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00:00:28The End
00:00:30I
00:00:32I
00:00:34I
00:00:37I
00:00:42I
00:00:51The End
00:01:23THE END
00:01:55THE END
00:02:13THE MIDDLE OF THE ROOM
00:02:15WHERE PEOPLE
00:02:17PASS ALL THE TIME
00:02:29THAT'S A CHEARFUL
00:02:30INTRODUCTION FOR YOU
00:02:31TO OUR WEST INDIANS
00:02:38THAT'S A CHEARFUL
00:03:07DO YOU KNOW WHERE IS THE HOUSE
00:03:09THAT'S A CHEARFUL
00:03:10THAT'S A CHEARFUL
00:03:10THAT'S A CHEARFUL
00:03:11THAT'S A CHEARFUL
00:03:11THAT'S A CHEARFUL
00:03:36ZOMBIES!!
00:03:37ALLEVITE!!
00:03:37ALLEVITE!!
00:03:38ALLEVITE!!
00:03:38Come on!
00:03:38Get out of here!
00:03:39Move out!
00:03:40Move out!
00:03:42Move out!
00:03:43Get up!
00:03:45You got like tens touching me.
00:04:38Why did you drive like that, you fool?
00:04:40We might have been killed.
00:04:41Worse than that, monsieur.
00:04:43We might have been caught.
00:04:45Caught?
00:04:46By whom?
00:04:47Those men you spoke to?
00:04:48They are not men, monsieur.
00:04:51They are dead bodies.
00:04:54Dead?
00:04:55Yes, monsieur.
00:04:57Zombies.
00:04:59The living dead.
00:05:01Corpses taken from their graves.
00:05:04Or made to work.
00:05:05The sugar mills.
00:05:07The fields at night.
00:05:12Look.
00:05:14Here they come.
00:05:16Look.
00:05:25Look.
00:05:27Look.
00:05:39Excuse me, please.
00:05:41Have you got a match?
00:05:44Did I frighten you?
00:05:47I'm sorry.
00:05:48I'm ugly enough, I suppose.
00:05:49No, it wasn't you.
00:05:51Something happened back on the road there.
00:05:53We stopped to speak to some men.
00:05:56Our driver told us they weren't men at all.
00:05:59He said they were corpses.
00:06:03Corpses.
00:06:05Surely you don't believe it, do you?
00:06:07No.
00:06:10I don't know.
00:06:12Haiti is full of nonsense and superstition.
00:06:15They're always mixed up with a lot of mysteries that will turn your hair gray.
00:06:20I've been a missionary here for, oh, 30 years.
00:06:24And at times, I don't know what to think.
00:06:27Come, let's go in the house.
00:06:29Oh, yes.
00:06:29Come, then.
00:06:39Is, uh, is Mr. Beaumont in?
00:06:42You're expected, Dr. Bruno.
00:06:45Yes, I, I've been sent for to marry someone.
00:06:50Maybe, uh.
00:06:55Oh, yes.
00:07:03Uh, is, uh, how long is it that you know Mr. Beaumont?
00:07:08Oh, only a few days.
00:07:10Madeline introduced him on the docks in Port-au-Prince.
00:07:13Oh, and you?
00:07:14I met him on the ship coming from New York.
00:07:16He was very kind during the voyage.
00:07:18Oh, Madeline and I planned to be married the moment she arrived.
00:07:22But Mr. Beaumont persuaded us to come here.
00:07:24He promised to take me out of the bank at Port-au-Prince and send me to New York as
00:07:28his agent.
00:07:29Hmm.
00:07:31Strange.
00:07:34Very strange.
00:07:37You...
00:07:39I'll tell Mr. Beaumont you're here.
00:07:51It's all right, isn't it, doctor?
00:07:54Oh, I guess so.
00:07:56You see, I...
00:07:58I've only met Mr. Beaumont once or twice.
00:08:02But, but he never struck me like a man that would take the trouble to play his fairy godfather to
00:08:06a young couple like you.
00:08:11Unless...
00:08:11Unless what, sir?
00:08:28I suppose you'll think I'm a meddling old fool, but...
00:08:31You know, I'd feel a good deal better if you'd clear out of this place after you're married and have
00:08:36nothing more to do with Mr. Beaumont.
00:08:42The young people have arrived, sir, and Dr. Bruner.
00:08:46They're waiting in the reception hall.
00:08:49Show them to their room and tell them I'm out.
00:08:52Yes.
00:08:53No, wait.
00:08:54Perhaps I'd better see them.
00:08:56It might look odd if I didn't.
00:08:58Very odd, sir.
00:09:00Especially as Dr. Bruner is a trifle skeptical as to your...
00:09:05Motives, sir.
00:09:07Never mind my motives.
00:09:09Has that other person sent word yet?
00:09:12No, sir. Not yet, sir.
00:09:17He's 24 hours late.
00:09:20I wish you'd keep away from that man, sir.
00:09:25He'll make trouble for you.
00:09:26You needn't worry about that.
00:09:28I'm not afraid of him.
00:09:30I'm not easily frightened, sir.
00:09:32You should know that.
00:09:33But what you're planning is dangerous.
00:09:36Don't you suppose I know that, Silver?
00:09:39You don't seem to realize what this girl means to me.
00:09:42Why, I'd sacrifice anything I have in the world for her.
00:09:47Nothing matters if I can't have her.
00:09:57I think, uh, I think you like Haiti.
00:10:00Most people that...
00:10:02Oh.
00:10:04Madeline.
00:10:05I'm delighted to see you.
00:10:08Neil, you're more than welcome.
00:10:09Thank you, sir.
00:10:11Doctor, it was very kind of you to come.
00:10:13I know what a busy man you are.
00:10:14No, no, not at all.
00:10:16There's a native family live out here
00:10:18that I've been trying to see for a long time.
00:10:20After this young couple are safely married,
00:10:23I leave.
00:10:23But surely you'll stay for dinner after the ceremony.
00:10:25No, no, no.
00:10:26No, I must run along.
00:10:28Well, that's a great pity.
00:10:29We had something very special prepared for this occasion.
00:10:33It was very good of you, Madeline,
00:10:34for humor, the whim of a lonely man.
00:10:36There was so little time to prepare,
00:10:39I couldn't do half the things I wanted to for you.
00:10:42You've done more than enough already, Mr. Beaumont,
00:10:44for a comparison giving Neil a position in the state.
00:10:47Neil?
00:10:48Yes, yes, indeed.
00:10:50Oh, yes, of course.
00:10:51I'm sure Neil will make a very good agent.
00:10:53But you must be tired after your drive.
00:10:55You'll get some rest.
00:10:57Silver!
00:11:00Silver will show you to your rooms.
00:11:02This way, please.
00:14:01Come on.
00:14:30I'm delighted to see you again, Monsieur Beaumont.
00:14:47Please.
00:14:52Please.
00:14:58I'm sorry that kept you waiting, Monsieur.
00:15:05I have been on a journey seeking men for my milk.
00:15:11Men?
00:15:12They work faithfully.
00:15:14They are not worried about long hours.
00:15:20You, you could make good use of men like mine on your plantation.
00:15:25No.
00:15:28That's not what I want.
00:15:33Then perhaps you wish to talk about the young lady who came to your house this evening.
00:15:37You've seen her?
00:15:39When?
00:15:40The road tonight.
00:15:55There was a young man.
00:15:58Good father.
00:16:00There to be married tonight.
00:16:02You've waited too long to do anything.
00:16:04What do you want me to do?
00:16:07If she were to disappear for a month, what do you hope to gain by her disappearance?
00:16:16Everything.
00:16:17Everything.
00:16:18Do you think she will forget her lover in a month?
00:16:21Just give me a month.
00:16:23One little month.
00:16:27Not in a month.
00:16:28Not even a year, Monsieur.
00:16:33I have looked into her eyes.
00:16:38She is deep in love.
00:16:41But not with you.
00:16:44Then she'll be married within an hour.
00:16:46There must be a way.
00:16:59That is the way.
00:17:05The cost.
00:17:08The cost is heavy.
00:17:11If you give me what I want, then you may ask anything.
00:17:39No.
00:17:41Not that.
00:18:06Only a pinpoint, Monsieur Vermont.
00:18:10Not in a glass of wine.
00:18:13Or perhaps a flower.
00:18:18Make it.
00:18:20The time is very brief.
00:18:22You must do your share if I am to help you.
00:18:28Keep it, Monsieur.
00:18:33Keep it.
00:18:36You may change your mind.
00:18:53Send me word when you use it.
00:19:11I'll find another way.
00:19:13There is no other way.
00:19:16Don't trust the city set.
00:19:17You must help.
00:19:17We are living.
00:19:22temperatures are ready.
00:19:32You should be AWAROOR.
00:19:32You must beύem-
00:19:33You are driving away.
00:19:34Evil spirits.
00:19:36Close them!
00:19:37Close it!
00:19:38Close it!
00:20:01I love you, Madeline, more than anything else in this whole world, dear.
00:20:05Heaven or hell lies the mystical wall from you.
00:20:08You can raise me up to paradise, or you can blast my word into nothingness.
00:20:13There's time even yet, dear. I can make you the envy of every woman.
00:20:16I'll give my life to make you happy.
00:20:21Oh, listen to me, dear, before it's too late.
00:20:25Don't. Please.
00:20:26Don't go into that room.
00:20:28We can be in Port-au-Prince in half an hour.
00:20:31There's a boat sailing at midnight.
00:20:34You've been so wonderful.
00:20:36Don't spoil everything. Now.
00:20:42One last gift before I lose you forever.
00:21:05You've been so wonderful.
00:21:29We are gathered together here in the sight of God and in the face of this company to
00:21:36join together this man, this woman, in holy matrimony.
00:22:08Come on!
00:22:20Come on!
00:22:32Come on!
00:22:49Come on!
00:22:52Come on!
00:23:14This is the night of murder.
00:23:18A toast to the bride, to beauty's queen.
00:23:25Gladly, my lord.
00:23:31Leave but a kiss within the glass.
00:23:36Fair gypsy, leave my fortune.
00:23:47What do you see in the glass?
00:23:49I see happening.
00:23:56I see love far more than isn't there.
00:24:03Is that all?
00:24:04No.
00:24:06I see...
00:24:17What is it?
00:24:20I see death.
00:24:24Madeline!
00:24:29Madeline, what's wrong?
00:24:31Madeline, my dear, please!
00:24:42No!
00:24:44No!
00:24:48Madeline!
00:24:49Madeline!
00:24:52Can't we do something?
00:24:54Geez!
00:24:55Geez!
00:24:57Madeline!
00:24:58Oh!
00:24:59Oh!
00:25:01Oh!
00:25:08My wife!
00:25:10My wife!
00:25:12Oh, my wife!
00:25:16My wife!
00:25:17My wife!
00:25:19My wife!
00:25:24My wife!
00:25:27My wife!
00:25:30My wife!
00:25:32Mrs.
00:25:32back in a
00:25:41The grave of our Lord and Savior
00:25:44And the love of God
00:25:46And the fellowship of His angels
00:25:49Be with us evermore
00:25:52Amen
00:26:04Amen
00:26:37Amen
00:27:13Neal
00:27:14Neal
00:27:18Neal
00:27:19Neal
00:27:50Neal
00:28:14Look
00:28:28Zombies
00:28:29Yes
00:28:31They are my servants
00:28:34Did you think we could do it alone?
00:28:38In a lifetime they were my enemies
00:28:42Let go, the witch doctor
00:28:46Once my master
00:28:49Secrets I tortured out of him
00:28:51Wang Elder does whine
00:28:54Swollen with riches
00:28:55He fought against my spells until the last
00:28:59Even yet I have troubled heights
00:29:03His Excellency Richard
00:29:05Once Minister of the Interior
00:29:10Garcia
00:29:11Brigand Chief
00:29:13Marquis
00:29:14Captain of Gendarmerie
00:29:16And this
00:29:19This is Chauvin
00:29:23The High Executioner
00:29:25Who almost executed me
00:29:33I took them
00:29:34I took them
00:29:35Just as we will take
00:29:40This one
00:29:41But what if they regain their souls?
00:29:46They will tear me to pieces
00:29:49And that my friend
00:29:52Shall never be
00:29:57That my friend
00:30:17Shall never be
00:30:31This one
00:30:32To be
00:30:32To be
00:30:32As
00:30:39A
00:30:39To be
00:30:40A
00:30:46To be
00:31:08Madeleine.
00:31:13Madeleine.
00:31:14Madeleine.
00:31:21Madeleine.
00:31:23Madeleine.
00:31:45Madeleine.
00:32:13Madeleine.
00:32:14Madeleine.
00:32:23Madeleine.
00:32:42Madeleine.
00:32:45Madeleine.
00:32:49There's two explanations to strike me.
00:32:52Either the body was stolen by members of a death cult that use human bones in their ceremonies, or else...
00:33:00Or else what?
00:33:01Well, she's not dead.
00:33:08Not dead?
00:33:10Are you mad?
00:33:12I saw her die.
00:33:13The doctor signed the certificate.
00:33:15I saw them bury her.
00:33:16Now, wait a minute.
00:33:18Wait a minute.
00:33:19I'm not mad.
00:33:21But I've lived in these islands for a good many years.
00:33:24And I've seen things with my eyes that made me think I was pregnant.
00:33:30There are superstitions in Haiti that the natives brought here from Africa.
00:33:36Some of them can be traced back as far as ancient Egypt.
00:33:41And beyond that yet in the countries that was old when Egypt was young.
00:33:45Yes, but what has that to do with Madeleine?
00:33:48I kissed her as she lay there in the coffin.
00:33:51And her lips were cold.
00:33:55Let me explain.
00:33:57Now, just a minute.
00:33:58I'll explain.
00:34:00Wherever there is a superstition, you will find there is also a practice.
00:34:04Now, do you remember what your driver told you the night he took you to Beaumont's house?
00:34:08Oh, about those horrible creatures we saw.
00:34:10Yeah.
00:34:11He said they were corpses taken from their graves.
00:34:13That's it.
00:34:14Now, wait.
00:34:14Now, that's the superstition.
00:34:16Now, for the practice.
00:34:18The gold that steal the dead corpses from the graves are supposed to put them there in the first place.
00:34:25Do you mean that Madeleine was murdered so that somebody could steal her dead body?
00:34:30Ah, nonsense.
00:34:31No.
00:34:32No.
00:34:32Not her dead.
00:34:33Not her body, yes.
00:34:35But not her dead body.
00:34:36That's what I mean.
00:34:38Well, surely you don't think she's alive in the hands of natives.
00:34:42Oh, no.
00:34:44Better dead than that.
00:34:45Excuse me, please.
00:34:46Have you got a match?
00:34:58You don't believe that, do you?
00:35:02Say, there's been lots of people that's been pronounced dead that came alive again and lived for years.
00:35:09Now, if nature can play pranks like that, why isn't it possible to play pranks with nature?
00:35:15Oh, I don't know.
00:35:19No.
00:35:20Your driver believed he saw dead men walking.
00:35:26He didn't.
00:35:27What he saw was men alive in everything but this and this.
00:35:35Oh, the whole thing has me confused.
00:35:38I just can't understand it.
00:35:40Well, I don't blame you.
00:35:42I don't blame you.
00:35:43I've been trying for years to get to the bottom of this thing.
00:35:46To separate what you call fact from fiction.
00:35:50The law.
00:35:51The law of Haiti acknowledges the possibility of being buried alive.
00:35:56Here it is in the famous role.
00:35:58I'll read it for you.
00:36:00It's in French.
00:36:02Do you speak French?
00:36:03No.
00:36:05Excuse me, please.
00:36:06Have you got a match?
00:36:07Right here.
00:36:08Here's one.
00:36:08Oh, thanks.
00:36:09I didn't see it.
00:36:09I'll translate it for you.
00:36:12If you could say it.
00:36:14Article...
00:36:15Article 49.
00:36:18The use...
00:36:20The use of drugs or other practices which produce lethargic coma or lifeless sleep
00:36:28shall be considered attempted murder.
00:36:32Yes.
00:36:33Attempted.
00:36:33Yes, I see.
00:36:34Yeah.
00:36:35All right.
00:36:36If the person has been buried alive, the act shall be considered murder.
00:36:42No matter what result follows.
00:36:46Beaumont.
00:36:48Sir, you said that you couldn't understand why he was so interested in us.
00:36:52Do you think he did this?
00:36:54No.
00:36:55No, I think it's native work.
00:36:57Native work.
00:36:58Exactly.
00:36:59Of course, if you want to, we can go to Beaumont's house first.
00:37:03If I can get my hands on the devil that's responsible for this, I'll make him such an example that
00:37:11every rich doctor in Haiti will be shaken in his sandals.
00:37:14But we can't do this alone.
00:37:17Can't the authorities help?
00:37:19Ha ha.
00:37:19Doctor.
00:37:20Neal.
00:37:21My boy.
00:37:22You don't know these islands.
00:37:24The native authorities are afraid of men.
00:37:26I'm not.
00:37:28I've got friends among the natives.
00:37:30They'll tell me things that no gendarme could ever get out of them.
00:37:36Because I'm a preacher.
00:37:38They think I'm a magician.
00:37:42Before we get through with this thing, we may uncover sins that even the devil would be ashamed of.
00:37:53Oh, these bitch doctors.
00:38:28We need a friend called his rescue.
00:38:30We Bootlegies.
00:38:33You didn't know one of these girls.
00:38:33We've been warned you, there's a reason.
00:38:34Let me see, who's a dreamer, you're a dreamer.
00:38:34A dreamer, you're a dreamer.
00:38:35A dreamer, you're a dreamer, you're a dreamer, you're a dreamer, you're a dreamer, you're a dreamer.
00:38:39And where you can't do it.
00:38:45Go home to one of these guys.
00:38:47You're just well, tomorrow night, you are a dreamer.
00:38:48You're a dreamer.
00:39:13Madeline.
00:39:20Madeline.
00:39:50Madeline.
00:40:06Foolish things.
00:40:09They can't bring back the light to those eyes.
00:40:15I was mad to do this.
00:40:18But if you'd have smiled on me, I'd have done anything for you.
00:40:23Given you anything.
00:40:27I thought that beauty alone would satisfy you.
00:40:32But the soul is gone.
00:40:35I can't bear those empty, staring eyes.
00:40:42Oh, forgive me, Madeline.
00:40:44Forgive me.
00:40:47I can't bear it any longer.
00:40:49I must take you back.
00:40:54Back to the grave, Monsieur?
00:40:59No.
00:41:00You must put the light back into her eyes.
00:41:03And bring laughter to her lips.
00:41:06She must be gay and happy again.
00:41:09You paint a charming picture, Monsieur.
00:41:12One that I should like to see myself.
00:41:38You must bring her back.
00:41:40Aren't you a trifle afraid, Monsieur?
00:41:44How do you suppose those eyes will regard you when the brain is able to understand?
00:41:51Of course.
00:42:06You must come.
00:42:06Ah, yes.
00:42:09It isn't just a Zhong.
00:42:12Manly威力.
00:42:14He can't watch yourself.
00:42:14Keep your mind fr janitorive.
00:42:14Jeff, love you.."
00:42:15You
00:42:15must come together. Hm
00:42:20come together.
00:42:24Better to see hatred in them than that dreadful emptiness.
00:42:29Perhaps you're right.
00:42:31It would be a pity to destroy such a lovely love.
00:42:38Let's drink to the future of this flower.
00:42:41A glass of wine?
00:42:45Silver, bring wine.
00:42:47We have a toast to drink.
00:43:16The future.
00:43:18Monsieur.
00:43:35Only a pinpoint, monsieur.
00:43:40A flower.
00:43:42Or perhaps a glass of wine.
00:43:56What are you trying to do to me?
00:43:57I have other plans for mademoiselle.
00:44:02I'm afraid you might not agree.
00:44:09I have taken a fancy to you, monsieur.
00:44:15Silver!
00:44:16Silver!
00:44:18Silver!
00:44:18Silver!
00:44:20Silver!
00:44:22Silver!
00:44:26Silver!
00:44:27Silver!
00:44:31Silver!
00:44:35Silver!
00:44:37Silver!
00:44:40Silver!
00:44:41Silver!
00:44:43Silver!
00:44:44Silver!
00:44:46Silver!
00:44:47Silver!
00:44:48Silver!
00:44:49Silver!
00:44:56Silver!
00:44:59Silver!
00:45:01Silver!
00:45:01Silver!
00:45:04Silver!
00:45:04Silver!
00:45:22Silver!
00:45:23Silver!
00:45:25The mulch!
00:45:25Silver!
00:45:26Don't!
00:45:26Don't!
00:45:27Don't!
00:45:28Don't!
00:45:33Don't!
00:45:52Don't!
00:45:57To the future, monsieur.
00:46:27Oh, vulture.
00:46:29You.
00:46:39No. Not that. Not that.
00:46:48We ought to be picking up an old rich doctor around here pretty soon.
00:46:52His name is Pierre. I've known him for years. He's a great old fellow.
00:46:58I don't know just where we'll find him.
00:47:20Come, son. There are evil spirits in the road. I will give you...
00:47:29...and a wonder.
00:47:33And here is one for the opera.
00:47:38Good God.
00:47:46Young man. He's sick with three birds.
00:47:51Dear, say, wait a minute. We can't afford to have you sick.
00:47:56Neil, why don't you go over there? We've got a hard day before us tomorrow.
00:48:02Now. Now then, dear. Come on.
00:48:05He's gone. We'll talk.
00:48:07It is a dangerous thing you ask me to do.
00:48:11Oh, well, now, listen. Here, you know.
00:48:13You're old friends, you and me, and I want to go on.
00:48:16Turn back before it is too late.
00:48:20Oh, no. I've come too far to turn back now.
00:48:23I'm too old to go all the way with you.
00:48:27Well, listen. Can't you get somebody to go with us?
00:48:31My people are afraid of the mountain.
00:48:36Why?
00:48:37Because it is called the land of the living dead.
00:48:44Well, have you ever been there?
00:48:47I am the only man that ever came from there in life.
00:48:57There is an evil spirit man that is called murder.
00:49:05Come.
00:49:09All about what it is.
00:49:27Come.
00:49:27Let's go.
00:50:18Just as old Pierre says, a cloud of vultures always covers over the house of the living
00:50:25dead.
00:50:29Madeline, is she there?
00:50:32No.
00:50:33Oh, I must go and see.
00:50:34No, no, no, no.
00:50:36Kneel, my boy.
00:50:37Please, please, lie down and rest.
00:50:41Please.
00:50:43You'll feel stronger in the morning.
00:50:50You, Ray, let me go up and see what I can do.
00:51:18Why is she so restless tonight?
00:51:21Perhaps she'll remember something.
00:51:25You'll never remember anything when they are like that.
00:51:30No.
00:51:32He passed.
00:51:34His castle.
00:51:35No.
00:51:36No.
00:51:36No.
00:51:49No.
00:51:50No.
00:52:02No.
00:52:04No.
00:52:05No.
00:52:07No.
00:52:19You glucax téled.
00:52:20Madeline.
00:52:24Madeline.
00:53:03No, no, I can't. I can't.
00:53:06You must. It's your turn.
00:53:09Let it all go away.
00:53:11Shh.
00:53:13He might hear you.
00:53:15No, I, I can't stand it.
00:53:17I'm going to run away.
00:53:20He'll find you and make you like him.
00:54:10I'm going to run away.
00:54:37Can you still hear me?
00:54:46It is unfortunate you are no longer able to speak.
00:54:51I should be interested to hear you describe your symptoms.
00:55:06You see, you are the first man to know what is happening.
00:55:17None of the others did.
00:55:42You refused to shake hands once.
00:55:47I remember.
00:55:50Well, well.
00:55:52We understand each other better now.
00:55:55I know.
00:55:55I know.
00:55:56I know.
01:02:29Madeline.
01:02:33Madeline.
01:02:34I found you.
01:02:36You're alive.
01:02:38Alive.
01:02:40What's the matter.
01:02:42What's the matter?
01:02:42It's I, Neal.
01:02:54Oh, my darling.
01:02:57What have they done to you.
01:03:23What have they done to you?
01:03:26They are...
01:03:26They are...
01:03:27They are...
01:03:27They are the angels of death.
01:03:50They are the angels of death.
01:04:03Come.
01:04:05They are the who are the...
01:04:06they are...
01:04:09I...
01:04:10They are the...
01:04:18I...
01:04:26The End
01:04:55The End
01:05:16Madeline, don't you know me, dear?
01:05:20It's Neil.
01:05:21I could swear.
01:05:24For a moment she recognized you.
01:05:29Come on, don't let her get away.
01:05:38Come on, don't let her get away.
01:05:43Come on.
01:05:47Come on, don't let her get away.
01:05:49Come on, don't let her get away.
01:06:07Come on, don't let her get away.
01:06:17Come on, don't let her get away.
01:06:37Come on, don't let her get away.
01:07:06Come on, don't let her get away.
01:07:07Come on, don't let her get away.
01:07:27Come on, don't let her get away.
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