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  • 7 weeks ago
In the profile it was alleged that he fabricated or exaggerated elements of stories he tells in his stand-up comedy, a bombshell story that raised questions about his public persona. Get the full story in this video.
Transcript
00:00I've also been asked, wait a second, aren't you a liar?
00:05Hasan Minhaj is speaking out about his New Yorker profile, saying it was needlessly misleading.
00:10In the profile, it was alleged that he fabricated or exaggerated elements of stories he tells in a stand-up comedy,
00:17a bombshell story that raised questions about his public persona.
00:20In a statement to The Hollywood Reporter, he says,
00:22There were omissions and factual errors in the New Yorker article that misrepresented my life story,
00:27so I wanted to give people the context and materials I provided The New Yorker with full transparency.
00:33In a lengthy video, Minhaj provided more context on three stories from a stand-up act that drew scrutiny in The New Yorker.
00:40Being rejected from prom because of racism,
00:42his run-ins with undercover law enforcement surveilling the Muslim community in his hometown,
00:47and an anthrax scare he had at his home.
00:49I'm aware even talking about this now feels so trivial,
00:53but being accused of faking racism is not trivial.
01:00It is very serious, and it demands an explanation.
01:02He noted,
01:03The reason I feel horrible is because I'm not a psycho,
01:06but this New Yorker article definitely made me look like one.
01:09It was so needlessly misleading, not just about my stand-up, but also about me as a person.
01:14Racism, FBI surveillance, and threats to my family happened, and I said this on the record.
01:21In Minhaj's Netflix special, Homecoming King, he tells a story of asking a white girl to prom,
01:26only to show up at her house and be told by her mother that she won't go with him
01:30because her family doesn't want their daughter in pictures with a brown boy.
01:34The New Yorker noted that the story was not factually accurate and led to the woman's identity being exposed.
01:39Bethany's mom did really say that.
01:43It was just a few days before prom,
01:46and I created the doorstep scene to drop the audience into the feeling of that moment,
01:51which I told the reporter.
01:53Minhaj said he and his team provided the New Yorker with emails and texts that corroborated the story,
01:58and yet they misled readers by excluding all of that
02:01and splicing two different quotes together to leave you thinking that I made up a racist incident.
02:05This whole paragraph makes it sound like I got friend-zoned by Bethany,
02:10and then I turned into an angry insult, and then faked racism to get back at her.
02:14Regarding the other stories from his stand-up, Minhaj admits,
02:17Anne has never denied that he embellished parts of the stories.
02:21I thought I had two different expectations built into my work.
02:26My work as a storytelling comedian,
02:28and my work as a political comedian,
02:31where facts always come first.
02:33He continued,
02:34But in my work as a storytelling comedian,
02:36I assumed the lines between truth and fiction were allowed to be a bit more blurry.
02:41He then closes the video with the longer version of the quote the New Yorker story ended on.
02:45He told me the emotional truth is first, the factual truth is secondary.
02:50The latter, the truth comes first.
02:52Comedy sometimes comes second to make the infotainment the sugar on the medicine.
02:57In this, the emotional truth is first, the factual truth is secondary.
03:02For more on this story, head to THR.com.
03:05And for the latest entertainment news and updates,
03:08keep watching The Hollywood Reporter News.
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