Lehren presents a once-in-a-lifetime conversation with the legendary Dilip Kumar, an interview where he opened his heart like never before. He reflects on his early life, how he never imagined becoming an actor, his fear of facing the camera and the lack of confidence that he continues to battle including watching classic Hollywood movies and admiring its iconic actors. About his first memory of meeting his wife Saira Banu, and his cherished bond with Raj Kapoor, Dev Anand and more — recorded around the time he finally received the prestigious Dadasaheb Phalke Award in 1994, this rarest conversation is a tribute to one of Indian cinema’s greatest talents on his 103rd birth anniversary.
#dilipkumar #sairabanu #birthanniversary #dilipkumarbirthday #yusufkhan #bollywoodlegend #interview #podcast #lehren #lehrenretro #rajkapoor #devanand
#dilipkumar #sairabanu #birthanniversary #dilipkumarbirthday #yusufkhan #bollywoodlegend #interview #podcast #lehren #lehrenretro #rajkapoor #devanand
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00:00Lots of India's first roadside legal assistance platform.
00:03The car accident and the car accident.
00:06In such situations,
00:07on the spot,
00:08launched Lawyer On The Spot.
00:11One of the most significant start-up presentation
00:14with conviction I have seen in this platform.
00:17The biggest deal of Indian television is now.
00:26Now, I am never confident when I am facing the camera.
00:29In the sense that even this one now,
00:31that's there in front of you,
00:32it intimidates me.
00:34If you ask me,
00:35I have never gotten an award from the government,
00:37I have never gotten a distinction
00:38for the work or acting.
00:40I have understood that they have written me off.
00:42No, no, no.
00:43I don't agree with this.
00:45I don't agree with that.
00:46I copied my style.
00:48And who I copied my style?
00:50I can't copy anyone's.
00:59Dilip Saab,
01:00you received the award from the Darshakun
01:03and the players.
01:05I have won.
01:07You too.
01:08And Darshakun too.
01:09I am much flattered.
01:12Dilip Saab,
01:13what was your immediate reaction
01:15when you received the news?
01:17And when did you get the news?
01:18Immediate reaction?
01:19You see,
01:24I have dulled weights.
01:25So I reacted slowly.
01:27I said,
01:28I got the award good.
01:29I got the award good.
01:31I didn't get the award today.
01:34So I got the award award for Dhadah Falke.
01:37I got the award for him and the title of his name.
01:39And this judgment
01:42has made me
01:44stagen pe mujhko yeh recognition diya hai.
01:51So, I feel, I felt touched.
01:55But then I found the phones and then the people
02:00and all these that you see around me.
02:05And the generous compliments from the press.
02:14It suddenly gave me a very warm sensation inside me.
02:21And I was a really,
02:33began to think that I am a fortunate man.
02:39And
02:47you have a feeling that whatever you've been doing,
02:50after all it was worthwhile and there is some credibility to it.
02:56And that's a very rewarding feeling.
03:01That's what I feel.
03:05And what time did you get this news from?
03:09My wife broke the news to me.
03:22Slowly, tummeh award mile toh kaisa rahe ga?
03:28I meanne ka ke
03:30award?
03:32He said, haan kaisa rahe ga?
03:35I mean, he said, thik rahe ga.
03:37He said, you can coi award mila hai?
03:40Then some more information came and the telephone rang
03:49and I was taken by surprise because I didn't expect it.
03:53And suddenly,
03:59I mean over the last two days
04:01the impact of this
04:04little event which was
04:07which came up in such low-key
04:10manner as
04:12snowballed
04:15and
04:17fills me with this
04:18sense of very deep
04:20warmth and
04:21gratitude, I should say.
04:22Yes, gratitude.
04:24Towards the
04:26generous
04:28write-ups
04:30and
04:32the warmth of the people from all over the country.
04:35I never received so many telegrams before
04:39and
04:41it seems as if it's a national event.
04:44Who is this more than you?
04:46What is your baby, Sairajji?
04:50She will be happy soon.
04:52And
04:54she's more excited.
04:55I was coming down and she said, no, no, no.
04:57You must put some make-up on
04:59and this and that and that.
05:01So
05:02it's better to give in and do the make-up.
05:04I did it.
05:05But I don't like my face
05:08in the camera.
05:09Shuru atse?
05:10Yeah, Shuru atse.
05:11I seldom liked it.
05:13But anyway, I think that's the way
05:15most of the people feel.
05:19How do you become an actor?
05:22How do you think of becoming an actor?
05:24How do you think of becoming an actor?
05:26I never thought I would become an actor.
05:29No, I never thought I could become an actor.
05:35And
05:36I didn't go to Bombay Talkies to seek a job as such.
05:42Of course, I had
05:45the natural deportment of a family.
05:49so I could speak
05:52properly
05:53good English and good Urdu
05:55and
05:57that kind lady,
05:59Mrs. Devikarani Rai at that time,
06:02she thought that
06:03and the other members
06:05who were sitting there
06:06thought that I could
06:08be a good
06:10material for trying out.
06:13So I confessed to them that I don't think that I am the
06:18right kind of material.
06:23They asked me if I had ever acted in a play.
06:29I confessed I have not
06:32and I hadn't seen many films.
06:34Of course, I used to see good
06:37western films.
06:39The school used to take us all.
06:45So if Dilip Kumar can become an actor,
06:47I think anybody can become an actor.
06:51All that you need to do is to
06:52apply yourself and work hard.
06:56Anyway, God has been very kind to me
06:58and I am grateful to him for
07:00bringing me where I am
07:02and I think I largely owe it to him.
07:05and if there is anything that
07:10is to be
07:12attributed to me
07:14then it is for
07:16not doing
07:17the wrong things
07:20as far as acting is concerned.
07:22Made so many mistakes in life,
07:24everybody makes it.
07:26But
07:31it has been a fairly long innings now.
07:36Have you ever thought
07:37how long innings
07:38No.
07:39No, no, no, no.
07:41I have never thought.
07:42So did you have to do
07:43hard work for this?
07:44No.
07:45You see, it is all providence.
07:47It is all nature.
07:48There are so many other people
07:50whom I asked
07:52whether they
07:53ever would become
07:54a minister
07:55or a sportsman
07:56who has
07:59achieved the zenith of
08:02distinction.
08:03So they said
08:04we never knew
08:05that we would be
08:10I don't think
08:10Narsimarao
08:11ever thought
08:12Mr. Narsimarao
08:13that he will be the Prime Minister
08:15but things happen.
08:16There is this unmistakable
08:17hand of destiny
08:18that while I talk
08:20or while I act
08:23and while this moment
08:24is
08:25passing through
08:26time is fleeting across
08:27you know
08:28as we are talking to each other
08:29and we cannot
08:30stop this time
08:33and I am talking to you
08:34I can see your face
08:36I can look at these flowers
08:37and say
08:38yeah, this is a
08:39flower
08:40I can see the sunlight
08:41and
08:43all this has been gifted to us
08:44the voice
08:45the words
08:46inside
08:46inside
08:47there is a huge
08:48machinery going on
08:49and
08:50Yusuf Khan
08:51becomes
08:52Dilip Kumar
08:53and starts acting
08:54in films
08:55so I am a great believer
08:56in destiny
08:57and very very
09:00inscrutable
09:01ways
09:02the way
09:03it acts
09:04so
09:06so
09:07How many years ago, when the award started, would you never think that you will reach this award to you?
09:15If you ask me, I never got any award from the government, I never got any distinction for the work or acting.
09:22So, I understood that they have written me off.
09:29It wasn't such a big disappointment because the actual, in this phenomenon, the main point is the warmth and appreciation of the people,
09:45which comes to you so radiantly and unmistakably in the eyes of the people or in the way they greet you or they talk to you.
09:53And it's not just fame, I think fame can be, fame can be injurious, fame can be good, fame can be sheer infamy, is a fame of thought.
10:08But the credibility that goes with it and the affection and respect of people, that I think I am very, very lucky.
10:16When the government has given this award, did you not give any distinction?
10:21I think, I mean, in your...
10:23Aisa neetha.
10:24Aisa neetha.
10:25Aisa neetha.
10:27Because you work, you work hard and then as you grow up, you begin to meet, evaluate things.
10:33And in that line of evaluation, it's not important.
10:37Not so important.
10:39Now that I have got it, I feel that I have got the recognition of the authorities.
10:43It's delayed in a sense, in time, but that's not the important thing.
10:50The important thing is that they thought it fit to give it to me in their own wisdom and in their own evaluation.
10:58So, I feel that that's nice of them, very kind of them.
11:02The way it has sort of spiraled this whole award and the reaction of the people and the warmth and all those sweet things that they are saying, makes me feel indebted to the government itself.
11:20For putting this beautiful tohfa, it's a gift.
11:29So, I am grateful to them too.
11:31So, if you say an institution, how do you feel with this label?
11:37It's not an institution.
11:39I think it's just a man's mind in the way he responds to the requirements or the situation.
11:49If you say, you do this amazing work.
11:51If you become a person, you become a person that is a person, and you become a person, and you become formal in your delivery, and articulate and mention your words.
12:08And if it's in the village, it needs to change its personality.
12:13It's in the village, it's rustic and rugged.
12:16And it's in the city, it's humorous.
12:20It's different from all artists.
12:23All of those artists are very likely to work with themselves.
12:29I'm doing it from all my own.
12:32But I think this institution business is a little bit of a misnomer.
12:38You have all ideals.
12:42Who was your ideal when you came in the beginning?
12:44My ideal is all.
12:46No, when you came in the industry.
12:49When I came into the industry,
12:50I didn't see pictures.
12:53But when I saw it, I liked Mutilal, Ashok Bhai.
12:58Very good artists and fine men.
13:05There was so much to them.
13:08And that's a very precious phase when you come across people and learn from them.
13:18I respected them.
13:23But it wasn't my ideal.
13:25I didn't even fix it.
13:27I started seeing pictures.
13:30Because I would go and see a picture on 3.30, 6.30 and 9.30 shows.
13:34But I would not see different films.
13:36If I liked the picture, then I would see the same picture for 3.30, 6.30, 9.30.
13:41The next day again for 3.30.
13:42For Whom the Bell Tolls was a film I saw for 7 days, all the 3 shows.
13:48Because I came the last week.
13:51It ran for a long time.
13:53I was out to Bombay.
13:54When I came here, I saw it.
13:55I liked it so much that I saw it.
13:57The second day is all the 3.30, 6.30, 9.30 shows.
13:59Great, great, great, great.
14:01You should see it.
14:02Have you seen it?
14:03No, I haven't.
14:04You should see the film.
14:05Ingrid Bergman, her performance.
14:07Yes.
14:08This is your favourite actress?
14:09Oh, yes.
14:10Oh, yes.
14:11Who is your favourite actress?
14:12I don't know much.
14:14I believe, sir, in your first film, there was a flashback of Roshni Rally.
14:20How was it?
14:21How was it?
14:22First film, first day?
14:24I was an athlete.
14:26I used to play a lot of soccer.
14:29I was an outside right in the hockey team.
14:33And a good bowler in cricket.
14:37Sort of a batting.
14:40So-so.
14:41So, he told me,
14:42I was surprised when I was in front of the camera.
14:45So, he told me,
14:46You can run away from here.
14:47Go away from here.
14:48Go away from here.
14:49Go away from here.
14:50I said,
14:51Who is going away from here?
14:53He told me,
14:54Heroine, you know,
14:55She is gone.
14:56She may possibly commit suicide.
14:58So, go away from her.
15:00Go away from her.
15:02Go away from here.
15:03Go away from there.
15:04Go away from there.
15:05Go away from there.
15:06Go away from there.
15:07Go away from there.
15:08I walked away from there.
15:10From there.
15:11I did a real good
15:13100 m dash, you see.
15:15So, left there from him or right.
15:18Go away from there.
15:19Cut, cut, cut.
15:20What's going on?
15:21I said,
15:22I didn't run very fast.
15:25You are too fast. The camera finds it difficult too.
15:32You have been slower.
15:37They said that you are fast.
15:40I thought I am too good for the camera.
15:43They can't catch me.
15:46I was thinking that what a heroine will do in the scene.
15:51But they wanted me to run a little slowly.
15:54So I ran a little slowly and I came with this feeling that I ended the day with this feeling that I am good.
16:03And at the fag end of the run, the next day, again I had to run from here or there.
16:08And at the fag end of it, I had to come and catch the human.
16:12You have to catch the human.
16:14So I have to catch the human.
16:17I have to catch the human.
16:23You can catch the human.
16:24But then, I'll catch a human.
16:26After that, I'll catch it quickly.
16:28I'm going to catch the human.
16:29But I'm trying to catch the human.
16:31I can catch my hand and catch him.
16:32I'm trying to catch the human.
16:33This happened 3 or 4 times.
16:35and I felt very humiliated, that a girl is to have to put it on the side of the side,
16:40that's why I was like, what do you want me to put it on the side of the side of the side?
16:46Then I went and I got to put it on the side.
16:52I got to put it on the side of the side.
16:55I had to speak a dialogue, but I have to put it on the side.
17:00Oh, oh, it's so hard to get rid of it.
17:04So I said, you all were saying, we have to save it.
17:08But when I came back, for the first time I realized,
17:13this is a very difficult task.
17:19This is a very difficult task.
17:19You have to learn a lot about it.
17:22We have to get rid of a girl.
17:24It's so difficult to get rid of it.
17:27Your mind knows what to do.
17:29It can visualize that you should do this
17:32and you should look like this
17:33and you should look like this.
17:35So that's the first experience.
17:41Tough and rather
17:43I suffered some kind of a feeling of humiliation inside.
17:52That's the first experience.
17:55And then you grow up and learn.
17:59You were always nervous when you were in front of the camera or were you always confident?
18:05No, I'm never confident when I'm facing the camera.
18:09In the sense that even this one now that's there in front of me, you see, intimidates me.
18:14There's the dark eye in the camera that is looking.
18:17And so you feel that this abominable, you feel as if it's something, some individual, it's something alive that's watching me from there.
18:28So how would you feel like this?
18:33I mean, the director, actor, what's your career?
18:35With most of the people that I worked with, I had very good cordial and easy relations because that's the way you work along.
18:44If you carry a chip on your shoulder, then leave aside other people being happy or not.
18:53You yourself cannot enjoy the work.
18:55So you've got to be easy with all colleagues, not only the senior stars and the director, but also with the lighting man.
19:03I should be easy with them, make them feel at ease.
19:09I should make you feel at ease.
19:11So you are.
19:12Which you are.
19:13Which you are.
19:15Ah?
19:16Where is your hand?
19:17Ah.
19:18Ah.
19:19One.
19:20Ah.
19:21Again, go again.
19:22One.
19:23Ah.
19:24Ah.
19:25One.
19:26Ah.
19:27Ah.
19:28Ah.
19:29Ah.
19:30Ah.
19:31Ah.
19:32Ah.
19:33Ah.
19:34Ah.
19:35Ah.
19:36Ah.
19:37Ah.
19:38Ah.
19:39Ah.
19:40Ah.
19:41Ah.
19:42Ah.
19:43Ah.
19:44Ah.
19:45Ah.
19:46Ah.
19:47Ah.
19:48Ah.
19:49Ah.
19:50Ah.
19:51Ah.
19:52Ah.
19:53Ah.
19:54Ah.
19:55Ah.
19:56Ah.
19:57Ah.
19:58Ah.
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20:00Ah.
20:01Ah.
20:02Ah.
20:03Ah.
20:04Ah.
20:05Ah.
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20:07Ah.
20:08who always used to say when we used to play games, soccer, he was a good goalkeeper and a very good referee, very good referee.
20:17Particularly when he used to play the British Army teams at that time, he could assert himself in a little boy.
20:25He was quite nice and buxom.
20:32When I saw him, he used to tell me, you get into films, we will both go to films.
20:38So I said, no, because that was not the done thing during those days, to aspire to go into films.
20:45I said, you should go. If your father does that work, you should do that.
20:53So I got that first.
20:57Is the camera running or are we just talking to each other?
21:00No, it's running. Are you running the camera? Yes.
21:03Say so. It's on, sir.
21:05On? Yes.
21:07So I can carry on with the story.
21:09So, he was the first man that he met me there.
21:14And he said, say, I told you, you will come to this place.
21:19But I didn't come for an interview for work.
21:22It was for some other purpose. I was just accompanying Dr. Masonic.
21:26So that's the man that was before the films. And as I entered, he was there at the doorstep virtually waiting.
21:36And we had a lovely relationship, beautiful relationship.
21:43I'm sorry, he's no more, but I'm happy that I have joined his ranks now. I've got this award.
21:50No.
21:51No.
21:52No.
21:53No.
21:54No.
21:55No.
21:56Healthy, yes. Healthy, competitive feeling was there.
21:58But, um, rivalry no. So many people would try to create some kind of a, you know, axis.
22:09But, uh, we had, uh, meditated in ourselves, between ourselves.
22:15That, look, there are the two of us. And this industry is big enough. There can be more.
22:19So, let us not be carried away. So, no, no, uh, at no point of time.
22:25Although people insinuate a lot of things.
22:28So, did you have to clear your mis-understanding or how it was?
22:31Mis-understanding doesn't happen.
22:33No.
22:34If someone said that the king said that the king said that he didn't say anything,
22:38then he felt that I didn't say anything.
22:40I felt that he didn't say anything.
22:41I felt that he didn't say anything.
22:43And if he said anything, he would say anything.
22:45It wouldn't mean it.
22:47Or, favorite heroine, who was your star? Who was your tuning?
22:52Saree favorites thine, jitni thine.
22:54Jo, achi tarah say easily kam karti thine.
22:57So, they were all good.
23:02It will be unfair to signal them out.
23:04Because then the other one will feel hurt.
23:06Ke, dekho, uska naam liya, mera nahi liya.
23:08Uh, most of these artists are, uh,
23:12because those who are fond of working and doing,
23:15giving good performances,
23:18they are always happy to be working with the equally diligent and hard-working colleagues.
23:24So, it was always a great pleasure to be.
23:26Some of them were very talented.
23:28Some of them have got reservations and certain hang-ups.
23:31So, you got to endure that.
23:34Aapki first impression about Sairaji keise thi?
23:37First impression about Sairaji tha ke baut choti nahi hai.
23:40To, mein ko filmo se,
23:42ane se baut pahle ka jaan tha ho.
23:44She was a little girl when she came and,
23:47Mughal-e-Aazim ke shuru-shuru mein aai thi,
23:49to, mein indri Madhubala se milaya tha.
23:51Aisai utha ki, usko, stool pe bitha day tha.
23:54To, dis was, dis shuru-shuru mein aapne poucha,
23:59to, shuru-shuru mein aise tha.
24:00When she wanted to join the films,
24:01I was, uh, opposed to it.
24:03Ke, lal, kiyaan, film mein kya karengi?
24:05Inko, taali mea after.
24:06She's gone in England and studied there
24:09and now it's time that she should get married to a nice person.
24:13And, why the films?
24:15But then she was hell-bent to get into the films.
24:20And the rest of the story is better told by her.
24:23There may be.
24:24As an actress kaisi lagi aapkoro.
24:26She was diligent, very ambitious.
24:31And, uh, in the school of work, you see,
24:34she had not worked in the school,
24:36which was very exacting and tough and hard.
24:39Dosti ji ka, to, hasi khehl karke bhi kaam hota na.
24:42And she was used to that, uh, light atmosphere
24:47in which good spontaneous work comes out.
24:50But here there was a little, uh,
24:52too much of seriousness in, uh, um,
24:55with Dilip Kumar and very great labor of rehearsals
25:00and this and that.
25:01So, in the first, in the beginning, she felt uneasy.
25:06But then she revealed more.
25:09I think if you see Srageena and her performance in Srageena,
25:12and even in Bhairag,
25:14I think she's given beautiful performance.
25:16It's a great, uh, promise she's shown.
25:19As a B.V. kaisi tiyo?
25:20As a B.V., the role of a housewife, wife,
25:23how does she perform?
25:25She's extremely diligent,
25:29very affectionate, caring,
25:31takes care of all the details.
25:36She's come to do this over the years.
25:41And most helpful in all respects.
25:50I think she's a very good wife.
25:57I'm lucky that way.
25:58Dilip sir, aap as a person kaise hain according to you,
26:01like, you know, your plus and minus points.
26:04It will be difficult for me to answer this, you see.
26:12I am what I am.
26:13How do I look to you?
26:14I don't know.
26:15But this is what I am.
26:17And in maybe another situation,
26:19I'll be totally different.
26:21I'll get serious.
26:22I'll become grim.
26:25But I don't want to be too morbid.
26:30Already I have played in too many tragedies
26:33and I got a little tired of dying in an Eid film
26:42and going through sad scene
26:47and sad songs.
26:49It's all right.
26:50Or in front of the camera.
26:52But in one's personal life,
26:54I would like to be a little more
26:57more easy, relaxed
27:01and enjoy life.
27:03Aap kaunse roles perform karne mein
27:05bot easy mein sus karte tha hai?
27:08Sabhi role difficult hoti.
27:11Kaisa hi ho.
27:13Koi comedy ho.
27:14Ya tragedy ho.
27:19See, the habit that I
27:21Shurui shurui mein mein samajta ho
27:23hi ek undertaking hai.
27:24This is an obligation
27:25and you've got to work hard in it.
27:28So, but once I am on the floor,
27:31then I am relaxed.
27:32I get relaxed.
27:33Like you may be tense before a game
27:36or a match.
27:37But once you are in there,
27:40then you relax and you take off easily.
27:44What about dancing?
27:45Did it have any?
27:46No, no.
27:47I was no good at dancing.
27:49I tried it.
27:51It didn't work out.
27:53It didn't work out because firstly,
27:55I could not dance.
27:56So, I did not like dancing.
27:58But when others, the girls dance,
28:00oh, they look very lovely when they dance.
28:02But boys that like Govinda these days
28:08and some of his colleagues,
28:10when they dance,
28:11I am surprised at their agility.
28:13And most of the young people,
28:15they dance so beautifully.
28:17and I marvel at their,
28:20the girls.
28:21Who is your favourite?
28:23Sri Devi.
28:24Sri Devi is my wife's favourite too.
28:27I think she is a very fine artist also.
28:30But the same goes for Madhuri Dixit now.
28:33She is also,
28:35she is not only a good dancer,
28:37but they are both very fine performers.
28:39Sri Sri sahab,
28:40aap ki koii komzori thi,
28:41jo aap badehi khubi se,
28:42you know,
28:43cover ker ker ker ker teh teh jo acting mein?
28:47Ab agar woh komzori,
28:49amne khubi se cover ker liye,
28:51to ab is komzori ko kiyo zahir karein?
28:54No, but that is an art.
28:55That is an art, isn't it?
28:57Which the...
28:58Wata nahi sabi komzoriyaan thi.
29:01I found it very difficult.
29:05But then that you see,
29:09the more difficult you feel the job is,
29:11the greater your resolution
29:13to do it well
29:18and do it as accurately as you want to do.
29:21You may never be able to do as accurately
29:24or perform as accurately as you want to.
29:29I think we have had a long interview now.
29:31No, one minute.
29:32One minute.
29:33I said, there is a...
29:34There is a aap ki ek role jo,
29:36you know, you have wanted to do
29:37but you didn't get it.
29:38Koi hai?
29:39Eesa role?
29:40Many roles.
29:41For instance?
29:42I wanted to do a school teacher's role.
29:44Like...
29:47Mr. Chips,
29:48in Goodbye Mr. Chips.
29:50That kind of a role.
29:51And I wanted to do a lawyer's role.
29:56And carry on a marathon,
29:58classic cross-examination.
30:00Ab kabhi nahi kaya.
30:02Mokka nahi mela.
30:04And...
30:09Another thought,
30:10doing a class,
30:12Godfather, you know.
30:16These are just fancies.
30:18And...
30:19And...
30:20Koii bleak period jo aap ki career mein aya tha,
30:22jo how did you overcome it,
30:23resurface kaisi ki?
30:25No, there are often stretches when I had no work.
30:27Mhmm.
30:28I mean Dilip Kumar was...
30:31there, very much there.
30:33But I didn't...
30:36There were times and spells when you don't get a...
30:38It's not a question of getting a good script sometime,
30:42good script sometime.
30:43It's often a question of getting which is less bad.
30:47And then try to mend it or fit yourself into that.
30:51So, when I didn't get that, I didn't take on anything.
30:54People used to criticize me and...
31:02Said that even Mahbub sahab and Mr. Asif and Bimalda
31:07would feel that it's not very wise.
31:10Mhmm.
31:11For months together, no work.
31:13So, I would go and travel, go drive into the mountains
31:17far up north in the Himalayas.
31:19Dilip sahab,
31:21all these actors have copied your style.
31:24Have you copied your style?
31:26No, no.
31:27It's not necessary.
31:28I don't agree with this,
31:29that everyone has copied my style.
31:32And who has copied my style?
31:35I can't copy anyone's.
31:39If I could have,
31:42then I would have liked to work
31:45maybe as Spencer Tracy or Paul Muni
31:52or James Stewart,
31:53but I never got anything,
31:55no material in which I could even make the effort.
32:00So, it was better to stick to yourself
32:03and do whatever you get,
32:05and do whatever you got,
32:06maybe you got to get,
32:07maybe you got to get out as a role,
32:08that make a goal that man 챙 prints your list,
32:10you get to get out as some sort
32:11of way you go.
32:12If you get out as an individualistic character
32:14you get,
32:15you get one of the roles that you got.
32:17And then you look at society you get.
32:18If you get your role and your role,
32:19you look at it.
32:20You mostly Frankie getting into
32:21nawet with whether being an��ài did
32:22or he may be a rustic gau'n ka admi ho ga,
32:26jis mein ek abandon hai, ek directness hai,
32:30ek verv hai, vitality hai for life.
32:35Oh, if he is like a Salim in Mughal-e-Azim,
32:41bilkul badha ho ga admi, tam.
32:44Aur jumla hai badha ho ga hai.
32:47Ledao ye daftar bimani.
32:51Ya ko'i yappari-e-Azim ka wali hai.
32:55Us mein deliberateness, ek formality hai.
32:59Then there are comedy scenes,
33:03ko'i nur ho, ya ramashramarashramarashramarasham ho,
33:06us mein alag tara ki scenes ho,
33:08alag tara se karna padta hai.
33:13So, but this variety is the essence of your,
33:18it signifies the competence.
33:20When you go outside the orbit of your own personality,
33:25aur usse bahar jake ek doosri personality ko acquire karein,
33:29and then usko sirf acquire hi nah karein,
33:31usko shurur se akhir tak, le jaan uske end tak.
33:34So, I think that there are two interests.
33:39There are some very great actors like,
33:43Cary Grant for instance,
33:46or Bob Hope for instance,
33:48or even to an extent,
33:51the famous actor who looked like,
33:57Dewanand.
33:58Gregory Peck.
33:59Gregory Peck.
34:01So, mostly projecting his own,
34:03their own personality,
34:04Cary Grant,
34:05the same personality.
34:06He was there for breakfast,
34:08for lunch, and for dinner,
34:10but he eked out a career for himself,
34:14and made a mark.
34:16I felt I should try some changes,
34:23because there are other people making similar experiments elsewhere.
34:26Of course, it is a risk.
34:28And if you are sitting in a pattern,
34:31if you are sitting in a pattern,
34:32if you are sitting in a mood,
34:33then in every film,
34:34they want you to do the same thing.
34:39Poor Amit got caught in it,
34:41by the angry man image.
34:44So, it is a tricky business,
34:46you may get away with it,
34:47or you may not.
34:51So, you have tried to remove that image from your own,
34:55I mean, any image.
34:57I think that for the brain of
35:04my own,
35:05it causes you influence.
35:06If you are starting it for the same time,
35:07your own say Share Your Think Company,
35:10your own use work
35:11and your own voice gebracht.
35:12be Schwattah.
35:13Your thoughts have changed to make the imagination,
35:14with the family.
35:15It does not simply state people buying it,
35:16withoutточно domestic bodies.
35:18Otherwise,
35:19I want any other Capacity,
35:21or you'll benefit from them.
35:23It is not an effort,
35:24that you have found people
35:25working with an научkovité,
35:26or to create an impact, but it's just to be able to enjoy the fun
35:31and also see to it that people don't get bored with you
35:34and with your style.
35:37People are tired and then they start anticipating you.
35:40They will do this in this way, they have to do this, they have to do this.
35:44And I think that detracts, that takes away from the quality.
35:48So if you keep them guessing,
35:52they don't know what they will do.
35:56So they have a shock and curiosity.
36:04Maybe that's your secret, isn't it?
36:06Well, I don't know.
36:09But maybe that's a part of the strategy.
36:13Not a secret. Thank you very much.
36:15Can you give me a message or a message, please?
36:17For your support.
36:21What do you say a message?
36:23Your favourite song otherwise?
36:24Which you can just hum.
36:25It's a moon year.
36:26It's a moon year.
36:27Okay.
36:28Any message to the fans?
36:29I mean to your viewers?
36:30Any message?
36:31My love to all your viewers who are sitting in behind that black turtle eye over there.
36:39And my greetings to them, my best wishes and thanks.
37:00And thanks.
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