- 4 months ago
First broadcast 6th January 1978.
The Professionals get involved after Terkoff, a Russian K.G.B. agent, introduces young Sara Seaford "accidentally" to Sir Charles Milvain, a man tipped to be the next Prime Minister, with a view to gaining secret information from him and ultimately destroying him and his government.
Gordon Jackson - George Cowley
Martin Shaw - Doyle
Lewis Collins - Bodie
Anthony Steel - Sir Charles Milvern
Walter Gotell - Sam Baker
Felicity Dean - Sara Seaford
Pamela Salem - Ann Seaford
Barry Justice - Simon Culver
Maggie Wright - Paula
Patrick Durkin - Terkoff, KGB Agent
Fredric Abbott - Big Man
Stefan Kalipha - Henry Aloysius Wences
Michael Burrell - Alan Reeves
Sally Harrison - Jo
Kenneth Watson - Det Supt Tilson
Bridget Brice - Betty, Cowley's Secretary
The Professionals get involved after Terkoff, a Russian K.G.B. agent, introduces young Sara Seaford "accidentally" to Sir Charles Milvain, a man tipped to be the next Prime Minister, with a view to gaining secret information from him and ultimately destroying him and his government.
Gordon Jackson - George Cowley
Martin Shaw - Doyle
Lewis Collins - Bodie
Anthony Steel - Sir Charles Milvern
Walter Gotell - Sam Baker
Felicity Dean - Sara Seaford
Pamela Salem - Ann Seaford
Barry Justice - Simon Culver
Maggie Wright - Paula
Patrick Durkin - Terkoff, KGB Agent
Fredric Abbott - Big Man
Stefan Kalipha - Henry Aloysius Wences
Michael Burrell - Alan Reeves
Sally Harrison - Jo
Kenneth Watson - Det Supt Tilson
Bridget Brice - Betty, Cowley's Secretary
Category
📺
TVTranscript
00:01Well, I'm not in the government, you know. Not yet, anyway. Just shadow minister in opposition.
00:09But in my opinion, the electorate of this country will put us back into power within the next 12 months.
00:15Certainly you can quote me. You're welcome, George. Forgot you, sir.
00:24Jessica? Yes, sir, Charles?
00:26I'm going back to London. See you Monday.
00:29Yes, sir. And you haven't forgotten that the Prime Minister is...
00:32No, I haven't forgotten. I'll contact him this evening.
00:35Very good to be again, Peter. I'm driving myself.
00:38Yes, sir.
00:59No.
01:00No.
01:01No.
01:02No.
01:03Yeah.
01:04But you don't have to be here.
01:06No.
01:07No.
01:08No.
01:09You are driving too fast.
01:20Be quiet.
01:39Anarchy, acts of terror, crimes against the public.
01:56To combat it, I've got special men, experts from the army, the police, from every service.
02:02These are the professionals.
02:09The Civil War
02:14The Civil War
02:19The Civil War
02:24The Civil War
02:30The Civil War
02:35Now, you're quite sure you're all right?
02:37all right fine thank you only a couple of bruises that's all now there will be somebody inside to
02:41look after you won't there no actually the house belongs to my uncle and he's away at the moment
02:46in the country look you've been so kind bringing me home and everything you will come in and have
02:50a drink aren't you a little young to be offering a strange elderly gentleman drinks well it is after
02:55six all right but i must make a phone call you know you're not a bit elderly you're only what 40 45
03:14you're flattering me outrageously
03:16sir charles milvin here is he free to talk
03:29no no i won't be at home i'm dining out tonight
03:46oh hello ann you're up early how did you make out in the purse was he generous
04:10he was a louse i don't want to have to see him again not ever and you can tell whence is that
04:16from me well you can tell him that yourself he's coming here in a minute to pick me up good
04:25simon my day was generous simon what are you doing here anyway clearing up he was the place for a badger
04:31job last night what was he like
04:34do you know who this is i know she's got a great future we picked her up a month ago outside the
04:42station she looks very young yes that was a problem but i solved it in your usual way
04:49got her hooked on me first then really hooked now she'll do anything for her daily fix absolutely
04:58anything anything give me a drink will you usual
05:28shall i bring it in to you
05:37ann ann ann ann ann ann ann ann ann ann ann
05:58what's this
06:03oh
06:04you down calm past her no must have taken the back way eh
06:21You didn't say anything to her, just talking about this girl.
06:27This girl? This is the girl you're using on that badger job?
06:31That's right. Why the hell didn't you show me?
06:33Why the hell should I? I found her.
06:35You found Big Trouble Toon. Now we'd better find Anne and fast.
06:43Doyle!
06:45I beg your pardon?
06:46Doyle! Ray Doyle. Is he here?
06:49Ray Doyle?
06:51Yeah.
06:52Moved away from here, what? Three years ago at least.
06:55Moved?
06:56Yeah. Across the river. Chelsea. Went up in the world.
07:00Do you know where he is?
07:02No. I think I've got his phone number somewhere. Hang on.
07:19There we are. I knew I had it somewhere.
07:34Anne!
07:38Anne!
07:39What are you doing here?
07:41I just thought I'd take a walk. I need some air.
07:45Good. I approve. Don't ever stop her.
07:51You might have needed air, but not that much.
07:54No. Oh, no! No!
07:56Oh, no! No!
07:57Oh, no!
08:02That's vicious.
08:03Nice speech the old man made, Dan.
08:04A filibuster.
08:05Do you think he's noticed we've slipped away nearly four hours ago?
08:09He's probably still filthy off it.
08:11I don't know.
08:12Oh!
08:15That's vicious.
08:16Nice speech the old man made, Dan.
08:17What a filibuster.
08:18Do you think he's noticed we've slipped away nearly four hours ago?
08:21He's probably still filthy off.
08:22I know.
08:23Do you think he's noticed we've slipped away nearly four hours ago?
08:27He's probably still talking.
08:40That could be important.
08:42We are off duty.
08:44You're right.
08:46You're absolutely right.
08:48Definitely.
08:48On the other hand, it could be wrong.
08:59Hello.
09:01Who?
09:02Reeves.
09:04Reeves who?
09:07Yeah, yes, yes, now I remember.
09:08Look, do you know what the time is?
09:11What?
09:12Well, she seemed disturbed.
09:14She asked for you.
09:15I mean, I told her you'd moved away and went to get your number, but she'd run off.
09:20Run off?
09:20What do you mean, run off?
09:21Well, that's why I thought I ought to call you, Mr. Doyle.
09:24You see, there were these men.
09:25Men?
09:26What men?
09:27Maybe they were in a hurry, or perhaps I imagined it, but there were two men in a big American
09:33car, and they looked as if they were chasing her.
09:36Yes, hang on a minute.
09:37Ray, did she get her name?
09:40What does she look like?
09:43And she just asked for me, hey?
09:45Yeah.
09:46Yeah, no, no, that's fine.
09:47No, it's all right.
09:48Thanks for calling.
09:49Yeah, ciao.
09:56Ray?
09:57Ray.
10:07Ray.
10:07Oh.
10:15Look, Sue, make us a cup of coffee, wouldn't I?
10:17Go on, Ray.
10:18Yeah.
10:18Yeah.
10:19Yeah.
10:19Yeah.
10:27So what happened to the party's spirit, then?
10:30One man just turned up at the place I used to live, looking for me.
10:35Very upset.
10:36And ever so slightly pregnant.
10:39Look, when I was with the drug squad, listen, about a dozen people knew where I lived, and
10:46they all had strict instructions never to use that address unless it was very, very important.
10:52Ray, that's got to be at least three years ago.
10:54Someone was chasing her.
10:55Okay.
10:59Okay, what?
11:00Well, let's go and check it out.
11:02That's what you want, isn't it?
11:04Well, what about the girls?
11:09Leave it to me.
11:10Tall, very beautiful, about 30, 35.
11:13Anything else?
11:14Well, she's got a very sexy voice, low.
11:17Oh, yeah, and she was wearing a fur coat.
11:19Looked like a real one, mink.
11:20What about the men who were chasing her?
11:22Well, I didn't say they were chasing her.
11:24I said I thought they might be chasing her.
11:26You see their faces?
11:27No.
11:28But I think one of them was black.
11:31Big young car?
11:32Yeah.
11:33Sort of gold colour.
11:34I wouldn't know the make.
11:35And they weren't that way?
11:37Towards the river, yeah.
11:38Thanks anyway.
11:39Okay, so where does this go to?
11:43Chiswick.
11:45That's miles away.
11:48Look, she's been gone an hour.
11:51Look, Ray, you've gone through the motions.
11:53Now just forget it, right?
11:57All right, we'll go to Chiswick.
11:59Nice sunny day.
12:01Love to see it glinting on those polluted waters.
12:03So who do you think it is, Sherlock?
12:08That's stuff about the voice.
12:10Yeah.
12:11I think it was somebody I used to know.
12:12And Seaford.
12:14Mind you, that description could be anybody, couldn't it?
12:16Yep.
12:20Oh, let's go and get some coffee.
12:23Ray.
12:23Ray.
12:23Ray.
12:49Ray.
12:53Suicide.
13:18Yeah?
13:19Why haven't we found the mink?
13:22What happened to the fur coat?
13:24She could have just dropped her coat and she jumped.
13:28Some joker happens along, picks it up. Simple.
13:30Yeah, what about the guys chasing him?
13:33What about him?
13:34If they were chasing him.
13:36Oh, look.
13:37A big flash car driven by a black guy.
13:39Add them together and what have you got, eh?
13:41A black guy driving a flash car.
13:45It adds up to a high-class pimp for a high-class hooker.
13:50That's what Anne Seaford was.
13:51Oh, dear, Doyle.
13:52What a full and formative life you had, eh?
13:56Pimps and high-class hookers.
13:57Wow.
13:58That's the basis of police work, that is.
14:00Yeah.
14:01Contacts.
14:02Information.
14:03Yeah.
14:03Yeah, yeah.
14:04Wow.
14:05You see, I was enjoying myself while you were in the army.
14:18Yeah, very nice.
14:19Who did she hook, Croesus?
14:21If he was a man, you can bet on it.
14:37Security lock.
14:38Ray, it's just a suicide.
14:45Not even anything to do with us.
14:48Cowley will eat you alive.
14:51Yeah.
14:51It's a great pity.
15:05Yes.
15:06Anne was something special.
15:08A real investment.
15:09I mean that you allowed her to see Sarah's photo there.
15:13Foolishly allowed her.
15:15I didn't know.
15:16It wasn't my fault.
15:18Fortuitously, then?
15:19Would you say it was fortuitous?
15:21Well, no.
15:22Foolishly, then.
15:24I was right the first time.
15:27Either from what you tell me, you handled it well enough.
15:31Oh, yes.
15:32A genuine suicide.
15:33Hardly that.
15:36A fake suicide.
15:40But it'll do.
15:43Call me later.
15:48Sam?
15:50Hi.
15:56Sam.
15:59Uncle Sam, if you please.
16:01Uncle Sam.
16:02Do I get my prize now?
16:05Prizes have to be won, my dear.
16:09Prizes have to be earned.
16:24Mr. Cowley.
16:26Detective Superintendent Toulson, sir.
16:27Ah, yes.
16:28It was you who called me.
16:29Yeah, well, I felt I had to, sir.
16:31Those two boys of yours, they're running roughshod over my men.
16:34Now, this is a common suicide, possibly murder.
16:37But right outside CI5's jurisdiction.
16:39Nothing is outside our jurisdiction, Superintendent.
16:41Doyle, morning.
16:50Doyle, morning.
16:57Wait outside.
16:58now as far as i can make out a call girl drowned herself this is personal sir nothing is personal
17:11doyle when you joined ci5 i made that perfectly clear the department owns you i own you i can
17:17sell your body to science if i want while it's still alive we are off duty sir you are never
17:23off duty that is one thing we do share with the police and the only thing now i find you sharing
17:27a common suicide with them i knew her that's no answer your ci5 both of you ci5 means special
17:34assignments only with authority to investigate any and every incident that's in the small print
17:39sir don't you quote that small print at me for every sentence of small print you produce i can
17:44produce smaller this is a police matter leave it to the police personal or not we don't pay you what
17:50we pay you to get mixed up and sordid it'll sue us
17:52jilton yes i want this apartment sealed off this is now ci5 case we'll send in our own forensics
18:02men but don't bat me do you want to see the small print on our authority no sir
18:07this phone number do you recognize it no no i'd be alarmed if you did it's the prime minister's private
18:24line
18:25well why not he is a man he's a good-looking woman no that's out of the question no while you're
18:33at him pleasure well he is one man who can't make any kind of without somebody noticing police
18:39special branch security so if he had been seeing answered we'd know about it wouldn't we so it must
18:44be someone else someone who knows his private number can't be many oh every cabinet minister for a start
18:51help yourselves thank you sir well go on
19:05well she was a very nice girl
19:09hookers are women you know they can be nice
19:13yeah have a heart of gold did she no but she did have a sort of code
19:17oh yeah so long as you pay that's right but if it came to something really bad she was straight
19:24as a die like what like girls underage that's how i met her she helped me to find this 14 year
19:32old girl on the run it just wasn't the suicide sort was it a pimp no no no no not three years ago
19:39anyway three years are like 30 in that trade yes yes i know average three tricks a day that's
19:46two thousand men not counting the trade fairs yeah well i suppose she does need a pimp by now
19:50i mean someone to lean on you know security don't push your luck bodie
19:57if he exists that pimp i want him
20:16charlie come in
20:27all right
20:28charlie i thought you weren't coming
20:34fancy a swim
20:36a swim
20:37i'm all ready for it
20:39i haven't got a costume
20:41never mind i laid out a pair of uncle sam's for you up there first bedroom on the left
20:46go on
20:49you can teach me to swim underwater
20:52sarah
20:56your uncle you sure he doesn't um
20:58i told you he's away all day right until tomorrow morning
21:03i'll be in the pool
21:05well
21:16he's upstairs changing
21:20sam
21:38uncle sam
21:39uncle sam
21:41shh
21:42just one little sniff
21:44i need it
21:45look if you want me to go through with this i've got to have it
21:57just one
22:01more
22:08much more
22:10when you've done your job
22:12i'll go and entertain him
22:33come on in charlie
22:38it's wonderful
22:39come on
22:42come on
22:43right
22:44right
22:45right
22:46you're all faster
23:04come on
23:05eat
23:06to us
23:13serendipity
23:17serendipity
23:18serendipity
23:19what
23:20a happy accident
23:21do you know what i usually do now
23:27after a swim
23:28when my body's still tingling and alive
23:31i usually go and lie down on the bed
23:34i usually go and lie down on the bed
23:38i'm a creature of habit
23:40some habits are good
23:44shouldn't be broken
23:48never
23:49i'm a kid
23:51you're sick
23:52no
23:53i couldn't
23:54calvert
23:55yes
23:56they're on their way up
23:57i'm ready
23:59no
24:00no
24:01no
24:02no
24:07no
24:12you
24:13no
24:14no
24:15¶¶
24:45Scented cigarettes? You don't even smoke.
24:57You have to find a pimp, right? Know thy subject.
25:01Right, where are we going now, Batman? We are going dancing.
25:04Dancing in the afternoon? Know thy subject, right.
25:15D'Oil.
25:30What's this? Manna from heaven?
25:34Or is it still ginger ale?
25:36Is this a bust?
25:38Nope. It's present time.
25:40Ray Doyle, you're a treasure.
25:43You're an unmitigated, lousy, slimy, grummy bastard.
25:46But you're a treasure, too.
25:50Hello.
25:52The bees won't buy my body, you know.
25:56I like your friend. Has he taken the vow of silence?
25:59He listens and observes.
26:02He doesn't look like a voyeur.
26:03Sir, I'm very expensive.
26:07Oh, I know I can tell by the Oliver Nestle suite.
26:13You should have taken the vow.
26:15I need a favour, Paula.
26:17Get lost.
26:18You owe me a favour.
26:19Information?
26:20Yeah.
26:21What is it worth?
26:22The favour you owe me.
26:24Having trouble here?
26:25Mm-mm.
26:26No trouble at all, Max.
26:28I got a butler of champagne invested here.
26:30Yeah, yeah. Well, we'll be finished in a minute.
26:33You heard what he said? Push on.
26:37Champagne.
26:38Magna.
26:45Okay.
26:47Watch.
26:47Watch.
26:48Watch.
26:48Watch.
26:48Watch.
26:58Come on, you locks.
27:06You're out of here.
27:09Anne Seedford.
27:11He didn't even pay for the champagne.
27:14Anne Seedford.
27:15Don't you read the newspapers?
27:16She's dead.
27:17She took a jump into the Thames and did deep breathing exercises.
27:19Maybe she didn't jump.
27:20Well, maybe she didn't.
27:21Anyway, she was out of my class.
27:23Ritzy car, owned flat.
27:24Own femme?
27:25Maybe.
27:26Nine.
27:26I don't know.
27:28Kids don't advertise.
27:31Anyway, whoever he is, he runs a very fine stage.
27:34So, give me the name of another runner.
27:40All right, Doyle.
27:41Try Joanna.
27:42What's her number?
27:45262-9138.
27:50Is this absolutely necessary?
27:53What's a pimp?
27:54Lowest form of life?
27:56Yeah.
27:58It's also a protector.
28:00These girls are valuable merchandise.
28:02Anything happens to one of his girls, a pimp comes running with it.
28:07Come on.
28:08You're accustomed to be a fortune.
28:12Hello, Joanna.
28:14Well, hello there.
28:15And who's this?
28:16Yes, yes, I'm free.
28:18Say in about an hour from now?
28:19Well, of course.
28:22I'll give you the address.
28:23Well, hi there.
28:27Yeah?
28:30The muse, yeah, got it.
28:32You'll be there within the hour.
28:33I'll be waiting.
28:35And just one thing.
28:36Who recommended you?
28:38Uh, well, it was a girl called Anne.
28:43Anne Seaford.
28:45Okay.
28:46Bye.
28:50You in business?
28:51Yeah.
28:523.30.
28:53Someone we know?
28:54No.
28:55But okay.
28:56He knew Anne.
28:57Anne Seaford?
28:58Yeah.
28:59Poor Anne.
29:00I'll be in the next room.
29:01You're staying.
29:02I thought you were going to the club.
29:04What?
29:05And leave you all alone?
29:22Hey.
29:22Hey.
29:28Who?
29:31What about a swim?
29:32What about...
29:33Sir Charles Milvan?
29:36Yes.
29:44Sorry, Charlie.
29:48Sir Charles.
29:50You have been taking a great interest in Sarah.
29:54We, in turn, have been taking a great interest in you.
30:01Here.
30:17How are you going to play it?
30:17Uh, drunk.
30:26Oh, damn.
30:27He's early.
30:28Put on your pretty smile.
30:36A pretty smile's money in the bank.
30:45Diana?
30:46Yes.
30:46Hello.
30:47Up here.
30:49You're, uh, not quite as pretty as I thought you were going to be.
30:53Oh.
30:53Oh, that's all right, because Anne...
30:54It's all right, because Anne says you're absolutely fantastic.
30:58Good.
30:59In there.
31:00Oh, it's nice.
31:04It's 50 quid.
31:06Yeah.
31:06Great.
31:07How about, uh, a little drink?
31:09For half an hour.
31:10Sure.
31:1251.
31:16Wentz's will have stuff.
31:19Won't he?
31:20Simon!
31:22Yes.
31:23Wentz's always has stuff.
31:26Are you sure you can afford me?
31:29You're not.
31:30Shoot.
31:31Yeah.
31:32I'll credit you one.
31:33Take your pick.
31:34Don't be funny.
31:35It's cash, or out you go.
31:37Cash for what?
31:39I like to see what I'm buying, so get them off.
31:42Look, you've been here 10 minutes already.
31:44Time is money.
31:45Give stamps as well.
31:46What's going to happen to Charlie?
31:54I need it, Simon.
31:56I need it now.
31:57Listen, I'll tell you the truth.
31:59Love, I don't fancy you.
32:02Drink terrific.
32:03But you...
32:05Didn't give stamps.
32:10Well, I'm not going to pay you, so what are you going to do?
32:12Take it out of your hide.
32:16And when your hide's all used up, I'm going to take it out of your pockets.
32:20Okay, okay.
32:21I'm throwing you out.
32:22Eventually.
32:23Oh!
32:28Oh!
32:28I lied.
32:39You're pretty.
32:41And your drink's lousy.
32:42Oh!
32:43Oh!
32:43Oh!
32:44Oh!
32:45Oh!
32:46Oh!
32:47Oh!
32:48Oh!
32:49Oh!
32:50Oh!
32:51Oh!
32:52Oh!
32:53Oh!
32:54Oh!
32:55Oh!
32:57Oh!
32:58Oh!
33:01Oh!
33:02Inventive.
33:03And physically.
33:05Very impressive.
33:07But I think we can agree, Sir Charles.
33:09Not pretty.
33:10Not the sort of stuff that votes are made of.
33:13Would you like a drink?
33:14What do you want?
33:16How much?
33:17Well, it's difficult to measure, Sir Charles.
33:20The total destruction of a fine political career, a shattered marriage, and the laughter.
33:27I sense the worst of it all, the laughter and the disdain.
33:31Difficult to measure in terms of money, so let's not bother with it.
33:34Let's just say your service rendered.
33:38You're in a privileged position, Sir Charles.
33:43And we would like to share that privilege.
33:45Sir?
33:46There is a file that shows the economic and industrial disposition of Europe in the event
33:53of war.
33:54We know it exists.
33:55We also know it has a high security classification.
33:58We know that a shadow minister, you have access to it.
34:05You know I don't carry stuff in the car.
34:07And you know I need my stuff.
34:20Simon, you promised me.
34:23When we get back to my place.
34:25I need it now.
34:26Later.
34:27We've got to see Baker first.
34:29Uncle Sam.
34:32Uncle Sam, her stuff.
34:35Lots of it.
34:37Everything we got from Anne Seaford's flat.
34:40Papers, letters.
34:42Addresses?
34:43Oh, addresses and phone numbers.
34:45More than a thousand of them.
34:47We've got a team checking them out now.
34:49It's going to take a lot of time.
34:51Is that all?
34:53Oh, yes.
34:54There's this.
35:07A child.
35:13Growing into a woman.
35:14They were hidden away in a special place.
35:16With this.
35:20Her baby's here.
35:21I think so.
35:28Have you checked?
35:29There's this letter to Anne Seaford.
35:31Dated 18 years ago.
35:32Dear Miss Seaford,
35:34you must understand it would be quite impossible for you to see your daughter at any time.
35:38We're now her legal parents.
35:40She's our child now.
35:42You will appreciate that in view of your lifestyle,
35:45there can be no question of you ever meeting your daughter.
35:49However, we are quite willing to send you photographs of her from time to time.
35:54By the way, we've decided to call her Sarah.
35:57Sir, that temp.
35:58We've got him.
35:59Henry Aloysius Wences.
36:00Sir, this isn't a regular bust.
36:02You're not coppers.
36:03No, we're worse.
36:04Much worse.
36:05Sit down, Mr. Wences.
36:06Please.
36:07Now, tell me about Anne Seaford.
36:08Anne who?
36:09I'm particularly interested in her clientele, you see.
36:10I've never heard of an Anne Seaford.
36:11You would know all about them, of course, in your capacity as her technical adviser.
36:12Shall we call it that, eh?
36:13Sounds much better, don't you think?
36:14No, we're worse.
36:15No, we're worse.
36:16No, we're worse.
36:17No, we're worse.
36:18Much worse.
36:19Sit down, Mr. Wences.
36:20Please.
36:21Now, tell me about Anne Seaford.
36:22Anne who?
36:23I'm particularly interested in her clientele, you see.
36:24I've never heard of an Anne Seaford.
36:25You would know all about them, of course, in your capacity as her technical adviser.
36:39Shall we call it that, eh?
36:41Sounds much better, don't you think?
36:43Look, I know my rights.
36:44I've been busted before.
36:46Now you've been busted again.
36:48Anne Seaford.
36:49To hold me, I've got to charge me.
36:52And with what?
36:54Something to do with some Anne Seaford.
36:56Well, I've told you, I don't know her.
36:58And you've got to prove different.
37:00You can't make out any link between me and...
37:05Yes, Mr. Wences.
37:07I know this girl, do you?
37:09No.
37:12No.
37:13Oh, yes, you do.
37:14In fact, I'm sure you do.
37:15Well, if he doesn't, I certainly do.
37:17So I'm not less than half an hour ago in a car.
37:20Right outside your place.
37:22Now, isn't that a coincidence, Mr. Wences?
37:25I want a lawyer.
37:26I'm saying nothing until I've seen a lawyer.
37:29Saying nothing?
37:30Oh, dear.
37:31That would be most unhelpful, wouldn't it?
37:35This is illegal!
37:37You've got to charge me!
37:38This is illegal!
37:39I'll tell you one thing.
37:40It's not gonna be fun.
37:42Sir?
37:43Who is she?
37:44That girl?
37:45Anne Seaford's daughter.
37:46Her daughter?
37:47Anne Seaford's daughter.
37:48Her daughter?
37:49Anne Seaford's daughter.
37:50Her daughter?
37:51Anne Seaford's daughter.
37:53I've got
38:11I will prove that she was no longer otherwise.
38:16well you'll get your file the file i read the entire contents of it three months ago in moscow
38:37it is not the file we want it is him for the rest of his natural life the very moment he commits
38:45that act of betrayal he belongs to us a respected politician who will one day figure in the
38:53government in our pocket mhm vashis it drove you vashis introvia
39:05now wait here simon he's got stuff in there i know he has please i'll ask him wait here
39:24i don't recall whence has been arrested
39:35i don't know why he's in that kind of business whence's gets busted
39:47you should have known you were responsible i told you
40:11you've got to watch him
40:29but we don't know why what's it matter he won't talk what if he does what can he tell them
40:34he doesn't know any details of this he doesn't even know that you or i exist he could lead them to him
40:39where does that get them one step closer to us that's ridiculous you don't think i would talk to
40:46you you can't honestly think that time is up to my neck i killed ann for you and sarah who found her
40:55yes where is the girl she's outside waiting in the car
41:00we are very grateful to you mr calver we now have sir charles milvern in our pocket
41:11our old man inside the establishment and the greatest advantage of all
41:17is that no one knows he exists except sir and you
41:28i'll send the squad to clean up here yes he did of course and now we have to kill the girl
41:55the car
42:09No, not here.
42:23What was she looking for?
42:26Coke.
42:28Cocaine.
42:30Did she find it?
42:32After the job was done, I disposed of it all.
42:36She didn't find it.
42:37So she still needs it.
42:40Where?
42:41She knows no one in the city?
42:44Where will she go?
42:46Culver's place.
42:48The pimp talked.
42:50And?
42:51Simon Culver, procurer of girls.
42:54And anything else you haven't to fancy?
42:56Like setting up a badger job.
42:58Blackmail.
42:59Yeah.
43:00Come on.
43:07Oh, my God.
43:29Come on.
44:00That's the place.
44:01That's the car I saw earlier.
44:03All right, check it.
44:04No way.
44:09My God, move!
44:10Move!
44:29You're dealing with bros.
44:43I know the fat one.
44:44Terkov, KGB.
44:46Right, go.
44:4751, move.
44:59This way!
45:18Hold it right there!
45:24Cut him off!
45:29The girl!
45:36They're after the girl!
45:37Body!
45:54Ah!
46:00Don't be afraid.
46:03I doubt the girl you're here.
46:12Oh!
46:13The girl!
46:14The girl!
46:20The girl's there.
46:21Yeah!
46:22Ugh!
46:27See ya!
46:28Oh, my God.
46:58Ready? You all right?
47:09Yeah! Get the girl!
47:28There you go.
47:31Terkoff. He was a good man.
47:34Yeah. Well, there's a better man back there.
47:38Doyle! Are you all right?
47:42All right, boy. All right.
47:44Well, at least I haven't got your problem.
47:46It's gone right through.
47:47Sir Charles, I have Mr. Cowley outside.
47:55Send him in, will you?
48:02Mr. Cowley?
48:05CI5, isn't it?
48:06What can I do for you?
48:06I have an urgent document requiring your signature, Sir Charles.
48:12What kind of a document?
48:21Is this some kind of joke?
48:24If so, it's in very bad taste.
48:26Then I'm to blame.
48:28I drafted it myself.
48:29What's the meaning of it?
48:29Oh, I thought it perfectly clear.
48:32Ill health is forcing you to retire from all public life.
48:36Permanently.
48:37Ill health?
48:38What the devil do you mean?
48:39Ah, the devil.
48:40Yes, I think the devil had something to do with it.
48:52You'll notice that the document has been endorsed by both the Prime Minister and your own party leader.
48:58Your retirement is official, Sir Charles.
49:03I hope you'll enjoy it.
49:04I'm very sorry.
49:34You'll be a big plus with the girls, that, you know?
49:52The sticks.
49:54See how you can fabricate a bit, invent some story.
49:58Say you got it ski-jumping or something.
50:00Well, you can pretend you got it doing something really dangerous.
50:30You can pretend you got it.
50:31See how you can fabricate a bit, invent some story.
50:32See how you can fabricate a bit, invent some story.
50:33See how you can fabricate a bit, invent some story.
50:34See how you can fabricate a bit, invent some story.
50:35See how you can fabricate a bit, invent some story.
50:36See how you can fabricate a bit, invent some story.
50:37See how you can fabricate a bit, invent some story.
50:38See how you can fabricate a bit, invent some story.
50:39See how you can fabricate a bit, invent some story.
50:40See how you can fabricate a bit, invent some story.
50:41See how you can fabricate a bit, invent some story.
50:42See how you can fabricate a bit, invent some story.
50:43See how you can fabricate a bit, invent some story.
50:44See how you can fabricate a bit, invent some story.
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