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00:00Welcome to Zagreba! This is a play with the stars!
00:18Please, welcome to your guests!
00:21Duško Čurlić!
00:30To me, beloved audience!
00:37Wild audience and welcome to my studio!
00:38Thanks a Vulvan council!
00:40But today we come to see you in tudo!
00:42The value of Frau Kolegici, Barbari,
00:45for the remarkable year, not with us!
00:57I don't want to stay with me.
00:59I'd like to thank you so much.
01:01Karvelu Vukov-Colić!
01:11I'm here, I'm here, and I'm here.
01:13I'm here, I'm here.
01:15I'm here, I'm here.
01:17I'm here, I'm here.
01:19I'm here, I'm here, I'm here.
01:21I'm here, I'm here, I'm here,
01:23I'm here.
01:25I'm here, I'm here, I'm here.
01:27I'm here, I'm here, I'm here.
01:29I'm here, I'm here, I'm here.
01:33Giuliano i Marija Maričić.
01:42Ronald Braus i Ana Domisljanović.
01:52Mislav Čavajda i Petra Jerićević.
01:55Žana Mari i Damir Horvatinčić.
02:10Ornella Vištica i Marko Herceg.
02:13Sanda Dubravčić i Nikolas Kenoa.
02:14Sanda Dubravčić i Nikolas Kenoa.
02:15Iva Mihalić i Robert Šubert.
02:19Iva Mihalić i Robert Šubert.
02:29Iva Mihalić i Robert Šubert.
02:45Ja sam tu skroz nova i nisam baš neki veliki znalaz, duško moj, ali ja ti ne vidim da bi tu iko osim mene mogo ispasti.
02:51A ti vidiš ovih sedam parova, jel?
02:53Da.
02:54Ja ti vidim sedam prekrasnih dama u društvu svojih plesnih partnera.
02:59Večera ćemo sa nažalost morati oprostiti s jednom od tih dama i njegovim, njezinim, pardon, plesnim partnerom.
03:07A oko bježi na onu stranu, a tamo vidim Valentinu. Valentinu koja je plesala s Jankom.
03:14Kako je to meni bilo tužno kad ste vi ispali.
03:20Hvala vam lijepa i još jednom na svemu lijepom što ste nama, gledateljima, priuštili u ovom šou.
03:25A hvala i vama, dragi gledatelji, ne samo vama koji nas pratite putem maloga ekrana, hvala i vama koji nas pratite putem face.
03:31Vrlo erotičnu rumbu prošlo su subotu strastveno odplesali Giuliano i Marija.
03:42Giuliano onaj dio tako zvane face.
03:45Istojeće pozitivati.
03:46No kao no, radi rukama budi seksi.
03:48Ko je ikad bila seksi ovako?
03:50S obzirom da plešemo na Hipstone fly od Shakire, neće baš bit skroz karnevalska samba.
03:57Ovo je definitivna muzika puna ritma pa ćemo to kroz koreografiju probati pokazati.
04:06Ja moram priznat da sam tu dosta.
04:07To je zbokovi ne lažu, pratimo bokove Giuliana i Marije u sambi.
04:12Zambi.
04:19We got the refugees in here.
04:20No firepins.
04:21No firepins.
04:22No firepins.
04:23Shakira, Shakira.
04:25No je chico dance like this.
04:27She makes a man want to speak Spanish.
04:30Como se llama?
04:31Si.
04:32Bonita.
04:33Mi casa.
04:34Shakira.
04:35Baby, when you talk like that.
04:37You make a wonder man.
04:39Be wise.
04:41Keep on reading the sounds of my body.
04:44Oh.
04:45I'm tonight and I'm up to the line.
04:47I'm starting to be in your voice.
04:49And let's go.
04:50Real slow.
04:51Don't you see baby?
04:52How's it on the vector?
04:54Do you know I want to lie?
04:55And my head's full of lies.
04:57I'm starting to give it to you.
04:58Oh.
04:59Attraction.
05:00Intention.
05:01Don't you see baby?
05:02This is perfection.
05:03Oh boy.
05:04Can't you see your body moving?
05:06No burning out of man.
05:08I don't.
05:09Don't really know what I'm doing.
05:11But sit together.
05:12Man.
05:13My will and self-restraint.
05:15Have come to fail.
05:16Now fail now.
05:17See you do what I can.
05:18But I can't do that.
05:20I can't do it.
05:21How would you explain?
05:22Bail a la calle de noche.
05:24Bail a la calle de via.
05:26Bail a la calle de noche.
05:29Bail a la calle de noche.
05:30Bail a la de la calle de noche.
05:31O.
05:32I know.
05:33Don't do that.
05:34You see.
05:35You see.
05:36You see.
05:37You see.
05:38You see.
05:39You see.
05:41Baby, when you talk like that.
05:44You know you'll make it in the time.
05:45Say it's on me.
05:46Why?
05:47Say it's on me.
05:48Reading the sounds of my body
05:52No talking
05:54No talking
06:18I'll be sexy
06:19So, everybody, dear, is it Juliano Vicenet
06:21going up at this place
06:23sexy
06:27Praise
06:28Come back
06:29Do you know that i'm good at the stage
06:31Why do I'm a soren between a group of your own concerts
06:33I can see what you've got for
06:35What you've got from your own possessions
06:37Really, I'm waiting for you
06:38Mary, do you believe that this place is the flash of yourself
06:41I tried
06:43I tried
06:45I tried
06:46I did
06:47We'll see how the test is managed.
06:50Elio, good evening Elio.
06:51Good evening Elio.
06:52Good evening Elio.
06:53Good evening Juliano and Mari.
07:01Ronaldu i Ani, an interesting interview from the past episode,
07:05gave a great praise from the jury.
07:08We were super excited.
07:10We got the golden palm, Oscars and the golden arena for different categories.
07:15Anna, I have to admit that you always get excited,
07:19because you have a lot of fun.
07:21It's beautiful.
07:22You really have their own style.
07:25I think that we're always there somewhere around a good price.
07:27Let's see how it will be, we're very happy.
07:30Opened and satisfied,
07:31Anna and Robert are swimming in the world of Rome.
07:37It's going to be a circus, but there's a pause.
07:40There's a pause.
07:41There's a slow and slow points.
07:43It's a slow point.
07:44It's a slow point.
07:45No, no, he's a sibling.
07:46And it's a very small point.
07:47Another story is a little bit difficult.
07:48It's a time for the best.
07:49I really believe that you get there
07:51for the same time.
07:52It's a second time.
07:53It's a tough thing.
07:54It isn't a tough thing.
07:55It's a hard thing for us,
07:56it's a tough thing.
07:57It's still a tough thing.
07:58Where are you from?
08:00Where are you from?
08:02Rumba is a very sensual place. I would have to give it to her.
08:06I really need to talk about a male and female story.
08:09I think that we will talk about it quite well.
08:12We are in the stories very good.
08:28It is so hard to look at you.
08:38Maybe a sign that you are the person who I want from you.
08:50Every one of us is enough to show the wind.
08:58I am going to post the wind.
09:02You love me like the shadow.
09:07I love you, you love me, you love me.
09:09I love you, you love me.
09:12We are living and I.
09:15Kodina, onujna noć pokras sva od godira
09:20U meni sve gori, pod rukama tvojima
09:26Ja umirem sad
09:32Obećan i rad smo snagam valova
09:38Podivljali žar, napreli mustama
09:44To čarobno jutro u očima moj
09:50Kad tvoj sam zva
10:14Čija ideja bila plesiti na Ninu Badić rumbu?
10:21Petra i Mislav u prošloj su emisiji pokazali pravu filmsku rumbu
10:25Konačno Merlinka i Bond ujedinjeni
10:28James, bilo je odlišno
10:30Prepali su se suci reći nešto loše jer smo bili toliko opasni
10:35Ja sam malo se bojala kao še koga ubiti, ali dobro je završilo kad ste tu pred nama
10:40Meni je stvarno bio gušt plesito
10:42Pohvalit ću vas kao koreografa
10:44Da sad mi je ovo bio najveći gušt za plesa definitivno
10:50Ovoj tjedan ologe su dijelili na bikove i toreadore
10:54Iako nisam ljubitelj koride kao takve
10:57Ali ljud će postati veliki, veliki
11:00Plesnom i tekako
11:02Ne, uvijek ja umirem, nikad još ja umirem
11:05Sad ja vam fražam, zadnji mači goto
11:08Svaki tjedan sa tom novom vrstom plesa dođe i nova vrsta stresa
11:12Ne, pa samo glumi bika, trči po dvorani
11:16Ali nam je bitno da bude što bolje i onda si neizbježeni stres u toj situaciji
11:20BAM!
11:22Sad već dolazimo do nekog nivoa gdje ja s njim mogu komunicirat s nekim plesnim riječnikom
11:30A je, uživio sam malo previše
11:32Meni je onda bitnije da se gleda koliko neko radi na sebi, a ne u principu koliko je neko popularan
11:40Da tam ani da smo deset sati u dvorani ne bi mi bilo teško, nek mi je uvijek ugodno i zabavno
11:46A ti me ne zabavljaš, svaki dan me zabavljaš
11:48Sada ćete vidjeti, mača, gauča!
11:52Ne treba nam i dobitost da shvatimo da slijedi nešto sjajno
12:00Pa su doble u izvedbi Mislava i Petre
12:04Mislava i Petre
12:34Rekla
12:36Rekla
12:38Rekla
12:40Rekla
12:42Ir
12:44I'm going to sing with you, I'm going to sing with you.
13:01My fortune, I'm sorry, I'm sorry.
13:07Pusperitatis vario, flore coronatus
13:13Quis, quinn, eni, flori, felix e beatus
13:20Nunca su loco, rui, gloria privatus
13:28Quis, quinn, eni, flori, felix e beatus
13:35Nunca su loco, rui, gloria privatus
14:05Slobodo, slobodo Viknice, slobodo Viknice, bravo
14:17Dravi gledajte, ovo je zaista bilo nešto sjajno i nešto posebno
14:22Misle, misle sam prošloga tjede nakon onog Jens Bonda da ne može bolje
14:26Ali ovo je zaista bilo sasv, sasv posebno
14:29I publika spravo, spravo Viknice, bravo
14:32Jeli glumce u ovaj pasu dobile posebno zanimljiv ples?
14:36Je, je, je, ima safta
14:38Ima safta o njemu stvari
14:40Pidam ti to i zbog toga prošle godine kolegica tvoja Ana Begić koja je stala već enas ovdje
14:44Ovdje također je plesala latinsko-američke plesove, uživala je u njima
14:51Petar, te mi svaka čast, potovo na prošlom tjednu kad si jedna stajala i plesala
14:55Odahnite vi, dragi ljudi, sredite emocija
14:59A mi idemo čuti ole, žiri, idemo čuti našo
15:02Davore, vi ste prvi
15:04Nisam, ali mogu
15:05Nisam, ali dobro, prostit ću
15:08Ljudski, ovoga, reći nešto lijepo
15:11Misla, u početku sam malo bio zabrinut jer
15:15I muzika i onaj stil me podsjećao malo na redovnika, nekog na Tibetu
15:21Tako da je bio neobičan Pasodobla
15:24Sve mi se jako sviđalo
15:26Posebno bih pohvalio
15:28Pasodobla je plesač gdje je muškarac taj koji treba vojiti glavnu ulogu
15:32Partnerica je tu da neke stvari dopuni za razliku od rumbe
15:35I to ste super odigrali
15:37Ono što bih ja malo dodao što može biti još bolje
15:40Pozicije su nekada bile malo prestatične
15:42Hvala vam je malo onog šejpa
15:44Ako to stavimo u koridme onda
15:46Bik bi se ili morao prestrašiti ili bi vas pobrao
15:49Tako da
15:50Ali je bilo jako dobro
15:52Hvala. Hvala lijepo Davore, do vaših riječima
15:54Komentar
15:56Nisam, nikom nećemo davati
15:58Znači niste vi Davore bili prvi, ja prostite, molim vas
16:02Niste vi bili prvi
16:04Dinko Davore, Elio
16:06Dinko sad ste vi
16:08Dinko izvolite
16:10Bez obzir na redoslijed ko je prvi, ko je drugi, ko je treći
16:14Znamo da je to najdramatičniji ples latino
16:16I moram još i pohvaliti vas da se to i vi pokazali
16:20Teatralno
16:22Mi je to jedna od najdražih koreografija koje sam vidio u Karminu Boranu
16:26A u svom poslu sam već
16:28Dosta dugo godina
16:30I
16:32Mogu reći da je koreografski
16:34To je vrlo jako
16:36Da je to stvarno ideja
16:38Kao ideja i ta koreografija
16:40Može sutradan biti pokazana na nekom baletnom gala večeri
16:50Kažu u knjizi da koraci moraju biti reski brzi što su bili
16:56Prsa moraju biti i šturena i podignuta šta je bilo
17:00Ramena su bila otvorena i kod jednog i kod drugog
17:04I glava je podignuta i naglašava arogantnost i dostojanstvo
17:09I vi ste to sve lijepo pokazali
17:11Hvala lijepa Dinko na vašim riječima
17:13Moram obavezno spomenuti Karmina Boranu koju smo ovdje uživo čuli
17:17Tevaju naše sjajni glasovi i svira naš band zvijezde
17:21Hvala puno srano
17:23Elio!
17:24Absolutno
17:25Elio izvolite
17:26Evo šta bi ja rekao za ovaj mladi par ovdje
17:30Mislavu očito sve leži ne?
17:32Mislim
17:33Ali ovaj stil i onaj
17:35Lijepo ste se stavili ulogu Toreadora
17:39Toreadora
17:41Vidim da radite na sebi
17:43Mogli bi biti dobri ulozi gladiatora
17:47Što ne?
17:49Dobro, glavno da smo Mačo Gaučo prešli
17:53Da, sad smo na gladiator
17:55Pa ono, mislim ima tih mišića
17:57Dakle
17:58Skopilo se
17:59Da, skopilo se
18:00Prvi dio kod uvoda u Pasadobel je bilo fantastično
18:06Da ste recimo pokazali upravo
18:08Trodimenzionalnost pokreta tijela recimo kod Matadora
18:14Koji
18:15Dakle
18:16Simbolizira
18:17Dakle
18:18Kroz ples simbolizira se ta
18:20Korida, taj bullfight
18:22I jasno da Toreador mora uvijek biti tijelom
18:26Ne ide malo dalje
18:28I rukama i gornjem dijelom tijela
18:30Da bik kao recimo jedna jaka životinja
18:33Da ga ne bi povrijedila ili maknula sa terena
18:37To je bilo super u početku
18:39Međutim kasnije kad ste počeli plesat kroz koreografiju
18:42Kroz razne one figure koje imate
18:44Tu ste bili poprilično ravni
18:46Ajmo reći neutralni
18:47Dakle izgubili ste onaj
18:48To što je rekao Dinko
18:50Izgubili ste taj gornji dio posture
18:53Koji recimo i dalje
18:55Znači u Pasadolu bih tijela zadržati do kraja
18:57U nekim segmentima više i u nekim manje
19:00Ali evo
19:01Davor je to rekao
19:03Davor je to rekao
19:05Sve u svemu vaša performansa je bila vrhunska kao i sve ove do sad
19:12Hvala lijepa Elio
19:13Hvala lijepa na vašim riječima, na vašem komentaru
19:15Podahnuli jeste
19:17Spremli ste gore na svoji kolega, gore na čega Karmela
19:20A mi ćemo vas naravno pljeskom ispratiti s ove naše pozdranice zjajni što bili
19:24Petra Jeričević i Mislav Čavajda
19:29U sasvim posebnom pasodoblju
19:31Ovdje na našoj pozdranici plesa sa zvijezdama
19:34Kakav ples, kakav par, kakve emocije
19:43Mislavi ja se tebe malo bojim, to mi se rijetko dogodi
19:45Ali s puno strah opoštovanja sam se gledala
19:47Nemo, ja stvarno molim publiku da
19:50Nama se zaredalo par
19:52Jako dramatičnih plesova
19:54I ovo isto ja znam da izvana izgledamo ovako malo ko kriminalaca
19:58Ljudi, tako mi je pala karta
19:59Tako da nemojte me osuđivati tako
20:01I pričekajte molim vas sljedeće emisije
20:03Gdje ćemo biti puno, puno veseliji
20:05I nadamo se da ćemo vas uspjeti i to tako zavaditi
20:07To je skroz pozitivan onaj oblik straha
20:09Ali čini mi se kako se zagužvala konkurencija
20:13Da ste vi izvukli teško naoružanje
20:15Karmina Burana pa su doble
20:17Ko je biro?
20:19Ko je biro?
20:20Zajedno, zajedno smo biro
20:21E sad me samo još jedna stvar zanima
20:23Kad u ovom šovu prestane muskul fiber?
20:26Do sada ne još
20:28Mislim da će ovo biti najljepši božić definitivno
20:31Ikada u životu jer ću se stvarno
20:33Mislim opustiti moje tijelo također
20:35Neće se do tada oporaviti
20:37Znam, da
20:38Dobro muskul fiber ne prestaje u ovom šovu
20:40A prestaje li kad se bavite profesionalno plesom?
20:42Ne
20:43Znači non stop ste bolni, jadni
20:47Mi volimo bolni
20:49Možda će popraviti to naš žirisat
20:51Oni su divni, dragi, nježni ljudi koji će dati takve lijepe ocjene
20:56Gledamo ocjene za pas od oble koje su Petra i Misla pokazali ovdje na pozornici
21:01Elio
21:02Deset
21:03Gospodžo Milka
21:06Dinko
21:08Desavore
21:13Dobre, dobre, dobre, dobre
21:15Gdje sam rekla?
21:16Divni, dragi ljudi, jeste zadovoljni
21:18Da sad su vam svi
21:19Prošle subote, Žana Marie i Damir topili su san Teleda na plesnom epodiju
21:30Preživjeli smo Titanic, ljubav je preživjela
21:36Vaš ples je stvarno bio senzualan, senzibilan
21:39Vam bilo je lepdeće
21:41Koreografski je to bilo dirljivo i Milki su došle suze na oči
21:45Iznenadila me ova devetka i to od čovjeka koji nas je u početku nekako najkritičnije gledao
21:51Znači zaista mislim da je ovo vaš najbolji ples
21:54U plesnu dvoranu ovaj su tjedan ušli uz vruće ritmove sambe
22:00Znači prvo uputstvo na početku tjedna je bilo kao Žana moraš poludit, sad get your freak out, bla bla
22:07Samba je dosta bounce akcija, znači puno rade koljena, moraju biti meka na koljena
22:12Zapravo je cijeli tjedan sam u Brazilu doslovno, skupan Damirom, već sanjam Brazilu
22:18Samba je vesel ples koji mora prenijet emociju sreće
22:24Da bi izvela bilo koji je od ovih plesova dobro, moram na neki način žrtuvati jedan komadič same sebe
22:30Izbaciti i ostaviti po strani
22:32Imamo osjećaj da je vesela kad ju pleše
22:35Sam taj trud i kontrola i sve zajedno se na kraju isplati kad vidiš kako si odplesao i kad vidiš da je to stvarno lijepo
22:43Meni je jako zanimljiva koreografija ali ima dosta promjena smjerova
22:46Kad drugi ljudi uživaju u tome i ono kažu ti bilo je super onda osjetiš zaista da je se trud isplatio
22:54Ovo je bio performans svih vremena
23:00Njihov izazov zove se Samba, uživat ćemo uz Žana Mari i Damira
23:06Black Machine is Jazz Machine
23:16Black Machine is Jazz Machine
23:20PolitPI
23:30Nebim uporbanje
23:32Nebim uporbanje
23:36Black machine is jazz machine
24:03Black machine is jazz machine
24:06Black machine is jazz machine
24:08Black machine is jazz machine
24:12Black machine is a jazz machine
24:42Black machine is a jazz machine
25:12Black machine is a jazz machine
25:14Black machine is a jazz machine
25:16Black machine is a jazz machine
25:19After Ones and Inks
25:23You can tell the distance of my vocal cochlexors
25:25Jean-Marie.
25:26Jean-Marie.
25:27Jean-Marie.
25:28Yeah.
25:29I think you didn't listen to Damir.
25:30Yes.
25:31I looked at it.
25:32It was a choreographie, or?
25:33Yes.
25:34Yes.
25:35Yes.
25:36Well, this is the same.
25:39Samba is a rhythm.
25:42Samba is a rhythm.
25:44Samba is a rhythm.
25:45It's a rhythm.
25:46It's a rhythm.
25:47It's a rhythm.
25:48It's a rhythm.
25:49It's a rhythm.
25:50It's a rhythm.
25:51I haven't experienced it as a rhythm that blows me a little.
25:57It's a rhythm.
25:59It's like when music plays in pause.
26:01It's always plays a bit easier than when it's performance.
26:03In pause, they play along slow.
26:05It's an animated voice.
26:06It's not a rhythm in the whole story.
26:10The body has a little bit more energy,
26:13a little bit more, to every Botafogue,
26:15where you have a fist over his head.
26:17There is no pelvis.
26:19Pelvis, he has to work up and down. It's been a bit static, I think that Damir knows.
26:27Could it be better compared to your skills that you can show?
26:34It's been a bit like that.
26:40It's been a bit like that.
26:42Thank you, Elio. Thank you, Elio.
26:45We can continue.
26:46Mrs. Milka, please.
26:48My word is not so strict, but the meaning is the same.
26:53When I wanted to save the situation,
26:58I wanted to go for a little bit,
27:01then it was.
27:02Then it was again.
27:03So I didn't connect.
27:05I agree with my colleague.
27:07I understand what he said,
27:08but it's not my word, so I wouldn't say that.
27:11Thank you, Mrs. Milka.
27:13Davor, explain to me.
27:15What?
27:16What?
27:17What?
27:18What?
27:19What?
27:20What?
27:21What?
27:22What?
27:23What?
27:25What?
27:26What?
27:27What?
27:28What?
27:29What?
27:30What?
27:31What?
27:32What?
27:33What?
27:34What?
27:35What?
27:37What?
27:38What?
27:39What?
27:40What?
27:41What?
27:42What?
27:43What?
27:44What?
27:45What?
27:47What?
27:48What?
27:49Am I?
27:50What?!
27:52with rhythm and music.
27:56I would never have to say that it wasn't quite dynamic.
28:01For me it was very clear.
28:04I feel like in the elements of sambe, Fota Fog, and other things
28:07there was a little weakness and weakness,
28:09there were only positions,
28:11but I don't feel like it was so bad.
28:13Okay, thank you, Dabar.
28:15We will see it in the audience.
28:17For this session, Dinko, I left you for the end.
28:21Thank you very much.
28:23The whole choreography and her way of putting it into the play,
28:29the beginning, the end, the end, the...
28:33the...
28:34the...
28:35the...
28:36the...
28:37the...
28:38the...
28:39the...
28:40the...
28:41the...
28:42the...
28:43the...
28:44the...
28:45the...
28:46the...
28:47the...
28:48the...
28:49the...
28:50the...
28:51the...
28:52the...
28:53the...
28:54the...
28:55the...
28:56the...
28:57the...
28:58the...
28:59the...
29:00the...
29:01the...
29:02the...
29:03the...
29:04the...
29:05the...
29:06the...
29:07the...
29:08the...
29:09the...
29:10the...
29:11the...
29:13...
29:16Yes,
29:17the...
29:18that...
29:20the...
29:21Eight.
29:22Dinko?
29:23Seven.
29:24And Davore?
29:25Seven.
29:28I don't think it was good, but it wasn't really fun.
29:33Look, it was great when it was 40.
29:43Ornella and Marko, last week, had been playing tango for fun.
29:48Yes, 40. Is that the first time? I don't know.
29:51This is the season.
29:5240.
29:53Yes.
29:56Tango is playing. You all are elegant.
29:59I am in awe.
30:00I don't know where I am, but I am in awe.
30:03Two of them playing like one.
30:06Great comments and評評 on the end of all.
30:09It was so great to play.
30:10Tango is not only in your legs, but in your body.
30:18After the holiday in the summer, they came back to the palace.
30:21Now I am a snake.
30:23A snake snake.
30:25A snake snake.
30:26A snake snake.
30:27A snake snake.
30:28A snake snake.
30:29A snake snake.
30:30A snake snake.
30:31A snake snake.
30:32A snake.
30:33A snake.
30:34That's what it's called.
30:35Once the new M прим too.
30:36A snake snake.
30:37Yes, I do not care for sure.
30:38A snake snake.
30:39and that's more complicated, more complicated.
30:44We want to make a sense of the picture and express the sensual of the ples.
30:50We have a lovely partner's relationship,
30:53and I hope that it will show you through the ples.
30:58The connection between two people is very important in the room,
31:01and also very important in the room.
31:04The next is a snake in the room.
31:09The high expectations from two people,
31:15with the highest values,
31:17the rumbu ples,
31:18Ornella and Marco.
31:39Watching hell, strolling the night.
31:45So I'm wondering why it's only after dark.
31:55Ah, great, I know.
31:56Well, it's not y έ
32:06Burning, burning in the flame
32:21Now I know her secret name
32:26You can tear her temple down
32:31But she'll be back and I'll roll again
32:36My heart, a deep dark and lonely part
32:48Wants her and waits for after dark
32:55After dark, after dark
33:01After dark
33:03After dark
33:07After dark
33:09After dark
33:11After dark
33:13After dark
33:15After dark
33:17After dark
33:19After dark
33:21After dark
33:23After dark
33:25After dark
33:27After dark
33:29After dark
33:31After dark
33:33After dark
33:35After dark
33:37After dark
33:39After dark
33:40After dark
33:41After dark
33:42After dark
33:43After dark
33:44After dark
33:45After dark
33:46After dark
33:47After dark
33:48After dark
33:49After dark
33:51After dark
33:52After dark
33:53When I was
33:54I was
33:55I
33:56I love rum
33:57I love rum
33:59I love
34:23It's just something that's interesting.
34:25Just before we hear it, please.
34:28Anica Martinović, or Anica Kovac,
34:31you've watched the previous episode here.
34:33What were your advice for Aničini to be here?
34:36That I don't lose my faith in myself.
34:39Anica, a great welcome from our studio.
34:42Thank you for being here.
34:44I don't know where this is coming from.
34:47We'll do it later.
34:49We'll do it later.
34:51We'll try it.
34:53We'll try it later.
34:55We'll try it later.
34:57We'll do it later.
34:59We'll try it for you.
35:01We'll try it later.
35:03You said,
35:05I don't know what to say,
35:07but it's a second time.
35:09We'll talk to you again later.
35:11But we'll talk to you later,
35:13because you've been so long,
35:15you've been so long,
35:17two notes and now you are trying to make a tango.
35:21You said, the tango is the best, now you are the best.
35:24It's a good sign.
35:26I'm going to put it in a little bit.
35:31It's not an accident that you have to name it,
35:34because you are doing it with me.
35:37You are doing it well,
35:39you don't have to say that there's a lot of notes and so forth.
35:43So you said, I'm going to put your words in your way.
35:45Okay, do.
35:47You're going to put your words in your way.
35:48Your text is good.
35:50You don't need to say just what you think.
35:53Thank you, Mrs. Milka.
35:55On your comments, we are really enjoying it in your comments.
35:58We have a mentor, Mark.
36:00Dinko, you have shown a very nice smiley place
36:05that I was very happy.
36:08I can't say anything bad, because it was good for me.
36:18It was even after your tango, a little bit weak,
36:23but it was also very rewarding in my criteria.
36:26Thank you very much, Dinko, and Davor, for the end.
36:30I don't know what to say.
36:33And you have a tremu.
36:35Yes, we have a tremu.
36:37I can't wait until I'm alive.
36:39First time I heard that the plesace in the room should look like a snake.
36:44So, this song is definitely going to play.
36:48I'm going to give you my comments.
36:51I'm going to ask Duš, who will be able to do it?
36:53How did you feel?
36:55In the beginning, I saw it in choreography.
36:58It's bad, it's bad.
37:00It looked like it was really nice.
37:03I really appreciate it.
37:06So, what I'm talking about,
37:08there were a lot of great rumba-vokal-vokal-vokal-vokal-vokal-vokal-vokal-vokal-vokal-vokal-vokal-vokal-vokal-vokal-vokal.
37:13What is it going to do for me is to gain from the end of the�AVA-vokal-vokal-vokal-vokal-vokal-vokal-vokal-vokal-vokal-vokal-vokal-vokal.
37:20with the work that you can get from the position to the position.
37:24I've been to the right now as a standard player,
37:28but I like this video when you have a little less
37:32of the time.
37:36I don't know how to say it.
37:40We know this one.
37:42We know this one.
37:44We know this one.
37:46We know this one.
37:48Let's talk about my thoughts
37:50about the points that you want to watch our show.
37:52We don't have to stop going to watch our show.
37:54Marko, we weren't able to talk and have a little bit.
37:56As we're going.
37:58We're going.
38:00Love you.
38:02Go ahead, signify your partnice.
38:04Go on, do you!
38:06Orne Lavištica
38:08and...
38:10Marko Kerceg
38:12Show them the beat...
38:14You are so strong at the words, and you are so strong at the stage.
38:19You are so beautiful. You are so beautiful.
38:22And with these Velo's divots, how do you do that?
38:26Sometimes it's a little easier, sometimes it's a little easier,
38:29but I think that's a little easier.
38:30I think that's a little easier.
38:32Mrs. Milka?
38:33Five.
38:34Tinko?
38:35Nine.
38:36And Dabore?
38:37Nine.
38:39Good.
38:41Ima to i nekih drugih brojeva.
38:43Mislim, ispod vidjela.
38:47Prošlog vikenda Sanda i Nikolas počastili su nas vrlo senzualnim bečkim valcerom,
38:52obojanim kultnim prljavim plesom.
38:54Mi smo ipak uspjeli uz naš dojti dancing pokazati da bude malo moderni.
39:00Učici, dodajte malo začina francuske plesne kuhinje i dobit ćete savršenu salsu.
39:05Sanda i Nikolas.
39:11серьzwed,
39:12prošlog viztivpoint si Hvarke taj ngoletni ohoj achievereatera.
39:21Excuseg 있ral'a,
39:22ig区.
39:24Plišk!
39:25So i nekih prit,
39:27ma from his app respiraoosi Rați come also.
39:29Učili da rfor objetir kocheza
39:34St Dave chupagoצ turist Sanda but
39:35Nekih preg lecto da t Pozansini
39:36lakoeto bergim nekih urniti.
39:38Mala, no has sido Mala, Mala conmigo
40:01Mala, no has sido Mala, Mala conmigo
40:04Mala, tú has sido mala, tú has sido mala conmigo
40:10Me estoy muriendo de hambre por tu cariño
40:14¡Cero!
40:23Dime por qué tú no me perdonas
40:25No me canso de decirte
40:27Dime por qué tú no me perdonas
40:30Fuerme que me sause la carnita
40:32Dime por qué tú no me perdonas
40:35Zavodnica Sanda
40:50Zavodnica Sanda je dobro predestala Salsa
40:55Apsoluto
40:56Izabrali ste teške elemente, moram priznati ovo Niki i Sanda
41:01To je ta francuska plesna kuhina
41:03Da, tražili ste
41:04Pogotovo ono dole po podu je dosta zahtijeno na jednoj nozi
41:08I na nekim segmentima ste stvarno briljirali
41:13I evo, bilo je dobro
41:15Ali recimo tu i tamo se desilo Sanda
41:17Tako od raznih okreta
41:19Recimo da bi trebalo malo više vježbe na okretima
41:22Ponekad gubite balans izgubite Nika izvida
41:26Znači više se fokusirat na partnera
41:30Tako dobijete vrekle englezi spot
41:33Da vidite dvije Nika, malo ste se gubili
41:36A, vidim da ste uzeli ovu linijsku Salsa, je tako?
41:41I LA, evo
41:43I par elementi je kubanska Salsa
41:45I malo kubanske, tako
41:46Uglavnom, bilo je mješovito
41:48To je kao vremenska prognoza mako
41:51Mjestim mišno s kišom
41:53Hvala lijepa, hvala lijepa Eli na vašem komentaru
41:56Davor, slušamo vas
41:57A, pjesma se zove Mala, je li tako?
42:02No da
42:03Ali to nije ono malo duško
42:04To što si ti mislija
42:06A, evo, obzirom da ste rekli da ste plesali LA, ovoga, stil
42:12To onda san da vjerujem da znate da ste plesali na jedan, je li tako?
42:15Cijelo vrijeme
42:17Ne, baš
42:19Dobro, pitame
42:21A, ovo je sigurno najbolja Salsa koju smo vidjeli ovdje
42:25Ima navodnjavanja
42:29Ima navodnjavanja
42:31Ima navodnjavanja
42:32No to nikako ne znači da je to dobera ili izlanredna Salsa
42:35Ban malo navodnjavanja
42:37Malo na suhotlo
42:38Navodnjavanja malo, malo
42:40Pa, onako, lagana hišica tu i tamo
42:42To, ajde
42:43Reću vam zašto, znači stvarno imali ste zanimljive elemente
42:46Bili ste u ritmu, pjesma je bila najviše Salsa što smo do sad čuli ovdje u ovom šou
42:51Ono što bih ja volio vidjeti kod Salsa je da bude drugačije
42:54Da malo i gibanje i tijelo izgleda puno upoštenije, odnosno prirodnije
42:59Malo je previše sportski izgledalo ili ele, odnosno latin stil
43:04Malo manje korake i pogotovo kod spinova malo manja ručica
43:08Ne kao velika ručica, nego malo manja ručica
43:11Eto, sigurno će biti još prilike ovoga kad se malo opustite da to bude i puno, puno bolje
43:16Hvala lijepa Davor, i način riječuna
43:18Ali sam stojala da nešto pročitam pa da pogledam kako drugi plešu na kakvim pomočnim sredstvima i na nosiocima slike
43:28I onda sam naučila da moram reći, pa moraš spomenuti mambo korake
43:34Ipak to dobro zvuči jako učeno
43:37A ja sad to kažem, vi ste junački izazivali sudbinu
43:40I ono što je rekao sada Davor
43:44Sanda, još moraš malo, odlično bilo za klizanje i sve, ali mekša noga i gornji dio
43:52Tu i tamo je bilo, ali to je tak zerica bila, ali ja hoću da budeš savršena, da ne kažu da te guram svoju miljanicu
44:00Ne, dobit ćeš ono što ste zaslužili
44:03Hvala lijepo, djelko, dobiljnke
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