- 5 hours ago
Lying in Wait (2001) is a psychological thriller directed by D. Shone Kirkpatrick, featuring Rutger Hauer, Virginia Madsen, and Thomas Newton.
Category
🎥
Short filmTranscript
00:00:00This is the end.
00:00:26This is what it looks like.
00:00:32I thought it would be different.
00:00:37Baby's mother told me how in the old days TV stations used to sign off,
00:00:43go off the air every night.
00:00:46They play the national anthem, fly the flag, and fade into nothing.
00:00:53I should be so lucky.
00:00:56This has all gone through Detective.
00:00:58This is the end.
00:01:03This is the end.
00:01:07This is the end.
00:01:14This is the end.
00:01:19This is the end.
00:01:24This is the end.
00:01:28This is the end.
00:03:05But you're never really alone.
00:03:08There's always something out there lurking.
00:03:12Baby!
00:03:13Waiting.
00:03:15Baby!
00:03:19Baby!
00:03:20Baby!
00:03:21Did you see him yet?
00:03:23Who?
00:03:24The new people.
00:03:26No, I wasn't even paying attention.
00:03:30Why didn't you call me back last night?
00:03:33Uh, I got busy.
00:03:38Watching TV?
00:03:39So was I.
00:03:40We could have talked about it while it was happening.
00:03:42It would have been fun.
00:03:45Did you have dance class or something?
00:03:46Elle?
00:03:47I'm quitting.
00:03:49Mother's threatening to send me to Paris.
00:03:51To a school there.
00:03:52You never put any people in your paintings.
00:04:03I paint what I see.
00:04:05Well, you should put me there.
00:04:08God damn.
00:04:08Elle, God damn it.
00:04:09But it all worked out.
00:04:10We are going to have a mad, passionate affair
00:04:13that will end when I fly to Paris
00:04:16to become a famous dancer.
00:04:18Ooh, they're here.
00:04:20They're here.
00:04:20I heard they paid full price for that dumb gun.
00:04:31Nouveau riche.
00:04:33You don't even know what that means.
00:04:36Ooh.
00:04:36Ooh.
00:04:41I wasn't impressed.
00:04:43Yeah, well.
00:04:46So, what are we going to do tonight?
00:04:50I love you very much.
00:05:20What I really want you to do
00:05:41is to sell this house.
00:05:44I'm not selling the house.
00:05:45It's my mother's house.
00:05:46It's been six months since she died.
00:05:50Look, I know how long it's been, okay?
00:05:52You just did your damn job properly.
00:05:55You never listen to me, baby.
00:06:00Elle, come in.
00:06:01It's open.
00:06:02There is no money in the trust fund.
00:06:05Very little.
00:06:07Am I interrupting?
00:06:07Keith Miller, you're, uh, new next-door neighbor.
00:06:15Robert Horne, Whitman Securities.
00:06:17Uh, this is, uh, baby Gordon.
00:06:20Pleasure to make your acquaintance.
00:06:22I'd better go.
00:06:25Bob, what about lunch?
00:06:28Remember, you always buy me lunch?
00:06:31Remember what I said.
00:06:33Welcome to the neighborhood.
00:06:37Whitman Securities.
00:06:38I've heard of them.
00:06:40Is Sue Gordon your mom?
00:06:42Yeah.
00:06:42My condolences.
00:06:45She was an awesome talent.
00:06:47Yeah, thank you very much.
00:06:49You know, my wife, Vera, she's, uh,
00:06:51she fell in love with this neighborhood.
00:06:53Old Houses.
00:06:55Old Hollywood.
00:06:57She's an, uh, editor for an architectural magazine.
00:07:01Yeah, look, I'm actually expecting someone, so I...
00:07:03She just loves houses.
00:07:06Me, I...
00:07:08I love people.
00:07:10Cats, dogs, horses.
00:07:11Just yesterday, I saw this amazing girl
00:07:15on her bicycle,
00:07:17riding little circles.
00:07:18The wind in her hair,
00:07:20her nose perked up in the air,
00:07:22and half a smile.
00:07:25And legs.
00:07:27You've never seen such legs.
00:07:31Yeah, I...
00:07:32Yeah, I have no idea who you're talking about.
00:07:39What?
00:07:41We...
00:07:42We should have dinner sometime.
00:07:53Mrs. Brown's daughter, 72 to 77.
00:07:57Baby's mom was an extra neighbor,
00:07:59and she had a dog.
00:08:00A ratty little poodle.
00:08:02Named Baby!
00:08:03Baby!
00:08:03Baby was named after a poodle.
00:08:09It wasn't even my mom's dog.
00:08:11It belonged to the prop man.
00:08:12Oh, God.
00:08:14At least it wasn't Lassie.
00:08:16Oh, God.
00:08:23People think you're an actress who like people.
00:08:25My mom hated everybody.
00:08:28Hated acting.
00:08:29Said the only reason she did it
00:08:31was to make enough money
00:08:31so that people would leave her alone.
00:08:34Did that include you?
00:08:37She loved to paint.
00:08:41She would lock herself
00:08:42in the studio for days at a time.
00:08:46You must have been lonely.
00:08:48You can be surrounded by people
00:08:51and still be lonely.
00:08:53I could never be alone.
00:08:59I get cold at night.
00:09:01My feet, especially.
00:09:07I've always had L.
00:09:10Not like that.
00:09:12When everything's got really crazy
00:09:14with my mom,
00:09:15I could always count on L.
00:09:17She's pure.
00:09:21Everybody grows up.
00:09:31You're a nice girl.
00:09:34Pretty.
00:09:36You're not gonna be a model, are you?
00:09:39Models are morons.
00:09:41I'm not a moron.
00:09:42I'm a dancer.
00:09:44Jez?
00:09:47No.
00:09:50Ballet?
00:09:52Maybe.
00:09:57Modder?
00:09:59No.
00:10:01Okay.
00:10:03I'll give up.
00:10:12Come on.
00:10:13Try it.
00:10:27And what does baby do?
00:10:29I take care of the house, mostly.
00:10:31That's what I'm good at.
00:10:32Taking care of things.
00:10:35Looking after stuff.
00:10:38Would you look after me?
00:10:40I'm not asking you to seduce me.
00:10:51I know.
00:10:52I work all day.
00:10:55And Keith is, um,
00:10:58wherever he is.
00:11:00Just keep an eye on things, okay?
00:11:02Sure.
00:11:02I think you should know I am pledged to baby forever.
00:11:18I think you should know I am pledged to baby forever.
00:11:18lucky bastards.
00:11:19Lucky bastards.
00:11:20My mom's home.
00:11:32Check my breath.
00:11:34Smells like wine.
00:11:35Al, knock it off.
00:11:36Al, knock it off.
00:11:38Keith was flirting with me.
00:11:40Go home.
00:11:41But I told him he was wasting his time.
00:11:45Just kiss me once, baby.
00:11:46Just once for real, please.
00:11:48Go home and go to bed.
00:11:50I suppose Vera's more your type.
00:11:53You're drunk, Al.
00:11:56You're gonna fall in love with her, aren't you?
00:12:10Now leave me alone.
00:12:11Go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home and go home
00:13:11Where are you going?
00:13:33Out.
00:13:35Nice wheels.
00:13:37Can I get a lift?
00:13:38What happened to your car?
00:13:44I had an unfortunate collision with the garbage truck.
00:13:47The assets went to $1,200 in cash before they even fixed it.
00:13:52Won't your insurance cover that?
00:13:54I don't have insurance.
00:13:56I don't believe in it.
00:13:57Do you want to go for a drink?
00:13:58By the way, I had lunch with your Mr. Horn.
00:14:08I suggested some international markets.
00:14:11Get you more bang for your buck.
00:14:13I don't like risk.
00:14:21There's risk everywhere.
00:14:23A lot of people are going to get hurt today just by staying home and taking a bath.
00:14:28I like showers.
00:14:35What do you do?
00:14:38I mean, what is your job?
00:14:40How do you make money?
00:14:41I used to work for the studios in development, but Hollywood's gotten so conservative, it
00:14:50wasn't fun anymore.
00:14:52And I don't give a shit about money.
00:14:55I don't understand what you mean.
00:14:56I'll show you.
00:14:57Come on.
00:14:58So you bet on horses for a living?
00:15:03Sometimes, yeah.
00:15:05Pick a number between one and eight.
00:15:07Are you joking?
00:15:08No.
00:15:10Pick a number.
00:15:11Um, I don't know.
00:15:13Uh, seven.
00:15:14Which is tail, five, two, one.
00:15:17I like it.
00:15:17I'll be right back.
00:15:18$1,200, win or lose.
00:15:33You put $1,200 on my pick?
00:15:37Life without risk is double.
00:15:40Yeah, but, Keith, that $1,200 was for your car.
00:15:43Money is good for one thing.
00:15:46It can buy a moment.
00:15:51A precious moment of fleeting happiness.
00:15:55And if you're lucky, that moment can change your life.
00:15:59So you're saying that if number seven wins, it'll change my life?
00:16:03She'll change my life.
00:16:07Look at her lines.
00:16:09The muscles underneath her skin.
00:16:11How she moves.
00:16:14I can hear her moan from here.
00:16:16Keith, Keith, we're in the lead.
00:16:20Come on.
00:16:21Come on, witches.
00:16:22Come on, witches.
00:16:23Make her win.
00:16:24Come on, witches.
00:16:24Make her come.
00:16:25Come on, witches.
00:16:26Come on, witches.
00:16:28Come on, witches.
00:16:30Come on.
00:16:30Come on.
00:16:31Win.
00:16:35We won.
00:16:36I'm crying.
00:16:37If your heart is pounding, you know you're doing something right here.
00:16:44Feel.
00:16:45Trust.
00:16:46That's what it's all about.
00:16:49Why can't I come?
00:16:50Because it's a party for grown-ups, and you're not a grown-up.
00:16:53Like you are.
00:16:55Whatever.
00:16:57Well, can I stay here tonight?
00:16:59My mom has a date.
00:17:01Yep.
00:17:02Just don't eat all the ice cream.
00:17:04I will if I want.
00:17:06Yeah, whatever.
00:17:07Nice try with the strip.
00:17:08I'll tell you later.
00:17:11Baby, where's Elle?
00:17:12Listen, the bar's out from the back.
00:17:14It's a party for grown-ups, and you're not a grown-up.
00:17:44The bar's out from the back.
00:17:50Baby.
00:17:51Baby.
00:17:55I'm going to get you a beer, okay?
00:17:56Okay.
00:17:57Meet George.
00:17:58This is Baby, my lucky charm.
00:18:03You must be the painter.
00:18:05Vera told me about you.
00:18:08I'm George, and this is Elle.
00:18:14You two know each other?
00:18:18I've never seen him before in my life.
00:18:21But I did see your mother's show when I was a kid.
00:18:26Baby.
00:18:29Not the first time I've heard that.
00:18:35Rude.
00:18:36The show sucked.
00:18:39We'll see.
00:18:48You can't find any of these stuff.
00:18:50You're crawling with me.
00:18:51You don't.
00:18:52I hate parties.
00:19:10I hate hosting parties.
00:19:11You dance with me?
00:19:12I don't know how to dance.
00:19:14Put your hands on my hips.
00:19:16There.
00:19:18That's it?
00:19:18That's it.
00:19:26Cool.
00:19:30I suppose I should be jealous, but I just don't think they'd do that to me.
00:19:37And I saw you met George.
00:19:41Sweet.
00:19:42Stay away from George.
00:19:44Be careful of George.
00:19:45And everyone here.
00:19:46Especially me.
00:19:50Can you behave?
00:19:52I finally get you alone and this is what you want to talk about?
00:19:55A baby is a charming young man.
00:19:59And boring.
00:20:02I want you to make love to him.
00:20:06Why?
00:20:08No.
00:20:09You do it.
00:20:10It's not the same.
00:20:11Now that you have the key to my apartment, I'll expect you to date me.
00:20:17He's got this big house all to himself.
00:20:21It's nice, you know.
00:20:23Give it a shot.
00:20:24I'll be sure you're a wicked woman.
00:20:26Come a little closer.
00:20:31I want a salad.
00:20:36He needs a good woman.
00:20:41He needs a mother.
00:20:43Are you going to come?
00:20:44Love, darling.
00:20:45Yeah.
00:20:45My darling.
00:20:49Are you following me?
00:20:54Excuse me.
00:20:57Excuse me.
00:21:03Vera tells me she wants a divorce.
00:21:07So?
00:21:09Give it to her.
00:21:12Marry me.
00:21:14Come on, Lois.
00:21:18I love her.
00:21:19I'm committed to her.
00:21:21It's the thing at work.
00:21:27That's a real great commitment, Keith, fucking me.
00:21:32What's that supposed to mean?
00:21:35God, you're a bastard.
00:21:57I was looking for you.
00:21:59We haven't had that chance to celebrate.
00:22:02Come on, drink up.
00:22:05Here.
00:22:06Two.
00:22:08Witch's tail.
00:22:11Hmm.
00:22:21I'm leaving.
00:22:22I found you a woman.
00:22:27No, thank you.
00:22:30It's very special.
00:22:32What makes you think that I want Lois?
00:22:35I wasn't talking about Lois.
00:22:38I was talking about my wife.
00:22:46You're drunk.
00:22:47I want the fountain of youth.
00:22:55I'll train you, Vera.
00:23:00For Elle.
00:23:01Are you serious?
00:23:16No.
00:23:17No, look.
00:23:20You don't belong here.
00:23:21Maybe you should go home.
00:23:22Don't touch my wife.
00:23:29Okay?
00:23:39Baby.
00:23:42Are you leaving?
00:23:45I'm sorry.
00:23:45I'm sorry.
00:23:45I'm sorry.
00:23:45I'm sorry.
00:23:45I'm sorry.
00:23:45I'm sorry.
00:23:46I'm sorry.
00:23:47I'm sorry.
00:23:48Is something wrong?
00:23:53You wanted me to look after things?
00:23:54Oh, my God.
00:23:59Oh, my God.
00:24:00Oh, my God.
00:24:01Oh, my God.
00:24:01Oh, my God.
00:24:04Yeah, my God.
00:24:06Come join the party.
00:24:36Mara?
00:24:43Mara?
00:24:48Showtime!
00:24:52Mara?
00:24:54Mara?
00:24:57Come on, wait a minute. Where do you think you're going?
00:25:00Out of here, anywhere, away from you. Don't even touch me!
00:25:03Mara, look, what are you so upset about?
00:25:05Oh, gee, come back my bed!
00:25:09What was I doing?
00:25:11All right.
00:25:13Where are we going?
00:25:15And they live happily ever after.
00:25:19Dr. Riley, OR2, Dr. Riley, OR2.
00:25:29Dr. Riley, OR2, Dr. Riley, OR2.
00:25:43Dr. Riley, OR2, Dr. Riley, OR2.
00:25:49Projectider.
00:25:53Those who live in the woods are there.
00:26:01And of course, do you feel I ako?
00:26:03Dr. Riley, OR2.
00:26:08He's at St. Paul's Hospital.
00:26:32The doctor's name is Sessions.
00:26:33No, I left a message, but...
00:26:36I sent you all the paperwork.
00:26:39I understand that.
00:26:45I'll get it. I'll get it.
00:26:49Then fax me what you need and...
00:26:52Right.
00:26:58Detective Marshall looking for Mrs. Miller?
00:27:01Hello?
00:27:02Detective Marshall.
00:27:05We spoke yesterday.
00:27:06Oh, of course.
00:27:09This is baby Gordon. He lives next door. He's helping me.
00:27:13Baby.
00:27:14I'll just put this away.
00:27:18Please, come in.
00:27:19Miss Miller, how long have you and your husband been married?
00:27:36Six years in December.
00:27:38You're having a party.
00:27:41There's a fight.
00:27:43You get in the car.
00:27:44He gets in.
00:27:45You drive off, right?
00:27:46Keith grabbed the wheel.
00:27:51I don't know how it happened. It just happened.
00:27:56It was my fault.
00:27:58It was an accident.
00:28:02What was the fight about?
00:28:05It was personal.
00:28:07Mrs. Miller, look, your blood alcohol was 03. It's nothing.
00:28:18I'm just asking these questions because, you know, I got to do the paperwork.
00:28:21Keith was drunk.
00:28:23And I was angry.
00:28:26Well, he was definitely drunk.
00:28:28He registered, uh, 16.
00:28:30Probably saved his life.
00:28:35Uh, but there was a, uh, uh, an insurance policy.
00:28:42Life insurance. No disability.
00:28:45Heh. Too bad.
00:28:48Consider it.
00:28:48It wasn't the first time Keith was drunk.
00:28:52And it wasn't the first time I was angry.
00:28:57If you're asking me if I drove the car into the tree intentionally...
00:29:00No, no, no. I'm, I'm, I'm very sorry for what happened to your husband.
00:29:04Have you got any news? Is he still in a coma?
00:29:07Yes, but they can't say what's going to happen.
00:29:10It's still too soon to know how bad it is.
00:29:13Okay.
00:29:16Well, LAPD extends its sympathies, Mrs. Miller.
00:29:20Vera.
00:29:22Mike.
00:29:24You know, uh, first girl I ever kissed was named Vera.
00:29:32You remember those things.
00:29:41So you live next door?
00:29:43Yeah, yeah, convenient.
00:29:49Don't forget your laundry.
00:29:55I thought Keith didn't believe in insurance.
00:29:57He didn't.
00:30:04You can't trust cops, you know.
00:30:07After my mother's accident,
00:30:10you thought I killed her.
00:30:13Uh, yes, this is, uh, regarding account number one nine.
00:30:17What's up?
00:30:18Put your stand to 1-5-1-7.
00:30:21Put your stand to 1-5-1-7.
00:30:38Keith?
00:30:47I'm so sorry.
00:31:00Vera said I should read to you.
00:31:08Around quitting time, Todd Hackett heard a great din on the road outside his office.
00:31:14An army of cavalry and foot was passing.
00:31:18It moved like a mob.
00:31:20A little fat man darted around the corner of the building in pursuit of the army.
00:31:27Stage 9, you bastards.
00:31:29Stage 9 screamed through a small megaphone.
00:31:32Help me.
00:31:44Nurse!
00:31:45Nurse!
00:31:46Keith fractured his skull in the accident.
00:31:49We had to remove a piece of it to relieve the swelling.
00:31:52But there was major tissue damage to both frontal lobes, which affects speech, coordination, memory.
00:31:58He talked to me.
00:32:00There's subdural hemorrhaging, ruptured blood vessels.
00:32:04His eyes are open.
00:32:06You saw that.
00:32:07He's no longer in a coma.
00:32:09He's in what we'd call a persistent vegetative state.
00:32:13He said, help me.
00:32:18He can't speak.
00:32:21The tests prove that.
00:32:22But you never know.
00:32:24One day, Keith may sit up and recite the Gettysburg Address.
00:32:27Now, if you'll excuse me.
00:32:29Yeah.
00:32:30This is a Miller residence.
00:32:42You know what to do after the beep.
00:32:46Hi, Vera.
00:32:48It's, uh, it's Baby.
00:32:51Look, I feel, uh, really bad about the other night.
00:32:56And I feel responsible.
00:33:01Answer machine.
00:33:04Hey.
00:33:05It's okay.
00:33:06The girl let me in.
00:33:08I've been trying to reach Vera for days, but she won't return any of my calls, so I figured
00:33:12you live next door to her.
00:33:14You must know what's going on.
00:33:17No, you would have to ask her.
00:33:20Now, you shouldn't feel responsible.
00:33:24We've all warned Keith about his drinking.
00:33:27He drinks.
00:33:29Beer gets pissed.
00:33:31It's all just a terrible accident.
00:33:34Now, if you'll excuse me, I have a lot of work to do.
00:33:38I'm putting together a show at the gallery downtown.
00:33:41It's a young artist, mostly unknown.
00:33:45You've done some amazing work.
00:33:48Really?
00:33:49Absolutely.
00:33:51Who did the ones downstairs?
00:34:03Your mother was a TV actress?
00:34:06Ah, some film.
00:34:10Startling image.
00:34:12I like that very much.
00:34:19Baby, I'm back.
00:34:22I can see myself out.
00:34:26Would you please tell Vera to call me?
00:34:29And think about the show.
00:34:32Baby, you're very talented.
00:34:35Baby.
00:34:37Why did you let that guy into my mother's house?
00:34:42We said that you were expecting him.
00:34:44What show?
00:34:45An art show at some gallery.
00:34:47Oh, my God!
00:34:48That is so cool!
00:34:50Hello?
00:35:04Don't blame yourself for what happened.
00:35:07You only did what I asked.
00:35:09Did you just get home?
00:35:11Yeah.
00:35:12They're sending him home.
00:35:13Keith?
00:35:14Um, is he better?
00:35:15No, it's cheaper for the insurance company.
00:35:16I've only got three weeks to get the house ready.
00:35:17Hire a nurse.
00:35:18I'll help you.
00:35:19I'll take care of it.
00:35:20It's what I do, remember?
00:35:21Good night, baby.
00:35:22Sleep well.
00:35:24I've only got three weeks to get the house ready.
00:35:27Hire a nurse.
00:35:28I'll help you.
00:35:31I'll take care of it.
00:35:34It's what I do, remember?
00:35:41Good night, baby.
00:35:43Sleep well.
00:35:43Welcome home!
00:35:59I think he's very happy to be home.
00:36:13I don't know.
00:36:17I want to use the one of your house.
00:36:19No, don't sell that one.
00:36:20I'll get my mom to buy it.
00:36:24How much do you think I should charge?
00:36:26I don't know.
00:36:27Ask George.
00:36:32Baby.
00:36:34Hey, Lois.
00:36:37I don't know how or why,
00:36:40but I know you had something to do with this.
00:36:42It's something to do with Keith's accident.
00:36:46What are you talking about?
00:36:48You want Vera.
00:36:51I know it.
00:36:53And Keith knew it.
00:36:55Is everything all right in here?
00:37:00Everything's fine, Vera.
00:37:03Everything's super.
00:37:12The doctor said that it would be good to have something in your hand.
00:37:24They said that you can hear.
00:37:39This is how...
00:37:42I helped put up this bed.
00:37:45Are you faking?
00:37:57Are you faking?
00:37:57Hello?
00:37:58Working on your show?
00:37:59Working on your show?
00:38:02What's up?
00:38:04Well, Miss Sanders can't make it today, and I called the agency, and the replacement is sick.
00:38:11I've got a deadline.
00:38:12I've got a meeting with the insurance company.
00:38:13You want me to take care of Keith?
00:38:14Could you?
00:38:15I'll be right over.
00:38:16I don't know what I'd do without you.
00:38:18This brings back a lot of memories of my mother.
00:38:19Too many.
00:38:20Too many.
00:38:21Come on.
00:38:22Open.
00:38:23There you go.
00:38:24See?
00:38:25I told you it wasn't for the reason.
00:38:26You're right.
00:38:27It's a very nice, very nice job.
00:38:28Maybe I'll get you to take care of Keith.
00:38:29Okay.
00:38:30No, you're not going to take care of Keith.
00:38:31I'm not going to take care of Keith.
00:38:32But I don't know.
00:38:33I'm not going to take care of Keith.
00:38:34I'm not going to take care of Keith.
00:38:35I'm going to take care of Keith.
00:38:36I'm not going to take care of Keith.
00:38:37This brings back a lot of memories of my mother.
00:38:43Too many.
00:38:47Come on. Open.
00:38:50There you go.
00:38:52See, I told you it wasn't that hot.
00:38:54My mother used to like a lot of sugar with her.
00:38:56She said it tasted better.
00:38:59There you go.
00:39:00Open.
00:39:01Stop.
00:39:03Please eat me this crap.
00:39:07What are you doing?
00:39:15Calling Dr. Sessions.
00:39:17What for?
00:39:19Because you're talking.
00:39:21Don't.
00:39:23I'm not going to talk to that moron.
00:39:26You're the only one I'm not a doctor.
00:39:27Come back here.
00:39:30Do me a favor.
00:39:32Yeah?
00:39:32Take out my cap.
00:39:34It's itching.
00:39:37Right in the front.
00:39:40Scratching.
00:39:41There?
00:39:42How does it look?
00:39:47It looks good.
00:39:51What is it like being in a coma?
00:39:53You can hear everything.
00:39:59But you can't wake up.
00:40:01Though you wait.
00:40:02You can't wait.
00:40:03You start thinking.
00:40:05First thing that comes to mind is food.
00:40:08Then you think about sex.
00:40:12The women you had.
00:40:14The women you wanted to have.
00:40:16But their touch, their kisses, the smell of their skin.
00:40:27What do you need, Keith?
00:40:40Let's start with some real food.
00:40:43Oh, man.
00:40:53I can't tell you how good this is.
00:40:57Oh, oh, oh.
00:40:58Oops.
00:40:59Come on.
00:41:00Don't you think we should tell Vera?
00:41:03Tell her what?
00:41:05That I'm going to get better.
00:41:06I can't walk.
00:41:11This is going to take a bit of time.
00:41:14You know.
00:41:17At the party.
00:41:19At the party you told me that I was...
00:41:22Ah, I'm sorry.
00:41:24I was an asshole.
00:41:26I was drunk.
00:41:28Why me?
00:41:29Why not George or Lois?
00:41:33Because I can trust you.
00:41:36Did you get the pouch I asked you for?
00:41:38Yeah.
00:41:41Right here.
00:41:45Come on.
00:41:46Let's go.
00:41:48Where?
00:41:49I want to go see Lois.
00:41:50Find out what the bitch told Vera.
00:41:52Lois, this is your mother.
00:42:09You never called me back and I'm still waiting.
00:42:12Lois, hey, this is Dave Penn.
00:42:14I met you the other day at 72 Market Street.
00:42:18Anyway, I was wondering if you want to...
00:42:21I don't know if you want to go...
00:42:38...
00:42:39...
00:42:40How did you get in here?
00:42:57Keith, uh, Keith wanted me to give you your key back.
00:43:02Put it in the mail next time.
00:43:05Out.
00:43:05Uh, Keith wanted me to, uh, to ask you what you told Vera.
00:43:14Who the hell do you think you are?
00:43:17Get out of my house.
00:43:19He wanted me to ask you.
00:43:22Call him the cops.
00:43:24Look, if you don't believe me, ask him yourself.
00:43:35Have you lost your f***ing mind?
00:43:50Does Vera know you have him out?
00:43:52Do the doctors know?
00:43:56Look, you f***ing little weasel.
00:43:59I don't know what the hell you think you're doing.
00:44:01He wanted to talk to you.
00:44:03I'm calling Vera.
00:44:15She owes me a cigar.
00:44:23Oh, my God!
00:44:26Is she dead?
00:44:27Of course she's dead, Keith.
00:44:28Of course she's dead.
00:44:30What the hell did you do?
00:44:32I didn't know.
00:44:33I want to feel your heart.
00:44:35Thank God, please.
00:44:37Wait.
00:44:39Yeah.
00:44:41Everything.
00:44:43You know, I'm okay.
00:44:44Nobody's perfect.
00:44:46Everybody has their flaws.
00:44:49Little things that drive you crazy.
00:44:52The baby didn't see what was really happening.
00:44:56But I wasn't blind.
00:44:58My eyes were wide open.
00:45:12What have you two been up to?
00:45:20Something terrible's happened.
00:45:22Lois committed suicide.
00:45:23Lois committed suicide.
00:45:30Please don't leave me alone.
00:45:38He's asleep.
00:45:39My mother was a heavy smoker.
00:45:43Is that how she died?
00:45:46No.
00:45:48She had chronic pain.
00:45:51So she took a lot of pills.
00:45:54One day, she mixed them up on accident.
00:45:58I'm sorry.
00:45:58I'm sorry.
00:46:06Sometimes it's better when people die.
00:46:09If they're suffering.
00:46:13I'm sorry.
00:46:13I didn't mean Keith.
00:46:14No, no, of course not.
00:46:18Keith looks better every day.
00:46:22You think so?
00:46:29You know, when I married Keith,
00:46:31I was looking for a father.
00:46:32At least that's what my shrink said.
00:46:44And instead,
00:46:45I got a little boy.
00:46:49Now he's helpless as a baby.
00:46:53It would be funny if it wasn't so sad.
00:46:57It'll get better.
00:47:00I miss him, though.
00:47:02Especially sleeping with him.
00:47:13Feel.
00:47:17You're freezing.
00:47:19I told you.
00:47:27Oh, it feels so good.
00:47:32I don't know what terrible thing I've done to deserve this.
00:47:38I don't know what terrible thing I've done to deserve this.
00:47:39I don't know what terrible thing I've done to deserve this.
00:47:40I don't know what terrible thing I've done to deserve this.
00:47:41I don't know what terrible thing I've done to deserve this.
00:47:42I don't know what terrible thing I've done to deserve this.
00:47:43I don't know what terrible thing I've done to deserve this.
00:47:44I don't know what terrible thing I've done to deserve this.
00:47:45I don't know what terrible thing I've done to deserve this.
00:47:46I don't know what terrible thing I've done to deserve this.
00:47:47I don't know what terrible thing I've done to deserve this.
00:47:48I don't know what terrible thing I've done to deserve this.
00:47:49I don't know what terrible thing I've done to deserve this.
00:47:50I don't know what terrible thing I've done to deserve this.
00:49:21You sell on these?
00:49:31I'm going to show at the Fletcher Gallery.
00:49:34Me and my mom.
00:49:35You know, I know people, right?
00:49:44So, uh, Lois Davis jumps off of her balcony.
00:49:48Suicide.
00:49:49But she doesn't leave a note.
00:49:51She doesn't call any friends.
00:49:54She doesn't, uh, talk about suicide.
00:49:59Maybe she fell.
00:50:00Yeah, maybe.
00:50:05But, uh, we found a key in her hand.
00:50:08A key to her apartment.
00:50:13And, uh, the key had Keith's fingerprints all over it.
00:50:19Now, uh, you were with Keith, right?
00:50:22That's right.
00:50:27Lois came over here?
00:50:30No.
00:50:33You guys go anywhere, you and Keith?
00:50:35Maybe over to her house?
00:50:38Nope.
00:50:38But you knew Lois, huh?
00:50:46We met once at a party.
00:50:48Um, Keith introduced us.
00:50:50You wanted to set me up.
00:50:52Lois isn't my type.
00:50:55Vera your type?
00:50:55I'm sorry.
00:51:00Sorry.
00:51:02It's a habit.
00:51:03Uh, you meet somebody, you expect the worst.
00:51:08You're just a friend helping her out.
00:51:10That's right.
00:51:13Well, she's the one I really feel sorry for in all this.
00:51:15Vera.
00:51:19Husband's whacked out.
00:51:21No chance of recovery.
00:51:25O'Keefe, uh, O'Keefe was playing a shell game with the IRS.
00:51:31That's his style.
00:51:33That's what he does.
00:51:38So, what kind of game is he playing now?
00:51:47Now, if he'd have died,
00:51:50she would have been able to keep the life insurance.
00:51:52A million.
00:51:55But as it is, uh,
00:51:57she's just stuck with this, uh,
00:51:59thing.
00:52:01She loves him.
00:52:03Yeah.
00:52:05Love,
00:52:07guilt.
00:52:08She'll get over it.
00:52:12You don't know Vera.
00:52:14I know people.
00:52:15Now the monitor's on,
00:52:26and you have the number to the gallery.
00:52:28And baby,
00:52:29we have to go.
00:52:36I feel like my mom's watching me.
00:52:38She's not.
00:53:15Congratulations, George.
00:53:23Congratulations, baby.
00:53:24You're a very successful exhibit.
00:53:25You know what that means?
00:53:26It means lots of...
00:53:27Toast.
00:53:33To Keith,
00:53:35who brought us all together,
00:53:37and you, Los,
00:53:40this is...
00:53:40This way, Mr. Haystack.
00:53:51You know, I could have gone my whole life
00:53:56without seeing this happen.
00:54:10Is it true you and Lois were having an affair?
00:54:13Maybe that's your secret.
00:54:24You know just what to say.
00:54:29What to do.
00:54:30Can you feel that?
00:54:49Can you feel that?
00:55:13Can you feel that?
00:55:43Can you feel that?
00:56:13Hey, Jeff, what's your buddy?
00:56:18Special delivery, sweetheart.
00:56:20I've always dreamed of a night like this.
00:56:26Your dream's coming true.
00:56:29And the best part is you being here.
00:56:32I wish I could kiss you.
00:56:38You can.
00:56:43Oh, my God.
00:56:51Keith.
00:56:54What are you doing?
00:57:00Oh, my God.
00:57:12What are you looking at?
00:57:13Only in L.A., probably.
00:57:18Good.
00:57:19It's okay.
00:57:21It's okay.
00:57:27God damn it, Elle.
00:57:29What are you thinking?
00:57:31The guy came by.
00:57:33He said he was supposed to pick up Keith.
00:57:34He was paid and everything.
00:57:36Are you stupid?
00:57:37You can't just give him to anybody.
00:57:40God damn it.
00:57:41Wait.
00:57:41You dumped this on me.
00:57:44And then you went off with her.
00:57:46So, fuck you.
00:57:52I'm sorry I hurt you.
00:57:54Everything's different, baby.
00:58:07I want things to be the way they were.
00:58:13Just you and me.
00:58:14That cop.
00:58:25Would you help me with this?
00:58:29You can't continue like this.
00:58:32And what would you have me do?
00:58:33Well, he is not going to get any better.
00:58:36You've been talking to the doctors?
00:58:38Would you stop punishing yourself?
00:58:40It was an accident.
00:58:41How can you be so sure?
00:58:44How can I be so sure?
00:58:46He can't feel you.
00:58:48He can't hear you.
00:58:50You don't know that.
00:58:51He can't fucking touch you.
00:58:55He's gone.
00:58:57He no longer exists.
00:58:58Would you look at him?
00:59:01He's a shell.
00:59:03He's an empty fucking shell.
00:59:04And you have got to put him away.
00:59:07You can go now, George.
00:59:15You save yourself.
00:59:18Before it's too late.
00:59:20I said you can go now, George.
00:59:22We'll be fine.
00:59:34Everything's going to be fine.
00:59:43I'm sorry.
00:59:50This is a lot of money.
00:59:51Well, yeah, minus my 20% plus 10% finder's fee.
00:59:55I mean, that's standard.
00:59:56No.
00:59:57No, it's great, George.
00:59:59Thank you very much.
01:00:00Yeah, you know, I've got offers and a couple of other pieces,
01:00:02but I think, you know, let's hold out until the price goes up.
01:00:04You're the boss.
01:00:06You know, if we had a few more pieces, I could do a catalog.
01:00:08We'd do something very classy.
01:00:12How many do you need?
01:00:13I know five would be nice, but four would suffice.
01:00:17No problem.
01:00:19He would do that.
01:00:20You'd forge your mother's work?
01:00:27Forge.
01:00:29I thought you meant my work.
01:00:34Oh, darling.
01:00:36Nobody's interested in your stuff.
01:00:39It's your mother's paintings they want.
01:00:41I mean, that's what I can set up.
01:00:42No one wants my work.
01:00:47Well, you know, darling, it's nothing personal.
01:00:50It's just you and not a dead TV star.
01:00:52You want me to forge my mother's work?
01:00:59I want you to search the house.
01:01:01I want you to search the attic.
01:01:03I want you to search the garage.
01:01:05I want you to search the bloody basement.
01:01:06If you have one, I want you to give me some Sue Gordon originals.
01:01:11It could mean a lot more of these.
01:01:17You've got to think about it.
01:01:19Hello?
01:01:20Vera?
01:01:20No.
01:01:21George is right here.
01:01:21George is right here.
01:01:26Hello, Vera, no, George is right here, he sold some paintings, gave me a check and
01:01:44everything, yeah, a lot, shoo, I'll wait for baby, oh don't be absurd, I can watch Keith,
01:01:54I've been watching him longer than you've been alive, Riverbrook, no, I've never heard of
01:02:00it, look Vera, don't worry about it, no, I'll check it out, I don't mind, I so ought to
01:02:11have you silent, mute, now you are a burden to us all, look at yourself,
01:02:24you need a shave, you need a bath, you need a bloody skull, I suppose the plate will go
01:02:39Vera, I care about what happens to Keith, oh god, Keith, George stop, no, Keith stop it,
01:03:03damn it, I can't swim, baby, don't, I have to help him,
01:03:12please,
01:03:19please,
01:03:21al, i need help,
01:03:43Help!
01:03:46El!
01:03:48Help me!
01:03:49El!
01:03:51Please help me!
01:03:53El!
01:04:01Nurse Ringsing, please report to pathology.
01:04:05Where am I?
01:04:07Here at the hospital.
01:04:10You're here for observation.
01:04:14I want to go home.
01:04:17You can't.
01:04:18You have to stay here for one night.
01:04:22George tried to kill me.
01:04:25Just relax.
01:04:27Come on a little closer.
01:04:32You're all I've left.
01:04:35Dr. Peter Blake, 2-1-1.
01:04:37Dr. Peter Blake, 2-1-1.
01:04:39Baby.
01:04:40How's Keith?
01:04:41He's fine.
01:04:42Condition is stable.
01:04:43Look, I told the police...
01:04:44I read your statement.
01:04:45I read your statement.
01:04:47Funny choice you made down there at the bottom of that pool.
01:04:49Rescuing Keith instead of George.
01:04:51I mean, uh...
01:04:52George is making you money, right?
01:04:53And Keith...
01:04:54Keith is...
01:04:55You tell me.
01:04:56Can I go?
01:04:57Sure.
01:04:58Say hi to Vera for me, too.
01:05:00You're in 253.
01:05:02Sir.
01:05:04Your friend, 2-0-1.
01:05:05Right.
01:05:06And then you're in 253,000.
01:05:08I've had to go in 253.
01:05:09He's fine.
01:05:11You're in 257.
01:05:12In 243,000.
01:05:13All right.
01:05:14Your friend, 2-1-2.
01:05:16When's his name?
01:05:17I'm in 252,000.
01:05:19Who's in 253,000?
01:05:22You're not hungry?
01:05:39Does Keith seem different to you?
01:05:43What do you mean?
01:05:45His face.
01:05:47His eyes.
01:05:52Oh, Christ, I must be losing my mind.
01:06:03Let's get out of here.
01:06:22Vera.
01:06:27Vera, wait!
01:06:38Vera.
01:06:41Get away from me!
01:06:46Here, you go sit over there.
01:06:47You made me love you.
01:07:09I didn't want to do it.
01:07:11I didn't want to do it.
01:07:16You made me love you.
01:07:23And all the time you want.
01:07:27I guess you always knew it.
01:07:31You made me happy sometimes.
01:07:35You made me sad.
01:07:43But there were times that you made me feel.
01:07:52Shh.
01:08:06Shh.
01:08:19Vera.
01:08:21It's okay.
01:08:22Shh.
01:08:22Okay.
01:08:26Hey.
01:08:52What was it like when your mother died?
01:09:10I don't remember.
01:09:14But I wish he was dead.
01:09:22He blames me.
01:09:27I can see it in his eyes.
01:09:29He scares me.
01:09:31I won't let him hurt you.
01:09:35I won't let anybody hurt you.
01:09:41I bought a gun.
01:09:44Because I'd rather die than have him keep staring at me.
01:09:48Well, put him in a home.
01:09:51And I'll pay for it.
01:09:52I can't take your money.
01:09:59Mary, please.
01:10:01Please stay with me.
01:10:04I have to go home.
01:10:22I have to go home.
01:10:34I have to go home.
01:10:36Look, he requires constant supervision.
01:10:54And Vera can't do that.
01:10:55I know how she feels.
01:11:03I had to take care of my mother.
01:11:06You should know that.
01:11:07You were there.
01:11:07I know what you did to your mom.
01:11:14She's using you.
01:11:17She bought a gun, Elle.
01:11:22You're in love with her.
01:11:23Are you coming?
01:11:26Are you coming?
01:11:26Mr. Gordon, Nancy Cray.
01:11:48I'll be giving you the tour.
01:11:49Oh, great.
01:11:53Baby Gordon?
01:11:54Long story.
01:11:57Well, we offer 24-hour supervision.
01:12:00Three different meal plans to fit your budget.
01:12:02What type of injury?
01:12:04Head injury.
01:12:05Well, we do like to pair off our long-term guests to disability and level of communication.
01:12:10Miss Cray, I'm Mr. Epstein.
01:12:13He hates taking his bath.
01:12:15Ah, I understand.
01:12:17Please excuse me, okay?
01:12:18Okay.
01:12:19Just a moment.
01:12:19Just a moment.
01:12:40Hello?
01:12:43Hello?
01:12:47Hi!
01:12:48Hi!
01:12:48Hi!
01:12:48Hi!
01:13:10Where are you?
01:13:23Where are you?
01:13:25Where are you?
01:13:29Where are you?
01:13:40Where's the nurse?
01:13:48She's taking a siesta.
01:13:54How are you?
01:13:58We have a problem.
01:13:59We do?
01:14:01I want to put you in a convalescent home.
01:14:04What's my better half want?
01:14:06She's scared.
01:14:10She's afraid you blame her for the accident.
01:14:13Can't call her dumb.
01:14:15I'm worried about her.
01:14:19Don't be.
01:14:20You don't understand.
01:14:22She's in a lot of pain.
01:14:24Really?
01:14:26What about me?
01:14:29Do you know what it feels like
01:14:31lying in your own shit all day?
01:14:34TV droning.
01:14:36On top of that,
01:14:37I have to listen to you and her.
01:14:40In the room next door.
01:14:43And why are you telling me this?
01:14:47Why is she not here?
01:14:49It doesn't matter
01:14:50because I'm taking care of things now.
01:14:52You?
01:14:53Why are you laughing?
01:15:03Why are you laughing?
01:15:07I love her.
01:15:09And she loves me.
01:15:13She's incapable of love.
01:15:16She's using you.
01:15:17You're jealous.
01:15:20She needs a man.
01:15:23Not a boy.
01:15:25You're wrong.
01:15:27Well, ask Mike, the detective.
01:15:30What's that supposed to mean?
01:15:32It means while you're taking care of me
01:15:35and my shit,
01:15:37she's taking care of it.
01:15:39You're lying.
01:15:40I smell him.
01:15:44When she comes in at night
01:15:45and tucks me in.
01:15:49I smell her.
01:15:53Coffee.
01:15:55Onion.
01:15:55It's human nature to want to protect the one you love.
01:16:17To keep bad things away.
01:16:19You try and you try.
01:16:23But in reality,
01:16:25it's like being in a car accident.
01:16:28The way everything suddenly seems like slow motion.
01:16:33And there's nothing you can do.
01:16:36So you just sit back
01:16:37and wait for the crash.
01:16:40And there's nothing you can do.
01:17:10What are you talking about?
01:17:12What are you talking about?
01:17:14You sure?
01:17:15Sorry.
01:17:25What?
01:17:26You got this with you?
01:17:28No.
01:17:37Maybe you scared me.
01:17:40I thought it was Keith who scared you.
01:17:42What are you doing out here?
01:17:44I didn't want to miss you.
01:17:50Do you want to come in?
01:17:51No.
01:17:53I want to smell you.
01:17:56Why, baby?
01:17:58Because I saw you at the taco stand with that cop.
01:18:02Were you following me?
01:18:05I saw you with him.
01:18:10Do you want to smell?
01:18:11Do you smell good?
01:18:12I'm tired. I'm going in.
01:18:16Do you smell good?
01:18:17I'm tired. I'm going in.
01:18:18No, listen.
01:18:19Keith said you'd smell like the cop, but you smell fresh.
01:18:20And I was worried.
01:18:21Wait.
01:18:22Keith spoke to you?
01:18:23What?
01:18:24No.
01:18:25No.
01:18:26No.
01:18:27No.
01:18:28No.
01:18:29No.
01:18:30No.
01:18:31No.
01:18:32No.
01:18:33No.
01:18:34No.
01:18:35No.
01:18:36No.
01:18:37No.
01:18:38No.
01:18:39No.
01:18:40No.
01:18:41No.
01:18:42No.
01:18:43No.
01:18:44No.
01:18:45No.
01:18:46No.
01:18:47No.
01:18:48No.
01:18:49No.
01:18:50No.
01:18:51No.
01:18:52No.
01:18:53No.
01:18:54No.
01:18:55No.
01:18:56No.
01:18:57No.
01:18:58No.
01:18:59No.
01:19:00No.
01:19:01He told me about George and Lois.
01:19:09I understand why he killed them.
01:19:13Keith killed George and Lois?
01:19:16Yeah.
01:19:17Who else?
01:19:24I want to see my husband.
01:19:26No, baby, baby.
01:19:27Vera, please.
01:19:29Let me go.
01:19:30Just be quiet.
01:19:31I have to tell you something.
01:19:36Vera, please.
01:19:38Vera, please just listen.
01:19:40Vera.
01:19:41Listen.
01:19:42Keith is not well.
01:19:44He's sick, okay?
01:19:45He is sick.
01:19:47My mother was sick.
01:19:49And I understand what that's like.
01:19:52It's an illness that doesn't get any better.
01:19:56He knows you.
01:19:58But I understand you.
01:20:00He is always fucking telling me what to do.
01:20:08And he's not going to do it anymore.
01:20:13Okay.
01:20:14Because I am in control now.
01:20:17My mother understood that.
01:20:25And now Keith will, too.
01:20:31You set me free, Vera.
01:20:35I'm going to set you free.
01:20:49I, um, Vera and I have decided to go away.
01:20:53I wanted to tell you.
01:20:53Vera.
01:20:54No!
01:20:59Vera.
01:21:00Hey.
01:21:04Oh, my God, Vera.
01:21:08Vera?
01:21:09Oh, my God.
01:21:11Vera.
01:21:13Vera, please.
01:21:14Vera.
01:21:17Vera.
01:21:18Oh, my God.
01:21:20I need help.
01:21:38I need the police.
01:21:40I think she's dead.
01:21:41What are you doing?
01:21:43Where did you get that?
01:21:44Hurry.
01:21:45Hurry.
01:21:46He's got a gun.
01:21:47I've had it, Keane.
01:21:51I'm going to tell him.
01:21:53I'm telling him about George and Lois.
01:21:56And now, Vera.
01:21:59It is your fucking fault.
01:22:07Stop it!
01:22:09It was you.
01:22:10You killed them.
01:22:11It was you.
01:22:16You killed them, baby.
01:22:18You took him to Lois's.
01:22:20I saw you.
01:22:22It was your hands on the controls.
01:22:24You pushed George in the pool.
01:22:27I watched you.
01:22:29You can't tell her.
01:22:30He can't speak.
01:22:33It's all my fault.
01:22:34I should have stopped you.
01:22:40I thought that if I loved you enough, it would be all right.
01:22:45It would make sense.
01:22:49For Mom, she deserved to die for what she put you through.
01:22:53But the others, they didn't deserve it.
01:22:56Let's cut to the chase.
01:22:59She can't hear me.
01:23:00I stopped talking a long time ago.
01:23:06Remember?
01:23:07You were in my head.
01:23:09He's a man in there.
01:23:11Help me, Lois.
01:23:13I thought that love would win.
01:23:16I thought that love would conquer all of us.
01:23:19I want her.
01:23:21Shut up!
01:23:25Shut up!
01:23:26Stop it!
01:23:29Shut up!
01:23:30Baby, please!
01:23:31Please, stop!
01:23:33You can't have her.
01:23:36Baby, please!
01:23:39Stop!
01:23:40Please!
01:23:42Don't make me do it!
01:23:44She's pure.
01:23:45She's pure.
01:23:45You remember this.
01:24:04You remember this.
01:24:04This is where we started.
01:24:13The cops never charged me with anything.
01:24:17They said I did society a favor.
01:24:23The newspapers and TV told the story over and over.
01:24:27Then it faded away into nothing.
01:24:35The truth is...
01:24:38We're left with the things we wanted all along.
01:24:42I'm sorry.
01:24:42I'm sorry.
01:24:43I'm sorry.
01:24:59No beginning and end.
01:25:05No perfect world.
01:25:09No perfect world.
01:25:09Al.
01:25:11You were waiting to find, in the blink of a light, you were waiting to find, in the blink of a light.
01:25:28You were waiting to find, in the blink of a light, you were blinded by reality.
01:25:44You were getting too close to her family ghost.
01:25:51She had hoped you would never see.
01:25:56She'd leave you seeing stars, radiant by far.
01:26:02Your world up in her hands, empty future plans.
01:26:07She could clearly be waking up from you.
01:26:12On your black sea.
01:26:15On your black sea.
01:26:17On your black sea.
01:26:24She could feel she wants, yet you should see her above.
01:26:30Silent texture she adds to your dreams.
01:26:35Build a lens of your mind.
01:26:38You must pretend that you're blind.
01:26:40All the secrets and lies are real
01:26:45She leaves you seeing stars
01:26:48Radiant by stars
01:26:50The world up in her hands
01:26:53And the future's lands
01:26:56She could really be
01:26:59Waking up from your black sea
01:27:04From your black sea
01:27:10From your black sea
01:27:15From your black sea
01:27:20There's a voice in your head
01:27:24Resurrecting the dead
01:27:27You repair the emotional seams
01:27:31She was brought up all night
01:27:35In a church-driven life
01:27:38On a diet of coke and café
01:27:41Fade out
01:27:47Fade out
01:27:48You see stars
01:27:56You see stars
01:28:02You see stars
01:28:07Radiant by stars
01:28:09The world up in her hands
01:28:12The world up in her hands
01:28:13And the future's lands
01:28:14She could really be
01:28:17Waking up from your black sea
01:28:22From your black sea
01:28:28From your black sea
01:28:34From your black sea
01:28:39I know people.
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