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Step into a whirlwind tour around the globe โ Goofy style! ๐๏ธ From ancient Rome to futuristic Tokyo, this rare compilation features Goofyโs most hilarious historical adventures, originally released as a laserdisc-exclusive feature in the mid-90s.
Perfect for Disney fans, animation lovers, and nostalgia seekers!
Brought to you by Timeless Toons โ celebrating animation history, one vintage gem at a time. ๐พ
The World According to Goofy,Goofy cartoon,Disney Goofy,Laserdisc cartoon,rare Disney cartoon,1995 cartoon,classic Disney animation,Goofy compilation,vintage Disney,Timeless Toons,old Disney cartoon,nostalgic cartoon,Goofy history,Disney laserdisc,retro Disney,animated history,Goofy funny moments,classic cartoon,Disney compilation,90s cartoon
Perfect for Disney fans, animation lovers, and nostalgia seekers!
Brought to you by Timeless Toons โ celebrating animation history, one vintage gem at a time. ๐พ
The World According to Goofy,Goofy cartoon,Disney Goofy,Laserdisc cartoon,rare Disney cartoon,1995 cartoon,classic Disney animation,Goofy compilation,vintage Disney,Timeless Toons,old Disney cartoon,nostalgic cartoon,Goofy history,Disney laserdisc,retro Disney,animated history,Goofy funny moments,classic cartoon,Disney compilation,90s cartoon
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00:00RACE
00:07RACE
00:10RACE
00:15RACE
00:20RACE
00:23RACE
00:30RACE
00:35RACE
00:43RACE
00:53RACE
00:55RACE
00:57RACE
01:09RACE
01:11RACE
01:13No matter what the circumstances,
01:36regardless of the situation,
01:38even in the most trying of times,
01:41his gangling, homespun charm and high spirits are an inspiration.
01:52But what makes Goofy so goofy?
01:55Let's go back to 1932,
01:57when he made his inauspicious screen debut.
02:02It all began in Mickey's review
02:04with a role as a spectator during a performance.
02:09Originally, he was known as Dippy Dog,
02:11or occasionally, Dippy the Goof.
02:13But one look at his awkward demeanor
02:15and a name change was inevitable.
02:22Jack Kenny, veteran animator, story man, and director,
02:26began with Disney in 1931,
02:28and eventually headed the Goofy unit.
02:30The reason I picked the Goofy,
02:33the character I like to do,
02:35having worked with all the rest of them,
02:37was the fact that he was such a nice, lean, easy-going kind of a guy,
02:41and his actual frame of his body
02:44was a type that you could bend, twist,
02:46turn upside down, tie in knots, pull.
02:49We even have his eyeballs bounce out and back and forth.
02:52But you'd do anything with a guy.
02:53There was no end to the trials and tribulations Goofy suffered
02:58at the hands of his animators,
03:00but he always came out smiling.
03:03Mice.
03:04Goofy's first lead role was opposite an insect pal named Wilbur.
03:08A lazy day of fishing allowed Goofy
03:10to run the full range of emotions,
03:13from grief...
03:13I'll never see him again.
03:17Goodbye, old...
03:18Well...
03:19To absolute joy.
03:22Wilbur!
03:26Wilbur!
03:28Gosh, Wilbur, I thought you was a goner.
03:31It was a performance that led to his starring role
03:33in The Reluctant Dragon,
03:35and a segment that guaranteed Goofy's screen immortality,
03:39How to Ride a Horse.
03:40Only the magic of the slow-motion camera
03:43can do justice to the grace and beauty of the spectator.
03:48I got the okay from Walt
03:50to do a How to 2 series with the Goof,
03:55using narration,
03:57and we first started,
03:58we started, the first one was with
03:59How to Ride a Horse,
04:01which Walt was much into
04:02because of his playing the polo bit, you know.
04:05And then from there on,
04:06we just picked any particular sport
04:08that we happened to think might be a good thing
04:10at the time or in season.
04:13From then on,
04:14the sky was the limit
04:15when it came to Goofy's instructional adventures.
04:18His hilarious methods of trial and error
04:20led to one of the most popular series
04:22of cartoons in Hollywood.
04:25The sailor has developed
04:26the perfect set of sea legs.
04:28The fishing demands limber brains
04:39and well-coordinated muscles,
04:41not only in the throwing arm,
04:43but of the entire body,
04:44in order to achieve that bullet-like delivery
04:46of the ball.
04:49A deft flick of the wrist,
04:50whip of the pole,
04:51the tug of the line,
04:52and the angler can easily imagine
04:55a fighting fish in a crystal pool.
05:08What a gal.
05:10Bud Goofy's proudest moment
05:12would have to be his unusual dual role
05:14in Motor Mania
05:15as a peaceful family man
05:17who becomes a monster
05:18when he gets behind the wheel.
05:20Mr. Walker is now Mr. Wheeler,
05:23a motor.
05:27Motor Mania was awarded
05:28the Buyer Trophy
05:29for the best film on traffic safety.
05:33I loved the guy.
05:34I loved him because of his personality.
05:36He was the kind of person
05:38that anyone would like to be,
05:41you know,
05:42and not bothered by anything.
05:43He was not worried about
05:44the world conditions or anything else.
05:46It was his world.
05:47Goofy's winning streak
05:50continued
05:51with an Academy Award nomination
05:52for a demanding performance
05:54and stunt work
05:55in the water skiing romp
05:57Aquamania.
06:02And, of course,
06:03his triumphant return to the screen
06:05as a ghost
06:06in Mickey's Christmas Carol.
06:13A performance that was dramatic.
06:15Dangerous.
06:21And unmistakably
06:22goofy.
06:24Gosh,
06:24kind of slippery.
06:45gliding today
06:56has developed
06:57into a sport
06:58that can be easily
06:59mastered by anyone
07:01with a desire to learn.
07:02Yeah,
07:03nothing to it.
07:04First,
07:05test the prevailing winds
07:06by means of the wind, sir.
07:08Then choose the proper terrain
07:10and make sure
07:10the takeoff is clear
07:11of all obstacles,
07:13particularly trees
07:14and telephone poles.
07:17Die, die,
07:20dum-die-dee-die.
07:22Here go my lighter
07:24and I die, die, die.
07:27Turn into the wind,
07:28wind up,
07:30test your equipment,
07:31and take off!
07:31faster, faster!
07:43More speed!
07:44More speed!
07:44More speed!
07:48Uh-huh.
07:50We did not attain
07:50sufficient altitude.
07:52Gosh!
07:56Now,
07:57the towing method.
07:58With a rope
07:59attached to the nose,
08:00the glider should be pulled
08:01rapidly along
08:02until it has attained
08:03the necessary speed
08:05to carry it into the air,
08:06somewhat in the manner
08:07of flying a kite.
08:21Oh,
08:23high,
08:24high,
08:25over a tree
08:27will flow.
08:28Don't let minor mishaps
08:36dampen your spirits.
08:39Keep cool
08:39and try more speed.
08:44Now,
08:45launching the glider
08:46by mechanical means.
08:49Greater speed
08:50can be attained
08:51by this method.
08:52However,
08:53this system
08:54can become
08:55involved.
08:56Hey,
09:02come back here!
09:03Wait for me!
09:04Should an unforeseen
09:05emergency arise,
09:07never allow the craft
09:08to get out of hand.
09:10Whatever happens,
09:11don't give up
09:12the ship.
09:12This method
09:27having proved
09:28somewhat
09:28unsuccessful,
09:30let us scan the book
09:31for a better method.
09:34The catapult
09:36is one of the most
09:37ingenious and scientific
09:38devices
09:39used in aerodynamics
09:40to project the craft
09:42with the speed
09:42of a bullet
09:43into the stratosphere.
09:44to open parachute,
10:06jump,
10:07count ten
10:07and pull the string.
10:09I made it!
10:32I made it!
10:33Yes,
10:34the catapult
10:35has the advantage
10:36of gaining altitude
10:37immediately.
10:38I'm glad this came up.
11:01Now don't forget
11:02to count ten
11:03and pull the string!
11:041, 2, 3, 4, 5, 6, 7, 8, 9, 10, pull!
11:24We will take up
11:26how to land
11:27at a later date.
11:28Why, in the sky
11:35like the birds
11:37Why?
11:50Well, here we go again!
11:52And now,
11:54the smell
11:54that only birds
11:55can know.
11:56The sky above
11:57the earth below.
11:59Aye, aye,
12:01dum-didee-dee-dee
12:03High up we fly
12:05like the birds
12:06in the sky
12:08Like the birds
12:09in the sky
12:11Like the birds
12:13Birds?
12:22Hmm,
12:23something wrong here.
12:25Come on.
12:28Come on.
12:32You told me
12:33I don't know
12:34what a bird
12:38can't use
12:39of art
12:39Yes!
12:40Can't talk
12:40to the birds
12:41they send
12:42these soldiers
12:42in the sky
12:43like the birds
12:44That doesn't
12:45Ihre
12:46want
12:47There we find
12:47them
12:47We will believe
12:48They won't
12:48because of the birds
12:48they have
12:49They will
12:50just
12:50all
12:51on
12:51T.
12:53That's
12:53It's
12:53Should any of the foregoing methods fail
13:04Through some unforeseen quirk of fate
13:07Then use your own ideas
13:10For after all launching a glider is really very easy
13:13Just remember these simple fundamental facts
13:17One, the initial impetus
13:20Two, the low and high aspect ratio
13:24Three, control of equilibrium
13:26Four, theory of convection currents
13:29Five, the principles of abstract aerostatics
13:33And so forth, and so on, et cetera, et cetera
13:37Truly, you can't keep a good man down
13:52Come on now, everybody, sing!
14:10High, high, up in the sky
14:14Here goes my glider and I fight high
14:19High, high, up in the sky
14:38THE END
15:08THE END
15:38THE END
16:08THE END
16:38THE END
16:40THE END
16:44THE END
16:46THE END
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16:52THE END
16:56THE END
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17:08THE END
17:10THE END
17:12THE END
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17:16THE END
17:18THE END
17:20THE END
17:22THE END
17:24THE END
17:28THE END
17:30THE END
17:32THE END
17:34THE END
17:36THE END
17:38THE END
17:40THE END
17:42THE END
17:44THE END
17:46THE END
17:48THE END
17:50THE END
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18:00THE END
18:02THE END
18:04THE END
18:06THE END
18:08THE END
18:10THE END
18:12THE END
18:14THE END
18:16THE END
18:38ARE YOU FEELING
18:40BETTER, MISS?
18:46Mmm.
19:16Mmm.
19:46Mmm.
20:16What's wrong here?
20:46Mmm.
21:16Ah!
21:19That's it.
21:20Oh.
21:21Ah, that's funny.
21:23Oh, that's it.
21:25Holy cow, bitches.
21:28That's so sad, isn't it?
21:33We want it.
21:36Ha!
21:37Ha!
21:38Ha!
21:38Ha!
21:39Ha!
21:40Ha!
21:41Wha!
21:41Hi!
21:42Nobody on that again, doless it, I see.
21:45films of wasteland.
21:45It's N ะฒัะฑะพะฒะฐะฝะธะต.
21:46THE END
22:16In the beginning, the world was all wet. Today, it is still four-fifths wet.
22:25Man, the nomad, in the course of his migrations, often encountered bodies of water too wide or too deep to be crossed.
22:37Always the thinker, man soon evolved the most primitive form of aquatic transportation, a log.
22:47Supported by the log, or seated upon it, the next question was one of propulsion.
22:57First, the foot, then the hand. And then, aha, the first marine invention, the paddle.
23:06From the paddle, the logical development was the oar, which employed the simple mechanics of the lever and fulcrum,
23:19producing maximum power with a minimum of effort.
23:22Because of the limitless, uncharted expanse of water, the ancient mariner oft times found himself far, far out at sea,
23:36with only the stars to guide him.
23:39Star white, star bright.
23:42Guys, I wish I knew where I was tonight.
23:45Swiftly and surely, the stars steered him on to his destination.
24:00In the 13th century, even as today, great thinkers worried about what shape the world was in.
24:08Some great minds firmly believe that if you sailed west far enough,
24:13you would sail off the edge of the world.
24:30From the earliest days, sailors were played upon by pirates!
24:37In those romantic days, ships often changed captains very suddenly.
24:43This colourful ceremony is called walking the plank, or feeding the sharks.
24:52Eight bells! Come and get it!
25:02When old Father Neptune went on the ramp day...
25:05For safety's sake, sailors would lash themselves to the mast.
25:23Thus, the sailor was able to stick to his boat through hail and high water.
25:29The flag is the sign language of the sea.
25:35Sailors could communicate with each other by semaphoring and wig-wagging.
25:40A, B, C, D, E, F, G, H, I, J, K, L, M, and O, P, Q, R, M.
25:49He wigged when he should have wagged.
26:02The happy, carefree sailor expressed himself with a hornpipe, traditional dance of the sea.
26:09Hauling in rope, hoisting sail, rowing, look out, look out!
26:26Ah, the clipper ship, the queen of the seven seas, the heyday of sail, iron men, wooden ships.
26:47Through centuries of practice, the sailor has developed a perfect set of sea legs.
26:56A sailor is easily recognized by his wand.
27:03Oh, knots.
27:06Who should know how to tie knots better than a sailor?
27:10He invented them.
27:11The square knot.
27:13The sheep shank.
27:16The granny knot.
27:19A very interesting knot, bears great strength.
27:22The slip knot.
27:26Now, the barrel knot.
27:28Most slip-proof of all.
27:32Take it away!
27:33This explains why sailors are often called Old Tars.
27:44And now, through trial and error, the sailor has at last mastered the sea.
27:50A far cry, indeed, from his early ancestors to the modern scientific mariner of today.
27:55All hands, man, battle stations. Stand by. To attack. Hey! Stand by to attack!
28:09Stand by to attack!
28:14Ready?
28:19Aim.
28:21Fire!
28:22Fire!
28:27Fire!
28:33Yea?
28:37THE END
29:07Horse racing, color, thrills, excitement.
29:26This is truly the sport of kings.
29:29Today, horse racing has become a science.
29:31A science to test the skill of the professional and unprofessional handicapper.
29:36The well-informed turf man must know the individual merits of the competing horses.
29:41He must consider all the elements.
29:43Wind velocity, humidity, rotation of the earth, time of day, temperature, drift indication, lay of the land.
29:50Racing horses are called thoroughbreds, all descending from pure Arabian stock.
29:55And are known to the fan as hay burners, goats, dogs, and bangtails.
30:08Ah, the system horse is snapshot the third.
30:11Now, to properly evaluate the fine points of a horse's conformation,
30:15first see that the quarter, stifle, hock, gaskin, and pastern are all in line.
30:20See that the cannon bone is due south and slightly to the rear of the coupling point of the hip.
30:24See that the loin throat latch is well sloped into the E. pluribus unum of the maxillary hip joint muzzle at the turn of the fetlock, or T-bone.
30:30Beware of a flexor perforatus imperfectly imbricated with a naviculus essenoid frog form.
30:35Make doubly sure that the triangle formed by the withers, girth place, and flank prime ribs
30:39is an extreme opposite of the equilateral hexagon formed by the loin-chucked coronary withers and girth place.
30:43Then check the withers, forearm brisket against the pastures instead of Rochester.
30:45Observe the shoulder width of the gas and brisket throw as in Jordan's.
30:47It's ratio of four to one.
30:48Prepare the integration of the proclized cannon bone over each outstrap with a medium oven quarter-throw brisket flank inflate.
30:51So much for confirmation.
30:53Now look at the pedigree of your horse.
30:55Snapshot the third, out of developer by hypo-developer, out of bromide by flashbulb and hypo, out of tintype by negative.
31:04Since tintype the first, horses of this line have been noted for their burning speed.
31:08And they are also noted as camera muggers or lens lousers.
31:15Ah, weather clear, track fast.
31:17Once inside the clubhouse, you are instantly aware that you're rubbing elbows with the elite of the sporting world.
31:26You'll hear a good deal of discussion as to the respective merits of this horse or that.
31:30But you will not be tempted by the touts.
31:32You stick to your goodies.
31:34Snapshot the third.
31:36There are many systems of picking a winner.
31:38Some fans get their dope straight from the feedback.
31:42And others right from the horse's mouth.
31:44Listen, Doc, there's a paid filly in the toy that's looking pretty good to me.
31:56The horses are coming out on the track.
31:58Ah, what a sight.
32:04There's your horse, the favorite.
32:06Every inch a champion.
32:08Look at that confirmation.
32:09It looks like our psychic friend is going to pick himself a horse.
32:17Eeny, meeny, miny, moe.
32:20Moe.
32:21Moe.
32:23Moe.
32:24Moe.
32:25That's it.
32:26Old Moe.
32:27The hundred to one shot.
32:28Two dollars on, Old Moe, please.
32:55The horses are entering the starting gate.
32:57The atmosphere is electric.
32:58The cameramen are ready.
32:59The press is ready.
33:00The jockeys and mounts are keyed to the last notch of excited tenseness.
33:04Ah, this is a great moment.
33:06The crowd is hushed.
33:07High overhead, the judges are ready and...
33:09And...
33:10They're off!
33:12At the start, it's insomnia in front by a head.
33:15Flannel cake is second by a half.
33:16Rank case is third by two lengths.
33:18Baker's dozen is fourth by a nose.
33:20Plumber's friend and Old Moe.
33:22Snapshot refused to break.
33:24Around the clubhouse turn, it's flannel cake on the rail by four lengths.
33:34Insomnia's second by a head.
33:35Crank case is third by a length and a half.
33:37Van beeswax.
33:38Old Moe is trailing.
33:48Turning into the back stretch, it's still flannel cake by...
33:51And here comes Snapshot, posing very fast.
33:53Look at that horse come.
33:54It looks like a quarterback sneak.
33:55One interference, five, ten, fifteen yards.
33:57And he's smeared.
33:58He's smeared hard.
33:59He's trying to find an opening, but they've got him boxed in.
34:01No, he's away!
34:02Boy, oh, boy, it's been a long time since we've seen a show like this.
34:06That horse has speed to burn.
34:08It's Snapshot all the way.
34:09He's just tiptoeing.
34:14Insomnia's second by two lengths.
34:15Plumber's friend is third by a head.
34:17Borderhouse is fourth by a nose.
34:18Snapshot broke down.
34:21Into the stretch.
34:21It's Insomnia in front by a head.
34:23Plumber's friend is second by a neck.
34:25Cheeseburger is third by one.
34:26Crank case is fourth by two lengths.
34:28KO Justice is fifth by a head.
34:30Rubble Bath is sixth by a length and a half.
34:32And Snapshot is coming again.
34:35He's fifth.
34:35He's fourth.
34:36He's third.
34:36He's second.
34:37And he takes the lead.
34:42And out of the pack comes Old Moe.
34:49It's Old Moe and Snapshot.
34:51It's Old Moe and Snapshot battling it out neck to neck.
34:54It's a driving finish.
34:56It's Old Moe and Snapshot.
34:57And now it's Snapshot by an O's.
35:01They're coming across the line of finish.
35:02And Snapshot.
35:04But wait.
35:05It's going to be a photo finish.
35:09And the winner, Old Moe.
35:13The hundred to one shot.
35:15Snapshot just couldn't resist the camera.
35:18Tough luck, old pal.
35:19You can't win every time.
35:22Or can you?
35:27It's a hero.
35:36It's a hero.
35:45But in one shot, you decide toํ.
35:49Since the beginning of time, man has been possessed with the desire to have a roof over
36:05his head, and a place to hang his hat.
36:11Not me!
36:23Constant reference to the blueprints is necessary in order to facilitate the building and fabrication
36:28of the many complex and minute items of structural simplicity.
36:39Hmm!
36:46Hmm!
36:55Hmm!
37:02Hmm!
37:06Oh, no, no, no, no, no.
37:36and recheck with the spirit level.
37:38This accurate and sensitive instrument
37:40assures precision of construction.
37:46Hmm.
38:06Oh, my gosh.
38:17While setting the window glass or glazing,
38:20extreme care and delicate handling
38:23must be exercised at all times.
38:36Oh, my gosh.
38:41Oh, my gosh.
38:44Hmm.
38:47Hmm.
38:50Hmm.
38:54Hmm.
39:03Hmm.
39:04Hmm!
39:34Painting adds a finishing touch to any house.
39:42Paint applied to reflect the owner's personality.
39:48Also covers a multitude of sins.
40:04It's not the case.
40:20It's not the case.
40:24Oh
40:54And when at last his dreams have been transformed by wood, metal, and masonry into solid reality,
41:18the happy homeowner is proud to extend the warmth and hospitality of his home.
41:24For he's a jolly good fellow, for he's a jolly good fellow, for he's a jolly good fellow,
41:42there's no place like home.
41:59I'll see you next time.
42:29In the crowded confines of the big city, there roams a lonesome man in need of companionship.
42:36But for every friendless man, there is always a dog, man's best friend.
42:43Faith in its peculiar manner brings these two together, a one-man dog and a one-dog man.
42:59A mutual feeling of understanding springs up between them, held together by a common bond.
43:28Soon, the puppy becomes accustomed to his new surroundings and makes himself at home in his master's house.
43:43The out-of-doors is the best place to teach the dog his parlor tricks, and the best method is by illustration.
43:58He should be shown how to heal.
44:01Heal?
44:01How to sit up.
44:03Sit up?
44:03To roll over.
44:04Roll over?
44:05Lie down and point.
44:07Like this.
44:08Point!
44:11Dumb dog.
44:12When the pup has learned to obey these simple commands, he should be rewarded with a biscuit for his efforts.
44:19Take a bite, Bowser.
44:21Yow!
44:22A man and his dog, each for the other.
44:26Here, pal.
44:27Shake hands.
44:28Whoa!
44:32After months of training, the young pup has grown into a one-man dog.
44:39The proud master enjoys a leisurely stroll with his pet.
44:43My, what a handsome dog.
44:45Oh, thank you, ma'am.
44:51Heal, Bowser.
44:52Heal!
44:53I said heel!
44:54Stop!
44:55Whoa!
44:56Heal!
44:56Oh, oh, oh!
44:57Oh, oh, oh!
44:58Oh, oh, oh!
44:59Bowser!
45:03Bowser!
45:07Heal!
45:08Get off!
45:09Sit up!
45:10Roll over!
45:10Get up!
45:11Come on, roll over!
45:13Get up!
45:15Roll over!
45:15There is nothing closer in affection than a man and his dog.
45:26Bowser! Go on! Get away from them chickens!
45:30Eat it, Bowser! Get out of here!
45:32My washed!
45:34Get off of the flowers!
45:36Go on, you mutt!
45:38He's eating my roast!
45:46Perfectionately, the happy dog greets his master's return from a hard day's work.
45:50Ah, the comfort and companionship of dog and master.
45:58Sometimes the neighbors drop by for a friendly chat.
46:02Hey, Geese! Your dog busted my fence!
46:05I'm gonna sue! Scared my chicken! You owe me plenty!
46:08Who's gonna pay for my watch?
46:09Pour up my lawn! Pay up around!
46:11Eat my roof!
46:12And keep that dog home!
46:14The kindly master cannot count the cost and money
46:18for the privilege of owning a pet.
46:29With a warm feeling of security,
46:31the master steps out for the evening.
46:33Good night, Bowser!
46:35Zip-a-dee-doo-dah, zip-a-dee-ay!
46:39My, oh, my, what a wonderful...
46:42Bowser!
46:44Out!
46:46Get, get, get, get, get, get!
46:48And stay there!
46:49Get, get, get, get, get!
46:50And stay there!
46:51Guitar actually wins!
46:54Whamะฐะน, youtube channel
47:13Oh, my goodness!
47:14You are a good temu first!
47:16Easy, boys. He's dangerous.
47:29Surround him, boys.
47:30You asked for it, copper.
47:33We're coming in shooting.
47:35Yeah.
47:36Yeah.
47:37Yeah.
47:39Okay. I give up.
47:41Take him away, boys.
47:43It's up the river for you, Spike.
47:46The slightest noise is apt to arouse the watchful dog into instant action.
47:55Bowser, it's me. It's me, Bowser, boy. Remember? Speak to me, Bowser. Ow!
48:03Doggedly, the pet protects his master's house, almost as if it were his very own, the dog.
48:10The Wit
48:31Dancing has always been man's way of expressing his emotions.
48:53He danced to bring the reins.
48:55He danced to frighten evil spirits, to bring in his crops, tribal tales were told with
49:09the slightest movement of the hands.
49:15The dance has always had its romantic aspects.
49:20Even today dancing is still enjoyed by many, but there are those who have become so inhibited
49:25they no longer have the ability or instinct to dance away their cares.
49:32Come on, George. Let's dance.
49:34Mm-mm.
49:36Are you forced to offer some feeble excuse for not dancing?
49:41Are you left holding the bags and stuck with the check while others enjoy themselves?
49:48Do you have two left feet?
49:51Of course.
49:52Do you feel like a wallflower, alone in a world of laughter and dancing feet?
49:57Well, you can learn to dance.
49:59I'll do it!
50:01Dancing is as easy as one, two, three, and A, B, C.
50:05Example.
50:06A, being the right foot, is placed at numeral one.
50:09B, the left foot at numeral two.
50:11Now, C equals motion.
50:12Therefore, A, or the right foot, if the student is a lady, or B, the left foot, if you're a
50:17man, glides to numeral three.
50:19Logically, of course, the right foot follows the left and vice versa into the simple patterns
50:23that follow.
50:24Thus, we find in this simple design the basis for the dance.
50:30It's merely a matter of following the diagrams.
50:53You are now ready for a partner.
51:07Why, Mr. Keefe, come right in.
51:11Now, don't forget, return it tomorrow.
51:14Plan your approach carefully.
51:16Be polite.
51:18Even courteous.
51:20Be suave.
51:22Suggest refreshments.
51:33If your partner seems to tire, suggest some fresh air.
51:40For sitting out a dance on a moonlit terrace can be a most delightful part of your evening.
51:47And remember, always be the gentleman.
51:52But with the ice broken, on with the dance.
51:55But with the ice broken, on with the dance.
51:57.
52:02What a gal.
52:30If you have trouble with self-instruction,
52:32you can attend an accredited dancing school
52:34and master a dance for every occasion.
52:37Time passes quickly.
53:02And one day, you find yourself a past master of the dance.
53:15You graduate.
53:18Relaxed and confident,
53:20you are ready for the final test.
53:22You're going dancing.
53:25Your personality has changed.
53:27You're sure of yourself.
53:28A suave, sophisticate,
53:37eager to display your Terpsichorean technique.
53:41And when the music starts...
53:44Oh,
53:50if you love...
53:52Oh,
53:54oh,
53:56oh,
53:58oh,
53:59oh,
54:00oh,
54:03oh,
54:03oh,
54:04oh,
54:05oh,
54:05oh,
54:05Ah, yes, the intricate grace of a modern ballroom dance is a true reflection of our culture.
54:24From primitive man to modern man, man, you've come a long way in only 10,000 years.
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