- hace 17 horas
Armored Car Robbery
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00:01:04Los Angeles Police Department
00:01:06Los Angeles Police Department
00:01:08Los Angeles Police Department
00:01:10Yes, sir, Rigby Field, front of the stadium
00:01:12Correct, we'll take care of it
00:01:14Los Angeles Police Department
00:01:16Captain Anderson, just a minute, please
00:01:18Just a minute, I'll connect you
00:01:20I will give you information
00:01:28Cordell Homicide
00:01:30Wrigley Field
00:01:32561
00:01:34Check
00:01:36Don't tell me somebody held at the ballpark
00:01:38Robbery and shooting
00:01:42They don't even give you a chance to digest your lunch
00:01:44Fine, you work better than a full stomach
00:01:46It's going to be close
00:01:48There goes Williams
00:01:50He slides
00:01:52He's in there safe
00:01:56That brings Desmond to the plate
00:01:58Hudson pitches
00:02:00It's low and outside
00:02:02There's the throw to second base
00:02:04Trying to pick off Williams
00:02:06But he's back in plenty of time
00:02:08Desmond steps out of the batter
00:02:10Desmond steps out of the batter and marks
00:02:12He threw it on his hands
00:02:14Back in the box
00:02:16Back in the box
00:02:18He's all set
00:02:20He's all set
00:02:30Here comes Hudson's next pitch
00:02:32Desmond swings
00:02:34He hits it
00:02:36It's a hit
00:02:38Here comes Williams
00:02:40He's rounding third
00:02:42He's heading for hold
00:02:43Here comes the throw
00:02:44It's going to be close
00:02:46But it's cut off
00:02:47It throws it to second
00:02:48Frank to get Desmond
00:02:49He slides
00:02:50He's out
00:02:52That makes two outs and three runs in
00:02:54What's happened Evans?
00:02:56Nothing worked down
00:02:57It was both allowed
00:02:58How do you like that?
00:03:00Another one
00:03:01Some crank is sure having fun
00:03:02With the taxpayers money
00:03:03Cowley swings
00:03:04It's a grounder
00:03:05A grounder for shortstop
00:03:06He's up
00:03:07With the throws to first
00:03:08He's out
00:03:09Sides retired
00:03:11The Bijou Theater on Main Street
00:03:13Three runs, four hits and one arrow
00:03:43Whoo! Whoo!
00:03:45Whoo!
00:03:46Whoo!
00:04:13Hello Dave
00:04:18I figured I'd find you here
00:04:21I thought you told me
00:04:22That you were all washed up with this dang
00:04:24Ah, it's the other way around
00:04:25And what do you hang around for?
00:04:27Look Dave, I know she's strictly high rent
00:04:29And I'm broke
00:04:30But I can't forget her that easy
00:04:31You really got it bad, haven't you?
00:04:33Yeah, bad
00:04:34I loved her enough to marry her
00:04:36I still do
00:04:37You blame me?
00:04:39Well, I suppose some guys might go for her
00:04:42Some guy did behind my back
00:04:44I don't know who the creep is
00:04:45But I'd sure like to lay my hands on him
00:04:47Yeah, I know
00:04:48You better lay your hands on some money first
00:04:51That'll take care of some of your problems anyway
00:04:53I'll take care of all of my problems
00:04:55Come on, I wanna talk to you
00:04:57She comes high, but she's worth it
00:04:59Yeah, let's go
00:05:00Let's go
00:05:11How about those guys you were gonna line up?
00:05:13I got them
00:05:14Two of the best
00:05:15How much did you tell them?
00:05:17Nothing, just that it's big
00:05:19Good
00:05:21Have them at your place tomorrow night, 10 o'clock
00:05:26Okay, I'll try to set it up
00:05:28If anything goes wrong, I'll call you
00:05:30I'll have a new number
00:05:32You gonna move again?
00:05:33Yeah, tonight
00:05:34The Valley Motor Court
00:05:36Sunset 7-2131
00:05:38I'm registered under the name of Martin Bell
00:05:41Don't write that down
00:05:43I don't wanna forget it
00:05:44You move so often
00:05:46I don't like things written down
00:05:48Memorize it
00:05:50Sunset 7-2131
00:05:53Okay
00:05:55Okay
00:05:56Yvonne
00:05:57Wait a minute, Dave
00:05:58Baby, I want you to meet a friend of mine
00:06:00Dave Purvis
00:06:01Hello
00:06:02How are you? The wife
00:06:03I've gotta get right back, Benny
00:06:04Nice to meet you
00:06:05Oh, don't rush on my account
00:06:07I was just leaving anyway
00:06:08See you later
00:06:09So long, Dave
00:06:10Oh, please, baby
00:06:11I wanna talk to you
00:06:13Sit down
00:06:14I told you it's no use, Benny
00:06:15Talk's no good
00:06:16No?
00:06:17What would you say if I hit the jackpot?
00:06:19I wouldn't know what to say
00:06:20It'd be such a shock
00:06:21Well
00:06:22I'm onto something real big
00:06:24If you'll just be a little patient
00:06:26See what I mean?
00:06:27Talk, talk, talk
00:06:28For Pete's sake, Benny
00:06:29Why don't you stop bothering me?
00:06:31Just a minute
00:06:32You seem to forget that we're still married
00:06:35As if I could forget
00:06:37If I could forget
00:07:07Mind if I come in, honey?
00:07:17What do you think?
00:07:28I see you're moving again
00:07:29That's right, tonight
00:07:30Why do you move so often?
00:07:31It's a habit with me
00:07:32Like you are
00:07:33Say, these are good-looking shirts
00:07:34Why do you cut the labels off?
00:07:35Same reason I keep moving
00:07:36I don't like labels
00:07:37No loose ends, baby
00:07:38You're the careful type guy, aren't you?
00:07:39Yeah, real careful
00:07:40And clean as a whistle
00:07:41No record, baby
00:07:42Not even a parking ticket
00:07:46And this time I'm gonna be extra careful
00:07:51This is the big one
00:07:54I think I like the careful type
00:07:55No record, baby
00:07:56Not even a parking ticket
00:07:58And this time, I'm gonna be extra careful
00:08:01This is the big one
00:08:02I think I like the careful type
00:08:05Oh, look, come here
00:08:07¿Qué haces con Benny?
00:08:13En el momento, me parece que necesito.
00:08:16Pero él es imposible.
00:08:18No, no.
00:08:19Me siento, no puedo estar aquí.
00:08:21Estoy en el programa ahora.
00:08:24Mejor que me quede.
00:08:27Ok.
00:08:31No hay tiempo que nos quedara juntos.
00:08:32¿Estás impaciente?
00:08:33Mejor que estoy.
00:08:34So am I.
00:08:51Come in.
00:08:52Hello, Benny. Hi.
00:08:54Benny?
00:08:56Meet the boys.
00:08:57These are the guys I was telling you about.
00:08:59Al Mapes, Ace Foster.
00:09:01How are you?
00:09:02Have a seat. Let's get acquainted.
00:09:04Come on over here, fellas.
00:09:09How do you take it? Straight or with soda?
00:09:11I like it straight.
00:09:12Okay.
00:09:13I think we'd all like it straight.
00:09:15He doesn't mean no whiskey.
00:09:16I've been a little stingy with the words.
00:09:19Okay.
00:09:23The steak we're going for is about a half a million bucks, cash.
00:09:26Only it's a one-shot deal.
00:09:28All or nothing in three minutes after the strike.
00:09:30Never mind the build-up Benny gave us that.
00:09:33You, uh, planning on grabbing this dough from a bank?
00:09:35You might call it that.
00:09:37Only this bank happens to have wheels under it.
00:09:39And very few guards.
00:09:41Sounds like an armored car job.
00:09:43I could be wrong.
00:09:45You happen to be right.
00:09:48Doesn't sound good.
00:09:50I don't like the odds.
00:09:51Yeah, you can count me out, too.
00:09:53I'm not ready for a fast 60-buck funeral.
00:09:56Just a minute, Ace.
00:09:57The guy got away with it back in Chicago about three years ago.
00:10:00Yeah, I remember that.
00:10:01But that happened to be Chicago.
00:10:04And that was a Dave Purvis job.
00:10:06Let me ask you a question.
00:10:07Supposing it was Dave Purvis figuring this strike, would it sound better?
00:10:10All right, so it'd sound better coming from a guy who knows the ropes.
00:10:13So what?
00:10:14Don't you get it, you clucks?
00:10:16Dave Purvis is figuring this job.
00:10:21How about the odds now, Mapes?
00:10:27They sound much better.
00:10:28Keep talking.
00:10:29First, you better know that I'm taking half of everything we get.
00:10:31The rest of you go on equal shares.
00:10:33That clear?
00:10:34Check.
00:10:35Where do we go from there?
00:10:37I can show you better than I can tell you.
00:10:39In here.
00:10:56This is the layout.
00:10:58Wrigley Field, where we pull the strike.
00:11:00Plenty neat.
00:11:03Why Wrigley Field?
00:11:04They haven't got that kind of dough there.
00:11:06That's a good question.
00:11:07The dough we pick up at the ballpark's not important.
00:11:09What we're after is the load on that truck.
00:11:13The cash receipts from bank transfers, markets, and theaters.
00:11:16Wrigley Field happens to be the last stop on their run.
00:11:19Also, it's the easiest place for us to operate.
00:11:21You can take my word for that.
00:11:22I checked them all.
00:11:24We're still listening.
00:11:25We've got three minutes to pull the whole deal.
00:11:27Someone is going to spot us and send for the cops.
00:11:30I've already timed that.
00:11:32Suppose we haven't finished and there's still dough in the truck.
00:11:35We leave it.
00:11:37I don't want anybody to get sticky fingered after the time is up.
00:11:40Is that clear?
00:11:41Yeah.
00:11:42Yeah.
00:11:43When do you figure on going on this?
00:11:44Next Tuesday.
00:11:46We've got a lot of work to do.
00:11:48You boys are going to study this routine until it comes out your ears.
00:11:53Now, the armored car will be coming along here.
00:11:56Let's go.
00:11:57Here.
00:12:26Go go.
00:12:27Let's go.
00:12:28Come on.
00:12:29Go.
00:12:30Go, go.
00:12:33Go, go.
00:12:34Go.
00:12:35Go, go, go.
00:12:36Go, go.
00:12:38Go.
00:12:40And make this sense of the car.
00:12:41¡Gracias!
00:13:11¡Gracias!
00:13:41¡Gracias!
00:14:05Police department, I want to report a holdup. Wrigley Field.
00:14:11Units 2-7 and 2-8.
00:14:13In 4-5 District, investigate a 5-6-1.
00:14:17In 4-5 District, investigate a 5-6-1.
00:14:21Ballpark again.
00:14:23You know what they say about lightning.
00:14:25But I could be wrong.
00:14:276 will get you a 10.
00:14:29¡Gracias!
00:14:31¡Gracias!
00:14:41¡Gracias!
00:14:43¡Gracias!
00:14:45Ven!
00:14:47¡Gracias!
00:14:49¡Gracias!
00:15:19¡Gracias!
00:15:49¡Gracias!
00:15:51¡Gracias!
00:16:13Special Unit 12, Cordell.
00:16:15Code 3.
00:16:17Officer needs help, Wrigley Field.
00:16:19A 2-11 Major.
00:16:21Notify all units.
00:16:23Be on the lookout for Black 46 Sedan.
00:16:25License California.
00:16:27First three numbers.
00:16:295 Jason 8.
00:16:31Heading East 41st Street at Central.
00:16:33Instruct all units
00:16:35these men wanted for armed robbery
00:16:37and set up immediate roadblocks
00:16:39on all main armies from city.
00:16:49I'd like to see Lieutenant Phillips,
00:17:01if I may go in, please.
00:17:03Are you a member of the family?
00:17:05I'm from police headquarters. I'm Lieutenant Cordell.
00:17:07He's a friend of mine.
00:17:09Just a moment, Lieutenant.
00:17:11I'm Dr. Leslie.
00:17:23Go ahead, tell me.
00:17:27We couldn't save him, Lieutenant.
00:17:29I'm sorry.
00:17:31Was anyone with him?
00:17:33His wife.
00:17:35She's in the waiting room.
00:17:37In there.
00:17:39Thank you.
00:17:41Thank you.
00:17:59Tough break, Marsha.
00:18:01For you, too?
00:18:11Yeah.
00:18:13I know how you feel, Jim.
00:18:15You were partners for years.
00:18:21Yeah, you...
00:18:23kinda get used to a guy.
00:18:25I know.
00:18:31Marsha, I just wanna say...
00:18:39Well, if there's anything you need,
00:18:41you know where I am.
00:18:42Thanks, Jim.
00:18:55How's she taking it, Lieutenant?
00:18:57She'll be all right.
00:18:58What do you want, Ryan?
00:18:59We found the getaway car.
00:19:01They ditched it underneath this Lawson Avenue bridge
00:19:03near the riverbank.
00:19:04Good.
00:19:05And, uh...
00:19:06I'd better tell you the rest of it.
00:19:08Well?
00:19:09I've been assigned to work with you on the case.
00:19:13So you're replacing Phillips, huh?
00:19:15Yes, sir.
00:19:17That's just dandy.
00:19:29I'm gonna go.
00:19:30327 Empire Drive.
00:19:31See this woman about a broken window.
00:19:32327 Empire Drive.
00:19:33See this woman about a broken window.
00:19:34327 Empire Drive.
00:19:35See this woman about a broken window.
00:19:37What did they leave us beside the getaway car?
00:19:39Quite a bit.
00:19:40Gas masks, painters coveralls.
00:19:42Looks like they changed clothes down here.
00:19:44What about fingerprints?
00:19:45Some smudgy ones that nobody can read.
00:19:47But whoever was wearing this got flooded.
00:19:49Note the whole.
00:19:50I see it.
00:19:51I put it there.
00:19:52Hey, Lieutenant.
00:19:53You better take a look at this.
00:19:54Somebody lost a lot of blood.
00:19:56Not enough to suit me.
00:19:58We found some more blood over here, Lieutenant.
00:20:00Apparently, whoever got shot rested against that wall.
00:20:03That's bloodied up all right.
00:20:06Somebody must have lifted him.
00:20:08There's two sets of prints.
00:20:09Footprints end over there.
00:20:10Where they had another car stashed.
00:20:14Seventy-one and seventy-eight clear.
00:20:16Numbers one and two.
00:20:18No warrant.
00:20:19Did we get a rundown on the second car?
00:20:22Hmm?
00:20:23One-seventy-eight, Sanchez and Cloverday.
00:20:25Tread quite warm.
00:20:27Front and rear wheels 116 inches apart.
00:20:30Measuring the indentations on the ground,
00:20:32I'd say the weight was around 3,000 pounds.
00:20:35That's a small car.
00:20:36I think we got to do something about him.
00:20:49He's conking out.
00:20:52How is it now?
00:20:54Gotta get patched up, Dave.
00:20:56Can we stop someplace?
00:20:57We'll stop when we get to the shack in about 10 minutes.
00:21:00Hey, there's something up ahead.
00:21:06That's a roadblock.
00:21:07Slow down.
00:21:08Well, I'm not going through any roadblocks.
00:21:09Keep going.
00:21:10Get nailed?
00:21:11Not me.
00:21:12I'm turning around.
00:21:18What's the idea?
00:21:19You can't turn around here.
00:21:20I didn't want to get mixed up in that traffic.
00:21:23See, we're a little late for our shift.
00:21:25Get in that line and keep moving.
00:21:28Okay.
00:21:35Nice going, you knucklehead.
00:21:37Now, keep in line.
00:21:38I'll never get through that blockade.
00:21:39They'll spot Penny in a minute.
00:21:41Come on, snap out of it.
00:21:44We're all in the jam.
00:21:45Do you hear me?
00:21:46It's no use, Dave.
00:21:47It's no use.
00:21:48Come on, pull yourself together.
00:21:53We got to bluff this out.
00:21:54All of you.
00:21:555.02.
00:21:57948, Le Moine Street.
00:22:00948, a 502.
00:22:08Hey, Purvis, he's fool.
00:22:10Penny.
00:22:11Hang on.
00:22:12Okay.
00:22:13131 A. Wilson, Cabrera.
00:22:2042. Did you receive your call?
00:22:21What's the matter?
00:22:22Where are you heading?
00:22:23Terminal shipyards.
00:22:24¿Trunk open?
00:22:26No, no.
00:22:27¿Qué es la key?
00:22:36¿Algo está mal?
00:22:3716T, en tu station.
00:22:41134, ok, 7.
00:22:44¿Qué es esto? ¿Estás buscando algo?
00:22:48132T, notificaciones han sido realizadas.
00:22:5213, ¿está bien?
00:22:53All right, move along.
00:22:55Thanks.
00:23:23Come on, step on it.
00:23:31Attention, all units, new bulletin on armored car bandits.
00:23:44Description of car being used now as follows.
00:23:48Small sedan, standard make, license not available.
00:23:52Hey, Ruth, what's that on your leg?
00:23:56Must have come off that last car we checked.
00:23:59Say, that's blood.
00:24:00How do you like that?
00:24:02Hey, Chandler, that black sedan is the one we want.
00:24:05Heading south.
00:24:05You're right.
00:24:06I'm being called to kill you.
00:24:41Unit 11, roger.
00:24:43It's your seventh cup of coffee.
00:24:45You'll be awake for a year.
00:24:47Just put some fire under the pot. This is cold.
00:24:49Yes, sir.
00:24:51Unit 16, okay.
00:24:53Unit 13, roger.
00:24:55Lieutenant Cordell. Yes.
00:24:57My name is Bronson.
00:24:59I represent Pacific State's insurance company.
00:25:01I looked for you up at headquarters.
00:25:03They told me I could find you down here.
00:25:05You see, my firm has the policy on the L.A. Armored Car Company.
00:25:09And we stand to take a big loss. You're worried about your money.
00:25:11Is that it? That's it, exactly.
00:25:13If they collect their insurance, it'll be the biggest claim
00:25:15that my company has ever had to pay.
00:25:17You know, that's quite a coincidence.
00:25:19A friend of mine, a police officer,
00:25:21he had insurance, too.
00:25:23His widow is gonna collect it.
00:25:25I heard about that. I'm sorry.
00:25:27But as I was saying, my company stands to put out
00:25:29over $400,000.
00:25:31So, you see, we're more than anxious
00:25:33to cooperate.
00:25:35Isn't there something that we can do?
00:25:37Come to think of it, there is something you can do.
00:25:39Really? What is it?
00:25:41Get out of our hair and let us work.
00:25:43We're doing everything we can.
00:25:45Anything develops, we'll let you know.
00:25:47Well, if there's anything...
00:25:48Good night, Mr. Bronson.
00:25:49Good night, Lieutenant.
00:25:51Sorry I brought it up.
00:25:52Yeah, that makes two of us.
00:25:54Don't worry. Initial is O, deposit.
00:25:58What's his trouble?
00:26:00Money, what's yours?
00:26:01Lack of it.
00:26:02131G, clear.
00:26:04They're bottled up inside that circle.
00:26:06There's no way out.
00:26:08Not unless the car sprouts wings.
00:26:10I know for sure they couldn't get through San Pedro
00:26:12or Long Beach.
00:26:14Or north or east.
00:26:16Yes, request.
00:26:17Well, the next move's up to them.
00:26:19It's all right.
00:26:46Take it easy.
00:26:58How's Benny?
00:26:59Not so good.
00:27:00Come on, let's take a look at him.
00:27:10He's worse, Purvis. He needs a doc.
00:27:11I don't care if he needs a hospital.
00:27:13All he's gonna get is first aid.
00:27:15Let's get out of here.
00:27:16Dave, listen to me.
00:27:18I can't go with you like this.
00:27:20You've gotta get me a doc.
00:27:21I told you that was out.
00:27:23Forget about it.
00:27:25We'll get you patched up later.
00:27:27Get him a slug of whiskey.
00:27:29We're wasting time.
00:27:34Here, Benny.
00:27:35Have a drink of this.
00:27:40Al, talk to Dave.
00:27:42Make him get me a doc.
00:27:44Yeah, I will.
00:27:45Make him.
00:27:46You take it easy.
00:27:47I'll be back.
00:27:51I don't think he's gonna pull through, Purvis.
00:27:52Well, that's his tough luck.
00:27:53He knew the chance he was taken.
00:27:55We've stalled long enough.
00:27:57We could've been halfway to Mexico and out of trouble
00:27:59if it hadn't lived for him.
00:28:01I'll light off the boat with Kelly.
00:28:02Will you quit holding a weight for the guy?
00:28:03If he kicks off, we'll bury him at sea.
00:28:05You can do your moaning then.
00:28:06Don't move.
00:28:07Any of you.
00:28:09Don't wanna get me a doc.
00:28:12Don't try to stop me, Dave.
00:28:16Hand over my share of the dough.
00:28:19Hand it over.
00:28:20You're making a bonehead play, Benny.
00:28:22They'll pick you up sure.
00:28:24You'll get us all in a jam.
00:28:25I'm in a jam now.
00:28:26I'm dying.
00:28:27Hurry up.
00:28:28Hurry up.
00:28:30Okay, Benny.
00:28:31Anything you say.
00:28:33You'll get everything you're entitled to.
00:28:45What are you staring at?
00:28:46Pick him up.
00:28:48What'll I do with him?
00:28:49Put him in a car.
00:28:50I gotta get rid of it anyhow.
00:28:52It's hot and so is he.
00:28:54No loose ends, boys.
00:28:56You gonna ditch a car with him in it?
00:28:57Maybe you'd rather bring him along for company.
00:29:00Come on.
00:29:01Don't be all night apart.
00:29:02You better stay. Al Purpose has got all the dough.
00:29:05Okay, but get back as fast as you can.
00:29:06¡Suscríbete al canal!
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00:30:30¡Suscríbete al canal!
00:30:32¡Suscríbete al canal!
00:30:34¡Suscríbete al canal!
00:30:36¡Suscríbete al canal!
00:30:38¡Suscríbete al canal!
00:30:40¡Suscríbete al canal!
00:30:42¿Quieres más razones?
00:31:12¿Quieres más razones?
00:31:42¿Quieres más razones?
00:32:12¿Quieres más razones?
00:32:42¿Quieres más razones?
00:33:12¿Quieres más razones?
00:33:42¿Quieres más razones?
00:33:44¿Quieres más razones?
00:33:46¿Quieres más razones?
00:33:48¿Quieres más razones?
00:33:50¿Quieres más razones?
00:33:52¿Quieres más razones?
00:33:56¿Quieres más razones?
00:34:02¿Quieres más razones?
00:34:04¿Quieres más razones?
00:34:06¿Quieres más razones?
00:34:08¿Quieres más razones?
00:34:10¿Quieres más razones?
00:34:12¿Quieres más razones?
00:34:14¿Quieres más razones?
00:34:16¿Quieres más razones?
00:34:18¿Quieres más razones?
00:34:20¡Gracias!
00:34:50¡Gracias!
00:35:20¡Gracias!
00:35:22¡Gracias!
00:35:32Notify the harbor patrol
00:35:50¿Morning paper
00:36:01read all about the big robbery?
00:36:04¡Morning paper,
00:36:06read all about the big robbery!
00:36:08Just came in Miss Ledoux.
00:36:10It's midnight.
00:36:11Thanks.
00:36:12¡Morning paper!
00:36:13Paper, mister.
00:36:14Read all about the big robbery.
00:36:17¡Papá!
00:36:47¡Papá!
00:36:49¡Papá!
00:36:55Hello, baby.
00:36:56Everything all right, Dave?
00:36:58Yes and no. Did you read the papers?
00:37:00Was it anybody I know?
00:37:02One of them was.
00:37:04I'm afraid to guess.
00:37:05How does it feel to be a free woman?
00:37:08Just the same.
00:37:10Where will I meet you, Dave?
00:37:12The new place.
00:37:13Take good care of yourself, honey.
00:37:17¡Gracias!
00:37:47¡Gracias!
00:37:49¡Gracias!
00:38:11Good to see you, baby.
00:38:15Tell me what happened, honey.
00:38:17I guess we had a little more excitement than we planned.
00:38:19As long as you're here, that's all I care about.
00:38:21I brought a little something back with me.
00:38:23Sort of a souvenir.
00:38:35Well...
00:38:37Pretty, aren't they?
00:38:41These are the prettiest pictures I've ever seen.
00:38:43Yeah, and there's an awful lot of them, too.
00:38:45You certainly made up well with your end of the deal.
00:38:47As a matter of fact, that was the only end of the deal.
00:38:49Don't tell me there wasn't a split.
00:38:51We planned to have one.
00:38:53We just didn't seem to get around to it.
00:38:55And you know, I completely forgot to give Mapes my forwarding address.
00:38:59Who's Mapes? One of your partners?
00:39:01Yeah, you might say he's my only remaining partner.
00:39:07I sure feel sorry for him.
00:39:09Yeah, I bet your little heart is breaking.
00:39:11Well...
00:39:13Here's to money.
00:39:15And time to spend it.
00:39:21Too bad Benny won't be around for the big payoff, huh?
00:39:23Yeah.
00:39:25Yeah.
00:39:26Yeah, isn't it?
00:39:27What's the matter, honey? You look worried.
00:39:29We've got to be awful careful from now on.
00:39:31They've got nothing on me, but...
00:39:33You might have a few uninvited guests.
00:39:35The kind that wear badges.
00:39:37You mean they might check up on me through Benny?
00:39:39They probably will.
00:39:41I can't risk seeing you anymore till we leave town together.
00:39:43When do you get through at the theater?
00:39:45Two weeks.
00:39:46I have to get them notice.
00:39:47Don't. Wait till the last minute.
00:39:49I'll tell you when.
00:39:51I hate to say this,
00:39:53but you better start getting used to being lonesome.
00:40:07Okay.
00:40:13Hi, Lieutenant.
00:40:14Here's the stuff you wanted to see.
00:40:16Criminal record of the late Benjamin McBride,
00:40:18now cooling his heels in the county morgue.
00:40:20Meet Benny.
00:40:23Age 35, one at Seattle.
00:40:25Grand theft auto.
00:40:26One at Portland.
00:40:27Robbery warehouse.
00:40:28Two priors, same city.
00:40:29Warrant issued San Diego.
00:40:30Assault with deadly weapons.
00:40:31Suspect.
00:40:32If you want the rest of the stuff,
00:40:33we'll be your own.
00:40:34Spare me.
00:40:35You'll be interested in this, too.
00:40:36William Ace Foster, before he was air conditioned.
00:40:41Well, that's two out of the running.
00:40:43This one's still running.
00:40:45Albert Mapes, alias Rocky.
00:40:47Benny's sidekick, Foster's pal.
00:40:49They served time together, worked on jobs together.
00:40:51He'd be worth questioning.
00:40:55Okay, send out an all points on him.
00:40:57Pick him up right away.
00:40:58You don't seem very pleased, Lieutenant.
00:41:00I thought my hunch on Mapes was pretty good.
00:41:02If you want to call an obvious conclusion a hunch,
00:41:04that's your business.
00:41:05Look, Sonny, these are petty hoodlums.
00:41:07Here's Benny Foster Mapes.
00:41:09A job like this was over their heads.
00:41:11They need somebody to think for them.
00:41:13That somebody's our fourth man.
00:41:15Yeah, I guess you're right.
00:41:16But he's a complete blank.
00:41:18Yeah, he's liable to remain one, unless we get lucky.
00:41:22Start with Benny.
00:41:24Local boy, huh?
00:41:26Local boy, huh?
00:41:27Yes, sir.
00:41:29Now let's check some of these addresses.
00:41:43Aged in the glass bourbon.
00:41:46These friends of his, how many would you say there were?
00:41:48Couldn't say.
00:41:49This last week, the place was full of them.
00:41:52Talking and drinking till all hours.
00:41:54Hey, Lieutenant.
00:41:55Can you step in here a minute, please?
00:41:57Looks like Benny really was living.
00:42:09You're a loving baby.
00:42:10Nice, huh?
00:42:12Ever see her around here?
00:42:14No.
00:42:15Never seen any women here.
00:42:17Theatrical photos.
00:42:19Should be easy to trace.
00:42:20Gimme.
00:42:21That's my department.
00:42:22Okay, give it a rundown with the casting offices and the booking agencies.
00:42:25I guarantee good results.
00:42:26Wait a minute.
00:42:29Yes, sir.
00:42:30Put in a call for the fingerprint crew.
00:42:32Get them up here right away.
00:42:33Yes, sir.
00:42:34What happened to the shade?
00:42:42It's gone.
00:42:43Well, that's funny.
00:42:45He never told me it was busted.
00:42:47He never told you a lot of things, Mrs. Page.
00:42:49I wish he had.
00:42:50Well, I asked him a couple of times what he'd done for a living, but he never told me.
00:42:54He was awful private about his business.
00:43:04I'm sorry, Lieutenant.
00:43:12The place is so untidy.
00:43:14He wouldn't let me in lately or I'd have cleaned it up.
00:43:17Cleaned it?
00:43:18Mrs. Page, I'm glad you didn't.
00:43:21Valley Motor Court.
00:43:22Valley Motor Court?
00:43:24Thank you.
00:43:25Thank you very much.
00:43:34Thank you very much.
00:44:04I think he's in.
00:44:13I didn't see him go out anyhow.
00:44:21Mr. Bell?
00:44:22Mr. Bell, are you in?
00:44:24There's a gentleman out here who wants to see you.
00:44:29Here's your passkey.
00:44:30Yes, sir.
00:44:34Is this guy just checking in or just checking out?
00:44:44Neither.
00:44:45He's been here about three days and he's paid up for a week.
00:45:01Did he have a car?
00:45:02No.
00:45:03Said he didn't drive.
00:45:04Always used cabs.
00:45:11You say you checked in about three days ago.
00:45:13I think so, but I can look it up.
00:45:14Yeah, do that.
00:45:15I want to look at the register.
00:45:16You can get that while I'm looking the room over.
00:45:18Yes, sir.
00:45:32The man who wore this stuff is about five feet ten or eleven inches tall, blonde curly hair, weighs around 175 pounds, wears a size 9C shoe.
00:45:45Pretty good dresser.
00:45:46Doesn't mind putting out for shirts and socks at any rate.
00:45:49What about this lipstick smear?
00:45:50From its grease content, it looks like a theatrical brand.
00:45:53There are only a few makes.
00:45:55I'll try to identify the manufacturer.
00:45:59Marshall speaking.
00:46:00Yes, he's here.
00:46:01For you, Lieutenant.
00:46:02Thanks.
00:46:05Where's Cordell?
00:46:06Way hit pay dirt, Lieutenant.
00:46:07The gal in question is Yvonne Ledoux, a burlicue queen working out of the Bijou Theater.
00:46:12But that's not all.
00:46:13She's also the widow of the late Benny McBride.
00:46:16Benny's wife, huh?
00:46:17Yeah, you should see her in her working clothes.
00:46:19Imagine a dish like this married to a mug like Benny McBride.
00:46:24The naked and the dead.
00:46:25Very funny.
00:46:29Okay, Marshall.
00:46:30I guess that's it.
00:46:33You think it's theatrical lipstick, huh?
00:46:35Mm-hmm.
00:46:37You know that's an interesting idea.
00:46:39See you later.
00:46:40All right.
00:46:47Well, there she is with bells on.
00:47:11And very few bells.
00:47:13That's a lot of woman.
00:47:17She'll be on another five minutes.
00:47:22You want to kill time here?
00:47:23You're twisting my arm, Lieutenant.
00:47:47You wanna kill him.
00:47:48You're pranking him?
00:47:49You're not?
00:47:50No.
00:47:55No.
00:47:56No.
00:47:57No.
00:47:58No.
00:47:59No.
00:48:00No.
00:48:03No.
00:48:04No.
00:48:05No.
00:48:08No.
00:48:09No.
00:48:10¡Gracias!
00:48:40¡Gracias!
00:48:42¡Gracias!
00:48:44¡Gracias!
00:48:46¡Gracias!
00:48:48¡Gracias!
00:48:50¡Gracias!
00:49:07¡Gracias!
00:49:09Absoluto.
00:49:11¡Yes.
00:49:14¡Exctive!
00:49:15Juntos, y no disculpad...
00:49:16You're making a mistake, mister.
00:49:17How much' sound or...
00:49:18¡Vámonos!
00:49:20¡Vámonos!
00:49:32El pecado en este estado para la muerte es la muerte.
00:49:35Cuando te mató a la copa,
00:49:36ellos cortan algunas partes para ver que te salga en un momento.
00:49:39¿Cuántas veces puedo decirte que no mató a nadie?
00:49:42El copo que fue matado fue en mis amigos.
00:49:46Justo me parece que yo era uno de sus mejores.
00:49:48Yo me prometí que voy a salir a ver que el mató a pagar.
00:49:59¿Esto es familiar?
00:50:02Sí.
00:50:04Es el hombre que dirigió el carro.
00:50:06¿Estás seguro?
00:50:07De acuerdo.
00:50:08Los otros hombres estaban vestidos de pintores.
00:50:10Gracias.
00:50:16Bueno, eso lo hace, Mapes.
00:50:19Su identificación,
00:50:20más tus dedos,
00:50:21y los dedos en el apartamento,
00:50:22es todo lo que necesitamos.
00:50:24¡Vámonos!
00:50:25¡Vámonos!
00:50:26¡Vámonos!
00:50:27¡Vámonos!
00:50:28¡Vámonos!
00:50:29¡Vámonos!
00:50:30¡Vámonos!
00:50:31¡Vámonos!
00:50:32¡Vámonos!
00:50:34¡Vámonos!
00:50:35¡Vámonos!
00:50:36¡Vámonos!
00:50:37¡Vámonos!
00:50:38Pervis
00:50:41Dave Pervis
00:50:44Pervis, ¿dónde he ever go by the name of Bell?
00:50:47I don't know, he could have had a million handles
00:50:48I knew him by the name of Pervis, he's the guy you're looking for
00:50:51Where is he?
00:50:53I don't know
00:50:53You think I'd have been hanging around that theater if I did
00:50:56I was looking for his dame, the burlesque queen
00:50:58Hoping maybe she could tell me
00:50:59You mean Benny's wife, don't you?
00:51:00Listen, copper, let me tell you something
00:51:02Maybe it was Benny's wife, but there was plenty going on between her and Pervis
00:51:06Else why did he want to give her Benny's cut of the dough?
00:51:09How do you know he did?
00:51:10I don't, but that's what he said
00:51:12Look, that's the only line I had on Pervis
00:51:15I thought maybe I'd introduce myself and beat the truth out of her where he was
00:51:18I earned that dough fair and square
00:51:20There's some question to that, Mapes, but I see your point
00:51:24Take him out, boys
00:51:25Cordell, that's the truth
00:51:26If I knew where he was, I'd tell him to be happy for the chance
00:51:28Get him out of here
00:51:36What's our next move, Lieutenant?
00:51:44Anybody here know Pervis?
00:51:47A girl does, that's for sure
00:51:49You want to pick her up?
00:51:50No, no, no, no good
00:51:51She'd never cracked out if it involved Pervis
00:51:53Gotta catch her off base
00:51:55Johnson
00:51:58Yes, sir
00:51:59Send a dictograph crew up here ready to work
00:52:01I want her to follow day and night
00:52:05Right
00:52:05It's okay
00:52:29Testing, testing
00:52:43Mobile unit 12 to relay car
00:52:46Picking us up okay?
00:52:48You're coming in strong
00:52:50We're a block away on Flower Street, moving south
00:52:53You got your microphone covered
00:52:54I'll put it behind the fabric
00:52:59Now, how do I sound?
00:53:01Great
00:53:02We'll be right back
00:53:03Stand by
00:53:04I won't ask you
00:53:29I'll ask you what's new
00:53:29I can tell
00:53:30She comes in
00:53:33Hangs up her coat
00:53:34Puts on her makeup
00:53:36Takes off her clothes
00:53:37How do you know that?
00:53:39The zipper makes a noise
00:53:40She's back
00:53:43She just finished her show
00:53:48She's taken off her headdress now
00:53:53There come the beads
00:53:55The clicking sound
00:53:59There's her bracelet on the table
00:54:00Now, she's gonna put on her street clothes
00:54:04This is the kind of stuff you gotta televise
00:54:06Open up, Yvonne
00:54:08It's me, Kimball
00:54:09Can you wait a minute?
00:54:15Say, what's this I hear about you quitting the show?
00:54:17Nobody told me about it
00:54:18What's the idea?
00:54:19I'm quitting, that's all
00:54:20As of tonight
00:54:21Can a girl quit if she wants to?
00:54:23Now, wait a minute, Yvonne
00:54:25Take it easy
00:54:25You can't just up and quit me
00:54:27With no notice or anything
00:54:28I'm on the spot
00:54:29Sorry, my contract's up tonight
00:54:31All right
00:54:33Let's talk about a new deal
00:54:34As of now
00:54:35You know me, Yvonne
00:54:36I'm reasonable
00:54:37Are you?
00:54:38Well, I'm not
00:54:39Now, wait a minute, Yvonne
00:54:41You can't do this to me
00:54:42There's our brick
00:54:44We'll follow her
00:54:45And she'll take us right to Pergus
00:54:46Maybe
00:54:46Maybe not
00:54:47If she starts traveling cross-country
00:54:50Or over the border
00:54:51We're gonna have a pretty rough time tailing her
00:54:52What are you gonna do?
00:54:53Are you gonna walk out of here?
00:54:54No, no, not exactly
00:54:55Maybe we can force her hand
00:54:57Oh, you can't hammer it out of her
00:54:59Mapes was going to, remember?
00:55:02Yeah
00:55:02He had the same problem
00:55:04Fine Purvis
00:55:05Isn't that what you would do in the same spot?
00:55:08Oh, sure, Lieutenant
00:55:09But I'm not Mapes
00:55:10Yeah, but she doesn't know that
00:55:11I see what you mean
00:55:13You want me to make like I'm Mapes
00:55:14Go undercover
00:55:15Why not?
00:55:17What do you think?
00:55:17I think it's a great idea
00:55:18I'd like a whack at it
00:55:19Go ahead
00:55:20What do we got to lose?
00:55:21Nothing
00:55:21Only me
00:55:25What's the idea?
00:55:38Take it easy
00:55:39I'm a friend of Dave Purvis
00:55:43I don't care who you are
00:55:45Just let me alone
00:55:46Did you ever hear of Al Mapes?
00:55:53He and Purvis and your husband
00:55:54Pulled off a little deal together
00:55:56Why tell me about it?
00:55:57I need your help to get in touch with Purvis
00:55:59He owes me dough
00:56:01I feel real sorry for you
00:56:03I feel real sorry for you
00:56:03Where is he?
00:56:04I don't know
00:56:05Okay, if that's the way you want it
00:56:18I'll call him for you
00:56:19That's better
00:56:20Why the sudden change
00:56:24Maybe I really am sorry for you
00:56:28What do you care?
00:56:30You want me to call him or not?
00:56:31Okay
00:56:32But look at me
00:56:33Good no tricks
00:56:34I'll be just as close
00:56:36Hello?
00:57:00Dave
00:57:00I'm glad I caught you home
00:57:02What's wrong, baby?
00:57:02Well, there's a guy here
00:57:04Who says you owe him money
00:57:05Al Mapes
00:57:06He wants to see you
00:57:07Now listen, baby
00:57:08Don't lose your head
00:57:09That guy's not Mapes
00:57:10That's a cop
00:57:11What'll I do?
00:57:14Now listen
00:57:15Stall him as long as you can
00:57:16Then go out the back way
00:57:18And go fast
00:57:18There are probably cops out front
00:57:20You got it, baby?
00:57:22Yes, I have it
00:57:23Okay
00:57:24Start stalling
00:57:25But Dave
00:57:29I told him I didn't want to call you
00:57:31But he kept insisting
00:57:32Uh-huh
00:57:34All right
00:57:36He says it's okay
00:57:39He'll talk to you
00:57:39Here he is, Dave
00:57:41I said no tricks
00:57:57I said no
00:57:58Hey, up
00:58:00Turn around
00:58:02Around the car
00:58:09Get in the front seat
00:58:10Hey, look, Max
00:58:11Shut up
00:58:11Keep your hands down
00:58:13Put your hands on the dashboard
00:58:26Take the alley
00:58:29Get going, baby
00:58:29Lieutenant
00:58:37The girl's car just started
00:58:42I'm picking up engine noises
00:58:43Must have gone out the back way
00:58:49This deal's really working
00:58:50You mind telling me
00:58:54Where you're going, Purvis?
00:58:55That's Purvis with him
00:58:56Something must have gone wrong
00:58:57It was a nice try, Copper
00:58:58You almost got away with it
00:59:00Almost
00:59:01You beat that signal
00:59:02It's gonna change
00:59:03You're such a hurry
00:59:04Why'd you take Figueroa?
00:59:06Shut up
00:59:06Nobody asked you
00:59:07Figueroa?
00:59:08That's for our benefit
00:59:08Hit it
00:59:09Next corner
00:59:17Follow that truck
00:59:18Why'd you take Jefferson?
00:59:20You don't live down here
00:59:21No cracks, Copper
00:59:23Jefferson East
00:59:24Kids are all right
00:59:25You think they're after us, Dave?
00:59:27I don't know
00:59:27But I don't trust this guy
00:59:28Or this car, either
00:59:30We're gonna get rid of them both
00:59:31Get off this street
00:59:33And don't talk
00:59:48What'd you turn down the alley for?
01:00:01You cut this off
01:00:02They've stopped
01:00:03Car 22
01:00:06Code 3
01:00:08All units
01:00:09Stand by
01:00:10What's the matter?
01:00:16We gotta ditch your car
01:00:16And get a cab
01:00:17Where are we going?
01:00:18Metropolitan Airport
01:00:19I got a plane chartered
01:00:20Sorry you won't be going with us, Copper
01:00:22Walk
01:00:23Honey, don't do it
01:00:24Look, Purvis
01:00:25You're over your head now
01:00:26This isn't gonna help you
01:00:27Shut up and walk
01:00:28Dave, stop it, please
01:00:37No loose ends, baby
01:00:47Come on, let's get out of here
01:00:49Come on, let's get out of here
01:00:50Come on, let's get out of here
01:00:54Come on, let's get out of here
01:01:36Ryan, Code 3, City Lumber Company.
01:01:40You heard him. Get going.
01:01:42Yes, sir.
01:01:59Danny.
01:02:03Danny, it's me, Cordell.
01:02:09Hi, Lieutenant.
01:02:11An ambulance is on its way.
01:02:14I'm going to go.
01:02:15I'm going to go.
01:02:17I'm going to go.
01:02:18I'm going to go.
01:02:19I'm going to go.
01:02:20I'm going to go.
01:02:21Danny, it's me, Cordell.
01:02:23Hi, Lieutenant.
01:02:25Hi, Lieutenant.
01:02:27An ambulance is on its way.
01:02:29Don't talk.
01:02:30Listen.
01:02:31Furtis and the girl.
01:02:34Metropolitan Airport.
01:02:37Shot at the plane.
01:02:40Shot at.
01:02:41I got it, kid.
01:02:43I got it.
01:02:44Stay with him.
01:02:55Car 22, the 221 Major.
01:03:05Contact Metropolitan Airport.
01:03:08Keep all private planes on the ground.
01:03:10Dave Purvis attempting escape.
01:03:17You clear with customs?
01:03:18Yeah.
01:03:19I could lose my license over this.
01:03:20They'll never know we're aboard.
01:03:21Any way you're getting paid to take the risk.
01:03:23Come on. Let's move.
01:03:24Come on. Let's move.
01:03:39Fasten your seat belts, please.
01:03:54Come on.
01:03:55Come on.
01:03:56Come on.
01:03:57Come on.
01:03:58Come on.
01:03:59Come on.
01:04:00Come on.
01:04:01Come on.
01:04:02Come on.
01:04:03Come on.
01:04:04Tower to 12 on runway.
01:04:05Tower to 12 on runway.
01:04:07Are you carrying passengers, a man and a woman?
01:04:10Verify.
01:04:11One to the tower.
01:04:14Yeah, I guess I am.
01:04:16Something wrong?
01:04:17They're wanted.
01:04:19Police instruct us to hold your plane.
01:04:21Pull into the east runway.
01:04:22Stand by for orders.
01:04:23You stop.
01:04:24What are you waiting for?
01:04:25Orders from the tower.
01:04:26You're taking orders from me.
01:04:27Get that runway and take off.
01:04:28They're wise to you, mister.
01:04:29I can't do it.
01:04:30You heard what I told you.
01:04:31Take off.
01:04:32Tower to 12.
01:04:33Craig, keep that plane off the runway.
01:04:34You're disregarding orders.
01:04:35You're disregarding orders.
01:04:36You're disregarding orders.
01:04:37Tower to 12.
01:04:38Tower to 12.
01:04:39Pull her up.
01:04:40Another plane coming in on main runway.
01:04:41I can't do it.
01:04:42I can't do it.
01:04:43You heard what I told you.
01:04:44Take off.
01:04:45I can't do it.
01:04:46You heard what I told you.
01:04:47Take off.
01:04:48Tower to 12.
01:04:49Craig, keep that plane off the runway.
01:04:50You're disregarding orders.
01:04:53Tower to 12.
01:04:54Tower to 12.
01:04:55Pull her up.
01:04:56Another plane coming in on main runway.
01:04:57Now, what are you doing?
01:04:58See for yourself.
01:04:59You want a head-on crash?
01:05:01Dave, look.
01:05:02The police.
01:05:03The police.
01:05:04Oh, no.
01:05:05Oh, no.
01:05:06Oh, no.
01:05:07Oh, no.
01:05:08Oh, no.
01:05:09Oh, no.
01:05:10Oh, no.
01:05:11Oh, no.
01:05:12Oh, no.
01:05:13Oh, no.
01:05:14Oh, no.
01:05:15Oh, no.
01:05:16Oh, no.
01:05:17Oh, no.
01:05:18Oh, no.
01:05:19Oh, no.
01:05:20Oh, no.
01:05:21Oh, no.
01:05:22Oh, no.
01:05:23Oh, no.
01:05:24Oh, no.
01:05:25Oh, no.
01:05:47Everest, wait out!
01:05:49Ah!
01:05:54¡Suscríbete al canal!
01:06:24¡Oh, better and better!
01:06:25¡He sure is, Lieutenant!
01:06:26¡He gets more mileage out of that thing than I do on the bus!
01:06:40Hello, Jim, what's doing?
01:06:41I can see you're back to normal.
01:06:43Well, I'm trying.
01:06:45You've got quite a write-up, Danny.
01:06:46How's it feel to be famous?
01:06:48What page?
01:06:4837.
01:06:4937.
01:06:51It's not often they pay a police officer a tribute.
01:06:54And a rookie at that.
01:06:55Yeah, but I don't see your name.
01:06:56I sure don't see mine.
01:06:57Look, look, look.
01:06:58Right here at the bottom of the page.
01:06:59Oh, yeah.
01:07:01This case was solved by Lieutenant James Cordell, Los Angeles Police Department.
01:07:04He was assisted by Officer...
01:07:07Danny...
01:07:08Right.
01:07:09And...
01:07:09And...
01:07:10And...
01:07:11And...
01:07:12And...
01:07:13No, no, no, no, no, no.
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