkinson!
01:26CHEERING AND APPLAUSE
01:28Yay!
01:29That's so good!
01:32It's a lovely to see you!
01:33Thank you very much, Rowan!
01:35Come on!
01:37He's one of the most brilliant actors of his generation!
01:40The star of Wonka, sci-fi epic Dune,
01:42and the Bob Dylan biopic A Complete Unknown.
01:46His latest film is called Marty Supreme!
01:49It's Timothee Chalamet!
01:51CHEERING AND APPLAUSE
01:53Hello!
01:54Thank you very much!
01:55Lovely to see you!
01:56Lovely to see you!
01:57Lovely to see you!
01:58Thank you, Rowan!
02:00And she's the double Oscar winning star of How It End,
02:04Sense and Sensibility, Love Actually,
02:06and the fabulous Nanny McPhee.
02:08Now she's turning detective in Down Sematary Road.
02:11It's Dame Emma Thompson!
02:13CHEERING AND APPLAUSE
02:15The glamour will be inside town!
02:18It's not going too far!
02:19Oh, you're great!
02:21I say hello to everybody!
02:23CHEERING AND APPLAUSE
02:24CHEERING AND APPLAUSE
02:29Ooh!
02:30Ooh!
02:31Fashion down the end, fashion down the end.
02:33Hello, it's a welcome back to everybody.
02:35It's a rare time.
02:37And lots of connections on the couch tonight.
02:40Of course Emma Thompson was in the pages of British Vogue.
02:44Yes, I remember.
02:45Yes.
02:46Did you enjoy your fashion shoot?
02:47The elderly owner of a brothel in Berlin in the 1920s.
02:51LAUGHTER
02:52Thanks a lot, Edward!
02:53Now, you might think she's exaggerating.
02:56LAUGHTER
02:57We've got the picture.
02:58We've got a picture. Here we go.
02:59LAUGHTER
03:00That's Tonto, isn't it?
03:02LAUGHTER
03:03Did you pick these clothes, Edward?
03:05She was supposed to be Queen Boudicca.
03:07LAUGHTER
03:08Meanwhile, there's fire engines going by and people going,
03:12What have you come in?
03:14LAUGHTER
03:15It's very nice.
03:16Very nice.
03:17And, er...
03:18Now, Timothy...
03:19Yes.
03:20You worked with the great Ron Atkinson.
03:21Yes, on Wonka.
03:22APPLAUSE
03:23Yes, yes.
03:24Wonka.
03:25Say it like this.
03:27Wonka.
03:28Wonka.
03:29It just even vaguely moves towards a different vowel,
03:31it's a different, totally different one.
03:33This is...
03:34I'm just warning you, cos it was slightly bit Wonka.
03:37And I thought...
03:38That'll get bleeped out.
03:39That'll get bleeped out.
03:40And, er, you played Father Julius, but off-screen,
03:43you were giving some of the advice, I hear?
03:45He was giving me a great...
03:47You know, he was giving me unaffordable car advice.
03:49Yes.
03:50So, Rowan is an incredible car collector.
03:51I reached out to him.
03:52I, to this day, have not bought a car.
03:54And the references he gave me were wildly out of my league,
03:57you know?
03:58LAUGHTER
03:59I didn't think they were, so...
04:01LAUGHTER
04:02I'm sorry that they were.
04:03LAUGHTER
04:04When you were about 20, you gave me a lift in an Aston Martin.
04:07Good.
04:08I was about 20, you were 22?
04:10Oh, gosh.
04:11Something like that.
04:12Something like that.
04:13Yeah, that sounds about right.
04:14You had an Aston Martin then.
04:1522?
04:16Yes.
04:17Yeah, I think I did.
04:18I can only imagine the insurance.
04:19LAUGHTER
04:20It was the only reason that I entered show business,
04:22was to attempt to buy an Aston Martin.
04:24LAUGHTER
04:25And I got one quite young.
04:26Yes, he did.
04:27Very young.
04:28Did you...
04:29How did you feel in the experience?
04:30Was it OK?
04:31I thought, to be honest, Ro, I thought, what a knob.
04:36LAUGHTER
04:37I'm so sorry.
04:39I was quite...
04:40How funny, what are you...?
04:41I was a bit kind of thingy at the time.
04:42I was quite...
04:43OK, what, you felt a knob, you mean?
04:44I just thought, why have you got this huge car at 22?
04:49But why were you in this car?
04:51We...
04:52Because we've known each other since we were about 10.
04:53Yeah, yeah, yeah.
04:54I mean...
04:55It must have been short.
04:56But it was platonic?
04:57It was normal?
04:58It was platonic, I swear.
04:59LAUGHTER
05:00Yes.
05:01Yes, it was.
05:02I wasn't putting out.
05:03LAUGHTER
05:04Oh, yes.
05:05It was platonic.
05:06You're glad now, Rowan.
05:07Yeah, yeah, yeah.
05:08I'm setting the records straight.
05:09Hugely relieved.
05:10The other thing that links Emma and Rowan,
05:12is you were both in...
05:14I think, is it your favourite Christmas movie of all time?
05:17Love Actually.
05:18What a jam.
05:19What a jam.
05:20CHEERING
05:21I was re-watching it last night,
05:23and that's a sort of complicated, ethically storyline, you know?
05:25Oh, yeah.
05:26Because you guys resolved the dispute quite easily.
05:28Well, do you think?
05:29I don't think so.
05:30I think that when he gets off that plane,
05:32Alan Rickman, God rest him, playing my husband,
05:35I think you just don't know...
05:37You know it'll never be the same again.
05:39Mm-hmm.
05:40That's the thing.
05:41But you were in the same scene, weren't you?
05:42Yeah...
05:43You?
05:44You wrap up the naughty necklace.
05:46Well, I wrap...
05:47Yes, exactly, but I think...
05:49You see, that's the problem with not actually watching films you've made.
05:52LAUGHTER
05:53It's trying to remember the story.
05:55LAUGHTER
05:56You were in Selfridges.
05:57Yes.
05:58Because I was in Selfridges all night with Alan Rickman.
06:01We were, we were.
06:02We were all there in Selfridges.
06:03And Alan Rickman, God bless him, was pretty annoyed about...
06:06Yeah.
06:07He didn't really want to be up all night, you know, shooting.
06:09In Selfridges.
06:10Because we had to shoot during the night,
06:11because they didn't allow us to shoot during the day.
06:12Yeah.
06:13Yeah.
06:14And he was, he was in...
06:16He was fairly short-tempered.
06:17Yeah.
06:18Whereas I just did a spot of shopping.
06:20Yeah, yeah.
06:21Yeah, you were just shopping.
06:22Put a lot of things aside.
06:23Shopping.
06:24Yeah, exactly.
06:25Shopping.
06:26Shop and lifting.
06:27LAUGHTER
06:28What was the vibe on...
06:30So was there tension from the car experience years prior?
06:33Oh, yeah.
06:34No, do you know what?
06:35Actually, by then, by then...
06:36Are you channelling the knob?
06:37LAUGHTER
06:38I'm so sorry, Ro.
06:39I didn't mean to be rude, but at that time, I was only 22.
06:43Yeah, yeah.
06:44You've got to, you know, forgive.
06:46It's quite hard.
06:47Forgive and forget, love.
06:48No, no, no.
06:49Er, yeah.
06:50Er, now.
06:51Edward Anneville, great to have you here.
06:53A fashion expert.
06:54But even you have off days with fashion.
06:57Tell us about getting your OBE.
06:58Oh, my God.
06:59So, I mean, I...
07:00I mean, you've...
07:01You've both been at the palace.
07:02You've both...
07:03So, I remember, yes, I had the OBE.
07:05I went into the palace, Buckingham Palace, so proud.
07:08My family, my...
07:09Yeah, yeah.
07:10You know, there's something about that day, isn't there?
07:12Yeah.
07:13You know, you go into that red room, and Princess Anne's there,
07:15and...
07:16And I got into the room, and I realised,
07:18oh, I have to walk backwards.
07:20That morning, I just got a brand-new McQueen suit.
07:22I was in a McQueen suit, but they forgot to add the braces.
07:25So, I thought, you know what?
07:26They're never going to know.
07:27Got a pair of stockings.
07:28Jimmy rigged it.
07:29Oh, my goodness.
07:30I'm going to be fine.
07:31So, I'm there.
07:33I get presented, you know.
07:34Yeah.
07:35The medal.
07:36Yeah.
07:37The medal is starting to fall.
07:38LAUGHTER
07:39And I have to walk backwards.
07:40And I'm walking backwards, literally petrified.
07:43I'm like, I don't want to be the Edward and Nymphal that mooned.
07:47LAUGHTER
07:48Mooned up a palace.
07:50So, I kind of managed to sort of go back slowly,
07:53shamefully grab my shorts and run out.
07:55And if you see any picture that day, you see the pants are literally...
07:58Ew.
07:59It's so funny.
08:00There's a picture of you.
08:01I think Naomi Campbell is holding your trousers on.
08:02LAUGHTER
08:03They do look very baggy.
08:06LAUGHTER
08:07They do look fucking...
08:08It was nearly there.
08:09I was nearly done.
08:10The stockings didn't quite make a good bell.
08:13Listen, let's get started because Emma's latest work is a thriller.
08:18It's called Down Cemetery Road.
08:20The final episode just dropped, so all episodes are available now on Apple TV.
08:25So, this is from the Mick Heron novel, Mick Heron who wrote The Star Horses.
08:30And when they came to you with this, you already knew the book.
08:33Yeah, cos I've always loved Mick.
08:34OK.
08:35In fact, I came across him in my local bookshop in 2015 or something,
08:39and I picked this book up.
08:41I love thrillers.
08:42I've always read thrillers.
08:43And I started to read and I thought, well, that's a good thriller,
08:46and then I started to laugh cos it's really funny.
08:49And he told me, actually, subsequently,
08:51that when he first sent Cemetery Road, the Zoe Byrne thrillers
08:55and the Slough House thrillers to the publishers,
08:58they were very confused because they said,
09:00look, is this a thriller or is it a comedy?
09:02Because, weirdly, in this country, which is the funniest country,
09:05I think, on the planet,
09:08people can't cope when you mix comedy with something else.
09:11You know, somehow it's just got to be separate.
09:13Yeah.
09:14But he's terribly, terribly funny.
09:16And for people who haven't read the books,
09:18Zoe Bohm, tell us about her.
09:20What is going on?
09:21She's a shit-kicking, very tough private detective,
09:26private investigator, probably had a dreadful childhood
09:31with that kind of parent who never gives you any kind of backup
09:34whatsoever and doesn't believe in you,
09:36so that she's got very low expectations.
09:39I'm sure some of you in the audience know what I mean,
09:42where you just go, no, I just, I'm not going to expect much.
09:45Yeah.
09:46And so she's quite tough, quite compassionate.
09:50I have this wonderful bond with Ruth Wilson,
09:53who's playing my co-star.
09:54There she is.
09:56So we had a fantastic time making it and I love her.
09:59She's sort of a good avatar because she's decided not to be a good girl.
10:04Yeah.
10:05She doesn't have to be a good girl.
10:06She doesn't have to assuage her way around people through life,
10:09being nice, always being nice.
10:11Always have to be so fucking nice.
10:13I'm so fed up with it.
10:14Why do we have to do that all the time?
10:16Why?
10:17There are many women in the audience going,
10:19yeah.
10:20I know you can relate, so don't pretend that you don't.
10:24Anyway, so Zoe just doesn't do that.
10:28She's very unapologetic, shall we say.
10:30Well, we've got a clip.
10:31This is you as Zoe Bohm meeting Sarah,
10:33played by the great Ruth Wilson for the very first time.
10:36Well, well, well, a customer.
10:39Well, have you taken a wrong turn en route to the artisanal cheese shop?
10:43Door's open.
10:44I'm looking for, um, Joseph Silverman.
10:50Let me guess.
10:51You've got a husband.
10:52He's got a secretary.
10:53Am I warm?
10:54No.
10:55The secretary's still a thing.
10:57Okay, but not secretary.
10:59Personal assistant.
11:00Posh secretary.
11:01You seem like the type who might have a handsy husband in the media.
11:04What type is that?
11:05Sort of, you know, doe-eyed and helpless.
11:10You seem like a bit of a cock.
11:15I feel seen.
11:17Hi, I'm Zoe Bohm.
11:20Sarah Trafford.
11:22Ooh.
11:23You felt to get into Zoe Bohm's character, the look and everything,
11:24you tapped into kind of a younger version of yourself.
11:25Yeah.
11:26I mean, she struck me as somebody, and I don't know, well, you'll understand Rowan.
11:28I don't think Edward will because you're younger.
11:29That's right.
11:30You won't.
11:31That's right.
11:32You won't.
11:33Mr. Little darling.
11:34I grew up in Camden Town in London, which was rough.
11:37You know, I mean, the school I went to, Camden School for Girls, which is a wonderful school, but of course quite early on in women's education, let's face it, I was born in 1959.
11:50We'd only just kind of got the bloody vote.
11:51So, girls' schools, right, for instance, round the back gates there was always a bloke and a mac exposing himself.
11:56Oh, God.
11:57Does that still happen?
11:58I don't know, it was just normal.
11:59It was just completely normal.
12:00It was just normal.
12:01It was just completely normal.
12:02It was just normal.
12:03It was just normal.
12:04It was just completely normal.
12:05I haven't done it for ages.
12:06Yeah.
12:07It was just normal.
12:08It was just completely normal.
12:09It was normal.
12:10Yes.
12:11Yes.
12:12Yes.
12:13You know, that's normal.
12:15But I grew up in Camden Town in London.
12:16I don't know, but it was just normal. It was just completely normal.
12:19I haven't done it for ages.
12:22No, but anyway, we grew up in sort of a scrappy, grimy London,
12:28and I think of Zoe as part of that sooty past, you know,
12:32when there was still fogs and kind of dirt and a lot of aggro, actually,
12:38but also quite a lot of community as well.
12:41And there's kind of a lack of vanity about Zoe.
12:44What do you mean? Well, the hair, you know, you're very quaffed tonight.
12:50Tonight, yeah, but there's a lot of effort gone into this.
12:53There's two people back there who are just, you know, they're on drips.
12:55They've done so much fucking well. Yeah.
12:58That's, um, that's, yeah, I think that's all right.
13:02No, no, it looks good. It looks good.
13:04Talking of haircut, Timothy, what happened to the beautiful Chalamet locks?
13:08They're all gone. Yes. They've been stolen.
13:11How long have they been missing?
13:13Since June, June 25th.
13:15Did you put them on eBay?
13:17No, I didn't.
13:19Somebody could have stuffed a cushion with them and made a lot of money.
13:22I didn't think of that.
13:23Actually, what did that, did they, did they just throw the Chalamet locks away?
13:27You know, the, the, it was for a different, it was for a film for Dune part three and there's supposed to be a nice character shift and I'm playing 15, 20 years older.
13:38So we did a three millimeter haircut.
13:40I think it's called and then director one and more 1.5.
13:42And then we did one and I begged him.
13:43I said, please, please.
13:44Like, I was, you know, your hair weirdly, we're all attached.
13:48It's kind of like our personality, this, these follicles that grow out of our heads.
13:51Yeah.
13:52Samson.
13:53Yeah.
13:54You know, your hair contains your power.
13:55Could do.
13:56I've never heard that.
13:57Samson and Delilah, she cut all his hair off and took all his power.
14:00I have no clue what you're talking about.
14:02I'm going to take you for margaritas after this.
14:07I'm going to tell you lots of stories about hair.
14:10But you're right, you're right.
14:11It's like a really powerful thing.
14:12It's a powerful thing, yeah.
14:13Like, margaritas and read the Bible to Timothee Chalamet.
14:15It's a great combo.
14:17It's a great combo.
14:18Meanwhile, down somebody's road, I am surprised here, this is your kind of first kick-ass action thing.
14:25Yes.
14:26Which, actually, as it turns out, at 66 was a really stupid idea.
14:31What can I tell you?
14:33My knees will never be the same again.
14:35Why do people do it?
14:36Yeah.
14:37I don't know.
14:38I've rung friends who are action heroes and said, how have you managed?
14:41How are you still alive?
14:42And they've all said, we've had a lot of operations.
14:44Oh.
14:45Yes.
14:46Oh, exactly.
14:47Yeah.
14:48So I'm thinking, why didn't I read it, probably?
14:52But, you know, it's not in the bloody book, so you know you get the pages later.
14:58And I'm going, being pulled out of a rat-infested tunnel by her feet, backwards, blown up on a...blown up on a beat.
15:05Well, hang on a second.
15:07Are you looking through the book, going, it's not in the book, it's not in there, nobody told me.
15:12And actually, I'm sorry, Rowan, because of the things you've done, there is such a physicality to them all.
15:17Yes.
15:18Well, sometimes, yeah.
15:19But do they go over into, kind of, stunt work?
15:22Do other people have to ever do things for you?
15:24Um, yeah, not so much the driving.
15:27I tend to do my own driving.
15:28Oh, yeah, yeah.
15:29What a knob.
15:30Yeah, yeah.
15:31What a knob.
15:32What a knob.
15:34I am teamwork, by the way.
15:36I think it's the coolest stuff ever.
15:38Tim, that's very sweet.
15:39Don't let them bump.
15:40And, uh, no, I've got to keep up my reputation as a knob.
15:45And, uh, and, yeah, on and off set.
15:48But, I mean, generally speaking, yeah, I've done, um, I did a movie quite a while ago called Mr. Bean's Holiday.
15:54Oh, yes.
15:55Woo!
15:56In which Mr Bean...
15:57And there's a scene...
16:00You're so casual about that.
16:02I did it for a while.
16:03I did it for a while.
16:05Well, does he look like an even bigger knob if he said,
16:08Oh, well, of course you all know Mr Bean's Holiday.
16:11Yeah, exactly.
16:12I'm trying to reduce my knob quotient.
16:15As far as I possibly can.
16:18In which, uh, we had this idea in which a Mr Bean would overtake a peloton of cyclists.
16:24Oh.
16:25Um, and, uh, and no matter almost how slowly we got the peloton to go, I was finding it quite tricky.
16:31But I really, you know, we did several takes...
16:34Oh, there you are.
16:35There you are.
16:36Of course.
16:37Of course.
16:38Which I overtake the peloton of cyclists.
16:40And I really did it, for real.
16:41You know, it was in the days when CGI was, was less, was less accessed.
16:45And, um, but, oh, goodness me, after the second take, I was absolutely dead.
16:49Did you do it more than once?
16:51Yeah, yeah, yeah, we did it several times.
16:53But the, um, but, and of course, you know, they were only going probably 20 miles an hour.
16:59You know, the peloton, but you can make it look as though they're going faster if you track with the camera.
17:04And so I, you know, I just, yeah, I sort of hung on in there.
17:07But after, yeah, after a couple takes, I was, I was dead.
17:10But I survived.
17:11You did.
17:12Yes.
17:13But you really are Jacques Tati, Roe.
17:15Well.
17:16It suddenly occurred to me.
17:17Well, I mean, this was definitely his will.
17:20Exactly.
17:21Well, thank you.
17:22Yeah.
17:23That's a compliment.
17:24He's a compliment.
17:25You can take it because I have been very rude.
17:27But now I want to make up for you.
17:29Sitting between this mending energy.
17:30I'm still mending and healing.
17:33Getting back to Down's Sematary Road, you have an exciting announcement to make.
17:38Oh, well, yes, we're going to do a second season of it.
17:43Excellent.
17:44Because I just finished the first one last night, so I'm delighted.
17:48Very, very good.
17:50And just a reminder that the first season, all eight episodes of Down's Sematary Road are on Apple TV now.
17:55Thank you very much, Emma Thompson.
17:56You're welcome.
17:58Thank you very much.
18:00Our big movie tonight comes from Timothee Chalamet.
18:04It is called Marty's Supreme.
18:06It will be in UK and Ireland cinemas from the 26th of December.
18:10And here's just a glimpse of the trailer.
18:12I don't think you understand the stakes here.
18:15You find that funny?
18:16I get nervous laughter sometimes.
18:18Are my eyes broke or is that mouth?
18:22Thank you so much.
18:23You're not up.
18:24We believe in you.
18:26Hey, I'll rip that unibrow right off his forehead.
18:29All right.
18:30You want to get physical?
18:31Like an ape?
18:32Come on!
18:33He's ready!
18:34Come on!
18:35Have you ever thought about what you're doing to me?
18:38Give us all money!
18:39When they do, I'll be right behind you.
18:40Everybody wants to.
18:41And it's only a matter of time before I'm staring at you from the cover of the Weedies box.
18:54You think it's that simple?
18:55Yeah, I do.
18:56Wow!
18:57Marty Supreme is the movie.
18:58I mean, the main headline here is you are astonishing in this movie.
19:00You are so, so good in this.
19:01So, tell us about Marty Supreme.
19:02Who is Marty Supreme?
19:03Marty Supreme is a film about a fictional character named Marty Mouser loosely inspired by a real-life figure named Marty Reisman who was a table tennis legend in New York in the 1950s.
19:08And the movie is about the pursuit of a singular dream, about ambition, about following your heart.
19:25And I do believe it's an important film to kind of put out now in the sense that you wouldn't be an idiot for thinking we're living in a dark time, especially if you're young.
19:32And I hope this movie can serve as an antidote, you know, and though the metaphor is table tennis, which is perhaps unusual, it ultimately is about dreaming big, which is why it's the tagline of the movie.
19:49And also, what I liked about it is he's dreaming big and he's kind of a grifter and there's a conman element and all that, but it's based on genuine talent.
19:58Oh, yeah, he's the best in the world or he believes to be the best in the world.
20:03I don't want to reveal plot lines in the movie, but what starts as a table tennis movie sort of evolves into a heist film and lands in a very human place, you know.
20:11I was in Brazil last week.
20:13We did a premiere in L.A. three days ago.
20:15I'm so happy to be here to get a chance to talk about it with you, Graham, and for you guys to be here.
20:20Marty Supreme comes out Boxing Day.
20:21I want to say that about 30 times so it all gets in your head.
20:24Yeah, yeah, yeah.
20:25No, but really this is like a...
20:27And Boxing Day, very on message.
20:28Very good.
20:29Yeah, yeah.
20:30Somebody briefed you well.
20:31December 26th, exactly.
20:32Nothing to do with, you know, throwing hands.
20:34That was a terrible joke.
20:36But, uh, so...
20:38And, uh, this is an indie film ultimately, you know, financed by A24, which is an indie production company in America.
20:44So if you like original films, if you're, you know, tired of seeing remakes and studio blockbusters, many of which I've been a part of, you know, this is a, this is, this is it.
20:54And I can't say it enough.
20:55Marty Supreme, Boxing Day.
20:56December 26th.
20:57Good on you.
20:58Yeah.
20:59And it's a weird thing to say because the scale of the film is really big.
21:07And, and the, the, what I thought was amazing, the casting of it, everyone, every, there isn't an extra, you feel, that wasn't chosen.
21:15Everyone has a really interesting face, a really interesting look.
21:18We had an incredible detail-oriented director, his name's Josh Safdie, he's sort of a street poet.
21:23He referred to Abel Ferrara like that yesterday, sort of the early Scorsese films.
21:27And Josh is that guy, he directed a film called Uncut Gems with Adam Sandler, with a good time, with the United Kingdom's own Robert Pattinson.
21:34And, uh, I thought that was going to get more low.
21:37And, uh...
21:40Never tell him, never tell him that happened.
21:42Yeah, yeah, yeah.
21:43I said your name and nothing.
21:44Yeah, yeah.
21:47That's not true, man.
21:48By the way, hey Rob, if you ever watch this, I didn't plug that enough, man.
21:52I didn't get it.
21:53Yeah.
21:54Um...
21:55Twilight's Robert Pattinson.
21:56Yeah.
21:59They love him.
22:00They love him.
22:01And the director, what's his thing that he wanted to tap into?
22:05A bit like Emma tapping into her younger self.
22:07Yeah.
22:08You were tapping into your younger self.
22:09Well...
22:10Young...
22:11Well, like when you were five.
22:13You're very young already.
22:15The idea was, you know, Josh is from New York.
22:18I was raised in Hell's Kitchen.
22:19You know, much like living in London, you grow up in a box in a lot of ways.
22:23You wear your personality.
22:24Audacity could be personality.
22:26It's your armor.
22:27It's your sleeve.
22:28And certainly I was hawking, you know, uh, modified PlayStation controllers.
22:32I was on the subway singing the French national anthem to try to impress girls.
22:35You know, like, I was an outlandish youth.
22:38You know, that's why I landed here.
22:40Yeah.
22:41You know, straight shot to Graham Norton's couch.
22:42Yeah.
22:44Yeah.
22:45There wasn't the time to read the Bible, Emma.
22:48Yeah.
22:49And you know, so, anyway.
22:52And those...
22:53And that idea of you being like that.
22:55So, Marty Supreme, this character, has this kind of singular vision and this kind of self-belief,
23:00unshakable self-belief.
23:01And then I heard you when you were picking up your SAG award for A Complete Unknown,
23:05where you played Bob Dylan.
23:06In your speech, you said this thing about, you know, you are in pursuit of greatness.
23:09And I've heard you talking about this film.
23:11Are you tapping into Marty Supreme's kind of vision?
23:15Yeah.
23:16And that was two months after we finished filming.
23:17Oh, was it?
23:18Oh, wow.
23:19Yeah.
23:20Kind of like still in that...
23:21That's not in a pretentious way.
23:22It's not like a method way.
23:23It's just sometimes you're in the energy of the tone of the character.
23:25Yeah.
23:26And...
23:27But that's an ephemeral pursuit, you know.
23:29I am living in absolute humility next to Dame Emma Thompson and the legend Rowan Atkinson
23:36and Edward Enniffel.
23:37Thank you for the British Vogue cover, my brother.
23:39Oh, that would be good.
23:40That would be good.
23:41I've got you that Dylan rolled a bit curly.
23:42You've got everything curly here.
23:44And the other thing then...
23:46So, in terms of promoting this film, you want people to see this film, clearly.
23:50And you're really backing it.
23:52You've done this PR campaign with all sorts of things.
23:55This is you in New York.
23:57If people hadn't seen the film, this is Marty Supreme's ping pong ball on people's heads.
24:03Did you come up with this idea?
24:05Yeah, those are my friends.
24:07Are they still your friends?
24:09After seven, eight years in Hollywood, you know, the people that, you know, the day ones get sick of your new...
24:14These are my new friends.
24:15Yeah.
24:16What else have you done?
24:18Is that you in there?
24:20Yes.
24:21That I self-financed, you know.
24:23They didn't love that, you know, A24.
24:25They didn't tell me not to do it.
24:26But I paid them.
24:27And that was more expensive than you'd think.
24:29I had a whole crew.
24:30A whole crew.
24:31I got this set as like 25 people.
24:33You could have bought one of Rowan's cards for that shit.
24:36Jesus Christ.
24:37Yeah, when you start to pay for stuff for yourself, you suddenly realize, oh, this is quite expensive.
24:41This is expensive, man.
24:42Is that why you put a fucking orange-pink bubble on your head?
24:46What is this?
24:47It's a sort of masochism, isn't it?
24:48It's a little masochistic.
24:49I did realize I was in there.
24:50We have leaf blowers underneath.
24:52It was on a...
24:53It was a special effects master, Ridley Scott special effects master.
24:55I really should know his name.
24:56It was in his backyard.
24:57And I'm sitting there and I had the head on and I'm getting bruised by the balls.
25:01I did think to myself and I thought, this is sort of a, you know, I got to explore this, you know, in my personal life.
25:07You might have to.
25:08But then, you know, it's all set in the 50s.
25:11Yeah.
25:12But the jackets and the logo, these have become very desirable.
25:15OK, you need to stop now.
25:17This is, just look, come on.
25:19He's in merch.
25:20Yeah.
25:21It's merch already.
25:22No, but like, but this is very desirable.
25:26Everybody wants this merch.
25:27Hell yeah.
25:28Yeah.
25:29Even your mother, even your mother, you posted a text from your mother.
25:34Can you please send me a Marty Supreme jacket?
25:36Of course I will.
25:37Please do it now.
25:38Finally.
25:39I can wear it in the mirror.
25:40Please get a size small.
25:41She called me.
25:42She called me two days ago.
25:43She said, hey.
25:44You know your parents said, well, the tone was already, I was like, okay, hey.
25:48What did I do?
25:49She goes, did you, did you post the message I sent you about the jacket?
25:52I said, yeah.
25:53And I said, sorry, I should have asked you.
25:55And she goes, no, it's all right, but where's the jacket?
25:57You know what I'm saying?
25:58You still haven't given it to you.
25:59But I will say real quick.
26:01I feel like they're well designed.
26:02I'm proud of these.
26:03But in an era where like excess consumerism isn't chic, blah, blah, blah.
26:07I feel like the idea of this is what people have been liking.
26:10As far as dreaming big and being relentless in that pursuit.
26:13I feel like it's what it represents.
26:14And if that's marketing one-on-one or if you cringe at that,
26:17Mario Supreme boxing day.
26:18There's someone, there's someone at home that's not cringing at that.
26:22You know what I mean?
26:23Can I just say?
26:24I'm sitting there thinking, I've got man v baby in a minute.
26:27I've really got to plug it.
26:37You are really good at this.
26:39Yes.
26:40Cheers.
26:41But Edward, in terms of fashion promotion,
26:44you went the extra mile for your new company, E72.
26:48E72, yes.
26:49You commissioned these, a lovely grill.
26:52I thought you might be wearing it tonight.
26:57No, you know, I'm from Ludbrook Grove, pretty much like you.
26:59I'm from the hood.
27:00OK.
27:01You know what?
27:02I'm a long way away, but we're going to wear it.
27:04Yeah.
27:05That's what I wanted tonight for you.
27:06It's from Ludbrook Grove, by the way.
27:08West London.
27:09It's a very West London thing.
27:11It's a very West London thing.
27:12It's the bling version of Nanny McFee, isn't it?
27:14I really want that.
27:16I love that clip.
27:17I might get you, I'll get you.
27:18I'll get you with you.
27:19I'll get you one, I promise.
27:20Fantastic.
27:21Now, Marty Supreme.
27:23Marty Supreme.
27:24As I said, your performance is astonishing.
27:27You've had rave reviews.
27:28And now, well, the movie's got three Golden Globe nominations.
27:32You for Best Actor, Best Film, Best Screenplay.
27:37Congratulations.
27:39And I'm sure there'll be plenty more.
27:40Good luck when it comes to them all.
27:43You deserve all the praise.
27:44I appreciate it, Graham.
27:46And I must remind people, because I may not know, Marty Supreme in cinemas from Boxing Day.
27:58You've done it, Timothy.
27:59You've done it.
28:00You've sold it.
28:01Thank you, guys.
28:03That's it.
28:04I'm here.
28:05OK.
28:06All right.
28:07Comedy fans rejoice.
28:09Rowan Atkinson returns as the hapless Trevor Bingley.
28:13We go big on this, Rowan.
28:14Yeah.
28:15In Man Vs Baby.
28:17It's out on Netflix now.
28:19And this is the much-anticipated sequel to Man Vs Bee.
28:23So, did you always know there was going to be another one?
28:27Or how long did it take to come up with the idea of a baby?
28:29No, no, no.
28:30With Man Vs Bee, we just thought it was quite funny to do a show about a man stuck in a house with a bee.
28:35It was!
28:36And it turned out, in the end, to be quite a good idea.
28:40And that was a couple of years ago on Netflix.
28:44And it did, you know, well enough to justify them wanting some more.
28:47So, then we thought, well, what are we going to do?
28:50Do we do Man Vs Bee 2?
28:52Or do we do Man Vs Wasp?
28:55Or we...
28:56Anyway.
28:57And actually, with this one, it's a Christmas show.
29:00It's set at Christmas.
29:01My character is the same, called Trevor Bingley.
29:04And he's a house-sitter.
29:05A sort of reluctant house-sitter and certainly under-qualified house-sitter.
29:10I think it's fair to say, certainly on the basis of his experience in Man Vs Bee.
29:16Yeah.
29:17Anyway, but he manages to wangle another job.
29:20This time, he's looking after a Swiss oligarchs penthouse flat in Mayfair in central London.
29:27But for reasons that maybe I shouldn't explain how it comes about.
29:32But anyway, he's stuck with a baby.
29:34So, he has to house this flat looking after a baby, which isn't his.
29:38And he's trying to find the parents, the carers of the baby, and he can't.
29:42So, he's stuck with it.
29:44So, that's the essence.
29:45Well, we've got a clip.
29:46This is you as Trevor, out and about with your baby.
29:51Oh, my goodness.
29:55Hello.
29:56Good morning.
29:57Oh, he's so darling.
29:58What's his name?
30:00Erm...
30:03Jesus.
30:06How old is he?
30:09Erm...
30:11About...
30:12Three months.
30:14Well, but he's huge for three months.
30:17Well, you should see his mother.
30:20What I find sad about that is I think Trevor only tells a joke about twice a year.
30:43And I think that's one of his...
30:45You know, that was one of his attempts and it's gone down so badly.
30:49So badly.
30:50So badly.
30:51I feel sad.
30:52I feel sorry for him.
30:53And I don't think of your characters ever as being mean or nasty-spirited, but you think
30:56that Trevor is nicer than the characters you normally play.
30:59Yeah.
31:00I mean, in Man Vs B, he was quite psychopathic because the B drove him kind of nuts.
31:06But in this one, he's not so psychopathic.
31:09He's actually...
31:10He's a genuinely sweet man, I think, Trevor Bingley.
31:13And I...
31:14And that's relatively rare, actually, in my...
31:16In the characters that I played.
31:18Because I think, you know, Mr Bean is a selfish, self-centred, anarchic child.
31:24You know, really a very...
31:26You know, he looks after number one and is quite charmless sort of character.
31:31And the Blackadder is a sarcastic, you know, sardonic, negative sort of guy.
31:38I mean, humorously negative in terms of what he says and the way he says it.
31:42But, you know, not...
31:43You know, not...
31:44And even Johnny English, you know, the comedy spy character, which I occasionally play, that
31:50he...
31:51He's...
31:52He's vain and sort of, again, self-centred, doesn't care about anybody else.
31:58He's a knob, really.
31:59He's another knob.
32:00Yeah, yeah.
32:01Clearly, but...
32:02So, I think Trevor Bingley is a pleasant contrast to actually this sort of...
32:08Yeah, this catalogue of...
32:10Of...
32:12I mean, just people that you wouldn't want to have dinner with.
32:15That's true.
32:16That is true.
32:17You know, you wouldn't want to have dinner with any of those people.
32:19And lots of people still, big fans of Mr Bean, Timothy, loving Mr Bean's holiday.
32:24But I'd sort of forgotten that at its height...
32:28I mean, Mr Bean was a kind of global phenomenon.
32:30Yeah.
32:31It was just kind of...
32:32It was a madness.
32:33Yeah.
32:34It could be.
32:35Yeah.
32:36I had very little experience of it, except...
32:38Oh, yeah, once in Amsterdam.
32:40I remember doing signing in the old days when you used to sign videos.
32:43Wow.
32:44Video cassettes.
32:45That's how long ago it was.
32:46And I remember going to Amsterdam and there was this signing and, oh, there was a tremendous
32:51fuss and flim-flam and, you know, crowds and...
32:54And I remember being shuffled out of the back of the store in a police car and all that sort
33:00of stuff.
33:01Wow.
33:02Yeah, that was kind of...
33:03And because Mr Bean didn't need language so it could play anywhere...
33:05Yes.
33:06...was there anywhere that it didn't play?
33:08Was there anywhere, you know, that it didn't go?
33:10No, eventually it went everywhere but in the 90s there was the capacity because it was
33:15just television distribution over which I had some control.
33:20And, you know, sort of pre the mass use and access...
33:24Yeah.
33:25...of the internet.
33:26But...
33:27And therefore that I did see an opportunity to stop Mr Bean being shown in Italy.
33:34So for a number of years it wasn't...
33:37It was shown all over the world except in Italy.
33:39Why?
33:40Well, just because I wanted to go on holiday to Italy.
33:42LAUGHTER
33:43And it worked for several years.
33:46This was kind of in the early mid-90s.
33:49LAUGHTER
33:50And it worked very well.
33:53No-one had the slightest clue who was.
33:55And then the first Mr Bean movie, Bean...
33:58What's it called?
33:59Bean the ultimate disaster movie?
34:00Something like that.
34:01Which came out in 97.
34:02That, of course, the film company wanted it to be everywhere, including Italy.
34:06And then actually Italy turned out because then the TV shows went there
34:10and it turned out to be, you know, one of our most enthusiastic audiences.
34:15Wow.
34:16So now there's no way you can go on holiday.
34:18Uh...
34:19Exactly.
34:20OK.
34:21Well, you can see Rowan in Man Vs Baby.
34:23That is on Netflix now.
34:25There you go.
34:26CHEERING AND APPLAUSE
34:27All right.
34:29Right.
34:30Edward Enninghill has the rarest of things.
34:35A new glossy fashion magazine.
34:37It is called 72 and the winter issue is available in stores and online now
34:42with two lovely...
34:43Two covers.
34:44Yeah.
34:45Two covers.
34:46So it is extraordinary, a new magazine, because everyone's saying,
34:48oh, magazines are dead, they're dead and buried.
34:50You obviously say no.
34:52I mean, you know, my whole life I've worked in magazines.
34:56Um, I wanted to set up a media company, um, EE 72.
35:00And initially I thought, you know what, I'm going to do a platform.
35:03That's what everybody wants.
35:04The young generation, they don't read magazines.
35:06But then everywhere I went, everyone's like, we hope you're doing a magazine.
35:09So I thought, okay, maybe, why not?
35:11And also, you know, I just wanted to have fun.
35:13I just wanted to create something that people will enjoy reading.
35:16So I thought, why not?
35:17Four times a year.
35:18Oh, so it's quarterly.
35:19So this is the winter issue.
35:20Quarterly, yeah.
35:21And why 72?
35:22Do I have to really tell you my age?
35:25You're never 72.
35:27I'm not 72.
35:28I was born in 1972.
35:29I was born in 1972.
35:30I was born in 1972.
35:31I was thinking, you look marvellous, doesn't it?
35:35I don't mind being 72.
35:37I look good for 72.
35:39Yeah.
35:40Go with that.
35:41Yeah, since the year of my birth, so my initials and the year of my birth.
35:44Oh, okay.
35:45And it's interesting, actually, I keep calling it a fashion magazine,
35:48but actually it covers lots of things.
35:49It's about culture, yeah.
35:50Yeah.
35:51I mean, I always liked culture, you know, film, music, architecture.
35:55Art, for me, was always under the umbrella.
35:57So that's really what this is about.
35:59Something you can read.
36:00It's also very friendly.
36:01It's not so out there you can't relate to it.
36:04And, yeah, it just felt like the right thing to do right now.
36:07Is it because also you can be together with people in a room?
36:10I love it.
36:11And just be...
36:12Because you're a creative, aren't you?
36:13Be together.
36:14Ideas, ideas.
36:15I haven't done that in years.
36:16Yeah, yeah.
36:17When you have sort of a big corporate job, you spend a lot of time in meetings and Zooms.
36:22But here it's like being in there, you know.
36:24Yeah, yeah.
36:25And the kid's telling you, no, you can't do it like that.
36:27You can't say that.
36:28Yeah.
36:29And when you were last year, you were the man in charge of Vogue.
36:33And when you finally, after six years, said bye-bye to Vogue,
36:37you had this extraordinary cover, which is worth reviews.
36:40Oh, my God, yeah.
36:41Is it 40 of the greatest female stars in the world, minus Emma Thompson?
36:48You weren't available.
36:49I tried.
36:51Shush.
36:52I'll speak to you later.
36:54And are they all really there?
36:56They're all there.
36:57I mean, we did it.
36:58When we shot this picture, I knew that was going to be the question.
37:00So we did a video of all of them at the same time clapping.
37:05And I've known most of them before I started working at Vogue.
37:08And it was just amazing to have them all in the same room.
37:12I hid, I hid, I have to be honest.
37:14At one point, I was so sort of overcome with emotion that I kind of hid.
37:19They couldn't find me.
37:20Yeah, yeah, yeah.
37:21But I'm really, really proud of it.
37:23I mean, yeah, everyone's there.
37:24Not Oprah in the middle.
37:25Yeah, Oprah, Jane Fonda.
37:26Amazing.
37:27But they've also followed me to my new magazine, so...
37:29That's so true.
37:30I'm very happy about that.
37:31Yeah, yeah.
37:32Did anyone say no?
37:33Or did everyone say yes?
37:34I mean, everyone said yes.
37:35I mean, a couple of people scheduling couldn't make it.
37:37MR.
37:38Yeah, busy, busy, busy.
37:39I would never forget it.
37:40So busy.
37:41I was on my Bible course.
37:42A couple of people couldn't make it.
37:43Yeah.
37:44Timothy, you couldn't make it.
37:45That's true.
37:46Timothy was the first man on the cover of Vogue.
37:49And we did that cover together.
37:50But you weren't available.
37:51You were shooting.
37:52That's true.
37:53Seriously.
37:54I was playing tail tennis now.
37:55Oh, yeah, yeah.
37:56Everyone on the cover has been on the cover before.
37:59That was the whole idea.
38:00Oh, I see.
38:01Rowan and I...
38:02Well, you're my next cover.
38:03I've shot these two.
38:04So you're my next.
38:05OK, what am I going to do?
38:07Yeah, we'll discuss it.
38:08I'm in charge of styling.
38:09I'm in charge of styling.
38:10Yeah, knitwear.
38:11Knitwear.
38:12Knitwear.
38:13You can find the latest edition of 72 in Chops and online now.
38:18Marvellous.
38:19Right.
38:20CHEERING AND APPLAUSE
38:22It's time for music.
38:25She was just 18 when she burst onto the scene as a member of Little Mix.
38:30Now she's a Brit Award-winning solo artist.
38:33Here performing her latest single, Church, it is Jade.
38:37CHEERING AND APPLAUSE
38:40And they would pray for you like I would pray for you
38:46Whatever gets you off until your knees are bruised
38:51While the world burns
38:53Let me sing a word
38:55Down on your knees
38:57Let me be your church
39:06When I was a baby girl, that's when I saw the Queen
39:09Nothing like Elizabeth
39:11More like destiny
39:13Oh, she looked divine
39:15Elegant and free
39:17She bowed on to my level
39:19When a kiss said to me
39:21It's hard enough
39:23To be alive
39:25Might as well
39:27Dance or die
39:29Heaven's close
39:31But we can try
39:33Cause we won't have a good time
39:37Oh, baby, pray for me
39:39Like I would pray for you
39:41Whatever gets you off until your knees are bruised
39:45While the world burns
39:47Let me sing a word
39:49Down on your knees
39:51Let me be your church
39:53Let me be your church
39:58Now I'm feeling blessed
39:59But my flowers live the dream
40:01Carrying the wisdom that was passed down onto me
40:05If you need advice
40:07Or you don't believe
40:09Get on to my level
40:11Listen up
40:12I'll set you free
40:13It's hard enough
40:15To be alive
40:17Might as well
40:19Dance or die
40:21Heaven's close
40:23But we can try
40:25Cause we won't have a good time
40:29Pray for me
40:31Like I would pray for you
40:33Whatever gets you off until your knees are bruised
40:37While the world burns
40:39Let me see your world
40:41Down on your knees
40:43Let me be your church
40:45Baby, stay your world
40:47Till we see the light
40:49Let's get wet and warm
40:51Till the tears are dry
40:53While the world burns
40:55Let me see your world
40:57Down on your knees
40:59Let me be your church
41:03All the sinners in the place
41:05Show me love
41:06Give me faith
41:07Girls, dolls, party boys
41:09Rise above the dirty noise
41:11If you're all out of sugar
41:13Then I'm to this taste
41:15Take this holy water
41:17And wash that green face
41:19Girls, dolls, party boys
41:21Rise above the dirty noise
41:23From the gutter to the stars
41:25I'm everywhere you are
41:27Let me see your world
41:29Let me see your world
41:31Let me see your world
41:33worked worked working working working
41:33Let me be your church
41:36Oh-ee-aris
41:36Where we were
41:38yba aun aun aun aun
41:39Ah-course
41:44While the world burns
41:45Let me see your fire
41:47Down on your knees
41:49Baby, stay and stay
41:51Stay and stay
41:53Let's get wet and warm
41:55Let's get waiting up till the tears are dry
41:58While I walk back, let me see you walk
42:03Down on your knees, let me be a church
42:25Gorgeous
42:27Absolutely gorgeous
42:29I think they're going to help Dave off the stage now
42:33Here she comes
42:35Oh
42:37Thank you so much for that epic performance
42:41That was absolutely beautiful
42:43Come on up, thank you, thank you
42:45Dave, you know, Edward, Rowan, Skippy, Emma
42:49Gangs all here
42:51I love your bare feet
42:53I love your bare feet
42:55Lovely to see you, Jade, hi
42:57Hi
42:58Now I know you know Edward because you were in issue one of 72
43:02Yes
43:03There you are in some very big shoes
43:05Those are...
43:07Minnie Mouse
43:08Minnie Mouse
43:10And there's someone else on the couch
43:12Don't give it away
43:14We've got a clip
43:16This is Jade
43:18Now see if you can guess who she's going to transform into
43:22Okay, presumably this was a Halloween thing
43:24This Halloween thing I dressed as one of my favourite
43:27Okay, so we don't know who could have been
43:29You know, it could have been Willy Wonka
43:31Could have been Nanny McPhee, Mr. Bean
43:33Edward, it's not you
43:34Different times
43:38Let's have a look, see if we can guess who she's going to transform into
43:49Here we go
43:50No clues so far, no clues
43:52This is really impressive
43:56Look at that
43:58Isn't that good?
43:59Thank you
44:00That's nice for you
44:01Goodness me
44:02Well, I wasn't expecting that
44:03You're right on
44:04Now, that amazing song you just played, that is off that showbiz baby, the encore
44:06Is this your debut album, but it's a deluxe version?
44:08Yes, it's got eight new tracks on
44:10I love eight new tracks
44:12You know, I didn't want to
44:13I don't do things by halves, it's essentially a new album
44:16But still part of that showbiz baby era
44:18And lots of new tracks, but there's a lot of new tracks on
44:21Madonna cover on here
44:22Madonna cover, my favourite Madonna song, Frozen
44:23Wow
44:24No, great
44:25So that's on there
44:26And church that I just performed is on there
44:27Beautiful
44:28And you have had an amazing year, Jade
44:29I'm so happy for you
44:30I'm so happy for you
44:31Yes
44:32Yes, it's got eight new tracks on
44:33Yes, it's got eight new tracks on
44:34I don't do things by halves
44:35It's essentially a new album
44:36But still part of that showbiz baby era
44:37And lots of new tracks, but there's a Madonna cover on here
44:38Madonna cover, my favourite Madonna song, Frozen
44:39Wow
44:40Yeah
44:41Banger
44:42So that's on there
44:43And church that I just performed is on there
44:46Beautiful
44:47And you have had an amazing year, Jade
44:50I'm so happy for you
44:51Thank you
44:52You know, Glassbury, Radio on a big way again
44:53And of course, I mentioned in the intro
44:55Your solo Brit win
44:57Yes
44:58Yes
45:01Which must have been such a thrill
45:03Yeah
45:04Yeah
45:05And you know, watching that performance over there
45:07You know, being thrown away by the dancers
45:09You appear to be fearless
45:11But in that epic performance at the Brits
45:14Apparently nerves did get to you
45:15Oh my gosh
45:16I was so nervous for the performance
45:19When I performed Age of My Dreams
45:20And in my head
45:21When the beat drops
45:22There would always be like this trapdoor moment
45:24So I said yes
45:25I'm going to trapdoor
45:26I pushed and pushed the label
45:27We've got to do it
45:28It'll be at break
45:29It'll be really good on telly
45:30Then I got a rehearsals
45:31The trapdoor
45:32I'm not kidding
45:33It was up to the season
45:34I think we've got a picture
45:35So this is you
45:36It was so high
45:37Yes
45:38That's your job
45:39And if you go look at that
45:40That is very high
45:41That is very high
45:42They said they needed a good shot of me mid-air
45:44Still falling
45:45So it was really scary
45:47And that's like in the first 10 to 20 seconds of the performance
45:50So you're going to sing after you've fallen
45:52Yeah
45:53And I said I'm not doing it
45:54It's too scary
45:55They were like we've paid for it now
45:56You're doing it
45:57So
45:58Nice
45:59Yeah and on the night
46:00I was so nervous
46:01I had to climb up the ladder
46:02Like I was climbing to my death
46:04And then I get to the top
46:05And I thought
46:06We're on live TV
46:07And I was like I can't do it
46:08So I turned around
46:09They've removed the ladder
46:10And I was like
46:11You know what I was grateful
46:15Because the sheer drop of it
46:17It felt like
46:18It just winded the sort of nerves out of me
46:20And the rest was just a blur
46:22But I still do have like
46:23A bit of mini PTSD
46:25So I might not just be walking
46:26I think I'm going to fall through
46:27Honestly
46:28It was such a bizarre feeling
46:30But um
46:31No more trap doors
46:32No
46:33Well it's a congratulations
46:34On the bridge
46:35And on everything
46:36And uh
46:37Thank you for that performance
46:38And good luck
46:39With the deluxe album
46:40Thank you everybody
46:44Yeah they love you
46:45They love you
46:46That is nearly it before we go
46:48Just time for a quick visit
46:49To the big red chair
46:50Who have you got?
46:51Hello
46:52Hi
46:53I have high hopes for you young lady
46:54What's your name?
46:55Megan
46:56Megan, alright
46:57Where are you from Megan?
46:58Originally from Wigan
46:59But I live in Twickenham now
47:00God is in the details
47:01And what
47:03What do you do Megan?
47:06I'm a multimedia content producer
47:08Sweet Jesus
47:09It basically means I do social media
47:12And I do it for sports
47:13Marvelous
47:14Okay off you go with your story
47:16Come on
47:17So I have a lot of stomach problems
47:19And I'm missing
47:20Great way to start
47:22And I'm missing a digestive organ
47:26And it means that I can often go to the toilet a lot
47:28And when I was undergoing my diagnosis
47:31We were trying to find loads of recipes that I could eat
47:34And not cause grievous bodily harm
47:36Yes
47:37And I found this website that was like dedicated to people with stomach issues
47:40And I was like amazing, fantastic, made some recipes, it was brilliant
47:43Great
47:44And then I was back home later for a Christmas party with my mum
47:47And like a load of family friends
47:49And they were asking me after my health
47:50And I was like
47:51Yeah, I know it's going well
47:52I've found this website
47:53And they said
47:54Oh, what's the name of this website?
47:56And I couldn't remember the exact name
47:58But I knew one thing
47:59And it was called the bottom friendly recipe website
48:02Oh
48:03And I didn't realise that I just recommended a website to a load of 50-year-old women
48:07That was about people who enjoyed anal sex
48:09And needed to ask you this for a minute
48:15You, Lung Lady, can walk
48:16Well done
48:17Thank you, thank you
48:18Thank you
48:21OK
48:22That really is all about time
48:23Boy, if you guys have to go over the red chair yourself
48:25And tell your story
48:26You can contact us via website
48:28At this very address
48:29Please say thank you to all of my guests
48:31Jade
48:34Edward Edelbal
48:37Rowan Atkinson
48:40Timothy Chalamet
48:43And Emma Thompson
48:46Join me next week with music from Tom O'Dell
48:49Comedian and writer Michelle Deswart
48:51Award-winning actor Jesse Buckley
48:53And Hollywood comic greats Jack Black and Paul Rudd
48:56I'll see you then
48:57Good night everybody, bye-bye
49:01Thank you
49:02Thank you
49:06Joe Marler, fresh from the celebrity traitors
49:08Tackles celebrity minds his way
49:10With his new podcast on BBC Sounds
49:13This, and everything across the BBC
49:15Is made possible because we are funded by you
49:17So thank you
49:18And we are plus just a bit dear
49:20Thank you
49:22If you are part of the agrarian
49:26We managed to do it
49:27Annuli
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