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Short filmTranscript
00:01Let's not discuss work in our personal time.
00:03I cannot cross Inspector Blake.
00:04But why?
00:05Because I can't.
00:06Eliza, what has changed?
00:07Everything!
00:08Clarence knows about us. He guessed.
00:10It's only a matter of time before everyone finds out.
00:13This relationship with Inspector Blake is a long time coming.
00:17I just don't want everything I've worked for to be for nothing.
00:30I can't.
00:35I can't challenge.
00:39I can't.
00:43I can't.
02:22Mr. Moses Valentine.
02:30It's just Moses.
02:31It's just Moses.
02:35It's just Moses.
02:37It's just Moses.
02:43It's just Moses.
02:45It's just Moses.
02:47It's just Moses.
02:49It's just Moses.
02:55It's just Moses.
02:57It's just Moses.
02:59It's just Moses.
03:01It's just Moses.
03:07It's just Moses.
03:09It's just Moses.
03:11It's just Moses.
03:21It's just Moses.
03:23I'm giving it up.
03:27What brings you back from Paris?
03:31I've been in town a few days.
03:33An unexpected job came up.
03:35I did come to see you when I first arrived, but you weren't here.
03:39I was at the seaside visiting a relative.
03:41I know.
03:43I spoke to Ivy.
03:45How should I say Mrs. Potts?
03:47You see what happens when you go away?
03:49I had dinner with them.
03:51They seem happy enough.
03:53I thought that man does not draw a breath.
03:55Barnabas does like to chat.
03:59From your unexpected job.
04:03Things have become difficult.
04:05That's why you're here.
04:07I take it it's no coincidence then that I come home and you don't know what happens when you go away.
04:09I had dinner with them.
04:11They seem happy enough.
04:13I thought that man does not draw a breath.
04:15Barnabas does like to chat.
04:17From your unexpected job.
04:19Things have become difficult.
04:21I think it's no coincidence then that I come home and you turn up a few minutes later.
04:25I need your help.
04:27I'm listening.
04:29The inspector at Scotland Yard.
04:33Blake is it?
04:37You trust him?
04:39Why do you ask?
04:41I've not had the best experience with the police,
04:43but there are things I need to share with him.
04:47Well, let's start with me first.
04:49What's going on?
04:51There's no time.
04:53He'll be here any minute.
04:55What do you mean?
04:57I'm in trouble, Eliza.
04:59I need him to vouch for me.
05:01Do you trust him?
05:03Yes or no?
05:05Alexander.
05:06Evening.
05:07I was working late when I got your telegram.
05:08Is everything all right?
05:09I didn't send you a telegram.
05:10What?
05:11I did.
05:12I moved to Paris a while back to work for a private detective by the name of Patrick Nash.
05:16Do you know him?
05:17Only by reputation.
05:19A somewhat checkered one as I understand it.
05:21I helped him set things up in Paris, but the deal was I'd go out on my own after a couple of years and set up my own agency.
05:27And that's what I did.
05:28It's a big city.
05:29There was room for both of us.
05:30And it's a big city.
05:31And it was a big city.
05:32to work for a private detective by the name of Patrick Nash.
05:35You know him?
05:36Only by reputation.
05:37A somewhat checkered one, as I understand it.
05:44I helped him set things up in Paris,
05:46but the deal was I'd go out on my own after a couple of years
05:49and set up my own agency.
05:51And that's what I did.
05:54It's a big city. There was room for both of us.
05:58I take it you know what happened to Patrick
06:00when he returned to London.
06:01I do.
06:03Last I heard, he was released from prison
06:06and had a one-way ticket out of London docks.
06:10I don't know where he was headed.
06:13Yes you do.
06:18You can trust Inspector Blake.
06:31He was meant to sail to Australia, but he changed his mind and knew it.
06:36He stopped off in Madagascar for a while, then Hong Kong, then Singapore where he was running a casino.
06:44Of course he was.
06:47He'd send me postcards.
06:49He'd never say who they were from, but I knew it was him.
06:53Things went quiet for a while until a week ago.
06:57He wrote to me again, said he had a job for me in London.
07:00And there was someone he wanted me to meet.
07:02And there was someone he wanted me to meet.
07:04And there was someone he wanted me to meet.
07:05at the top of the house over there.
07:25Venezuela.
07:27Interesting.
07:30Good morning.
07:56Mr. Nash said to expect a visitor.
08:05That'll be me.
08:12Would you kindly confirm your name?
08:17You know who I am.
08:21I know who I am expecting, but given that we have never met,
08:24you could be anybody named, please.
08:27Moses.
08:32Can you prove it?
08:34Can I what?
08:37Due to the nature of the task we have been asked to perform,
08:40I'm duty-bound to check your identity.
08:45He said you'd be like this.
08:53If Clarence starts being irritating, tell him you know where he hid the McKenna file.
09:02Where did I hide the McKenna file?
09:1077B.
09:13Dickinson Square.
09:17I can't believe he told you that.
09:22Very well.
09:25Would you like me to prove my identity?
09:27Just tell me the job.
09:30Fine.
09:32As you may be aware, Mr. Nash has been travelling the globe in such a business opportunities.
09:37His travels have taken him far and wide.
09:39And he now finds himself in Venezuela, where he is running a diamond mine.
09:43A diamond mine?
09:45At first it seemed that it would be a waste of time.
09:47The only thing they dug up was rock and clay.
09:49But after much back-breaking work, they found a huge uncut stone, estimated to be nearly 100 carats.
09:58A 100 carat diamond.
10:04And he's bringing it to London.
10:06Mr. Nash decided it would not be in his best interest to come in person.
10:09You may be aware of the unfortunate circumstances involving a Lord Campbell and a certain Dylan Cooper.
10:16One wants to put him in jail, the other wants to kill him.
10:20Precisely.
10:21So the diamond is being brought over by a third party.
10:25And who might that be?
10:27I'll tell you on the way.
10:32Come along.
10:36Apparently Mr. Nash has a business partner who owns the other half of mine.
10:41This partner is coming on a ship that docks in London this very day.
10:46With the stone?
10:47With the stone.
10:48We are to go to the diamond merchants of Haddon Garden tomorrow and sell it to the highest bidder.
10:55I'm to arrange the financial side of the deal and you are to provide security.
11:00And as such I will need you to present me with a detailed overview of your plan.
11:04Who put you in charge?
11:06Mr. Nash.
11:08Show me what he said.
11:11Yeah but he didn't actually say it but he implied it.
11:15Alright fine well I assumed it.
11:17If that diamond is a hundred carats there is going to be a lot of interest and not just from legitimate buyers.
11:24It's going to be dangerous.
11:27Very dangerous.
11:29Which is why we need a detailed plan and one person in charge.
11:33And that should be you.
11:34Well I'm no stranger to this kind of thing.
11:36You're an accountant.
11:38My role has expanded in the past few years not just with Mr. Nash but with Miss Scarlet too.
11:43I now offer a broad range of services.
11:45Oh really?
11:47Yes really.
11:48Yes really.
11:49These days I know the streets as well as the balance sheets.
11:54Hello?
11:56Excuse me.
11:58Hello.
11:59Hello.
12:00Alright.
12:01Bye.
12:02Where are we headed?
12:19What's that for?
12:33It's for Mr. Nash's business partner, so he can find us.
12:37You don't know what he looks like?
12:38There was no description in the letter in case it was intercepted.
12:41Mr. Nash asked me to wear this handkerchief in my pocket so that I could be identified.
12:46I just wish he'd chosen a more salubrious venue.
12:50It's a good place to meet. People here mind their own business.
12:54Well, this pub has a notorious reputation.
12:57Not a problem for a man who knows the streets and the balance sheets.
13:02Are you mocking me?
13:04Yes.
13:06Never mind.
13:11How much you think it's worth, this diamond?
13:16It depends on the colour and the clarity, but my guess is several tens of thousands.
13:24This business partner of Nash, he's bringing it over on his own.
13:30That's three weeks sailing if he's on a steamship.
13:33Stopping half in different ports along the way.
13:37That's a lot of trust.
13:38Mr. Nash knows what he's doing.
13:40He picks his partners with care.
13:42He wouldn't go into business with someone unless he was sure of exactly what they were capable of.
13:46Mr. Pettigrew and Mr. Ballantyne!
13:51Mr. Ballantyne!
13:53Say, Mr. Pettigrew and Mr. Ballantyne!
13:56Oh, there you are!
13:58Oh, thank goodness!
14:00Oh, excuse me.
14:03Sit down.
14:06Sit down.
14:07Sit down.
14:08I'm so glad I found you.
14:10Ooh!
14:11My heart is biting away.
14:13I wasn't sure whether you'd been here.
14:15And you Patrick's business partner?
14:17Guilty as charged.
14:18Florence Dodds. Pleased to meet you.
14:20You didn't have to shout out our names.
14:22You could have just looked for this.
14:24Oh, he completely forgot.
14:26I...
14:27My nose is shot to bits.
14:29Three weeks on board boat with a hundred-carat diamond.
14:32Keep your voice down!
14:33I'm sorry.
14:34Sorry, yes.
14:35Patrick's always telling me that.
14:36I just keep forgetting a memory like a sieve.
14:39Just in case there's some horrible coincidence.
14:42We are talking about Patrick Nash, not some other man called Patrick.
14:45Oh, no, yes.
14:46Of course, Patrick Nash.
14:48We've been in business together since Arthur died.
14:51Arthur?
14:52My late husband.
14:55He owed this diamond mine.
14:59Passed away last June.
15:02That's why I'm dressed like this.
15:03I'm still in mourning.
15:06But Patrick...
15:07Patrick's been so kind.
15:09He's offered to help me run the mine and take care of everything.
15:12Yes, I can imagine.
15:17Is it in the bag?
15:18Hm?
15:19Don't be so daft as if I come into a pub like this with an uncut diamond in my bag.
15:25It's just...
15:27Where is this?
15:28Where is it?
15:32Where is it?
15:34It's my hand luggage.
15:35And where is your hand luggage?
15:38Outside in the cab.
15:40No, no, no, it's okay.
15:41I've asked a driver to keep an eye on it.
15:43It's all right.
15:44It's all right.
15:45I'm just...
15:46Sorry.
15:47Oh!
15:48It's all right.
15:49It's all right.
15:50It is.
15:51They're with me.
15:52Thank you for waiting.
15:54Here we go.
15:55See?
15:56No harm done.
15:57You need to be more discreet, Mrs. Batts.
15:58Florence, please.
15:59Florence, please.
16:00So?
16:01What's the plan?
16:02I'm sorry.
16:03Sorry.
16:04What's the plan?
16:05We'll just stay with Mr. Petticoot tonight.
16:06Then in the morning, we'll look for a buyer.
16:07Hmm.
16:08Staying at your place.
16:09Hope you're going to be on your best behaviour.
16:10Ha!
16:11Ha!
16:12Ha!
16:13Ha!
16:14Ha!
16:15Ha!
16:16Ha!
16:17Ha!
16:18Ha!
16:19Ha!
16:20Ha!
16:21Ha!
16:22Ha!
16:23Ha!
16:24Ha!
16:25Ha!
16:26Ha!
16:27Ha!
16:28Ha!
16:29Ha!
16:30Ha!
16:31Ha!
16:32Ha!
16:33Ha!
16:34Ha!
16:35Ha!
16:36Ha!
16:37Ha!
16:38Ha!
16:39Ha!
16:40What a lovely place, Clarence.
17:05Can I call you, Clarence?
17:06If you must.
17:07You can stay in the spare room at the back.
17:10Look at all these beautiful things.
17:17What's this?
17:19Oh, that is an arithmometer.
17:22It's a mechanical calculating device.
17:24That's an original, made by Thomas de Colmar.
17:27Very nice.
17:29Yes, please don't touch it.
17:30Oh, sorry.
17:32Sorry.
17:34Oh, you remind me of my late husband.
17:36He liked everything arranged just so.
17:39No.
17:43Till his eyesight started to go, poor old Saul.
17:47Still, he had a good innings.
17:4986 when he popped his clogs.
17:52Wait.
17:54In the back, you say?
17:55Yes, yes.
17:56She's a liability.
18:03She's not the most discreet courier I've ever met.
18:06I suspect she and Mr. Nash may have more than just a business arrangement.
18:11Oh, you think so?
18:12Mm-hmm.
18:14I'll take the diamonds somewhere else tonight.
18:18Just to be in the sea of sight.
18:19Well, the jewelers open at 9 o'clock at Hatton Gardens.
18:22It's best to be here by 8.
18:23It's best to be your friends.
18:24I'll be here by set in.
18:25Let's go.
18:55Let's go.
19:25Let's go.
19:55Let's go.
20:25Let's go.
20:55Let's go.
21:07Let's go.
21:08Let's go.
21:09Let's go.
21:11Let's go.
21:12Let's go.
21:15Let's go.
21:16Let's go.
21:17Let's go.
21:18Let's go.
21:23Let's go.
21:24Let's go.
21:25Let's go.
21:26Let's go.
21:27Let's go.
21:28Let's go.
21:29Let's go.
21:30Let's go.
21:31Let's go.
21:32Let's go.
21:34There's a hole in my office wall.
22:02They came through the empty building on the other side.
22:06I ran round, but by the time I got there, they'd gone.
22:09I spent all night looking for them, but no luck.
22:13Is that why you've called me here?
22:16To report the theft of the diamond?
22:19There's a lot more to it than that.
22:25Clarence?
22:44They ransacked the place.
22:58I tried to tell them the diamond wasn't here.
23:01I think they believed me eventually.
23:03What time was this?
23:05Just after midnight.
23:07So they come here first, then found me.
23:14You tell them where I was?
23:16Absolutely not.
23:17I didn't say a thing.
23:22I was too terrified to utter a word.
23:25They must have been following us.
23:30Did you see anyone follow you when you got off the boat?
23:35I am not an idiot.
23:37I talked to no one.
23:39Apart from Cornelius, but he wouldn't know how to fly.
23:43Cornelius?
23:44Another passenger.
23:45We got talking one day on the promenade deck.
23:47Three weeks is a long time.
23:49I was bored out my mind.
23:51What did you talk about?
23:54Him, mostly.
23:55He was a lovely man from Amsterdam.
23:58Oh.
24:00The men who tied us up had accents I could have sworn they were Dutch.
24:08When did you last speak to this Cornelius?
24:12We said goodbye when the boat docked in London.
24:15His brother was waiting for him.
24:17He was a funny fella tall with an eye patch.
24:21That's the man I saw.
24:24The man who no doubts now has our diamond.
24:38It is not my fault.
24:40Yes it is.
24:43I'm getting dressed.
24:51A one-eyed Dutch man shouldn't be too hard to find.
24:54The diamond is uncut.
24:56So the thieves will most likely seek an expert to help them value it.
24:59Someone who bridges the gap between the legitimate and the less legitimate sides of the jewellery business.
25:04And I know just the man.
25:06As do I.
25:08With respect, you have been out of London for some time.
25:10I still know people in the diamond trade.
25:12Oh.
25:13Such as?
25:18Anton Lyko.
25:19In prison.
25:22Harry Stein.
25:23In America.
25:24George Keane.
25:25In prison.
25:26In America.
25:30Have you seen my veil?
25:31That dress draws too much attention.
25:34You have to wear something else.
25:37I'm supposed to be in mourning.
25:39Surely you have something a little less conspicuous to wear.
25:45And you're sure that's the most inconspicuous dress you have?
25:48How many times?
25:50Yes.
25:51Where are we going?
25:52See my friend, Mr. Zakov.
25:53He'll be able to help us.
25:55I still don't understand why we just don't go to the police.
25:57I'm sure you went through this with Mr. Nash.
26:00If we declare the import of a valuable item such as a diamond,
26:02that valuable item will be liable to custom an excise duty.
26:08We'll tell the police we get less money.
26:12Why didn't he just say that?
26:16I don't think Mr. Valentine likes you.
26:19It's just Moses.
26:21Oh.
26:27No.
26:28I've heard nothing.
26:29If you'd just let me explain a little more, Mr. Zakov.
26:31I'm busy.
26:32I have customers.
26:33It's an uncut diamond from Venezuela.
26:37Is she with you?
26:39No, no, no, no.
26:40That won't do at all.
26:41It makes your neck look fat.
26:44I'm afraid so, yes.
26:46We believe it to be in the region of 100 carats.
26:49She's upsetting my customers.
26:51Why don't you try something that doesn't make your skin look so blotchy?
26:54Excuse me.
26:56If you're not buying anything, then please leave.
27:07Why is he staring at me?
27:09He does that sometimes.
27:11And if I could leave you my calling card,
27:14then perhaps you could contact me if you hear anything?
27:17I want all three of you out of my shop.
27:19Now.
27:25He knows something.
27:26If he knew something, he would have told me.
27:27He's lying.
27:28I can't see it in his eyes.
27:29So what do we do now?
27:30Leave this with me.
27:31I'll see you at the office.
27:32You hungry?
27:33It's perfect for Lady Jenkins.
27:34It's perfect for Lady Jenkins.
27:35It brings out the color in your eyes.
27:36I can't see it in his eyes.
27:37I can't see it in his eyes.
27:38So what do we do now?
27:43Leave this with me.
27:44I'll see you at the office.
27:46You hungry?
27:47It's perfect for Lady Jenkins.
27:48It brings out the color in your eyes.
27:49And might I also suggest...
27:52Oh.
28:13No.
28:14Oh no.
28:15Come on, white gentlemen.
28:16Oh no.
28:17Hey, come on.
28:18They can't be in here.
28:19here to eat. There might be some time. There's a lot to get through. Lady Jenkis. Lady Jenkis,
28:24please. Go. Go after them. Tell them to leave. Now. I could ask them, I suppose,
28:34if you tell me about that diamond. I told you I haven't heard of it.
28:41Then I'll bring them back here every day for breakfast.
28:45Lunch and dinner. They got plenty of friends, too.
28:55All right, fine. I did hear something.
29:08Half the jewelers in London know about that stone. They're all on the lookout for it.
29:12Our friend Mr. Zacco didn't know where it was or who was it. But he told me one thing.
29:20And it's troubling.
29:23What?
29:25He's known about it for weeks.
29:29Weeks? When he got off the boat yesterday.
29:33He said he first heard about the diamond coming to London on March 27th.
29:39His mother's birthday. That's how he remembered.
29:42That's the day I got on board the ship.
29:46There are telegraph wires all across the Caribbean and the Atlantic. A message could have been sent to
29:50London in seconds.
29:54Who else knew you were coming to London apart from Nash?
29:59For the last time, no one.
30:03Look, I don't know what's going on either. I wish I never got involved in any of this.
30:07Oh, I need some air.
30:18Do you trust her?
30:19No.
30:24We spent the rest of the day going round every jewel and diamond trader in London.
30:30They'd all heard of it.
30:31But none of them had seen it.
30:35Moses.
30:36Your hand.
30:38It's nothing.
30:40Let me see.
30:54Needs cleaning and a fresh bandage.
30:56It's nothing.
30:57If you bleed on that rug, you'll have Ivy to deal with.
31:00Or worse, Barnabas Pops.
31:02Very well.
31:06If he moans about me, arrest him.
31:18Is this where you order me to leave?
31:21And tell me she doesn't need this kind of trouble?
31:26Why would I do that?
31:28Just a guess.
31:30Based on past experience.
31:33From what I hear, you've helped her out a number of times over the years.
31:38She talks with you often.
31:39The good things, I hope.
31:42We'll see.
31:42How is she?
31:53Well, I believe business is going well.
31:55She has many cases, not just from Scotland Yard.
31:57I meant, is she happy?
32:00I'm not the best person to ask.
32:01I'm not the best person to ask.
32:03Yes, you are.
32:08I have eyes.
32:09But I'm a man who keeps his observations to himself.
32:19Yes, she's happy.
32:23At least I hope she is.
32:25Here we are.
32:30Not only bandages, but a tincture of iodine.
32:33One of the benefits of living with Barnabas Pops.
32:35The medicine cupboard is always well-stocked.
32:43Here I am.
32:44We spent all day asking around about the diamond, but we didn't learn anything new.
32:52So we went back to Clarence's lodgings.
32:55That's when things went from bad to really bad.
32:59I'm going to lie down.
33:04I'll make us some food.
33:06You can go.
33:07I used to work in the kitchen in prison.
33:09It was either that or hard labor.
33:14Oh my God.
33:14What is it?
33:15Well, surely Mr. Nash told you I spent time into this.
33:20Cornelius.
33:23The man he met on the ship.
33:24He's got something in his hand.
33:27That's the dead body.
33:28He's in my lodging room.
33:29This is bad.
33:31This is very bad.
33:38Well, why would they kill him and leave the diamond?
33:41Because they're trying to free him ass.
33:51Is there a back entrance to the building?
33:53Yes, why?
33:54We need to go.
33:56Now!
33:58This place will do for tonight.
34:10I know the landlord.
34:14He'll keep his mouth shut.
34:15So would I if I owned this place.
34:17They were rats on the stairs.
34:20I don't know what's worse.
34:20The fact that I'm now a fugitive.
34:22That I'm about to sleep the night in a room infested with my worst nightmare.
34:27What is going on?
34:41Do not insult us by seeing you don't know.
34:46I'm no widow.
34:58I'm no widow.
34:59Patrick Nash and I met at the horse races in Singapore.
35:09We hit it off immediately.
35:10Not very good at pardoning rich people from their money.
35:13You're a confidence trickster.
35:14I'm a business woman.
35:18Patrick and I teamed up together and we traveled the world.
35:22We ended up in Venezuela.
35:24Where he won the diamond mine in a game of cards.
35:27Well, the owner, he couldn't wait to get it off his hands.
35:29He hadn't found anything in years.
35:31I thought it was a waste of time, but Patrick stuck in it.
35:35And six months later, we dug up a hundred carat diamond.
35:40The luck of the Irish.
35:41Well, the plan was to get on the next boat to London and sell it,
35:44but word started to spread.
35:47Whole area full of diamond hunters, including the gang from Amsterdam.
35:54The man who robbed us.
35:57We knew someone would tell them, so we hatched a plan.
35:58One. Two diamonds.
36:02One real.
36:04And one fake.
36:07This is the fake.
36:10A skilled dealer could tell the difference,
36:11but only under close examination to the naked eye.
36:14It looks completely real.
36:17So after they robbed us, the gang must have spotted it was a fake
36:21and killed this Cornelius as a punishment.
36:23On the boat over, I let Cornelius see this fake one in my bag,
36:29accidentally on purpose type thing.
36:31I needed to look stupid enough to do something like that,
36:33so hence the Merry Widow Act.
36:35When the boat docked in London, he pointed me out to his mate with the eyepatch,
36:43and I knew they would rob me at some point.
36:46So where is the real diamond?
36:50I gave it to Edmund.
36:53Who's Edmund?
36:56He was posing as the cab driver.
36:58He met me off the boat.
36:59It's all right.
37:00Get with me.
37:01I kept the fake diamond in my hand luggage and slipped the real one into Edmund's hand.
37:07See?
37:08No harm done.
37:10The plan was for Edmund to lay low for a few days until the coast was clear.
37:13We thought by the time the Dutch gang had got back to Amsterdam,
37:17realised it was a fake, well, we'd be long gone.
37:19So why didn't you tell us what your plan was from the beginning?
37:24Patrick thought the fewer who knew, the better.
37:26So if this Edmund has the real diamond, where is he now?
37:36He was meant to send me a telegram of where and when to meet, but I haven't heard from him.
37:41And you've no idea how to contact him?
37:45Not a clue.
37:50This Edmund wasn't really a cab driver.
37:52Florence knew he rented a horse and carriage, so we went round every cab rank near the docks.
37:59After a couple of hours, we found a cabbie who shared some information with us.
38:06After some financial persuasion from Clarence.
38:09Some hefty financial persuasion.
38:11I bet Clarence wasn't happy about that.
38:14No, he was not.
38:15So what did this cab driver tell you?
38:16That he loaned his right to a man matching the description of Edmund.
38:20He said when Edmund returned the carriage, he asked the cab driver to drop him at a pub called
38:27The Fisherman's Friend.
38:29A pub with lodging rooms above it.
38:38Well?
38:38The landlord said he left early this morning.
38:42Something must have happened.
38:42Edmund would only divert from a plan if he was being followed.
38:45I double-crossed you.
38:46I have an idea.
38:47Edmund would never double-cross me.
38:48For this kind of money, anyone would.
38:50Send my idea.
38:51You don't know what you're talking about, Mr. Valentine.
38:52I know enough.
38:55He's my father.
38:59Didn't know that, did you?
39:01Does anyone want to hear my idea or not?
39:04What?
39:05You said he meant to send you a telegram.
39:10You two head back.
39:11I'll investigate.
39:24Sorry.
39:35If I'd been straight with you from the beginning, we could have come up with a contingency plan.
39:41Yes, we could.
39:43Patrick said I could trust you.
39:47But I hadn't met you, so I couldn't be sure.
39:51You would have done exactly the same.
40:00Patrick Nash doesn't trust anyone.
40:05Not even his sons.
40:06We trust you and Clarence.
40:13And her.
40:15Her?
40:19Eliza Scarlet.
40:23What's she like?
40:25He goes on about her so much, about how clever she is.
40:29Is she very beautiful?
40:30She's just Eliza.
40:41Nash and Eliza are good friends.
40:44None more.
40:49Moses.
41:00Edmund sent a telegram to the office.
41:03It was signed for by a tall gentleman with an eyepatch.
41:07What did the message say?
41:09Grenville Street Market, five o'clock.
41:12So we know where to meet him.
41:15Problem is, so do they.
41:18Grenville Street Market is a stone's throw away from Hatton Garden.
41:31It's a busy area.
41:32A good place to meet and hand over the diamond.
41:34My father's a clever man.
41:36He's a dead man if you don't get to him first.
41:39Our Dutch friends will be waiting for him too.
41:41We're five hours before the meet.
41:44Any suggestions on how we get the diamond, save Edmund's life, whilst avoid being killed ourselves?
41:57First things first.
41:59We need to blend in.
42:01And be less.
42:03Conspicuous.
42:04Clarence.
42:11How much money have you got left?
42:24Clarence.
42:25Clarence.
42:26Clarence.
42:27Clarence.
42:28Clarence.
42:29Clarence.
42:30Clarence.
42:31Clarence.
42:32Clarence.
42:33Clarence.
42:34Clarence.
42:35Clarence.
42:36Clarence.
42:37Clarence.
42:38Clarence.
42:39Clarence.
42:40Clarence.
42:41Clarence.
42:42Clarence.
42:43Clarence.
42:44Clarence.
42:45Clarence.
42:46Clarence.
42:47Clarence.
42:48Clarence.
42:49Clarence.
42:50Clarence.
42:51Clarence.
42:52Clarence.
42:53Oh, my God.
43:23Run.
43:53Help, police, help, help.
44:02Help, police, help, help.
44:05Help, police, help.
44:11Get your hands off me.
44:12Get your hands off me.
44:14Get your hands off me.
44:15Get your hands off me.
44:17Get your hands off me.
44:19All right.
44:20Come here.
44:21Come here.
44:22Move out of the way.
44:23Move out of the way.
44:24Come, please.
44:25Come.
44:26Come.
44:27Come.
44:28Come.
44:29Come.
44:30Come.
44:31Come.
44:32David.
44:33Come.
44:34Come.
44:35Come.
44:36Come.
44:37Come.
44:38Come.
44:39Come.
44:40Come.
44:41Come.
44:42Come.
44:43Come.
44:44Come.
44:45This all happened today?
44:46The Dutch gang were arrested and taken to Bow Street.
44:56Where's Clarence?
44:58At a boarding house with Clarence and her father.
45:02He can't go home.
45:05There's a small matter of a dead body that was found in his lodgings.
45:10Which is why you sent for me.
45:14I need you to vote for him.
45:19And for me.
45:24And what of the diamond?
45:27You sold it?
45:32A satin parasol from Paris.
45:34And a fan made from a finest lace.
45:37Oh.
45:38And perhaps one of those little French poodles.
45:40So sweet.
45:44And definitely a new hat and gloves.
45:46Silk, of course.
45:47And a carriage.
45:48My own driver, obviously.
45:50Oh, and a telephone for Patrick.
45:52He knows all about them.
45:54And you?
45:55What will you spend your cut on?
45:59This and that.
46:00What does that mean?
46:03It means what it means.
46:05Patrick was right.
46:06You're a man of few words.
46:08Words get you into trouble.
46:15Well?
46:18How much?
46:19I warn you.
46:20We will go elsewhere if you insult us with anything less than its market value.
46:27It's a fig.
46:30It's a good job for Nash that he's three toes in my Zoe.
46:40When I get a hold of him.
46:43And Carvins isn't happy either.
46:45He spent a fortune on bribes, mourning dresses, and hiring actresses to wear them.
46:50Why would Nash give you another fake diamond?
46:55Maybe there never was a diamond.
47:00Maybe someone swapped the real one for a fake on the boat.
47:03Either way, it's been a waste of time.
47:05Gosh.
47:06I wish I'd known all about this.
47:08Especially what happened with Clarence.
47:09But of course I've been away at the seaside.
47:10Southampton's very pretty this time of year.
47:12Full of visitors, so I was lucky really to find a small but clean hotel with a sea view.
47:18I took in the air, walked the length of the pier, then went to the port to watch the arrival of a steamship.
47:37It has just crossed the Atlantic from Caracas and Venezuela.
47:49There are two ships that arrive from that part of the world each week.
47:52One goes to London.
47:54The other to Southampton.
47:57Which is where I met Patrick Nash.
48:00And that's when he gave me this.
48:13A hundred carat diamond.
48:16With legal documentation.
48:19And full provenance.
48:22I'll be going to Haddon Garden tomorrow to set it on behalf of Patrick and his business partner.
48:26They will take the lion's share.
48:28But Clarence, myself, and of course you, Moses, will receive a large fee.
48:36Patrick asked me to apologize on his behalf for the deception when he said you'd understand.
48:43Only when I see the money.
48:47I'd be most grateful if you would accompany me to Haddon Garden tomorrow.
48:52I'll have to check my diary.
48:56You are astonishing.
49:02She is indeed.
49:07I think.
49:17To Patrick Nash.
49:19Patrick Nash.
49:20Patrick Nash.
49:21I've got a boat to catch.
49:22I'll see you out.
49:23Moses.
49:24It's been a pleasure to work with you.
49:25Likewise, Clarence.
49:26Clarence.
49:27Any message to Patrick when I see him?
49:29Oh, I have plenty to say to Patrick Nash.
49:30But for now.
49:31To Cinemarish.
49:32To Cinemarish.
49:33I've got a boat to catch.
49:34I've got a boat to catch.
49:35I'll see you out.
49:37Moses.
49:38Moses.
49:39It's been a pleasure to work with you.
49:41Likewise, Clarence.
49:42Moses, it's been a pleasure to work with you.
49:48Likewise, Clarence.
49:51Any message to Patrick when I see him?
49:55I have plenty to see you to Patrick Nash.
49:58But for now, just in my regards.
50:05Wish you could stay a while longer.
50:08If Hardy had time to talk.
50:10Not that you ever tell me anything.
50:12I'm going back to Paris to be with my wife.
50:21She's expecting a baby and indeed.
50:23That's why I gave enough drinking.
50:25You have a wife and a baby on the way.
50:28Why have you not told me this before?
50:29You never ask.
50:34If you need me, this is where to find me.
50:39Careful with it.
50:40People would pay good money for that information.
50:44Right.
50:48Miss Scarlett.
50:49Mr. Ballantyne.
50:56Eliza.
50:58Inspector Flake.
50:59Just in time for a glass of champagne.
51:02I can't stop for long.
51:04The Dutch police are on their way.
51:07Apparently, the thieves are wanted in connection with the whole raft of other crimes in Amsterdam,
51:10as well as the murder of their colleague here.
51:13Even more reason for a glass of champagne.
51:18What?
51:18I assume the elderly aunt you were supposedly visiting doesn't exist.
51:25You assume correctly.
51:30Don't you trust me?
51:32Of course I do.
51:34Then why lie?
51:38Client confidentiality.
51:39You of all people should understand that.
51:41That champagne is getting glad.
51:49Come on.
51:50What is typical foresight?
52:13Brace yourself.
52:14You're about to discover.
52:15Something rather exciting.
52:20What more does one need?
52:22How splendid.
52:23And it will be all that you've dreamed of.
52:34And more.
52:42Who's that from?
52:43Someone rather surprising.
52:44I want to hire you.
52:46So I assume this case is highly confidential and no one must know.
52:49If we're to be together, you can't keep hiding things from me.
52:51Put your weapons down!
52:53You're stepping on my toes!
52:54We need to work together on this, Charlie.
53:23We need to work together on this, Charlie.
53:24We need to work together on this, Charlie.
53:25We need to work together on this, Charlie.
53:26We need to work together on this, Charlie.
53:27We need to work together on this, Charlie.
53:28We need to work together on this, Charlie.
53:29We need to work together on this, Charlie.
53:30We need to work together on this, Charlie.
53:31We need to work together on this, Charlie.
53:32We need to work together on this, Charlie.
53:33We need to work together on this, Charlie.
53:34We need to work together on this, Charlie.
53:35We need to work together on this, Charlie.
53:36We need to work together on this, Charlie.
53:37We need to work together on this, Charlie.
53:38We need to work together on this, Charlie.
53:39We need to work together on this, Charlie.
53:40We need to work together on this, Charlie.
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