- 2 days ago
ex-spy Robert Elliot (James Coburn) becoming a US government advisor, but he needs to eliminate four former operatives who know his dark past; he orchestrates a complex scheme for them to murder each other over one night, with help from an investigative journalist (Lee Grant) and his boss, but the plan goes sideways, leading to double-crosses and a shocking, poisoned-notebook ending where he dies anyway.
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Short filmTranscript
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00:23:01He wants 10,000 pounds, Alex.
00:23:04Bert?
00:23:05Yes, Bert.
00:23:06Do you have 10,000 pounds?
00:23:07Yes, I do.
00:23:08No, I mean you have 10,000 pounds for this month,
00:23:1010,000 pounds for next month,
00:23:12the month after and the month after that,
00:23:14because that's the way it'll be, Alex.
00:23:18I don't understand.
00:23:19He has some tapes.
00:23:21Tapes?
00:23:23It's impossible.
00:23:25Never said anything to anyone.
00:23:27What's the matter with you?
00:23:28Are you sick?
00:23:29No, no, I just don't feel very well.
00:23:33Now, he represents a threat to us, Alex.
00:23:36A very dangerous situation.
00:23:38Now, we have a great deal at stake here.
00:23:40You realize that, don't you?
00:23:41Yes, of course I realize.
00:23:42Something must be done.
00:23:43Yes, well, of course it must.
00:23:44Yes, yes.
00:23:45What about Killingberg?
00:23:46Hmm?
00:23:47You ever killed a man, Alex?
00:23:49What?
00:23:52Have you ever killed a man before, Alex?
00:23:59No, of course I haven't.
00:24:00What do you mean?
00:24:04Well, it looks like somebody's going to have to be killed.
00:24:08And I'm afraid you're the one that's going to have to do it.
00:24:10I'm going to have to do it.
00:24:15No way, yes?
00:24:24How did it go?
00:24:29David!
00:24:30How did it go?
00:24:31It took some doing to get it down to size.
00:24:33But it does work.
00:24:34It works.
00:24:36This is a damn sight more lethal than a bomb.
00:24:50What's its range?
00:24:5320 feet.
00:24:54Ahead of the specifications of the original model.
00:24:57Right.
00:24:58You switch it on here.
00:24:59This is a timing device.
00:25:00You set it like an alarm clock.
00:25:01But be careful how you handle it.
00:25:03Right.
00:25:04There's no markings or identification.
00:25:05No.
00:25:06I assembled it myself.
00:25:07You look very good, David.
00:25:09I don't imagine you need that to kill rats with.
00:25:11Oh, no.
00:25:12Can you get your drink?
00:25:13Yes.
00:25:14No, no, no.
00:25:15It's, uh...
00:25:16You look very good, David.
00:25:18I don't imagine you need that to kill rats with.
00:25:20Oh, no.
00:25:21Can you get your drink?
00:25:22Yes.
00:25:23No, no, no.
00:25:24It's a simple matter of bartering.
00:25:26Boys in the Middle East are screaming for something they can trade for some oil.
00:25:29That may be just the device to do it.
00:25:32Scotch, all right?
00:25:33Yes, please.
00:25:36I'll have your fee sent to the usual address in Switzerland.
00:25:42Cheers.
00:25:43Cheers.
00:25:47Well, David, do you have a minute?
00:25:48I would like to talk to you about something.
00:25:50Yeah, fine.
00:25:51Well, I'm in a...
00:25:54Perhaps I should say we are in a little trouble.
00:25:59A little organization that we've built together over the past few years is about to crumble.
00:26:06A little group of people like yourselves has given us invaluable information.
00:26:12I want to thank you and do everything that I possibly can to protect you.
00:26:17There's a weak link in the organization and I'm afraid it's about to break.
00:26:23A man who I thought I could trust because he has too much to lose now knows everything there is to know about you, me, the organization, EDC, the whole works.
00:26:33Well, what does he want?
00:26:35Money?
00:26:36No.
00:26:37If it were just money, we could take care of that.
00:26:39I'm afraid he's been smitten by moral conscience.
00:26:45Do I know him?
00:26:46I don't know.
00:26:47Alex Hillman.
00:26:48Warrant office.
00:26:49You see, that's why I thought I had it sewed up.
00:26:54Well, now he's begun to drink.
00:26:59He's sick.
00:27:00He's frightened.
00:27:01I'm afraid he's going to blow the whole scene.
00:27:03I'm afraid we're going to have to get rid of him.
00:27:08Of course, as we know, there's a morality of business that killing a man is something else.
00:27:26But there's no other way that I can think of that you can stop a man from talking permanently.
00:27:34Don't you agree?
00:27:38Well, one thing will make it easier for you, and you don't know the man.
00:27:43And the way I have it worked out, you'll never have to meet him.
00:27:46You're asking me to kill somebody.
00:27:49Well, I have no other choice.
00:27:51But I thought there were people you pay to do that kind of thing.
00:27:53No, but that's the whole point.
00:27:54We can't risk involving someone from the outside.
00:27:56Now, I have a plan worked out here.
00:27:58All you have to do is follow the instructions on this card.
00:28:01Follow them implicitly and you'll be protected.
00:28:03I promise you.
00:28:05We'll stay in touch with a series of phone calls on my private line here.
00:28:09Elliot, don't ask me to do this.
00:28:11I have no other choice, David. You're the only one I can trust.
00:28:16I'm a scientist!
00:28:18My work is creative, not destructive.
00:28:20Hey, what the hell do you call this little creation?
00:28:23That's for defensive purposes. It's a deterrent.
00:28:25That's what they said about the atomic bomb.
00:28:27I don't want anything to do with this.
00:28:32Well, I'm sorry to hear you say that, David.
00:28:36What the hell do you think you were involved in here?
00:28:41I mean, we have paid you quite well for your services, I believe.
00:28:43And I've never heard you complain about that.
00:28:48How are you living anyway, David?
00:28:52Big house?
00:28:54Couple of cars in the garage?
00:28:55Lovely wife?
00:28:57Children in expensive schools?
00:29:01Hmm?
00:29:04Time for you to pay up, David.
00:29:08Nothing is for nothing.
00:29:10Right.
00:29:18Friday night.
00:29:19That's this Friday night.
00:29:21You'll have a key to his apartment.
00:29:23And if you're there at exactly 7.30, he won't be there.
00:29:26I'll make sure of that.
00:29:28Now, he's a diabetic.
00:29:32You must take his regular dose of insulin.
00:29:35All you have to do
00:29:36is find out where he keeps his insulin
00:29:40and replace it with this.
00:29:42What exactly is in this?
00:29:44Ten times regular dose.
00:29:46An accident.
00:29:51Well, David, if you can find an easier way of doing it,
00:29:53please tell me now.
00:29:54You know what?
00:30:03You're quite good.
00:30:05I mean, for your age.
00:30:07I do 20 push-ups every morning.
00:30:10By yourself?
00:30:11Hmm?
00:30:16Oh, must you go so soon?
00:30:17I'm afraid, sir, darling,
00:30:18I have to catch the 9 o'clock plane for Paris.
00:30:20Oh, Paris!
00:30:21Take me with you.
00:30:22I'd love to.
00:30:24I'm afraid my wife wouldn't like it.
00:30:27I'll tell you what,
00:30:28I'll bring you a very nice little present back, perhaps.
00:30:32You're very kind.
00:30:33And you are very pretty.
00:30:37I'll call you as soon as I get back.
00:30:40Bye-bye.
00:30:41Goodbye, darling.
00:31:03Christine?
00:31:17Yes?
00:31:22Oh, Robert. Hello.
00:31:25I just about ran into your lover on the way up the stairs.
00:31:28Oh, but you know that's nothing.
00:31:29I have some tapes for you.
00:31:31Good.
00:31:33And some film.
00:31:34Really?
00:31:35Yeah.
00:31:36You ought to get a kick out of some of those shots.
00:31:39You know that I don't go for that scene.
00:31:42I know.
00:31:44Well, there was this Japanese man
00:31:46who went on and on about some new phone system there developing
00:31:49and didn't understand a word of it.
00:31:52Yeah.
00:31:53And then there was this German man,
00:31:55this kind of German-Israeli merger or something.
00:31:58I really don't know. This is the film to go with it.
00:32:01Should be fun.
00:32:02Mm-hmm.
00:32:04And that's for the rent.
00:32:08Oh, gee.
00:32:11Now, listen, Christine.
00:32:12I have a job for you Friday night.
00:32:14Oh, but I thought we were having dinner Friday night.
00:32:16Oh, I'm sorry. This thing came up. It's very important. I can make it up to you.
00:32:22Yeah, all right.
00:32:23Mm-hmm.
00:32:28Now, what's that?
00:32:30This is a radio transmitter.
00:32:33You're a regular little CIA all on your own, aren't you?
00:32:38This is your instructions.
00:32:40Now, pay very close attention.
00:32:45You want a drink?
00:32:47Oh, no, no, thank you.
00:32:49Now, you leave the apartment at 7.15.
00:32:52But before you go, call that number there.
00:32:56Let it ring three times, then hang up.
00:33:00Can't I just call to say I'm leaving?
00:33:02Come on, Christine. Three times. Now, that's the game, huh?
00:33:04Yeah, you're all right. Three times.
00:33:05Now, you arrive at the apartment at 8 o'clock.
00:33:078 o'clock exactly, not before, not after.
00:33:12Before you go up, there's a phone booth in front.
00:33:15Go into the phone booth, call that number again, let it ring three times,
00:33:18and hang up just as before.
00:33:20God, I never remember all this.
00:33:22Sure you will.
00:33:23Who lives there, anyway?
00:33:26You don't really want to know that, do you?
00:33:29No, not really.
00:33:31The key will let you into the apartment indicated.
00:33:33Now, as soon as you've entered, you take the radio transmitter.
00:33:45Now, you take the device and place it in some concealed spot,
00:33:50anywhere in the room, under a table, behind a chair, anywhere,
00:33:53just as long as it's pointed in this direction toward the middle of the room.
00:33:57Now, that's very important. You understand that?
00:34:00Yes, I think so.
00:34:01Now, just before you leave, you remove the tape, switch it to one,
00:34:04and nothing will happen.
00:34:06But don't touch it. Don't meddle with it.
00:34:07Just leave the room, go down to the phone booth,
00:34:09call me one more time to let me know that you've finished the job,
00:34:12let it ring three times, then out back to the apartment here.
00:34:15You should be here at 9 o'clock.
00:34:17Call me just as soon as you've arrived.
00:34:19You expect me to remember all that?
00:34:22Well, not right away, perhaps.
00:34:23But I'll be here till you do.
00:34:26Even if it takes all night.
00:34:28Now, let's start at the beginning.
00:34:30What's the phone number?
00:34:31No, no, no, no, don't look at it.
00:34:34794-4240.
00:34:37Very good.
00:34:38I leave this appointment at 7.15.
00:34:41Before leaving, I phone that number three times.
00:34:44I have to be there at 8 o'clock.
00:34:47Now, before going in, I go to the phone booth
00:34:49and phone that number three times again, right?
00:34:51The phone number three times again, right?
00:34:53The phone number three times again, right?
00:35:16My, my, this is a surprise.
00:35:19Hello, Bert.
00:35:20Well, a pleasure, sir. A real pleasure.
00:35:22May I come in?
00:35:23Please.
00:35:28Good day, sir.
00:35:30Yes.
00:35:31My little menagerie.
00:35:33And some of me trophies.
00:35:35I was in the East African Rifles, you know.
00:35:3715 years.
00:35:38Were you really?
00:35:3915 years. Good Lord.
00:35:41I was just about to make a pot of tea, if you fancy some tea, sir.
00:35:44Ah, no, thank you, Bert. I really don't have the time.
00:35:46Oh.
00:35:47Pushkin.
00:35:48Great. Off. Off. Off you go. Let the professor sit down.
00:35:52Here we are, sir.
00:35:53Order a nice glass of beer, if you fancy a beer, sir.
00:35:57Nice topper scotch, sir.
00:35:59Ah, no, thank you, Bert. Not right now.
00:36:01Well, this is an honor, sir. A real honor.
00:36:04Well, there's no need to tell you how much we value the information that you've given us.
00:36:08Thank you, sir.
00:36:09Only too glad to be of service, sir.
00:36:11And we appreciate that.
00:36:12Well, that reminds me. I made some notes somewhere.
00:36:15I overheard this conversation. Very interesting it was. Very interesting.
00:36:19There were these two gents from the steel company.
00:36:21Oh, there's no need to worry about that now, Bert.
00:36:24Oh, no, sir. No. I believe in being thorough.
00:36:26Ah, here we are.
00:36:28It's all down here. Every detail.
00:36:30I think you'll be pleased for that, sir.
00:36:33Oh, yes, yes. Very efficient.
00:36:38I like to be methodical, sir.
00:36:41Well, now, what can I do for you this time, sir?
00:36:46Well, I have quite a serious problem, Bert.
00:36:50I was hoping that perhaps you would be able to help me solve it.
00:36:53You can rely on me, sir. You know that.
00:36:55It seems there's been a security leak. It could affect the entire operation.
00:36:59Well, that is serious. Very serious.
00:37:06There's a woman involved. A woman?
00:37:10Yes, I thought I could trust her, but...
00:37:12I was worried you made a mistake, sir, if you'll forgive me saying so.
00:37:17Oh.
00:37:18They're not to be trusted, sir.
00:37:20This woman is a high-class whore.
00:37:22They're all whores, sir.
00:37:24Well, I thought you'd be useful to us for a while, and she was.
00:37:28But now she seems to be playing both sides of the fence.
00:37:31Typical.
00:37:33Yes.
00:37:36Well, it seems I made a...
00:37:40a bad mistake.
00:37:42Nothing we can't put right, sir.
00:37:48Oh.
00:37:49What would you suggest we do?
00:37:51Well, if you ask me...
00:37:54I think we'd be better off without her, sir.
00:38:02Oh.
00:38:04Could I have a drink now?
00:38:05A nice drop of scotch, sir.
00:38:09Yes.
00:38:10Women.
00:38:11They're all the same.
00:38:12Going about...
00:38:14showing themselves off.
00:38:16They're unclean, sir.
00:38:21That's what they are.
00:38:22Unclean.
00:38:23I hate them.
00:38:24They'll be one of them.
00:38:25I hate them.
00:38:30Do you think that you could...
00:38:34take care of her for me?
00:38:36I dare say so, sir.
00:38:38Any particular plan in mine, sir?
00:38:40Friday, uh...
00:38:45Are you working Friday?
00:38:46Too late o'clock, sir.
00:38:47Eight o'clock.
00:38:55Yes, well...
00:38:57I'll get a key for her apartment.
00:39:01Oh, this has to be very carefully planned now.
00:39:03I don't want you incriminated.
00:39:04You're far too valuable to us for that.
00:39:05I trust you, sir.
00:39:06No, I'll work something out and get the details to you...
00:39:09just as...
00:39:11as soon as I can.
00:39:13We can deal with it, sir.
00:39:15Don't you worry.
00:39:20Yes, thank you, Bert.
00:39:27Bob.
00:39:32I don't know...
00:39:33four murders in one night...
00:39:34doesn't seem to be a very reasonable way...
00:39:35to approach this thing.
00:39:36I mean, that...
00:39:37police...
00:39:38There's not gonna be four murders.
00:39:39Two at the most.
00:39:41Well, you just told me there was four people.
00:39:44It's no longer your problem, E.J.
00:39:46Well, we got a hell of a lot at stake here.
00:39:47I have assumed responsibility.
00:39:53And, uh...
00:39:54you won't be connected with us?
00:39:55No.
00:39:57Okay, when?
00:39:58I mean...
00:39:59when does this take place?
00:40:01Friday nights.
00:40:06I'd better leave right away tonight for Washington.
00:40:09Yes, sir, I think you should.
00:40:12Well, I can't afford to hang around.
00:40:13No, you can't.
00:40:14Well, of course I can't.
00:40:15You must understand that.
00:40:16I do.
00:40:17I do.
00:40:23Well, you gotta be a very important, powerful man, Bob.
00:40:27One day...
00:40:28you will have forgotten all about this...
00:40:30little unpleasantness, you know what I mean?
00:40:32man...
00:40:34Listen, Gavin finds me...
00:40:48you?
00:40:49I remember that uh
00:40:50that restaurant down on the beach in uh
00:40:52What was the name of it?
00:40:54Yeah, it was kind of a club.
00:40:56The El Topo.
00:40:58El Topo.
00:41:00He got smashed.
00:41:02It was something else that day.
00:41:04That night, too, as I recall.
00:41:08Ah, you like.
00:41:12To Costa del Sol.
00:41:16Two happy memories.
00:41:22I loved you. Did you know that?
00:41:26Yeah, I know that.
00:41:30Did you know you loved me?
00:41:36Yeah, I knew that, too.
00:41:38Is that why you walked out on me?
00:41:42Oh, Gene.
00:41:46I don't know, maybe.
00:41:50Maybe.
00:41:52Maybe.
00:41:54One...
00:41:56travels fast, you're alone.
00:41:58And all that.
00:42:06I'm...
00:42:08I'm sorry about that.
00:42:10I mean...
00:42:12I'm sorry.
00:42:14Well...
00:42:16Maybe you were right.
00:42:18You certainly travel fast, right?
00:42:20Up, to the top.
00:42:22No, no, not to the top.
00:42:24Almost to the top, right?
00:42:26Up there, right where all the power is.
00:42:30Man.
00:42:32That's where the power is.
00:42:36It's a good thing they can't see you now.
00:42:38Oh, have you ever seen?
00:42:40Who can't see me? Why?
00:42:42Uh...
00:42:44The committee...
00:42:46Uh...
00:42:48The presidential advisory committee.
00:42:50Right.
00:42:52Oh, good. I'm in. Almost.
00:42:54Why?
00:42:56Why?
00:42:58Why?
00:43:00Why?
00:43:02Why?
00:43:04Why?
00:43:06Why?
00:43:08Why?
00:43:10Why?
00:43:12Why?
00:43:14I mean, uh...
00:43:20Now...
00:43:22Why was that?
00:43:24Why? Because they might realize that you're human.
00:43:26You're a human being.
00:43:28They wouldn't like that.
00:43:34That's because I'm feeling...
00:43:36particularly human tonight.
00:43:40What do you think?
00:43:45I think you're beautiful.
00:43:50You're really stone.
00:43:52Yes, but you do look beautiful.
00:44:10You know something.
00:44:12You're a bastard.
00:44:16You're a real bastard.
00:44:20You're a real bastard.
00:44:22You're a real bastard.
00:44:26You're a real bastard.
00:44:36You're a real bastard.
00:44:56the enclosed key will let you into the woman's apartment phone me from the call box by the
00:45:04apartment as soon as you arrive the girl will be alone i will arrange that and in this cellophane
00:45:10packet is a tiny fragment of human skin skin invariably collects beneath the nails of a woman
00:45:16who has been savagely attacked place the skin under the fingernails this should keep the police
00:45:22pathologist busy for a time so you see i am doing all i can to protect you
00:45:38with these instructions you will find a key to a left luggage locker at marylebone station
00:45:44the number is on the key you go to marylebone station directly from your apartment
00:45:52anything else i can get you before i go no good night good night miss robertson
00:46:22so
00:46:30i
00:46:32so
00:46:34so
00:46:36so
00:46:40so
00:46:42so
00:46:46I don't know.
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00:48:58¶¶
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00:49:13Oh, Robert, I'd like to see you.
00:49:15I'm right in the middle of something.
00:49:16I've got to finish it by tomorrow, so...
00:49:18Please, Robert, I want to talk to you.
00:49:21Jean, listen, I'll call you in the morning, huh?
00:49:23Good night.
00:49:43I'll call you in the morning.
00:49:47BIRDS CHIRP
00:50:17BIRDS CHIRP
00:50:47BIRDS CHIRP
00:50:49BIRDS CHIRP
00:50:51BIRDS CHIRP
00:50:53BIRDS CHIRP
00:50:55BIRDS CHIRP
00:50:57BIRDS CHIRP
00:51:01BIRDS CHIRP
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00:53:17David, David, where are you?
00:53:47David, where are you?
00:54:17David, where are you?
00:54:18David, where are you?
00:54:19David, where are you?
00:54:20David, where are you?
00:54:21Jean!
00:54:22I'm sorry.
00:54:23I had to.
00:54:24I...
00:54:25Well, listen, I...
00:54:26What the hell?
00:54:27I told you I was busy.
00:54:28Well, are you going to slam the door or what?
00:54:30I'm sorry, I had to, I...
00:54:34Well, listen, I, uh...
00:54:36What the hell? I told you I was busy.
00:54:40Well, are you gonna slam the door or what?
00:54:42No, no, no, no. Come on in. I'm sorry.
00:54:52Are you expecting something? I mean, do you have a date?
00:54:55No, I don't have a date.
00:54:57I'm simply working on my speech.
00:55:06Now, what is it that can't wait till morning?
00:55:12What am I? Am I a one-night stand?
00:55:16Oh, Gene.
00:55:27Sorry.
00:55:30Don't look at me. Please.
00:55:31Listen. Come on.
00:55:33Soon you're gonna get the hell out of here so I can get back to work.
00:55:36Hmm? Come on.
00:55:37Come on.
00:55:38Come on.
00:55:39Come on.
00:55:40Listen.
00:55:41Don't look at me. Please.
00:55:42Listen. Come on.
00:55:44Soon you're gonna get the hell out of here so I can get back to work.
00:55:46Hmm? Come on.
00:55:48Come on.
00:55:51Yes? It's David.
00:55:53Where have you been?
00:55:54I was seen. Some woman. She saw me.
00:55:57Will you get home as quick as your gang call me when you get there?
00:55:58Yes?
00:55:59It's David.
00:56:00Where have you been?
00:56:01I was seen. Some woman. She saw me.
00:56:04Will you get home as quick as your gang call me when you get there?
00:56:06You put you in a terribly embarrassing position. I'm sorry.
00:56:08No, no, no. Just an associate that, uh...
00:56:11Jean!
00:56:13There's no need to explain. Really, no explanation is necessary.
00:56:17What happened?
00:56:19What happened?
00:56:21How was it?
00:56:22Well, what happened?
00:56:23What happened?
00:56:24How did you get the shit out of here?
00:56:26What happened?
00:56:27How did you get the shit out of here?
00:56:29How did you get the shit out of here?
00:56:31What happened?
00:57:02Here it's... Christina.
00:57:32Good boy, Bert.
00:58:02Good boy.
00:58:32Good boy.
00:59:02Good boy.
00:59:32Good boy.
01:00:02Good boy.
01:00:32Good boy.
01:01:02Good boy.
01:01:32Good boy.
01:02:02Good boy.
01:02:32Good boy.
01:03:02Good boy.
01:03:32Good boy.
01:04:02Good boy.
01:04:32Good boy.
01:05:02Good boy.
01:05:32Good boy.
01:06:02Good boy.
01:06:32Good boy.
01:07:02Good boy.
01:07:32Good boy.
01:08:02Good boy.
01:08:32Good boy.
01:09:02Good boy.
01:09:32Good boy.
01:10:02Good boy.
01:10:32Good boy.
01:11:02Good boy.
01:11:32Good boy.
01:12:02Good boy.
01:12:32Good boy.
01:13:02Good boy.
01:13:32Good boy.
01:14:02Good boy.
01:14:32Good boy.
01:15:02Good boy.
01:15:32Good boy.
01:16:02Good boy.
01:16:32Good boy.
01:17:02Good boy.
01:17:32Good boy.
01:18:02Good boy.
01:18:32Good boy.
01:19:02Good boy.
01:19:32Good boy.
01:20:02Good boy.
01:20:32Good boy.
01:21:01Good boy.
01:21:31Good boy.
01:22:01Good boy.
01:22:31Good boy.
01:23:01Good boy.
01:23:31Good boy.
01:24:01Good boy.
01:24:31Good boy.
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